"Banks, Iain - Song of Stone, A" - читать интересную книгу автора (Banks Iain M)'May I keep this?' she asks you. The carriage jolts, clattering over a pothole and I have to look forward again; your head is pressed up against the small of my back as I pull on the reins, keeping the mares away from a line of holes along the road. I feel you nod to her. 'Thank you, Morgan,' the lieutenant says, and sounds well satisfied. She seems to doze for the last few minutes (you touch me on the back', to get me to look, and there is a smile on your face as you nod at her, head bobbing slackly). I am not so sure; our lieutenant's face does not appear completely relaxed to me, the way people really look when they are genuinely asleep. Perhaps she is still watching us, tempting us, waiting to see what we shall do. However that may be, now she rouses herself, looks around, asks where we are and pulls a small radio from her tunic. She talks briefly into it and the trucks ahead of us growl to a stop on the driveway. I pull the carriage up just behind; the jeep idles to our rear. We are perhaps a half kilometre from the entrance to the castle's drive, hidden round a bend beneath the damp dark skeletons of the trees. 'Is there a gatehouse?' she asks me quietly. I nod. 'Any other road or track avoiding the gatehouse?' 'Not for the trucks,' I tell her. 'The jeep?' 'I'd think so.' She stands quickly, rocking the carriage, tips her cap at you then nods to me. 'You lead us. We'll take a jeep.' You glance fearfully at me and put your hand out to me. 'Kneecap,' our lieutenant says to one of the men in the jeep. 'You look after the horses.' The lieutenant gives orders I do not hear to the men in the trucks, then swings into the jeep, taking the wheel herself. The fellow sitting in the passenger seat holds a drainpipe diameter olive tube about a metre and a half long. I take it to be a rocket launcher. I am squeezed in the back between the metal post supporting the machine gun and a fat, pale soldier who smells like a week dead fox. Behind us, sitting on the rear lip of the vehicle, crouches a fourth soldier who holds the heavy machinegun. We take the narrow forest track, round the back of the old estate, beneath the small escarpment fringed with dripping evergreens. The overhanging trees and bushes in places form a tunnel around the track, and the soldier manning the machinegun curses quietly, ducking as snagging branches try to wrest the gun from his grip. The track approaches the stream that feeds the moat. The bridge is rotten, too frail for the jeep, timbers skewed and loose. The lieutenant turns to me, a look of disappointment beginning to form on her face. She follows my gaze, then says quietly to the soldier at the machine gun, 'Karma, take the gun. Let's go.' It would seem I am included. We leave the jeep unmanned and the five of us the lieutenant and I, the man with the rocket launcher, the fat, pale soldier and the one she called Karma, who totes the jeep's machine gun and several heavy looking loops of belted ammunition cross the bridge and scale the steep bank on the far side. From the top, through bushes, the castle and the nearer gardens are spread out. It is a fine vantage point. The lieutenant takes out a pair of small fieldglasses, training them on our home. A brief shower comes upon us, the falling drops catching in one last slant of sunlight levered underneath the rain clouds billowing down from the north. I look at my home, as a golden shroud of wind and rain wraps round it, trying to see it as another might; a modest castellation, not large; age smoothed, sitting prettily in a ring of water and surrounded by lawns, hedges, gravel paths and outbuildings. The ancient walls once pierced only by arrow slots, long since remodelled to allow more generous windows are the colour of honey, in that rose red light. It looks peaceful; but still, for all that architectural delicacy, somehow too strong for these brutal, disrespecting times. Steeped in all this indiscriminate barbarity, anything standing proud invites a razing, like some defiant shout which only draws the hands' attention still faster to the throat, to grasp that moving strand of air by which we hang from and on to life. The only persistence in these unleashed days is achieved through low denominations and banality; in uniformity if not in uniforms, like that shoal of the displaced we tried to become part of. Sometimes the lowest how is the highest guard to offer. For now, all is still about the castle; no smoke rises, no figures stalk its square of battlements; no flag flies above, no light shines and nothing moves. There are still a few tents on the front lawns; people from the village who'd suffered the attentions of armed bands before and had thought the proximity of the castle might guarantee a degree of safety. Some smoke rises slowly there. I think the castle never looked so good to me as now, for all that one lot of pirates are in charge of it and I am being forced to help another band even more determined to have it for their own. The grounds around it are another matter; even before the despoilings inflicted by our mongrel dispossessed cutting wood for fires, digging latrines in our lawns the fields, woods and policies were running down, going to seed, becoming neglected. We lost our estate manager two years ago, and I only ever distantly interested in the running of the estate could not find it in me to take his place. Thereafter, gradually, all the other estate workers were taken by the war, one way or the other, and nature, unrestrained, began to renew its old authority over the burden of our lands. 'There, at the stables,' the lieutenant whispers, over the noise of raindrops pattering through the foliage around us. 'Those two four wheel drives.' 'Ours,' I tell her. We left them there, and the stable doors unlocked, knowing that to attempt to secure anything would only invite more damage. 'Although we didn't leave the doors open like that.' 'That building with the slatted sides at the back of the garages,' the lieutenant says. 'Is that a generator house?' 'Yes.' 'Any fuel for it?' She looks at me hopefully. |
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