"Brown, Eric - Fall of Tartarus 01 - Destiny on Tartarus" - читать интересную книгу автора (Brown Eric) Eric Brown has published seven books so far, the most recent being his
novel PENUMBRA from Millennium. The eagerly-awaited first volume of his `Virex' trilogy, NEW YORK NIGHTS, will be published by Gollancz in May 2000. DESTINY ON TARTARUS, while complete in itself, is the first story in his `Fall of Tartarus' series. The other stories are: THE ULTIMATE SACRIFICE (SPECTRUM SF, forthcoming),THE PEOPLE OF THE NOVA, THE ESCHATARIUM AT LYSSIA, A PRAYER FOR THE DEAD, VULPHEOUS and HUNTING THE SLARQUE (INTERZONE 150, 122, 96, 129 & 141) plus DARK CALVARY (SF AGE, January 1999). DESTINY ON TARTARUS ERIC BROWN I'd heard many a tale about Tartarus Major: how certain continents were technological backwaters five hundred years behind the times; how the Church governed half the planet with a fist of iron, and yet how, in the other half, a thousand bizarre and heretic cults prospered too. I'd heard how a lone traveller was hardly safe upon the planet's surface, prey to wild animals and cut-throats alike. Most of all I'd its sun exploded in the magnificent stellar suicide of a nova. It was hardly the planet on which to spend a year of one's youth н and many friends had tried to warn me off the trip. But I was at that age when high adventure would provide an exciting contrast to the easy life I had lived so far. Besides, I had a valid reason for visiting Tartarus, a mission no degree of risk could forestall. I made the journey from Earth aboard a hyperlight sailship like any other that plied the lanes between the Thousand Worlds. The spaceport at Baudelaire resembled the one I had left at Athens four days earlier: a forest of masts in which the sails of the ships were florid blooms in a hundred pastel shades, contrasting with the stark geometry of the monitoring towers and stabilising gantries. The port was the planet's only concession to the modern day, though. Beyond, a hurly- burly anarchy reigned, which to my pampered sensibilities seemed positively medieval. In my naivety I had expected a rustic atmosphere, sedate and unhurried. The truth, when I stepped from the port and into the streets of the capital city, was a rude awakening. Without mechanised transport, the by-ways were thronged with hurrying pedestrians and carts drawn by the local bovine-equivalent; without baffles to dampen the noise, the city was a cacophony of clashing sounds: the constant din of shouted conversation, the cries of vendors, the lowing moans of the draft-animals. The streets were without the directional lasers in various colours to guide one's way, without sliding walkways, and even without |
|
|