"Card, Orson Scott - The Tales of Alvin Maker 3 - Prentice Alvin" - читать интересную книгу автора (Card Orson Scott)She swung herself close in-- not her body, of courge, her flesh stayed right there in the attic-- but being a torch she knew how to look close at far-off heartfires. It was a young woman. No, a girl, even younger than herself. And strange inside, so she knew right off this girl first spoke a language that wasn't English, even though she spoke and thought in English now. It made her thoughts all twisty and queer. But some things run deeper than the tracks that words leave in your brain; Little Peggy didn't need no help understanding that baby the girl held in her arms, and the way she stood at the riverbank knowing she would die, and what a horror waited for her back at the plantation, and what she'd done last night to get away. *** See the sun there, three fingers over the trees. This runaway Black slave girl and her little bastard half-White boy-baby, see them standing on the shore of the Hio, half hid up in trees and bushes, watching as the White men pole them rafts on down. She a-seared, she know them dogs can't find her but very soon they get them the runaway finder, very worse thing, and how she ever cross that river with this boy-baby? She catch her a terrible thought: I leave this boy-baby, I hide him in this rotten log, I swim and steal the boat and I come back to here. That do the job, yes sir. But then this Black girl who nobody never teach how to be a mama, she know a good mama don't leave this baby who still gots to suck two-hand times a day. She whisper, Good mama don't leave a little boy-baby where old fox or weasel or badger come and nibble off little parts and kill him dead. No ma'am not me. So she just set down here a-hold of this baby, and watch the river flow on, might as well be the seashore cause she never get across. Maybe some White folks help her? Here on the Appalachee shore the White folk hang them as help a slavegirl run away. But this runaway Black slavegirl hear stories on the plantation, about Whites who say nobody better be own by nobody else. Who say this Black girl better have that same right like the White lady, she say no to any man be not her true husband. Who say this Black girl better can keep her baby, not let them White boss promise he sell it on weaning day, they send this boy-baby to grow up into a house slave in Drydenshire, kiss a white man's feet if he say boo. "Oh, your baby is so lucky," they say to this slavegirl. "He'll grow up in a fine lord's mansion in the Crown Colonies, where they still have a king-- he might even see the King someday." She don't say nothing, but she laugh inside. She don't set no store to see a king. Her pa a king back in Africa, and they shoot him dead. Them Portuguese slavers show her what it mean to be a king-- it mean you die quick like everybody, and spill blood red like everybody, and cry out loud in pain and scared-- oh, fine to be a king, and fine to see one. Do them White folk believe this lie? I don't believe them. I say I believe them but I lie. I never let them take him my boy-baby. A king grandson him, and I tell him every day he growing up. When he the tall king, ain't nobody hit him with the stick or he hit them back, and nobody take his woman, spread her like a slaughterpig and stick this half-White baby in her but he can't do nothing, he sit in his cabin and cry. No ma'am, no sir. So she do the forbidden evil ugly bad thing. She steal two candles and hot them all soft by the cookfire. She mash them like dough, she mash in milk from her own teat after boy-baby suck, and she mash some of her spit in the wax too, and then she push it and poke it and roll it in ash till she'see a poppet shape like Black slavegirl. Her very own self. "Black slavegirl don't need her no feathers," say Fat Fox. "I make a boogy for my boy-baby," she say. Fat Fox laugh, he know she lie. "Ain't no blackfeather boogy. I never heared of such a thing. " Black slavegirl, she say, "My papa king in Umbawana. I know all secret thing. " Fat Fox shake his head, he laugh, he laugh. "What do you know, anyway? You can't even talk English. I'll give you all the blackbird feathers you want, but when that baby stops sucking you come to me and I'll give you another one, all Black this time." She hate Fat Fox like White Boss, but he got him blackbird feathers so she say, "Yes sir." Two hands she fill up with feathers. She laugh inside. She far away and dead before Fat Fox never put him no baby in her. She cover that slavegirl poppet with feathers till she little girlshape bird. Very strong thing, this poppet with her own milk and spit in it, blackbird feathers on. Very strong, suck all her life out, but boy-baby, he never kiss no White Boss feet, White Boss never lay no lash on him. Dark night, moon not showing yet. She slip out her cabin. Boy-baby suck so he make no sound. She tie that baby to her teat so he don't fall. She toss that poppet on the fire. Then all the power of the feather come out, burning, burning, burning. She feel this fire pour into her. She spread her wings, oh so wide, spread them, flap like she see that big old blackbird flap. She rise up into the air, high up in that dark night, she rise and fly, far away north she fly, and when that moon be come up, she keep him at her right hand so she get this boy-baby to land where White say Black girl never slave, half-White boy-baby never slave. Come morning and the sun and she don't fly no more. Oh, like dying, like dying she think, walking her feet on the ground. That bird with her wing broke, she pray for Fat Fox to find her, she know that now. After you fly, make you sad to walk, hurt you bad to walk, like a slave with chains, that dirt under your feet. But she walk with that boy-baby all morning and now she come to this wide river. This close I come, say runaway Black slavegirl. I fly this far, yes I fly this river across. But that sun come up and I come down before this river. Now I never cross, old finder find me somehow, whup me half dead, take my boy-baby, sell him South. Not me. I trick them. I die first. |
|
|