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The Dreamstone

THREE

The Harper

The harvest had come again. The scythes went back and forth and left stubble in their wake. By morning the sheaves appeared all in rows, neatly tied; so the Gruagach slept a mighty sleep by day, and ate and ate. A pair of fawns had come this year, a fledgling falcon, a bittern, a trio of fox kits and a starved and arrow-shot piebald mare: such were the fugitives the Steading gathered. Now the falcon was flown, and the bittern too; the fox kits instead of tumbling about the porch were beginning to stray toward the margins of the Steading, going the way of the wolf; and the mare had become fast friends with the Steading’s own pony, grown fat and sleek on sweet grass and grain. The children were delighted with her and hung garlands about her neck which she contrived to slip and eat often as not: she ate and ate, and began to frisk about at daybreak as if it were the morning of the world and no war had ever been.
So here is another fled from the madness, Niall thought to himself, and loved the mare for her courage in living. He rode at times bareback and reinless when he had leisure, letting her go where she would through the pastures and the hills. He loved the feeling of riding again, and the mare swished her tail and cantered at times for the joy of it, going where she pleased, from rich pasture to cool brook to hillsides in the sunlight, or home again to stable and grain. Banain, he called her, his fair darling. She would bear him of her own will; or any of the children, or the Gruagach who whispered to her in a way that horses understood. Sometimes she was willing to be bridled and Caoimhin rode when the mood came on him, and others did, but rarely and not so well and not so far, for, as Caoimhin said, she has one love and none of us can win her.
So this year had been even kinder than the first to him. But the year was not done with arrivals.

This last one came singing, blithe as brazen, down the dusty margin of the fields, along the track the cattle took to pasture, a youth, a vagabond with a sack on his back and a staff in his hand and no weapon but a dagger. His hair was blond to whiteness, and blew about his shoulders to the time of his walking and the whim of the breeze.

Hey, he sang, the winds do blow,
And ho, the leaves are dying,
And season doth to season go
The summer swiftly flying.


Niall was one that saw this apparition. He was mending fences, and Beorc was near him, with Caoimhin and Lonn and Scaga. “Look,” said Caoimhin, and look they did, and looked at Beorc. Beorc stopped his work and with hands on hips watched the lad coming so merrily down the far hillside, Beorc seeming less perplexed than solemn.
“Here’s one come walking where he knows not,” Niall said. In a furtive smallness of his heart it disturbed him that anyone could come less desperate than himself, than Caoimhin wounded, than half-starved Banain or the grounded falcon. It upset all his world that this place could be gained so casually, by simple accident. And then he thought again on the meanness of that; and a third time that it was less than likely.
“It be one of the fair folk,” said Lonn uneasily.
“No,” said Beorc. “That he is not. He has a harp on his shoulder, and his singing is uncommon fine but he is none of the fair folk.”
“Do you know him then?” Niall asked, wishing some surety in this meeting.
“No,” Beorc said. “Not I.” There was no man living had sharper eyes or ears than Beorc. He spoke while the boy was well off in the distance and the voice was still unclear. But the song came clearer as they listened, bright and fair, and the boy came walking up to them in no great hurry: there was indeed a harp on his shoulder. It rang as he walked and as he stopped.
“Is there welcome here?” the boy asked.
“Always,” said Beorc. “For all that find the way. Have you walked far?”
For a moment there seemed a confusion in the boy’s eyes. He half turned as if seeking the way that he had come. “I came on the path. It seemed a short way through the hills.”
“Well,” said Beorc. “Well, shorter and longer than some. The hills are not safe these days.”
“There were riders,” said the harper vaguely, pointing at the hills. “But they went off their way and I went mine, and I sing as I walk so they will not mistake me—there is still some respect for a harper, is there not, in the lands about Caer Donn?”
“Ah, if you were seeking Caer Donn you are somewhat off your path.”
Now the boy looked afraid—not greatly so, but uneasy all the same. “I had come from Donn. Is this then An Beag’s land? I had not thought it reached within the hills.”
“Freeheld, this is,” said Beorc and laughed, waving an arm at all the steading, the house set on the side of the great hill, the golden-stubbled fields, the orchards, the whole wide valley. “And Aelfraeda, my wife, will give a harper a cup of ale and a place by the fire for the asking. If you’ve a taste for cakes and honey, that we always have. Scaga, show the lad the way.”
“Sir,” said the harper, quite courteous in his recovery, and made a bow as respectful as for a lord. He shouldered the strap of his harpcase and went off up the hill with Scaga’s leading, not without a troubled glance or two the way he had come, but after a few paces his step was light again and quick.
“You have misgivings,” Niall said to Beorc at the harper’s back, when he was out of hearing. “You never wondered at me or at Caoimhin. Who is he? Or what?”
Beorc continued to stare after the boy a moment, leaning on the rail, and his face had no laughter in it, none. “Something strayed. Caer Donn, he says. Yet his heart is hidden.”
“Does he lie?” asked Caoimhin.
“No,” said Beorc. “Do you think a harper could?”
“A harper is a man,” said Caoimhin. “And men have been known to lie upon a time.”
Beorc turned on Caoimhin one of his searching looks, his beard like so much fire in the wind and his hair blowing likewise. “The world has gotten to be an ill place if that is so. But this one does not. I do not fear that.”
“And what when he goes singing songs of us in An Beag?” asked Caoimhin.
“They may search as they will,” said Beorc, and shrugged and took up the rail again, “But we shall have songs for it. Perhaps a whole winter’s songs, perhaps not.”
And Beorc fell to singing himself, which he would when he wished not to discuss a thing.
“Master Beorc,” said Caoimhin, annoyed, but Niall took up the other end of the rail and held it in place in silence, so Caoimhin, scowling still, knelt to set the pole.

That evening there were indeed songs at the table in the yard, beneath the stars. The harper played for them on his plain and battered harp, delighting the children with merry songs made just for them. But there were great songs too. He had made one of the great battle at Aesclinn; he sang of the King and Niall Cearbhallain, while Niall himself looked only at the cup in his hands, wishing the song done. There were tears in many eyes as the harper sang; but Beorc and Aelfraeda sat hand in hand, listening and still, keeping their thoughts to themselves; and Niall sat dry-eyed and miserable until the last chord was struck. Then Caoimhin cleared his throat loudly and offered the harper ale.
“Thank you,” the boy said—Fionn, he called himself, and that was all. He drank a sip and struck a thoughtful chord, and let the strings ripple a moment. “Ah,” he said, and after a moment let the music die and took up the ale again. He drank and looked up at them with the sweat cooling on his brow, and then gave his attention to the harp again.

The fires are low
The breezes blow
And stone lies not on stone.
The stars do wane
And hope be vain
Till he comes to his own.

Then a chill came on Niall Cearbhallain, and he clenched tight the cup in his hand, for it meant the boy King.
“That song,” said Caoimhin, “is dangerous.”
“So,” said the harper. “But I am wary where I sing it. And a harper is sacred—is he not?”
“He is not,” said Niall harshly and set his cup down. “They hanged Coinneach the king’s bard in the court of Dun na h-Eoin, before they pulled the walls down.” He stood up to leave the table, and then recalled that it was Beorc’s table and Aelfraeda’s, and not his to be leaving in any quarrel. “It is the ale,” he said then lamely, and sank back into his place. “Sing something less grim, master harper. Sing something for the children.”
“Aye,” said the harper after a moment of looking at him, and blinked and seemed a moment lost. “I will sing for them.”
So the harper did, a lilting, merry song, but it struck differently on Niall’s heart. Niall looked toward Aelfraeda and Beorc, a pleading look and, receiving nothing of offense, gathered himself from his bench and went away into the dark, down by the barn, where the music was far away and thin and eerie in the night, and the laughter far.
There he leaned against the rail of the pen and felt the night colder than it had been.
“Singing,” piped a voice.
It startled him, thin and strange as it was, coming from the haystack, even if he knew the source of it.
“Mind your business,” he said.
“Niall Cearbhallain.”
A chill ran through him, that it had somehow gotten his name. “You’ve been lurking under more haystacks than this,” he said. “I’d be ashamed.”
“Niall Cearbhallain.”
The chill grew deeper. “Let me be.”
“Be what, Niall Cearbhallain?”
He shrugged aside, shivering, ready to go off anywhere to be rid of this badgering.
“Feasts at the house,” said the Gruagach. “And what for me?”
“I’ll see a plate set out for you.”
“With ale.”
“The largest cup.”
The Gruagach rustled out of the haystack and hopped up onto the rail, his shagginess all shot through with bits of straw in the dark. “This harper does not see,” said the Gruagach. “He sits and harps and sometimes it comes clear to him and most times not. Your luck has brought him here, Niall Cearbhallain. He came to you first. He is fey. He is your luck and none of his own.”
“What made you so wise?” Niall snapped, dismayed.
“What made you so blind, Man? You came here once yourself with the smell of the Sidhe about you.”
He had started to turn away. He stopped and stared, cold to the heart. But the Gruagach bounded off the rail and ran.
“Come back!” he called. “Come back here!” But the Gruagach never would. He was lost into the dark and gone at least until he came for his cakes and ale.

There was a quieter gathering very late that night, in the hall by the fireside where the harper sat half-drowsing with ale, the harp clasped in his arms and the firelight bathing his face with a kindly glow. Beorc and Aelfraeda, Lonn and Sgeulaiche and Diarmaid, a scattering about the room; and Caoimhin was there when Niall came straying in, thinking the hall at rest.
“Sir,” said the harper, who rose and bowed, “I hope there was no distress I gave you.”
“None,” said Niall, constrained by the courtesy. He bowed, and addressed himself to Aelfraeda. “The matter of the cakes—may I see to it?”
Aelfraeda gathered herself up and everyone was dislodged. “The harper’s tired,” she said. ‘To bed, to bed all.” She clapped her hands. Beorc moved and the rest did, and the drowsing harper blinked and settled the more comfortably into his corner.
Niall filled the cup himself and took the plate of cakes out on the porch. “Gruagach,” he called softly, but heard and saw nothing. He went inside, as all the house was settling to their rest; and Scaga who had made himself inconspicuous in the corner came out of his hiding.
“Enough,” said Niall. “To bed.—Now.” So Scaga fled.
But over Caoimhin he had no such power. Caoimhin remained, watching him, and the harper’s eyes were on him.
“Cearbhallain,” said the harper quietly.
“And has he told you? And how many know?”
“I knew at the table. I have heard the manner of your face.”
“What, that it is foul? That it is graceless?”
“I have heard it said you are a hard man, lord. Among the best that served the King. I saw you once—I was a boy. I saw you stand at table tonight and for a moment you were Cearbhallain.”
“You are still a boy to my years,” Niall snapped. “And songs are very well in their moment. In hall. You were not at Aescford or Aesclinn. It stank and it was long and loud. That was the battle, and we lost.”
“But did great good.”
“Did we?” Niall turned his side to him, taking the warmth of the dying fire on his face, and a great weariness came on him. “Be that so. But I am for bed now, master harper. For bed and rest.”
“You gather men here. To ride out to Caer Wiell. Is that your purpose?”
It startled him. He laughed without mirth. “Boy, you dream. Ride with what? A haying fork and hoe?”
The harper reached beside him at the bricks of the fireplace, pulled forward an old sheath and sword.
“Dusty, is it not?” said Niall. “Aelfraeda must have missed it.”
“If you would take me with you—lord, I can use a bow.”
“You are mistaken. You are gravely mistaken. The sword is old, the metal brittle. It is no good any more. And I have settled here to stay.”
A pain came over the harper’s face. “I am no spy, but a King’s man.”
“Well for you. Forget Caer Wiell.”
“Your cousin—the traitor—”
“Give me no news of him.”
“—holds your lands. The lady Meara is prisoned there, his wife by force. The King’s own cousin. And you have settled here?”
Niall’s hand lifted and he turned. The harper had set himself for the blow. He let his hand fall.
“Lord,” Caoimhin said.
“If I were the Cearbhallain,” said Niall, “would I be patient? He was never patient. As for taking Caer Wiell—what would you, harper? Strike a blow? An untimely blow. Look you, look you, lad—Think like a soldier, only once. Say that the blow fell true. Say that I took Caer Wiell and dealt all that was due there. And how long should I hold it?”
“Men would come to you.”
“Aye, oh aye, the King’s faithful men would come—to one hold, to the Cearbhallain’s name. And begin battle for an infant king—for a power before its time. But An Beag would rise; and Caer Damh—no gentle enemies. Donn is fey and strange and no trust is in them if there is no strong king. Luel’s heart is good but Donn lies between, and Caer Damh—No. This is not the year. In ten, perhaps; in two score there may be a man to crown. Maybe you will see that day. But it is not this day. And my day is past. I have learned patience. That is all I have.”
For a moment all was silence. An ember snapped within the hearth. “I am Coinneach the king’s bard’s son,” the harper said. “And I saw you at Dun na h-Eoin once, in the court where my father died.”
“Coinneach’s son.” Niall looked at him, and the cold seemed greater still. “I had not thought you lived.”
“I was with the young King—King he is, lord—until I took to the roads. And I have lodged under hedges and among old stones and now and again in Luel and Donn, aye, and An Beag’s steadings too, so never name me coward, lord. Two years I have come and gone and not all in safety.”
“Stay,” Niall said. “Lad, stay here. There is no safety else.”
“Not I. Not I, lord. This place is asleep. I have felt it more and more, and I have slept places round about Donn that I would never cross again. Leave this place with me.”
“No,” Niall said. “Neither Caoimhin nor I. You will not listen. Then never think to come back again. Or to live if you once pass the gates of Caer Wiell. Have you thought how much you could betray?”
“Nothing and no one. I have taken care to know nothing. Two years on the road, lord. Do you think I have not thought? Aye, since Dun na h-Eoin I have thought and come on this journey.”
“Then farewell, friend’s son,” Niall said. “Take my sword if it would serve you. Its owner cannot go.”
“It is a courteous offer,” the harper said, “but I’ve no skill with swords. My harp is all I need.”
“Take or leave it as you will,” Niall said. “It will rust here.” He turned away and went toward his own nook back along the halls. He did not hear Caoimhin follow. He looked back. “Caoimhin,” he said. “The lad has a long way to travel. Go to bed.”
“Aye,” said Caoimhin, and left him.

The harper left before the dawn—quietly, and taking nothing with him that was not his—“Not a bit to eat,” Siolta mourned, “nor anything to drink. We should have set it out for him, and him giving us songs till his voice was gone.” But Aelfraeda said nothing, only shook her head in silence and put the kettle on.
And all that morning there was a heavy silence, as if merriment had left them, as if the singing had exhausted them. Scaga moped about his tasks. Beorc went down to the barn in silence and took Lonn and, others with him. Sgeulaiche sat and carved on something Sgeulaiche understood, an inchoate thing, but the children were out of sorts from late hours and sulked and complained about their tasks. And Caoimhin who had gone down with Beorc never came to his work.
So Niall found him, sitting on the bench at the side of the barn where he should have gathered his tools. “Come,” said Niall, “the fence is yet to do.”
“I cannot stay,” said Caoimhin, so all that he had feared in searching for Caoimhin came tumbling in on him; but he laughed all the same.
“Work is a cure for melancholy, man. Come on. You’ll think better of it by noontime.”
“I cannot stay any longer.” Caoimhin gathered himself to his feet and met his eyes. “I shall be taking my sword and bow.”
“To what use? To defend a harper? What will he be saying to An Beag along the way?—Pray you never notice that great armed man: he set it on himself to follow me? A fine pair you would be along the road.”
“So I shall follow. A winter I said I would stay. But you have stolen a year from me. The boy was right: this place is full of sleep. Leave it, Cearbhallain, leave it and come do some good in the world before we end. No more of this waking sleep, no more of this place.”
“Think of it when you are starved again and cold, or when you lie in some ditch and none to hear you—O Caoimhin! Listen to me.”
“No,” said Caoimhin and flung his arms about him briefly. “O my lord, one of us should go to serve the King, even if neither sees his day.”
Then Caoimhin went striding off toward the house, never looking back.
“Then take Banain,” Niall cried after him. “And if you have need then give her her head: she might bring you home.”
Caoimhin stopped, his shoulders fallen. “You love her too much. Give me your blessing, lord. Give me that instead.”
“My blessing then,” said Cearbhallain, and watched him go toward the house, which was as much as he cared to see. He turned. He ran, ran as he had run that day long ago, across the fields, as a child would run from something or to something, or simply because his heart was breaking and he wanted no sight of anyone, least of all of Caoimhin going away to die.

He fell down at last high upon the hillside among the weeds, and his side ached almost as much as his heart. He had no tears—saw himself, a grim, lean man the years had worn as they wore the rocks; and about him was the peace the hillside gave; and below him when he looked down was the orchard ripe with apples, the broad meadow pastures, the house with the barn and the old oak. And above him was the sky. And beyond the shoulder of the hill the way grew strange like the glare of rocks in summer noon, the sheen of sun on grass stems, so that his eyes hurt and he looked away and rose, walking along the hill.
Then a doubt came gnawing at him, so that he passed along the ridge looking for some sight of Caoimhin, like a man worrying at a wound. But when he had come on the valley way he saw no one, and knew himself too late.
“Death,” said a thin small voice above him on the hill.
Niall looked up in rage at the shaggy creature on the rock. “What would you know, you croaking lump of straw? Starve from now on! Steal all I have, creeping thief, and starve!”
“Evil words for evil, but only one is true.”
“A plague on your prophecy.”
“Ill and ill.”
“Leave me.”
The Gruagach hopped down from the rock and came nearer still “Not I.”
“Will he die then?”
“Perhaps.”
Then be clear.” Hope had started up in him, a guilty desperate thing, and he seized the Gruagach by its shaggy arms and held it “If you have the Sight, then See. Tell me—tell me—was there truth in the harper? Is there hope at all? If there was hope—will there be a King again? Is it on me to serve this King?”
“Let go!” it cried. “Let go!”
“Be plain with me,” Niall said and shook it hard, for a terror made him cruel, and the creature’s eyes were wild. “Is there hope in this King?”
“He is dark,” hissed the Gruagach with a wild shake of its shaggy head, and its eyes rolled aside and fixed again on his. “O dark.”
“Who? What meaning, dark? Name me names. Will this young King live?”
The Gruagach gave a moan and suddenly bit him fiercely, so that he jerked his hand back and lost the Gruagach from his grip, holding the wounded hand to his lips. But the creature stopped and hugged itself and rocked to and fro, wild eyed, and spoke in a thin, wailing voice:
Dark the blight and dark the path and strong the chains that bind them
Fell the day that on them dawns, for doom comes swift behind them.
“What sense is that?” Niall cried. “Who are they? Do you mean myself?”
“No, no, never Cearbhallain. O Man, the Gruagach weeps for you.”
“Shall I die then?”
“All Men die.”
“A plague on you!” He sucked at his wounded hand. “What chains and where? Is it Caer Wiell you mean?”
“Stay,” it said, and fled.
He almost had the will to go. He stood on the hillside and looked down at the dale that led away toward the outgoing of the hills. But that Stay rang in his ears, and his bones ached with his running, and Caoimhin was nowhere in sight
He sank down there, and watched till sundown, but the courage for the road grew colder and colder, and his belief in it less and less.
At last a boy came running, jogging along by turns and running as if his side hurt, down in the place between the hills.
“Scaga!” Niall called, rising to his feet.
The boy stopped as if struck, and looked up, and began to run toward him, stumbling as he ran; but Niall came down to him and caught him in his arms.
“I thought you had gone,” the boy said, and never Scaga wept, but his lip quivered.
“Caoimhin is gone,” Niall said, “not I. Is supper ready?”
For a moment Scaga fought for breath. “I think so.”
So he came back with Scaga, and the snare was fast.



The Dreamstone

THREE

The Harper

The harvest had come again. The scythes went back and forth and left stubble in their wake. By morning the sheaves appeared all in rows, neatly tied; so the Gruagach slept a mighty sleep by day, and ate and ate. A pair of fawns had come this year, a fledgling falcon, a bittern, a trio of fox kits and a starved and arrow-shot piebald mare: such were the fugitives the Steading gathered. Now the falcon was flown, and the bittern too; the fox kits instead of tumbling about the porch were beginning to stray toward the margins of the Steading, going the way of the wolf; and the mare had become fast friends with the Steading’s own pony, grown fat and sleek on sweet grass and grain. The children were delighted with her and hung garlands about her neck which she contrived to slip and eat often as not: she ate and ate, and began to frisk about at daybreak as if it were the morning of the world and no war had ever been.
So here is another fled from the madness, Niall thought to himself, and loved the mare for her courage in living. He rode at times bareback and reinless when he had leisure, letting her go where she would through the pastures and the hills. He loved the feeling of riding again, and the mare swished her tail and cantered at times for the joy of it, going where she pleased, from rich pasture to cool brook to hillsides in the sunlight, or home again to stable and grain. Banain, he called her, his fair darling. She would bear him of her own will; or any of the children, or the Gruagach who whispered to her in a way that horses understood. Sometimes she was willing to be bridled and Caoimhin rode when the mood came on him, and others did, but rarely and not so well and not so far, for, as Caoimhin said, she has one love and none of us can win her.
So this year had been even kinder than the first to him. But the year was not done with arrivals.

This last one came singing, blithe as brazen, down the dusty margin of the fields, along the track the cattle took to pasture, a youth, a vagabond with a sack on his back and a staff in his hand and no weapon but a dagger. His hair was blond to whiteness, and blew about his shoulders to the time of his walking and the whim of the breeze.

Hey, he sang, the winds do blow,
And ho, the leaves are dying,
And season doth to season go
The summer swiftly flying.


Niall was one that saw this apparition. He was mending fences, and Beorc was near him, with Caoimhin and Lonn and Scaga. “Look,” said Caoimhin, and look they did, and looked at Beorc. Beorc stopped his work and with hands on hips watched the lad coming so merrily down the far hillside, Beorc seeming less perplexed than solemn.
“Here’s one come walking where he knows not,” Niall said. In a furtive smallness of his heart it disturbed him that anyone could come less desperate than himself, than Caoimhin wounded, than half-starved Banain or the grounded falcon. It upset all his world that this place could be gained so casually, by simple accident. And then he thought again on the meanness of that; and a third time that it was less than likely.
“It be one of the fair folk,” said Lonn uneasily.
“No,” said Beorc. “That he is not. He has a harp on his shoulder, and his singing is uncommon fine but he is none of the fair folk.”
“Do you know him then?” Niall asked, wishing some surety in this meeting.
“No,” Beorc said. “Not I.” There was no man living had sharper eyes or ears than Beorc. He spoke while the boy was well off in the distance and the voice was still unclear. But the song came clearer as they listened, bright and fair, and the boy came walking up to them in no great hurry: there was indeed a harp on his shoulder. It rang as he walked and as he stopped.
“Is there welcome here?” the boy asked.
“Always,” said Beorc. “For all that find the way. Have you walked far?”
For a moment there seemed a confusion in the boy’s eyes. He half turned as if seeking the way that he had come. “I came on the path. It seemed a short way through the hills.”
“Well,” said Beorc. “Well, shorter and longer than some. The hills are not safe these days.”
“There were riders,” said the harper vaguely, pointing at the hills. “But they went off their way and I went mine, and I sing as I walk so they will not mistake me—there is still some respect for a harper, is there not, in the lands about Caer Donn?”
“Ah, if you were seeking Caer Donn you are somewhat off your path.”
Now the boy looked afraid—not greatly so, but uneasy all the same. “I had come from Donn. Is this then An Beag’s land? I had not thought it reached within the hills.”
“Freeheld, this is,” said Beorc and laughed, waving an arm at all the steading, the house set on the side of the great hill, the golden-stubbled fields, the orchards, the whole wide valley. “And Aelfraeda, my wife, will give a harper a cup of ale and a place by the fire for the asking. If you’ve a taste for cakes and honey, that we always have. Scaga, show the lad the way.”
“Sir,” said the harper, quite courteous in his recovery, and made a bow as respectful as for a lord. He shouldered the strap of his harpcase and went off up the hill with Scaga’s leading, not without a troubled glance or two the way he had come, but after a few paces his step was light again and quick.
“You have misgivings,” Niall said to Beorc at the harper’s back, when he was out of hearing. “You never wondered at me or at Caoimhin. Who is he? Or what?”
Beorc continued to stare after the boy a moment, leaning on the rail, and his face had no laughter in it, none. “Something strayed. Caer Donn, he says. Yet his heart is hidden.”
“Does he lie?” asked Caoimhin.
“No,” said Beorc. “Do you think a harper could?”
“A harper is a man,” said Caoimhin. “And men have been known to lie upon a time.”
Beorc turned on Caoimhin one of his searching looks, his beard like so much fire in the wind and his hair blowing likewise. “The world has gotten to be an ill place if that is so. But this one does not. I do not fear that.”
“And what when he goes singing songs of us in An Beag?” asked Caoimhin.
“They may search as they will,” said Beorc, and shrugged and took up the rail again, “But we shall have songs for it. Perhaps a whole winter’s songs, perhaps not.”
And Beorc fell to singing himself, which he would when he wished not to discuss a thing.
“Master Beorc,” said Caoimhin, annoyed, but Niall took up the other end of the rail and held it in place in silence, so Caoimhin, scowling still, knelt to set the pole.

That evening there were indeed songs at the table in the yard, beneath the stars. The harper played for them on his plain and battered harp, delighting the children with merry songs made just for them. But there were great songs too. He had made one of the great battle at Aesclinn; he sang of the King and Niall Cearbhallain, while Niall himself looked only at the cup in his hands, wishing the song done. There were tears in many eyes as the harper sang; but Beorc and Aelfraeda sat hand in hand, listening and still, keeping their thoughts to themselves; and Niall sat dry-eyed and miserable until the last chord was struck. Then Caoimhin cleared his throat loudly and offered the harper ale.
“Thank you,” the boy said—Fionn, he called himself, and that was all. He drank a sip and struck a thoughtful chord, and let the strings ripple a moment. “Ah,” he said, and after a moment let the music die and took up the ale again. He drank and looked up at them with the sweat cooling on his brow, and then gave his attention to the harp again.

The fires are low
The breezes blow
And stone lies not on stone.
The stars do wane
And hope be vain
Till he comes to his own.

Then a chill came on Niall Cearbhallain, and he clenched tight the cup in his hand, for it meant the boy King.
“That song,” said Caoimhin, “is dangerous.”
“So,” said the harper. “But I am wary where I sing it. And a harper is sacred—is he not?”
“He is not,” said Niall harshly and set his cup down. “They hanged Coinneach the king’s bard in the court of Dun na h-Eoin, before they pulled the walls down.” He stood up to leave the table, and then recalled that it was Beorc’s table and Aelfraeda’s, and not his to be leaving in any quarrel. “It is the ale,” he said then lamely, and sank back into his place. “Sing something less grim, master harper. Sing something for the children.”
“Aye,” said the harper after a moment of looking at him, and blinked and seemed a moment lost. “I will sing for them.”
So the harper did, a lilting, merry song, but it struck differently on Niall’s heart. Niall looked toward Aelfraeda and Beorc, a pleading look and, receiving nothing of offense, gathered himself from his bench and went away into the dark, down by the barn, where the music was far away and thin and eerie in the night, and the laughter far.
There he leaned against the rail of the pen and felt the night colder than it had been.
“Singing,” piped a voice.
It startled him, thin and strange as it was, coming from the haystack, even if he knew the source of it.
“Mind your business,” he said.
“Niall Cearbhallain.”
A chill ran through him, that it had somehow gotten his name. “You’ve been lurking under more haystacks than this,” he said. “I’d be ashamed.”
“Niall Cearbhallain.”
The chill grew deeper. “Let me be.”
“Be what, Niall Cearbhallain?”
He shrugged aside, shivering, ready to go off anywhere to be rid of this badgering.
“Feasts at the house,” said the Gruagach. “And what for me?”
“I’ll see a plate set out for you.”
“With ale.”
“The largest cup.”
The Gruagach rustled out of the haystack and hopped up onto the rail, his shagginess all shot through with bits of straw in the dark. “This harper does not see,” said the Gruagach. “He sits and harps and sometimes it comes clear to him and most times not. Your luck has brought him here, Niall Cearbhallain. He came to you first. He is fey. He is your luck and none of his own.”
“What made you so wise?” Niall snapped, dismayed.
“What made you so blind, Man? You came here once yourself with the smell of the Sidhe about you.”
He had started to turn away. He stopped and stared, cold to the heart. But the Gruagach bounded off the rail and ran.
“Come back!” he called. “Come back here!” But the Gruagach never would. He was lost into the dark and gone at least until he came for his cakes and ale.

There was a quieter gathering very late that night, in the hall by the fireside where the harper sat half-drowsing with ale, the harp clasped in his arms and the firelight bathing his face with a kindly glow. Beorc and Aelfraeda, Lonn and Sgeulaiche and Diarmaid, a scattering about the room; and Caoimhin was there when Niall came straying in, thinking the hall at rest.
“Sir,” said the harper, who rose and bowed, “I hope there was no distress I gave you.”
“None,” said Niall, constrained by the courtesy. He bowed, and addressed himself to Aelfraeda. “The matter of the cakes—may I see to it?”
Aelfraeda gathered herself up and everyone was dislodged. “The harper’s tired,” she said. ‘To bed, to bed all.” She clapped her hands. Beorc moved and the rest did, and the drowsing harper blinked and settled the more comfortably into his corner.
Niall filled the cup himself and took the plate of cakes out on the porch. “Gruagach,” he called softly, but heard and saw nothing. He went inside, as all the house was settling to their rest; and Scaga who had made himself inconspicuous in the corner came out of his hiding.
“Enough,” said Niall. “To bed.—Now.” So Scaga fled.
But over Caoimhin he had no such power. Caoimhin remained, watching him, and the harper’s eyes were on him.
“Cearbhallain,” said the harper quietly.
“And has he told you? And how many know?”
“I knew at the table. I have heard the manner of your face.”
“What, that it is foul? That it is graceless?”
“I have heard it said you are a hard man, lord. Among the best that served the King. I saw you once—I was a boy. I saw you stand at table tonight and for a moment you were Cearbhallain.”
“You are still a boy to my years,” Niall snapped. “And songs are very well in their moment. In hall. You were not at Aescford or Aesclinn. It stank and it was long and loud. That was the battle, and we lost.”
“But did great good.”
“Did we?” Niall turned his side to him, taking the warmth of the dying fire on his face, and a great weariness came on him. “Be that so. But I am for bed now, master harper. For bed and rest.”
“You gather men here. To ride out to Caer Wiell. Is that your purpose?”
It startled him. He laughed without mirth. “Boy, you dream. Ride with what? A haying fork and hoe?”
The harper reached beside him at the bricks of the fireplace, pulled forward an old sheath and sword.
“Dusty, is it not?” said Niall. “Aelfraeda must have missed it.”
“If you would take me with you—lord, I can use a bow.”
“You are mistaken. You are gravely mistaken. The sword is old, the metal brittle. It is no good any more. And I have settled here to stay.”
A pain came over the harper’s face. “I am no spy, but a King’s man.”
“Well for you. Forget Caer Wiell.”
“Your cousin—the traitor—”
“Give me no news of him.”
“—holds your lands. The lady Meara is prisoned there, his wife by force. The King’s own cousin. And you have settled here?”
Niall’s hand lifted and he turned. The harper had set himself for the blow. He let his hand fall.
“Lord,” Caoimhin said.
“If I were the Cearbhallain,” said Niall, “would I be patient? He was never patient. As for taking Caer Wiell—what would you, harper? Strike a blow? An untimely blow. Look you, look you, lad—Think like a soldier, only once. Say that the blow fell true. Say that I took Caer Wiell and dealt all that was due there. And how long should I hold it?”
“Men would come to you.”
“Aye, oh aye, the King’s faithful men would come—to one hold, to the Cearbhallain’s name. And begin battle for an infant king—for a power before its time. But An Beag would rise; and Caer Damh—no gentle enemies. Donn is fey and strange and no trust is in them if there is no strong king. Luel’s heart is good but Donn lies between, and Caer Damh—No. This is not the year. In ten, perhaps; in two score there may be a man to crown. Maybe you will see that day. But it is not this day. And my day is past. I have learned patience. That is all I have.”
For a moment all was silence. An ember snapped within the hearth. “I am Coinneach the king’s bard’s son,” the harper said. “And I saw you at Dun na h-Eoin once, in the court where my father died.”
“Coinneach’s son.” Niall looked at him, and the cold seemed greater still. “I had not thought you lived.”
“I was with the young King—King he is, lord—until I took to the roads. And I have lodged under hedges and among old stones and now and again in Luel and Donn, aye, and An Beag’s steadings too, so never name me coward, lord. Two years I have come and gone and not all in safety.”
“Stay,” Niall said. “Lad, stay here. There is no safety else.”
“Not I. Not I, lord. This place is asleep. I have felt it more and more, and I have slept places round about Donn that I would never cross again. Leave this place with me.”
“No,” Niall said. “Neither Caoimhin nor I. You will not listen. Then never think to come back again. Or to live if you once pass the gates of Caer Wiell. Have you thought how much you could betray?”
“Nothing and no one. I have taken care to know nothing. Two years on the road, lord. Do you think I have not thought? Aye, since Dun na h-Eoin I have thought and come on this journey.”
“Then farewell, friend’s son,” Niall said. “Take my sword if it would serve you. Its owner cannot go.”
“It is a courteous offer,” the harper said, “but I’ve no skill with swords. My harp is all I need.”
“Take or leave it as you will,” Niall said. “It will rust here.” He turned away and went toward his own nook back along the halls. He did not hear Caoimhin follow. He looked back. “Caoimhin,” he said. “The lad has a long way to travel. Go to bed.”
“Aye,” said Caoimhin, and left him.

The harper left before the dawn—quietly, and taking nothing with him that was not his—“Not a bit to eat,” Siolta mourned, “nor anything to drink. We should have set it out for him, and him giving us songs till his voice was gone.” But Aelfraeda said nothing, only shook her head in silence and put the kettle on.
And all that morning there was a heavy silence, as if merriment had left them, as if the singing had exhausted them. Scaga moped about his tasks. Beorc went down to the barn in silence and took Lonn and, others with him. Sgeulaiche sat and carved on something Sgeulaiche understood, an inchoate thing, but the children were out of sorts from late hours and sulked and complained about their tasks. And Caoimhin who had gone down with Beorc never came to his work.
So Niall found him, sitting on the bench at the side of the barn where he should have gathered his tools. “Come,” said Niall, “the fence is yet to do.”
“I cannot stay,” said Caoimhin, so all that he had feared in searching for Caoimhin came tumbling in on him; but he laughed all the same.
“Work is a cure for melancholy, man. Come on. You’ll think better of it by noontime.”
“I cannot stay any longer.” Caoimhin gathered himself to his feet and met his eyes. “I shall be taking my sword and bow.”
“To what use? To defend a harper? What will he be saying to An Beag along the way?—Pray you never notice that great armed man: he set it on himself to follow me? A fine pair you would be along the road.”
“So I shall follow. A winter I said I would stay. But you have stolen a year from me. The boy was right: this place is full of sleep. Leave it, Cearbhallain, leave it and come do some good in the world before we end. No more of this waking sleep, no more of this place.”
“Think of it when you are starved again and cold, or when you lie in some ditch and none to hear you—O Caoimhin! Listen to me.”
“No,” said Caoimhin and flung his arms about him briefly. “O my lord, one of us should go to serve the King, even if neither sees his day.”
Then Caoimhin went striding off toward the house, never looking back.
“Then take Banain,” Niall cried after him. “And if you have need then give her her head: she might bring you home.”
Caoimhin stopped, his shoulders fallen. “You love her too much. Give me your blessing, lord. Give me that instead.”
“My blessing then,” said Cearbhallain, and watched him go toward the house, which was as much as he cared to see. He turned. He ran, ran as he had run that day long ago, across the fields, as a child would run from something or to something, or simply because his heart was breaking and he wanted no sight of anyone, least of all of Caoimhin going away to die.

He fell down at last high upon the hillside among the weeds, and his side ached almost as much as his heart. He had no tears—saw himself, a grim, lean man the years had worn as they wore the rocks; and about him was the peace the hillside gave; and below him when he looked down was the orchard ripe with apples, the broad meadow pastures, the house with the barn and the old oak. And above him was the sky. And beyond the shoulder of the hill the way grew strange like the glare of rocks in summer noon, the sheen of sun on grass stems, so that his eyes hurt and he looked away and rose, walking along the hill.
Then a doubt came gnawing at him, so that he passed along the ridge looking for some sight of Caoimhin, like a man worrying at a wound. But when he had come on the valley way he saw no one, and knew himself too late.
“Death,” said a thin small voice above him on the hill.
Niall looked up in rage at the shaggy creature on the rock. “What would you know, you croaking lump of straw? Starve from now on! Steal all I have, creeping thief, and starve!”
“Evil words for evil, but only one is true.”
“A plague on your prophecy.”
“Ill and ill.”
“Leave me.”
The Gruagach hopped down from the rock and came nearer still “Not I.”
“Will he die then?”
“Perhaps.”
Then be clear.” Hope had started up in him, a guilty desperate thing, and he seized the Gruagach by its shaggy arms and held it “If you have the Sight, then See. Tell me—tell me—was there truth in the harper? Is there hope at all? If there was hope—will there be a King again? Is it on me to serve this King?”
“Let go!” it cried. “Let go!”
“Be plain with me,” Niall said and shook it hard, for a terror made him cruel, and the creature’s eyes were wild. “Is there hope in this King?”
“He is dark,” hissed the Gruagach with a wild shake of its shaggy head, and its eyes rolled aside and fixed again on his. “O dark.”
“Who? What meaning, dark? Name me names. Will this young King live?”
The Gruagach gave a moan and suddenly bit him fiercely, so that he jerked his hand back and lost the Gruagach from his grip, holding the wounded hand to his lips. But the creature stopped and hugged itself and rocked to and fro, wild eyed, and spoke in a thin, wailing voice:
Dark the blight and dark the path and strong the chains that bind them
Fell the day that on them dawns, for doom comes swift behind them.
“What sense is that?” Niall cried. “Who are they? Do you mean myself?”
“No, no, never Cearbhallain. O Man, the Gruagach weeps for you.”
“Shall I die then?”
“All Men die.”
“A plague on you!” He sucked at his wounded hand. “What chains and where? Is it Caer Wiell you mean?”
“Stay,” it said, and fled.
He almost had the will to go. He stood on the hillside and looked down at the dale that led away toward the outgoing of the hills. But that Stay rang in his ears, and his bones ached with his running, and Caoimhin was nowhere in sight
He sank down there, and watched till sundown, but the courage for the road grew colder and colder, and his belief in it less and less.
At last a boy came running, jogging along by turns and running as if his side hurt, down in the place between the hills.
“Scaga!” Niall called, rising to his feet.
The boy stopped as if struck, and looked up, and began to run toward him, stumbling as he ran; but Niall came down to him and caught him in his arms.
“I thought you had gone,” the boy said, and never Scaga wept, but his lip quivered.
“Caoimhin is gone,” Niall said, “not I. Is supper ready?”
For a moment Scaga fought for breath. “I think so.”
So he came back with Scaga, and the snare was fast.