"Cliff Notes - Dante's Divine Domedy" - читать интересную книгу автора (Cliff Notes)he was ever caught in Florence again.
Consequently, Dante never returned to his home city. This exile also meant that Dante's fortunes, which were not as large as his family had once held, were confiscated. He spent the remainder of his life living at the expense and generosity of friends. He died in Ravenna in 1321. Dante's private life is less well defined than his public affairs. He was betrothed to Gemma Donati in 1277 (remember he would have been twelve then!) whom he later married. There were three children: Jacopo, Pietro, and Antonia. (Some of the historians mention a fourth, Giovanni.) When Dante's sons were fourteen, they also had to join their father in exile. Both Jacopo and Pietro later wrote about the Divine Comedy. Antonia entered a convent and took the name Sister Beatrice. Dante wrote the Divine Comedy while he was in exile. He finished the first part, the Inferno, in 1314 and the final cantos of the Paradiso in 1320. The title of the entire work is The Comedy of Dante Alighieri, Florentine by Citizenship, Not by Morals. Dante was a man who lived, who saw political and artistic success, and who was in love. He was also a man who was was no stranger to the cruelty and treachery possible in people. Dante felt that he was the victim of a grave injustice. He also suffered serious self-doubts--natural for a man in exile and eternally dependent. Remembering all this about Dante, we can see his work as the sum of all these experiences and his answers to the basic human questions: What is man? Why does he act as he does? What is Good and what is Evil? When it so often looks like "Good guys finish last," why should anyone be good? You are probably saying, "So what?" at this point. But trying to understand a work of literature is often a lot like trying to understand other people. You have to figure out where they are coming from and what makes them tick. Dante comes from a medieval Roman Catholic background, and that is extremely important for the Divine Comedy. What if a reader is not a Catholic or a Christian? What about a 20th-century reader who doesn't know medieval history? Can that person still understand the poem, or will the religious and medieval aspects get in the way? Obviously, we can't promise there will never be a problem, but the work has been read all over the world for centuries. After all, when you read science fiction, you accept that |
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