"Cliff Notes - Gulliver's Travels" - читать интересную книгу автора (Cliff Notes)


^^^^^^^^^^GULLIVER'S TRAVELS: THE YAHOOS

The Yahoos are so startling and unforgettable that the term has stayed in our language. When someone today refers to a person as a Yahoo, he means that that person is a hick, somewhat less than civilized. To Swift, it meant something far more damning.

The Yahoos in Gulliver's Travels embody the lowest traits in human nature. They are gluttonous, filthy, lascivious, thieving, violent brutes. Only physically do they resemble civilized people. They live in kennels and function as the Houyhnhnms' "horses."

To Gulliver they represent mankind, period. To Swift, they represent what man must strive to overcome. Bear in mind that the Yahoos ended up on the Houyhnhnms' island by accident. A female and a male arrived, and, stranded, never left. The original couple had children, so did their children, etc. Totally cut off from other humans, they degenerated to the level of beasts. It's possible that Swift is saying here that people need to be with other people to remain civilized. Swift, who has been attacked for misanthropy, is actually arguing against it here.

^^^^^^^^^^GULLIVER'S TRAVELS: CAPTAIN PEDRO DE MENDEZ

Pedro de Mendez is the captain of the ship that rescues Gulliver when the Houyhnhnms send him away. Mendez is the first person Gulliver has seen in two years. He is extremely gentle, generous, and patient with Gulliver. Not only does he take Gulliver back to Europe, he makes sure he gets special food, clothing, and quarters. He is immediately sensitive to the fact that Gulliver is traumatized, and he suffers Gulliver's insults without batting an eyelash. He convinces Gulliver to go home to his family, and pays his way from Amsterdam to England.

Swift's creation of the character Pedro de Mendez is a good indication that he never intended the Yahoos to represent his estimation of mankind.


^^^^^^^^^^GULLIVER'S TRAVELS: SETTING

Written in the form of a travel book, Gulliver's Travels has a variety of settings, each of which symbolizes one or more of Swift's themes. Gulliver stands out in relief against these settings; each brings out different parts of his personality. We get to know Gulliver, and Gulliver gets to know himself, through comparison and contract to those around him. Because the settings change, and Gulliver finds himself in contrasting situations, Gulliver's viewpoints (as well as our own) are constantly shifting.

Part I takes place in Lilliput, where the inhabitants are six inches high, and Gulliver seems a giant. Swift makes his question literal: What is it to be small? What are the many forms of smallness? What is the value of doing things on a small scale? The hazards? Over the years many critics have suggested that in Part I Gulliver is looking down the Great Chain of Being at the Lilliputians who are petty, cruel, benighted. In comparison, Gulliver's (man's) place on the chain seems secure somewhere between animals and angels. Yet this is Swift, so things don't remain so simple. The Lilliputians have the refinement (to Gulliver), the physical attractiveness, and ingenuity we normally associate with human beings. Gulliver's bulk renders him more animallike, in that he is a physical problem in Lilliput. Bestial as he seems at times, Gulliver is the humanitarian.

The Lilliputians represent the Whigs for whom Swift has so much contempt. Their political ways correspond to Whig machinations in English government in the early eighteenth century.

Part II takes place in Brobdingnag, the land of giants. What does it mean to be big? What are the forms of bigness? The values of it? The hazards in it? Here Gulliver has been said to be looking up the Great Chain of Being--he may seem physically very refined here, but he's no humanitarian. The Brobdingnagians represent what Swift considers good rulers and politicians.

Part III constitutes a "whirlwind tour" of Enlightenment intellectual and scientific attitudes and practices.

In Part IV, the world is stood on its head--animals rule and people are kept in cages.

^^^^^^^^^^GULLIVER'S TRAVELS: THEMES

The overarching theme of this novel is the question, 'What is it to be human?' You follow Gulliver through four traumatic voyages, you are exposed to a host of creatures and situations and systems of their devising that help you to form an answer to this question.

But let's break it down.

1. HUMAN NATURE IS PETTY

The Lilliputians and Gulliver among the Brobdingnagians make a good case for the pettiness of human nature.

2. HUMAN NATURE IS MAGNANIMOUS AND JUST

The Brobdingnagians and Pedro de Mendez are fine examples of generosity and fairness.

3. MAN IS SOMEWHERE BETWEEN PETTINESS AND MAGNANIMITY

There are two ways of looking at this theme: either man is capable of improving himself, or he is not. Bear in mind that Swift was a traditional cleric who held the view that man's task on earth is to better himself spiritually, to get as far as possible from the Yahoo parts of his character. On the other hand, the Yahoos make an extremely strong impression and Gulliver never fully recovers from his exposure to them. It seems it's an individual thing--some people can and some can't.

4. THE SIN OF PRIDE IS THE MOST DANGEROUS SIN OF ALL