"Cliff Notes - Madame Bovary" - читать интересную книгу автора (Cliff Notes)

^^^^^^^^^^MADAME BOVARY: DOCTOR LARIVIERE

A doctor of great reputation, his character was probably modeled after Flaubert's father. He arrives in Yonville when Emma is dying, but is too late to save her. Though he appears only briefly at the end of the novel, he's one of the few characters with integrity.

^^^^^^^^^^MADAME BOVARY: MONSIEUR ROUAULT

Rouault, Emma's father, is genuinely affected by the death of his wife. A sentimental man, he sends the Bovarys a turkey every year to mark the anniversary of their meeting. At the end, he's too upset by his daughter's death to see his granddaughter, Berthe.

^^^^^^^^^^MADAME BOVARY: BERTHE

Charles and Emma's daughter is left in her aunt's care when her parents die. The aunt eventually puts Berthe to work in a cotton mill to earn her living.

^^^^^^^^^^MADAME BOVARY: HIPPOLYTE

The stable boy at the Lion d'Or, he allows Charles to perform an experimental operation on his clubfoot. As a result of the disastrous operation, his leg must be amputated.


^^^^^^^^^^MADAME BOVARY: SETTING

Both Tostes and Yonville, where the main action of Madame Bovary takes place, are fictitious names of small towns in the Normandy region of northwest France. Both towns were invented by Flaubert, though many readers assume that Yonville was modeled after the town of Ry, where an actual scandal similar to the story of Emma and Charles had taken place. Originally Flaubert had subtitled the novel "Scenes From Provincial Life" to emphasize the importance of the setting as a commentary on French small-town life in the mid-nineteenth century.

Flaubert describes the town of Yonville in great detail, from the "straight street lined with young aspens" to "the emaciated pear trees pressed up against the plastered walls of the houses." It has only a single main street which is lined with stores. Nothing ever changes in this town or in its surrounding landscape that is as flat and monotonous as the lives of its inhabitants. The farmers continually plow their fields, whether the land is fertile or not. Note especially Flaubert's description of the town cemetery (Part Two, Chapter 1).

Flaubert sets a good portion of Part Three in Rouen, the city of his birth. In his day, Rouen, the capital of Normandy, was the third largest city in France, known mostly for its medieval architecture and especially for the Cathedral where Leon and Emma begin their affair. In Madame Bovary the shift from town to city is important to the relatively unsophisticated residents of Yonville. For Homais, a trip to Rouen is a special occasion. During his visit, he makes Leon take him on a tour of the restaurants and cafes, acting like a typical sightseer. On the other hand, you get the impression that Charles prefers small-town life. When he goes to Rouen to buy tickets for the opera, he might as well be in a foreign country. For Emma, city life presents the perfect remedy for her boredom, almost a dream come true. The crowded streets provide her with enough excitement to blot out, at least momentarily, her usual morbid thoughts. For Emma, Rouen represents another imagined escape route from everyday reality. Similarly, Paris, the glittering city that seems paradise to Emma, serves as the backdrop to many of her fantasies.

^^^^^^^^^^MADAME BOVARY: THEMES

The following are themes of Madame Bovary.

1. BLINDNESS

The blind beggar whose melancholy song Emma hears just before she dies symbolizes the lack of insight that characterizes the main figures in Madame Bovary. Charles might also be thought of as blind--to Emma's unhappiness and to her unfaithfulness. Even when he discovers Rodolphe's and Leon's letters at the end of the novel, he still refuses to accept the truth. For her part, Emma is unable to see through either her own self-deceiving view of life or the deceptions of others. She idealizes her lovers and is fooled by both the false ideas of Homais and the unscrupulous practices of Lheureux.

2. INADEQUACY AND FAILURE

Madame Bovary is a record of Emma's failure to find a life which corresponds to the vague, romantic notions which she has read about. Each failure leads to another attempt at self-fulfillment. She accepts Charles' marriage proposal, thinking that a life with him will solve the boredom of life on her father's farm. But Charles becomes the symbol of everything inadequate or wrong with her life. The failure of the clubfoot operation represents both Emma's thwarted expectations and Charles' mediocrity.

3. HUMAN INSENSITIVITY

Most of the relationships in Madame Bovary are marked by an extreme lack of sensitivity and love. Despite her dreams of romance, Emma is not particularly loving and seems to care little for others, even her own child. Others, like Father Bournisien and Homais, talk about humanity but ignore actual human suffering. Husbands and wives like Emma and Charles and the elder Bovarys live in a state of separation, marked by either silence or antagonism. Lack of communication, at best, and cruelty, at worst, replace human sympathy. Even Emma's affairs lack real feeling and mutuality, with each of the partners focused inward instead of on each other.

Some readers take the bleak picture of human relationships drawn by Flaubert as evidence of his fundamental pessimism about life. Others consider it a reflection of his own failure in personal relationships.

4. THE "DISEASE" OF ROMANTICISM

Some readers feel that Madame Bovary is a novel about the dangers of reading romantic novels since Emma's image of romance developed from the books she read at the convent school. These books reflected the more exuberant aspects of Romanticism, a literary and artistic movement that focused on the expression of the emotional and imaginative life of the individual. Emma gorged herself on fixed ideas about ideal romance, but since fantasy is rarely like reality, she creates chaos all around her when she imposes these dreams on her daily life. She actually becomes ill after romantic episodes in her life. It's at this point that Romanticism might be considered a disease.

Readers are divided in their interpretation of Flaubert's attitude toward Emma. Some feel that Emma destroys herself and her family by trying to make her dreams reality. Others interpret her romantic feelings as a form of rebellion against the monotony of middle-class life. For these readers even a corrupt form of Romanticism is better than the life-style epitomized by Charles and Homais.