"Conrad, Joseph - A Personal Record" - читать интересную книгу автора (Conrad Joseph)

And then there is that accent. Another difficulty. For who is
going to tell whether the accent is right or wrong till the word
is shouted, and fails to be heard, perhaps, and goes down-wind,
leaving the world unmoved? Once upon a time there lived an
emperor who was a sage and something of a literary man. He
jotted down on ivory tablets thoughts, maxims, reflections which
chance has preserved for the edification of posterity. Among
other sayings--I am quoting from memory--I remember this solemn
admonition: "Let all thy words have the accent of heroic truth."
The accent of heroic truth! This is very fine, but I am thinking
that it is an easy matter for an austere emperor to jot down
grandiose advice. Most of the working truths on this earth are
humble, not heroic; and there have been times in the history of
mankind when the accents of heroic truth have moved it to nothing
but derision.

Nobody will expect to find between the covers of this little book
words of extraordinary potency or accents of irresistible
heroism. However humiliating for my self esteem, I must confess
that the counsels of Marcus Aurelius are not for me. They are
more fit for a moralist than for an artist. Truth of a modest
sort I can promise you, and also sincerity. That complete,
praise worthy sincerity which, while it delivers one into the
hands of one's enemies, is as likely as not to embroil one with
one's friends.

"Embroil" is perhaps too strong an expression. I can't imagine
among either my enemies or my friends a being so hard up for
something to do as to quarrel with me. "To disappoint one's
friends" would be nearer the mark. Most, almost all, friend
ships of the writing period of my life have come to me through my
books; and I know that a novelist lives in his work. He stands
there, the only reality in an invented world, among imaginary
things, happenings, and people. Writing about them, he is only
writing about himself. But the disclosure is not complete. He
remains, to a certain extent, a figure behind the veil; a
suspected rather than a seen presence--a movement and a voice
behind the draperies of fiction. In these personal notes there is
no such veil. And I cannot help thinking of a passage in the
"Imitation of Christ" where the ascetic author, who knew life so
profoundly, says that "there are persons esteemed on their
reputation who by showing themselves destroy the opinion one had
of them." This is the danger incurred by an author of fiction
who sets out to talk about himself without disguise.

While these reminiscent pages were appearing serially I was
remonstrated with for bad economy; as if such writing were a form
of self-indulgence wasting the substance of future volumes. It
seems that I am not sufficiently literary. Indeed, a man who
never wrote a line for print till he was thirty-six cannot bring