"Cooney, Caroline B - Janie Johnson 03 - Voice on the Radio" - читать интересную книгу автора (Cooney Caroline B)Brian was becoming the person he should have been, but his mother could never be the person she should have been.
The damage had 'been too long, and tOo terrible. Oh, Hannah, he thought. What you did to us. Derek Himself loved to talk about fame. "Did you see me on 20/20 last night?" Derek liked to ask. "I'm America's newest shock jock, syndicated in a hundred and seventy-two stations. They had to interview me, or their ratings would tumble." Reeve, listening, thought: I'm the one here who might actually accomplish those things. And now I have to back off. He'd been so surprised by his visit home. Nothing had changed. His life was so different that he had somehow expected everybody else's life to be different, too. The same pots were stacked on the same stove. The same pile of bills waited for attention on the same counter. He had forgotten high school, too, but there it sat: same halls, teachers, lights, sounds, smell. And Janie, He'd forgotten the silk of her hair. Forgotten what it was like to be the physical center of someOne's universe. Forgotten, here among other young men pushing and shoving for ratings, what it was like just to be loved. He'd felt so great, saving her from the yearbook assault. That evening Reeve and Janie sprawled on the sofa in his parents' living ,room, Janie half in his lap, leaning back against his chest, holding his arms locked around her, while he rested his chin on her head. If he relaxed his hug, she'd pull his arms tight again, for that combination of love and safety that she required of him. She filled him in on the reporter who had tried to barge into her' house on Lipstick Day. It was good that she could not see Reeve's face. He was doing exactly what Tyler and the reporter had tried to do, except they had failed, and Reeve hadn't. Reeve's answers, therefore, required detour after detour. It was like the streets of Boston: one pit after another. Every sentence led to WSCK, and he couldn't even mention it, let alone brag. How he wanted to tell her: Janie, I'm the best, I'm a fad, people tune in just for me. He wanted Janie to light up, the way she did, all the way to her fingertips, laughing her wonderful laugh, and kissing him before she got her laugh done. On the train returning to Boston, it was an easy decision: back off, skip radio. But here in the studio . Derek had put on the Fog, had a tape by Slow Burn ready to play back to back. Plenty of time for Vinnie, Cal, Derek and Reeve to talk. Talking was what they liked best. There were no strong, silent types in radio. Back off didn't mean quit. Back off meant still here, but not as deejay. Or as deejay, but not doing' janies. If I'm here, listening to Derek Himself, can I stand it? I'd rip the mike out of his hands and do a janie anyway. I'm not gonna back off. So I have to quit. Cold. The way people who have quit smoking have to throw away their cigarettes. Not come down here again. Not hang out with these guys. Find a new set of friends. "Vinnie," he said, and he found it surprisingly hard to get enough air beneath his sentence, as if this were his first time on the radio all over again, "I'm going to quit." "No, you're not. You love this." "I do love it. But Janie is a real person. This would upset her. So I'm quitting." I am not. I am in control and I've made a decision. I won't do another janie. The music was fading out. Derek Himself talked over the last chords. Reeve hated that, when they cut out the final lyrics in order to have more time for their own voices. He wasn't going to be that kind of deejay. Derek surprised Reeve by giving him ajanie cue, swinging the adjustable arm of the mike into Reeve's face. The air was empty and waiting. I won't say a janie, he ordered himself. He didn't. He swung the mike back to Derek and walked out of the broadcast room. There. For Janie's sake, he'd quit. He was proud of himself. He felt tall and strong and good for people. Maybe he'd run for President. S S S In the big Dodge coming back from Home Depot, Jodie needed to be private, so she let Brian have the front seat with Mom and she sat way in the back, slumped down, her face hidden by the middle seats. Unbelievable. Her mother was going to allow it! Jodie would be permitted choice, and independence, and risk. Risk. It had never been allowed in the Spring family since Jennie had vanished. Stephen, out there in Colorado, told them nothing when they were on the phone with him. Nothing. Was he being dull and good, going to class, getting eight hours of sleep, being friends with suitable people? Or was he taking risks? Hitchhiking? Skydiving? Jodie hoped he was taking risks. Jodie, like the rest of the family, had hair that glinted red and gold. But unlike Janie, whose chaotic curls were airborne in the humidity of New England, Jodie's was thin and straight. She wore it in a soccer cut. If she went to college in Boston, she'd probably dye it blue. Shave some off. Have earrings in her scalp. Scare normal people by sitting down next to them. Or maybe not. Maybe she'd wear long black skirts and vests with a zillion glitter beads. Or she might rip down the city streets on her Rollerblades, with her leather jacket and her gang bandanna. What do I want from life, thought Jodie, now that I have choices? Well, I don't want a family. That's more risk than I'm willing to touch. I don't have daydreams with little kids in them. I don't want babies I could lose. I'm going to have money, and answering machines, and a staff to order around, and jets, and travel, and great clothes. Alter my shaved-skull-and-earrings stage, that is. |
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