"Delany, Samuel R - The Einstein Intersection 1.0" - читать интересную книгу автора (Delaney Samuel R)

"Can you give me back Friza?"
"Everything I kill I keep. In my own private kage." His moist laughter. Water in a cold pipe, I think.
"Kid Death?"
"What?"
"Where are you?"
The sound snagged on ivory needles.
"Where are you from, Kid Death? Where are you going?"
The long fingers raveled like linen rope snaring gold coins. He pushed weeds away from the gutter grill with his foot. "I broiled away childhood in the sands of an equatorial desert kage with no keeper to love me. Like you, lively in your jungle, I was haunted by the memories of those who homed under this sun before our parents' parents came, took on these bodies, loves and fears. Most of those around me in the kage died of thirst. At first I saved some of my fellows, bringing water to them the way Friza threw

the stone-oh yes, I saw that too. I did that for a while. Then for a while I killed whoever was put in the kage with me, and took the water directly from their bodies. I would go to the fence and stare across the dunes to the palms at the oasis where our tribe worked. I never thought to leave the kage, back then, because like mirages on the glistering I saw through all the worlds' eyes-I saw what you and Friza and Dorik saw, as I see what goes all over this arm of the galaxy. When what I saw frightened me, I closed the eyes seeing. That's what happened to Friza and Dorik. When I am still curious about what's going on through those eyes, more curious than frightened, I open them again. That's what happened with Dorik."
"You're strong," I said.
"That's where I come from, the desert, where death shifts in the gritty bones of the Earth. And now? I am going further and further into the sea." Raising his eyes now, his red hair floated back in the shivering green.
"Kid Death," I called again; he was much further away. "Why were you in the kage? You look more functional than half the Lo and La of my village."
Kid Death turned his head and looked at me from the corner of his eyes. He mocked. "Functional? To be born on a desert, a white-skinned redhead with gills?"
The spreading, drinking miniature mouth of the shark washed away. I blinked. I couldn't think of anything else so I took papers out of the filing cabinet, spread them under the desk and lay down, tired and bewildered.
I remember I picked up one page and spelled my way through a paragraph. La Dire had taught me enough to read record labels, when for a while I had foraged about the village archives:

Evacuate upper levels with all due haste. Alarm system will indicate radiation at standard levels. Deeper detection devices are located...
Most of the words were beyond me. I halved the paper with toes and quartered it with fingers, let the pieces fall on my stomach before I picked up my machete to play myself to sleep.


What, then, is noble abstraction? It is taking first the essential elements of the thing to be represented, then the rest in the order of importance (so that wherever we pause we shall always have obtained more than we leave behind) and using any expedient to impress what we want upon the mind without caring about the mere literal accuracy of such expedient.
John Ruskin/The Stones of Venice

A poem is a machine for making choices.
John Ciardi/How Does a Poem Mean

Hours after-I figure it could have been two, it could have been twelve-I rolled from under the desk and came up grunting, yawning, scratching. When I stepped into the hall the light faded.
I didn't go back the way I'd come but headed forward again. There are lots of breakthroughs into the upper levels. I go till I see morning and climb out. About half an hour later I see a three foot stretch of it (morning) in the ceiling, behind black leaves, and leap for it. Good jumping power in those hams.
I scrambled out on crumbling ground and tame brambles, tripped on a vine, but all in all did pretty well. Which is to avoid saying "on the whole." Outside was cool, misty. Fifty yards by, the lapping edge of a lake flashed. I walked through the tangle to the clear beach. Chunked rock became gravel, became sand. It was a big lake. Down one arm of the beach things faded into reeds and swamp and things. Across, there was a gorse covered plain. I had no idea where I was. But I didn't want to be in a swamp, so I walked up the other way.
Thrash, thrash, snap!
I stopped.
Thrash! Just inside the jungle something churned and fought. The fighting was at the point where one opponent was near exhausted: activity came in momentary spurts. (Hissssss!) Curiosity, hunger, devilment sent me forward with high machete. I crept up a slope of rock, looked over into a glade.
Attacked by flowers, a dragon was dying. The blossoms jeweled his scales, thorns tangled his legs. As I watched, he tried again to tear them off with his teeth, but they scurried back, raking briars across his hide, or whipped them at his runny, yellow eyes.
The lizard (twice as big as Easy and man-branded on his left hinder haunch with a crusty cross) was trying to protect the external gill/lung arrangement that fluttered along his neck. The plants had nearly immobilized him, but when a bloom advanced to tear away his breath, he scraped and flailed with one free claw. He'd mauled a good many of the blossoms and their petals scattered the torn earth.
The cross told me he wouldn't hurt me (even crazed, the lizard once used to man becomes pathetic, seldom harmful) so I jumped down from the rock.
A blossom creeping to attack emptied an air-bladder inches from my foot, "Sssssss..." in surprise.
I hacked it, and nervous ooze (nervous in the sense that its nerves are composed of the stuff) belched greenly to the ground. Thorns flailed my legs. But I told you about the skin down there. I just have to watch out for my belly and the palms of my hands; feet are fine. With my foot I seized a creeper from the lizard's shoulder and pulled it out far enough-stained teeth go clik-clik-clik popping from the dragon's skin where they had been gnawing-to get my blade under, twist... and... rip!
Nerve dribbled the dragon's hide.
Those flowers communicate somehow (differently perhaps) and strove for me, one suddenly rising on its tendrils and leaping, "Sssssss..." I twiddled my blade in its brain.
I shouted encouragement to the dragon, threw a brave grin. He moaned reptilianly. Lo Hawk should see me do proud his skill.
His mane brushed my arm, his teeth crunched a flower while tendrils curled from the corners of his mouth. He chewed a while, decided he didn't like it, spat thorns. I pried off two more: his foot came free.
"Sssssss..." I looked to the right.
Which was a mistake because it was coming from the left.
Mistakes like that are a drag. Long and prickly wrapped my ankle and tried to jerk me off my feet. Fortunately you just can't do that. So then it sank lots of teeth into my calf and commenced chewing. I whirled and snatched white petals (this one an albino) which came away gently in my hand. Crunch. Crunch, still on my calf. My sword hand was up. I brought it down but it got caught in a net of brambles. Something scratched the back of my neck. Which ain't so tough.
Neither is (come to think): the small of my back, under my chin, between my legs, armpits, behind my ears-I was quickly cataloging all the tender places now. Damn flowers move just slow enough to give you time to think.

Then something long and hot sang by my shins. Petals snapped into the air. The plant stopped chewing and burped nervously down my ankle.
Pinnnnng near my hand, and my hand pulled free. I staggered, hacked another briar away. A bloated rose slithered down the dragon's leg and crawled for cover. They communicate, yes, and the communication was fear and retreat. The music, though! Lord, the music!
I whirled to look up on the rock.