"The World Jones Made" - читать интересную книгу автора (Dick Phillip K)

CHAPTER EIGHT


ON THE brightly-lit stage colorful shapes danced and gestured. The costumed figures sang lustily, bustily; scenery glimmered with a high sparkle: a small square of brilliance cut in the far end of the hall. The third act was coming to an end. All the characters were on stage; with infinite precision they gave forth their melodic lines. In the pit, the orchestra--classical and exact--labored furiously.

Dominating the opera loomed the aged, wallowing figure of Gaetano Tabelli, long past his prime but still a splendid singer and actor. Purple-faced, near-sighted, the fabulous Tabelli waddled about the stage, an expression of dumbfounded bewilderment on his huge wrinkled features, struggling grotesquely to find his way through the maze of shadows that made up the world of Beaumarchais. Peering through his eye-glass, Tabelli grossly scrutinized his fellows, bellowing all the while in his vast, familiar, booming bass-baritone. A greater Don Bartolo there never was. And never would be. This performance, this zenith of consummate operatic staging, dramatic force, and perfected vocal artistry, had been frozen for ail time. Tabelli was dead, now, ten years. The bright figures on the stage were scrupulous robot imitations.

But even so, the performance was wholly convincing. Relaxed and comfortable in his deep chair, Cussick watched with passive appreciation. He enjoyed Le Nozze Di Figaro. He had seen Tabelli many times; he had never become tired of the great performer's finest role. And he enjoyed the gay costumes, the uninterrupted flow of lyrical melody, the pink-cheeked chorus singing peasant interludes for all they were worth. The music and phantasmagoria of colors had gradually put him in a soporific state. Dreaming, half-asleep, he leaned back in his seat and happily absorbed it all.

But something was wrong.

Awakened, he pulled himself upright. Beside him, Nina sat slumped in rapt satisfaction; her mood was unbroken. Before he realized what he was doing, he had slid to his feet.

Blinking, Nina broke out of her trance. "What?" she whispered, astonished. He made a silencing motion and pushed his way down the row to the aisle. A moment later he was plodding stonily past rows of attentive faces to the carpeted steps in the rear, and the packed standing room. There he paused to take one final look at the stage.

The feeling remained, even at this distance. He stepped past the calcified ushers and reached the lobby. There, in the now empty, carpeted vault that still smelled of cigar smoke and women's perfume, he halted and lit a fresh cigarette.

He was the only person in the whole deserted lobby. Behind him, through the half-open doors, rang the sounds and voices and the sweet fluttering whirr of a Viennese symphony orchestra. Vaguely irritated, he prowled around. His restlessness remained; and it hadn't been helped by the quick glare of disapproval that had hardened on Nina's face. He had seen it before; he knew what it meant. Explanations were going to be needed. He winced at the thought.

How could he explain?

Beyond the lobby of the opera house stretched the night street, sunk in desolate stillness. On the far side were deserted office buildings, black and empty, locked up for the week-end. The entrance of one glowed; a night-light flickered dully. In the concrete well lay heaps of rubbish blown there by the night wind. Posters, scraps of paper, urban trash of various lands. Even from where he stood, insulated by thick plate glass doors, by the descending flight of concrete steps, by the wide sidewalk and street itself, Cussick could make out the letters on a crumpled poster.


PATRIO
rally a
of the ma
JONES WILL
public invi


Torn across the middle, the poster lay sightlessly sprawled. But for every one that had been ripped down by the police, a thousand still plastered walls, doorways; hung in restaurants, store windows, bars, lavatories, gas stations, schools, offices, private houses. The Pied Piper and his flock ... the reek of burning gasoline.

When the final thunderous roar of applause burst out, Cussick tensed himself. Already, a few eager people scurried from the open doorways; ushers appeared and rapidly fixed the doors aside. Now the first phalanx of the throng burst forth; laughing and conversing, pulling their wraps around them, the well-dressed citizens of the main floor poured into the lobby, like a jar of expensive costume jewelry abruptly overturned. Down the wide stairs, less elaborately dressed patrons descended. In a moment, Cussick was surrounded by a solid pack of talking, murmuring, noisily gesturing people.

Presently Nina fought her way over to him.

"Hello," he said uncomfortably.

"What happened?" Nina inquired, half-anxiously, half in exasperation. "Did you have some sort of fit?"

"Sorry." It was a difficult thing to explain to her. "That last act scenery reminded me of something. Dismal, like that. People creeping around in the darkness."

Lightly, Nina said: "Reminded you of business? Police prisons, maybe?" Her voice was tense, sharpened with momentary accusation. "Guilty conscience?'

He felt his face flushing. "No, that isn't it." Apparently he answered too loudly; some of the nearby people glanced curiously around. Cussick snapped his jaws angrily together and shoved his hands deep in his pockets. "Let's talk about it some other time."