"Sonya Dorman - The Sons of Bingaloo" - читать интересную книгу автора (Dorman Sonya) The Sons of Bingaloo
Creativity takes place in the mind. - - A creative person must be, above all, a person. SONYA DORMAN The last of the triple moons was still in the sky at dawn, when Pettrey woke. A fine, greenish haze predicted a good day, one of clear light. He stretched luxuriously, though he must get up quickly, eat some excellent nourishment, and be on his way. It was licensing week. The first two days, given over to apprentices, had passed, while Pettrey took his time, took walks, admired rivers, and allowed his mind to go easy. He had suffered the hours of anxiety, as he did every year, and put them behind him. Very likely they would reappear in another form, later on; he used everything in one way or another. After he had eaten, Pettrey put a fairly new cloak over his shoulders, and left home. The rivers were running silver green in the park where he lived this year. Although it was so early in the day, the roads were busy. Many shops closed during the mornings of licensing week, for apprentices earned their bread at any other trade until the license was granted them, and during this week, few customers came to the stores. It was much more amusing, if a person was free, to attend one of the many tests. The huge rotunda of performing arts rose in the near distance; Pettrey could see the doorway was clogged with spectators, trying to get in early for good seats. He sighed, and smiled a little. It was good to be alive. Even for those scared apprentices, the people turned out in rousing crowds. The performing artists, unlike Pettrey, depended on the presence of responsive crowds. As the road widened, he joined and passed groups of people. There, up ahead, he saw the figured it difficult to squeeze the anxiety, even jealousy, from his heart, but managed to do so, as he came alongside the other man. тАЬAh!тАЭ Massony said, looking around. He liked to greet people with this slightly portentous sound, and it nearly always worked; they would be silent, hang on, wait for some revelation. тАЬLovely day,тАЭ Pettrey said, and walked on just enough faster to get ahead and blend with the crowds. The building he went to was small and looked insignificant, for his work demanded isolation rather than an audience. There was the check-in booth, where he put down his now expired license, signed his name, was told he was third, and took a seat to wait. Massony did not come in while Pettrey waited, so he supposed the younger man was entertaining people outside, in that way he had. тАЬAh!тАЭ An important, breathy sound, and everyone would hang oh, waiting for Massony to give them something they could pass around to less lucky friends. Massony was only a few years younger than Pettrey, but had started late, having spent his early years in agriculture, and come only recently to the arts. Pettrey had often thought that might account for his rapid rise to popular proficiency. The genuine force of MassonyтАЩs work must have been within him all those years, like an egg long incubated before the phoenix was hatched. No, thatтАЩs not right, Pettrey complained to himself, folding the cloak over his knees, keeping his eyes on the door where he would enter. That bird never hatched from an egg, Pettrey reminded himself. He sighed deeply. He had spent a long apprenticeship, had come to this building many times, and had failed many times, before his license was granted. Different ways for different men, he thought. Not receiving a license didnтАЩt prevent a person from singing or playing the violin, of course; it simply kept him out of public performances and prevented him from taking money under false pretenses. A perfectly beautiful young woman came in and sat down in the waiting room. Pettrey looked at her with pleasure. But she said, тАЬThe Master is outside, talking with people.тАЭ Good God, Pettrey thought: the Master! It was an obsolete term, and he had never heard it used by |
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