"John_Dos_Passos_-_One_Mans_Initiation_1917" - читать интересную книгу автора (Dos Passos John)

The little man stood up in the car, looking about him anxiously.

"I've lost my knife. Where's my knife?"

The guards got in behind him with a nervous, sheepish air. They answered reassuringly, "The driver's got it. The American's got it."

"Good."

The orderly jumped on the seat with the two Americans to show the way. He whispered in Martin's ear:

"He's crazy. He says that to stop the war you must kill everybody, kill everybody."



In an open valley that sloped between hills covered with beech-woods, stood the tall abbey, a Gothic nave and apse with beautifully traced windows, with the ruin of a very ancient chapel on one side, and crossing the back, a well-proportioned Renaissance building that had been a dormitory. The first time that Martin saw the abbey, it towered in ghostly perfection above a low veil of mist that made the valley seem a lake in the shining moonlight. The lines were perfectly quiet, and when he stopped the motor of his ambulance, he could hear the wind rustling among the beech-woods. Except for the dirty smell of huddled soldiers that came now and then in drifts along with the cool woodscents, there might have been no war at all. In the soft moonlight the great traceried windows and the buttresses and the high-pitched roof seemed as gorgeously untroubled by decay as if the carvings on the cusps and arches had just come from under the careful chisels of the Gothic workmen.

"And you say we ye progressed," he whispered to Tom Randolph.

"God, it is fine."

They wandered up and down the road a long time, silently, looking at the tall apse of the abbey, breathing the cool night air, moist with mist, in which now and then was the huddled, troubling smell of soldiers. At last the moon, huge and swollen with gold, set behind the wooded hills, and they went back to the car, where they rolled up in their blankets and went to sleep.

Behind the square lantern that rose over the crossing, there was a trap door in the broken tile roof, from which you could climb to the observation post in the lantern. Here, half on the roof and half on the platform behind the trap door, Martin would spend the long summer afternoons when there was no call for the ambulance, looking at the Gothic windows of the lantern and the blue sky beyond, where huge soft clouds passed slowly over, darkening the green of the woods and of the weed-grown fields of the valley with their moving shadows.

There was almost no activity on that part of the front. A couple of times a day a few snapping discharges would come from the seventy-fives of the battery behind the abbey, and the woods would resound like a shaken harp as the shells passed over to explode on the crest of the hill that blocked the end of the valley where the Boches were.

Martin would sit and dream of the quiet lives the monks must have passed in their beautiful abbey so far away in the Forest of the Argonne, digging and planting in the rich lands of the valley, making flowers bloom in the garden, of which traces remained in the huge beds of sunflowers and orange marigolds that bloomed along the walls of the Dormitory. In a room in the top of the house he had found a few torn remnants of books; there must have been a library in the old days, rows and rows of musty-smelling volumes in rich brown calf worn by use to a velvet softness, and in cream-coloured parchment where the fingermarks of generations showed brown; huge psalters with notes and chants illuminated in green and ultramarine and gold; manuscripts out of the Middle Ages with strange script and pictures in pure vivid colours; lives of saints, thoughts polished by years of quiet meditation of old divines; old romances of chivalry; tales of blood and death and love where the crude agony of life was seen through a dawn-like mist of gentle beauty.

"God! if there were somewhere nowadays where you could flee from all this stupidity, from all this cant of governments, and this hideous reiteration of hatred, this strangling hatred . . ." he would say to himself, and see himself working in the fields, copying parchments in quaint letterings, drowsing his feverish desires to calm in the deep-throated passionate chanting of the endless offices of the Church.

One afternoon towards evening as he lay on the tiled roof with his shirt open so that the sun warmed his throat and chest, half asleep in the beauty of the building and of the woods and the clouds that drifted overhead, he heard a strain from the organ in the church: a few deep notes in broken rhythm that filled him with wonder, as if he had suddenly been transported back to the quiet days of the monks. The rhythm changed in an instant, and through the squeakiness of shattered pipes came a swirl of fake-oriental ragtime that resounded like mocking laughter in the old vaults and arches. He went down into the church and found Tom Randolph playing on the little organ, pumping desperately with his feet.

"Hello! Impiety I call it; putting your lustful tunes into that pious old organ."

"I bet the ole monks had a merry time, lecherous ole devils," said Tom, playing away.

"If there were monasteries nowadays," said Martin, "I think I'd go into one."

"But there are. I'll end up in one, most like, if they don't put me in jail first. I reckon every living soul would be a candidate for either one if it'd get them out of this God-damned war."

There was a shriek overhead that reverberated strangely in the vaults of the church and made the swallows nesting there fly in and out through the glassless windows. Tom Randolph stopped on a wild chord.

"Guess they don't like me playin'."

"That one didn't explode though."

"That one did, by gorry," said Randolph, getting up off the floor, where he had thrown himself automatically. A shower of tiles came rattling off the roof, and through the noise could be heard the frightened squeaking of the swallows.

"I am afraid that winged somebody."