"Ellison,_Harlan_-_The_Function_of_Dream_Sleep" - читать интересную книгу автора (Ellison Harlan)

"The best way I understood it," McGrath said, "was using the analogy of cleaning out an office building at night, after all the workers are gone. Outdated reports are trashed, computer dump sheets are shredded, old memos tossed with the refuse. Every night our brains get cleaned during the one to two hours of REM sleep. The dreams pick up after us every day, sweep out the unnecessary, untrue, or just plain silly memories that could keep us from storing the important memories, or might keep us from rational thinking when we're awake. _Remembering_ the dreams would be counter-productive, since the brain is trying to unlearn all that crap so we function better."
Anna Picket smiled. "You were sent from heaven, Mr. McGrath. I was going precisely to that theory when you came in. You've saved me a great deal of explanation."
One of the six women said, "Then you don't _want_ us to write down our dreams and bring them in for discussion? I even put a tape recorder by the bed. For instance, I had a dream just last night in which my bicycle..."
He sat through the entire session, listening to things that infuriated him. They were so self-indulgent, making of the most minor inconveniences in their lives, mountains impossible to conquer. They were so different from the women he knew. They seemed to be antiquated creatures from some primitive time, confused by changing times and the demand on them to be utterly responsible for their existence. They seemed to want succor, to be told that there were greater forces at work in their world; powers and pressures and even conspiracies that existed solely to keep them nervous, uncomfortable, and helpless. Five of the six were divorcees, and only one of the five had a full-time job: selling real estate. The sixth was the daughter of an organized crime figure. McGrath felt no link with them. He didn't need a group therapy session. His life was as full as he wanted it to be ... except that he was now always scared, and lost, and constantly depressed. Perhaps Dr. Jess was dead on target. Perhaps he _did_ need a shrink.
He was certain he did not need Anna Picket and her well-tailored ladies whose greatest _real_ anguish was making sure they got home in time to turn on the sprinklers.
When the session ended, he started toward the door without saying anything to the Picket woman. She was surrounded by the six. But she gently edged them aside and called to him, "Mr. McGrath, would you wait a moment? I'd like to speak to you." He took his hand off the doorknob, and went back to his chair. He bit the soft flesh of his inner cheek, annoyed.
She blew them off like dandelion fluff, far more quickly than McGrath thought possible, and did it without their taking it as rejection. In less than five minutes he was alone in the office with the dream therapist.
She closed the door behind the Mafia Princess and locked it. For a deranged moment he thought ... but it passed, and the look on her face was concern, not lust. He started to rise. She laid a palm against the air, stopping him. He sank back onto the folding chair.
Then Anna Picket came to him and said, "For McGrath hath murdered sleep." He stared up at her as she put her left hand behind his head, cupping the nape with fingers extending up under his hair along the curve of the skull. "Don't be nervous, this'll be all right," she said, laying her right hand with the palm against his left cheek, the spread thumb and index finger bracketing an eye he tried mightily not to blink. Her thumb lay alongside his nose, the tip curving onto the bridge. The forefinger lay across the bony eyeridge.
She pursed her lips, then sighed deeply. In a moment her body twitched with an involuntary rictus, and she gasped, as if she had had the wind knocked out of her. McGrath couldn't move. He could feel the strength of her hands cradling his head, and the tremors of -- he wanted to say -- _passion_ slamming through her. Not the passion of strong amorous feeling, but passion in the sense of being acted upon by something external, something alien to one's nature.
The trembling in her grew more pronounced, and McGrath had the sense that power was being drained out of him, pouring into her, that it had reached saturation level and was leaking back along the system into him, but changed, more dangerous. But why dangerous? She was spasming now, her eyes closed, her head thrown back and to the side, her thick mass of hair swaying and bobbing as she jerked, a human double-circuit high-voltage tower about to overload.
She moaned softly, in pain, without the slightest trace of subliminal pleasure, and he could see she was biting her lower lip so fercely that blood was beginning to coat her mouth. When the pain he saw in her face became more than he could bear, he reached up quickly and took her hands away with difficulty; breaking the circuit.
Anna Picket's legs went out and she keeled toward him. He tried to brace himself, but she hit him with full dead weight, and they went crashing to the floor entangled in the metal folding chair.
Frightened, thinking insanely _what if someone comes in and sees us like this, they'd think I was molesting her,_ and in the next instant thinking with relief _she locked the door,_ and in the next instant his fear was transmogrified into concern for her. He rolled out from under her trembling body, taking the chair with him, wrapped around one ankle. He shook off the chair, and got to his knees. Her eyes were half-closed, the lids flickering so rapidly she might have been in the line of strobe lights.
He hauled her around, settling her semi-upright with her head in his lap. He brushed the hair from her face, and shook her ever so lightly, because he had no water, and had no moist washcloth. Her breathing slowed, her chest heaved not quite so spastically, and her hand, flung away from her body, began to flex the fingers.
"Ms. Picket," he whispered, "can you talk? Are you all right? Is there some medicine you need ... in your desk?"
She opened her eyes, then, and looked up at him. She tasted the blood on her lips and continued breathing raggedly, as though she had run a great distance. And finally she said, "I could feel it in you when you walked in."
He tried to ask what it was she had felt, what it was in him that had so unhinged her, but she reached in with the flexing hand and touched his forearm.
"You'll have to come with me."
"Where?"
"To meet the _real_ REM Group."
And she began to cry. He knew immediately that she was weeping for him, and he murmured that he would come with her. She tried to smile reassurance, but there was still too much pain in her. They stayed that way for a time, and then they left the office building together.
* * * *
They were impaired, every one of them in the sprawling ranch-style house in Hidden Hills. One was blind, another had only one hand. A third looked as if she had been in a terrible fire and had lost half her face, and another propelled herself through the house on a small wheeled platform with restraining bars to keep her from falling off.
They had taken the San Diego Freeway to the Ventura, and had driven west on 101 to the Calabasas exit. Climbing, then dropping behind the hills, they had turned up a side road that became a dirt road that became a horse path, Lonny driving Anna Picket's '85 Le Sabre.
The house lay within a bowl, completely concealed, even from the dirt road below. The horse trail passed behind low hills covered with mesquite and coast live oak, and abruptly became a perfectly surfaced blacktop. Like the roads Hearst had had cut in the hills leading up to San Simeon, concealing access to the Castle from the Coast Highway above Cambria, the blacktop had been poured on spiral rising cuts laid on a reverse bias.
Unless sought from the air, the enormous ranch house and its outbuildings and grounds would be unknown even to the most adventurous picnicker. "How much of this acreage do you own?" McGrath asked, circling down the inside of the bowl.
"All this," she said, waving an arm across the empty hills, "almost to the edge of Ventura County."
She had recovered completely, but had said very little during the hour and a half trip, even during the heaviest weekend traffic on the 101 Freeway crawling like a million-wheeled worm through the San Fernando Valley out of Los Angeles. "Not a lot of casual drop-ins I should imagine," he replied. She looked at him across the front seat, fully for the first time since leaving Santa Monica. "I hope you'll have faith in me, trust me just a while longer," she said.
He paid strict attention to the driving.
He had been cramped within the Buick by a kind of dull fear that strangely reminded him of how he had always felt on Christmas Eve, as a child, lying in bed, afraid of, yet anxious for, the sleep that permitted Santa Claus to come.
In that house below lay something that knew of secret mouths and ancient winds from within. Had he not trusted her, he would have slammed the brake pedal and leaped from the car and not stopped running till he had reached the freeway.
And once inside the house, seeing all of them, so ruined and tragic, he was helpless to do anything but allow her to lead him to a large sitting-room, where a circle of comfortable overstuffed chairs formed a pattern that made the fear more overwhelming.
They came, then, in twos and threes, the legless woman on the rolling cart propelling herself into the center of the ring. He sat there and watched them come, and his heart seemed to press against his chest. McGrath, as a young man, had gone to a Judy Garland film festival at the Thalia in New York. One of the revived movies had been _A Child Is Waiting_, a nonsinging role for Judy, a film about retarded children. Sally had had to help him out of the theater only halfway through. He could not see through his tears. His capacity for bearing the anguish of the crippled, particularly children, was less than that of most people. He brought himself up short: why had he thought of that afternoon at the Thalia now? These weren't children. They were adults. All of them. Every woman in the house was at least as old as he, surely older. Why had he been thinking of them as children?
Anna Picket took the chair beside him, and looked around the circle. One chair was empty. "Catherine?" she asked.
The blind woman said, "She died on Sunday."
Anna closed her eyes and sank back into the chair. "God be with her, and her pain ended."
They sat quietly for a time, until the woman on the cart looked up at McGrath, smiled a very kind smile, and said, "What is your name, young man?"
"Lonny," McGrath said. He watched as she rolled herself to his feet and put a hand on his knee. He felt warmth flow through him, and his fear melted. But it only lasted for a moment, as she trembled and moaned softly, as Anna Picket had done in the office. Anna quickly rose and drew her away from McGrath. There were tears in the cart-woman's eyes.
A woman with gray hair and involuntary head tremors, indicative of Parkinson's, leaned forward and said, "Lonny, tell us."
He started to say _tell you what?_ but she held up a finger and said the same thing again.
So he told them. As best he could. Putting words to feelings that always sounded melodramatic; words that were wholly inadequate for the tidal wave of sorrow that held him down in darkness. "I miss them, oh God how I miss them," he said, twisting his hands. "I've never been like this. My mother died, and I was lost, I was miserable, yes there was a feeling my heart would break, because I loved her. But I could _handle_ it. I could comfort my father and my sister, I had it in me to do that. But these last two years ... one after another ... so many who were close to me ... pieces of my past, my life ... friends I'd shared times with, and now those times are gone, they slip away as I try to think of them. I, I just don't know _what to do."_
And he spoke of the mouth. The teeth. The closing of that mouth. The wind that had escaped from inside him.
"Did you ever sleepwalk, as a child?" a woman with a clubfoot asked. He said: yes, but only once. Tell us, they said.
"It was nothing. I was a little boy, maybe ten or eleven. My father found me standing in the hallway outside my bedroom, at the head of the stairs. I was asleep, and I was looking at the wall. I said, 'I don't see it here anywhere.' My father told me I'd said that; the next morning he told me. He took me back to bed. That was the only time, as best I know."
The women murmured around the circle to each other. Then the woman with Parkinson's said, "No, I don't think that's anything." Then she stood up, and came to him. She laid a hand on his forehead and said, "Go to sleep, Lonny."
And he blinked once, and suddenly sat bolt upright. But it wasn't an instant, it had been much longer. He had been asleep. For a long while. He knew it was so instantly, because it was now dark outside the house, and the women looked as if they had been savaged by living jungles. The blind woman was bleeding from her eyes and ears; the woman on the cart had fallen over, lay unconscious at his feet; in the chair where the fire victim had sat, there was now only a charred outline of a human being, still faintly smoking.
McGrath leaped to his feet. He looked about wildly. He didn't know what to do to help them. Beside him, Anna Picket lay slumped across the bolster arm of the chair, her body twisted and blood once again speckling her lips.
Then he realized: the woman who had touched him, the woman with Parkinson's, was gone.
They began to whimper, and several of them moved, their hands idly touching the air. A woman who had no nose tried to rise, slipped and fell. He rushed to her, helped her back into the chair, and he realized she was missing fingers on both hands. Leprosy ... _no_! Hansen's disease, that's what it's called. She was coming to, and she whispered to him, "There ... Teresa ... help her..." and he looked where she was pointing, at a woman as pale as crystal, her hair a glowing white, her eyes colorless. "She ... has ... lupus..." the woman without a nose whispered.