"Golden, Arthur - Memoirs of A Geisha" - читать интересную книгу автора (Golden Arthur)While I tried my best to soothe myself with these thoughts, Mrs. Fidget, wearing a pleasant smile, led Satsu and me some distance down the dirt platform. When we were too far away for the others to hear us, her smile vanished and she said:
"Now listen to me. You're both naughty girls!" She looked around to be sure no one was watching and then hit us on the tops of our heads. She didn't hurt me, but I cried out in surprise. "If you do something to embarrass me," she went on, "I'll make you pay for it! Mr. Bekku is a stern man; you must pay attention to what he says! If he tells you to crawl under the seat of the train, you'll do it. Understand?" From the expression on Mrs. Fidget's face, I knew I should answer her or she might hurt me. But I was in such shock I couldn't speak. And then just as I'd feared, she reached out and began pinching me so hard on the side of my neck that I couldn't even tell which part of me hurt. I felt as if I'd fallen into a tub of creatures that were biting me everywhere, and I heard myself whimper. The next thing I knew, Mr. Tanaka was standing beside us. "What's going on here?" he said. "If you have something more to say to these girls, say it while I'm standing here. There's no cause for you to treat them this way." "I'm sure we have a great many more things to talk about. But the train is coming," Mrs. Fidget said. And it was true: I could see it curling around a turn not far in the distance. Mr. Tanaka led us back up the platform to where the farmers and old women were gathering up their things. Soon the train came to a stop before us. Mr. Bekku, in his stiff kimono, wedged himself between Satsu and me and led us by our elbows into the train car. I heard Mr. Tanaka say something, but I was too confused and upset to understand it. I couldn't trust what I heard. It might have been: Mata yol "Well meet again!" Or this: Matte yol "Wait!" Or even this: Ma . . . deyol "Well, let's go!" When I peered out the window, I saw Mr. Tanaka walking back toward his cart and Mrs. Fidget wiping her hands all over her kimono. After a moment, my sister said, "Chiyo-chan!" I buried my face in my hands; and honestly I would have plunged in anguish through the floor of the train if I could have. Because the way my sister said my name, she hardly needed to say anything more. "Do you know where we're going?" she said to me. I think all she wanted was a yes or no answer. Probably it didn't matter to her what our destination was-so long as someone knew what was happening. But, of course, I didn't. I asked the narrow man, Mr. Bekku, but he paid me no attention. He was still staring at Satsu as if he had never seen anything like her before. Finally he squeezed his face into a look of disgust and said: "Fish! What a stench, the both of you!" He took a comb from his drawstring bag and began tearing it through her hair. I'm certain he must have hurt her, but I could see that watching the countryside pass by outside the window hurt her even more. In a moment Satsu's lips turned down like a baby's, and she began to cry. Even if she'd hit me and yelled at me, I wouldn't have ached as much as I did watching her whole face tremble. Everything was my fault. An old peasant woman with her teeth bared like a dog's came over with a carrot for Satsu, and after giving it to her asked where she was going. "Kyoto," Mr. Bekku answered. I felt so sick with worry at hearing this, I couldn't bring myself to look Satsu in the eye any longer. Even the town of Senzuru seemed a remote, faraway place. As for Kyoto, it sounded as foreign to me as Hong Kong, or even New York, which I'd once heard Dr. Miura talk about. For all I knew, they ground up children in Kyoto and fed them to dogs. We were on that train for many hours, without food to eat. The sight of Mr. Bekku taking a wrapped-up lotus leaf from his bag, and unwrapping it to reveal a rice ball sprinkled with sesame seeds, certainly got my attention. But when he took it in his bony fingers and pressed it into his mean little mouth without so much as looking at me, I felt as if I couldn't take another moment of torment. We got off the train at last in a large town, which I took to be Kyoto; but after a time another train pulled into the station, and we boarded it. This one did take us to Kyoto. It was much more crowded than the first train had been, so that we had to stand. By the time we arrived, as evening was approaching, I felt as sore as a rock must feel when the waterfall has pounded on it all day long. I could see little of the city as we neared Kyoto Station. But then to my astonishment, I caught a glimpse of rooftops reaching as far as the base of hills in the distance. I could never have imagined a city so huge. Even to this day, the sight of streets and buildings from a train often makes me remember the terrible emptiness and fear I felt on that curious day when I first left my home. Back then, around 1930, a fair number of rickshaws still operated in Kyoto. In fact, so many were lined up before the station that I imagined no one went anywhere in this big city unless it was in a rickshaw-which couldn't have been further from the truth. Perhaps fifteen or twenty of them sat pitched forward onto their poles, with their drivers squatting nearby, smoking or eating; some of the drivers even lay curled up asleep right there in the filth of the street. Mr. Bekku led us by our elbows again, as if we were a couple of buckets he was bringing back from the well. He probably thought I'd have run away if he'd let go of me a moment; but I wouldn't have. Wherever he was taking us, I preferred it to being cast out alone into that great expanse of streets and buildings, as foreign to me as the bottom of the sea. We climbed into a rickshaw, with Mr. Bekku squeezed tightly on the bench between us. He was a good deal bonier under that kimono even than I suspected. We pitched back as the driver raised the poles, and then Mr. Bekku said, "Tominaga-cho, in Gion." The driver said nothing in reply, but gave the rickshaw a tug to get it moving and then set off at a trot. After a block or two I worked up my courage and said to Mr. Bekku, "Won't you please tell us where we're going?" |
|
|