"William Goldman - The Princess Bride" - читать интересную книгу автора (Goldman William)

have them send over The Princess Bride ."
"Lemme get a pencil," and she's gone a while. "Okay. Shoot. The what bride?"
"Princess. By S. Morgenstern. It's a kids' classic. Tell him I'll quiz him on it when I'm
back next week and that he doesn't have to like it or anything, but if he doesn't, tell him I'll kill
myself. Give him that message exactly please; I wouldn't want to apply any extra pressure or
anything."
"Kiss me, my fool."
"Mmmm-wah."
"No starlets now." This was always her sign-off line when I was alone and on the loose
in sunny California.
"They're extinct, dummy." That was mine. We hung up.
Now the next afternoon, it so happened, from somewhere, there actually appeared a
living, sun-tanned, breathing-deeply starlet. I'm lolling by the pool and she moves by in a
bikini and she is gorgeous. I'm free for the afternoon, I don't know a soul, so I start playing a
game about how can I approach this girl so she won't laugh out loud. I never do anything, but
ogling is great exercise and I am a major-league girl watcher. I can't come up with any
approach that connects with reality, so I start to swim my laps. I swim a quarter-mile a day
because I have a bad disc at the base of my spine.
Up and back, up and back, eighteen laps, and when I'm done, I'm hanging on in the
deep end, panting away, and over swims this starlet. She hangs on the ledge in the deep
end too, maybe all of six inches away, hair all wet and glistening and the body's under water
but you know it's there and she says (this happened now), "Pardon me, but aren't you the
William Goldman who wrote Boys and Girls Together ? That's, like, my favorite book in all
the world."
I clutch the ledge and nod; I don't remember what I said exactly. (Lie: I remember
exactly what I said, except it's too goonlike to put it down; ye gods, I'm forty years old.
"Goldman, yes Goldman, I'm Goldman." It came out like all in one word, so there's no telling
what language she thought I was responding in. )
"I'm Sandy Sterling," she said. "Hi."
"Hi, Sandy Sterling," I got out, which was pretty suave, suave for me anyway; I'd say it
again if the same situation came up.
Then my name was paged. "The Zanucks won't leave me alone," I say, and she breaks
out laughing and I hurry to the phone thinking was it really all that clever, and by the time I get
there I decide yes it was, and into the receiver I say that, "Clever." Not "hello." Not "Bill
Goldman." "Clever" is what I say.
"Did you say 'clever, ' Willy?" It's Helen.
"I'm in a story conference, Helen, and we're speaking tonight at suppertime. Why are
you calling at lunch for?"
"Hostile, hostile."
Never argue with your wife about hostility when she's a certified Freudian. "It's just
they're driving me crazy with stupid notions in this story conference. What's up?"
"Nothing, probably, except the Morgenstern's out of print. I've checked with Doubleday's
too. You sounded kind of like it might be important so I'm just letting you know Jason will
have to be satisfied with his very fitting ten-speed machine."
"Not important," I said. Sandy Sterling was smiling. From the deep end. Straight at me.
"Thanks though anyway. " I was about to hang up, then I said, "Well, as long as you've gone
this far, call Argosy on Fifty-ninth Street. They specialize in out-of-print stuff."
"Argosy. Fifty-ninth. Got it. Talk to you at supper. " She hung up.
Without saying "No starlets now." Every call she ends with that and now she doesn't.
Could I have given it away by something in my tone? Helen's very spooky about that, being a