"Maxwell Grant - The Shadow - 304 - Alibi Trail" - читать интересную книгу автора (Grant Maxwell)they'd have an excuse for arresting him. In either case they'd get another
argument and Jerry was just in the right mood to begin it. Letting his coupe coast so the other car could overtake him, Jerry allowed himself to be forced over to the side of the road, where he braked to a stop. Meanwhile, the siren had chopped off its brief howl in a manner that Jerry should have recognized as too polite, but didn't. At least he didn't think of it until men from the other car were crowding up to his, telling him to get out from behind the wheel. That was when Jerry realized that the only similarity between this contingent and police was the fact that both carried guns. They weren't masked, but Jerry couldn't see their faces because it was too dark. He hoped they were conscious of the fact, because if they were, it meant they might not decide to shoot. On the contrary, if they thought Jerry was looking them over, tallying the faces that he couldn't see, they might give the blast and be done with it. One of the group said gruffly: "Let's have that camera, mug." So that was it, the camera. But if Jerry gave it, then what? Figuring what this bunch would do was a problem. It reminded Jerry of the time a squad of krauts had hemmed him on the fringe of the Battle of the Bulge. While they'd been figuring whether to take him to the rear or load him with some bullets, Maybe he could do the same right now, or its equivalent. For Jerry could hear the wheezing, heavy-plodding chug of a Long Island freight coming along the track beside the road. Coolly, but in a tone that didn't seem his own, Jerry said: "You want the camera? I'll give it to you." They let him turn and reach into the car. They hadn't much to lose since three of them were prodding Jerry with gun muzzles and if he'd come around with a revolver of his own, it would have been the last thing he did. And Jerry was deliberate too, not just to prove he was only reaching for the camera, but to give the freight time to come along. It was a singular scene with the giant eye of the locomotive flooding down the track, yet not quite including the halted cars in the fringe of its widened glare. Unfortunate perhaps, otherwise the locomotive crew might have been able to observe and report on crime by the wayside. There was a fortunate angle, too. Easing into the scene was another car, its headlights out, its motor smothered by the approaching roar and clatter of the train. Its driver was bringing it into line with the halted ears, but to the right of Jerry's where hard-baked ground lay between the road and the railway. A closing door announced that someone was alighting from the ghost car, but the noise of the door was also muffled by the freight train's clatter. A |
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