"John Kessel - Buffalo" - читать интересную книгу автора (Kessel John)Ellington band so far has been to complain about how a bunch
of jigs can make a living playing jungle music while white men sleep in barracks and eat grits three times a day. Kessel's got nothing against the colored, and he likes the music though it's not exactly the kind of jazz he's used to. It doesn't sound much like dixieland. It's darker, bigger, more dangerous. Ellington, resplendent in tie and tails, looks like he's enjoying himself up there at his piano, knocking out minimal solos while the orchestra plays cool and low. Turning from them to look across the tables, Kessel sees a little man sitting alone beside the dance floor, watching the young couples sway to the music. To his astonishment he recognizes Wells. He's been given another chance. Hesitating only a moment, Kessel abandons his friends, goes over to the table and introduces himself. "Excuse me, Mr. Wells. You might not remember me, but I was one of the men you saw yesterday in Virginia working along the road. The CCC?" Wells looks up at a gangling young man wearing a khaki uniform, his olive tie neatly knotted and tucked between the second and third buttons of his shirt. His hair is slicked of him. "Yes?" "I--I been reading your stories and books a lot of years. I admire your work." Something in the man's earnestness affects Wells. "Please sit down," he says. Kessel takes a seat. "Thank you." He pronounces "th" as "t" so that "thank" comes out "tank." He sits tentatively, as if the chair is mortgaged, and seems at a loss for words. "What's your name?" "John Kessel. My friends call me Jack." The orchestra finishes a song and the dancers stop in their places, applauding. Up on the bandstand, Ellington leans into the microphone. "Mood Indigo," he says, and instantly they swing into it: the clarinet moans in low register, in unison with the muted trumpet and trombone paced by the steady rhythm guitar, the brushed drums. The song's melancholy suits Wells's mood. |
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