"C.M. Kornbluth - The Last Man Left in the Bar UC" - читать интересную книгу автора (Kornbluth C M)"Shot of Red Top and a beer, right?"
"What are you doing here?" "Drink-ing beferachiss . . . havf hyu de-site-it hwat rii dii?" The bartender rapped down the shot glass and tilted the bottle over it, looking at Galardo. Some of the whiskey slopped over. The bartender started, went to the tap and carefully drew a glass of beer, slicing the collar twice. "My vriend hyere will pay." He got out a half dollar, fumbling, and put it on the wet wood. The bartender, old-fashioned, rapped it twice on the bar to show he wasn't stealing it even though you weren't watching; he rang it up double virtuous on the cash register, the absent owner's fishy eye. "What are you doing here?" again, in a low, reasonable, almost amused voice to show him you have the whip hand. "Drink-ing beferachiss ... it iss so cle-an hyere." Galardo's sunken face, unbelievably, looked wistful as he surveyed the barroom, his head swiveling slowly from extreme left to extreme right. "Clean. Well. Isn't it clean there?" "Sheh, not!" Galardo said mournfully. "Sheh, not! Hyere it iss so cle-an . . . hwai did yii outreach tii us? Hag-rid us, wretch-it, hag-rid us?" There were tears hanging in his eyes. "Haff yii de-site-it hwat tu dii?" Expansively: "I don't pretend to understand the situation fully, Galardo. But you know and I know that I've got something you people [think you] need. Now there doesn't seem to be any body .of law covering artifacts that appear [plink!] in a magnetron on accidental overload, and I just have your word that it's yours." "Ah, that iss how yii re-member it now," said sorrowful Galardo. "Well, it's the way it [but wasn't something green? I think of spired Toledo and three angled crosses toppling] happened. I don't want anything silly, like a million dollars in small unmarked bills, and I don't want to be bullied, to be bullied, no, I mean not by you, not by anybody. Just, just tell me who you are, what all this is about. This is nonsense, you see, and we can't have nonsense. I'm afraid I'm not expressing myself very wellЧ" And a confident smile and turn away from him, which shows that you aren't afraid, you can turn your back and dare him to make something of it. In public, in the bar? It is laughable; you have him in the palm of your hand. "Shot of Red Top and a beer, please, Sam." At 9:48. The bartender draws the beer and pours the whiskey. He pauses before he picks up the dollar bill fished from the pants pocket, pauses almost timidly and works his face into a friend's grimace. But you can read him; he is making amends for his suspicion that you were going to start a drunken brawl when Galardo merely surprised you a bit. You can read him because your mind is tensed to concert pitch tonight, ready for Galardo, ready for the Serpentists, ready to crack this thing wide open; strange! But you weren't ready for the words he spoke from his fake apologetic friend's grimace as you delicately raised the heavy amber-filled glass to your lips: "Where'd your friend go?" You slopped the whiskey as you turned and looked. Galardo gone. You smiled and shrugged; he comes and goes as he pleases, you know. Irresponsible, no manners at allЧbut loyal. A prince among men when you get to know him, a prince, I tell you. All this in your smile and shrugЧwhy, you could have been an actor! The worry, the faint neurotic worry, didn't show at all, and indeed there is no reason why it should. You have the whip hand; you have the Seal; Galardo will come crawling back and explain everything. As for example: "You may wonder why I've asked all of you to assemble in the libr'reh." or "For goodness' sake, Gracie, I wasn't going to go to Cuba! When you heard me on the extension phone I was just ordering a dozen Havana cigars!" or "In your notation, we are from 19,276 A.D. Our basic mathematic is a quite comprehensible subsumption of your contemporary statistical analysis and topology which I shall now proceed to explain to you." |
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