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Praise for

MERCEDES LACKEY

"She'll keep you up long past your bedtime." —New York Times bestselling author Stephen King

"Lively and original, rich in clever ideas...Lackey is one of the best storytellers in the field."

—Locus

"A writer whose work I've loved all along." —New York Times bestselling author Marion Zimmer Bradley

"In this elegant, compelling fantasy from the prolific author of the Valdemar series (Arrows Fall, etc.) Lackey combines meticulously detailed dragon lore with emotionally intense, realistic human characters.... This uplifting tale, which contains a valuable lesson or two on the virtues of hard work, is a must-read for dragon lovers in particular and for fantasy fans in general."

—Publishers Weekly on Joust

"...with [Lackey], the principal joy is story: she sweeps you along and never lets you go."

—Locus

"[Lackey] shows a sure touch with the wonder and adventure that characterize the best fantasy writers."

—Romantic Times

"This is a charming, colorful and romantic coming-of-age tale, deeply imbued with the concept of responsibility as well as the imagined pleasures of power." —Publishers Weekly on Winds of Change

*Starred Review* "[Lackey] fills the book with well-limned characterizations and convincing,

detailed dragon lore to make up a whole in which Vetch's coming-of-age becomes an integral part. Fans of McCaffrey's Pern will love it, but they won't be the only ones who do."

—Booklist on Joust

First edition January 2004 THE FAIRY GODMOTHER

ISBN 0-373-80202-1

Copyright © 2004 by Mercedes Lackey

All rights reserved. Except for use in any review, the reproduction or utilization of this work in whole or in part in any form by any electronic, mechanical or other means, now known or hereafter invented, including xerography, photocopying and recording, or in any information storage or retrieval system, is forbidden without the written permission of the editorial office, Worldwide Library, 233 Broadway, New York, NY 10279 U.S.A.

All characters in this book have no existence outside the imagination of the author and have no relation whatsoever to anyone bearing the same name or names. They are not even distantly inspired by any individual known or unknown to the author, and all incidents are pure invention.

This edition published by arrangement with Harlequin Books S.A.

® and TM are trademarks of Harlequin Books S.A., used under license. Trademarks indicated with ® are registered in the United States Patent and Trademark Office, the Canadian Trade Marks Office and in other countries.

Visit LUNA at www.luna-books.com Printed in U.S.A.

Dedicated to the members of the FDNY, lost 9/11/01

Battalion 1

Paul Mitchell Matthew Ryan

Battalion 2 Richard Prunty William McGovern

Battalion 6

John Williamson

Battalion 7

Orio Palmer Stephen Harrell Philip Petti

Battalion 8

Thomas DeAngelis Thomas McCann

Battalion 9

Edward Geraghty Dennis Devlin Carl Asaro Alan Feinberg

Battalion 11

John Paolillo

Battalion 12

Fred Scheffold

Battalion 22 Charles Margiotta

Battalion 47

Anthony Jovic

Battalion 48

Joseph Grzelak Michael Bocchino

Battalion 49

John Moran

Battalion 50

Lawrence Stack

Battalion 57

Joseph Marchbanks, Jr. Dennis Cross

SOC Battalion

Charles Kasper

Safety Battalion 1

Robert Crawford

Tactical Support 2

Joseph Mascali

Special Operations

Timothy Higgins Michael Russo Raymond Downey Patrick Waters

Division 1

Thomas Moody Joseph Farrelly

Division 11

Timothy Stackpole

Division 15

Martin Egan, Jr. Thomas Haskell, Jr. William O'Keefe

Chapter 1

This is not the way to spend a beautiful spring morning! Elena Klovis thought, as she peered around the pile of bandboxes in her arms. They were full of hats, so they weren't particularly heavy—unlike most of her stepmother's luggage—but they were very awkward to carry. There was a lark serenading the morning somewhere overhead, and Elena wished with all her heart she was him and not herself.

Still, if nothing went wrong, in a few hours she just might be free! If not as free as a bird, at least better off than she was now.

She took a few more steps, feeling her way carefully with her bare toes, and caught sight of the neighbors peering over the rose-covered wall as she passed by their perch. They must have been standing on boxes or a bench to do so, and even at that, all that could be seen of them was the tops of their caps, a few little greying curls escaping from beneath the lace, and two sets of eyes, blue and bright with curiosity.

Their curiosity would have to wait. She didn't have time to satisfy it right now.

Elena felt her way on towards the carriage, the bandboxes swaying dangerously with each step. Madame Blanche and Madame Fleur knew better than to call out to her when she was in the middle of a task, and even if they hadn't been, she wouldn't have answered. Not now. Elena was not in the mood to take either her stepmother's sharp tongue nor the blows of her cane, and if the carriage wasn't packed soon, Madame Klovis would be delivering up both.

She made a few more careful steps. It would have been easier if she'd been properly shod instead of barefoot, but the only shoes she had were the wooden clogs she'd carved herself for winter, and the wooden pattens for rain. The last time she'd asked for shoes, her stepmother had flown into a rage and beaten her so hard that her back ached now at the memory.

Sometimes she thought about what would happen if she snatched that cane away and struck back—and wondered if it would be worth what would follow.

It wouldn't, of course. The girls would run to get help, and Elena couldn't possibly get away before she was caught. First would come the constables, who would charge her before the magistrate for assault, and the law was on her stepmother's side. An unmarried girl was the ward and property of her parents, who could do whatever they wished with her. Of course, most parents were good and kind, and would never hurt their children, not even when they were the children of another marriage—but when they were not, well there was no recourse for the child, none at all....

Well, the magistrate would certainly have his say. Then would come ten strokes of the lash at the hands of the town gaoler, followed by a session in the stocks in the town square. Then things would go right back to the way they were, except that Stepmother's hand would be even heavier.

Even if she was twenty-one, an unmarried maiden was still a child in the eyes of the law, and nothing could free her from her parents but marriage.

When she was much younger, Elena had dreamed about running away; now she knew better. A boy could run away, perhaps, and become a soldier, or a wandering man-of-all-work, or perhaps a tinker, or join the gypsies. It was different for a girl. It was a dangerous world out there for a girl. Oh, it was dangerous for everyone, true—there were bandit bands, rogues, thieves and tricksters, not to mention storms and wild beasts— but there were worse fates for a girl if her luck ran out. Stepmother was bad; being kept as the captive of bandits for their pleasure would be infinitely worse. Probably.

She got to the carriage, and handed the bandboxes up to Jacques, the single servant that the Klovis household still possessed, after Madame and her daughters had finished running through the family fortune, or what had passed for their fortune when Elena's father died. The dour, sour man, thin as a spider, balding, with a nasty long fringe around his pate, and evil-tempered as a toad, took them from her and began strapping them to the top of the carriage, adding them to the luggage already there. Elena turned back towards the house for more.

She heard whispers from the other side of the sandstone wall as she hurried up the mossy cobbles of the path that led from the front gate, through the formal garden, to the front door. She didn't have to go far; there was more luggage piled up just outside the stained, oak door. She loaded herself up with as much as she could carry, and repeated her trip.

She had been loading the luggage since dawn, first dragging the biggest trunks and boxes to the hired cart, which had left before the sun cleared the pointed rooftops, then piling the rest onto the old family carriage. The carriage was huge; it had been built to carry a family of eight with reasonable luggage for all of them, and by the time she and Jacques were finished, Madame, Delphinium, and Daphne would hardly have room to fit.

"It looks as if they're taking everything they own!" came a slightly louder whisper, as she handed Jacques more boxes and calico bags. A bit of breeze teased the ragged edges of her skirt and tickled her bare legs.

Yes they are, she thought sourly. And quite a bit that they don't own. All of her mother's property, which should have come to Elena, for instance. And never mind that the dresses were decades out-of-date; the fabrics of fine silks and satins, velvets and lace, were still good. Elena had no doubt at all that they would soon grace the backs of Madame and her daughters. Here, anyone who saw those dresses would know where the fabric had come from—but in another town, no one would know, or whisper. Let Elena go in rags with but two skirts and two blouses to her name—they would, if they could not find the money to pay the silk-merchant's bills, still have new dresses.

And as for Theresa Klovis's jewels—or what was left of them—once Madame and her daughters were safely in a place that didn't recognize those either, the necklets and bracelets would go to a pawnbroker or to ornament the Horrids.

That was what Elena called them: the Horrid Stepsisters. Would that they had been ugly as well, their outsides matching their insides! If there were any justice in the world, they would both have the faces of greedy monkeys.

But no, they were not particularly unattractive; Delphinium, the eldest, was a little too thin, her nose a little too long for beauty, and her perpetual look of hauteur was going to set extremely disagreeable lines in her face one day, but right now, she was not so bad to look at. Her sister Daphne was just like her, except for tending to plumpness rather than bones. Both had beautiful raven hair, like their mother, and if their eyes were rather close-set, they were still a fashionable deep blue. Never venturing outdoors without a hat or a parasol kept their skin as pale as any lady could wish, and their hands, which never lifted more than a needle or a spoon, were white and soft.

They were no great beauties, but they were pretty enough. And if they lacked for suitors here, well, that was partly due to the fact that they wouldn't consider anyone without a title or a fortune, and preferably both.

The rest of it, of course, was because—

"Elena!" came the inevitable screech from above. "E-le-na!"

"Coming, Madame!" she called, and handed Jacques the last of the bags in a rush. If he dropped them, she didn't care; let him take the blame for once.

They were such shrews, such harridans, that any sensible man in this town would have cut off his right hand rather than wed either of them. Only a sizable dowry would have enticed anyone here to court either of them—dowries which neither of them possessed.

She pushed past the pile of boxes and bags still awaiting her inside the door, and ran up the dark, oak staircase. "Elena!" came another screech, this time in Daphne's unmusical voice. "Where are you, you lazy slut?"

No, there wasn't a man in the town who didn't wince at the idea of hearing that voice coming from within his house.

She didn't trouble to answer, just pushed open the heavy door into Madame's room.

It was the largest room in the house, of course, a pleasant chamber, with whitewashed walls and dark beams supporting the ceiling, furnished with a peculiar mix of the fashionable and the ancient. The canopied bed, for instance, was generations old, and was too heavy to move. Two of the chairs and the little dressing-table where Madame sat were spindly-legged, delicate items in the latest mode, painted white, and gilded. The wardrobe was the same age as the bed, plain and dark, with little carving, but the bedside table was the sibling to the dressing-table, ornamented with carved curlicues and flowers. The remains of the breakfast Elena had brought up earlier were still littering the bedside tables, the window-seat, the massive oak mantelpiece, and the floor.

Madame had been tugging at the laces of Daphne's corset, but let go as soon as Elena entered. Daphne hung to the post of the disturbingly bare canopy bed. The bed had been stripped of its linens and embroidered hangings as soon as Madame rose this morning; those were some of the first things on the coach. Yes, Madame was taking everything that was remotely portable, and the only reason she wasn't taking the modish furniture was that she had already sent on as much of that as she could manage.

Madame didn't have to say anything; Elena took her place behind her daughter and wrapped the long corset-laces around each hand. Not as long as they should be; Daphne was putting on weight again; the wider gap between the edges of the corset proved that much. If she didn't leave off the cream cakes and bonbons, soon no amount of corsetting would make her fit her dresses. Elena put her knee in the small of Daphne's back and pulled with all her might.

Daphne squealed a protest as her waist gradually became several inches smaller with each pull of the laces. Madame, however, was having none of it. "Pull harder, girl," she ordered, looking down her nose. "If she will eat two cream teas in an afternoon, then she'll have to suffer the consequences."

"I was—being sensible!" Daphne objected. "It would—only have—been thrown—away!"

Elena gritted her teeth at that. The food wouldn't have been thrown away, Elena herself would have gotten it. It would have been nice to have a cake or two instead of stale, dry toast and the watery remains of the tea. Greedy pig. She'd stuff herself sick rather than see Elena have a single treat.

Elena obeyed by pulling on the laces until she wondered if they were about to snap—this was one of the few tasks she enjoyed doing—and the corset narrowed again. When the edges finally met, she tied the laces off, leaving Daphne red-faced and panting in tiny breaths, while she picked up the froth of three pink silk petticoats with their trimming of ecru lace from the floor. They rustled and slid softly over her work-roughened hands.

"You really are getting as fat as a pig, Daphne," said Delphinium from the window-seat, still dressed in nothing more than her corset, shoes, stockings and drawers. She looked out the window as she spoke. "You'll have to marry a peasant farmer before you're through if you keep eating like you have been, because no well-born man will be seen with a hog in satin—"

"Mother!" whined Daphne, as Elena dropped the three petticoats over her head and tied them in place. And when Madame feigned to ignore them both, went on, viciously, "Well, no one would look at you twice—you're getting lines around your mouth and nose from all the scowling. And starving yourself like you do gives you bad breath and no breasts—you're as flat as a boy, a boy with the face of an old hag!"

"Huh. Better thin than looking like a pregnant sow," Delphinium replied, but as Elena took Daphne's dress from the chair on which it had been left, she saw Delphinium surreptitiously pick up her hand-mirror and examine the area around her mouth with a certain alarm.

"Enough, girls, both of you." That order, in Madame's coldest voice, shut them both up. Elena dropped Daphne's pink-and-green silk dress over her head and tugged it in place over the petticoats, then laced up the back while Daphne stood still.

Once Daphne was gowned, Madame rose from her dressing table and gestured imperiously; obedient for a change, Daphne took Madame's place, while Madame attended to her hair. All three women wore their hair piled high on their heads in elaborate designs of pompadours and ringlets, and as a consequence, never actually took their hair down and combed it out more often than once a month. They slept with their hair protected at night by huge, stiff paper cylinders, so that in the morning, Madame didn't have to do a great deal to set it to rights. Ever since she'd learned this, Elena had thought they were mad to fuss so much, and she still did. No one else in the town wore their hair that way unless they were going to attend a ball or some other important event. It couldn't be comfortable, sleeping like that, and she shuddered to think what could move in and set up housekeeping in those untouched hair-towers. It was stupid to go about dressed and coiffed like that every day.

Why, not even the Queen went to such pains over her appearance! You could see that for yourself, if you went to the Palace about the time she took her afternoon stroll in the garden with her son, the eleven-year-old Prince Florian. That was one of the chief entertainments in their town of Charbourg, in fact—going to the Palace in the afternoon to watch the Royal Family walk about in their gardens, then take a stroll yourself when the Royals had gone into the Palace and the gardens were open to the public for an hour. Not that Elena ever had the time for such a diversion, not since Madame had come to be her stepmother—but she remembered back when her mother was alive, when the baby Prince was just big enough to toddle about the grass. The people of Charbourg loved their King and Queen, and in fact, everyone in the Kingdom loved the King and Queen; Otraria was a good Kingdom to live in. The land was fertile and the climate gentle, the tax collectors never took more than was reasonable, and sometimes gave what they took back, if someone had fallen on hard times. In spring, there was never a frost to blight the blossoms; in summer there was always enough rain, and never too much. The King listened to the needs of his people, and met them, and the King and his Queen were good, kind, caring stewards of the land. Not like some of the Five Hundred Kingdoms....

Or at least, life was good here for anyone who didn't have Madame for a stepmother.

With Daphne dressed, it was Delphinium's turn to be gowned and coiffed, and the elder sister slid off the window-seat with a scowl, and turned her back to Elena. Delphinium's bony shoulder blades protruded over the back of the corset like a pair of skin-covered winglets; Elena wondered why she bothered with a corset at all. Perhaps only because it was fashionable to wear one; perhaps because the corset gave her a place to stuff balls of lambswool, to give her the illusion of breasts. The corset didn't exactly need tightening, just tying, and Delphinium's petticoats of yellow, and her dress of blue and yellow, were soon slipped over her head and laced on.

All the while that Elena had been dressing the girls, she had heard Jacques going back and forth to the carriage, carrying off the baggage that had yet to be stowed. There was a single basket on the floor, and a single case on the bare mattress; when Madame finished with Delphinium's hair, she turned to Elena.

"Put the toilette articles into the case," Madame said imperiously, "and pick up all the china and put it in the basket, then bring both down to the carriage. Come, girls."

The three of them sailed out the door, and as Elena hurried to attend to this final task, she heard the sound of their elegant high-heeled shoes clacking on the staircase as they made their way down.

She would have liked to just throw everything in the case and basket, but knew better. Madame would check. So she fitted the brush and mirror, the comb and pick, the powder-box and powder-puff, the cologne bottles, the rouge and lip-paint and the patch-box all in their proper places, then stacked dainty floral-figured saucers, cups, teapot and silver in the basket with the soiled napkins around them to keep them from jouncing. At least this was one set of dishes she wouldn't be washing. With the case in one hand and the basket in the other, Elena hurried down the stairs and out the door.

They were already waiting in the carriage, with Jacques up on the driver's box, the hired horses stamping restively. She handed up case and basket to Daphne, who took them and stowed them away somewhere at her feet.

Madame thrust her head out the window.

"Keep the house tidy," Madame ordered.

"Yes, Madame," Elena replied, throttling down her joy. They still might change their minds—something might happen. Madame might get cold feet at the last minute.

"Don't let any strangers in."

"Yes, Madame."

"We will write to inform you of our address. Send any invitations from the Palace on immediately."

"Yes, Madame."

Stepmother looked down at her, frowning, as if trying to think of something else, some order she had not yet given. Elena held her breath. There was one—she prayed that Madame would not think of it.

And she did not. She moved away from the window, sat back in her seat, and rapped on the roof of the coach with her cane.

Jacques cracked his whip and snapped the reins over the horses' backs. With a clatter of clumsy hooves—they were nothing more than carthorses, after all—the carriage lurched into motion. It wallowed down the cobbled street, over the arched granite bridge, then around the corner and out of sight.

Elena waited, listening for the sound of returning horses. There were too many things that could go wrong. They could discover that they had forgotten something. They still could change their minds....

Madame could remember that she had not ordered Elena not to leave the house and grounds.

The rose-scented morning breeze pressed her shabby brown skirt against her bare legs. Her bare feet began to ache from standing on the hard cobbles. The larks overhead continued to sing, and a pair of robins appeared and perched on the sandstone wall beside her. The sun climbed a little higher. And still she waited.

But the clock in the church tower struck the hour, and though she watched with her heart in her mouth, there was no sign of them. No rattle of wheels on the cobbles, no clatter of hooves on the stone. Only the song of larks overhead, the honking of geese on the river that flowed under the stone bridge, the whisper of the neighbors on the other side of the wall—

"You can come out now, Madame Blanche, Madame Fleur," Elena called. "I think they're really gone."

Two thumps, and the patter of footsteps, and the two old women burst out of their own gate and hurried over to Elena. They were as alike as two peas, these neighbors; sisters, round and pink and sturdy, dressed in handsome linen gowns with a modest trimming of ribbon, no lace, and white linen mob-caps over their grey-streaked dark curls. Blanche wore grey, Fleur wore blue; Fleur's gown was sprigged with tiny flowers in darker blue, Blanche's was faintly striped grey-on-grey. Elena was very fond of them; they had done their best to help her whenever they could, though they had to be careful. Madame Klovis would punish Elena for taking anything from them, if she discovered it. And Madame hated both of the sisters. "Common," she called them with distaste, though they were no more common than Elena's father had been, and not being given to speculation, had kept the money they had intact.

"What has been going on?" asked Blanche, at the same time as Fleur burst out with "Where are they going?"

"To LeTours for now, and if necessary, right out of the Kingdom entirely," Elena told them. "And," she continued sourly, "as soon as the creditors find out, I expect them to come for the furniture."

Both little rosebud mouths formed identical, shocked "o's."

"I didn't know it was that bad," Fleur said, after a moment. "She kept it all very quiet! What are you going to do?"

"They can't claim the house, of course, since it was willed in equal shares to all of us, and I haven't run up any debts," Elena continued. "So at least I will have a place to stay for the moment."

"But what will you do? How will you manage?" Blanche asked at last. And "Why did they leave?" asked a more bewildered Fleur. "All they would have had to do to discharge the debts would have been to sell some jewels, live more frugally—"

Then Fleur stopped as both Elena and Blanche favored her with sardonic looks. "Oh," the old woman said, and grimaced. "I forgot. This is Madame and her daughters we are speaking of."

Blanche shrugged. "She still could have lived frugally," the elder sister said. "She could have decided to lose those airs of hers, and act her station, instead of miles above it."

Elena just shook her head. "There are a great many things she could have done. None of them suited her.

The old women tittered, and Blanche took Elena's elbow. "Come, dear," she said, in a kindly tone of voice. "I would guess that Madame didn't leave you so much as a crumb in that house, and Daphne ate everything that had been saved out of the cart before they left. Come over to our house, and we'll give you breakfast. I always enjoy cooking for you."

Just at that moment, a clatter of wooden wheels and a rattle of hooves made all three of them look up—

But it wasn't the carriage returning. It was Monsieur Rabellet. His wife was the town's most fashionable dressmaker, and there was still a mighty outstanding bill from Madame and her daughters at that establishment.

He was driving a commodious cart, and he had a very determined and angry expression on his face.

"Word spreads quickly," Elena sighed. "Thank you, Madame Blanche; I am hungry, and I gratefully accept your invitation. I would rather not be there as the corpse is stripped."

They heard more carts arriving as they worked together in the kitchen, and soon voices were raised in angry argument on the other side of the fence. Presumably those who had arrived were just now finding out how little had been left behind that was of any value at all. The heavy, old-fashioned furniture that had been in Elena's family for generations was not only hard to move, it wasn't worth a great deal. Most of the fashionable items that had been left would need repair—Madame and her daughters were not easy on their possessions. There tended to be a lot of fighting between the sisters; teacups were hurled, tables upset, and the delicate legs of the new-fashioned furniture didn't hold up well to such mistreatment.

Elena tried to ignore the shouting. There was one thing that she was certain of, there was nothing in her little garret room that was worth taking. If they even bothered to go up there.

When her father had remarried and brought home his bride and her two daughters, the first thing that Delphinium had done was to claim Elena's room. Daphne had taken the next-best chamber, and Madame had made over the remaining rooms into sitting rooms for the three of them, except for the one that went to her very superior lady's maid. Elena had taken a little garret room at the top of the stairs; at least, with the chimney running through the middle of it, it was warm in the winter. When her father had died, they had actually tried to force her out of her garret, claiming that it was needed for Madame's new assistant lady's maid, and for a hideously uncomfortable several years, she'd been forced to sleep on the kitchen hearth, giving her a permanently smudged appearance and the nickname in the town of "Ella Cinders."

But the maid had eventually decided that a garret room did not suit her lofty standards, and Daphne had to give up her sitting room. Elena got her garret back, and as the family fortune was burned away in a funeral pyre of gowns and fripperies, the servants began to leave.

"What would you like in your omelette, my dear?" asked Blanche, breaking into Elena's reverie. Elena flushed, realizing that she had been standing there, lost in memory, staring at the blank garden wall across from the kitchen door.

"Oh, please, Madame, let me—"

"Nonsense," Blanche said firmly. "You have been on your feet since before dawn. Now just sit down and let us feed you, and then perhaps we can help you make some plans."

"Mushrooms, then, please?" she replied, "If you have them."

Fleur laughed. "Elena, please! Fancy us, without mushrooms!" And the two women set about making a handsome breakfast for all three of them. There were only three servants in their household—a man-of-all-work, a housekeeper, and a little maid to help the housekeeper. No cook—Blanche liked to cook—no lady's maid, no coachman, no great state at all. Certainly nothing like the small army that Madame had thought needful, an army that Elena had eventually come to replace all by herself. Then again, their little house was half the size of Elena's.

Madame Blanche was an excellent cook; her husband had been a very plump and happy man with her as his wife. It was, by far, the best meal that Elena had tasted since the last time that Fleur and Blanche had smuggled her over to eat with them.

An ugly shouting match began on the other side of the wall as they were finishing their tea. "Oh, my," Fleur said, cocking her head to one side. "I believe Monsieur Beavrais has discovered that he has come too late. I hope this doesn't put my chickens off laying."

"And speaking of chickens," Blanche said, firmly taking the reins of conversation into her hands. "If you're going to be left with nothing, as good neighbors, I cannot even think of allowing you to starve. I think we could spare you three hens and a rooster, which would give you three eggs a day. I doubt that the creditors will bother to tear up your kitchen garden, so once that begins to produce, you will have eggs and vegetables."

"You can probably trade the vegetables for bread," Fleur added helpfully. "And perhaps you could take in washing? With no one there but you, there won't be nearly as much work. Everyone knows what a hard worker you are, and that you were the one that has done everything in that house that Jacques wouldn't do."

"Perhaps," Elena agreed, although she already had ideas of her own on that score. But she let them rattle on, reveling in the fact that here it was midmorning, and she was actually sitting down in a cozy kitchen, with a cup of tea in her hand, and nothing whatsoever in front of her to do!

And when the last rattle and bang from next door had died away, the last set of boots clumped off, the last dust settled, she took her leave of her kind friends, and went to see what the vultures had left her.

Chapter 2

Elena paused at the gate to take a good long look at the house she had lived in all of her life, seeing it, really seeing it, for the first time in a very long time. She tried to look at it as if she was a stranger. It was a handsome place, which Jacques had miraculously kept in good repair—but then, since it was made of the same beautiful golden-grey stone as the wall around it, and had a stout slate roof, perhaps that hadn't been all that difficult a proposition. Once in a great while, a slate would slip and need to be replaced, or a windowpane crack, but that was all.

The lack of cloth fluttering at them told Elena that the creditors had taken all of the curtains.

And the urns with their little rosemary bushes that had stood on either side of the front door. And the statue of Venus that had held pride-of-place in the center of the flower-bed in this, the front garden. The bills must have been very large indeed, for creditors to take the garden statuary.

At least they hadn't taken the glass out of the windows. But perhaps they couldn't—the glass was part of the house, and as yet, they could make no claim on the house itself. They would have to go before a magistrate, and Elena could plead her cause there, and possibly even win. And even if she didn't, she could take her cause to the King at his weekly audience, and probably win. They said that the King had a notoriously soft spot for orphans, having been left one himself, but that might just be a bit of idle gossip.

She lingered for a moment, steeling herself for the inevitable, then walked up the path. The door had been imperfectly closed, and opened with a touch. It creaked on its iron hinges, and for a moment, Elena winced, expecting Madame to shriek a complaint.

But no. Madame was no longer here to complain. She relaxed again.

Madame had taken as much as she could, but most of the downstairs rooms still had been furnished before the creditors had arrived. Even Madame Klovis could not manage to carry off an entire household of furnishings in a carriage and a hired cart. Most of what Madame had added in the way of decoration to the public rooms of the house had been in soft goods—rugs, tapestries, cushions. Those she had taken with her, leaving the heavy pieces behind. Now the morning light shining through the open windows showed nothing but bare walls with paler patches showing where the tapestries had been, and bare wood floors, marred with deep scratches where the heavy furniture had been dragged out. Elena began wandering through the rooms, taking inventory of what was lost.

The sitting room; here there had been a fine, heavy settle beneath the window, a handsome cabinet made for displaying the family silver (Madame had taken the silver), a table and chairs at the fireplace, a second settle against the wall opposite the window. All of the furniture had been made of dark walnut, lovingly rubbed and waxed until it glowed. The only thing left now was the inglenook seat built into the fireplace itself.

The dining room, where the furniture had been made of the same oak as the beds upstairs; table, twelve chairs, sideboard. All gone.

Her father's office; desk, chair, cabinet where he had kept his records. Now a mere memory. The tiny room seemed much bigger now.

The library—she opened the door and stepped into the room, and stifled a hurt gasp at the sight of all the empty shelves. It had not been a large room, no bigger than the dining room, but it had been her favorite in all the house. This was, perhaps, the greatest loss for Elena, for not only were the stout chairs and desk gone, and the huge, framed map of the Five Hundred Kingdoms that had hung over the door, but so were all the books and ornaments that had stood between them. The ornaments had never interested her a great deal, but the books—those books had been the consolation of lonely hours, the things that took her away when she was unhappy. Madame had not taken any of the books; she had no use for such things, and had not seen their value.

But to Elena, who had hoped that the creditors would not see the value either, the loss of each book was as if she had lost a friend. She had known each of them, read them all countless times, knew every foxed page, every scar on every binding. Tears sprang into her eyes, her throat closed, and she jammed the side of her hand into her mouth to keep from sobbing aloud. Blinded by her tears, she turned away, quickly.

The pantry had already been empty, every bit of food loaded into the carriage, and she did not pause to examine it. Nor would she trouble to go down to the cellar; there was nothing there, either, and for the same reason. Madame never stinted herself on fine wines, and what she didn't drink, without a doubt, Jacques would. The kitchen, however, had still been furnished— Madame did not intend to have to cook for herself, and had no need of kitchenware. Only the fine china had been packed away and taken. But now it, too, was bare, stripped as completely as any other room, every knife, every pot and pan, excepting only the dishrags she had washed and left to dry, two heavy, brown-glazed dishes and three mugs made of the commonest clay, all of them chipped and worn, and two pots made of the same substance. So, she could cook. But otherwise, even the spit, the crane, and the pothook in the fireplace had been taken.

No need to took in the stillroom. What Madame didn't take, they'll have now.

She went upstairs, and did not bother to check the bedrooms on the second floor. If the creditors had been so thorough down below, she doubted that they would have left anything other than dust. Instead, she climbed the stairs to the attic, and her garret room, to see if anything at all had been left there.

She opened the door to her own room and for a moment, she felt frozen with shock. Her few belongings had been tossed about the room as if a mad dog had been playing with them. Her poor, flat little pillow was gone. Her ragged blankets were thrown into the corner. Her other change of clothing wadded up and tossed into the opposite corner. The box that held her few little treasures had been upended, and the comb with teeth missing, the bit of broken mirror, the feathers, bits of pretty stone, and dried flowers kicked everywhere, the string of beads broken and scattered. Her pallet of straw-stuffed canvas had been torn open, the straw scattered about the room. The place was a shambles.

For a second time she fought back tears, but she truly wanted to fall to her knees and weep at the thoughtless cruelty of it. Why? Why tear her poor things to bits? Could they possibly imagine that there had been anything of value hidden up here? How could they even think that she would have been allowed to keep anything? Hadn't the entire town been aware of her shabby state? Why, the town beggars went better clothed than she!

Perhaps another girl would have been paralyzed with the grief that shook her—but Elena had learned to work even while her heart was breaking and her eyes overflowing a long time ago. And if her hands shook as she carefully picked up and shook out her spare skirt, bodice, and blouse, her worn-out shawl and kerchief, and folded them up to set them in the window-seat, what was left of her bits and souvenirs in a mound atop them, well, there was no one to see. And if she sprinkled the straw she regathered from the floor with her tears, there was no one to mock her grief. But it was hard, hard, to have the little she had saved of her past life ground into dust as those poor flowers had been. At least she was wearing the locket with her mother's portrait in it around her neck on a ribbon—Daphne had stolen the chain long ago.

She sobbed quietly as she collected every bit of straw; she would need something to sleep on tonight. It had to be done, and no one would do it for her.

She stuffed it all back into the empty canvas sack that had been her bed. And at least there was one small blessing; she always kept her needlecase in the pocket of her apron, and had they found that, they probably would have taken it as well. So she was able to stitch the mattress back up again, sitting cross-legged on the bare floor. They had torn the seams open, rather than ripping up the canvas, and although she had to remake it a little smaller, when she finished it was not in much worse shape than it had been before it had been torn apart. It was a hard thing, though—to find that men whom she had never harmed, who should realize that she had been just as ill-treated as they, should take out their anger on her.

And when she thought about how the flowers from her mother's grave had been crushed, the few things she could call her own left in ruins, her eyes burned and new sobs choked her—

"Ahem."

She squeaked and jumped, and cast startled eyes on the open doorway.

There was a man standing there. He stepped into the light, and she saw that it was Monsieur Rabellet. He carried a bundle under one arm, and his face was suffused with guilt.

"I am sorry, Ella," he said, flushing with shame when he caught sight of her tear-streaked face. "They were looking for valuables, and they started in on your room before I could stop them. It was the latecomers, you see, the ones who got nothing because—"

She sniffed, and wiped her cheeks with the back of her hand, but said nothing; she just stared at him, and let the tears come, weeping silently. She was not going to make this easy on him. If he'd cared to, he could have stopped them. He was a big man, only the blacksmith was bigger.

"At least I kept them from tearing up your clothes!" he protested, and flushed again. "At least—no more than they already were...." He coughed, and swallowed audibly as she fixed him with a look that she hoped would stab him to the heart and double his guilt. "The wife gave me a piece of her mind when she found out."

Well, Madame Rabellet had always been kind to Elena, who had given her the respect due to a fine craftswoman, and always been ready to lend a hand at the fittings, proving herself so useful that Madame Rabellet had never needed to bring her Apprentice-girl with her.

"Anyway, when she found out, she sent me back here with this—" The man took two steps forward into the room and thrust the bundle at Elena, who automatically put out her hands to take it from him. "She said it wasn't fair—said God gives blessings to the charitable—said—" He was backing up as he babbled, as if the accusations in her eyes were arrows, wounding him, and when he reached the door, he whirled, and fled, leaving her alone as his hasty footsteps on the floor and the staircase echoed through the empty rooms. She sat there, unmoving, until the slamming of the front door woke her from her shock.

She looked at the bundle in her hands. It was fabric—it was woolen, dyed a golden-brown. Not new, but sound, in good condition, and so far as she could tell, not stained, either. She unfolded it, to find that it was a large, plain shawl, and it was only the covering for a bundle of clothing.

A skirt, a blouse, and a bodice; like the shawl, the fabric was not new and the skirt and bodice had been re-dyed. The skirt was a heavy twilled linen, and there was a kerchief that matched, dyed a dark brown, the bodice was black, and the blouse a pale color that was not quite white. They all looked to have been made from much larger garments, cut down when the seams were too worn to hold, but the fabric itself was still good.

They were not patched, not torn, not darned. In fact, they were stoutly-sewn and well re-dyed. These were the sorts of things that a dressmaker assigned to a new Apprentice to make, simple garments to teach her to sew a "fine seam."

They were the best pieces of clothing that Elena had owned since her father had died. They were also exactly what she needed to carry out her plan.

When the rest of the town discovered—as it must, given that Madame Blanche and Madame Fleur were two of the most inveterate gossips in the Kingdom—that Elena had been left behind to live as best she could in the empty house, a few of the more guilt-stricken arrived to leave small offerings at her doorstep. Most she never saw; she heard footsteps on the path, and by the time she got to the front door, the gate was swinging shut and there was a basket or a bundle on the doorstep. In fact, except for Monsieur Rabellet, she didn't get much more than a glimpse of a skirt or a pair of legs.

But the offerings were welcome—indeed, desperately needed. A warm woolen shawl, a kitchen knife and a very old and very small frying pan, a loaf of bread, a ball of cheese, a blanket, a pat of butter, a pannikin of salt and a twist of tea. So she wouldn't go hungry tonight, nor cold. Madame Blanche completed the offerings in person, delivering a half dozen eggs and some bacon just as the sun began to set.

She found Elena on her knees at the hearth in the kitchen, getting the fire going again, and ready to toast some bread and cheese for her supper.

"Well!" she said, looking with approval at the food. "I was hoping someone would have a guilty conscience! Good." Her mouth firmed with satisfaction. "So, now the robbers have taken care of what you need for now, but have you thought about what you're going to do?"

Elena sat back on her heels and looked up at her kindly old neighbor. "I have, actually—I thought it up the day Madame told me that she and the girls were going. I just—" She shook her head. "I wanted to tell you, but Madame swore me to secrecy.

She told me that she was going to leave me here to look after the house, and that was when I made up my mind what I was going to do when she was truly gone."

"You did? Well, good for you!" Madame Blanche went out into the kitchen garden and came back with some bits of herbage pinched off the new growth in the herb bed. "Here you are, dear. Those will go nicely in coddled eggs. So, what are you going to do?"

She took a deep breath. "I'm going to leave. I'm going to leave here and never come back."

Madame Blanche blinked, as if she could not quite believe what she had just heard. "I don't suppose you would care to explain that?"

"Tomorrow is the Mop Fair," Elena elaborated. "Anyone who is looking for a servant is going to be there. And you said yourself that everyone in the town knows that I've done every bit of cleaning, mending and tending in this house for—years, anyway. I'm only a plain cook, but anything else, I can do."

"But—but you're not a servant!" Madame Blanche said, looking blank. "You're from a good family, Elena! Your poor mother—if she knew, she'd be weeping at the thought. It's one thing for me to do my own cooking, but—"

"I may not have been born a servant, but that's what I am now," Elena said firmly. "I'm too old to become an Apprentice in any decent trade even if I had the fee, so that is what I am good for now." She bit her lip, and continued, bitterly, "You know that's the truth, that it's all I'm good for, now. Madame Klovis saw to that; I have no dowry, no prospects, nothing to offer a young man but myself, and what young man would marry an old maid of twenty-one who brings him nothing but her two hands and a few housekeeping skills? Unless I dispute it, within days, the magistrates will turn this very house over to the creditors. Even if I do dispute it and win, what am I to do? It won't be long before Madame Klovis returns—for you surely don't think that she'll have any better luck elsewhere in her fortune hunting any more than I do—and I will be back to being her unpaid slave."

"Well," Madame Blanche said, blankly, "I suppose that all of that is true...."

"So there you are," Elena said, trying to sound determined, and not bleak. "This is my only chance to get away from her. And if I am going to have to spend the rest of my life, mending and tending and cleaning, then I am—by Heaven!—going to be paid for it!"

And at least I'll have three meals a day and two suits of clothing a year as well, she reminded herself. Every servant, no matter how lowly, was entitled to that and her bed and board and pay. It would be more than she had ever gotten out of Madame Klovis.

Madame Blanche took a deep breath, as if she was about to dispute Elena's view of the situation, then let it all out in a tremendous sigh. "I am afraid, my dear," she said sadly, "that you are correct. And you are a very brave girl."

Elena shook her head. "I am not brave at all," she replied, and a little of her despair crept into her voice, despite her attempts to keep it out. "I am terrified, Madame Blanche. If I were brave, I would go to the King and find some way to get everything back again. If I were brave, I would reclaim this house at least, and sell it, and use the money to set myself up in a little cottage somewhere, with a cow, and some chickens and geese, and a little garden of my own. But I am not brave. I am afraid to face all of the creditors and the magistrate, I am too terrified to even think seriously of going to the King. I am running away, Madame Blanche, and I was not even brave enough to face my stepmother and tell her what I am going to do. When she returns, she will find the house has been sold and I am gone, and if I am working for some family here in town, I will hide until she goes again."

Madame Blanche regarded her gravely for a long moment, the light from the fireplace casting strange shadows on her face. "You may be right, Elena, in saying that this is the only thing you can do. But I think you are wrong in saying that you are not brave." She paused. " May I tell Fleur what you have told me?"

"Of course!" Elena replied. "I would be happy to have—" now it was her turn to pause, to choose the right phrase "—her kindly thoughts."

"And I am sure you will have them, my dear," Madame Blanche said warmly. "Well, I will leave you to make your supper in peace."

And she bowed a little, before she turned and left.

Elena sighed, and put a pat of butter in the skillet to melt. After everything had been taken, there were two things left; there had been wood in the woodshed, and a bucket on the pump. She made and ate her dinner—eggs and bread and a little tea. She cleaned the dishes in the light from the fire. Then she banked the fire until morning, washed her face and hands, and, for lack of anything else to do, went up to bed.

There were no candles, of course, for even if her stepmother had left any, the creditors would have taken them, so Elena climbed the stairs to her room in the dark, and made up her bed (with the new shawl bundled around her old clothing for a pillow, and the new blanket over the old, tattered ones) by the light of the moon coming in her window. She carefully took off her outer clothing and slid into the bed in her shift, and if the pallet was a little lumpier than it had been, it was also warmer beneath the new blanket.

And this was the earliest she had been able to go to sleep in as long as she could recall. Usually she was awake until after midnight with all of the tasks she had to finish—later than that, if the Horrids had been to a ball or a party, and she had to stay up to help them undress. She usually didn't get to go to sleep on a full stomach, either.

It had been a very long day, nevertheless, and an emotional one. She was tired, as tired as she ever had been.

And no one is going to wake me with a scream for something, she realized, as she felt her muscles relaxing in the unaccustomed warmth. The empty house felt—odd. There was a hollowness to it. There were no little sounds below her, of people moving about or making noises in their sleep.

Through her open window, which overlooked the kitchen-garden, she heard voices coming from the house next door. Not loud enough to make out what was being said, but loud enough to know that it was Blanche and Fleur, and a third, unfamiliar voice.

She smiled a little. It was probably a client of Fleur's; someone like Fleur usually saw a lot of clients after dark. Few people wanted to be seen patronizing a Witch, even if that Witch was someone who had a heart full of only good, true as a priest, and honest as a magistrate.

Everyone knew that Fleur was a Witch of course, and had been since she was very small indeed, though no one every actually said the word aloud. This was why they called her "Madame," although, unlike her sister, she had never had a husband. You just called a Witch "Madame"—it was respectful, and it didn't do to treat a Witch with disrespect. That was why Elena had chosen her words so carefully when she'd asked for Fleur's "good wishes," and why Blanche had asked so carefully if she could "tell Fleur." Words took on extra weight, and extra potency, when there was a Witch involved. You were careful about words around Witches.

Not that Fleur had a great deal of magic of the sort that tales were made of. No, Fleur's power lay in healing and herbs; she was a very small Witch, as Witches went. Ask her to cure your child or get your dry cow to give milk again, and there was no problem. Ask her to cast a love spell or break a curse, and she would look at you helplessly, and shrug.

As she had the day that Elena, weeping after having had yet another possession appropriated by one of the Horrids, had come running into the neighbor's garden and begged Fleur to make Madame go away.

Fleur had only looked at her, sadly. "I cannot, dear," she said, slowly. "I am bound to tell you the truth, my pet. Somewhere, Madame obtained a very powerful love spell, and your father is entrapped in it. I cannot break it, though I wish with all my heart that I could. I could not even begin to guess how to break it, in fact."

Elena stared at the moon framed in her window as she remembered that dreadful moment. It had been an epiphany of sorts. Until that moment, she had believed that all endings were happy ones, that all good adults could help children, if only the children asked, and that good things happened to good people, if only they were brave enough. In that moment, she had learned that sometimes good people were helpless, that terrible things happened to good people, that there were sad endings as well as happy ones.

Worst of all, she had learned that no matter how brave and good you were, bad people often won, and that her father was lost to her forever.

From that moment, she mourned him as if he was dead—and indeed, for all intents and purposes, he might just as well have died. He came less and less to protect her from her stepmother and stepsisters, until at last he did nothing at all. He scarcely seemed to realize that she existed. He totally forgot that he had ever been married to anyone else, and spent his every waking moment trying to find some new means of pleasing "his Madeleine."

It almost came as an anticlimax when he sickened and died within that year of wedding Madame. She thought, looking back on it, that she had known, deep in her heart, that this was what would happen. Love spells did not last forever, not even powerful ones, and Madame was not the sort to allow her power to ebb away.

But this was the peculiar thing; Elena had spent her time since her father's death wrapped in a growing sense of tension and frustration, as if something was out there, some force that would make all of this better, if only she knew how to invoke it. That there was a way to turn this into a happy ending, and that her life was a coiled spring being wound ever tighter until it would all be released in a burst of wonder and magic that would give her back everything that had been taken, and more. The longer things went on, the more she felt that climax rushing towards her, or she towards it—

But it never happened. Not on her sixteenth birthday—the primary moment of magical happenings according to every tale that she had ever read or heard—nor on her eighteenth, which was the other possibility. No, things stayed exactly as they had been. No Fairy Godmother appeared, not even Madame Fleur, somehow empowered to take Elena out of her miserable existence. No handsome prince, no prince of any kind, appeared on the doorstep to save her. There was not even a marriage proposal from the blacksmith's son or the cowherd, both traditional disguises for wandering princes. Nothing. Only more and more back-breaking work, and the certainty that nothing was going to change, that Madame had things arranged precisely as she wanted them, and that Elena would be "Ella Cinders," the household slave, until she died. And her despair grew until it matched the tension inside, until it overwhelmed the tension inside, and the only escape from either she ever had were a few stolen moments inside the covers of a book.

For years while she still had hope, she had eased her sadness by telling herself stories like those she read in the books and heard old women tell their grandchildren. "Once upon a time," they always began, "there was a poor orphan girl who was forced to slave for her Wicked Stepmother." And they ended with, "And the orphan girl married the prince—" or the duke, or the earl, or the handsome magician "—and lived happily ever after."

Then, gradually, the stories had changed, and the rescuer had not been a prince. By the time she was sixteen and a day, she had abandoned all thoughts of royalty, and instead, prayed and hoped with a clawing despair for romance. Just a little. Just an ordinary love of her own.

No, the dreams she had told no one were no longer about the unattainable, but about the barely possible—if there were, somewhere in the town, a man willing to brave Madame's wrath to steal her away.

Day in, day out, in the market, by the river, or from her garret window, she had watched other girls with envious eyes as they were courted and wooed by young men. They seemed so happy, and as her sixteenth, and then eighteenth birthdays passed, her envy for their lot grew. As did the stirrings in her heart—and elsewhere—as she spied on them from behind her curtains, or while pretending to select produce in the marketplace, when their sweethearts stole kisses and caresses.

And if only—if only—

She dreamed of the handsome young men, the jaunty Apprentices, the clever journeymen, the stout and rugged young farmers—then watched them court and marry someone else, time after time, never giving her as much as a glance.

Then she dreamed of not-so-handsome, not-so-young men, the widower with two children, the storekeeper with an aged mother, the work-weary bachelor farmer—who did exactly the same.

And when she found herself contemplating with wordless longing the balding, paunchy Town Clerk, who at least had kind eyes, only to weep in her pillow with despair when he married the cross-eyed daughter of the miller, she knew that she had reached the end of dreams.

At least, those sorts of dreams.

All that had been left her was a single, simple longing. Let me get away. Dearest Father in Heaven, let me get away!

And finally, at long last, this one little prayer had been answered. Well, now that she had a chance to get away, she was going to seize it with both hands. She would dream of getting a decent place, then working her way up with hard work and cleverness, becoming a cook, or a housekeeper. That was real; that was attainable. Not some feeling that her life was a tightly-coiled spring that would shoot her into a life of ease and a path strewn with stars. Feelings were nothing; the only thing that counted was what was in front of your eyes, what you could hold in your hands.

Tomorrow was the Mop Fair; that was what it was called here, in Otraria. Other places called them Hiring Fairs, she had heard, but here the occasion was named for the mops that women wishing to be hired as servants carried with them into the town square. In fact, it wasn't just women who presented themselves to be hired, it was men, too; the women would line up on one side of the square, the men on the other. Each of them would have some token of his or her skills about them. A maid-of-all-work would have a mop or a dust rag, a cook would bring a pan, a shepherd would have his crook, of course, a farmhand a twist of wheat in his hat, a drover a whip in his hand or a twist of whipcord in his hat. Each of them would have his or her belongings bundled up at his feet, and those who needed servants would come and examine them, make an offer, and be accepted or refused. That wasn't the only thing that would happen tomorrow, of course— it was a Fair, after all, and all of the booths and games, the displays and amusements typical of a Fair would be going on in the center of the square as well. It was a very large town square, with more than enough room for a lively Fair with space left to spare.

But the hiring was the chief thing, and tomorrow she would be ready for it. She would wear her new clothing, with the frying pan in her hand and a dust rag tucked into the band of her skirt, showing that she was an all-around servant. And she would take the first offer that came from anyone who looked kind. That was all she wanted; kindness, and a good master or mistress.

But she still had hopes, even if they were much reduced, and when the moon had left her window, she fell asleep, thinking of them. A kind old priest, whose housekeeper has gone to live on the generous pension he granted her. A busy scholar, absentminded, who needs looking after. A large family, with a dozen children, happy and easy-natured. A great lord, whose housekeeper is looking for maids who can be trusted....

And so at last, her hopes became dreams, and her treacherous dreams sent her down paths she had given up, or thought she had—into stories—

—and the handsome son of the great lord fell ill, and no one would tend him but the brave little scullery maid, who nursed him back to health at the risk of her life. And when he came to himself, and looked into her pale, grave face, and knew what she had done, he fell in love—

She awoke at dawn, with Fleur's roosters telling the whole world that it was more than time to be up and about. And if there were tears soaking her makeshift pillow, there was, at least, no one to see.

Chapter 3

Fleur's roosters had the habit of crowing before the sun was actually up—but Elena was used to getting up that early anyway. Madame Klovis had been a demanding mistress, and her daughters took after her. She had managed to keep a full staff busy; when all that was left was Elena and Jacques, there had always been too much to do, and not enough time to do it in.

So this morning she woke, as she always did, immediately and alert, and although she could have gone back to sleep again, for the first time in years, to sleep late, she knew that this of all days was no time to be lazy. If she wanted a choice spot at the Mop Fair, she needed to get there soon after sun-up, and she wasn't going to do that by lying in bed.

In her belongings had been the tag-end of the bar of coarse, harsh laundry soap. Somehow it had escaped being mashed into the floor, squashed into her clothing, or otherwise destroyed. Appearances were terribly important at the Mop Fair, and she was determined not to be "Ella Cinders," not when she was trying to make a good impression.

So once she had finished breakfast, she brought everything she owned down into the kitchen and filled the sinks and all the pots with water from the pump. She packed up everything but her new clothing, a dust rag and the pan in a bundle, then stood naked in the middle of the kitchen and scrubbed and rinsed herself until she was pink, and her hair and skin squeaked with cleanliness. Only then did she put on the new clothing. She bound up her hair, braiding it tightly and confining it under the kerchief. Then she shouldered her burden, and marched straight out the front door. She took a deep breath on the threshold, and closed the door behind her, walking away without looking back, because she knew that if she did, she would never have the courage to go on with this.

She paused for a moment in the thin, grey light of morning, looking at the silent—well, silent except for the roosters—house next door. She had hoped that Fleur or Blanche would be about—but there was no sign of either of them as she passed their front gate. She closed her eyes, made a last, silent prayer, and strode resolutely towards the square, and (she hoped) her new future.

The town square had some movement in it, a few people walking about among the stalls and along the shops. The sun was just below the level of the buildings now. The rooftops and ridges were gilded with sunlight, though the square was still in shadow. The men lined up on the cattle-pen side, the women, along the front of the Town Hall. The most desirable spaces were at either end, for those nearest to the ends would be seen first, and Elena took one next to the first-comers, in a place that would be in shade during most of the afternoon. She was one of the first to take her place, right behind a plump woman with a suspicious eye, a pair of young girls with dust rags who looked like sisters, and an old lady with a nursemaid's cap and a motherly look to her. The stalls and booths for the Fair had been set up last night, but only a single hot pie stand was manned this early. Her mouth watered at the smell of the fresh pies—but pies weren't for the likes of her, without even a sou to her name. She had the bread and cheese made up into sandwiches in her bundle. That, and water, would have to see her through the day.

More and more women and girls straggled up to join the line as the Fair came to life. More stalls opened, and the air began to fill with the shouts of barkers hawking their wares or entertainments, the scent of fried food, sausages, meat pies, sweet-stuffs. Eventually, by the time most folk had finished breakfast and the shops were opening, the Fair was in full voice, and the first prospective masters and mistresses were walking the line, examining what was on offer there.

The two girls went first, to a woman in a farmer's smock, who was looking for a pair of maids-of-all-work. They seemed perfectly pleased to be chosen, and Elena took that as a good omen.

Every time someone paused in front of her, Elena looked them straight in the eyes, recited her abilities, and prayed. Someone kind. Someone kind. But most merely looked at her and moved on. For some, the reason was obvious; women with husbands with hungry eyes, or sons old enough to begin thinking about girls. No one wanted to hire a girl who could, all too readily, become the plaything of someone in the family. It was hard enough to keep a girl away from the trouble that came from fellow servants and farmworkers; at least there she could presumably be relied on to have enough common sense not to fall into a haymow and into pregnancy unless there was a wedding in the offing. But a pretty girl had no defenses against a predatory master. As a sheltered girl of a wealthy family, Elena had known nothing of such things; as one of the lowly servants, she had learned a great deal. Madame's servants gossiped constantly, and it hadn't been long before they were ignoring her as so unimportant that it was safe to gossip in front of her.

For the rest of those possible employers, though, she could not even begin to guess why they passed her by. it wasn't that she was expecting too much; in fact, she could have asked far more than the wages of a maid-of-all-work. The lowest wages, all that she asked for, were set by law; she was a plain cook and general housemaid, and she should get a shilling a week, two suits of clothing (or household uniform), bed and board and twice a year, a three-day holiday. So why were so many people looking at her, taking a second look, then passing on to choose someone else? It became harder to understand as the noontime came, and the strongest, brightest-looking, and most competent of the other girls were chosen, leaving her clearly the best of the lot available.

At noon, a boy with a bucket came along the line with water. Elena took out her sandwiches and the least chipped of the mugs, and got a drink. The bread was dry on the outside, but she had used all of the butter on the inside, and it was no worse a meal than many she'd had under Madame.

By now, the sun was very warm, and she loosened the neck of her blouse a little, fanning herself with her dust rag; she would be glad when the shadows of the shop-buildings to the west would fall on her and the others still waiting.

Now those who were examining the women and girls moved down the line more slowly, examining the candidates with great care, for the choices were fewer. And now, something peculiar was happening.

These people looked her in the eyes, and looked away. One or two stopped, and asked her name after she had recited her qualifications. "Elena Klovis," she said, and after a moment of blankness, they would say, as if to themselves, "Ah—Ella Cinders." Then they would shake their heads and move on.

Finally, the explanation came, after a harried-looking woman seized on the sight of the old nursemaid with relief and a cry of "Oh, Nanny Parkin! I did not know you would be here!" The old woman quickly made an advantageous bargain for herself, but then turned to Elena just before leaving the line.

"I didn't want to blight your hopes, dearie," Nanny Parkin said, in the kindliest of tones, "but no one will hire you."

"But—" Elena stammered.

"They know who you are, you see," the old woman continued. "Everyone knows Ella Cinders now. Those that didn't know your tale surely do now, after what happened yesterday. No one wants to face Madame Klovis when she returns. They know she'll return, and there won't be anything left here of value when the creditors are finished but you. You see? She'll want you, she'll have some rights to you, and if someone else has you, there will be the devil to pay."

And she picked up her own bundle, and followed her new employer. Elena stared after her in shock and dismay. And when she glanced over at some of the others in the line, she saw nods—or else, averted gazes.

She almost gave up. But—

No, she decided. No, I will not give up. There are still farmers here, and merchants, and maybe they need someone. They won't be able to make a choice until their goods are sold and their purchases made. I will stay. People from outside of town wouldn't be afraid of Madame. They would know that Madame would never stir out into the countryside to find the fly-away stepdaughter. There was still a chance, a good chance....

But as the shadows stretched across the square, as time passed and stalls and booths closed, as the line of women thinned, and finally the two lines of those who wished to be hired were combined into one, men to the right, women to the left, her hopes thinned also.

Still, she stayed. Stayed as the last of the food-stalls closed and there was no one left but a dubious-looking sausage-seller hawking equally dubious sausages, as even the disagreeable-looking cook was trundled away by a cross old man. She stayed, until the sun was setting and there was no one left except her, the dispirited sausage-seller, and one other. This was a gangly boy with no tokens of experience, all elbows and knees, wearing clothing that was three sizes too big for him apparently made of tent-canvas. There was another person as well, but he was not hoping for hire—this was the father that was keeping the boy company.

"Y'ant t' go naow?" the man said to the boy, who shook his head stubbornly, though his face bore an expression that was as desperate as Elena felt.

The moment the last of the sun went below the horizon, she would have to go. The Fair would be over, and there would be no chance of finding a place until next year. Oh, officially it wasn't over until midnight, but no one would be here, looking for someone to hire, after the sun set.

Laundry, she thought, despondently. I can take in laundry. At least, as long as I can keep the creditors from taking the house. I can keep those hens that Blanche offered me. The kitchen garden will feed them and me both. At least, as long as I can keep the creditors from taking the house—

Then, just as the sun sank behind the buildings to touch the horizon, came an unexpected noise—

It came from the street leading into the square, the sound of hooves and wheels rattling on the cobbles. Which was odd—the stall-holders would not come to take down their booths and stalls until tomorrow, and anyone coming to stay at the inn was already there. Could it be—was there the slightest chance—?

She looked up, peering down towards the street.

The vehicle rattled into the square; an odd little dog-cart, driven by a little old lady dressed in a quite eccentric outfit of clothing. It could have been gypsy clothing, if gypsies were neat as a pin, impeccably groomed, and wore beautifully sewn and ornamented garments that looked far newer than Elena's. It was certainly bright enough to be gypsy clothing; scarlet boots with black stitching, blue skirt embroidered with red and yellow flowers and green leaves, black bodice, yellow blouse, scarlet vest, and wildly embroidered black shawl. The old woman wore her hair in a fat knot at the back of her head, from which little curling wisps were escaping.

The cart was as odd as the driver, also scarlet, painted all over in multicolored flowers. And the horse—or perhaps, pony— was the oddest of all. It was grey with huge eyes, had floppy ears, a hunched back, and was no bigger than a mastiff, but it was wildly strong, for it pulled that cart with no perceptible effort at all, and looked altogether jaunty and proud of itself. And it wore a straw hat, both floppy ears pulled through holes and falling over the brim.

"Ah!" the old lady said, pulling up in front of Elena. "Good. You haven't gone home; that speaks well for your spirit! I'm very glad to see it. Would you like a position?"

"Ah—" Elena said, looking startled, into a pair of the bluest, kindest eyes she had ever seen. Someone kind— She did not even have to think. It didn't matter what was wanted. "Ah—yes! Yes, please!"

"In with you then, my dear!" the old lady said, and Elena wasted not a second; she tossed her bundle into the back of the cart and scrambled up beside the old woman. She didn't even stop to ask what the position was—

As they drove out of the square, she heard the man ask his son again, "Y'ant t' go naow?" and heard the boy say, stubbornly, "No. Tain't tomorrow, yet. I'm stayin' till midnight." She looked back at them, until the cart turned a corner and they were lost behind buildings, wondering what would happen to the poor lad.

The little horse picked up speed, trotting with all his might and main, still showing no signs that the cart was too heavy for him, acting as if, in fact, it was lighter than thistledown. As they passed under the wall that encircled the town, and through the town gates, dusk descended.

The little horse picked up his pace, until he was galloping, his tiny hooves flying—

There was a bump, and Elena clutched the side of the cart. The old woman was making no attempt to rein her horse in, and he was going awfully fast. In fact, they were right out of sight of the town walls now, the cart bumping and rattling along at a rate that put her heart right in her throat!

The cart gave a lurch, a bump, a wiggle, and a huge jolt that sent it flying into the air—

—and—it—didn't—come—down—

She gasped, and clutched at both the side of the cart and the old lady's arm, as they rose right up into the twilight sky, heading for the stars.

She tried to cry out in fear—instead, she squeaked. The old lady laughed, and tied off the reins. Elena looked down at the ground, and immediately regretted it.

"Don't look again, my dear," the old woman said, cheerfully. "At least, not until you get used to it."

Elena tried to say something, but nothing would come out of her throat. Panic was the mildest description of what she felt right now—

A Witch! She must be a Witch! That was the only possible explanation for this. A powerful Witch—a very powerful Witch, one that made Fleur look like—like—Elena! No wonder she wasn't afraid of Madame, the way everyone else was. If she can make a cart and horsefly, she could turn Madame into a toad with a snap of her fingers!

But what did she want with Elena? Well, Witches ate, and presumably needed their houses cleaned. Maybe it was easier to hire a servant than to do it all by magic.

The old lady rummaged under the seat, nonchalantly taking out a basket. She flicked a finger, and a little round ball of light appeared over their heads, illuminating both of them. "I'm sure you're hungry, Elena," she said, with a cheerful smile. "Would you help me with this?"

She began handing Elena napkins, a plate of sandwiches, another of little iced cakes, and cups of tea that somehow emerged steaming from the hamper. The cart was as steady as a house, and the seat between them became their table, spread with plates of food, a teapot, a small milk-jug, a bowl of sugar. It was absurd, impossible, ridiculous—and the very ordinariness of the cloth set for two, in the midst of all this impossibility, gave her a kind of anchor, something to grasp at. At this point, Elena's store of shock was beginning to run out—she accepted a sandwich and cup in a numb daze.

"Well," said the old lady, in a nonchalant, matter-of-fact tone. "I expect you would like to know what this is all about."

Elena took a bite of her sandwich, automatically, because— well, because that was what you did with a sandwich. It was ham and watercress. Very good ham. In fact, she hadn't had ham quite this good since she was a small child. "Yes, please," she said in a small voice. Overhead the sky was a deep black strewn with the brightest stars she had ever seen. Beneath the cart was nothing but darkness.

Which was altogether better than looking down on houses no larger than toys.

"Well, where to begin?" The old lady sipped her tea. "I suppose I should begin with this. Elena, I am your Fairy Godmother."

Elena blinked, and a thousand thoughts raced through her head. Uppermost was, then where have you been all this time when my stepmother was starving and beating me? The thought did not have the heat of anger in it—yet. But in a few moments, it would.

"Actually, to clarify, I am the Fairy Godmother to this entire Kingdom," she continued, and Elena was suddenly glad that she had not blurted out what had been in her head. A Fairy Godmother to her was one thing; a Fairy Godmother to all of Otraria was quite another. Being angry now would be like being angry at a thunderstorm because it happened to rain on you. "You do know about the King of Otraria, I presume? And his Queen— who used to be the Princess Who Could Not Laugh?"

Elena nodded.

"Well, that was my doing—the goose, and all those people stuck to the goose and each other." She smiled, and patted her hair with every sign of pride. "One of my best efforts, I think. So, in that case, you already know how tales come true—for some people."

Something about the way she said that made Elena repeat it. "Some people?"

The old lady nodded. "Indeed. You see, whenever there is a person whose life begins to resemble a tale—the brave little orphan lad, the lovely girl with the wicked stepmother, the princess with the overly protective father—something begins to happen, and that something is magic.'" She paused, and ate a dainty quarter of sandwich. "Magic begins to gather around them, you see, and in fact, there are even certain people to whom that begins to happen from the moment they are born. That magic begins to try to force their lives down the path that their circumstances most closely resemble, and the longer it takes for that to happen, the more magic begins to gather around them."

Elena sat stock-still, her cup clutched in both hands, thinking about that tension she had been feeling for so very many years. Was that—the magic?

The old lady peered at her, and nodded with satisfaction. "So. You have felt it. Good, then you understand. That magic has been trying very hard to propel you down the path of a tale to a happily ever after, and you've been well overdue for that ever since you were sixteen."

"But—" Elena began.

"Among the many other things they do, the Fairy Godmothers are supposed to help that sort of thing along, like midwives," the old lady continued, right over the top of Elena's "but." "Which is why we always turn up when something goes horribly wrong, to counter the Bad Fairy's curse or the invasion of an Evil Sorcerer. But quite often, I'm afraid, in fact more often than not, circumstances around that special person are just not going to allow the happy ending that the magic is pushing for. Take your case, for instance. You do realize what was supposed to happen in your life, don't you?"

Well, of course she did! How could she not? She'd daydreamed it often enough. "On the Prince's birthday, there would be a great ball," she said, automatically. "I would get a gown, somehow—my mother's spirit would weave it of flowers, perhaps, or—"

She looked penetratingly at the old woman.

"—or your Fairy Godmother would conjure it out of the rags left from your mother's old gowns, yes, or Brownies would sew it and leave it for you in the garden. Exactly. And then?"

"Well, I would go to the ball, and no one would recognize me, the Prince would fall in love with me and I with him and he would take me away and I would live—"

They finished in chorus, "Happily ever after."

"Exactly so. Unfortunately, my dear, in your case, though your stepmother and stepsisters are fully wicked enough to justify that sort of happy ending, Prince Florian is a mere boy of eleven." She paused just long enough for Elena to begin to feel horribly cheated somehow, then continued. "Nor are you the only girl to whom this has happened with this particular tale. All over the Five Hundred Kingdoms, down through time, there have been countless girls like you for whom the circumstances were not right. Their destined princes were greybeards, infants, married or terrible rakes, or not even Princes at all, but Princesses! And the magic keeps gathering around them, trying to make it all work—oh, and by the way, we call that, The Tradition. The way that magic tries to set things on a particular course, you see. And there are dozens and dozens of other tales that The Tradition is trying to recreate, all the time, and perhaps one in a hundred actually becomes a tale."

Elena nodded, pushing off that feeling of being cheated with all her determination. "All right, I do see, but—"

"So all of that magic is building up around the person—you, in fact—like a snowball rolling down a hill. It just gets attracted, the same way that white cat hair is attracted to a black velvet bodice, you know." Now the old woman was watching her, closely. For what?

"I see, but—"

"It never goes away. Sometimes, it just builds up to the point where a magician notices it, and it gets—" she waved her hand vaguely "—siphoned off. Sometimes neatly, with the person's consent, and to the benefit of the person, though the effect of that is that it leaves them quite ordinary. Nothing magical will ever happen again to her—or him—but at least their life will go on rather as everyone else's life goes on. And if the person's circumstances are truly dire, usually the magician who benefits by the magic gives them a helping hand to a set of better circumstances, which, of course, breaks The Tradition so that the magic stops building up around them. And sometimes—it is siphoned not so nicely." Her expression darkened. "If that happens, Elena, they are generally left dead, and if they aren't—well, believe me when I tell you that they are worse off than if they were dead."

Elena went cold all over. Was that why the old woman had offered her a position? Did she only want the magic?

Perhaps it wouldn't be so bad to be ordinary—

But at that moment, even though, not so long ago, she would have welcomed the prospect, she knew that this was not the right answer anymore. Not now.

"And sometimes," the old lady went on, "if the person has attracted someone who is not only a magician, but a magical guardian, something else happens."

She smiled, a warm smile that felt like a comforting arm around Elena's shoulders, and Elena smiled back without knowing quite why. "I am that something else, at least in your case."

"What sort of—something else?" Elena asked, cautiously. Her mouth felt very dry and automatically took a sip of tea. It was stone-cold, but before she could do more than make a face, the old lady wiggled her finger at it, and the cup was suddenly steaming again. Elena felt dizzy.

"Someone has to become the Fairy Godmothers. And the White Wizards, and the Good Witches. It has to be someone who already has enough magic gathered around her—or him— so that she can properly learn how to use that magic and how to get more before what she has accumulated is used up. As I said, I am the Fairy Godmother for all of Otraria, and I am getting old and tired. I need an Apprentice. That would be you."

Elena had expected to hear any number of things. This was not one of them. "Me?" Elena squeaked.

"That is where all of those Good Magicians come from, dear," the old lady said. "All of those people like you, whose happily-ever-afters just aren't going to come, but who still have too much that is special about them to ever be content with being ordinary. You're ready. You are more than ready. You're brave, sensible, clever, and extremely magical. You have a kind heart, and a good mind. You are certainly proper Godmother material."

Elena thought about that for a moment, and thought about how she had felt, just before the old woman turned up. Angry, and full of fear and desperation. "Excuse me, but—what happens if one of those same people goes bad? Turns ugly and nasty over what they're having to go through?"

"Where do you think evil sorcerers and wicked Witches come from?" the old lady asked darkly, and paused. "Not Bad Fairies though, nor Good Fairies. Those are Fair Folk, and something else entirely; they're born that way. But the Wicked Witches— the Bad Wizards—the Dread Sorceresses? Oh my, yes."

Elena took a deep breath, and closed her eyes for a moment. She didn't precisely think, she simply let all that she had been told sink in. Fairy Godmothers, Bad Witches—The Tradition—the magic. It all fell into a pattern in a way that life never had before. She opened her eyes.

"Oh. I think I see. And the position you offered me—"

"As my Apprentice, yes, is for life. And one day, you will choose someone like you, and make her the same offer." The old lady nodded. "Now, you can refuse it if you like, and if you like, I can take all that magic from you and make you like everyone else. You'll still have a position; I'll see to that. I know several kind folk who could use a plain cook or a housekeeper. And actually, that is something else that a Godmother does. There are far more people who want to be rid of the magic than want to become our Apprentices. It can be hard work—and it can be dangerous. After all, we stand in the way of what they want." She cocked her head to the side, and waited for Elena's response. She did not have to say who they were.

Where do you think the evil Sorcerers and bad Witches come from ?

And some of those were very, very evil indeed.

But Elena really did not have to think about her answer for very long. Given a choice between an ordinary life, and a magical one—well, it was no choice at all.

"I would love to be your Apprentice, Madame," she said, solemnly, as if she was making a pledge. "And I do accept."

"Grand!" the old lady crowed. "Now, you may call me Madame Bella, my dear, and I believe we shall get along capitally. Oh, look!"

She pointed, just in time for Elena to see a shooting star streak across the heavens in front of them.

"A good omen! Quickly, make a wish!"

"I—don't have to," she said, slowly, feeling the deep truth of her words even as she spoke them. "I already have it."

Madame Bella smiled. "Then I believe that we shall make all speed for home. Your home now, and for as long as you care have it so."

Home. What a wonderful word that was. And words were powerful for Witches. For a Fairy Godmother, it should be very powerful indeed. More than powerful enough to make it all real.

 Chapter 4

Quite as matter-of-factly as if they were sitting on a bench in a starlit pleasure-garden instead of on a flying cart, Madame Bella packed up the hamper with Elena's help, and stowed it once more under the seat. Madame made the little ball of light vanish when she was through, leaving them sitting side by side in the darkness.

Now, in spite of the fact that they were flying through the air, rather high above the ground, the only real indication of this was that there was nothing but darkness below them. Madame Bella was as calm and composed as if she did this every day, and the motion of the cart—well, there just wasn't any perceptible motion, only a bit of breeze from their passing. It was surreal, to tell the truth, giving Elena a sense of peculiar dizziness and disorientation.

She blinked, and for the first time, wondered if she really was flying through the night sky above the countryside. The whole situation was very dreamlike, after all.

Dreamlike; was it a dream?

The more she thought about it, the more certain it seemed. Why, at any moment now she would awaken and discover herself on her pallet in the deserted, barren house, with the depressing prospect of no position and very few options in front of her.

Oh, surely this was a dream. When had anything this wonderful, this fantastic, ever happened to her? Never, of course. She stared out at the darkness. This was like something out of a tale; entirely like one of those dreams she used to have, stories she used to tell herself.

After all, how could a horse and cart be flying in the air like this? When had she ever heard of a flying cart?

But a little voice inside her, stubborn—or perhaps desperate—insisted that this was no stranger than things she already knew were true. Well, how can Witches fly about on broomsticks? Even Madame Fleur can do that; I saw her, once. Only once, and in the company of (she presumed) another Witch, but still—

"Madame Bella, what's keeping us in the air?" she asked, hesitantly.

The Godmother gestured at the little horse, who tossed his head. "I prevailed upon my little friend Sergei," she said, cheerfully. "He's part of his own set of tales, but when he's not needed there, he often helps out the Godmothers and Wizards. His mother is the Mare of the East Wind, you know."

"Oh," Elena said, at a bit of a loss, for in fact, she didn't know. She hadn't even known there was such a thing as the Mare of the East Wind.

"Oh, silly of me, of course you don't know." Madame Bella chuckled. "And there you see why I need an Apprentice; I'm getting so muddle-headed, it is more than time that I stepped down, before I try to put a magical lamp into Cap'O'Rush's hands! Sergei and his mother are from another line of The Tradition, another set of Kingdoms and tales. Take it as read that Sergei is a sort of magical creature rather like one of the Faerie Folk and with equal powers."

"A magic horse. Like a—" She strained her memory, but could not think of another such. At least, not one with power enough to make himself and the cart he drew fly. "Like a Wizard?" she hazarded.

"No, more like a dragon," Bella told her. "Or a Unicorn. His mother is truly powerful, much more so than he is; but then, she is more than half a spirit creature. She was mated to a mortal stallion once, for some reason that escapes me. He has two brothers who are really remarkable to behold; quite the most handsome horses I have ever seen. But sad to say, they have not a smidgen of magic in them; he got the lot. Didn't you, Sergei?"

The little horse tossed his head and whickered. It sounded rather like a snicker.

"Yes, I know, you got all the brains in the family, too," Bella laughed. "Which is probably why you are your mother's favorite child. It's quite true though," Bella continued, turning back to Elena. "Sergei is rather brilliant and terribly crafty, which makes him invaluable to us. For instance, had your stepmother unexpectedly returned, I am fairly certain that he would have found a way to get you away from her long before I did."

The horse whickered again, and Bella clapped both hands to her mouth in feigned shock. "Sergei, you would not have!"

From the bray that came out of the little horse's throat, whatever it was, Elena was entirely certain that, yes, Sergei would have.

She wished Bella would tell her, but the Godmother just shook her head. "Just as well that nothing happened, then. Your town would never have gotten over it, and The Tradition would have been kinked for years. That sort of thing can have serious consequences, dear, and a grave flaw in The Tradition gives an evil one room to move in. I'm not saying that would have happened this time," she hurriedly added, "but just that you have to be very aware when you cross Tradition lines or break Tradition that you do it in a way that impacts the fewest people."

"I thought that The Tradition was only important for—for the special people," Elena said hesitantly.

"Oh, no—The Tradition rules everything in the Five Hundred Kingdoms." At least Bella didn't sound at all impatient with Elena for asking so many questions. "Why, for instance, do you think that everyone in Otraria loves King Colin and Queen Sophia? That no one would ever whisper a word of treason about them, even though the only army he has never does much except march in parades and the only guards he has are old men inclined to nod off at their posts?"

Elena shook her head. "The Tradition?" she hazarded.

"Exactly. Goose-boy Colin brought a smile to the face of the Princess Who Could Not Laugh, and that brought joy back to Otraria, as well as won him her hand and Kingdom. Now, precisely because of this, The Tradition makes certain that everything in the Kingdom runs sweetly and smoothly, from the happiness of the King and Queen down to the weather."

"Oh, surely not!" Elena objected. "Surely the weather isn't affected!"

"You think not?" Bella laughed, but there was a sad sound to it. "Then early in your training I should take you to a Kingdom that is laboring under an evil ruler, a despotic one. You'd see then that The Tradition guides everything down to the least and seemingly insignificant detail. Otraria is happy, Colin is a good King who rules well and wisely, and so—the land is fertile, the people are content, the weather is perfect in every season, because The Tradition creates a Kingdom to match the King and Queen. It would be very, very hard for an evil Witch or a dark Wizard to move into Otraria now; in fact, the only way that one could would be either by an invasion, which would take a very great force of arms, or by a combination of magic and treachery. Believe me, when it comes to the latter, that will not happen while I am Godmother here, nor as long as any Apprentice I train is overseeing things."

There was a steely tone to Bella's words that made Elena sit up a little straighter and give the old woman a sideways glance. Not that she could see very much in the dark but—she had the feeling that if she could see Bella's face, she would discover that the slightly dotty old woman that had offered her a position had transformed for a moment into something very like the iron-spined general who commanded Otraria's tiny army. Both of them might be old—but they knew their duties, and they would drive themselves and everything and anyone under their authority to see to it that those duties were performed.

"But there—that's one of the things we do, you see," Bella continued in a more normal tone. "We see to it that the conditions are fulfilled to make things as pleasant as possible for everyone. The main problem is that there is quite a bit of work, and not very many of us; there are Kingdoms that don't have a Godmother or resident Wizard, Kingdoms where the assigned Godmother is overworked, or falls ill, or dies without an Apprentice in training. So things can, and do, go wrong. That is when The Tradition works against us, and for the evil folk of the world— The Tradition doesn't care, you see, whether the outcome of a story is a joy or a tragedy; if the circumstances are there, it just makes things follow down set paths. And since we can't fix them directly, we have to help the heroes who can."

"But why can't you fix them directly?" Elena asked, now truly puzzled and confused, "if you have all this power—"

"Ah. The answer to that is why you will be serving as my Apprentice for some time," Madame Bella replied, wisely. "But the quick answer is that it would take all the magic of a hundred Godmothers working together to correct a single one of those problems if we had to go counter to The Tradition. We do not figure as heroes, you see. Whoever heard of a dotty old lady in shining armor?"

Elena giggled at that; why not? She was going to wake up, after all, and things would not be nearly so pleasant when she did, so she might as well enjoy this dream. And it was such a good dream—she would very much like to be a Godmother's Apprentice. And it was somehow comforting to have an explanation for why her life had gone from bad to worse, no matter what she had done to try to change things.

"And you have to remember that the evil ones are always on the prowl, looking for their opportunities to make The Tradition work to their advantage, and they have one thing on their side that we do not," Madame Bella continued. "Once one of them finds a place to work, they can concentrate on that one Kingdom, while we are spread out over many."

"How many?" Elena asked, sobering. This might be a dream, but it certainly sounded as if this Godmothering business was quite hard work.

Not that she was afraid of hard work, for heaven's sake! But she had to wonder just how many Kingdoms Bella was responsible for, if there were so few of the Godmothers.

"At the moment, I am Godmother directly to two dozen of the Five Hundred Kingdoms, and I can be called upon to help with another twelve or fourteen," Madame Bella said, and sighed. "And I am not getting any younger, alas. I have been looking for a good Apprentice for some time now."

Obscurely, Elena felt a surge of disappointment, even though this was a dream. So she had not been the only person that Madame Bella had considered!

But in the next moment, Bella's words made the disappointment vanish. "In fact, I have really been looking, in one way or another, from the day that I became the Godmother for these Kingdoms. I have seen too much tragedy come into the world because a Godmother left looking for her Apprentice until it was too late. I must say, though, in all that time, I never had a bit of hope until I found you. And I was not going to even hope that you could be what I was looking for until after you passed your eighteenth birthday."

"Why then?" Elena wanted to know.

"Because if ever you had a satisfactory end to your personal tale—if, for instance, you had found a sweetheart who had successfully taken you out of that house—it had to be by then." Bella sounded melancholy. "Far too many of the young women I have watched over the years did, indeed, make that sort of end. Why it should be before the eighteenth birthday, I do not know. Perhaps it has something to do with being willing to—to settle for less, to stop dreaming—to give up on hope. And then, perhaps the magic around you arrows in on whatever you can get, rather than what you hope for. I don't know for certain, because I have never asked those young women about what was going on in their minds."

Elena licked her lips thoughtfully, tasting the last, faint hint of sweetness from an iced cake upon them. Yes, she had recently stopped dreaming—or at least daydreaming—but it had not been until after that critical eighteenth birthday. Even then, could she really say that she had given up on dreams? Not when she had continued to look out her window at handsome young men and make up lesser stories, smaller dreams about them.

And in all that time, had she ever really tried to do anything about those dreams? Oh, she could argue all she wanted that her stepmother would never have given her the time to go meet a young man, but in her heart of hearts, she had to admit that if she had tried, she probably could have stolen the time, somehow, to go and meet one of those young men, to flirt a little, as she had seen so many other girls do.

Why had she never tried? It wasn't that she was shy. It wasn't that she had some withered sprig of pride left, that insisted that Elena Klovis was above the common young men she saw in the streets. Perhaps, if she had seen a man that her heart had really longed for, perhaps she would have defied her stepmother and grasped for love with both hands. She sat back in her seat and thought, hard, about all the men, young and old, she had watched, and she had to admit that no, it had never been the man she had longed for—only the escape that marriage, marriage to anyone, represented.

Well. That was certainly interesting. And perhaps a little disturbing—why was that true? Was it the men? Or was it her? Was she just as cold in her way as the Horrids, who cared nothing for the men who courted them, only the wealth or status that they represented?

It was a nasty thought, and one that gave her pause as she considered just what all the implications of it were.

"Perhaps," Bella sighed, "Perhaps for the rest of those others, it was just as well. Every one of them discovered someone she truly loved, and in the end, they were happy. The Tradition works in small stories as well as large, you know."

But if I had tried, would I have found a true love? she thought, somberly. It was hindsight, of course.

"I certainly had plenty of opportunity to go that route myself," the old woman continued, as if musing aloud. "It wasn't as if I had a terror of a stepmother dogging my footsteps every waking moment of the day. I merely had two spoiled older sisters, and it wasn't that I was their slave, it was just that they were too bone-lazy to take the task of housekeeper, so I did. I had plenty of time for myself, and I was the only one who decided what I would do and when I did it. My sisters had plenty of beaus haunting our house; I suppose I could have had, too, if I'd been in the least interested, but there wasn't one of them that I cared to exchange more than a few words with."

"What about—" Elena hesitated "—after?"

"After I became a Godmother?" Bella laughed. "Heavens, child, when would I have found the time to look out for a young man? I had so much work on my hands I hardly found the time to sleep! Ah—look! Down there! We're almost home."

The old woman pointed down and ahead of them; Elena couldn't see much; just a faint light, that seemed to be hidden among trees. But as soon as she spotted it, she realized that the light was getting closer, and the treetops nearer, very quickly indeed! She could see what was below them now, instead of it being a vague darkness, and all her fear came back. She clutched at the side and the seat of the cart convulsively, as they skimmed over the top branches, tiny twigs hitting the underside and the wheels, and then, while her stomach lurched with fear, they were above a clearing, in the center of which was a cottage with lights in every window and what was surely a garden surrounding it.

Then as her breath came short and her heart pounded, they were no longer above it, they were dropping down quickly.

Too quickly!

She wanted to scream, but nothing came out of her paralyzed throat, and a moment later, the little horse's hooves touched the ground in front of the cottage. Then the wheels set down with a bump, the horse halted, the cart rolled to a gentle stop, and there they were.

Elena felt limp with relief; Madame Bella patted her hand. "There you are, my dear. Safe on the ground." She laughed. "I know you don't think it now, but one day you will let Sergei pull you across the sky without even thinking about it."

Oh, no I won't! Elena thought, as her heart slowly calmed.

Madame Bella climbed down off the seat, and it was obvious as she moved that although she sounded as lively as a much younger woman, she certainly moved like an old one whose joints pained her. Not excessively, just enough to slow her down a bit, and make life—difficult for her.

She opened the garden gate, and the little horse drew the cart inside and up the garden path without being asked. But when he stopped at the front door of the cottage, Elena also jumped down from her perch on the seat. Dream or no dream, she wasn't about to sit about while poor Madame Bella struggled with harnesses and straps.

"Where is the stable, Madame?" she asked, coming to the little horse's head.

"Around to the side—will you lift your bundle down for me?" the old woman asked.

"I'll bring it myself," Elena said firmly. "And I will unharness the little horse." Dream or no dream, she wasn't about to show so little respect for a good old woman like Madame Bella as to make her do work that Elena was better suited to.

Madame Bella smiled. "Bless you child; I am pleased to see you wishing to take up your duties already. Sergei won't stay the night, but the cart should be put away. Sergei?"

The horse whickered and trotted off, going around the side of the cottage and taking the cart skillfully with him. When Elena followed she discovered a neat little stable, into which Sergei had already backed the cart. She had him unharnessed in a few moments; though he insisted on keeping the hat. She looked for and found a currycomb, but the horse shook his head at her merrily, and with a leap, vanished—upward.

Yes, this was surely a dream. Bemusedly, and wondering when it would end, she picked her bundle out of the back of the cart, and for good measure, the basket of dishes and leftovers from under the front seat, and carried both of them around the corner and in at the front door.

And there she got yet another surprise, for although the cottage looked small on the outside—cozy for one, but perhaps a little confining for two—on the inside, well, although it was no palace, it was certainly far larger than it appeared.

Ah. This could be nothing but a dream. What she was looking at was simply not possible.

Before her was a modest antechamber, with a pair of benches flanking the door. Beyond that, was apparently a fine sitting-room, with furniture the equal of anything that the Klovis household had boasted. It was all of that older, heavier style, and had been so well-polished that it glowed in the candlelight. There were two doors beyond that within Elena's vision, and a bit of a staircase. From all appearances, this place was about the size of the Klovis house.

On the inside. On the outside, it looked to be a two-room cottage.

I had no idea that I had such a good imagination.

Madame Bella was talking to two peculiar little creatures. They were about the height of children—coming to just about Elena's waist—but their hair was silver, and they looked like a pair of gnarled and wizened old men, dressed in leather trousers, immaculate linen shirts, and red vests. Both of them wore soft, pointed brown caps, and both were barefoot.

"Ah, Elena! This is Hob, and this is Robin," she said as Elena paused on the threshold. "Hob is in charge of anything to do with mending in my household, and Robin is in charge of anything to do with making." The little old fellows turned grave, dark eyes on her and bowed solemnly. She curtsied in return, and her mind belatedly caught up with what she was seeing. These must be Brownies, or House-Elves; one of the lesser branches of the Faerie Folk.

And they were, evidently, serving Madame Bella. Mending and making? An odd way to divide the duties. Still, if it suited the Brownies, who was she to criticize? "Is working in the garden mending or making?" she asked both of them. "What I saw of it is lovely."

"Ah. That'd be tending, and that'd be Lily, Mistress," said Hob, with a finger laid aside his nose and a nod. "She be gone to bed anow. 'Tis Robin's Lily as does the tending, and my lass Rosie who does the cleaning."

"And when Robin lets me, I have been known to do the cooking," Madame said with a silvery chuckle. "They'll be staying on to help you when you are Godmother here."

Elena noticed immediately that Madame did not say, serving. So, the Brownies were not servants; given what little she knew from nursery tales, to call them servants or treat them as such would be a deadly insult.

Robin evidently anticipated the question she was afraid to ask. "Tis our honor and our duty to help the Godmothers and White Wizards and Witches, Mistress," he said solemnly. "For when the Black-Hearted Ones move in, it is our kind that are the first to suffer."

"You'll learn all about that later, dear," Bella said, as Robin took her bag from her, and Hob the basket. "Come along now, and I'll show you your room."

Through the sitting room they went, and the candles in the antechamber went out by themselves as they exited.

Well, it is a dream, after all.

Hob went through one doorway, and Madame Bella led the way through the other, to that staircase that Elena had glimpsed. With Madame in the lead, and Robin following behind, Elena climbed up to the next floor—and the candles in the sitting room also went out by themselves.

At the top of the stairs, it was quite obvious that Madame liked an old-fashioned sort of house, with no hallways, just one room leading into another. This one was meant for display, apparently, but Elena could not quite understand what the theme was, or even if there was one. Shelves lined the walls, floor to ceiling, and there were objects carefully arranged on them. But what odd objects! A cap made of woven rushes. A fur slipper, but quite the smallest that Elena had seen, clearly made for an adult woman, but the size of one meant for a child. A knitted tunic that was made of some coarse, dark plant fiber. A golden ball. A white feather. There were hundreds of these odd objects, and Elena would very much like to have looked at them further, but Madame Bella gestured to her left, and Robin was already carrying her bundle through the left-hand door.

"Your rooms—the vacant ones—are that way, dear," Madame Bella said, and covered a yawn, which triggered a similar yawn from Elena. "The two suites are identical, mirror-images, so I know you'll be comfortable. Good night."

And with that, she passed through the right-hand doorway, leaving Elena to follow Robin on her own. So she did, and once again, as soon as she left the chamber, the candles in the sconces on the wall behind her went out of their own accord.

I really do have the most remarkable imagination.

The first room was a sitting-room, and Elena very nearly stopped right there, for it was fitted on two sides, floor to ceiling, with bookshelves. And they were all full. She stopped dead, and stared hungrily, only vaguely aware that there were other furnishings here.

"Mistress?" came Robin's plaintive call from the next room.

I'm dreaming, she reminded herself. These books aren't real. And for a moment, she felt her eyes burn and her throat close, and the dream didn't seem quite so amusing anymore....

"Mistress?" Robin called again, and she sniffed and hastily wiped her eyes with a corner of her apron, and hurried on to the next room.

If Madame Klovis could have seen this room, she would have turned a rainbow of colors with envy.

To begin with, it was carpeted with quite the most beautiful rug that Elena had ever seen, the sort of thing that many people would put on a wall, not a floor. It looked like a meadow of the deepest green, dotted with flowers, and was softer underfoot than kitten-fur. The furnishings were of that same old-fashioned style of the rest of the house, but not even Madame Klovis would have discarded these in favor of the newer styles, for they were carved so beautifully that every piece was a masterwork of art. The twin wardrobes were made to look like castles covered with vines so realistic that Elena half imagined that they had grown there instead of being carved. The dressing-table resembled the stump of a giant tree, supported by carved, sinuous, bare roots. The chair beside it was made in the form of a little throne of vines cradling a moss-green velvet cushion, and the divan beneath the window matched it. There were tapestries on the walls portraying a magical forest full of fantastic animals and birds, flowers such as she had never seen. The bed, curtained in heavy green velvet embroidered with thousands of flowers, with a counterpane to match, could have slept four comfortably. So perfectly was it appointed that the headboard had a candle sconce built into it at the right height for reading in bed, and there was a bookshelf already full of books beneath it.

Robin stood anxiously in the middle of the room, her bundle at his feet. "Would you like me to unpack for you, Mistress?" he asked, as if he wasn't entirely certain just how one did unpack.

"Oh, heavens no, Robin, thank you," she told him quickly. "I'm quite used to waiting on myself."

"Very well, Mistress," he replied, sounding relieved. "There's a nightdress beneath your pillow. Good night, Mistress."

And before she could reply, he had whisked himself out, so quickly, he might have actually vanished.

A nightdress beneath my pillow! This dream really was extraordinarily detailed! She set her bundle aside, and turned down the covers, revealing three magnificent goosedown pillows, encased in snowy white linen. And beneath the center one, there was, indeed, a nightdress, such as she had not worn since she was a child.

Madame Klovis would have died of envy on the spot.

It was made of pale green silk, tied at the neck and wrists with silken ribbons in a slightly deeper hue, and bordered at all hems with lace three inches deep, made of silk thread as fine as cobwebs. When Elena pulled off her coarse, workaday clothing and slipped it on over her head, it caressed her skin like a soft sigh, and felt so light and ethereal it was as if she was wearing nothing at all.

She folded up her clothing and set it on the chair—even if this was a dream, she was not going to start being untidy!—then climbed into the enormous bed. She sank into the feather mattress with a sigh, as the candles in the rest of the room, saving only the one in the sconce in the headboard, went out of their own accord.

She reached at random for a book, and got something called The Natural I Historie of the Lives of Curious Beastes, which sounded impossibly dull. But—

This is my dream. If I decide the book is going to be interesting, it will be!

And so it was. The first "Beaste" in the book was the Unicorn, which evidently led a much more complicated life than she had ever imagined. For a start, it was only male Unicorns who were attracted to virgin maidens; females were only drawn to virgin, chaste men, which, the author observed, were more difficult to come by. "So it is of no usse, to even attempt the capture of the femalee of the species," he concluded.

He then went on to the courtship rituals of these shy creatures, and it was at that point that Elena found she was having a great deal of difficulty in keeping her eyes open.

She had never fallen asleep in her own dream before—nevertheless, although she had no real idea of what would happen, she was not going to fall asleep now. She was going to enjoy every moment of this until she was forced out of the experience by waking up. So she fought the impulse, then the need to put down the book, to close her eyes, fought it even though the words on the page stopped making sense, though her lids drooped until she could not even see the page, and until the book dropped from her numbing fingers and her last conscious thought was that the candle in the sconce above her head had just gone out of its own accord.

Chapter 5

"Good morning, Mistress!"

The cheerful voice startled her awake, and even if it had not, the ruthless pulling aside of the curtains at the windows to let in a flood of sunshine surely would have.

Elena sat straight up in bed. A real bed. The same real, luxurious bed she had dreamed that she had climbed into last night. And she was in the same, gorgeous, glorious room that she had imagined in her dream.

Except that she was awake, very much awake, and she was still here. Those were her clothes folded up on the chair, which a little brown woman who probably stood no higher than her waist—whose ears, she could see, were rather pointed—was picking up, unfolding, and tsking over. She was dressed in a miniature, muted version of Madame Bella's eccentric costume.

She must be a Brownie, like the two old men last night. Which meant that they, too, were real.

"Oh, Mistress, these'll never do, these garments of yours," the Faerie woman said firmly, and with, perhaps, just a touch of disdain. "Maybe for working in the garden after rain, but not for every day. Not for an Apprentice."

She had not been in her position a day, and already she was making mistakes, it seemed. This wasn't a very auspicious start. And last night, Madame Bella hadn't said a word about clothing.

"But I'm afraid they're the best I have—" Elena said, weakly. "I'm terribly sorry, but my stepmother—I'll wear whatever you like—"

The Faerie woman interrupted her, with a wave of her hand. She didn't seem annoyed; relieved, perhaps, that Elena had volunteered to wear what she chose. "Oh, not to worry, not to worry. You won't need the whole turn-out for weeks and weeks yet, and Robin will have it all tailored up for you by then." The little woman bustled about the room, unpacking Elena's few things and folding them away in a chest. "Till then, I expect some of Madame's things will do. You're much of a size." She opened one of the two wardrobes and began pulling clothing out.

Remembering Madame's rather—flamboyant—style of yesterday, Elena wondered if she ought to say something. Not that Madame Bella's clothing wasn't good but—

But fortunately, it seemed, the little woman's taste was a good bit quieter than Madame's. Out came a fine white linen shift and petticoat, a white blouse liberally trimmed at the cuffs with lace, a black twill skirt piped in green, and a black vest embroidered in green and purple, and a sash to match. Still far more colorful than anything Elena had worn in years, but by no means as eye-popping an ensemble as Madame's.

No corset, so there wasn't any need for help with dressing; and just as well, as Elena would really rather do without a corset if she could. Before the old woman could make a move to serve as a body-servant, Elena quickly climbed out of bed and put the clothing on, feeling an unaccustomed urge to giggle with nervousness. It wasn't that she was shy about disrobing in front of a stranger—years living among the rest of the servants had cured her of any such illusions of modesty. No, it was the giddy and dizzying rush of realizing that this was real.

It wasn't a dream—it wasn't a dream. She was the Apprentice to a Fairy Godmother. She was living in a house that was bigger on the inside than the outside, waited on by Faerie Folk.

I am going to learn magic. Magic! How incredible could this be? Here she was, with Faerie Folk all around her, and she was going to learn magic herself!

The old woman—much less wrinkled, and much more apple-cheeked than the old men, Elena noted—surveyed her with hands on her hips when Elena had finished dressing. "You'll do," she said brusquely. "Those colors suit you. Foot."

"Excuse me?" Elena replied, now utterly bewildered.

"Your foot, girl, show me your foot!" the old woman repeated, and with absolute confusion, Elena lifted her skirt and held up one of her feet.

The old woman seized it in a hand as hard as horn, and looked it over, muttering to herself. Then she let go, to Elena's relief, and bustled over to another chest.

From there she took a pair of soft slippers of the sort that tightened with ribbons to fit, and handed them to Elena. "Barefoot only in the garden, Mistress," she said, in a tone that warned that there would be no arguing with her. "Shod elsewise. People come here, Mistress. You must be a credit to the Godmother as her Apprentice. People have to respect you, as they respect her."

Meekly, Elena took the shoes, and the stockings that the Brownie woman handed to her, and put them on. The shoes were of a leather that was as soft as velvet, and she was terribly afraid that she would have them ruined within an hour.

Still, if this was what was proper—

The Brownies were known for strict adherence to the truth. Rose—for surely this must be Rose, who did the "cleaning"— would not tell her to do something that was not correct. Very well. If these were the shoes that were right, then she would wear them.

It's all true.

"Right then, Mistress. Come along." The little woman opened the door and stood there, beckoning. "Time to break your fast and start on your work. You've a lot to learn, and you're a bit late coming to it."

"Are you Rose?" Elena asked, as the little woman made impatient shooing motions with both hands, as if Elena was a giant chicken.

"That would be me. Come along, then. Madame doesn't stand on ceremony at breakfast and luncheon, unless there's guests; we all eat in the kitchen, and I'm to show you the way." An odd little sniff showed Elena that Rose did not precisely approve of Madame Bella's informality with the staff. Poor Hob! She must lead him a merry dance! I wonder if all Brownie women are like this? Rose had all the hauteur of Madame Klovis's oh-so-supe-rior lady's maid, packed into a package half the size of the human.

Out they went, with Elena glancing at all the books waiting for her in her sitting room with longing, down the stairs, and out towards the back of the cottage, at least so far as Elena could tell. First they passed a little dining-room, then a pantry, then a milk-room with pans of milk already set out for the cream to rise, and at last came to the kitchen. This was a fine, well-appointed room, complete even to a sink with a hand-pump, bake-ovens built to either side of the fireplace, and plenty of pothooks for kettles and a spit with a clockwork turner. And there was a very modern stove, as well, which set into a much larger hearth, one that could have once roasted an ox whole. Its presence surprised Elena. The cook in the Klovis household had often lamented that they had no such thing, and had described one in detail, though Elena had never actually seen one.

The kitchen had an immaculately scrubbed flagstone floor and whitewashed brick walls, two big, sunny windows with real glass in them, and it smelled deliciously of baking bread. There were two tables there as well, a large worktable in the middle, which would have been low for a human, but was waist-high to the Brownie, and under one of the two windows, a table with benches beside it. Madame Bella was already there, dressed much as she had been yesterday, except that the predominating hue in her wardrobe was red today. Robin was at the stove, and besides baking bread, Elena smelled porridge, eggs, and frying ham. He turned at her entrance, nodded at Rose, and asked, "Did you sleep well, Mistress? What would you care to eat?"

"Very well, thank you, Robin," she replied, carefully. "And I'm not particular, anything at all will suit me."

"Come sit here, Elena," Madame Bella said, waving at a stool beside her. "I trust your rooms suit you? Ah, I see by your face that they do."

Before Elena could even get properly seated, Robin had bustled over with porridge for her. There was already cream and sugar on the table and Elena helped herself to both, with a sense of giddy freedom, for other than when she had eaten porridge with her neighbors, all she'd had for years was the scrapings from the kettle, seasoned with a little salt. She had not even finished pouring the cream over her breakfast, when Robin returned with a plate of eggs and fried ham. This was a feast!

"Now, today, my dear, I will need to prepare you for your position," Madame was saying as she dug into her breakfast. "In fact, we'll begin now. A wineglass, please, Robin, and something to take the taste away afterwards."

Robin brought two glasses, one empty, the other half full of something that sparkled darkly in the sunlight. "Ah, blackberry cordial, just the thing," Madame Bella said with approval. She reached for a tiny decanter that was already on the table and poured a few drops into the empty glass. "Now, you toss that right down, and never mind the taste, just get it all down and follow it with the cordial."

Elena looked askance at the glass, but did as she was told. It wasn't as if there was anything to fear, after all. Firstly, Madame Bella was a good magician, and secondly, why in heaven's name would she bring Elena here just to poison her? But the liquid in it was black and oily-looking, and seemed to warn that it was not going to be nice.

She picked up the glass, took a deep breath, and tossed it all back.

And nearly choked.

It was worse that she could ever have imagined. Horribly bitter and fiery at the same time, it was so powerful and so awful that her eyes filled with tears and she had to struggle not to spit it all out. She groped with one hand, and Madame put the other glass into it, which she took and quickly downed the contents of.

The cordial managed to wash away the awful taste, and she shook her head as she put the glass down and wiped her eyes with a napkin. " What was that?" she choked.

"Dragon's blood, undiluted," Madame said, apologetically. "Fresh, or relatively so; I got it yesterday before I went to fetch you. Now you'll be able to understand the languages of the birds and beasts."

Dragon's blood? Real dragon's blood? There seemed no reason to doubt it, and Elena nearly choked all over again. She reminded herself how often she had eaten things like blood sausage, and tried not to feel too sick.

Perhaps some porridge— She took a mouthful before she asked her next question.

"Why would I want to do that?" she asked, hoarsely, feeling as if she must be missing something that should have been terribly obvious.

"Because the birds and the beasts are everywhere, and often have a great deal to tell you," Madame replied. "You'll see. At any rate, this was best taken care of first, as the rest of the spells are a bit more complex. But first, Elena, do finish your breakfast. It's going to be a busy day, and it has just begun."

The morning began with a tour of Madame Bella's "cottage," which was quite as large inside as Elena's old home had been. The difference was that very few of these rooms were devoted to show, especially on the ground floor. There was no formal dining room, and what Elena had taken for a drawing room was, in fact, a second library, the first already being crammed so full of books that they had spilled over into this room, where they were in a fair way to take over. Elena felt her eyes going round with astonishment at the sheer number of books. The only spots on the walls that were not covered with floor-to-ceiling bookshelves crammed with books were where the windows and doors were let into them, and where the fireplace, mantel, and chimney were let into the wall. There were hessian curtains on these windows, old, faded rugs on the floor, and the only furniture in either room were more low bookcases surrounding a desk and a chair.

"Genealogies, histories, and tales. Also some spell-books, but most of what a Godmother does is about what is appropriate to the moment, is impelled and powered by The Tradition and the magic that The Tradition has accreted around the hero or heroine, and doesn't require the same preparation as a Witch's or Wizard's spells." Bella looked around the walls with what seemed to Elena like weary satisfaction, and Elena noticed that there was a book lying open on the desk, with pen and ink beside it. "What you do need to know is who is related to whom— absolutely necessary to trace missing heirs and potential usurpers. You need to know your enemies; you'll find them in those books, like as not, and potential enemies for the future as well. And you should be familiar with every tale that any Godmother has ever been involved with. In your turn, you are expected to write up every Tradition Line that you steer—you can read and write, I hope?" Suddenly Bella looked very anxious, and Elena was pleased to be able to reassure her. "Ah, good. Well, that will be one of the spells that you will have to perform; once you finish writing a tale, there will be an identical book in the library of every other Godmother and Warding Wizard, and those White Witches and Wizards who are powerful enough to have libraries like ours will also have a copy." She shook her head. "And this, of course, is why I no longer have a drawing room. I thought about performing the spell to add a room, but I never got around to it. That will be your duty, I expect. I can't see how many more books can be added without spilling into some other room—and Lily would be most vexed if that happened."

"How is it that this is nothing more than a cottage from outside, and all this on the inside?" Elena asked, pleased for the opening at last to ask what she had been dying to know.

"Ah. That is rather difficult to explain. In fact, I'm not entirely certain that I can, except to say that it is magic, and it is necessary." Madame Bella shrugged. "There is nothing to show on the outside that this is not the abode of an ordinary White Witch, or even some peasant who has chosen to live apart in the forest. I told you that we have enemies, and it has happened in the past that in order to facilitate their schemes, they began by eliminating the region's Godmother. Not often, but it has happened."

"Oh," Elena said, sobered. So, this Godmothering business was dangerous. She felt a little touch of fear at that moment. She wasn't used to danger. Life with her stepmother had been hard, lonely, unhappy and unpleasant, but not precisely dangerous. Danger was something that happened to other people—why, hadn't she considered and discarded the idea of simply running away and taking her chances because of the danger?

Difficult, complicated, and now dangerous. But on the other hand, I will never be bored, and no one will be making a slave out of me. There was a great deal to be said for that, and as for the danger—

I will be helping to make other peoples' dreams come true.

"You will make dreams come true, Elena," Madame Bella said, softly, in an uncanny echo of Elena's own thoughts. "And dreams are dangerous things in and of themselves." She cast another look around the library. "Look at them! Dreams and nightmares, hopes and fears. Compared to some of the trials that our heroes and heroines must face in order to earn their happy endings, what we Godmothers encounter is really trivial so long as we are careful to keep our true nature hidden. You'll see, when you come to read them, for not every tale has that happy ending. Not every hero is brave enough, resourceful enough, or lucky enough, even with our help, to triumph in the end." There was a shadow on Madame Bella's face, and she seemed to be recalling something that was very sad indeed. Then she shook her head. "Read the books, Elena, and you will see."

The rest of the ground floor was given over to working rooms. There was a dairy-room, a stillroom, the kitchen, of course, a little office, a sewing-room; in short, everything this establishment needed to be self-sufficient. "We take care of a great deal of our own needs here," Madame said with pride. "There are two villages within walking distance, and we have arrangements with people in both of them for things like flour and so forth. The villagers all believe that I am a White Witch, and often come to me for spells and cures, and pay me in things that we need." She smiled. "Which, of course, is another reason why my home appears to be a simple cottage on the outside. You will soon see that we do not squander magic on the things we can supply by the same means as anyone else. We help our local people, earning our way the same as any other craftsman, and our local people, since they do not know that I am a Godmother, assist in creating the illusion that I am just the local White Witch. They will see nothing amiss in my having taken an Apprentice; in fact, I suspect that they will be somewhat relieved."

"That sounds like an excellent arrangement to me," Elena replied, feeling relieved, for she could not envisage herself as a farmer, and the House Elves did not seem young nor strong enough to be farm-workers. Of course, according to the tales she had heard, there was no telling with Elves; they might look frail, yet be strong as an ox.

"In the same way, we aid the local Faerie Folk in return for their help, both in terms of the service that Hob and Robin and their wives give us, and in magic. They, however, know that I am a Godmother, and by now, they have heard about you." Madame Bella smiled broadly. "The Faerie Folk always seem to know about something within the hour of it happening."

Outside the house—which still looked, and from all angles, like a simple two- or three-room cottage—were the gardens. In the front were the flowers and ornamental plants; two on either side were herb-beds. The culinary herbs were to the right of the cottage, the healing herbs to the left. Of course, there were some herbs that served both purposes, but as Madame pointed out, having them in both gardens meant only that she could be sure that there would always be enough.

In the rear was the kitchen-garden, with handsome red hens industriously scratching among the planted rows, looking for insects or weed-sprouts; this was where they found the Brownie Lily, working diligently among the young cabbages.

And as she listened to their quiet clucking, she got a shock. She certainly heard clucking—but she also heard something else.

"Greedy, greedy, greedy," muttered one hen, jealously eyeing a choice patch of ground that a bigger hen was scratching. "Not enough bugs," grumbled another, and the rest simply evidenced contentment.

She could, indeed, understand the speech of animals.

It took her a moment to catch her breath when she realized the truth, it seemed as if, for now, her life was going to be one disconcerting moment after another.

Finally she caught her breath, so to speak, and turned her attention back to what Madame was saying about her garden.

If ever there was a model vegetable garden, this was surely it—the rows were as straight as could be, the young plants healthy and flourishing. And if Elena was any judge, the gardener had started her plants in stages, so that there would be vegetables at the perfect state to harvest all summer long. It was difficult to manage, and took a great deal of skill, as well as careful management of cold-frames. Elena had never managed it properly, and only knew two farmers at home who had done it— and their produce almost always went straight to the Palace.

"Ah, Madame Bella!" said the Brownie, rising to her feet and brushing soil from her canvas apron. "I've some lovely sparrow-grass coming; not for dinner today, but definitely for tomorrow. This would be Mistress Elena, then."

"Yes," Elena answered for herself. "And you are Lily; these are wonderful gardens!"

"Oh, I do my best," Lily replied, with a shrug. "It's good to be where people appreciate that."

The last of the tour took them to the byre at the bottom of the garden, with the stable beside it. There was a donkey in the stable—presumably unmagical, since it gazed on both of them with supreme disinterest and went back to the hay in its manger. It was an old beast, by the grey of its muzzle.

In the byre were two red-brown milch-cows with mild eyes, who were equally disinterested in the two humans. Well, that explained where the fresh milk and cream were coming from. Fortunately, they didn't say anything. Elena wasn't at all sure she could cope with talking cows as well as talking chickens at the moment.

Altogether, this would have been exactly the sort of situation where Elena would have been happy as a servant. She certainly had never envisioned herself as the mistress of such a place. It was a little daunting.

And when you added in the talking animals—

How am I ever going to be able to eat meat again ? she wondered with sudden dismay. But then, she remembered just how incredibly stupid the chickens had sounded. She had always known that chickens weren't bright, and the fact that she could understand what they were saying to each other hadn't changed that. All that was different, really, was that instead of merely intuiting the meaning of their calls, she actually knew it.

It occurred to her, as Madame Bella opened the garden gate and beckoned her to follow out into the woods surrounding the cottage, that there was another aspect to all of this. In the tales that she knew, there were often animals that were, well, more than mere animals. Whether they were magic beasts, or from the Faerie Realms, they were always the equal and sometimes superior in intelligence to humans—

—like that little humpbacked horse that had drawn Madame's cart last night, for instance.

And now she would be able to speak to them, as Madame could, which was probably Madame's entire reason for giving her the dragon's blood to drink.

Madame followed a path winding among the enormous trees of this forest, and Elena followed her, though once they got under the deep shadows cast by the heavy growth, she looked back at the sunlit gardens longingly. Elena was town-bred, and in fact, since Madame Klovis had taken over the household, she had never been any farther from her house than the market-garden. The trees she knew were all tame things, neatly trimmed and confined to gardens, surrounded by seats or planted in jardiniиres. These were wild trees, huge, taller than the clock tower, so big that three girls could have stood around them, stretched out their arms and barely have been able to touch their fingertips together. The thick bark was green with moss, and beneath their branches the woods lay in a murmurous twilight. Anywhere that there was a gap in the canopy, the undergrowth ran wild—where there was no place for the sun to penetrate, mushrooms made little colonies, moss carpeted the ground and the fallen tree limbs, and the occasional odd, pale flower bloomed.

Every time a twig snapped or a bird called, Elena jumped. And it didn't help that she could understand what those birds were saying, either, because it was mostly, "Hey! Hey, hey, hey!"

So what were they shouting about? What was lurking out there, hidden in the tangles of vines, behind the fallen trees, in the shadows. Bears? Wolves?

Worse?

"Madame Bella?" she whispered, not wanting to make any noise louder than that. "Where are we going?"

The Godmother glanced back at her. "I need to show you to the Faerie Folk—their official representatives, that is; my Brownies don't count. Most of them can't abide salt and cold iron, so they cannot come to us, we must come to them."

Elena shivered. The Brownies were one thing; they were small and earthy, and impossible to be afraid of. But there were all manner of Faerie Folk that she wasn't at all sure she wanted to be "shown" to. Dangerous creatures dwelled in the Faerie Realms, and even when they were marginally friendly to mortals, they were chancy to deal with; unpredictable and easily offended. What if she offended one of them?

Perhaps worse, what of one of them took a fancy to her? No mortal could resist Faerie glamour; she could be lured away, only to discover, when her Faerie lover tired of her, that when she tried to return home, she would turn into a withered old crone, or even die, once she set foot outside those charmed precincts. For while weeks or months had passed for her, hundreds of years would have passed in the mortal world.

But it was too late for misgivings now, for there was a glow ahead of them that was not sunlight breaking through the heavy canopy, and there were bright and dark figures moving in that glow.

As they neared the spot, Elena saw that it was a clearing in the woods, ringed with palid mushrooms, carpeted with deep green moss studded with tiny golden flowers. In the center, two stumps and a tightly entwined series of ancient vines formed a pair of thrones, cushioned with leaves so dark a green they looked at first glance to be black, and ornamented with huge, trumpet-bell flowers in of pale pink, pale blue, and cream. Two tall, thin, impossibly beautiful creatures sat in those thrones, creatures with leaf-pointed ears, cascades of silver-gilt hair, and garments of that damasked silk that only the Elves could weave. Their skin was so pale and translucent they could have been carved from moonstone, but their enormous, curiously slanted blue eyes were alive enough as they watched Madame and Elena approach.

Surrounding the thrones was a crowd of other creatures, most of which Elena could not put names upon. There were Unicorns, silken-soft and cloven-hoofed, and tiny, perfectly formed, perfectly naked winged women no more than a foot tall. There were tall, shrouded creatures that seemed to bring a deeper shadow with them, and Elena instinctively knew that she did not want to look under their cowls. There were green-skinned women clothed in leaves and flowers, and men with goat-legs, tiny horns half-hidden in their curly brown hair, and sly, knowing eyes. And those were just the ones that Elena could see.

Madame led her to within twenty paces of the sylvan thrones, and stopped, making a deep, but not servile, bow. "Majesties, this is my Apprentice, Elena."

The two on the thrones, who evidently must have been the King and Queen of the Elves in this Kingdom, if not all of the Faerie Folk, turned their impassive gaze on her. And, after a long moment of scrutiny, nodded.

"A good choice, Madame Bella," said the woman, whose musical voice was as lovely and indescribable as her face. She stood up, and beckoned to Elena, who reluctantly came nearer. "So, Apprentice, have you been warned? Do you know the dangers as well as the duties?"

"I left that to you, Majesty," Madame Bella said, serenely. "As is the custom."

The Elven Queen smiled, coolly. "So you do remember. It is well. Mortal woman, stand before me, and see. These are the foes you will contend with, mortal and immortal."

The Queen extended the slender willow-wand in her hand until it touched Elena's forehead.

And in a single moment, it seemed, a torrent of images poured into her mind. None were pleasant, and many were terrifying.

It was one thing to be warned about the evil magicians, and to remember all of the things she had read and heard. It was quite another to see them at work, in rapid succession. And some— were horrors.

Some of the horrors were blatant—entire countries laid waste, the inhabitants made into hopeless slaves, afraid to do anything but obey because of the cost of disobedience. Some of the evil ones were precisely as she might have expected, gloating despots squatting on thrones they had no right to, torture and exploitation the hallmarks of their reigns.

But some were subtle, and once Elena realized what she was seeing, the implications were chilling. Often the evil one was not on the throne itself, but was the power behind it, whispering into the monarch's ear. The effect was insidious; rather than creating despair for all, the dark one created factions, pitting the privileged, wealthy, and titled against those beneath them, placing the effort of exploitation one layer below the monarch. This kept despair from being total, for there was always the hope— "But when the King learns of this...."—even though the hope was destined never to be fulfilled. These spiders spun a cunning web, beginning as they always did by eroding conditions gradually, with rights converted to privilege, then the privilege revoked on one pretense or another, always for an excellent reason, always on a "temporary" basis, until the next "privilege" was taken and the previous grievance forgotten. Then as one hand took away, the other, the King's, would give—something trivial, but pleasurable. Games perhaps, or entertainments. Nothing controversial, of course. A competition that would elevate the winner into the ranks of the wealthy and prominent—so that the illusion was maintained that this was possible for everyone. It was as if wholesome bread was being taken, and a tastier bread made with sawdust used to replace it.

Or, perhaps the one behind the throne would start a war on some trumped-up cause—a little war, of course, against a weak but convenient enemy, one that would be difficult to lose, that would stir up patriotic fervor, one that would, of course, entail "sacrifices for the good of all and the security of the realm" under cover of which more "privileges" could be "temporarily" taken.

Clever and insidious, and damnably difficult to counter. And all the while, the spider spun his web, battening on the misery and depression, growing fat and ever more powerful, and in the darkness behind the throne, indulging himself in secret cruelties against the "enemies of the state."

These, more than the others, were the ones that were the most dangerous to the Godmothers, the White Wizards, the Good Wizards. The first class were brutal, but seldom thought past the moment. The second planned ahead, months, years, decades—anticipated opposition, and moved to counter it well in advance. These were the ones who swiftly cleansed their countries of resident magicians, either directly murdering them or instigating the local peasantry against them, and then ensured that no one else would move in by creating intense hostility against "foreigners" and "outsiders," cleverly engineering their rhetoric so that the blame for anything that was bad would be laid to the door of "outsiders." Since that effectively made isolationism a certainty, it protected the evil ones further, for anything outside the borders became suspect, even hated, and there would be no chance for anyone to learn that things might be better, elsewhere.

Elena saw, in detail, what was happening to the "outsiders" in several of the infected Kingdoms...imprisonment was the least of it. In rapid succession, she saw Faerie Folk being driven into grim encampments hedged around with cold iron and salt and spells, there to wither and die, or suffer torture at the hands of sadistic guards. She saw a Godmother dragged to the center of a town and burned alive, a White Wizard buried in the rubble of his own tower, a coven of Good Witches torn to pieces by a pack of savage hounds.

It all played out with dreadful immediacy in front of her eyes, and sent her heart into her throat.

But more than that, it made her angry. This was what her stepmother had done to her, writ large on the face of the world. She had been powerless to stop it then, but she would not be powerless now, and she would not stand idly by when there was something she could do.

So that when, after it all was shown to her and the Faerie Queen took the wand from her forehead, she emerged from the nightmare fueled with rage and determination.

It must have shown on her face, for the Faerie Queen gave her a penetrating look, then a nod of satisfaction.

"Good," she said. "You are made of stern materials. You are an iron bar, lady. We will give you the tools to be transformed to a sword."

She beckoned, and an ethereal creature, outwardly sexless, winged like a dragonfly and garbed mostly in its own flowing hair, drifted forward, handing her what appeared to be a rose petal. "Eat it," the Faerie Queen commanded, and wary of what had happened the last time she had followed a similar command, but obedient to Bella's nod, she did so.

It tasted like nothing—but a moment later, she was seeing things—ribbons and auras of intense blue, surrounding and drifting between the Faerie Folk for the most part, but also around Bella, more faintly running everywhere she looked. And also, very strongly, around herself.

A second creature, another Brownie, came forward with what appeared to be a small stone. Again she ate it, and now, added to the ribbons of blue were ribbons of gold. A shining bird dropped what appeared to be a hot coal in her hand, which gave her ribbons of fiery red, and last of all, a girl clothed in water-weeds with a water-lily in her hair dripped a single drop of clear water into her hand, which granted her emerald-green ribbons and auras.

"Now you see the magic around you, of air and earth, fire and water," the Faerie Queen told her. "What you see, you can use. Use this gift wisely."

That seemed to be a dismissal, for the assemblage of Faerie creatures formed up around their monarchs, and the King and Queen descended from their thrones. An arch of vines at the far side of the clearing that Elena had taken for an accidental arrangement of wild plants over a natural pathway began to glow, faintly, with soft moonlike light, and fill with mist. The mist glowed, too, and there were hints of figures moving in it. The unearthly Court formed up in a rough line and began to file through it.

The King and Queen were the last to depart; the Queen passed through the arch without a moment of hesitation, but the King stopped for a moment, and looked deeply into Elena's eyes. She could not have looked away if she had wanted to—but she did not really want to. Although his narrow, high-cheekboned face, with its winglike eyebrows, strange, slightly slanted, enormous eyes, beardless as a boy's, with long midnight-black hair any woman would be proud to boast of, was not what she would have named as attractive before this moment, she understood exactly what was meant by "Elven glamorie." She felt powerfully drawn to him, and knew that if he had cared to, he could have had her by snapping his fingers.

But he did nothing of the sort; he merely looked deeply into her eyes, as if weighing and measuring her as his consort had done. And then, without a word, he touched her brow with a delicate forefinger.

Something passed between them, though she could not have said just what it was. A great shudder shook her, a moment of dizziness, and for a moment she heard a sound as of the rushing of great wings all about her. The hair stood up on the back of her neck, yet at the same time, she was filled with such intoxication she might have been drunk.

Then the moment passed; the Elven King smiled faintly, turned, and passed through the gate behind his consort. The light within the gate faded; the glow of the framing vines faded.

And Elena and her mentor were standing in a perfectly ordinary clearing, in the dim light filtering down through the myriad branches of the trees above them as a bird called somewhere in the middle distance.

Bella was regarding her Apprentice with a look of great thoughtfulness. "Well," she said at last, "he certainly never did that with me! What happened between you?"

"I don't know," Elena said honestly. "I haven't the faintest idea." She blinked as she said that; the pale glows and colors were everywhere now, and she was having to get used to the sight of magic all about her.

"Interesting." Bella tapped her cheek with one finger, thoughtfully. "Well, whatever it was, it's something that King Huon thinks you'll need, and we'll have to let it go at that. He's too subtle for the likes of mere mortals." She beckoned, and smiled. "Come along, Apprentice. We have to choose your wand."

But as they left the clearing, Elena could not resist looking back for a moment, wondering.

"Curious, Apprentice?" Madame called over her shoulder. Elena hurried to catch up.

She wanted to ask why the Elven King had been interested in her, but she heard herself asking a different question entirely.

"Why are the Fair Folk—" she groped for a word "—involved?"

"Ah. Well, very long ago, all of the Godmothers were Fair Folk; that is the reason some folk call us Fairy Godmothers still. Some still are, and there is an equivalent to Wizard that you hear of very, very seldom, and that is the Elven Knight. But most Godmothers are human now," Bella told her, as they walked back towards the cottage.

"Why?" Elena asked.

"I suspect because there are so few of the Fair Folk and so many mortals," Bella said wryly. "They soon discovered that if The Tradition is to be served and directed properly, they needed help. Since their very existence depends upon The Tradition, they did not have a great deal of choice, it would seem."

She could not imagine at the moment why the existence of the Elves would depend on The Tradition, but she supposed that her reading or lessons would eventually tell her. "So that is why the Queen has to accept an Apprentice?" she hazarded.

"Exactly." Bella seemed pleased that she had made the connection. "Having been the originals, they are best at judging who will be appropriate. And of course, their understanding is much deeper than ours; they can do with a touch things that require great effort from a human."

That last only made her wonder the more, as they continued down the path. They can do with a touch....

So what had the Elven King done to her?

Chapter 6

Choosing a wand turned out to be nowhere near as complicated as Elena had thought it would be—given the complexity of nearly everything else that had happened to her from the moment Madame Bella entered her life.

It was, oddly enough, the House-Elf Lily who helped her with the task. Robin she had expected, but not Lily. After all, Lily did the tending, didn't she? So what would she have to do with the business of finding a wand?

Lily was waiting for them on the path, and smiled with satisfaction when she saw them. "Ah, good, you have the King's Favor as well as the Queen's!" she said and looked to Madame Bella, as Elena wondered how she had known of the Elven King's odd behavior. Then, just as she wondered that, she saw it; more of the swirling color she now knew was magic, a haze, a dusting of pale silver (which must have been the Queen's mark) and pale gold (surely the King's) that drifted around her exactly like dust motes drifted in warm air. Bella didn't have that cloud about her, nor did Lily. How peculiar. I wonder if it will wear off? This business of seeing magic was going to take some getting used to.

"Is she ready for her wand?"

"No reason to put it off," Bella replied. "I have some things to attend to; this will take until luncheon?"

"Oh, at least; after Robin makes the wand, he wants to take her measurements for her costumes, and after this, you're going to keep her too busy to take the time for proper measuring," Lily replied, and turned to Elena. "Come along, Apprentice, and don't look so wary; this won't be anything like that nasty business over breakfast."

I certainly hope not! she thought, following Lily with an apprehension that she hoped she veiled adequately.

They ended up in a little workshop where Robin already was at work, laying out lengths of perfectly straight wood on a workbench, placing longer, similar pieces of wood leaning against a wall. "The wand," Robin said, with immense dignity, as if he was lecturing, "is not a thing of magic in and of itself, as most outsiders believe. It is merely the extension of the magician, a tool to help focus magic. Actually, practically any old stick will do in a pinch so long as it is made from a wood that the magician feels comfortable with."

"Ah, but now, that's the trick," Lily said, taking up the lecture as smoothly as if she and Robin had rehearsed it. "And that is where I come in. All of these bits of wood have been harvested over the years from trees I grew from cuttings or seeds, trees I nurtured and tended, and they gave me these lengths freely, as a gift. Not one piece was cut. There was no pain in the culling of these branches, and as a consequence, there is nothing here for the darker magics to work on. No Black Witch or Sorcerer can make a wand made from this wood turn against its Godmother."

There it was again, that warning of danger. But she had accepted the risk, and though she shivered, she set her chin. She would no go back on her given word.

"So would I need a little wand like that one—"

With the colors and currents of magic drifting all around her, Elena found that easier to accept than she might have before the Elven Queen bestowed the gift of Magic Sight to her. In fact, as she pointed at one of the wands, she saw and felt the potential of magic building up, as if the were act of pointing at something energized the magic to flow in a particular direction.

"That will depend on your costume; you will have your everyday clothing, of course, and probably a small wand like this—" Robin held up a slender, polished stick no bigger around than her little finger, and no longer than a foot. "When you are in your most impressive garb, the sort of thing you will wear to attend Royal Christenings, for instance, you will bear a full-sized staff like this." He hefted a length of wood about a foot shorter than she was.

"Have you ever seen a man concentrate the sun with a lens to make something catch fire?" Lily asked. Elena nodded; when she was younger, one of her playfellows used to purloin his granny's glasses to amuse his friends with just that trick. "Well, there you are. The wand acts for magic as a lens does for the sun; it concentrates and focuses it. It won't matter a pin if one of your wands is broken—we'll keep several made up for you in each size. And you can certainly cast your spells without one—but it will be easier for you to use magic if you have one."

"Now, please, Mistress, go along the ranks of these small lengths, and tell me when you have found a wand that feels right in your hand," Robin said, stepping aside so that Elena could approach the bench. She did so, and picked up the first of the rough-finished wands. And it felt like—nothing. A stick of wood. She tried the next, and the next, with similar results. Finally, about halfway through the ranks of samples, she found it.

And that mere act surprised her, because she had begun to think that she wasn't feeling whatever it was she was supposed to sense, and would have to just make an arbitrary selection. Then the next wand she picked up came alive in her hand.

There was no other way to describe it; the rest had been as inert as an old broomstick; suddenly this one felt like a living thing in her hand.

"Ah!" Lily said, taking it from her—and she found that she was incredibly, inexplicably reluctant to let go of it. "That would be the birch in the water-meadow. A good choice." And as she set the wand in a vice, Robin cleared away all the other lengths of wood but seven.

"I'll have this finished for you in a trice," Robin said matter-of-factly. "The others will take longer, but this will give you something to work with."

In less than an hour, Robin fashioned a wand for her of the polished and waxed birch, tapered, with a simple spiral carving to it so that it looked like the horn of a Unicorn. It was lovely, and although she had watched him make it, she could not imagine how he had finished it in so short a period of time.

"You'll find a long, narrow pocket in your skirt," said Lily, and when she hunted for it, she found that indeed, she did. The wand fit in there as perfectly as it had in her hand.

"The other wands can wait," Robin said, and gave her an unreadable look. "Next, we need to fit you for proper clothing."

So she spent an uncomfortable two hours with every inch of her being measured by the little Brownie. This would be for her "Fairy Godmother" costumes, which Bella assured her, when the Godmother looked in on the fittings, were as vital a tool as her wand, if not more so.

"What people think of you is important," Bella insisted. "If you don't look the part, they won't believe in you, and if they don't believe in you, you might not be able to get your job done right."

Quite frankly, Elena was feeling very intimidated, and it got worse as Robin held up one length of fabric after another against her face. She was afraid to touch the delicate fabrics with her work-roughened hands, and thought that she would probably look a fool in the kinds of dressmaker's confections that her stepsisters had worn.

She was even more intimidated when Hob brought in the trays of jewels, the bolts of trimmings that were to adorn these putative costumes. It was bad enough when they held up lace as fine as cobwebs, or gorgeous, heavy stuff shining as only bobbin lace made with silk thread could shine; it was far worse when they brought in the trimmings made with real gold and silver threads, and began selecting pearls and other gems to be added to the ornamentation.

"I can't wear these things!" she finally burst out. "I'm not—"

"You are, Mistress," Hob said sternly. "You are every bit as important in rank as an Empress, and when the time comes, you must wear these gowns, and wear them without a second thought. Appearances are important, Mistress, and the time will come when you will speak with Royalty and they will know you for their superior, the gracious bestower of gifts that they have humbly asked of you."

She shook her head, unable to even picture that in her own mind.

"But don't worry so much," Lily told her, with a wave of her hand. "Most of the time you'll be dressed like Madame does around here—because most of the time you need to look like one of the common folk."

"Oh, not exactly like Madame," Robin demurred. "Madame's choice of colors is—well, in a fine lady of her age, it is delightfully eccentric. In a young woman—" He visibly groped for words.

Lily did not. "You'll look like a motely fool, or a color-blind Gypsy," she said bluntly. "Don't worry; you'll not be mistaken for a mountebank in what we give you."

Finally the measuring and selection—none of which she got any chance to make for herself—was over, and the Brownies let her go. She sought refuge in the kitchen, where Madame was making a cold Ploughman's luncheon with her own hands, slicing meat, onions, bread, and cheese.

Of course, this was a better luncheon than Elena had seen in months, perhaps even years.

"Ah, they've released the prisoner. Come have something to eat," Bella said cheerfully, and Elena hurried to help her with the platters which they placed on the table. "Eat well; you'll be working very hard this afternoon."

When luncheon was over, with her wand in her pocket, Elena followed her mentor to a secluded room at the back of the house. Her heart was literally in her mouth, but she kept her chin high and told herself that if she was not fearless, she could, at least, look fearless.

Bella closed the door; the room was utterly empty except for a few shelves that held a book or two and some oddments. But Elena did notice something odd.

The swirls of magic around her did not drift through the walls as they did elsewhere in the house. In fact, they never got closer to the wails than a foot, and the same held true of the floor and the ceiling.

"Elena, do you see magic, now that the Queen has given you her power?" Madame asked. And the way she emphasized the word "see" made Elena very careful with her answer.

"I think it's magic," she said carefully. "It's like swarms of dust motes that glow the way dust motes glow in the sunlight, only in different colors. It's rather thick around me," she added, hoping that was helpful.

"Ah good." Bella's expression cleared. "That makes things easier."

"Some people don't?" Elena hazarded.

"It does vary. Most people see it, but I know of Godmothers and Wizards who hear magic as music, some who taste or smell it." Now Bella pulled her own slender wand, a bit of walnut carved with a delicate hint of vines and leaves, out of the pocket of her skirt. "Right, well, since you can see it, now you'll learn how to move it about."

Elena spent what was possibly the most curious afternoon of her life, the flying cart notwithstanding, as she herded flocks of colored dust motes about, first with, then without her wand. It was easier with the wand. As she did the herding, she began to notice that some of the motes would always escape, drift towards her, then—vanish. "Why am I losing magic?" she finally asked.

"Because you're using it. The only power in this room is yours and mine, and I've pent mine away from you." Bella half smiled, and raised an eyebrow. "You are moving your own power about, the power that has built up around you, trying to bring your life into The Traditional path. You will probably use most of it up, learning how to use it."

"Oh." Then what am I supposed to—

"And part of that learning will be how to acquire more power," Bella went on, before she could voice the question. "Though if you absolutely must, there is no other choice, and you can convince them that it is in their best interest, the Elves will probably share power. But you do recall how I told you that others like you often wish to lead ordinary lives? That is one source of power that we often avail ourselves of, and there are others that I will teach you."

Ah.

"And now, my dear, we must get back to work."

On the face of things, these lessons would have sounded to an outsider as if they were easy, and so, in a way, they were, just as walking is easy. But suppose that someone was possessed of two good, healthy, strong legs, yet had never used them, and had not, in fact, ever known that they could be used? This was the position that Elena found herself in now.

It was, to put it fine, hard work. It took real physical effort, and more concentration than she had ever put into anything in her life. Finally Madame called a halt to the lessons, which by that point had graduated up to containing the power.

She might not have been sweating, but she certainly felt limp with exhaustion when Madame sniffed the air, declared that she could smell supper, and allowed her to stop her current exercise. "Go tidy yourself up, child," Madame told her, with no sign whatsoever that she was exhausted. "We'll hold the meal until you join us."

The sun was just starting to set, and deep golden light poured in through the western windows, a light as thick and rich as honey. The walk up the stairs was as hard as it would have been after an entire day of running about tending to the household chores and multiple errands for her stepmother and stepsisters.

But there was water in the ewer beside the basin in her room, waiting for her, a luxury she hadn't enjoyed for so long.... With her face and hands washed, she felt much more like herself, and trundled back downstairs. It couldn't be said that she did so in a more cheerful frame of mind, because, despite the hard work, she was enjoying herself. This was challenging, she was doing things she had never even dreamed of, and it was all real—

But now she was able to feel something besides exhausted, and ready to do full justice to whatever was on the stove for dinner.

For some reason, Rose seemed a trifle more friendly over supper. Lily chatted away, sounding very much like Madame Fleur, and Robin and Hob, though mostly silent, made it clear even in their silence that they approved of Elena. So evidently the entire household was happy with her now; she didn't know why, but she could guess.

The Elven King's approval had impressed Lily, and probably that was why the atmosphere had warmed all the way around. The Fair Folk all bowed to the Elven King and Queen, no matter what race they were; the Royal Pair were the supreme authorities in their sphere. Apparently, having the Queen's blessing was one thing, but earning the King's was quite another level of achievement.

"I'd say she's made good progress today," Madame Bella was saying, as Elena brought her wandering attention back to the conversation and the meal. "I must say, there is a great deal to be said for bringing in an older Apprentice; there's nothing flighty about you, my dear."

Elena was saved from having to say anything by having a mouth full of excellent rabbit pie.

"Some of the stories I've heard," said Rose, with a disapproving tsk. "Girls whining and complaining about being buried in the country—as if they were going to have time for anything but learning the job of Godmothering! Girls half afraid of everything around them. Girls carrying on with young men—"

It suddenly struck Elena—Bella had intimated that she had been a maiden lady all her life. Did this mean that Godmothers were not supposed to have anything to do with men? She felt a moment of mingled shock and dismay.

Not that any man ever showed any interest in me—but is it worth giving up the possibility?

"There is nothing wrong with a young woman being interested in young men," Bella retorted.

"A young woman, certainly. But a young Godmother?" Rose snorted. "Madame, think of the risk! The Tradition has no room in it for wedded Godmothers! And any young man falling in with a Godmother is going to be forced by The Tradition into some familiar path! So what does that leave?" Rose gave none of the others a chance to answer that question. She counted off the options on her fingers. "The Rogue, who will leave her brokenhearted, and perhaps in difficulties. The Betrayer, who will lead her enemies to her. Or the Enemy himself—whether he is the Enemy or later becomes the Enemy...."

"Or something new," Madame said firmly. "The Tradition can be redirected. Witches have married Wizards and made good matches of it, and Sorceresses joined to Sorcerers, and there used to be no place in The Tradition for that."

Rose snorted again. "Only if the Godmother is strong of will, and if it isn't only the Godmother who has the will to steer it into a new path. And from what I've heard, there wasn't a one of those girls that had the will to turn a goose from grass, much less The Tradition from its chosen path."

Madame laughed, and shook her head. "Only rumors, dear Rose. And really, if a girl is that unsuitable, she's generally run away from all the hard work before the Queen gives her blessing. I would not have taken Elena to the Queen if I had not thought that she was suitable, and the Queen has her own means of weighing candidates."

Rose nodded grudgingly. "Well, you were careful, Madame, and there have been those that just took the first girl to cross their path with a wreathing of magic about them." Finally she turned to Elena. "I have to say, even though I thought Madame was rushing you, I must admit that Madame was right about you. I've never heard of the Queen giving a blessing to anyone on their first day of being an Apprentice.

The talk turned then away from Elena, and to, of all things, the small doings in the nearby village. Elena did what she had learned to do among Madame Klovis's servants when she wanted to learn things.

She stayed quiet, and listened.

This was how she learned that Madame Bella not only was thought of as one of the local White Witches, but that people made the long trek out through the forest to the "cottage" on a regular basis. Furthermore, there was a less-powerful Witch who served as Bella's agent in the sale of potions, healing draughts, and herbal remedies, with a stall on market day in the square of the largest village.

Finally Rose seemed to realize that Elena was there. "I don't suppose you know much of concocting," she said, dubiously.

"Common things, yes," Elena replied, and pulled a face. "My stepmother never spent a penny on anything other than herself and her daughters, so I had charge of the stillroom—"

"Ah, good!" Bella exclaimed. "Then tomorrow we'll work there, and I'll see how well you follow a recipe. If I am content, I will leave you to work alone, and once you have produced the actual potions, I will show you how to infuse a little magic into them. Not a great deal, but enough to make them work efficiently and effectively."

Elena's look of surprise must have been very obvious, for Bella laughed, and so did Rose. "Godmothers aren't always going about lobbing magic swords in the paths of rightful heirs, or giving younger sons the right answers to riddles!" Rose exclaimed. "They do as much good with the little magics as they do with the great ones, I'll be bound. It's more working with The Tradition; the happier and healthier a Kingdom is, the harder it is for the Evil Ones to insinuate themselves into it."

"Meanwhile, your day isn't done yet, my dear," Bella said, as Hob cleared away the dishes and Elena moved to stand up. "I want you to come along with me."

Now what? she thought, with dismay. It had been a very, very long day—

But Madame led her straight to the library, and after studying the shelves for a moment, selected three books and handed them to her. "Here you are, your work for tonight," she said. "Read them, and ask me for more when you've finished."

"What are they?" she asked, turning the books over and seeing no title worked into the leather covers.

"The earliest histories of the Five Hundred Kingdoms," Bella replied. "Priceless books, in their way; I don't think there is more than a handful of copies in existence that are not in a Godmother's library. I want you to read them, see how The Tradition has grown and changed over the years."

Elena nodded, but felt a thrill of greedy glee. As if being told to read was some sort of work! She took the books and went upstairs, where the lamps were already lit.

She settled in with the books, and paused to look about herself, and marvel at how her life had changed. It was, literally, unbelievable.

I had better get used to believing in the unbelievable, then, she told herself, and turned her attention to the first of the books.

After the first few pages she realized that above all else, Madame was right; she had a lot to learn. But it would not be the first time, and she had everything to lose—

—and everything to win.

Every waking moment of every day from that moment on was filled and overfilled with something having to do with being a Godmother's Apprentice. From the lessons about magic to the work in the stillroom, from the forays into the forest to collect the wild herbs that would not grow in a garden (though those were few, with a Brownie being the one doing the tending) to her long nights studying the history of the Godmothers and their work in the Five Hundred Kingdoms, she had no time to spare and little opportunity to think of herself.

Not that Madame was unkind! But she was an implacable taskmistress, expecting no less than total dedication, for that was what she herself gave to the job.

For virtually every waking moment of Madame Bella's day was given over to Godmothering, and Elena could easily see why Madame wanted to pass her position on to someone younger. Within the first three days, Madame was gone for nearly an entire afternoon and evening, and only returned well after moon-rise. Elena heard her weary footsteps on the path to the door, and flew to open it for her.

Elena had been in the stillroom this afternoon and had not seen Madame leave; she loved being and working in the still-room, for it was the one place where she was on firm ground. She had made up dozens of items in the Klovis household when the housekeeper had quit. Madame Klovis was "above" dirtying her hands in the stillroom, there was no one else who cared to take on the task in addition to their own, and Madame would not spare the money to purchase needed infusions, tinctures, and ointments in the market. Perfumes, face and land lotions, goodness yes, but common burn ointment was a "frippery." So, as usual, it had been Elena who had found herself with the task on her hands.

She had enjoyed it, though; stillroom work was anything but boring, and it wasn't hard labor. Here in the Godmother's still-room, it was even more enjoyable, for she had the finest of ingredients to work with, in generous measure, and a recipe book that featured such delights as rosewater, jessamine lotion, and tincture of lavender. Bella had spent no more than a quarter of an hour supervising her initial labors; after that time she had laughed, stated that there was nothing she could teach her Apprentice here but the final infusion of magic, and left Elena with a list of what needed to be made up.

It made Elena very happy to know that here, at least, she was actually contributing to the household. When she had a bit of free time, she was making up scented candles and as a special surprise, a pair of scented gloves for Madame.

She busied herself until darkness fell, then after a dinner with the House Elves, went to her books. Madame did not return until an hour after that.

Elena heard her at the door and ran down the stairs to open it for her. When she opened the door, she saw to her astonishment that Madame was garbed in what Rose called "the full rig-out," from the top of her powdered wig to the silver buckles on her satin-covered high-heeled shoes. No ball-gown could have been more resplendent; the rose-pink, lace-festooned confection fitted her like the proverbial glove. The lace alone probably cost enough to buy the nearest village; the satin overskirt had been embroidered with an all-over pattern of rosebuds, and the underskirt was festooned with cascading tiers of more lace, sparkling with tiny faceted beads of rose crystal. She carried a staff rather than a wand; made in the manner of one of the highly fashionable, tall walking-canes, it was surmounted with a globe of rose-quartz caught in a winding of silver vines. Madame leaned on it heavily; she looked exhausted.

Rose took charge of her the second that Elena opened the door; she somehow whisked Madame away before Elena had time to realize that Bella needed help. And roughly half an hour later, Rose summoned Elena from her own rooms to cross into Madame Bella's.

It was the first time that Elena had been there, and she was not at all surprised to discover that the rooms were furnished in an older style than her own. Madame favored the medieval; the walls were hung with tapestries, the furniture looked too heavy to move, and the overall effect was frankly sumptuous. Madame herself had been stripped of her festive gown and elaborate wig and was sitting before the fire, wrapped in a dressing-gown, sipping a cup of tea.

"Ah, Elena!" she said, and Elena was glad to see that some of the weariness was gone from her face. "I'm sorry I did not tell you that I was leaving, but you were busy—and you will discover for yourself that although we may know for some time in advance that we will find ourselves with a particular task to perform, we don't know exactly when that task will take place. Today I was needed, along with six of the Fair Folk, to guide a prince to where his captive maiden was waiting for him, and to make sure he knew the secret that would defeat the one who held her captive." She smiled ruefully. "Then, of course, I had to remain long enough to see whether or not he was victorious."

"But—" she protested. "Why wouldn't he be?"

"Because, my dear, no outcome is certain, not even with The Tradition pushing it along. I brought you here, however, to show you how I know when I am going to be needed, and where. It is time for you to meet Randolf." She gestured at something on the wall opposite her fireplace—something like a painting, or perhaps a mirror, but one with heavy velvet curtains hung in front of it. "Go over there, and draw the curtains."

With curiosity eating her alive, she did so. It was a mirror, and there was a face staring at her from out of its inky depths.

It wasn't her face.

She gave a startled little squeak and jumped back; the face in the mirror looked surprised to see her—then stuck thumbs in each ear and waggled its hands at her while making a face. This, of course, with nothing except the face and hands being visible.

"Randolf!" Bella snapped. "Stop that this instant!"

The face flushed, and the hands vanished. "I apologize, Madame, Apprentice. The temptation was overwhelming."

"Randolf, this is my new Apprentice, Elena," Madame said next, without moving from her chair. "Elena, this is Randolf, the Slave of the Mirror. I got him from a Dark Sorceress after she was destroyed."

"And what she'd been using me for—!" the face said, rolling its eyes. "What a bore! Never allowed to look at things for myself! Every day, it was always the same thing, 'Mirror, mirror, on the wall, who's—'"

"Well, you get to exercise your powers to the fullest now that you live with me, Randolf," Madame chuckled. "Show her my afternoon—a precis, if you please."

"Charmed," said the face, and vanished. It was replaced by a series of scenes that played out in the depths of the mirror as if it was no mirror at all, but a window on a place far from here.

For not even in rumor had Elena heard that there was a sleeping princess nearby, immured in a castle surrounded by a thorn hedge a good twenty feet high, twice that in thickness. She recognized the tale, of course. The Tradition seemed to favor the tale of the Sleeping Princess.

Bella appeared to the Prince as he was despairing of ever getting past the wilderness and into the castle. He looked pathetically glad to see her and the six Ladies of the Fair Folk that accompanied her; he was even happier to see the magical boat drawn by swans that brought them through the marsh. His face fell when he saw the thorn-hedge, however at that point, his sword and buckler probably seemed woefully inadequate. But it rose again, when the Fairies gave him a sword and shield of glass; it didn't take a lecture to tell him that these items were magical and could help him cut his way into the castle. And once inside, not even the Sorceress in the shape of a Wyrm could stop him.

"This was the first Sleeper ever in that Kingdom, so it was important that someone with experience be in charge. No one wanted this one to go wrong, and I had a certain personal interest in the outcome as well."

"Now, now, Madame," Randolf chided from the mirror. "The whole truth, now."

Bella grimaced. "The Sorceress and I have history together. She has tried to kill me on several occasions. I wanted to see her eliminated, once and for all."

"Ah," Elena said, with understanding.

"Now, here's the rub—over the course of this Tale, there have been several Princes who had come close to the site, but none passed the ordeals to come to the point where they were entitled to Faerie aid, so there was no telling the exact moment when I would have to make my appearance. I had to invoke the 'All Forests Are One,' spell in order to get there in time," Bella said, as the story played out, the Prince slaying the Wyrm with his glass sword, and awakening the Princess by ringing the bells of the Palace chapel. "Most exhausting."

Elena already knew about the "All Forests Are One" spell— it was a very important one, that enabled a Godmother or the person she was supposed to guide to cross their paths, no matter how far apart they really were.

"And a good job she made of it, too," said Randolf cheerfully, invisible behind the moving picture of the Prince being greeted by the awakened Princess and her entire Court. "Is that enough, Madame?"

"Quite enough, thank you, Randolf; I'm sure she has the idea by now."

"Randolf shows the future?" Elena hazarded.

The face appeared in the mirror again, and gave an exaggerated sigh. "Alas, no, fair maiden. I show only the present and past. But I show the present as it happens, with enough warning and fully in time for the Godmother to arrive."

Well, that put an interesting complexion on things! Elena had wondered just how Madame had managed to keep track of her all these years, and now she knew.

"Amazing," she managed. The face in the mirror beamed. "Oh, Madame!" it said. "Don't forget the Christening tomorrow. You asked me to remind you."

"Yes, thank you, Randolf. Elena, you may give him his curtains back."

It seemed cruel to imprison the poor spirit behind heavy velvet drapes, but it didn't seem to mind. "Doesn't he get bored in there?" she asked.

Bella laughed. "Ah, my dear, unlike his former mistress, I have freed him to use his powers to look anywhere he cares to. He doesn't need to eat or sleep; what he enjoys is watching over my charges, the Kingdoms for which I am responsible, with some little time to view players, minstrels, and musicians! I give him the freedom and the magic power to enjoy himself when he is not watching on my behalf, and he keeps me apprised of what I need."

Kindness, Elena thought, with satisfaction. A little kindness to Randolf had won Madame a powerful servant. Here, at last, she was in a place where kindness was rewarded. "So you are attending a christening tomorrow?" Elena asked, disappointed, as she thought she was making some real progress in her magic lessons and frankly didn't want them interrupted.

"Oh, yes, a Royal Christening," Madame said, and gave Elena an opaque look. "I'll be there.

"And so will you."

Chapter 7

A carriage had appeared from nowhere, at least, so far as Elena was concerned. It had simply turned up at the door when Madame Bella and Elena had both been gowned and coiffed to Rose's satisfaction. There certainly wasn't a carriage, nor a carriage-horse in the tiny stable, and this wasn't the sort of equip-page you would find in any of the nearby villages. While not large, it was excessively opulent, a little mauve-and-gold jewel-box of a carriage drawn by a single, handsome grey horse, and driven by a curiously silent footman in mauve livery with a great deal of gold braid on it.

Elena, recalling all of the tales, had to wonder if this carriage was really their little farm cart, and the horse that old donkey. As for the footman, well, he could be anything; a frog, a mouse, a rabbit—even old Hob or Robin, transformed.

Their coach took them into the edge of the forest, where Madame paused to invoke the "All Forests Are One Forest" spell.

This was the first time that Elena had seen this Great Magic at work, and it was—remarkable.

Madame got out of the carriage, walked to the road just in front of the horse, and raised her staff, and it was as if she was the center of a whirlwind of the green dust motes of magic— but it was a very slowly moving whirlwind, and a soundless one. Denser and denser they became, and brighter and brighter, until Elena had to squint in order to see, and just as the light became painful, Madame thumped the end of the staff three times on the ground.

The light, the magic-motes, all vanished, and Elena got the strangest sensation, as if someone had dropped the carriage out from beneath her, at the same time thumping her in the middle of her chest.

Madame came back to the carriage and the footman handed her in, quite as if nothing whatsoever had happened. They entered the deep green depths, and no more than a mile later, emerged again. But this time, they were nowhere near the little village that should have been on that road. According to a signpost, they were in the Royal Forest of Leskamidia, very near the Palace. A mile after that, and they came out of the trees and into farm fields, the Palace clearly visible in the middle distance. Within a half hour, the footman was handing them out at the foot of the stairs, lined with guards in handsome uniforms, to join the throng of bewigged, bedecked and bejeweled guests moving into the Great Hall and the Throne Room beyond.

And difficult as it might be to believe, the Godmother was outstanding even in this group. Once again, Madame Bella was resplendent in her full Fairy Godmother glory, with no sign of the eccentric old lady about her. This time, the color of the outfit was a pale mauve, matching the carriage and the footman's livery, which was probably why the Major-Domo who announced them kept referring to her as "Her Grace, the Lilac Fairy." Her jewels were a chain of amethysts and pearls, amethyst rings, and amethyst and pearl buckles on her mauve satin shoes. The lace of her gown was beaded with tiny faceted amethysts, and seed-pearls ornamented the bodice. She was even wearing a tiara of little flowers made of amethysts, with emerald leaves and pearls for centers on her powdered wig. Elena was grateful that, as the mere Apprentice, she didn't have to look nearly as splendid. No tiara, no powdered wig, not even powder on her natural hair; in fact, all that Rose had done with her hair was to make it curl—though apparently even Brownie magic was not sufficient to make it form into neat ringlets. Her gown was a more subdued version of Madame's, with a great deal less of lace and no gemstone-beading at all; her jewels were a simple rope of pearls and her shoe-buckles of plain silver. For the first time in her life, she was wearing satin slippers, and truth to tell, she felt quite elegant enough. She had a wand instead of a staff, though it was a much longer wand than she was used to using now, and for some reason, Robin had elected to put a gilded star on the end of it. "Otherwise, it's just a stick," he had insisted. "People will expect it. How will anyone know you're Madame's Apprentice without a wand with a star on top?"

"The gown just might give the game away," she had pointed out dryly. "It might as well be livery, seeing as we match. And that wand looks, well, silly. Like something out of a book of tales."

He'd waved his hands in frantic triumph. "That's the point!"

She knew when she was beaten. But she still thought it looked silly.

Apparently no one else did, however. People did give her a wide and wary berth, and as she moved through the gathering in Madame's wake, they actually bowed slightly to her, with deeper bows reserved for Madame, who graciously nodded her head in return. That was gratifying, since there wasn't a single one of these people who would have looked at Ella Cinders with anything other than pity and disdain, and fretted lest she somehow dirty the hems of their garments from five feet away.

The Throne Room dazzled with color and light; name a hue, and someone was wearing an elegant, jewel-embroidered suit or gown in that color. Flowers garlanded the creamy marble walls and were twined about veined marble columns; a thousand scented candles twinkled in sconces and chandeliers. The room was full of delicate scent and light.

It was, to the last detail, the sort of celebration that Elena had only read about—the sort to which not even Madame Klovis could ever have dared aspire. Not one guest here was of common blood; Elena suspected that even the servants considered themselves to be a sort of nobility. And among the dukes and counts and barons, were a sprinkling of another sort of nobility altogether—

Fair Folk. Well, some of them, anyway. The Major-Domo called them all Fairies, and identified them by the colors of their gowns, but that was probably because he didn't know any better, or perhaps, hadn't been told their true identities. Possibly the latter; better to call them all Fairies, for there were some folk who were unreasonably prejudiced against Witches and Sorcerers. Three of the guests were genuine Fair Folk indeed, Elves of the sort that Elena had already seen, gowned in rose, silver, and gold; four were quite powerful Witches, if the haze of power surrounding them was anything to judge by. One was a Sorceress.

Now, Elena only guessed at that last, but there were signs, for someone who had been reading as much of the history of the Five Hundred Kingdoms and The Tradition as she'd been. Fairies were immediately identifiable, of course, by their eyes and ears—and two of them had mischievously elected to cause tiny butterfly-wings to sprout from their shoulders, perhaps in mockery of some of the sillier stories Elena had read about them as a child. The Witches were all in earthy colors—russet, green, wheat-straw, and grey—and their staffs and the ornaments they wore, though fashioned of silver and gems, were modeled on vines, leaves and flowers, or beasts and birds. The one that Elena reckoned to be a Sorceress wore a very dramatic gown of brilliant blue and white, and her ornaments, made of silver, diamonds, and sapphires, were not representations of natural things. She looked a bit spiky, truth to tell, very splendid and aloof—but as Madame crossed her path, she winked at both of them in a conspiratorial manner, and there was a definite twinkle in her eye.

Madame was met by a page as she glided serenely across the ballroom floor, and conducted to the King, Queen, and the new little Princess, with the crowd parting before her as if someone invisible was shoving them aside. The nearer they drew to the thrones, the more tiaras and coronets there were—

Good heavens! Elena thought, catching sight of a haughty little head with a confection of gold, velvet, and ermine atop its ornate, powdered wig. Is that a crown? It is, and there's another! There are foreign Princesses here!

Princes, too, it seemed, as Elena caught sight of another crown, this time on a male head. Elena concentrated on Madame's back, and remembered that she was a Godmother's Apprentice, and that a Godmother's Apprentice didn't gape at the guests at someone else's party.

And then they entered the empty space around the dais, all eyes upon them, and Elena had to remind herself that she belonged here, and that someday it would be she who was the Godmother. It took a lot of reminding; her initial reaction was to want to stammer an apology and run off to the kitchen.

"Madame Bella!" said the King, rising from his throne and descending the two steps to take Madame Bella's free hand in both of his. "I cannot tell you how grateful we are—" He lowered his voice. "But are you sure nothing will go wrong? She did say she would be here, and we've done everything you said, but I just know that she'll find something to be offended by—"

Elena was utterly mystified by some of the King's words, but she had a good idea of the sort of things that Traditionally went wrong at Royal Christenings. There was usually an evil Witch or Sorceress who hadn't gotten an invitation—or if she had, she would find some great affront when she arrived. She would wait until she thought every magician there had delivered up his or her magical gift to the baby, and then descend with her own curse.

The young Queen—both the King and Queen were very young, Elena noticed; certainly no older than she herself was— leaned forward on her throne, one hand protectively on the edge of a canopied cradle spilling over with pink silk and lace coverlets. If anything, she looked more anxious than the King; perhaps he was better at hiding his feelings than she was.

"I've taken care of everything, don't worry," said Madame, soothingly. "But if you want to be sure it will work, Bertram, you and Linette have to look carefree, as if you are expecting no trouble whatsoever."

"We'll try," the King replied, and forced a smile onto his face, kissed Madame's hand, and let her go.

Madame bowed, and retreated with Elena still following like a faithful shadow. She moved off a little ways to the side of the throne, and took up what seemed to be a position, or at least, it felt that way to Elena. "I expect you're wondering what all that was about," she said in an aside to her Apprentice, as she nodded and smiled to other guests who wandered by, bowed to her, and passed on.

"Well, I know all the things that can go wrong at a Christening," Elena replied, dubiously.

"And so do Bertram and Linette; in fact, Linette is one of my Princesses, so she's doubly aware," Madame acknowledged. "Which is why, when their firstborn turned out to be a girl, they sent word begging me to take care of all of the—special arrangements—at the Christening. Not only did I make sure that all of the desirable magicians of the Kingdom got their invitations, I had Randolf spend a considerably store of his free time covering every square inch of this Kingdom, looking for the Evil Sorceress I knew had to be here. Then I made absolutely certain that her invitation was put right into her hands."

"But that's no guarantee—" Elena began, when suddenly—

She felt an inexplicable plummeting of her heart. A chill wind moved across the room, making the candles in the chandeliers flicker, and the guests shiver. Frightened silence spread from a point near the entrance, moving across the crowd like a ripple in a pond.

A shadow passed over the room. People edged away from something that was moving towards the thrones. And in the center of that moving point of silence Elena saw  her first Evil Sorceress.

No great surprise, she was gowned all in black. From the shoes to her own tiara, she wore not a single hint of color. Her gown was a black velvet overdress, a black satin underdress, with faceted black crystals winking among the folds. More black crystals made up the tiara in her elaborately-styled ebony hair. Her staff was black, with a black serpent carved twining around it, and it was surmounted by a globe of black obsidian. As she drew nearer, Elena realized with a touch of reluctant admiration that even the black lace adorning her gown was very different from the swags and garlands on everyone else's garb—it had been made in the pattern of spiderwebs.

She glared about her, hostility and anger radiating from her, and it was then that Elena realized that she was, in fact, no older than the King and Queen, or even Elena herself. She exchanged a glance with Madame; hers startled, Madame's knowing. Madame nodded.

Sometimes, the ones who were "supposed" to have the happy endings go to the bad.... There was so much anger in the young woman's eyes, so much resentment, and so much pent-up pain, that Elena could not imagine how Madame was going to stop this creature from just exploding then and there, like a fermenting bottle—

Then, from out of the shadows where he had somehow been concealed behind the blue-and-white Sorceress, another figure stepped.

It was a young man; he wasn't handsome, and he clearly wasn't all that wealthy, but he had the most interesting and intense face that Elena had ever seen. He, too, wore black; a little threadbare, but not ill-kempt. Clearly, though he might be poor by the standards of the rest of the guests here, he was proud, but with the right sort of pride that will not be beaten by so small a thing as poverty, and insists on what Madame Fleur used to call "certain standards." Elena sensed that even if he had to mend and clean his clothing himself, he would be clean and mended. If he had to go without a meal, he would give no hint of it.

He moved into the Sorceress's path as if she was a lodestone, and he a needle. And when she paused in surprise, he seized his moment, and her hand, and bent nearly double to kiss it.

"Madame Arachnia, I presume?" he said, and his voice was so melodious that it made Elena yearn to actually hear him sing rather than speak. "Madame, I would never have accepted the invitation to come here this day, if it had not been that I knew that you had also been invited."

The Sorceress was taken so completely by surprise that she could only stare at him in shock. "You—you did?" she stammered, completely taken aback. "But—"

"I had to meet you," he replied, staring into her eyes with hungry intensity. "And please—could we come away from these— ordinary people?" Now his voice dripped disdain for those around him. "I sense that we must talk."

Still in shock, the Sorceress let him lead her, all unresisting, out of one of the double doors that led to the garden.

The shadows and the chill passed from the room with them.

Elena managed to drag her eyes away from them long enough to look at her mentor.

Madame Bella was watching with every evidence of satisfaction, and when the pair had gone out the door into the garden, she smiled. "That went well," she said, and winked at Elena. "I knew I could count on Miranda."

The celebration went on—presumably, without either Madame Arachnia—that had to be an assumed name!—or the young man. There was entertainment; dancers, musicians, mountebanks. Then, at last, came the moment to present Christening Gifts. And to Elena's horror, Madame Bella was the first of the magicians to grant hers—

"I grant her the gift of a caring heart," said Madame, and bowed over the cradle. A swirl of lilac mist rose about her, and settled over the baby; Madame smiled and retired, to make way for the Sorceress in blue and white.

"What are you doing?" Elena hissed frantically, as Madame resumed her place beside her Apprentice. "That creature is still outside! Why didn't you go hide or something, so that when she comes in and curses the baby—"

"You will be the one to turn the curse, because Arachnia has probably forgotten about you completely," Madame replied, looking completely unruffled, as the Sorceress bestowed "lips like cherries and teeth like pearls."

"Me?" squeaked Elena, "But—"

"Hush. And watch, and listen, and learn."

As Elena fidgeted and fretted, the other magicians gave their gifts, all, to her mind, singularly useless. What good was "hair as gold as sunlight," and "the voice of a lark," to someone who was probably going to die on her sixteenth birthday, unless an untrained Apprentice could figure out a way and muster the power to turn the curse of a very powerful Sorceress?

Finally the last of the Fair Folk gave her gift—"the grace of a swan on the water"—and, with utter predictability, Madame Arachnia appeared, the crowd drawing back from her, that shadow hanging over her, a cold wind coming with her.

Except that—she wasn't alone. That young man was still with her. And the shadow that surrounded her seemed thinner, the cold wind not so much icy as merely cool—and the expression on her face was one of—

Bewilderment?

The King and Queen clutched each other's hands, trying to put on a show of bravery, and failing utterly. Arachnia stood before the cradle, uncertainty in her very pose. She looked down at the baby, looked into the eyes of the King and Queen, and then—

—then looked back at the young man, who gazed at her with trust, worship and tenderness.

"On the morning of her sixteenth birthday—" Arachnia began, her voice rolling across the crowd in sepulchral tones. But then—she stopped.

"Her sixteenth birthday—" she began again, but now her voice was not so threatening. In fact, it sounded hesitant. She looked back at the young man.

He smiled. She tried to turn towards him, but something was holding her there. The struggle between Arachnia and this invisible force was palpable, visible, and it was making her angry.

She turned back towards the cradle and gathered herself together. She drew herself up. She pointed at the infant in the cradle—but when she spoke, instead of threat, the voice was full of—irritation.

The tone said, I know I have to do this; I feel The Tradition forcing me into it. I don't have a choice, but pardon me if I just go through the motions.

"On the morning of her sixteenth birthday, the Princess will awaken with her hair so knotted it will look as if birds had been nesting in it!"

There was a halfhearted little rumble of thunder. The shadow passed for a moment. Arachnia turned back to the young man with a look of triumph. He held out both hands to her; now it was she who was drawn as steel to a lodestone, and they walked away from the King and Queen and Princess and right out the door together, as if no one else existed.

But then the shadow gathered again, the cold fell heavily on the room, as The Tradition gathered all of its strength to warp that ineffectual curse into something horrible. Elena felt the potential of the curse still hanging over everything, and she knew The Tradition and what it could do—if the curse wasn't quickly countered, it would descend in some ghastly form that no one could anticipate, no matter how weak the actual curse might seem to be. She grasped her wand in a sweating hand, and stepped forward, the youngest of them all, and her mind was working frantically. How to turn the curse into a blessing? How to take all that power of The Tradition and turn it against itself? She had to be clever; had to give The Tradition what it wanted. That was not only a curse, but a reward for someone worthy.

The poor little Princess would have to endure something, and at the same time, the end of the tale had to provide something for another person that she had to "name"—

What could you do with hair that was horribly knotted and keep it from tangling around someone's throat to choke off her breath? It had to be something that would cost some pain, for The Tradition demanded pain for a curse—who could untangle something hopelessly snarled?

It came to her, and as she stepped forward towards the infant's cradle, she was carefully phrasing her counter, hoping no one noticed how her hands were shaking. She gathered all of the power she could see swirling around her in a rainbow skein of magic; prayed it was enough, and waved her wand three times over the baby's cradle. Shining motes of power followed the circling of the star on the tip of her wand, and spiraled down into the sleeping infant.

"The Princess will awaken with her hair binding her to her bed, so knotted that she cannot move."

There. That was surely enough of a curse to satisfy The Tradition.

"Scissors will be blunted, knives useless, and not any of her handmaidens will be able to loosen so much as a single knot. All will seem lost."

There was the despair that was needed.

"Nor will magic avail the day. No man's hand will free her."

That left things open for a girl, a female, anyway. The Tradition liked these little, sly loopholes.

"But a rescuer will come; noble by nature, not by birth, gifted with patience and common sense, drawn by pity and not hope of reward. With her own two hands, the rescuer will free the Princess from the prison of her own hair, and win her freedom and her friendship."

Just like the popping of a soap-bubble, the dreadful potential vanished. Elena almost wept with relief.

Now everyone sighed, some with relief that matched Elena's, some not understanding what had happened, laughing nervously at the apparently absurd "curse." Only the magicians among them moved forward to congratulate the new Apprentice on a clever counter, for only they realized that The Tradition had been poised to make the Princess strangle in her own hair, or be smothered by it, or take some other dreadful form. Now it, and all of its potential, had been bound into a harmless, yet logical form. The Princess would live, and there would be a "happily ever after" for the nameless rescuer, some humble girl somewhere who would have the patience to untangle the Gordian-hair-knot when everyone else had given up.

The celebration went on, but their work was done, and Elena felt as drained as if she had been running for a mile. The King called for the musicians to play, and Madame Bella quietly went to him to explain what was going to happen in sixteen years.

Elena found a convenient pillar and put her back against it, feeling limp and drained. Eventually Madame Bella returned and took her gently by the elbow, and steered her into one of the little side-rooms that had been set up for the convenience of a few guests who wished to converse together. Somehow she was not at all surprised to find the other magicians there, being served with refreshments and chattering amiably among themselves.

"Miranda, my dear, you exceeded my wildest dreams!" Bella said, as they entered, and the Sorceress beamed. A seat was immediately provided for Elena, and the Witch in russet pressed a glass of wine into her hand. Elena drank it down at a gulp.

The Sorceress nodded graciously. "It was a stroke of luck finding him. Do you know he's a Prince as well as a poet?"

There was a gasp and a laugh from the Witch in green. "No! Oh, my word, that does make a great deal of sense! No wonder Arachnia gravitated straight for him!"

What? Oh—oh, of course, if she's like me, she was supposed to have a Prince and somehow didn't get one. Only she turned bitter and hard and wants to make everything around her hurt as much as she does. But The Traditional attraction is still there.

"What sort of Prince?" Bella asked, plying Elena with a slice of cake, it was far too sugary—or at least, would have been if she hadn't been so famished.

"A Frog Prince, the poor thing, and he'd been that way so long that his Kingdom had passed right into the hands of a collateral line. Decades at least; maybe more, I couldn't be sure. Kissed by a Princess, all right, but she was only six years old, and in the habit of kissing every bird and beast that crossed her path!" Sorceress Miranda shook her head with pity for the poor man's situation. Elena winced. Bad enough to have the first part of your "destiny" thwarted, worse to no longer have a home to return to, but then to have insult piled on top of injury like that—

"Oh, the poor lad!" exclaimed the Witch in grey, with sympathy warming her voice. "No Princess, no Kingdom—no prospects—"

"But a talent for brooding poetry. Well, I would be broody, if I'd gone through all of that," Miranda replied. "He's good enough to keep from starving, which for a poet, is a pure miracle, frankly. I found him just as you suggested, Bella, by looking for slim volumes of recently published verses full of suffering and anguish and longing for death—and a morbid fascination with the trappings of darkness, but not the substance."

"And you tracked the poet down—" Bella prompted, handing a plate of little sandwiches to Elena, who felt as if she was so starved there was a hole in the bottom of her stomach.

"Just as you said—I knew I had the right sort of fellow after watching him a while. He might speak longingly in excellent rhyme of wanting to be united with the powers of darkness and descend into the blackness of never-ending night, but in his little garret he was feeding sparrows with bread he could hardly afford to part with." Miranda smiled merrily. "I took on the semblance of a Royal Messenger, delivered the invitation, and made sure he knew that the notorious Madame Arachnia would also be there. And when he arrived, I just made sure to position him properly, and you saw the rest."

"But Bella," the Witch in green protested. "How did you know this would fall out in this way? How did you know that Arachnia wouldn't still put a really powerful curse on the babe?"

"She didn't, not exactly," said an aged voice from the door. They all turned, and two of the Witches leaped to their feet to aid the bent and withered old woman who stood there into the room and into a chair.

"She didn't," the old woman repeated, with a cherubic smile, and a voice creaking with age. "I was to be her emergency counter, in case the curse was too dreadful for her clever little Apprentice to work out. Not," she added, "that I think it would have been. Once a truly dreadful curse has been laid, The Tradition usually makes the counter fairly easy to think of and set."

"'Not death, but sleep,'" quoted Miranda. "And no one would ever have looked for you here, Madame Veronica. I thought you never traveled anymore."

"I do not," the elderly Godmother replied. "This is my Kingdom, and I told Bella to be ready when I knew the Queen was expecting. I am one of the Royal Nurserymaids—and that was a good touch, couching the counter so that the savior is a lowborn girl, young Elena," she added. "I shall have to be sure there is someone worthy of reward and gathering Potential in that position when the time comes."

"But still, Bella, how did you know you would find a young man that would find Arachnia irresistible?" the Witch in green persisted. "I can see where you could turn her, if you could only find someone who would see her and love her, but how did you know such a fellow existed?"

Bella tilted her head to the side, and a wry smile touched her lips. "You find them in any Kingdom," she said, "if you look hard enough. Young men, and young women, too, who believe that they are in love with evil, death, and darkness, but in fact, are in love with mystery. Mind, it wouldn't have worked if Arachnia herself wasn't so young, and still able to be turned, if only one could find the key to her loneliness. I expect she'll be your charge now, Miranda."

"And happy to take her on," the Sorceress replied. "I'd go through fire and ice to turn someone with her power. And believe me, I have bound that young man with so many spells I'm surprised he can move."

"You didn't put a love spell on him!" said the Witch in grey, aghast.

"Great heavens no! I'm not that stupid!" Miranda exclaimed. "Arachnia would have spotted that in an instant, and she'd have been so angry she probably would have cursed the whole Kingdom! No, all I did was hedge him around so that he can't become the Rogue, the Betrayer, the Cad, or the Seducer, and I let his own romantic feelings do the rest."

"We can count on that," Madame Bella said, with a decided nod of her head. "I think that he may be in love with an abstract now, but it won't be long before he's in love with Arachnia herself, and she won't be able to resist him. I know; thanks to Randolf, I've had a look at her Library. A good half of it is slim little volumes of darkly romantic poetry, and I wouldn't be at all surprised to discover that some of them are his. In no time—well, probably by tonight!—they'll be haunting the battlements of her castle together as bats flutter overhead beneath a gibbous moon."

Two of the Witches heaved sighs of relief, and Madame Veronica nodded.

"Well, that seems to have it all settled and sorted, then, and I must say, a more clever way of turning The Tradition I have never seen," the Witch in russet said with contentment, and turned to her fellows. "When shall we four meet again?"

"Thursday next would be good," said the one in grey. "But this time, I am supplying the cards! Your deck likes you altogether too much, Penelope!"

In the carriage on the way back to the cottage, as shafts of light penetrated the forest canopy, creating slashes of golden light across the green shadows, Elena turned to her mentor. "Did you really arrange all of that?" she asked in wonder. "However did you even think of it?"

"It only worked because Arachnia—that's not her real name, by the way; she changed her name when she turned to the darkness—is young, and although she is a seething mess of anger and resentment, she is also enduring a truly crushing weight of loneliness," Madame replied, as the carriage wheels rolled over a dry stick, breaking it with a sound that made Elena jump. "She spent all of her young life, much like you, despised and exploited. She was sent into the wilderness by her stepmother, who told her to gather berries before any such thing was ripe, and taken up by an Evil Sorceress and made into a slave."

"Then what?" Elena wanted to know.

"Well, the Sorceress had many such 'servants,' all of whom hated her, but none of whom dared to defy her. Arachnia bore it as long as she could, but the moment came when she was both strong enough and had the opportunity, and she managed to kill her mistress. That was when she decided that she must be an Evil Sorceress, and The Tradition obliged by supplying her with some sort of tutors, as well as the workroom and library of her former mistress and all the other Evil Magicians who had lived there originally."

"So—she studied magic and The Tradition on her own?" Elena hazarded. Bella nodded.

"That's what usually happens, actually. The dark magicians don't have a great deal of tolerance for one another." Madame Bella glanced over at Elena, perhaps to see if she needed to elaborate on this point, but it was pretty obvious to the Apprentice. Dark magicians didn't have much tolerance for any sort of rival.

"Well, when Randolf found her for me, I began using him to watch her, but to tell the truth, it was easy to see that her heart wasn't in the business of evil for its own sake. She had the proper trappings, but it was mostly show. Her garden has as many roses as nightshade and henbane plants. She keeps only non-venomous spiders and snakes. The bats live in their very own tower, and every raven and owl that has decided to roost at her castle is so well-fed that several of them are too fat to fly."

"But if that's true," Elena said, her brow wrinkling, "Why didn't you do something to help her before she killed her stepmother?"

There was a very long moment of silence.

"Because," Madame said at last, with such deep sorrow that Elena almost regretted asking the question, "I did not know any of this until I had Randolf go looking for the Evil Sorceress that I knew must be there. And I was lucky in Arachnia."

"She could have been—" Elena was not sure how to phrase it.

"She could have been truly evil. This isn't the first time that I've hoped to turn The Tradition this way, been disappointed, and had to rectify matters in the usual way. But that is why I sent Randolf looking, as I always have, hoping that I would be lucky." Madame looked steadily into Elena's eyes. "I knew that if just once I could find the combination I was looking for, I could turn The Tradition, not just this one time, but open a new possibility for the future. You felt it—all that potential, how it just slipped aside when your counter was cast."

Elena nodded, warily. She thought she'd felt that, at any rate.

"The potential magic you used was just a fraction of what was available, and the rest of it went into cutting a new Traditional Path," Madame said, with just a touch of gloating. "Now, just you wait and see, the tale of Arachnia and her impoverished Poet Prince will become its own part of The Tradition, and perhaps that knowledge will help another Godmother turn some other Dark One in the future."

"Or maybe it will keep one from going to the Dark at all?" Elena hazarded.

"We can only hope, my dear," Bella replied, as the carriage came within sight of the cottage, its thatched roof gleaming like gold in the evening sunlight. "But it is a goal worth pursuing at almost any cost."

Elena had no difficulty whatsoever in agreeing with that.

Chapter 8

Day by day, week by week, Elena mastered the arts and skills of magic, and "fine art" of being a Godmother. Midsummer's Day came and went, and summer drowsed towards haying time in the villages near Bella's cottage. Haying time brought a spate of women to the cottage, the wives and sweethearts of farmworkers, seeking charms against cutting and ointment for wounds; haying was dangerous work, and the men who swung the huge, razor-sharp scythes could be cut and bleed to death if the worst happened. Bella taught the making of these to Elena, and after the first few, it was she who supplied all such things to their visitors.

Some few of the farmers themselves came looking for help as well, but what they wanted was not a charm, but a prediction; hay needed five hot days to dry properly after it was cut, five days of no rain and no dew. Bella herself saw to that.

"It's easy enough," she said with a chuckle. "Weather moves from west to east. I simply have Randolf look west from here, and find me at least a five-day span of clear weather, then give me a notion of when it will start. At this time of year, when we have far more sun than rain, that's not so hard."

That struck Elena as supremely clever. It didn't require trying to see into the future (which she had learned was very difficult and became more so the further ahead you tried to look). It also didn't require changing the weather, which she had been warned was something that could cause more problems than it solved. Sometimes, it seemed, the business of a Witch or a Godmother was not so much using magic as knowing when not to use it.

Sometimes she felt as if she was learning so much so fast that her head was stuffed full of it all, and if she had to master one more thing, her skull was going to burst.

While Witches and Hedge-Wizards tended to control and direct magic by using things, (creating complicated potions and talismans), the Sorcerers and Sorceresses controlled magic with words using a special language of words of binding and loosing, that minutely described the effects a magician wanted. But a full Wizard or a Godmother worked strictly by will and intention. Oh, that sounded so very easy! But you had to learn how to focus yourself completely, so that nothing distracted you; you had to learn how to chart an exact course and commit yourself completely to the course you had decided on. And you had to learn to think on your feet, so that you could frame something that would steer The Tradition in the way you wanted it to go the moment that an opportunity presented itself.

This was why Arachnia, despite her best effort, had not thwarted The Tradition with her pseudo-curse. This was why Elena, shaking with fear and effort, had been able to counter the curse in a way that satisfied The Tradition. Faced with her first crisis, she had been so focused on it that by the time her will had been imposed there was no room for The Tradition to move except in the direction she wanted it to. Thanks to all her reading, she had known enough of The Tradition by then to be able to give it the path of least resistance in the direction she wanted it to go.

But the more practiced she became, the more experience she had, the more important the ability to focus would become. She would not have that fear to narrow her concentration down to the sharpest point. With familiarity came, if not contempt, certainly a loss of urgency; she had to learn how to make up for that with internal focus.

Wizards and Fairy Godmothers did more than merely counter curses; they also tested and guided Questers and dispensed punishments to seekers who failed the tests.

The little old lady in the woods, who after being treated kindly, dispensed the clues that a Quester needed to find his goal— those were Godmothers. The ferryman who had the answers to questions—also Godmothers, or Wizards. The hag at the bridge, the watcher at the door—

And when there was more than one Quester, when, for instance, it was a Quest by several young men, only one of whom would be worthy, it was the job of the Godmothers and Wizards to test these seekers to find the one who was worthy to pass on. And, if they did not measure up, to allot a punishment or send them in another direction that would, hopefully, teach them and correct their behavior. Many a Prince who had failed the test of kindness on the way to the captive Princess later became the hero of his own story—or, at the least, became the wise and virtuous King of his own land at the death of his father.

That was Godmother and Wizardly magic.

Wizards were fewer than Godmothers, and usually elected to be solitary, apart from the dwellings of men, living in caves or wild forests as hermits. But because Godmothers often acted as the local White Witches, they also had to learn Witchery in order to help their communities and maintain their fictive disguises; thus, Elena had not one, but two sets of lessons to master.

Of the two, the Witchery was the easiest; in fact, so far as she was concerned, it was something of a doodle. All you had to do was to follow the recipe to create the potion, whose purpose was determined by the ingredients. Then you infused the potion with a touch of power. Witches and Hedge-Wizards worked in subtle ways, attempting to make their influence felt, not at the crisis, but before there was any hint of a crisis. They operated at the lowest level of magic, where small changes might bring larger results. As a result, even the most powerful of Witches generally used the smallest amount of magic needed in order to bring about the desired result. More often than not, they did not use magic, as such, at all.

For instance—being kind to the abused and exploited stepdaughter of a neighbor...giving her encouragement and the odd meal, helping her to cope with a cup of tea and a word of advice. Yes, Elena's neighbors had been Witches—both of them. And, among many other things, they had kept a careful eye on Elena, guiding her, keeping her spirit from being crushed. Had she ever truly wanted, with all her heart, to become ordinary, they would have called on Madame Bella to come and take the weight of all of that Traditional Potential away from her, and she probably would have managed to find either a kind husband, or a position as a maid-of-all-work, when Madame Klovis departed on her search for another wealthy victim to wed. Probably the latter, though there was no telling for certain.

As it was, when they knew that Elena was determined to escape, no matter what it took, they had called Madame Bella to examine this potential Apprentice for herself. Those were the voices that Elena had heard that night, murmuring over the wall next door.

For their part, Sorcerers and Sorceresses intervened when things had gone so wrong that only enormous magical effort could save the day. They accompanied heroes and heroines on the quests, and when they did, the odds were usually stacked against them. They often watched over the children who would become heroes as they were raised in hiding. They fought at the side of heroes when the armies of good and evil clashed. They could go their entire lives without ever fulfilling that particular destiny, however, so they also served another set of functions. They often assisted Godmothers; they frequently devised the trials and tests that lesser questers had to pass. And, perhaps because of their affinity for language and deep, long thought, they were frequently mystics, being sought for their wisdom as well as their magic. A Sorcerer's life was often spent in long years of patient study and waiting, and it sometimes ended in a frenetic and peril-filled span of mere months. When there was combative magic darkening the skies, it was most often the Sorcerers and Sorceresses who were in the thick of it.

Yet, such times were few, and it was just as well that this was so, or the landscape would have been shattered by the scope of such conflicts. Most Sorcerers and Sorceresses never once raised a wand in anger. They lived and died in their distant, lofty towers, seldom venturing out, studying the heavens and the earth in splendid isolation unless someone happened to call upon them for some trifle or other.

Elena decided rather quickly that she would not much enjoy being a Sorceress.

She might have enjoyed being a Witch, but—

But could she have ever acted as her neighbors did, remaining apart from the people she served, staying out of their day-to-day quarrels, living in her town, yet apart from it? Witches and Hedge-Wizards could not take sides, could not become involved, dared to make no judgments, allowing events to judge themselves.

She didn't think so; she could not just stand apart from things and let them run their course without trying to set them right. She would never, for instance, have been able to stand being next door to her younger self, seeing how that self was mistreated by Madame Klovis. In fact, she probably would have marched right in one fine day after a beating and turned Madame and her two daughters into toads.

It was the passion to set things right that defined the Godmother and the Wizard; and this was also why they did not live among the people. To be a Godmother meant that you did become involved, and you used your strong emotions to help you focus. But Godmothers and Wizards did not remain so utterly apart from people as the Sorcerers and Sorceresses did—they needed to have some contact with people, to remain anchored in humanity and keep their own emotions alive. It was a difficult balance to maintain—but it wasn't boring.

In all of the magical work she was doing, Elena was constantly concerned that at some point, that store of magical power that The Tradition had surrounded her with would run dry, and finally one day during the haying, when she had made half a dozen charms against cutting (a little talisman made of tiny leaden scythe with no edge at all, a sprig of High John, and a bit of cloth with the person's blood on it) she voiced that concern to Madame.

Bella was out in the garden, deciding, with Lily's help, just which herbs would be cut that night in the light of the full moon. When Elena stammered out her worry, Madame gave her a long and considering look.

"It is true that with nearly anyone else, I would have taught you how to harvest power by now," she said at last. "The reason I haven't is that you arrived with so much you haven't yet expended half of it. But something could happen to me—" she paused at the sight of Elena's stricken look, and laughed "—no, no, I'm not anticipating anything! No premonitions, no predictions, I assure you, just the common sense that things can happen that no one foresees. So, since those talismans and a few other things have to go to the village anyway, you might as well come along with me, and I'll show you how it's done."

"I'll harness Dobbin," said Lily instantly.

"You go change your apron and get your hat," Bella told Elena. "I'll have Rose make up the basket."

So by the time Elena had changed her apron for a clean one, tied a kerchief over her hair to keep the dust out and placed her wide-brimmed, flat-crowned straw hat over that and was down the stair again, the donkey and cart were at the front gate, and Madame was already on the driver's bench.

Although he wasn't nearly as fast as the Little Humpback Horse, the donkey could keep a surprisingly quick pace for one so old and small. A pleasant hour brought them to the village of Louvain, and Madame was hardly over the little stone bridge before the women who had commissioned those charms came running to meet them.

"You're just in time," said the first of them, a cheery, round-faced woman who had three happily grubby little children trailing along behind her. "Haying begins tomorrow! I don't know what we'd have done if you hadn't come today."

"Tell those dolts to be extra careful, that's what we'd have done," said another, thin and careworn, with a grimace. "Still, they're men! You never can depend on them not to play the fool when there's a lot of them together!"

The last of the women, a sweet-faced girl with a furrowed brow, took her talisman but whispered to Madame when the others were just out of earshot, "Madame Bella, it's—can you—"

"That's why I came today," Madame whispered back. "Just let me leave my simples with Brother Tyne, and I'll see you before I leave."

Elena had expected from the name that Brother Tyne was a priest—but in fact, he was an apothecary with a little shop on the village square, the sign of his trade—a large, round-bottomed bottle—hanging above his door. When they drew up to his shop, he came out and took the basket from Madame, handing her down afterwards as if he was a footman. "Come along, Apprentice," Madame called over her shoulder. "You'll be doing this eventually, so you might as well see our arrangement."

They didn't stay long in the tiny shop; Brother Tyne counted what they'd brought and apparently there was a set price already for Madame's goods, for there was no haggling. They emerged with a little purse of copper and silver and an empty basket, and a paper with the prices that the Apothecary would pay for each potion on a little slip of paper in Elena's pocket. And on the way out of town, Madame pulled the donkey up beside the gate of a tiny, rose-covered cottage with the prettiest yard Elena had ever seen. The entire place was as cheerful as you could ask, and Elena was struck by the notion that not that long ago, she would have been happy living in such a place. "Rosalie!" Madame called. "Have you got that butter I wanted?"

The same young woman who had whispered so urgently to Madame appeared at the door of the cottage. "I have, and please come and choose the pats for yourself," she replied. Madame hopped down off the cart, and Elena tied up the donkey to the hedge at the front of the yard and followed her.

Once inside the cottage, it was clear that butter had been nothing more than an excuse to come inside, away from the prying eyes of the neighbors. "I feel that hemmed in, it's like I can't breathe sometimes," the young woman was saying, as Elena joined them in the tiny kitchen. "I can't imagine why it's got so bad, so quickly this time."

It was then that Elena noticed what she had not before; that the young woman was just beginning to show her pregnancy. Ah, this must be something to do with that, Elena thought—but then wondered. She knew this village had a midwife, and a good one. Why ask Madame Bella for help?

"Well, this should be the last time it's this hard, my dear," Madame soothed. "Now just you remember, if you get a craving for anything out-of-season, you send straight to me, that minute, and I'll make a special trip here or send my Apprentice. I don't think you will, once I've done with you today, but it's still possible. Now, Elena, watch and listen."

When Madame said "watch" in that tone of voice, it meant magic.

Elena blinked, and saw the whirls of magical power swirling tightly around the young woman, so thick that her features were blurred, as if she wore a veil.

"Rosalie, do you surrender your power to me, freely and of your own will?" Madame asked, slowly, carefully, and clearly. She held her wand just over the crown of the young woman's head. "Do you renounce this power, not only for yourself, but for the sake of your unborn child?"

"I do," Rosalie replied, bowing her head slightly. "I renounce it for the life I have chosen, for the sake of my unborn child, and for the love that I bear my husband."

With each word that the young woman spoke, the power slowed, and somehow relaxed, until it no longer bound her like coils of wire, but lay about her like loose hay.

"Then I assume it, for the pledge I have made, for the sake of those who will need it, and my duty to those who call upon me," Madame said, circling young Rosalie's head three times with the tip of her wand—and the power followed it, flowing around and upwards, vanishing into the wand, as if it was somehow sucking it up. That was the only analogy that Elena could make—

The spell was a simple enough one, but she saw by the frown of concentration on Madame's face that the effort to make it work was intense. And before all of the power had been absorbed, she stopped.

Rosalie's head shot up. "You aren't done!" she cried, accusingly. "I can feel it—"

Madame held up her hand. "Hush, dear. We'll take the burden from you, no fear—but I want my Apprentice to take a hand and finish the job."

Rosalie looked at Elena doubtfully, but did not voice those doubts, perhaps because she was too polite to do so. Elena took Madame's place, her wand outstretched. "Rosalie," she said, carefully, "do you surrender your power to me, freely, and of your own will? Do you renounce this power, not only for yourself, but for the sake of your unborn child?"

The power had begun to wrap Rosalie in its coils again when Madame had released it; now, as Rosalie repeated what she had said to Madame, it relaxed again.

"Then I assume it," Elena said, "for the pledge I have made, for the sake of those who will need it, and my duty to those who will call upon me." And as she circled Rosalie's head with the tip of her own wand, she concentrated, fiercely, on doing the opposite of what she had learned to do so far—not to dispense power, but to take it in.

ft was a great deal more difficult than she would have guessed. Not only was she fighting against the training she'd had so far, but she could feel the whole weight of The Tradition bearing down on her in a kind of sullen resistance. The Tradition wanted this young woman for something. It bent its power towards making her into that something. It was like an enormous, blind, insensate beast, pushing her towards that end, and it did not want to let her go down some other path.

But Rosalie did not want to go there. She was happy with her little cottage, her gentle, simple husband, happy to be ordinary and fit in with the rest of the village as a pea fits among its neighbors in a pod. The more The Tradition pushed her, the more she pushed back, and that was what made it painless for her to give up the power that was collecting around her.

Given the amount of it, Elena had a good idea of why she had seemed so distressed. She knew that sort of distant-storm tenseness that the coiled-up power around you made you feel; the sense that there was something, somewhere, you urgently had to do. It was not unlike feeling that a dreadful headache was poised, waiting to strike you the moment you dropped your guard. It wore on you, until all you could think about was this weight on you, the feeling of nerves stretched thin. Slowly, reluctantly, the power let go of Rosalie and passed to Elena—

Where, exactly, it went, she couldn't really tell. But she could feel a sort of weight to it, and felt it join her power, as if she was a vessel, and it was water flowing in from some outside source.

Finally the last of the power was gone. There was no more magic sparkling and glowing around Rosalie than there was around any of her perfectly ordinary neighbors.

Rosalie might not have been able to see the difference, but she certainly sensed it. Her shoulders straightened, as did her back; she opened her eyes and smiled, and her brow was no longer furrowed.

"Well, Apprentice!" she said, her voice bright with pleasure. "I expect you'll not be an Apprentice much longer!"

Elena flushed. "I still have a lot to learn," she murmured, embarrassed, as Madame chuckled.

"We'll be off, then," was all Madame said. "Now that you're sorted. But remember, any craving, and you send to me! That may not sound like much, but believe me, it's important!"

"I will," Rosalie promised.

"All right," Elena said, once they were well out of the village, "what was all that about?"

"Rosalie is a rare one," Madame replied. "In fact, you won't find a girl like her in a hundred years. She's a doubler—when she was younger, before she married her sweetheart, The Tradition was trying to make her into a Fair Rosalinda."

"Oh good heavens—" Elena said, her hand going to her lips in consternation.

The Tradition was not all happy endings. "Fair Rosalinda" was one of the uglier directions that The Tradition could go into—the beautiful peasant orphan girl who is seduced by a King, set up in her own secluded bower, and murdered by his Queen when she discovers his philandering.

"Oh, yes," Madame said grimly. "A fine romantic tragedy, if it were to happen to someone else, long ago and far away...not such a fine thing if it was supposed to happen to you."

Elena had read of several "Fair Rosalindas" already; magic entered the picture only after the poor thing was dead—poisoned or strangled and the body buried somewhere hidden—

But usually, the Fair Rosalinda was drowned. Then a musician would enter the tale. Sometimes he would make a pipe or some other instrument of the reeds or the tree growing from her hidden grave—in the most macabre and disturbing versions, he would make a harp from her bones and string it with her golden hair. And then he would go before the King, who was grieving for his lost love, and when he played, the instrument would have but one song—

"The Queen hath murdered me," Elena murmured.

"I will not have one of those in my Kingdoms," Madame said fiercely. "I found her before the King did, before her breasts began to bud—she, in her turn, had already begun to feel the coils of the power around her and when I had explained something of what was going to happen, begged me to take it from her. Which I've been doing, and I had hoped that when she wedded, The Tradition would give over and let her go. But it hasn't; I had some suspicions as to why, and I think they've just been confirmed now that I know she's with child. Failing to make her a Rosalinda, The Tradition now wants to make her child a Ladderlocks."

"Oh, please!" Elena said, as much in disgust as anything else. "What has the poor thing done to be so put-upon?"

The Ladderlocks story was more fantastical and less—but only a trifle less—unpleasant than that of Rosalinda. The mother of a Ladderlocks child would be overcome with a craving for some out-of-season food to the point where she could eat that and only that. Naturally, the only place her distracted husband can find this food would be in the garden of some Black Witch or Evil Sorceress. He would steal it, be caught, and pledge to give the woman his child to save his own life. On the birth of Ladderlocks—always a girl—the Witch would take her away, lock her in a tower, and among other things, forbid her to cut her hair...and the rest of that tale was familiar to any child in any Kingdom that Elena had any knowledge of. It might end well, but there was often a great deal of horror before the end came—

"I can't even bear to think about being locked up in a tower for sixteen years," Elena replied. "I don't know why the girls don't go mad."

"Some of them do," Madame confirmed. "I know of one who hung herself with her own hair."

Elena shuddered, and looked away for a moment.

"And then there's the dozens of poor young fellows who die at the hands of the Dark One before one of them manages to get to the tower," Madame continued, frowning fiercely. "A Ladderlocks is nothing more than bait for a deathtrap, and I won't have one of those in my Kingdoms, either!"

Elena nodded, knowing that even when a young man managed to get to the tower, climb the hair, and win the maiden, he still might not escape the Witch unscathed. They were almost always caught, and sometimes the poor young man who fell in love with Ladderlocks found himself blinded by the thorns around her tower, or sometimes worse than that. A Ladderlocks tale often had more tragedy than triumph about it.

It was a tale best prevented.

"I wish I knew why The Tradition was so set on having her" Bella replied. "But as long as I keep draining her, at least until her first-born is actually born, the magic won't attract the other half of the equation."

"The Evil Witch." Elena nodded. "She knows, of course?"

"I've drummed it into her head often enough," Bella said grimly. "And it will have to be her that prevents it; her husband is kind, sweet, gentle, handsome as the dawn, and as dense as a bag of stones. She loves him, but she knows very well that he is prime material for the loving but stupid husband who climbs the wall around the Witch's garden to steal her rampion. And it would not matter how many times she warns him about it, he won't remember. The Tradition can shove him about like a coin in a game of Shove Ha'penny."

At that moment, Elena felt a surge of anger at The Tradition, that faceless, formless thing that pushed and pulled people about with no regard for what they might want or need. She met Madame's eyes, and saw that same anger there.

"Yes," Bella said, softly, only just audible over the sound of hooves and wheels on the hard-packed road. "I hoped you would feel that. I hoped when I took you as my Apprentice, that you were cut from the same cloth as me. Some Godmothers are only willing to assist in the making of the happy endings. I am of a different mind."

"There will be no Fair Rosalindas in my Kingdoms," Elena said, just as softly, but just as firmly.

Madame gave a quick nod, as if she and Elena had just made a pledged pact. And perhaps, they had.

"Good," was all she said, then she turned her attention back to the road.

Madame changed the topic to something innocuous. Nothing more was said on that subject.

But then again, nothing more needed to be.

As harvest turned towards autumn, the days became noticeably shorter, and the air grew chill at night, Madame took to leaving Elena in charge of the cottage for several days at a time. "Keep Randolf company," was all she usually said, before she went off on whatever mysterious errands were taking her away. "He gets lonely sometimes. He'll chatter at you about plays he's been watching; just nod and make appreciative noises, even if you can't understand half of what he's nattering on about."

Elena was growing very fond of the Slave of the Mirror by this point; Randolf was perhaps the most artless person she had ever known. Despite everything he saw, and everything he had lived through, he maintained a kind of innocence. He had no pretenses, nothing about him was a sham.

Furthermore, he had beautiful manners, and was perfectly pleased to give her the one set of lessons she found it difficult to accept from anyone else in the household—the lessons in what he called deportment and she called "fitting in."

Madame just simply seemed to change everything about herself without thinking, depending on what costume she wore, from dotty old peasant woman to gracious Lady of exalted breeding and impeccable pedigree. Lily had just laughed when Elena had broached the subject, and advised her to "just be yourself, and be damned to them as doesn't like it."

And the haughty Rose, Elena thought, would be so critical that the lesson would get lost in the criticism.

Ah, but Randolf had not only been watching Kings and Queens for two hundred years or more, until recently he had been the prized possession of several queens of the evil sort. So, when Madame Bella was away, Elena would spend several evening hours in her sitting room, not merely keeping Randolf company, but learning from him.

"Just what does Madame do, off on her own of late?" she asked him one night, after a long and complicated session on Precedence. Randolf was not showing her anything but his own face at the moment; she had gotten so used to conversing with a disembodied head that it no longer seemed at all odd.

"Oh, you could ask her yourself, it's no secret," Randolf said airily. "But I can tell you easily enough. She pays visits around to other magicians in her Kingdoms; she's likely to start taking you about once you've mastered enough that you can meet them as an equal rather than an Apprentice. And she likes to keep an eye especially on the ones she's turned."

"Well, I can see why," Elena replied, struck that the answer hadn't already occurred to her. "Good heavens, the last thing she wants is for one of them to turn back!"

"Hmm, that would be a nasty surprise," Randolf replied. "I do suggest to her that she could do so just as well through me, but she seems to think that the personal touch is more effective."

"Using both would be a better idea, it seems to me," Elena said judiciously. "After all, even though you might get a better notion of something odd going on by being there yourself, people are on their best behavior when visitors arrive. It's when they're alone, or think they are, that they let things slip."

Randolf tsked. "Truer words were never spoken," he agreed brightly. "Like that little pair of turtledoves from the Christening you went to! Bless their hearts, they're so like every other pair of new lovers I've ever watched—they so want people to believe that everything is always perfect in their little world! If there was anything wrong between them, you wouldn't see it unless you had me look in on them."

"Is there anything wrong?" Elena asked, suddenly anxious. She felt rather—proprietary about those two. She didn't want there to be anything going wrong between them—

Randolf laughed. "Bless you, sweetheart, not a bit of it! In fact—well, look for yourself!"

The mirror went to black, and for a long moment, Elena thought that Randolf was having her on, for there didn't seem to be anything at all in the mirror. But then, her eyes gradually adjusted, and she realized she was looking at two deeper shadows silhouetted against the night sky.

Then the moon rose, a huge and golden Harvest Moon, flooding the top of a tower upon which the two were standing, close together.

Arachnia had changed.

It was a subtle change, but to a Godmother's Apprentice, quite noticeable. Her hair was down, cascading over her shoulders and down her back; she still wore black (at least insofar as it was possible to tell in the moonlight) but the lines of her gown were softer. In fact, everything about her was softer. Elena got the vivid impression of a fortress whose walls have not been breached, but eroded, and covered with vines and flowers.

As for her Poet, there were changes in him, too. He stood straighter, and yet there was an easiness about him that had not been there before. In his case, Elena had an image of a man who has put aside a mask he no longer feels compelled to wear.

As Elena watched, Arachnia leaned her head on the Poet's shoulder, and he snugged his arm around her waist as they watched the moon rise. A moment later, she turned her head a little, and he turned his face to meet hers; their lips met, and—

—and at that point Elena couldn't tell if it was the Sorceress who flung herself passionately into the embrace, or the Poet who crushed the Sorceress to him. Probably both. All that she knew for certain was that the two silhouettes became one, and from the way the one was moving, it might not stay upright for very much longer—

And she felt heat rushing to her cheeks, a tightness in her chest, and a slow tingling excitement all over, but particularly centered at the cleft of her legs that—

"Thank you, Randolf, I believe I understand you," she somehow managed. She wasn't sure how. Her throat felt very thick, and her face very warm.

Randolf's guileless face emerged from the blackness. "Nothing wrong there!" he laughed. " Unless you're fussy enough to insist on a wedding before the—"

Her flush deepened, and she licked her lips; now it wasn't excitement that filled her, it was frustration, and an emotion she was vaguely surprised to recognize as jealousy. It took a lot of self-control not to snap at him. "Of course not," she said, immensely proud of how neutral her voice was. "If you insisted on that, there would be a lot fewer babies born in these Kingdoms."

"I expect they'll have one eventually, though," Randolf continued artlessly. "Wedding, that is, not a baby, though they'll probably have one of those, too. More than one, if they keep on like that all the time."

The jealousy grew, and she finally took herself in hand and mentally sat on it. After all, what right had she to be jealous? "Well," she replied, trying to sound as light and carefree as possible, "if they do that, it will certainly keep Arachnia out of any more mischief."

She couldn't bring herself to say anything more, but fortunately Randolf, who was by nature oblivious to human emotions, began nattering on about something else, and she was able to get herself back under control again. She was even able to laugh at some of his outrageous jokes before she excused herself for the night and went off to her rooms to prepare for bed.

But she did not read as she usually did; instead, she pulled the curtains wide and sat in the window-seat of her bedroom, staring out at the rising moon. Somewhere under that moon, Arachnia and her Poet were locked in a passionate embrace. Elena knew very well what that kind of embrace led to; by the time she'd become "Ella Cinders," no one in the household had cared what she saw. Servants had little or no privacy, and when coupling went on, it happened wherever they could find a corner where they wouldn't be disturbed. The cook and old Jacques had rutted shamelessly in the kitchen, the maids had done it with the footmen in the laundry. No one paid any attention to Ella; it was up skirts and down drawers, and away they went—on a heap of linen, against a wall, a pile of hay in the stable—

Oh, she knew what went on—what was going on, somewhere out there, under that bright moon. And that was what she was jealous of.

Because that wasn't just lust; that was love. Only love could soften and strengthen two people the way those two had been. Only love could have turned rut into passion. And it had been passion between them. She had no doubt of that. Just the memory of it made her heart beat faster, her knees feel weak, and that flush and tingling spread all over her body.

She couldn't say it wasn't fair—first of all, what was fair? Arachnia had endured a horrible childhood, much worse than Elena's, if Madame was to be believed. Maybe she'd done a deal of harm, but not as much as she could have, and anyway, she was making up for it now—so who was to say she hadn't earned her happy ending at last? Not The Tradition, and not Elena, and anyway, it was a Godmother's job to make the happy endings, not take them away from someone. Plenty of people got happy endings that some might say they didn't deserve.

Oh, but—

But what? asked a ruthless, inner voice. Are you going to try to claim that what you have now is not a happy ending? Look at you! Fed, housed, clothed beautifully, with work in front of you that means something—

Yes, but—

And that isn't enough for you? the voice continued, as her throat thickened and her eyes stung, and the moon blurred a little from unshed tears of loneliness. Oh, well, aren't we a selfish little bitch! We want it all, do we? And just what have we done to earn it, hmm?

Nothing, but—

Exactly right. Not even to earn as much as we've gotten! The inner voice was not going to go away. And it wasn't going to be less truthful, either. Think about the Rosalindas, before you start feeling too sorry for yourself. Think about the other ugly turns The Tradition can take. Then think about how lucky you are that Madame Bella came along, and stop being like the spoiled child who cries herself to sleep because she can't have the moon.

Now the voice went quiet, and left her alone. She swallowed down the lump in her throat; she wiped her eyes with the back of her hand. That inner voice was right. She knew it was right. And just because she thought she was a little lonely, that didn't stop if from being right.

She needed to take herself in hand, and count her blessings. And she would. She would.

Tomorrow....

But tonight—tonight she would think about how much she wished it was her that was in a true lover's arms, and weep for the moon.

Just a little....

Chapter 9

By the time the winter snows were calf-deep on the ground, the time that Elena spent as an Apprentice was no longer so much a matter of lessons as it was of practice. Elena knew the theory, virtually everything that Madame Bella could teach; she was not comfortable in it yet, but she knew what to do. And now, unless it so happened that she would ever find herself required for some Great Work, she was as strong in magic as she would ever be. She still had the majority of her own power, and the power she had gotten from Rosalie—twice now, because things were not getting better, they were getting worse. The Tradition definitely wanted Rosalie, or her child or both. And it was not giving up.

So Madame Bella began taking her out to actually do the Godmothering herself, while Madame supervised; most of it was minor, such as taking the power from Rosalie; once she played "the old woman at the crossroads," giving the correct directions to the one young man who was polite to her, and sending the other four who were not down a long wilderness road that would leave them in the middle of nowhere. Another time, she made a point of getting a particular pot of flowers into the hands of a young woman, and once she ensured that a handsome kitten was adopted by a mill-owner with three sons. She knew what both of those were about, of course, but it would be years before either story came to fruition. What was more, neither the Black Magician nor the Ogre would be remotely aware of what was coming before it was too late. They were too busy fending off knights at the moment to even think about what a Godmother might be preparing for them.

And last of all, Madame taught her Magical Combat.

With the assistance of the Fair Folk, Elena learned all of the ways that duels could take place between Magicians—whether it was the Duel Direct where one threw powerful magical attacks at the foe, the Transformation Duel where each magician kept changing his form until one or the other was able to devour or otherwise incapacitate the opposition, or the Duel by Avatar where each magician transformed into a magical monster and physical and magical combat took place between them. And she got as much practice in dueling as was possible under the circumstances, which was not a great deal; dueling took such huge stores of energy that no one really practiced it. Instead, they did what she did; they studied the great combats of the past, and the Fair Folk were the past masters at summoning such things into blazing life.

"I have never actually gotten into combat myself," Madame told her warningly. "Quite frankly, I leave that sort of thing to Sorcerers—it's what they're supposed to do. Just remember, if you are ever in a position where combat can't be avoided, call for help. The best thing you can do is stay out of the way; if you can't, never forget that evil will cheat."

The rest of it was fairly innocuous; selling potions at a market stall, giving advice, sending one young lady on an errand that would intersect her course with a particular shepherd boy who was eminently well-suited to her. Godmothering was as much about small things as large, and about the lives of ordinary people as well as those that The Tradition was trying to steer. And sometimes The Tradition could be as implacable a foe as any twenty powerful Magicians.

"Take you, for instance," said Bella one day. "Suppose, just suppose, mind, you happened to encounter a Prince outside of your role. Because you were supposed to marry a Prince, you would be attracted to him, and if he happened to kiss you, you would feel the urge to melt into his arms and you might very well fall in love with him. But," she added darkly, "you are a Godmother, not a deserving orphan anymore. You are outside of your role, where he is concerned, and The Tradition could very likely try to put him into another role altogether. The Rake, for instance, the Cad, the Seducer, who will have his way with you, steal your heart, and abandon you. Do you recall my discussion of just how I selected Arachnia's young man? That is why I was so exceedingly careful. If I had not been, he could easily have fallen into one of those roles and made things worse, in the end."

Elena felt very uneasy. "And—what if that happened?" she asked.

Bella shrugged. "It is a bitter thing to have your heart broken. That is how Godmothers themselves sometimes go to the bad. Just remember, dear, that if you decide to step out of your role, you had better do it in such a way that you thoroughly break with The Tradition, not just try to get around it."

She didn't need to be reminded of that, for The Tradition was in ponderous motion within a few miles of the cottage.

The situation with Rosalie was clearly not going to improve.

Despite all of Madame's attempts to prevent it, the young wife when less than a month from confinement was so overcome by a craving for fresh rampion that she could stomach little else, she sent word to Madame immediately. There was little doubt in either Bella or Elena's minds that if she did not get the vegetable soon, she would sicken and perhaps die.

Snow lay a foot thick in every garden. Only magic could produce fresh rampion at this point, and Rosalie knew it. Fortunately, she was stubborn as well as intelligent, and determined that as she had escaped the fate that The Tradition had set for her, so would her child. So she hid her craving from her husband until she could convey her plight to Madame Bella.

Madame called Elena into her study, after hours closeted with Randolf.

"Rosalie must have rampion. Randolf has found an Evil Sorceress sniffing around the village. We have little time." She looked searchingly at Elena. "I know what I would do, but what would you do in this situation?"

"First—The Tradition is going to force a magician into that village to grow the rampion to be stolen," she said, slowly. "Is there any reason why that magician cannot be me?"

There was only one possible house in the village that would suit; only one had a great stone wall all the way around it. The Tradition would demand that Rosalie's husband climb a wall or pass some other barrier to steal the rampion.

The fact that it was already occupied was a detail that needed to be taken care of. The Dark One could use trickery, or might simply dispose of the woman and take her place; not being bound by laws or decency made things a bit easier for their kind. It was a trifle more difficult for the Godmother and her Apprentice.

However, a Godmother has many resources at her disposal. Elena never learned what it was that Madame promised to the widow in order to get her to agree to vacate for a month or two, but it was evidently enough to have her packed and gone on the instant. It was only an hour or two after Madame paid the woman a visit, that Elena could move into that isolated, walled house at the end of the village, a house shrouded by tall cypress and pine, usually occupied only by the widow and her two servants. Madame whisked the widow off quietly, in a closed carriage; no one in the village would ever even guess that she had gone. Elena took her place, in disguise, as soon as the carriage was out of sight.

The disguise was made easier by Elena adopting the widow's mourning; to most folk, all black dresses look alike, and the widow held herself so aloof from the rest of the village that so long as her face looked right, it was doubtful that anyone would note a difference in height or weight.

The house was terribly silent compared to Madame Bella's. Elena hadn't really noticed it before, but there was always the sound of someone moving about the place; one of the House-Elves at some task or other, Madame bustling about the place, or even Randolf singing to himself in Madame's parlor, or speaking with her about something. The two servants here, however, had very little to do, and had been trained to do it all silently. The house was mostly cold; the only fires were in the kitchen and in the widow's bedroom. The contrast with Madame's cheerful home could not have been more dramatic.

And when Elena went up to the widow's room, she got a bit of another shock; she saw a stranger in the mirror, an older woman, statuesque, aloof, and nothing like her.

Madame had arranged this part. It was an illusion, but a very, very good one. Elena reached for the mirror, and the stranger reached back.

Feeling a little shaken by the encounter, Elena went straight to bed. But she slept lightly, and not well. Unless she was watching the house all the time—not likely—the Sorceress would not know that a substitution had been made. Shortly she would make her first attempts to take the widow's place herself. During the night, in fact, Elena woke up twice, hearing something sniffing about under the windows, and trying the doors.

She woke the third time as something rattled at a window. It could have been the wind, which had picked up, but she remained wide-eyed and awake until dawn.

As soon as there was light, she went ahead and got up to dress. No sooner had she finished, but there was a knock at the door.

One of the two servants answered it, and summoned Elena in her guise as the mistress of the house.

She had half expected the Evil Sorceress to appear herself, but instead it was a supercilious-looking manservant. He gazed at her down his long nose; she was wearing the guise of that wealthy widow, perfectly ordinary in every way, and he evidently didn't recognize her for what she was. He wore a livery so rich with gold braid that if one actually had to buy it, the clothing would probably fetch twice as much as the gown that Elena was wearing.

So, the Sorceress was taking the indirect option. That was interesting. It suggested that she might not be the sort to resort to outright murder. Or at least, not yet.

"My mistress wishes to purchase this house," he began.

"It's not for sale," she said, rudely, and slammed the door in his face. It was not in her best interest to give him—or rather, his mistress—a good look at her. A magician's disguise is seldom proof against the probing of another magician; at the least, the other would be able to tell that there was a disguise in place, if not the true identity beneath it.

The knocking began again; she ignored it and directed her servants to do the same, and eventually, from an upper window, saw him trudge away.

The Sorceress was clever, more so than the usual, because the next person she sent was the village constable. A spell on him that Elena could read from her window like one of her favorite books meant to make him think that Elena was to be evicted.

She opened her door to him, and before he got more than the word "You—" out, she struck him with the counterspell. She stood there in the doorway, while he stood stupidly in the snow, trying to remember why he had come there in the first place.

"Well, Constable?" she asked. "Have you come about that prowler the neighbors have been talking about?"

"Ah—" He actually shook himself, then brightened. "Ah, yes, mum. The prowler! Your neighbors said there was something or someone around their walls last night, and it fair gave them a turn. Did you have any sight of him yourself?"

"Not a bit of it," she lied, because of course, there had been a prowler around her walls, but if it had been another servant of the Evil One, her protections had probably kept it off. But the neighbors had evidently seen it as well, and been frightened out of their wits.

That was a stroke of luck, though it wasn't anything that she needed to count on. There was always someone in every village who saw prowlers at night, every night, and would berate the constable about them in the morning. "I have stout walls and good locks, and if there was a prowler and not something out of the bottom of a bottle, he'd know better than to try my door."

"Right enough, mum," the constable said agreeably, and turned to go about his business. As he left her gate, she saw that he was going to talk to the neighbors. Another stroke of luck; the Sorceress would not be able to get at him until he was alone again, and that might not happen for the rest of the day.

Three times was the usual number for frontal assaults, and sure enough, just after sundown, the Evil Sorceress arrived herself.

She came in full array, parading down the road from the forest in a black carriage drawn by black horses with fiery eyes; "horses" that Elena sensed were not horses at all. Where she walked up the path to the front door, the snow melted. When she struck the door with her fist, it sounded like the pounding at the gates of a tomb. It even shook Elena, and she was ready for it; she had the feeling that the neighbors were all hiding under their beds, shivering.

But now that the moment was at hand, somehow she didn't feel quite so frightened anymore.

In fact, the imperious pounding on the door just woke Elena's native stubbornness, and her anger, too, along with the weapon that Bella had given her. She gathered her courage, made sure she had the weapon in her hand, went to the front door, and flung it open.

The Sorceress's hand was raised for a second volley of knocks. Caught by surprise, Elena did not give her a chance to recover. She jabbed the needle-sharp spindle of a spinning wheel right into the upraised hand.

There was a flash of light and the smell of lightning.

The Spell of Sleep hit the Sorceress like the fist of doom, and she crumpled. It was a good spell; solid and well-turned. It should be; it had been diverted from being used on yet another Princess several years ago. Taking down one Evil Sorceress with the spell crafted by another had a certain satisfying irony about it. And anyway, Madame liked to conserve effort whenever possible. The magic had been expended for this weapon of the enemy; it only made sense to make use of it if they could.

This spell had been meant to hold a Princess for a hundred years. It would only hold an Evil Sorceress for about a month, but that was all that Elena needed.

Now, at last, Robin appeared, from where he had been waiting in the cypresses in case Elena's attack failed. He helped her drag the unconscious Sorceress into the house. Together they installed her in a spare room, arranging her on the bed—then Elena sealed the room with triple bindings to make sure the woman stayed there.

As she closed the door, she felt, and saw, the weight of magic around the house shift, and took a deep and steadying breath. The Sorceress was now in the house. The real owner was gone, and someone in her image was now mistress of the place. The first part of the tale was complete.

Elena looked out at the walled garden at the back of the building, and was not at all surprised to see the snow melting away from the raised vegetable beds, as if it was springtime, even though it lacked but three days to Christmas. That was The Tradition at work; if the Sorceress herself was not capable of enchanting the garden so that the fateful rampion could grow, The Tradition would take care of that little detail for her.

In a way, the sight was more terrifying than the Sorceress and her dreadful horses at the door. Here The Tradition revealed the power that it could exert in the Five Hundred Kingdoms; here was magic moving and working without any human medium at all. At that moment, Elena felt The Tradition looming over her like a giant wave about to crash down on her, like a silent avalanche about to overwhelm her.

Unless she could direct it. She could not control it, but if she was careful, perhaps she could make it work for her.

Elena went to bed, and in the morning, when she checked the garden again, the little plants were already sprouting from beds in which the earth was warm to the touch. Her lips tightened with anger, but she took care not to show it. What she did do was to check again to see that the Sorceress was fast asleep.

By Christmas, the rampion was half grown. By New Year's it was full grown, lush, and luscious. And on New Year's Day, Rosalie's husband came over the wall in the early morning, to steal the verdantly green plants for his wife. The roots were at their most perfect, crisp and sweet, about the size of prize carrots, but with a white flesh. Peasant food, which made it all the more ironic, for this peasant food would nourish a peasant child who would, one day, marry a prince.

But only after royal blood had soaked the earth beneath her tower.

Once he came, pulling up a handful of roots before fleeing. Twice, a bit more boldly this time, when no one appeared to stop him. And the third time, in the dusk, Elena was waiting for him, as the Sorceress would have been.

He bent to rip up a plant, hastily, but without a lot of fear. He should have been afraid; it should have occurred to him that nothing natural could have produced these plants in the heart of winter. Nothing like this had ever happened in the widow's garden before. He should have realized that there was something very, very wrong.

He was thinking only of his wife, his beloved, the mother of his child-to-be. The widow who lived in this house might be angry at him for stealing her property, but the worst that would happen would be that she would summon the village constable, and the constable was a man with a family himself. There might be a punishment, the stocks perhaps, but everyone in the village knew about pregnant women and their cravings, and the punishment wouldn't be harsh—

—surely—

The Tradition demanded a dramatic entrance, and Elena obliged.

"So!" she cried in a cold voice, stepping out of the darkness in a flash of greenish light. "Thief!"

While she wore the widow's face, she also wore the sweeping black gown and winglike cape that the Sorceress had worn, the cape streaming out behind her in a self-created wind. Rosalie's husband dropped to his knees, his face transfixed with terror, the plants falling from his hands.

He might not have been very clever, but he was brave.

He might have blamed Rosalie, but the explanation he babbled out held no touch of accusation for his wife. In fact, he begged only for mercy because Rosalie was with child and would need him; he said nothing of her craving for the magical rampion.

There was no doubt in Elena's mind at that moment why Rosalie loved this man, who would willingly sacrifice himself to save her. But The Tradition had a certain momentum of its own, and it demanded the child. She felt it impelling her on.

Well, she already knew what she would do about this—The Tradition demanded that this child become a part of one of its tales. Very well. She would give it a tale.

A different tale. Not Ladderlocks.

"You will take me to your wife," she decreed, sternly. "You have stolen my property; there must be restitution, and there must be punishment. I know that your wife's hunger for my plants brought you here. She must pay, as well as you."

He, no less than she, was impelled by the weight of The Tradition. He could not have disobeyed her if he had been possessed of a stronger will and more wits than he actually owned. As if he was sleepwalking, he rose. His face a mask of despair, he led her to his little home, the lovely garden now shrouded in snow, the lights of their home streaming out into the darkness from the open door. Rosalie, now heavily pregnant, stood in the doorway; she was expecting this, and praying that the woman who followed her too-loving husband was Elena, not a stranger.

Still The Tradition demanded this child, and in that, it was too strong even for a Godmother like Bella to withstand. So, the child would be Elena's to do with as she pleased. In that much, The Tradition would be obeyed.

The man stopped, and Elena pushed past him, imperious, and unstoppable. "Come," she said coldly, and head hanging, he obeyed.

One month later, Elena stood again in Rosalie's cottage, this time to look down into the face of a tiny baby. Elena had seen her share of newborns over the years, and most infants looked like wizened, red-faced old men with sour dispositions. This child was enchanting, with a perfect little pink rosebud of a face, and wide blue eyes that stared blankly up at the Apprentice.

This only made her feel terribly guilty about what she was going to do next.

"I'm sorry," she murmured, then took a hard, dried pea, jamming it with her thumb into one of the baby's tender little buttocks, whispering a spell that she knew was going to bring pain, until the infant's face crumpled and the mouth opened in a wail of discomfort.

Elena instantly left off torturing the poor little mite, and after making certain that the offending pea was going to leave a satisfactorily livid bruise, handed the baby back to her mother.

And she felt the power shift again. The pea in her hand became oddly heavy, and when she dropped it into the little silver casket she had brought, it nestled into the velvet like a jewel. The Tradition felt what she had done, and had begun to alter its impetus. And even as Elena stood there, she could see the glowing drifts of power leaving Rosalie and beginning a slow, circling spiral towards the baby.

"That's all?" Rosalie whispered, bouncing the baby and hushing her with kisses and petting.

"That's all," Elena replied, then added, as she had to. "For now. You'll lose her when she turns sixteen, of course—" It was, almost as cruel a fate, in a way, but—

Rosalie sighed, and bent her head over the baby. She probably thought that Elena couldn't see that she had wiped a tear away, surreptitiously. "It could be so much worse. And we would lose her to a husband anyway, eventually...."

But it was clear that Rosalie was only waiting for Elena to leave to break down weeping. Who could blame her? Hearing that you will lose your child after only sixteen short years is never easy.

But it could have been so much worse. She could have had Clarissa snatched out of her arms to be locked away from her forever.

Elena left, quickly. She could not bear to be here a moment longer; there was relief in this little cottage, but there was pain as well. When little Clarissa turned sixteen, something would happen to her that would mean that her parents could never see her again, except at a distance, and that was a hard thing for a mother to learn.

Besides, she had another journey to make, and she had borrowed the help of Sergei, the Little Humpback Horse; she wouldn't keep him standing about waiting any longer than she had to.

He stood in the traces of the gaily painted cart, shaking his head sadly. He knew what she had been forced to do in order to avert the greater tragedy of the birth of a Ladderlocks child.

"This is a sad thing," he said, and Elena's dragon's-blood gift of the Speech of Animals allowed her to understand him, as she had not been able to the last time she had seen him. "To have your child for only sixteen years—"

"Or to know that she is the cause of many deaths?" Elena replied, climbing into the cart. "Do you know how many young men died to save the last Ladderlocks?"

"It is hard to weigh sorrow against sorrow, and I fear you have made the only possible choice," the Horse agreed. "But I cannot like it. Her grief pulls at my heart. Come. Let us be gone from this place." He looked back over his shoulder at the cottage, and his skin shivered all over. "It is better not to linger."

He took off at a trot; once beyond sight of the village, he rose into the air, taking the cart, and Elena, with him. Now she was prepared for the ascent—

Well, as prepared as anyone could be. She clutched the wood of the seat as her heart jumped right into her throat. She clenched her eyes tight shut, but then decided that she had to face this some time, and opened them again.

The ground was not very far away. The Horse was just skimming the tops of the trees this time, in fact, he was using the trees to hide their progress from below.

"You ought to put the disguise on," he called over his shoulder. "No one will be surprised to see a Godmother flying in a magical sleigh."

She blinked; Bella was right, the Horse was exceedingly clever. She summoned power from within her and pulling her wand from the pocket of her gown, pulled the power into a shape. It drifted just above them, a glowing cloud that only she and the Horse could see. With a shudder of effort, she pulled it down to cover both of them; it settled over the Horse, the cart, and her, and obscured them for just a moment.

Then as he ran on across the treetops, he became a snow-white stallion and the cart transmuted into a silver sleigh overflowing with furs.

"Ha!" said the Horse. "Now that's more like it!"

He didn't rise much more than a foot or so higher, though, which made Elena feel very much better. This, she could cope with. She'd climbed all manner of things as a child, before Madame Klovis arrived to blight her life—trees, clock towers, up onto the roof of the house. This wasn't much higher than that. This, she could cope with.

The Tradition demanded a tale; it demanded a tale that had at least a modicum of tragedy about it, and it demanded a tale in which the ending made a Princess of a peasant. There was only one Path that Elena had been able to think of that matched those demands. She was on her way now to meet Madame Bella to establish the second half of the tale's beginnings.

She was, in fact, on the way to a place she had not really expected to ever see again—the Royal Palace of Otraria, where King Colin and Queen Sophia were meeting with the Godmother who had brought them together. Bella was the only possible person to explain all this to them; they trusted her as they did not yet trust her Apprentice, and no wonder. If it had not been for Bella, the Princess (now the Queen) would still be pining away in her room, unable even to smile. And Colin would still be a goose-boy.

Elena was already dressed for the occasion, and not merely as Bella's Apprentice this time, but in the full formal garb of a Godmother when visiting royalty. From the tiara of rosebuds carved from pink crystal in her powdered wig, to the same crystal rosebuds set into the silver buckles of her high-heeled, pink satin slippers, she was garbed as Madame's equal and counterpart, in a pink that favored her coloring, rather than the lilac that favored Madame's. Wrapped in an ermine mantel, her hands in a matching muff, she had probably been an odd sight, sitting on the bench-seat of that little painted cart. Rosalie had been too overcome with emotion to really pay any attention to what the Apprentice was wearing, or perhaps she would have been more than a bit overawed.

They landed well outside the city, and the Horse paused on the road for just a moment. He looked over his shoulder again while she caught her breath and added a little more power to the spell, making the changes real, solid, tangible. She very much wanted tangible; she wanted those furs tucked in around her. in this state, she drove to the Palace, and had the rare privilege of seeing people she knew, both well and only slightly, gaping at her with a total lack of recognition.

No one saw Ella Cinders in the fancifully arrayed Godmother—but it was clear from the startled gazes and the sudden deference that the people she passed knew exactly what she was. In a way, she enjoyed it—and in a way, it was rather sad. For the first time, she felt the widening gulf between her, and the people she had grown up among. She had always been lonely, but now she felt alone.

The sleigh glided past the Klovis house, which was still unoccupied, and Elena had the melancholy satisfaction of seeing that someone—perhaps the creditors—had actually begun the process of dismantling it. The slate roof was half gone, and the stone wall down to no more than knee high. She suspected that the elegant paneling had been stripped away by now, and any of the built-in furnishings taken out first of all.

When Madame Klovis reappeared, she would have a great deal more to worry about than her missing stepdaughter....

What did they think those people who were taking the house apart, bit by bit? Did they ever wonder what had become of the missing Elena? Or had she dropped out of their minds, relegated to some unimportant corner of their memories? "Oh, Elena Klovis—Ella Cinders, you mean? Dunno. Went to the Mop Fair after Madame did the runner, never saw her again. Suppose she must've hired out after all."

The Horse brought the sleigh neatly to the steps of the Palace; a footman hurried to help her alight, and she descended from the sleigh in a swirl of pink silk and white fur. She climbed the steps, the silver-heeled slippers she wore clicking with every pace. Two footmen sprang to hold the brass-bound door open for her. As soon as she was inside, her mantel was taken by another servant stationed just inside the door, and she was conducted immediately by a fourth footman to a small, gold-and-white audience chamber where, as she had expected, Madame was waiting with the King and Queen.

What she had not expected was that the Queen would immediately throw herself at Elena's feet and seize her hand, covering it with grateful kisses and tears.

"Queen Sophia, please!" Elena cried, trying to raise the weeping woman to her feet. "What in heaven's name—"

"Our Godmother decided to do a divination on what would have happened if we'd played unwitting host to the Ladderlocks child in Otraria," said King Colin, white-faced. "It seems that our son would have been the first to die at the hands of the Sorceress who held her captive."

For a moment, Elena really did not understand what had just been told to her. Then, when the meaning struck home, she looked to Madame Bella, who nodded slightly.

"Blessed saints," she whispered, feeling as if she had been hit with a deluge of cold water. "I had no idea—it only occurred to me that the Prince was the right age to be the baby's suitor when she turned sixteen—and that he was near enough to encounter her by chance, perhaps when out hunting—"

Except that the "chance" would not have been "chance" at all. The Tradition would impel the boy—who would be a handsome young man by then—towards the girl as steel was drawn towards a lodestone. The moment she turned sixteen, it would be inevitable. In fact, in either scenario, the Ladderlocks or the Tender Princess, that attraction would have taken place.

But the Ladderlocks would have killed him, it seemed. "When she turned sixteen, even if she was a Ladderlocks—" She faltered.

"But she would not have been rescued until she was eighteen," Madame Bella said quietly. "And before then, the Sorceress would have battened on the potential power of—well, far too many young men who died trying to bring the girl away." For The Tradition did that; throwing Questers at the Quest, even if they died of it, until one of them achieved it. The power it invested in them would go to the nearest magician who was ruthless enough to take it. That was why the Dark Ones went along with The Tradition; they could batten on the power inherent in those who failed, for as long as they could keep the task so difficult that there would be plenty of failures.

"And our dear son would have been the first." The Queen had risen gracefully to her feet, at last, and dabbed at her tear-streaked face with a dainty, lace-edged bit of linen. "If you had not had the wit and the will to turn the infant's tale from one course to another—"

And at that reminder, Elena hastily brought out the tiny silver casket, in which resided the perfectly ordinary looking dried pea. She pressed it into the Queen's hands—

And there it was; that strange feeling of something looming, then as suddenly settling, turning away. As if a mountain had silently rotated to face a new direction, or an avalanche "decided" that it would fall some other day.

The path was altered.

"There you are," Elena said, seeing from Bella's expression that she, too, had felt the change. "Keep it safe. And when, in sixteen years, your son brings home a beauteous young woman, and your courtiers demand proof that she is worthy to become their next Queen, place this beneath a pile of twenty mattresses and announce that this will be the test to prove that she is of royal blood—for only a Princess born would be tender enough to feel a pea beneath so much padding."

"We will," Colin pledged, taking possession of the casket. "And until then, it will reside in the Treasury."

Elena felt a little dizzy now with the effort she had expended in resetting the course of the tale, and let Madame do all of the talking after that. Not that there was much of it; even Kings and Queens did not engage in idle chat with one Godmother, much less two. It had occurred to Elena, and more than once, that people were happy to see a Godmother when there was trouble brewing, but as soon as the trouble had been sorted, they were just as happy to see the Godmother go. She wondered if that was the case with all magicians.

Perhaps it is even the case with heroes....

Nevertheless, though King Colin and Queen Sophia were far too polite to make it obvious that Bella and Elena made them uncomfortable, the uncomfortable pauses began to stretch into uncomfortable silences, and at that point, Madame very gracefully stood up and took her leave.

Very shortly after that, Elena and Bella were bundled up together in the sleigh, and the sleigh itself was soaring over the treetops, on the way home.

"Oh, heavens," Elena said, then inexplicably felt herself bursting into tears.

Bella gathered her against her shoulder. "There, now," she soothed. "It's all over. You've given Rosalie a daughter to raise, you've saved Colin's son from death, you've eliminated a Ladderlocks, and—well, I've done something a bit naughty. While you were dealing with Rosalie, I had Arachnia discharge some of her misgotten power by further enchanting our Sorceress, and locking her up asleep inside a ring of fire in a cave. It will take a hero to get past the fire and wake her, and there is quite a warning carved into the rock bed she is lying on. Maybe if she sleeps for a hundred years or so, she'll wake up in a better frame of mind."

"And if she doesn't?" asked Elena, through her tears.

Bella shrugged; Elena felt her shoulder move. "She won't be our problem anymore, she'll be the hero's."

Her ironic tone of voice startled a shaky laugh out of Elena, who pulled a handkerchief of her own out of a pocket, and wiped her face with it. "This is horrible, though—we're taking one woman's daughter away once she's sixteen, which I think is too young to marry—we're turning a poor bewildered peasant girl who will barely have seen a knife, fork, and spoon at place settings together, and imprisoning her in that golden cage of Manners. And The Tradition is going to make her wed a man she won't ever have seen before!"

"Rosalie will have her daughter for as long as most women do," Bella pointed out reasonably, as the Horse increased his pace and the height they were flying at. "The girl would probably have married as young as fifteen otherwise; most peasant girls wed early. Colin knows very well what it is like to be a peasant in a King's Court, and he will see to it that no one is unkind to her while he has teachers show her how to behave. And last of all, even if she remained with Rosalie, she still could have wound up in an arranged marriage with someone she didn't know!"

Elena blotted her eyes, and had to admit the justice of Madame Bella's words. Most of them, anyway.

"But marrying a man she doesn't know?"

"The Tradition will ensure that she falls in love with him directly when she sees him," Bella replied, patting her hand soothingly, as the Horse tossed his head and whickered agreement. "Colin and Sophia are raising a well-grounded boy; I believe that Clarissa will remain as much in love with her Prince as Colin and Sophia have with each other. Eleven years between their ages is no worse than most royal marriages, and a great deal better than many."

"Maybe, but—" Elena began.

"So what have we possibly done that is wrong?" Madame asked.

"I don't know—but we did the best we could." On that point, at least, Elena was sure. She looked out over the head of the Horse, and saw that they were approaching the cottage. She had never been so glad to see a place in her life. She could talk this over with Randolf; he would understand. She could have a good meal, and Rose and Lily could talk of small things, and she could forget the cruel fates that The Tradition forced on people.

The sleigh touched down with a bump on the snow, and drew up to the front door. Madame patted her hand. "And there you are. That is all we can do, we magicians. The best we can. I think you're ready now."

She was halfway out of the sleigh before she realized what Madame had said. Ready? Ready? Good heavens, surely not—

But both her feet were already on the ground; before she could clamber back in, the Horse tossed his head and the sleigh moved off.

"Madame!" she cried, desperately, panic overwhelming her. "Madame Bella! Please! Come back! You can't! I'm not—"

"You are as ready as I was," Madame called over her shoulder, and the sleigh rose into the sky, over the treetops, and vanished among the clouds, leaving her standing on what was now her doorstep, now the Godmother of some Seven Kingdoms.

And she had never felt more alone, or been more terrified in her life.

Chapter 10

Deep in the middle of decanting a tincture, Elena heard the sound of something crunching in the garden, just outside the window of the stillroom. "Crunching" was not the sort of sound you wanted to hear coming from the kitchen garden. She looked up, already prepared to yell at whatever was out there.

She was not sure just what it would be—there was supposed to be a barrier that kept things like rabbits and deer out, but sometimes the spells failed. And such spells did nothing to keep out other visitors, some of whom seemed to be of the opinion that the garden had been planted for their benefit.

There was a Unicorn in the garden, eating the new peas, daintily taking each pod and munching them up between his strong white teeth with every evidence of enjoyment. Elena thrust her head out of the window, indignantly.

"You!" she shouted at him. "Shoo! I put out an entire flower bed of lilies for you lot, go eat those!"

The Unicorn looked up, and focused his attention on her. Then went cross-eyed with the immediate onset of the stupefied devotion every Unicorn was overcome by when in the presence of a virgin. His big brown eyes misted over, his ears swiveled towards her, and his ivory horn began to glow with magic. Unicorns, like the Fair Folk, were practically made of magic; Elena made a note to ask one of the mares later if the stallions who kept coming around would be willing to allow her to siphon some of it off. If they were going to plague her and eat her garden, the least they could do was to contribute to the cause, so to speak.

It was no use asking the stallions, of course. They went entirely idiotic at the sight of her. The mares went idiotic, too, of course, but only for virgin boys. Fortunately, those were in even shorter supply than virgin girls....

"Don't like lilies," he said, absently, around a mouthful of pods he had forgotten to chew the moment he spotted her. Half chewed pods fell out of his mouth as he spoke. He had, of course, also forgotten that he was supposed to look noble. "Like peas."

"Well I don't care!" she snapped in irritation. "You'll eat the lilies, and you'll learn to like them."

"Ah," the Unicorn replied, then dreamily turned and looked at the bed of pastel lilies on the edge of the garden. He turned his bearded head back to look at her. "If I eat the lilies, may I lay my head in your lap?"

"No, you may not—" she began, then at the sight of his ears drooping with dejection, changed her mind. She could spare a minute or two. "Oh, all right."

The Unicorn's head and ears came up, and his tufted tail flagged. He trotted over to the lily bed, and began eating with unbridled—well, of course, unbridled—enthusiasm.

A Unicorn would do just about anything that a virgin asked of him.

Elena finished her potions and dried her hands, before going out into the garden with a feeling of resignation. This was the fourteenth Unicorn loitering about, eating up the garden this spring. The first one had taken her breath away, and it was only after an entire afternoon spent petting him that she realized that he had destroyed the roses. She'd been warier at the second. She was getting tired of them now. Why had there never been Unicorns when Madame Bella was the Godmother here?

Maybe because she didn't qualify as a Unicorn extractor....

As soon as she sat down on the wooden seat that Robin and Lily had fitted around the trunk of the apple tree, the Unicorn knelt at her side and his head dropped into her lap, his round, brown eyes gazing up at her soulfully. With a sigh, she stroked his head and scratched behind his ears, while he moaned in ecstasy.

"Shouldn't you be making those sort of noises at a mate?" she asked, crossly. What was it about virgins that made them go so idiotic?

"Not until autumn, Godmother," the Unicorn replied, shivering all over at her touch. "Oh. Uh, I was sent. I'm supposed to tell you something."

She waited, still scratching. Unicorns were not the brightest of beasts at the best of times—they tended to remind her of highly inbred lapdogs, to tell the truth, all beauty and no brains. There was no point in rushing him while the stray thought fluttered around in his thick skull like a butterfly in a box, and he tried to catch it.

At least once you told one something, he never forgot it. It might take him a while to remember what it was, but he never actually forgot it.

"Questers," he said at last. "In Phaelin's Wood. For the Glass Mountain. Three Princes. They came just after Karelina left. There's no one there to guide and test them."

Ah. That explained why he was here; she'd had a message yesterday morning by way of Randolf that the Witch of Phaelin's Wood was off attending to a difficult birth that had a lot of Traditional potential behind it. Twins, if you please, which meant that someone had to be there, not only to make sure that mother and babies survived the birth, but to figure out just what The Tradition was going to try to do with them. Karelina had the same problem with Unicorns that Elena had. She too had a Mirror-Slave, inherited from her Grandmother the previous Witch, and she had sent a message by way of Randolf this morning that she was going to be out of her Wood for a while. Well, this meant that no one would be able to meet the Questers at the crossroads and test them unless Elena took the task herself. "Did Karelina send you?" she asked. Karelina might be away from her mirror, but she was never far from a Unicorn.

The Unicorn gave another faint moan of pleasure, but answered, sensibly enough, "Yes. We came and told her that they had gone in, and she sent me to you. She's put the tanglefoot on their path until you can get to the crossroads."

The "tanglefoot" spell would make sure that all three of the Questers would travel in circles without realizing it, and without meeting each other, until Elena got into place. Small wonder that the woods that Questers entered always seemed to be much bigger than they had thought!

At least in this case, she was going to have no crisis of conscience over the quest. King Stancia of Fleurberg had only one child, a daughter, and he was old. He was understandably concerned that the husband she took be clever, intelligent, and kind, as well as strong, iron-willed, and tough, because he knew that he was probably not going to be around for very much longer to protect her from the consequences of a bad choice. He had a great many neighbors, most of whom had several sons—and he also wanted to be sure that whoever wedded his daughter would rule his Kingdom as Stancia would have wanted.

So he had obtained the services of a powerful Sorcerer, and placed her in a tower atop a mountain—

The mountain wasn't really glass, or at least, it wasn't man-made glass, and the tower was hardly a place of imprisonment. The mountain was volcanic; there were obsidian boulders and shards everywhere, and it would take a very strong man with immense stamina merely to endure the path to the top. To complicate matters further, there were many tests and trials for anyone who wanted to earn the reward of her hand and throne. As for the tower, it was the Sorcerers' own home, and the Princess was, by all reports, having a delightful time exploring it.

The King and the Sorcerer had been very careful in deciding what trials the Questers would face. Unless a man was very stupid, or exceedingly stubborn, there was no chance that anyone would actually die along the way—not unless he kept trying until he perished of exhaustion or did something monumentally foolish. Everyone understood The Tradition in this case, and making it work for them. The Sorcerer had a great many truly dreadful tests of courage, intelligence, quick-thinking, and so forth set up once the Questers set foot on his mountain.

But the first of these trials was the simplest, and it weeded out any seeker who was not kind, generous, and unselfish. There were at least a dozen magicians who were tasked to provide this particular test, and for once, it was something that Elena had no second thoughts in agreeing to, not now, and not when she had first heard of the Quest.

She gave the Unicorn one last scratch, and pushed his head out of her lap, gently. "All right," she said. "The sooner I get on my way, the sooner I get this over with. And you can't lie here in my lap all day, either. Now, shoo."

The Unicorn heaved a final, sorrowful sigh, got to his feet, cast a last, longing look at her, and slipped off into the forest.

Elena stood looking after him for a moment, shaking her head. "Unicorns!" she said, to nobody at all. "I'm not surprised they're easy to hunt. It's a good thing for them that the bait is so hard to find."

Then she went back into the cottage to get her stoutest walking shoes and a staff.

Poor old Dobbin had finally dropped dead of extreme old age last February, and she still hadn't replaced him, so she was going to have to get to where she needed to go by walking.

Well—sort of.

She pulled out her wand—the simple one today, anything else would be drastically out-of-character for the old peasant woman that she was going to appear to be. She released a tiny packet of power, and sent it into the path ahead of her, concentrating on where she was now, and where she wanted to be—the crossroads in the middle of Phaelin's Wood, which would be where she would meet and test the Questers. She held up her staff. "Shorten my way, please," she told the path.

The glowing power circled over her head like a swarm of tiny star-bees, then dropped down and zoomed down the path, out of sight in a moment. The forest became very still for a moment.

And then she felt the path shiver beneath her feet, and braced herself. She knew what was coming. She hadn't necessarily expected this, but this was a forest that the Fair Folk as well as many other magical creatures lived in, and when that happened, even inanimate objects and bits of landscape could take on a life of their own.

The path rose up about a foot beneath her, and suddenly began to move.

She'd done this before, when Bella was still the Godmother.

She remained perfectly still, but the path was carrying her along on top of a little mound, at a pace that a horse would be hard put to equal. The last time she'd cast the Way-Shortening spell, the path hadn't moved, but every step she'd taken had covered a dozen yards. And the time before that, she'd apparently reawakened the remnants of an "All Forests Are One" spell, because she just strolled down the path a few yards and found herself where she wanted to be.

It was a chancy thing, living in a magical forest. Things tended to get minds of their own. Not long after Bella turned over the position to Elena, one of the few true Fairy Godmothers had paid a call, and had told Elena that the cottage and the forest had once been the home of another of the original Fairy Godmothers, and had hinted that this uncanny semi-intelligence of the very forest itself was a common thing where the Fair Folk dwelled. Elena had not precisely gotten used to it, but she was no longer surprised by what happened.

She had also taken to saying "Please" and "Thank you" when the forest responded with something to help her. Anything that allowed her to conserve power was a fine thing, and if the forest was going to help her, she was willing to let it help her in its own way.

Bella had never stood for that sort of thing; when she'd cast a spell, she by-Heaven wanted the same spell to do the same thing, every time, and no free-will nonsense. But that took a lot more power—and perhaps because of coming from a childhood where the next meal was not taken for granted, Elena did not feel at all comfortable with simply using all the power that was available to her. instead, her style was to use the minimum possible to get the result she wanted, and if the means to that result was a bit unnerving now and again, well, that was the chance she was willing to take.

Elena leaned forward a little, into the wind created by her passing, and the path responded by speeding up still more. She hoped that there was no one else actually on this path—if she came up on them before they had a chance to get out of the way, they'd be bowled over like tenpins. As it was, there were half a dozen small animals left scattered to the right and left of the path in her wake.

Still, it was a novel form of transportation, and peculiarly enjoyable—like running, but without the effort. She was almost disappointed when she felt the path begin to slow, recognized the landmarks, and knew she was nearly at journey's end.

The path dropped her gently where the road that would ultimately lead out of Otraria crossed the one that led to the Kingdom of Kohlstania. And Kohlstania was, presumably, where the three Princes were coming from.

Elena stepped out into the road and sat down on a stone at the crossroads, taking a little book out of her pocket. Now this was a very useful bit of conjury that she had worked out for herself, and she was terribly proud of it. Working with the spell that allowed a Godmother or other powerful magician to copy his or her chronicles to the libraries of other magicians, this little book was able to repeat what was on the pages of every other book in her library, if she knew what to ask for.

She opened the blank pages, waved the head of her staff over them, and let a little sparkle of power drift down over them. "The current Royal Family of Kohlstania, please," she ordered.

Something appeared, like blurred writing beneath a smudge; a moment later, the writing resolved itself, and so did the smudge, and she saw an image of the stern visage of a man who appeared to have never laughed in his life. King Henrick of Kohlstania, read the caption beneath the picture. Widower, three sons—

Yes, those would be the Questers—

—has held the throne for twenty-seven years. Took the crown in— She skipped the rest, and moved on to the next page. Three more smudges resolved into three more drawings. Three young men. Octavian, Alexander, Julian. Well, it was easy enough to see where this tale was going. Octavian and Alexander looked like hard, uncompromising men formed in the image of their stern father. Julian, however, must have taken after the now-gone mother; while no one could possibly say that he looked soft, he certainly looked softer, and there was a very gentle and humorous look to his eyes that Elena liked quite a bit.

"Laws, attitude and recent history in Kohlstania regarding magic, magicians, and Godmothers, please," she said aloud, and the pages filled with notations. She read through it all swiftly; nothing there to be particularly concerned about, although there had not been any magical intervention in a major way in the Kingdom for three generations. There was, in fact, no one alive there who had any experience of any magician more powerful than a Witch, much less a Godmother, and Witches and Hedge-Wizards were creatures that the country-folk depended on, not city-dwellers, and certainly not the upper crust of nobility.

For the King and his family, magic was probably a thing of nursery-tales, and this did not seem like a family in which nursery-tales were encouraged.

On the whole, that was not a bad thing at all. It meant that none of the young men would even guess she was testing them. She closed the book and put it back in her pocket.

Now, because Elena liked to conserve power as much as possible, she had a number of clever ways to do things using a minimum of magic that Bella would have accomplished with several spells. And the next item she pulled from her pocket was a false nose.

It was a particularly beaky object, carved and colored by Robin, and held onto her face by means of two pink ribbons that tied in the back. Ludicrous, one might say—until she put it on.

For the nose was ensorcelled with a spell of illusion; whoever put it on would appear as an old crone or an old man. In this way, Elena only ever had to cast one disguise spell; thus conserving her power and allowing her to disguise other people as well, if there was need. She was rather proud of herself for coming up with such a thing.

She tied on her false nose over her real one, and although she felt no differently, anyone looking at her would have seen a bent and feeble old woman with a great beak of a nose and a dowager's hump. Her hair had gone from golden to white as snowdrops; her face was a mass of wrinkles and her hands were spotted with age.

Although she was standing straight, she would appear to have a dowager's hump, and her clothing aged just as she had. The colors faded, the seams took on the look of having been unpicked and resewn as the cloth was turned and turned again, and the hems looked tattered.

Now she was ready.

She looked down at the crossroads at her feet; there were conventions that any Witch would have followed, the more especially when she knew that someone else would have to take up the task in her place. Karelina had, as expected, cast the tanglefoot spell from this very crossroads. There were three threads to the skein, one for each Prince, ending in a knot practically at her feet.

She took her staff and touched it to the knot. Tradition must be served; eldest must be tested first. "Octavian," she said aloud, and a little spark of power jumped from the wand and ran down the thread to release him from the spell and bring him to her.

Prince Alexander of Kohlstania was hot, thirsty, and exasperated, it was quite bad enough that he found himself on this ridiculous "Quest," though he could certainly understand his Royal Father's reasoning, but to have been wandering in this stupid forest for days was outside of enough. Now he was sorry he had ever agreed to this—

But I had to, he reminded himself. All of Kohlstania's immediate neighbors were, if not allies, at least not overtly hostile, but King Henrick had not held his throne for this long by being naive. King Stancia did not particularly care about the politics of the man who would win his daughter and his throne, so long as that man would treat daughter and country alike with care and gentleness. How he treated his neighbors did not matter a whit to Stancia, although he certainly would never actually come out and admit that.

Father is right. We can't just sit by and hope that whoever won the girl would follow Stancia's policies. King Henrick could not take the chance that some enemy would win girl and country, and then proceed to sit on Kohlstania's border and cast covetous eyes on what Henrick ruled as well. Stancia's land was prosperous, and could easily afford to field a large army. This would never do.

He had gathered his three sons before him the moment that he got the messenger from Stancia throwing open the contest to any and all comers. "You will go to Fleurberg, and one of you will conquer this so-called 'Glass Mountain' and win and wed the girl," he ordered. "If it is you, Octavian, all to the good; we can unite the Kingdoms into one. If it is you, Alexander, that will be excellent too, since it will give you a Kingdom of your own. If it is you, Julian—which, may I add, I do not anticipate—" he had cast a jaundiced eye on his youngest son then "—at least we will be spared having to try to find something for you to do with your life."

Alexander also understood why his father had given his youngest son such a poisonous look. Julian was considered by the King and by his eldest brother to be a fool and a dreamer. Alexander, nearer in age to Julian, was not so sure of that, but he doubted whether Julian had the necessary abilities to go through whatever tests Stancia was going to put in front of them. Most likely he would be eliminated at the first. Poor Julian; he seemed content enough with his lot, but Alexander wondered, sometimes, if it was all a facade. But maybe he simply didn't have any ambition at all, and was perfectly happy with his books and his horses.

Octavian had been the first out of the gates, somewhat to Alexander's chagrin. He would have thought that being heir to one Kingdom was enough, but apparently not. With the prospect of not one, but two Kingdoms within his grasp, one of which he would not have to wait for (or at least, not very long, since Stancia was well over sixty), Octavian had ordered up his provisioning and been in the saddle within an hour.

Alexander had taken longer; he hadn't left until later that afternoon, for he had been taking careful consideration of what he should and should not pack, and had decided to forego speed for preparation. He had a packhorse tied to the back of the saddle of his destrier. He did not intend to fail one of the tests because he lacked, say, fifty feet of rope, or a storm-lantern that the wind could not blow out.

When he had left, Julian was still not ready, and oddly enough, he seemed to be taking as little as Octavian. Furthermore, he wasn't taking any armor, and in fact, was carrying little more than his sword and a bow by way of weapons.

For a moment, Alexander had considered staying long enough to advise him, but he shrugged the impulse off. Octavian would probably fail this Quest for lack of preparation; well and good, he was the heir, and he already had his Kingdom guaranteed. Julian would fail because of foolishness, and too bad for him; well and good, that would get him out of Alexander's way.

He had trotted off on his best warhorse in a very positive frame of mind. This "Quest" should cause him no great difficulty; he was prepared for every possible eventuality. He was the one, after all, who had been sent to military school, and had learned everything there was to know about tactics and campaigns. Octavian, though the elder, could not best him on that score, and Octavian's haste and greed would probably be his undoing.

Not that he blamed Octavian. Their Royal Father showed no signs of shuffling off the mortal coil any time in the near future, and Octavian was not the sort of fellow to enjoy sitting about, kicking his heels, as the King-In-Waiting. Not that any of them wanted the King to die—or at least, Alexander didn't think either of the others did—but it was hard to be trained to rule but not actually get a chance to do so.

As for Alexander, he had long ago resigned himself to playing Commander-In-Chief to the Army of Kohlstania under his brother's rule for the rest of his life. He wanted a Kingdom of his own, and although he would rather it had come without the need to marry some brainless bit of fluff probably spoiled into uselessness by her father, he would put up with the girl to get the throne. This opportunity was not going to slip through his fingers; Princesses and thrones for the taking were not presented to one on a platter every day, even if one was a Prince himself.

He thought that he would be generous once he had won, and find Julian some pretty young heiress to marry, once he had settled into the position. He liked Julian well enough—certainly more than Octavian did, and Julian would be much more comfortable in Alexander's court than in Octavian's.

And far more comfortable than under Father's eye.

He had been full of these plans right up until he got well into these cursed woods and found the first night falling without any sign that he was going to get out of them before darkness fell. And without any sign that Octavian was on the road ahead of him, either, though initially that didn't worry him as much as the coming of darkness.

Of course he had made camp—an excellent camp—long before the last of the twilight had faded. And because he had made careful provisioning, he had not gone hungry or cold, either. But he had gone to sleep seriously concerned. For where was Octavian?

He had a map, of course, and a compass, so he could not be lost, and at any rate, the road simply didn't branch at all until it came to a marked crossroads. Therefore, Octavian must have somehow strayed off the road, unlikely though that seemed. There was, of course, the possibility that he could have been waylaid, but Alexander had interrogated peasants outside the woods very carefully before he went in, and they had all assured him that there were no bandit bands living in Phaelin's Wood. There might, they said, be a robber or two, but there were no groups of outlaws. And no single robber could have overcome Octavian, even Octavian only lightly armed.

Besides, there had been no sign of a struggle anywhere. Octavian would never have given up without a fight.

He had gone to sleep still worrying over the problem, and not really even thinking about the fact that this Wood, which he should have crossed in a few hours, was still all around him.

However, the longer he traveled the next day, the more he began to think that there was something more going on than met the eye. He had certainly been thinking about that very problem when he camped for the second night.

He had gotten out his map and compass at first light, and gone over them, and then his irritation had only increased. The road on the map ran straight and true right to a crossroads in the middle of the Wood. The road he had been following had twisted and turned like a snake in its death-throes. The road on the Map represented a journey of no more than half a day to cross the Wood entirely. He had been here for two days now, and there was still no sign of the crossroads!

Which left only one answer. And it wasn't that he was lost.

"Magic," he said aloud, savagely. Someone was plaguing him with some sort of magical impediment.

He did not like magic. It was not logical, it was not ordered, and any sort of riff-raff could use it. It might have been a very useful weapon in war, but the trouble was, the only time that the so-called "good" magicians would consent to do such a thing was when you were fighting against an "evil" magician. You could employ an "evil" magician, of course, but you could never trust him not to turn on you, and anyway, the moment you made use of such a tool, every "good" magician for hundreds of leagues around would come fight for your enemies because you were using an "evil" magician.

And then there were the other things that were associated with magic—beasts and birds and things that were neither, people who did not answer to any laws that he recognized and could not be depended upon to act logically. He didn't like any of them. When you fought a man, you should be able to use straightforward tactics on him, and not have to wonder if he was going to set fire to you. When you met a woman, you should be able to tell at a glance what her station in life was, and know what to expect from her, and not have to wonder if she would seduce you or let you think you were seducing her, and then wake up turned into a pig.

No, he did not like magic at all, and if this was King Stancia's idea of a good first test—

It might well be, too. He'd heard a rumor that Stancia had got the aid of a Sorcerer in setting up this Quest. Sorcerers had a habit of showing complete disregard for such niceties as borders. The Sorcerer might think it amusing to set the first "test" in Phaelin's Wood, on the Kohlstania side of the border.

The more he thought about it, the angrier he became. He packed up his camp, seething, and mounted his destrier in a foul mood. Magic! It might as well be cheating!

Wretched magicians. Stupid, senile old men who depended on them. Well, he would show them! From now on, he would depend on his compass and not the map, if he had to cut his own road to do so.

He took his compass out of the saddlebag and opened the case with a smirk that swiftly turned to a teeth-clenched frown.

For the compass needle was spinning merrily, with no sign that it intended to stop.

Magic!

Elena waited, sitting on a rock in the concealment of a dense clump of birch-saplings, just before the crossroads. She had the advantage that the crossroads itself was on the far side of a relatively cleared space in the forest; she was able to get a good long look at the Questers as they emerged from the denser growth. The first Prince, Octavian, approached on a great bay warhorse looking rather the worse for two nights spent in the forest. He was wearing light armor, but he didn't seem to have a great deal of kit about him, and it showed in his appearance. From the look of him—moving stiffly, dark circles under his eyes, twigs in his hair—he'd spent both nights on the ground, under the stars, with his saddle for a pillow. All three boys had reminded her of animals, actually—Julian an amiable hound and Alexander an arrogant and rather sleek fox. This one was the gruff wolf, and the resemblance was only heightened by his state.

She waited on her rock, quietly, to see if he'd notice her. She saw his eyes flicker towards her, then saw, just as clearly, that he dismissed her as unimportant.

Oh, yes, do that. She waited until he was just passing her before speaking up.

"Have ye a crust of bread, milord?" she whined. "They've turned me out as too old to work, and I'm perishing of hunger."

He ignored her. She raised her voice. "Please? Milord? Please, good sir?"

Nothing.

Now, at this point, he could have stopped, offered her something, and asked for directions. She would have given them to him. She would not have told him the keys to the puzzles that the Sorcerer was going to set him, but at least he would have gotten to the Glass Mountain.

He did neither; he rode on as if she was of no more importance than a beetle.

Fine, she thought, and touched her staff to the path again as he rode out of sight under the trees.

"Twist me and turn me, and bring me to grief.

Muddle my pathway and give no relief.

Send me to wander a month and a day,

Give me no guidance and keep me astray.

Then when a month and a day will have sped,

If I am kinder and my pride's been shed,

Then send me on homeward. But if I'm too high

Then keep me astray till a year has gone by."

There, that would take care of him. He'd stumble along in Phaelin's Wood—and possibly several others, if Karelina decided to invoke the "All Forests Are One" spell against him when she got back—and he'd do so while his provisions ran out, spring thunderstorms deluged him, and every possible minor disaster that could would arise to plague him. After a month and a day of this, if he'd learned his lesson, he'd finally come out of the Wood right where he went in. If he was smart, he would go home again. If he wasn't—well, Karelina would have to decide what to do with him. Hopefully, he would come out a humbler and wiser man than he'd been when he went in a mere month, because otherwise he'd be stumbling around for the next year.

Smiling to herself, she touched her staff to the path again, on the knot representing the tanglefoot spell. "Alexander," she told it, and the spark of power leaped from the wand and raced down the tangled skein of the spell.

It was not more than an hour later that she heard hoofbeats on the road, and saw her quarry approaching. And she had to give him a few points for preparation, anyway. Unlike his brother, he not only was fully armed but he had a packhorse laden with armor and apparently quite a bit of other luggage as well. From the look of things, he had not been spending his last two nights huddled next to a pathetic little fire. She hid behind her sapling screen and waited to get a good look at him before he could see her.

Elena parted the branches of the birches and peered through them as the sound of hooves on the path stopped. And there he was, framed by two of the saplings, looking exactly as he had when she'd seen him in the book. He had stopped at the edge of the clearing that held the crossroads, frowning.

Truth to tell, she hadn't paid a lot of attention to his appearance, other than to make sure she wouldn't mistake him for some other Prince-errant, or one of his two brothers. Now, as he paused staring at the crossroads, his frown turning into a scowl as he tried to make up his mind which way to go, she studied him.

And she didn't much care for what she saw. Not that he wasn't handsome enough; he was all of that. His wavy brown hair, thick and shining, fell down past his shoulders, giving him a very romantic appearance, especially combined with the rakish tilt of his cap, and the fact that he was much better groomed than his older brother. Of course, part of that was due to the fact that he hadn't been sleeping in the open, but still....

Vain, she thought to herself, cynically. I've never yet seen a longhaired man who wasn't a popinjay. And clean-shaven, too. He must spend as much time in his valet's hands as any primping girl.

As for his face—square chin, chiseled cheekbones, broad brow—well, it was shapely enough, even if his nose was entirely too aquiline to suit her.

He could plow a field with that nose.

But the regular features were spoiled entirely by the unpleasant frown, and the furrowed brow, and the air of unbending rigidity about him that, together with a tunic that managed to suggest a military uniform without actually being one, made her think that this was a man for whom there was, always and for everything, One Right Way from which he would never deviate. Even when it was wrong.

Well, this isn't going to be much fun, she thought with resignation. And with a sigh, steeling herself for unpleasantness, she stepped out onto the path. If The Tradition held true to form, the first Prince had been merely rude and haughty—this one would be haughty and rude and arrogant and aggressive.

His frown deepened the moment he saw her, if that was possible. What was more, he added suspicion to the emotions of irritation and arrogance on his face.

Suspicion! What could he possibly suspect her of?

"Have ye a crust of bread to spare, good milord?" she quavered, holding empty hands out towards him. "They've—"

"I have naught to spare," he interrupted. "Get from my path, old hag."

Well! Not that she'd expected politeness, but that really was more than a bit much. Still, she kept hold of her temper, reminding herself that she was the Tester here, and she could make sure he got sent down an even longer path to wander than his brother. "But, milord," she whined pathetically. "They've turned me off as too old to work, and I'm—"

"Then find work or die," he said, now turning his frown away from her and looking about, as if trying to find something that might be hidden. "Those who cannot work, will not be fed. We'll have no beggars here."

You wretched little— Once again she caught hold of her temper. But something like this could not go unpunished, and wandering around for a month or even a year was not going to teach this arrogant lad what he needed to learn. No, this was something that needed a more imaginative punishment.

Still, she would give him one more chance. But if he failed this time, she was going to take his lessoning into her own hands. "But can you—"

He ignored her, as his brother had. Instead he touched the spur to his horse's flank, and rode straight at her at a canter, so she had to scramble out of his way or be run down.

Now she was angry. What if she had been a poor old woman? She could have been hurt, or even killed! What right had he to run people over as if they were nothing?

Oh, that tore it. As he passed, she whirled, and took her staff in both hands. "You!" she cried out in her own voice, pointing it at him.

Startled by the change in her voice, he pulled up his horse and turned in his saddle to stare at her.

She did not bother with a rhyme this time; the force of her anger was more than enough to shape the power. She aimed her staff at him, like an accusation. "You are as ill-mannered, as stubborn, and as stupid as an ass!" she shouted, "So BE one!"

The power exploded out of her, coursed down her arm, and shot from her staff in a stream of red-gold light. If he'd had eyes to see it, he'd have been terrified. It hit him full on, covered him, enveloped him in a single moment, hiding him from sight inside a great globe of light that held him and the horse he was riding on.

He cried out in fear, though, as he felt it take him. And in the next moment, the cries changed, deepened, and hoarsened. The globe pulsed; once, twice, and on the third time, there was another flash of light.

There were three beasts on the path now, not two. A great bewildered warhorse, the packhorse tied to its saddle, and—

—and a donkey, standing petrified, all four hooves splayed, still trying to wheeze out a terrified bray.

"Hah," she said, looking at him with satisfaction. "I need a donkey. You'll do."

He was clearly in a great deal of shock, too much so to move—though likely if he had tried, he'd have fallen to the ground, for he was not used to moving on four feet instead of two. She had plenty of time to rummage through his packs, find the rope she was sure was in there, and fashion a crude nose-pinch halter and choke-rope, and get it on him before he even began to react to his much-changed situation.

And by the time he did, she had him right where she wanted him. If he tried to rear, she could choke him at the neck. If he tried to bite, she could pinch off his nose and choke his breathing from that end.

He tried both, not once, but several times, until she finally picked up her staff and pointed it at him again.

He froze.

"You will behave," she told him, "Or I'll take your horse instead of you, and turn you into a frog."

At that, his ears flattened against his head, but it was clear he didn't doubt either her ability or her willingness to do so. Instead he allowed her to lead him, stumbling, into the cover of some bushes and tether him there, the horses beside him. She wasn't going to take any chances, though; she used more of the rope for hobbles, and tethered all four feet.

She waited until she was back on the road before she took a deep breath, paused, and steadied herself. She was still angry with him, and that was no mood to be in to Test the last of the Princes. She counted to ten twice, took another deep breath, and let the anger run out of her. When she was sure she was steady again, she shook herself all over, and took her staff in hand.

Besides, this would be the easy one.

"Right," she said aloud, to the empty air, and touched the staff to the knot of the tanglefoot spell. "Julian."

And for the third time, the spark of light sped away.

Chapter 11

Alexander suspected that the appearance of the old woman was some sort of trick; how had she gotten out here, anyway? She didn't look as if she could travel six feet, much less limp her way into the middle of the wood! She might be the bait for a trap, or something in disguise, and if he stopped for her, the trap would be sprung. All he could think of was that if he charged her, she'd get out of his way, and whatever magic the Sorcerer had been hexing him with might be broken. Then she'd shouted "You!" and he'd been stupid enough to stop and turn to look back at her. Then he knew, the moment that he saw the old hag pointing a stick at him, that he had been right. Someone had been working magic against him—but it had been her, not some Sorcerer working for King Stancia! But he didn't even have a chance to duck, much less do anything about her, before she shouted out something else. Something about being as arrogant and rude as an ass— And in the next moment, he was engulfed in more pain than he had ever felt in his entire life put together. It felt as if his bones were melting and his insides turning to water; he tried to cry out, but his very voice changed, and he felt himself falling off his horse and hitting the ground on all fours, and—

Well, he really didn't know what it felt like then, for there were no words to describe how it seemed as if he was made of warm wax, and a pair of giant hands was remolding him. Remolding even his head. His eyes felt as if they were going to pop out of their sockets, his mouth like something had hold of his teeth and lips and was stretching his face, and his ears—well, they burned and hurt past all reason. Then as if that wasn't enough, he began to itch.

Finally, as quickly as it had come upon him, the pain left him. But it left him dazed and very confused, because now, although he could see exceedingly well to either side, and somehow actually see behind his head, he couldn't see much of anything that was straight ahead of him. And when he tried to stand up—he couldn't.

And when he looked down at his feet, he saw four hooves.

Four hooves?

The old hag! What she'd said! "You are as stubborn as an ass! So BE one!"

He blinked. He stared. The sight did not change. Four hooves—and if he craned his head around, he saw a round, barrel-shaped body covered with grey hair, and a tufted tail.

If his legs hadn't been locked at the knees, he'd have fallen to the ground. If his throat hadn't been choked with despair, he'd have howled.

She'd done more than confuse his path. She'd turned him into an animal.

He scarcely noticed that the old hag had come up to him, until it was too late, and she had some sort of fiendish torture device made of his own rope around his neck and nose. Too late, he tried to fight her, and finally, when after the third time she choked off his breathing until he began to black out, he gave up.

He allowed her to drag him into the shelter of some bushes, and watched with even greater despair as she hobbled him so he couldn't move. Then she went back to the crossroads.

So this is what happened to Octavian? he thought, dully. He could not imagine why; what enemy had managed to set a Witch on his family? Had the business with Stancia and the Glass Mountain all been a ruse to lure them into this cursed forest and her clutches? I wonder what she turned Octavian into....

Oh, bloody hell! What if she'd turned him into a bug, or a frog! What if he'd trampled his own brother? He tried to fight the hobbles, and all he did was nearly fall over; his horses stared at him down their long noses with astonishment, as if they couldn't imagine what he was doing or why he was there. He tried to fight the ropes around his neck, but the Witch had tied them cunningly; if he fought them, they choked him and only when he hung his head in resignation did they relax and let him breathe.

I have to warn Julian— That was his thought, but it came too late, for Julian rode into the clearing on his handsome black palfrey just as he realized the danger, and Alexander couldn't get the breath even to bray a warning.

"Kind sir?" whined the old hag, both hands outstretched. "They've turned me out as too old to work, kind sir, and—"

And Julian, soft, foolish Julian, was out of his saddle in a moment, helping the old witch to her rock, fussing over her as if she was his own grandmother. He ran to get water for her, then rummaged through his saddlebags.

She's going to kill him! Or worse than kill him! He tried and tried, but he couldn't get free, his balance wasn't right and he kept falling to his knees—he kept blacking out from lack of air!

"Here, old mother," Julian said, gently putting half a loaf of bread in her hands and closing her hands around it. "It's all I have—I wish I had more, but if you'll bide just a bit, I'll see what I can hunt for you—"

"Ah, nay, good sir—you're too kind, too kind—" the old woman said, sounding absolutely delighted, and of course, she would, she'd just gotten all of Julian's provisions off him, and he was a terrible hunter—

Oh, Julian, Julian! he thought in despair, waiting for that stick to come out, for Julian to be turned into something horrid. It was a plot, that was what it was. It was all a plot by Stancia or that Sorcerer or both, to strip Kohlstania of its heirs and send their father into despair. There probably wasn't a Quest—there never had been a Quest—

"Now, then, old mother, just you wait," Julian was saying, with that good-natured grin on his face that drove his father mad. "You'll have a good meal, and I'll put you up on Morgana here, and we'll all go on into Fleurberg together."

Now he froze, eyes bulging with fear, but unable to understand what was going on. She hadn't done anything to him. Why hadn't she turned him into something? Nothing was happening as he'd thought! He stared at them through the underbrush, feeling his upside-down world flipping for a second time.

The old hag was hiding her face in her hands, and for a moment, Alexander hoped again. Was her conscience overcoming her? Was she going to let Julian go?

But then something—odd—happened. She seemed to shimmer all over, as if she was caught in a heat-haze, and then—

Then she changed.

Her clothing was what he saw first; it—un-aged. Somehow, all in a moment, it got newer. The fading, the frayed bits, they all went away, and as her clothing changed, she began to stand straighter, that old-lady hump on her back vanished, her hair went from straggling and grey to golden and curling and her face—

Well, she certainly wasn't an old hag anymore!

Julian stared, too, gape-mouthed, as the handsome young woman lifted her head and looked him over boldly with a twinkle in her eye. "You are certainly an improvement over your brothers," she said.

She lifted the stick and made a tiny gesture, and the peasant's clothing she was wearing transformed again, this time into something pink and satiny and shining, a gown his own mother would not have been ashamed to wear, and there were diamonds at her throat and wrists and ears, and the stick in her hand was now a long, slender, ivory-white wand.

Alexander stared and stared, blinking in disbelief. So, too, did Julian.

What's going on here?

There was something about the way the woman looked—it tickled the back of his mind, something he remembered from a long time ago. From a distant part of his memory, he heard a voice he'd thought he'd forgotten, a woman's voice, speaking softly. "Once upon a time, there was a lovely princess who was guarded by her Fairy Godmother...."

Julian, poor fool, stood there with his mouth dropping open. Not that Alexander was in much better case.

She's got to be an Elven Queen. But why ambush us? Why go through all of this to intercept us?

Finally— "Are you—one of the—" Julian stumbled over the words, not surprisingly, as they didn't come readily to one from Kohlstania "—one of the Fair Folk?"

She laughed; there she did not resemble a fine lady of a lofty court at all. It was a hearty laugh, and rang around the clearing; it didn't tinkle like a tiny silver bell, nor did she hide her mouth behind her hand when she laughed.

"No, Julian, but I am a Fairy Godmother. And your kindness and courtesy to an old woman shall have its reward. I am here to help you on your Quest."

She's here to help us? Alexander could hardly believe his ears. Fine help she's been to me! And what did she do with Octavian?

But then, from somewhere deep inside, perhaps the same place as that memory, came another set of thoughts. When you thought she was nothing but an old peasant woman, you would have dismissed her as something less than the dirt in your path. And you tried to run her down the moment you thought she might be a threat, without waiting to see what she would do or answering her cry for aid. You seem to have forgotten all those knightly vows you took, and you haven't exactly proved yourself worthy of help. Have you ?

He felt his ears flattening against his head, and he gritted his teeth. I am a Prince of the blood! Why should I care about some stupid old base born woman? Julian bleats about the peasantry all the time, and this is where his concern leads him! Let her family take care of her, or let her go to the poorhouse where decent people won't be bothered by such as her! Isn't that why we built the things?

The voice in the back of his head—snickered. Nastily. Ah. I see. So long as you don't have to look at "such as her," you needn't concern yourself Is that it?

Of course it was—but somehow, that felt like exactly the wrong answer. And he didn't know why.

The woman who was calling herself a Fairy Godmother made a tiny gesture with the wand. As Alexander watched her with his ears still flattened against his skull, beside him in the bushes something moved, snakelike.

His attention was distracted, away from the woman, to the horses. And as he stared, the reins of both horses came un-knotted from where they'd been tied.

They moved as if they were alive, or as if there was someone actually undoing the knots.

But that wasn't the least of it, oh no. Before his very eyes, they changed color. The bay became a grey, and the packhorse a dapple; the armor packed onto the latter simply vanished altogether, and the shield with it.

She gestured again, and the two horses tossed their heads to free the reins and ambled out into the clearing as if she had called them.

And then, as calmly as if the horses and their burdens were her property to give away, she handed the reins over to Julian. "Here is all you will need for the physical tests you will face," she said, as Alexander nearly choked, his fear for his brother turning to outrage at her high-handed behavior. "But it will take more than strength to win the Princess, it will take cunning."

Julian bent his head to her, as humbly as if she was some sort of Queen, instead of a thief and a trickster. "Tell me," he begged. "What must I do?"

The next half hour was the worst period in all of Alexander's life, as he watched and listened, unable to move, speak, or interfere in any way, while that infernal woman coached his younger brother through everything he needed to win through the trials and get King Stancia's daughter and throne. Not that some of it made any real sense—some babble about freeing trapped foxes, rescuing baby hawks, feeding ants—

But that didn't matter. She was cheating, helping Julian, and why? Because he'd stopped to help a worthless old woman! Where was the sense in that?

She'd stolen his gear too, and given it to an idiot who didn't have the sense not to leave without the proper equipment! The more he watched and listened, the angrier he got, until he was nearly faint with rage and trembling in every limb.

Of all the Questers that Elena had ever tested, this one was probably the best. He was even better-looking in person, with the animation of a good intellect in his eyes, and a ready smile on his lips. Like his brother, Alexander, he was clean-shaven and long-haired, but somehow (and perhaps it was the faint air of untidiness about him, the lack of perfection in his dress) she got the impression that Julian was not given to much thought about how he looked. To tell the truth, his horse was better groomed than he was; his brown doublet was just a bit faded, and someone else probably would have given it to a servant by now. His linen was clean, but it was clear that he hadn't changed his shirt before he left. And his breeches, of soft doeskin, were made for use, not for looks.

Everything he said was intelligent and to the point. Prince Julian was a fine, considerate young man—but more than that, he was much cleverer than his brothers and father gave him credit for. That was borne out in his conversation.

"Have you done something with Octavian and Alexander?" he asked, quietly, when he accepted the reins of the two horses that Prince Alexander had brought with him. By the tone of his voice, it wasn't exactly a question; he knew, he just wanted it confirmed. "I can't imagine them getting past you, you see—"

He didn't quite accuse her, but he clearly remembered the sorts of things that Godmothers did. Which was more than his brothers had.

She raised an eyebrow. "I'll tell you that they're as safe as I could make them," she said, finally, "but that they won't be competing with you for Stancia's daughter, and neither of them will be seeing Kohlstania for a while."

"Ah," he replied, and grimaced, and for a moment, those fine, dark eyes were shadowed. "Alexander has always been kind to me. And I don't wish any harm even on Octavian."

Hmm. "Even" on Octavian? Some bullying there, I suspect. Well, if that's the sort of fellow Octavian is, he won't be seeing home next month.

"I'll keep my eye on Alexander then," she promised, repressing a little smile. Oh, she would be doing that, all right.

She took note of the angle of the sunlight across the clearing; in fact, the clearing was entirely in shadow at the moment and it wouldn't be long until sunset. She needed to get him on his way, and soon. He probably wouldn't make it out of Phaelin's Wood tonight, but at least now he'd have the gear for a night in the forest. "Never mind them, Julian. It's you who will be needing help, all right? Now, before you ever get to the Glass Mountain, you'll probably encounter several tests like mine. Perhaps there will be a trapped fox that you will need to free—perhaps you will have to rescue a young hawk or eagle and return it to its nest—perhaps you will have to save an ant colony from flooding. I can't tell you what it will be, but I can give you this."

She handed him a tiny, red glass vial that contained, in part, some of the dragon's blood that she herself had once drunk. This, however, was not the straight, undiluted stuff. This was a potion, created by her, which would last no longer than it took to finish the trials.

Being able to converse with animals could cause a great deal of trouble. It was not a gift given lightly, and few deserved or needed to be burdened with it for very long.

"When you are a mile or two down the road, stop and drink this," she told him. "When it takes effect, you'll be able to speak with the animals for several days. At some point, you'll get the chance to save the lives of one or more wild creatures, and by doing so, you'll earn the right to their help later in the tasks. Now, when you get to the Glass Mountain, the first task you'll encounter will be to find a way to get past a lion without fighting him."

She did not actually give him the answers; that would be for him to work out for himself. That was why it was a trial. And every other Quester who got past the initial test of kindness and courtesy would be getting the same sort of advice, so it wasn't as if they weren't all on the same footing. There was no guarantee that Julian would be the one to win the Princess, though she had a good feeling about him.

No, this was just a way of making sure that the best Questers were not only the ones that actually made it to the testing, but were properly equipped when they arrived. And she had to admit that it tickled her to use the arrogant Alexander's equipment to outfit the quiet and considerate Julian.

After about a half an hour of coaching, he was as ready as he was ever going to be.

"Time to go," she said, and he mounted onto the warhorse. He looked back uncertainly at his palfrey; there was no way that he was going to be able to manage three horses, and he knew it.

"I'll take care of Morgana," she promised, then hesitated, and decided to add one more little bit of advice. It wasn't exactly the sort of thing that went with The Tradition—but it was still good advice. "Prince Julian, in the future, you do not need to be quite so generous."

He blinked at her. "What do you mean?" he asked.

"Well! When someone begs you for food, for instance, as I did—it is quite generous of you to say, 'I have food and I'll share it with you,' and quite unnecessary to do what you did and give it all to me. The former is noble-minded and generous; the latter is daft." She gave him a long and level look. "Not everyone you meet is going to be a Fairy Godmother."

"Oh," he said, and "Ah," and colored up. "I—do things without thinking, sometimes."

"Well, if you want to win King Stancia's daughter, you'd better practice thinking first and acting second. Now, good luck and godspeed," she told him, and she sent him off down the path, into whatever The Tradition had in store for him. He rode off into the shadows under the trees as the air in the clearing cooled noticeably, and the sky in the west turned to red and gold.

At least, if he failed this Quest, the worst that would happen to him was to be sent home. Too many of these things ended up with Questers dead.

She had difficulty with her conscience over those, never mind that the reward in the end was a good one, the point was that there was only one reward and that failure was fatal. She always warned the ones she sent on, too, and some of them even turned back. Not enough, though.

Did Bella ever have trouble sleeping at night after testing Questers? Does anyone else? she wondered. It wasn't the sort of thing you brought up at the little Godmother gatherings that happened at christenings and weddings.

She let the illusion of her court gown fall once the lad was gone; no point in looking overdressed out here, and she didn't feel the need to impress Alexander. Well, with Julian safely out of the way, there were only two things to be dealt with. Julian's palfrey, which he had left in her hands—and Julian's brother.

The horse first; she was easiest.

For a moment, Elena toyed with the idea of keeping her. She was a beautiful creature, with a fine, arched neck, flowing mane and tail, and a broad forehead. But while Elena did not own a horse at the moment and presumably Alexander would learn his lessons and be gone so that they would not even have him to do the chores, this was not the sort of beast that was of any real use to her. She needed a carthorse, not a palfrey.

She sighed with regret though; she couldn't ride, but she couldn't help thinking about how nice it would be to be able to. She toyed, just a moment, with the image of herself in an elegant riding habit, the sort she had seen the Sorceress Lilliana wearing, riding along the green-shadowed paths of the forest. Ah, she could see it, the palfrey's mane and tail shivering and rippling with every step, she could feel it, a freedom like flying through the air when the Little Humpback Horse pulled the cart—

Silly. When would I have the time to learn to ride properly? Besides, there's a Traditional use for Julian's horse, and I need to cement the path to it. Nothing like doing the job right, and getting the whole family in one go. She turned her attention towards the pretty black mare and put herself in the right frame of mind to talk to it.

"I want you to go home," she told the palfrey, which flicked its ears forward to listen to her, two liquid-brown eyes gazing into hers.

"Why?" the mare asked.

"Because home is where the food is," Elena replied, knowing what every horse is most concerned with, at bottom.

The palfrey licked her lips. "The oats," she said, longingly. "My stall. My manger."

"That's right. You need to go home," Elena seconded. Then she used just a touch of magic to reinforce her command. "Go straight home, as fast as you can, and do not allow anyone to touch you until you are in your stall."

The mare tossed her head as the magic geas settled over her; Elena made her stay while she cut the reins away from her halter so that she wouldn't get hung up on them anywhere—and so that anyone who tried to catch her would not have anything to hold onto. Then she stood back, and the mare was off like an arrow, cantering back down the path she had just come on.

She would arrive back at the castle with cut reins, without Julian, and in a lather. All of these things combined should manage to raise a great cloud of alarm and guilt in even the King of Kohlstania, who would discover that there was no more word of them after they had entered the Wood. With good luck and The Tradition on her side, King Henrick would learn that there are things more important than one's ambition—things like one's children. When Octavian returned, he would be welcomed back with tears of relief and the warmth that he probably had not felt since he was a child. And that would reinforce the lessons of humility he had learned. "Behold, my son who was lost to me is returned!" she thought, and smiled. It would even be good for King Henrick—who would spend his last days as a beloved King as well as a strong one.

But that was for the future, and now that she had put it all in motion, it was out of her hands.

So much for the horse. Now for the ass.

Overhead, the sky was growing dark, and in the far east there the first few stars were coming out, pale diamond-dust against the velvet blue. Not only was it time to get home, but she and the ass both needed to be out of these woods quickly. She would be safe enough, but it was going to get cold, and she didn't want to try to negotiate the path in the dark. As for Alexander—asses didn't see well in the dark. Even if she could get him moving, which was debatable, he'd be stumbling over every little stone and root. She sauntered back to where she had left Alexander tied up, and was not particularly surprised to find she was being glared at out of a pair of eyes nearly red with rage.

His ears were back, his teeth were bared, and his neck was stretched out towards her. Now, unlike a real ass, Alexander probably wouldn't bite her; it simply wouldn't occur to him to do so. But he was angry enough that he might, and besides, he was certainly likely to try to step on her or kick her. "A good thing that I hobbled you, I think," she said, regarding him thoughtfully. "However, this does present a problem; how to get you home with me."

"Let me go!" brayed the ass, angrily. "Witch! Slut! Traitor! Let me go!"

"Oh, no," she said, amused in spite of herself. "First of all, you brought this on yourself, so don't blame me, blame your own behavior. For your information, I'm not a Witch, I'm a Godmother, and I am charged with seeing to it that virtue is rewarded and—now how shall I put this?—" She regarded him with a raised eyebrow. "Hmm—nasty little boys who behave like cruel, rude brats get their comeuppance."

The ass nearly burst with anger at being called a "nasty little boy."

"Now, just to complete your edification on this business of Stancia's daughter," she continued, really beginning to enjoy herself, "your brother Octavian is currently wandering in the woods, very nearly as ill-provisioned as your brother Julian was. He will continue to do so until he learns to treat all people with the same politeness that he would give to his equals, and to give them the consideration he would expect for himself." She tilted her head to the side and matched him glare for glare. She also tried not to laugh; the donkey looked absolutely ridiculous, trying to twist his face into an expression of affronted outrage. "Does that sound familiar? It should. I suspect he will be quite ragged—and very well acquainted with the kind of hunger, cold, and misery the poorest of the poor live with—by the time he mends his manners. And I suppose that you're wondering why I let him go his way still human? He only ignored the poor, starving old woman. You attempted to run her down."

The ass's eyes flashed warningly. She feigned surprise. "What, you don't think there was anything particularly wrong with your behavior? I suppose you're under the impression that your birth gives you the right to trample whoever you please under your horse's hooves."

He looked for one moment as if he was about to say something; she didn't care to hear it. "Well, your punishment is in my hands, my lad, and as it happens, I'm going to see to it that while you are not as well-acquainted with hunger and misery as your brother, you will learn all about the hard labor that turns your peasants old before their time. I told you; I need a donkey, and you will do. The main problem now is, how to get you home, since I doubt that you're going to cooperate of your own free will."

She crossed her arms over her chest, and tapped her cheek with the tip of her wand while she thought out loud. "I could put a spell of coercion on you, but you might hurt yourself trying to fight it." That was a distinct possibility, for as angry as he was, although she doubted he could break it, he might well wrench muscles or even break a bone trying to keep from obeying it. Such things had happened in the past, because the sort of coercion spell that good magicians used only worked on the subject's body, and imperfectly at that. Now, the coercions used by practitioners of the Dark Arts were more insidious. They worked inside the subject's head. And sometimes, even when the spell had been lifted, the subject was never quite right again.

"I could blindfold you and ask the path to take us home," she continued. But if she did that the odds were good that he would fall off. He'd try to escape or try to hurt her, and he'd fall off, possibly hurting himself, certainly ending the magic right there. Then it would be all to do all over again, and most of it in the dark. Probably a bad choice.

Considering her options, she decided on a third. "On the whole, I believe I will see what magic and The Tradition have around us that might suit best."

In the time since Bella had turned over the position to her, Elena had learned something very interesting about The Tradition—which was that when it had no set path that it was trying to follow, it could be very helpful indeed. Apparently The Tradition always had to do something whenever magic was used, and if she merely used a very little magic to get its attention, she often got a very large benefit in return. Now this was more to Elena's liking, again, conserving magical power.

If she was not specific in how she wanted something done, it also tended to happen much more efficiently and faster than if she had been. The Tradition would bring whatever help she requested that was nearest and best suited to the task, and in the process of doing so, laid down a trace to follow at some other time, in some other place. She was, in effect, using The Tradition itself to build new paths. The more paths The Tradition had to choose from, the easier it would be to keep it to one she and other good magicians preferred.

So she released another thread of power, and sent it seeking, saying only, "I need some help in getting the pair of us to my home quickly, please," to the twilight air.

She saw the little wisp of glowing light waver uncertainly, like a thin stream of smoke from a pipe, for a moment. Then, suddenly, it compacted itself into a tight ball, and shot off into the east at tremendous speed.

So! That suggested that there would be an answer to her request very soon—

There was; so soon that she barely had time to finish that thought before she heard something large, very large, crashing and crunching its way through the forest towards them. It wasn't just twigs that were snapping out there, it was large branches.

And she had no idea what could be that big.

But she didn't go anywhere beyond the walls of her cottage without at least one talisman that would react to the presence of anything evil—really wicked, not merely "bad" as Octavian and Alexander had been—and whatever was coming was not making her talismans the least uneasy. So she waited with anticipation, but no trepidation, to see what her magic had called to her side.

Now, Phaelin's Wood was a very old forest, and the trees were enormous, much taller than the tallest building that Elena had ever seen, and since becoming an Apprentice she had seen quite a bit. So she wasn't at all surprised that she couldn't actually see what was coming. What did surprise her was that when it stepped into the clearing, it—he—certainly stood as tall as, say, the average Town Hall.

He was a giant, the first one that Elena had ever set eyes on.

I didn't know there were any giants in this Kingdom!

A very civilized giant he was, and clearly visible in the twilight, nicely clothed in a patchwork leather jerkin which had probably taken the hides of six or eight cattle to make, a canvas shirt which had probably been sewn from ships' sails, a good pair of woolen breeches likely made from blankets, and in place of boots— which obviously would have been very difficult to have made for one so large—heavy felt shoes with wooden soles. He was bearded, but his beard was neatly trimmed, and though his hair was a little wild, it did look as if he made an effort to keep it tended.

He looked around the clearing for a moment, and she helped him out by stepping out where he could see her. His gaze fell on her, and his face lit up with a smile.

"Ah, our Godmother! I wondered why I'd felt a summoning!" he said in a voice like a flood of warm, dark velvet. She smiled with delight in return; you couldn't not like someone who sounded like that. "How can I serve you, Godmother?"

"An exchange of services is in order, I think," she replied. "I've changed a fool into an ass, and I don't think he's going to cooperate in coming home with me, so I need a bit of help in bringing him along."

The giant laced his fingers together and pushed his hands outwards, cracking the joints, with a laugh. "Well, I'm your man for that! And if it's an exchange you're offering—well, I could use a new ram."

For some reason completely unfathomable to Elena—or any of the chroniclers of The Tradition that she had ever read— sheepherding was a Traditional occupation for giants, along with woodcutting. And as it happened, although this was not normally the case, Elena had a ram penned up in the old donkey paddock, given her by one of the women she'd made haying charms for. It was completely useless to her, and she'd been searching for something she could barter it for.

This was not unlikely coincidence; this was how, given free rein and the nudge of a little magical power, The Tradition worked for a Godmother who knew how to manipulate it. She needed a way to get Alexander home, he needed a ram, she had a ram, and a touch of magic and The Tradition put them together. It could have been a farmer passing through with an animal cart; it could have been one of the Fair Folk who could whisk them home in a breath. Anything would serve so long as she had something that the other wanted. This time, it was a giant who was nearest and fit the bill.

"Done!" she said, and to the giant's delight, spit in her hand to seal the bargain in the country way.

"They told me the Godmother who'd Apprenticed for our Bella was a right lass," he said, with that broad grin spreading across his face again. "And so you are, Godmother Elena. I'm Titch. Howler Titchfen, in full, but mostly they call me Titch."

"And I'm pleased to meet you, Titch," she replied, almost giggling at the notion that anyone with so mellow a voice as this giant's would be called "Howler." "How do you propose to help me?"

"Let's see your wee donkey," he replied, and she led him in the gathering gloom to where Alexander was tied up.

The ass was petrified with fear. All four legs were rigid, and his eyes practically bulged out of his head. His ears were flat down against his back, and he shook so hard it was almost comical.

Evidently Alexander had never seen a giant before, either.

"I don't think this one's likely to give me much trouble, Godmother," Titch said, with a chuckle like thunder in the distance. "I reckon the easiest is to carry the two of you—him 'neath my arm, and you on my shoulder."

And so it was; Titch knelt down and offered her his hand to step up onto; from there she got into a comfortable sitting position on his shoulder and took a good hold of his hair. He seized the trembling ass with both hands and tucked Alexander under his arm, and away they went, back down the path to her cottage. Each one of Titch's strides covered a good thirty feet, so Elena reckoned that was probably how tall he was, since a man can usually stride the length of his own height when he's in a hurry. It was a very good thing that she no longer had any difficulties with heights, though.

The giant's hair was like strands of yarn, so it was easy to hold onto, and his broad shoulder made a surprisingly comfortable seat. He kept up a lively conversation with her as they walked, modulating his voice so as not to deafen her. She suspected that he must spend a reasonable amount of time around humans to be that sensitive about their needs, and a moment later, he confirmed that.

"And the wife says to me, Titch,' she says, 'Your old mam's getting creaky in her bones, and I'm not so young anymore. Can you find me a couple of human lasses and lads to help with the cleaning? They can get where I can't.' And Godmother Bella, she set us up with some lively folk that don't mind living off in the beyond. Said they was tenant farmers turned out by the lord for havin' sauce. 'Sauce away,' says I, 'I like a man who'll tell me what he thinks to me face!' and we get on as right as rain."

She hoped that Alexander was listening to this. It was the sort of thing he needed to hear. For here was a giant, a monster, giving help to humans who'd been dismissed, not because they hadn't done their work and done it well, but for speaking their minds. And furthermore, this same giant approved of men speaking their minds.

Then again, at this point, he had probably passed out from fear.

Before they were home, Elena learned all about Titch, his half-deaf old mother, his wife of thirty years, the four humans who helped them tend house and the herds and the sheep themselves.

Now, sheep don't live in forests, they live in grasslands, and Elena finally asked Titch what had brought him down into Phaelin's Wood.

"Oh," he replied, "That's no secret. Got a bargain with the Elves; when there's a storm I clear deadfall and leave it in four special places. Humans around about know where I leave it, and they go there for their firewood and stay out of the deep woods. So no trees get cut, and there's no one trampin' around where they shouldn't be. And I get deer when I get tired of mutton. When I felt that tuggin', I thought 'twas maybe one of the Elves that wanted something."

By this time, the lights of the cottage were gleaming warmly through the trees, and Elena felt her stomach whisper a complaint that it had been too long since breakfast. And that made her offer—though not without trepidation, since she wasn't sure they had enough food to feed a giant—"Look, we're here! Would you care to stay for supper?"

Titch laughed. "Ah, no, thankee, Godmother. I'll be taking my ram and be on my way. The wee wife'll be in a taking if I spoil her meal by coming home late!"

And it appeared that Titch was no stranger to the cottage, for once he'd set Elena down at her door and the House-Elves came out to see who was there, there was a round of friendly greetings and banter before Alexander was put down in the stable with strong charms about him to keep him from running away. Then Titch collected his ram, tucked it under his arm, and was off, striding away under the stars.

"So," Lily said, hands on hips, looking at the ass, who was still shaking. The lantern in the stable shone down on him, and she had to admit that he made a very good ass; strong, well-muscled. "What's the tale behind this one?"

Elena told her, and Lily raised her eyebrows. "Well," she said judiciously, "I hope you know what you're getting into."

I don't, actually, she thought, but she wasn't going to admit that. "It's within The Tradition," she pointed out. "Oh, I know, it's a little grey to haul him home with me and make him work for a while, but I could hardly have left him out in the forest. He'd probably have gotten eaten by something. And it's not as if I've put some impossible conditions for him to meet on his state."

"Hmm," Lily replied, as they walked back towards the house. "That wasn't what I was thinking. I'm more thinking what's going to happen when you give him his days as a man. You'll have to do that, you know."

She nodded; she'd given thought to that herself. Only the most powerful of Sorcerers and Sorceresses—good or evil— could do a transformation on someone without the risk that the person transformed would lose himself in the creature. For anyone else, there was the need to allow the person time as himself, in human form, on a regular basis. "I'll have him hedged around, believe me," she replied as they stepped into the warm, fragrant kitchen. "He won't be able to even think about violence, or about running off—"

"That wasn't what I meant—ah, never mind," Lily replied, somewhat to Elena's puzzlement. "We'll see what happens the first time he gets his day as a man."

"And in the meanwhile, we have an ass again," Robin said with great satisfaction. "Poor Dobbin was so old I was afraid to work him as much as we needed. I have plans for a great gathering of firewood tomorrow."

And Elena hid her smile behind a spoonful of soup. Tonight, the Prince of the Blood would be eating dry hay and drinking water. His only companions would be three cows. And in the morning, he would find himself roused at dawn and working harder than he ever had in his life until sunset.

She could hardly wait.

Chapter 12

Alexander woke slowly to the sound of roosters crowing. He'd always come awake slowly, for as long as he could remember, no matter how much racket anyone made. In his days at the military academy he might have gotten into trouble over that, if he hadn't been the Prince.

As it was, some—adjustments—were made to the usual procedures for cadets. Not to allow him to lie abed longer, good God, no—King Henrick would never have countenanced that. No, another arrangement was made. While the officers did not allow him to lie abed at reveille until he was actually awake, they did allow his batman to come in and begin the waking process for him alone, specially, a half hour early. He had a batman, of course, though the other cadets did not. And he had his own room, though the other cadets shared a dormitory. He was a Prince of the Blood, after all. While he was expected to abide by discipline and study as hard as the rest, he could scarcely be expected to shine his own boots or make his own bed. It was thanks to the batman that by the time the bugle sounded, he was awake and ready to fall out with the rest of the class.

As thoughts began to form with glacial slowness, he gradually realized that something wasn't right. He didn't feel right, and there was something different about his surroundings. He was lying all wrong, and he wasn't in a bed.

A new thought oozed to the surface; of course, he wasn't in his bed at home, he was on his way to win Stancia's daughter. He couldn't be in an inn, though, or he would be in a bed.

No, of course he wasn't in an inn. He'd been wandering around for days in the wilderness. He should have been in the forest, but there weren't any roosters in the forest. So something was still wrong.

He managed to move a little, and a foreign aroma—not unpleasant, but foreign—came to his nose, along with the crackle of something underneath him. From the scent, he seemed to be lying in straw.

He managed to move again, although he could not get his eyes open. His foot hit a wooden wall. He was lying against another. He got one eye open, got a hazy impression through sleep-fog and predawn light, of a narrow space hemmed in by crude wooden walls.

He was in a stable, in a stall. He was lying in a very odd position; he should have felt cramped, but he wasn't. He looked down at himself.

He had four legs. Four stubby, hairy legs, ending in hooves.

He had in his life, on a very few memorable occasions, come awake in a single moment. This was not the first time such a thing had happened, but it was certainly the worst.

He remembered everything, all in a rush. That horrible woman. The curse. Julian. The giant.

The memory sent a cold shock through him, jolting him into movement fueled by anger. All four hooves scrambling, he heaved himself up, braying at the top of his lungs, full of rage and despair.

And knocked himself senseless on the manger he'd somehow wedged himself underneath in the night.

The second time he awoke that morning, it was with a head that pounded as if five men were playing bass drums inside it, and a pain behind his eyes that stabbed all the way through his brain with every beat of his heart. And this time, he couldn't remember where he was or what he was doing there; he gazed around at what was clearly a stall in a stable without any idea of how he had gotten there. Before he could get his thoughts clear, he realized that there was someone standing over him.

"All right with you, lad," said the voice above him. "Time for you to go to work."

Work? But— Then it hit him all over again. For a second time the memories came back to him in a rush, but this time he was feeling too sick and his head hurt too much to sustain the rage. He lifted his head from the straw and looked blearily at his captor.

It took him a moment to realize that it wasn't a human, although it was a male.

The—man?—couldn't have been taller than three feet, but he was as weather-beaten and wizened as an old man. He had overlarge ears that came to hairy points, and wore clothing that Alexander associated with common laborers or peasants; homespun shirt, leather breeks, canvas tunic. His clothing looked new and clean, though, and the creature had a bridle in his hands.

A bridle? He wouldn't! The man wouldn't dare!

Alexander opened his mouth. He was going to say, "I am a Prince of Kohlstania, and I demand to be restored!" except that what he started to say came out in a bray, and anyway, as soon as he opened his mouth, the creature jammed a bit into it. And the next thing he knew, his head had been trussed up in the bridle, and the creature had the reins firmly in his hand.

"Up with you!" the creature said, and he must have been immensely strong, because somehow he hauled Alexander to his feet by main force. The Prince swayed there a moment, torn between rage and fear. He'd always thought of himself as a brave man, but this time it was the fear that won, and he tried to bolt, only to find himself brought up short by the reins that were now tied to the manger. He reared and fought the bridle, kicking not at the man, but wildly, at random, trying desperately to break free.

"Hold still ye daft bugger!" said the little man, who then brought his fist down on Alexander's nose.

Hitting the manger with the top of his head had been bad. This was infinitely worse. Alexander went nearly cross-eyed with the pain. His knees buckled, and he almost fell. Darkness speckled with little dancing sparks covered his vision, and when he could see again, there was a harness on his back as well as the bridle on his head.

The little man came around to the front of him and seized both sides of the bridle, pulling Alexander's head level with his. "Now you listen to me, my fine young Prince," said the man, staring into Alexander's eyes with an expression that was perfectly readable. Alexander had seen that expression on his father's face many a time; it meant, cross me and you'll pay for it. "We know who you are, and we know how you come to be what you are, and we don't give a toss. You're not in Kohlstania now. You're in Godmother Elena's house, and what she says is law. You stepped over the line, my buck, and you'll take what's coming to ye like a man, or ye'll be treated like the brat she says ye are. You understand me?"

He was seething with every passionate emotion in the book, and they all tangled up with one another and got in each other's way. Run! said fear, and fight! said anger, and lie down and die said despair. He was trapped, trapped in the web of a Witch and even if he could get free, where could he go? He didn't know how to get home again, he didn't know where he was, and even if he did, how could he tell anyone what he was?

"There's no use you trying to run," the little man went on remorselessly. "Any peasant that sees you running loose is going to grab you to work his land and bear his burdens. Half of them can't read nor write, so it's no use thinking you can scratch out what you are in the dirt. And anyway, the ones that are literate around here are all beholden to Godmother Elena and before you can say 'knife' they'll bring you right back here. So. Until you mend your ways, I'm your master. You do what I say, and do it honestly, and we'll get along all right. You try to cross me up or give less than your best, and you'll find out that I'm no bad hand at fitting the punishment to the crime myself."

He believed the little man. He believed every word. They had that ring of truth about them that he used to hear in his instructors' voices at the military academy. Despair won out over every other emotion, and his knees went weak. Oh, God, help me! he prayed. Deliver me from the hands of my enemies! He wanted to weep, and he was denied even that, for he was trapped in the body of an ass and animals could not cry. And God did not seem to be answering him today.

"I see we understand one another," the little man said, with immense satisfaction. Then he looked up, and when Alexander in turn raised his head to see what the man was looking at, he found himself gazing into the knowing eyes of that terrible woman....

"No beating him, Hob," said the woman.

The man frowned. "But, Godmother—"

"I'm not saying not to give him a sharp stripe or two if you have to get his attention, but no beating. If you beat him, all he'll learn is the old lesson he already knows, that the strong have the right to enslave the weak. If he's ever going to warrant getting his old shape back, he has to learn better than that." The way she was talking about him as if he wasn't there or couldn't understand her made him mad all over again. But the little man was still holding his bridle, and the memory of that blow to his nose was a powerful incentive to him to stand quietly.

"Now, my lad," said the little man, "it's time for you to earn your keep and get to work."

Well, maybe he wasn't going to fight where he couldn't win, but he would be damned if he was going to be this woman's slave!

He set all four hooves and refused to move, staring at her and her minion defiantly.

"Ah. So that's how it's going to be," said the woman, when all of the man's hauling could not make him move an inch. "Good enough, then. Hob, tie him up and make sure there isn't a scrap of hay or a grain of corn about. But do put fresh water within reach; I want to teach him a lesson, not kill him or drive him mad." She put both her hands on her hips and matched his defiant glare. "If you won't work, you don't eat."

He snorted angrily at her.

"Very well, have it your own way," she replied. The little man tied his reins short, and left a bucket of water hung within reach. Then he, too, left, and Alexander was alone in the stable.

It didn't take long for him to get bored; there wasn't much to look at. The high walls of the stall cut off his view of anything outside, so he was left with the rough wooden walls, the old bucket on a peg, the manger, and the straw-strewn dirt floor to stare at. The view palled pretty quickly.

He closed his eyes, and listened. Roosters crowed occasionally or a rooster did; he didn't know enough about chickens to tell if there was more than one. Hens clucked, and beyond that, he could hear several sorts of birdsong and jackdaws calling. And someone humming, someone female. He couldn't imagine a Witch humming under her breath, so it must be yet another servant.

His stomach growled. It had been a long time since yesterday's lunch. He buried his nose in the water bucket, and then snorted and choked as the water went up his nose.

It took several tries before he figured out how to drink as a donkey.

The water eased his hunger temporarily, but what began to creep in on him was another sense, so much sharper that it might have been an entirely new one. He could smell everything!

The straw under his feet, for instance, strong and strangely appetizing. The damp earth under the straw. Green growing things, a smell which began to tease him mercilessly with need. Baking bread, which drove him mad with wanting it. The scent of roasting meat which, oddly, was faintly nauseating. A whiff of honey, which made his mouth water.

He'd never actually missed a meal in his life before this. He was behind by two, now.

Could you eat straw, if you were a donkey? He strained at the rope and reins holding his head to the manger, but they were tight, and so were the knots. The straw was just out of reach.

Damn them!

Could he bite through the bonds holding him?

He gave it a try, but the leather was tough and wouldn't yield to his teeth. And the additional lead-rope was thick; even if he could get through the reins, he didn't think he could chew through the rope.

He almost gave up, but the thought of the Witch's smirk galvanized him. He started in on the rope. At least it was something to chew.

Elena heard Randolf laugh, and looked up from her writing. "What's so funny?" she asked.

"He's chewing on the ever-renewing rope," Randolf replied, with unconcealed glee. "Oh, I know it's not that funny, but I can't wait for the moment when he figures out that however many strands he breaks, they always get replaced."

Sometimes Randolf shows his origins a little too clearly to be comfortable, she thought. And the personality traits he picked up from his previous owners. It was like the wicked Sorceress to whom he had belonged to take delight in the pain of others.

She kept her tone light, however; there was no point in rebuking Randolf, as he wouldn't understand why he was being chided. "I think it will be more interesting to see how many meals he misses before he gives in," she replied.

"You ought to let me give him a good hiding," Hob said from the door. She turned her head to see him standing there with his arms full of clean linens. She wondered how long he had been there.

"I'm not going to kill him with kindness; he's already had much too much spoiling in his life, and I've no desire to reinforce that. But I told you before, and I will repeat it, there will be no beatings," she said adamantly. "It will just make him feel martyred and justified. Think, Hob—if you beat him, he'll be certain that he is in the right. Can't you see that? No, we have to do this the hard way. Nothing to make him feel that we are worse than he is. Everything to make him see that our way is the better way."

"Hmph," Robin said from behind Hob, his arms full of clean clothing. "Spare the rod and spoil the child is what my old father used to say."

Elena pursed her lips and frowned. "But he's not a child. Not by our count of years, anyway. No, the lessons he learns have to come from his pain, things that he essentially brings on himself, not from anything we actively do to him."

She returned to writing her part in the tale of Stancia's daughter thus far. She already knew, thanks to another volume that was writing itself down in the library, that Prince Julian had passed the second of his tasks, freeing a fox whose tail had been caught in a log. It was not just any fox, of course, but he was not to know that, and the Fairy Godmother who was responsible for that task did not elaborate on just what sort of "fox" it had been. Prince Octavian was nowhere to be found at the moment, but she wasn't worried. There wasn't much in Phaelin's Wood that could harm a fully armed man the size of Octavian, though by now he was surely getting tired, unkempt, and rather hungry.

Now, if he ran across a segment of road where an "All Forests Are One" spell had been put in place and was still active, there was no telling what he might run into. And, of course, there was always the chance that an evil magician would get wind of his wanderings and intercept him. But that was out of Elena's hands now; Karelina was back in her place, and what happened to Octavian was largely up to her.

And when she began to feel a little pity for him she just thought of his stone-cold expression as he looked right past her and moved on. No, he deserved what he got, and like Alexander, the end of his punishment was in his own hands.

She finished her chronicle and fanned at the ink to dry it. "I think it'll be tomorrow before he gives up," she said, consideringly. "And at the end of six days, I'll have to give him a day as a man, you know."

"Hmm. Dangerous, that," Hob said. "And Madame, we're not much help if he decides to attack you."

"I know; I've planned for that," she replied. "At least, I hope I have."

If missing breakfast had been a torment, missing lunch was an agony. All Alexander could think about was food. The hot summer breeze from the garden brought him the scent of the vegetables out there, and to his surprise, he could identify them by their scent, if he didn't think too hard about it. Not that it helped; if anything, it made it worse. And the scent of baking bread— oh, if there was a heaven for horses, Alexander now knew, intimately, that it was full of loaves of fresh-baked bread. The aroma of fresh-cut grass made his mouth water. The scents of other things were not at all tempting, but the memories of the foods he had enjoyed as a man were maddening. And no matter how hard he tried not to think of them, more memories of sumptuous breakfasts, al fresco luncheons, and amazing feasts piled into his mind to the point where he could taste his favorites. It didn't help at all that there was nothing to see or do in this stall, with his head tied up to the manger. He was able to hear things perfectly well, but it wasn't enough to occupy his mind, and what he could scent for the most part only made him hungrier.

By nightfall he had learned two more things. The first, that not even three buckets of water are enough to keep hunger at bay for long, and the second, that all that water has to go somewhere. That was when his final humiliation occurred, that of having to stand in his own—well. He could only hold it for so long, after all.

If he'd thought it smelled when he was a man, it was a lot stronger to a donkey's nose.

The strange little man came and carried the soiled straw away, but still—he'd had to stand over it for hours. He vowed that if he was ever himself again, he would assign a stableboy the task of doing nothing else but carrying away mess as soon as it was made.

It was humiliating. Dreadfully humiliating.

Darkness fell without anyone coming to look in on him but that little man, who elected not to speak to him. When it was pitch-dark in the stable, he managed to fall asleep again, actually standing up as horses did, even with his stomach growling at him.

He woke in the middle of the night, out of restless dreams interrupted by hunger and emotions he couldn't exactly put a name to. It was very dark in the stable, too dark to see anything. His ears twitched, and it was an extremely strange sensation to feel them twitching, to feel the air moving over the surface of them, to be aware of how big they were. He'd never been aware of his ears before, only of the sounds they brought him.

There were owls hooting out there. His ears twitched again, and he realized he could pinpoint where they were, or close to it. They were moving, flying from tree to tree, he guessed, calling to each other. Were they mates?

Why couldn't she have turned him into an owl?

He heard crickets outside the stable, frogs somewhere in the distance; the night was a rich tapestry of sound the like of which he had never experienced before. Was this what life was like for an animal?

Why couldn't she have turned him into a frog? A frog would be better than a donkey.

He heard something else, then. Something coming in out of the forest. Two things; hooved beasts, he thought, walking so lightly they hardly made a sound. Deer?

Being a deer wouldn't be bad.

He felt his nostrils spreading as he tried to scent what it was that was out there. And what he got was a bizarre odor that his donkey-instincts couldn't identify....

It was sweet, with musky overtones. Not horse, certainly not deer or goat—too sweet for any of those. If a flower could have been an animal, or an animal a flower, it would have smelled like that.

"The Godmother said to eat the lilies," whispered a voice out there in the darkness. "Not the peas."

A second voice sighed. "But I like peas," it objected. Then he heard a snort. "Enemy!" it said, more loudly. "I smell—"

"Godmother's," said the first voice dismissively. "A Quester who failed."

"But it is not a virgin!" the second objected, disapproval heavy in its voice.

"It is also not a man" said the first. "And the Brownies are not virgins, either. Let the Godmother deal with it."

"All right, you two!" snapped a third voice that was altogether and detestably familiar to Alexander. His tormentor, the little man with the bad temper. "We figured some of you would be here tonight. Come along; the Godmother wants a word with you."

"But we didn't touch the peas!" objected the first voice indignantly.

"Yet," said the voice of the Witch's little servant, darkly. "Now, come along."

"Will we get to lay our heads in her lap?" asked the second voice, so full of hope and yearning that it made Alexander blink. Then blink again. Why would someone want to put his head in that Witch's lap?

"We'll see," the little servant replied. "Just come along."

The sound of hooves and feet moving off was the last he heard of that conversation.

He finally fell asleep again, falling back into troubled dreams that were interrupted at the first hint of light when the chickens began fussing over something. If anything, he was more hungry—and more stubborn—than ever.

This day was a repeat of the first. At this point, he would so gladly have eaten even the dry straw at his feet that he found himself tearing at the lead-rope on his halter in a frenzy of activity that ceased only when his jaws tired.

That was when he took a good look at the place he'd been gnawing on, and cursed the Witch fervently and thoroughly.

There was no sign, none whatsoever, that he had been chewing on it for most of two days. It was magic of some sort, of course.

More of that cursed magic! A surfeit of magic! When had he ever had anything to do with magic? Oh, he knew it existed, but at a distance. The peasants called on Witches and other magicians to help them, because they were—well—stupid peasants. It was not the habit of the sophisticated folk of the towns to do so; or if they did, they did not do so openly. Certainly not one of the people of King Henrick's Court ever used magicians, for his father prided himself on surrounding himself and his sons with people who were rational and logical, and had no need of magic. Magic was for those who did not have the intelligence to come up with other solutions. Magic was for the weak, for it relied on weak little things like potions and talismans. The strong used their own will and force of arm to bring about what they desired. It appalled him in a way, how quickly he had come to accept so quickly that magic really was strong enough, after all, to bring him to his knees.

And it had. It had brought him to his knees. Because when the little man arrived just before darkness fell, with the last bucket of water for him, he heard himself saying—or rather, braying— "Stop."

The little man looked down his long nose at him. "Oh?" he replied. "You have something to say to me?"

"I'll work," he said, in despair, so hungry now that he was positively nauseous. "I'll work tomorrow."

"I see." The little man put his bucket down, and regarded him skeptically. "So I feed you now, and in the morning, you decide that you won't work, after all. I didn't fall off the turnip cart yesterday, young man."

Alexander shook his head impatiently, unable to comprehend just what that was supposed to mean. "I pledge it. My word of honor. Feed me, and I'll work."

The little man hmphed and glared at him.

"Word of honor. My word as a Prince of the Blood and a knight," he repeated, his temper starting to rise. Just who did this dwarf think he was, to question his word?

"Just now you're an Ass of the Blood, and more like the thing the knight would use to carry his squire's bags," the little man observed, crossly. "And you certainly weren't acting like a knight when you tried to run the Godmother down. But the Godmother said you might make that sort of pledge, and that I was to accept it if you did. All right, then. Pledge accepted."

He left the bucket of water, went off somewhere, and returned with a pottle of hay and a great wooden scoop of something. Alexander felt his nostrils widening again as he greedily drank in the scents, and identified them as not only the best clover-hay, but a scoop of grain as well. The oats went in the manger, the hay in a hay-bag the little man tied to the side of the stall, and then it was a matter of a moment and the little man had the bridle off as well.

Alexander had no thought for him; his nose was deep in the grain and he was on his first mouthful when the man hit him— lightly, this time—between the ears.

"Mind!" the man said sharply. "You're a man, think like one, ye gurt fool! Eat too fast and ye'll founder!"

Curse it! He's right. So though his empty stomach was crying out for him to shove the food as quickly down his throat as he could, he did nothing of the sort. He chewed each mouthful slowly and carefully, counting to twenty before he took the next—and he wasn't taking big mouthfuls, either, just dainty little bites. He didn't shove all the grain in first, either; he alternated. One bite of grain, one mouthful of hay torn from the net, one sip of water.

He would never have believed that anything could taste as good. It surprised him, actually; he'd expected the hay to taste like—well, hay. It didn't; it was a little like dry cake, a little like new peas, and there was just the faintest hint of nectar; in fact, it tasted like new-mown hay smelled, utterly delicious. As for the grain, it was earthy, a little bit truffle-flavored, and a lot like bread-crust from the best bread he'd ever eaten. Well, no wonder horses seemed to enjoy these foods so much! It made him wonder what grass tasted like.

When the little man was certain that he wasn't going to eat fast enough to make himself sick, he took himself off with a grunt and a word of warning.

"I'm not going to leave you tied up tonight," the man said, "but remember what I said about running away. Try and run off, and you'll soon find yourself in more trouble than you think. If you're lucky, someone will eventually figure out you belong to Madame Elena. If you aren't, the work you'll be doing will make what I have planned for you seem like mild exercise. And if by some chance you actually manage to get into the deep forest—"

Something about the relish with which the little man said that made Alexander look up at him. He was grinning. It was not a sign of mirth.

"—let me just say that the packs of wolves in the forest would find donkey-flesh quite the tastiest thing to come their way in a long time. Fancy yourself being able to take on a wolf pack in your current shape?"

Since Alexander had no illusions about being able to take on a wolf pack in human shape, he shook his head.

"And that's just the wolves. There's other things in there you'd rather not learn about." The little man slapped him on the rump. Alexander elected not to protest the insult to his dignity. "So be a good little Prince and stay where I've left you."

Only then did the little man walk out, leaving Alexander alone again. Only now he had a full stomach, and the ability to pick a clean spot to lie down in, and when he did so, he slept the dreamless sleep of the utterly spent.

It was Alexander's fourth day of working for the little man, whom he learned he was supposed to refer to as "Master Hob," and he ached in every limb.

He had thought, when he underwent his training as a knight, that he had worked hard. He had certainly exercised until he was ready to drop, and he had certainly gone from dawn to dusk— but it was not this bad. He had thought that he had exerted himself when he had been in the military academy. And he had indeed done hours of drilling in all weathers, but that had been nothing compared to this.

They had gone out every single day at dawn and he had spent every morning hauling deadfall out of the forest. This meant that he was hitched to a tree, and had to pull and strain until he pulled it loose from the undergrowth, then had to drag it all the way back to the cottage, where the little man unhitched it at the woodpile. Then they went back after another tree.

Then, after a break for a meal, he spent every afternoon but one hauling stones to build a wall—the one he did not spend in hauling stones, he spent hitched to a cart on a trip to and from some village nearby. Relatively nearby, that is; he had never before appreciated the difference between being the one doing the riding or driving, and being the one doing the pulling.

Then, after a final meal, he spent each evening until twilight with panniers over his back, in the company of someone he was supposed to call "Mistress Lily," tramping about in the forest again, this time so that Mistress Lily could pick wild herbs and berries and bits of things he couldn't identify.

He had to admit that the little man worked just as hard as he did—he was the one hacking the brush away from the fallen trees, hitching them to the harness, and guiding them, and he walked the entire way. He was the one piling the stones into the garden cart, dumping them at the wall, and building the dry-stone wall himself. And it hadn't been Master Hob who had driven the cart to the village, it had been a second little woman whose name he did not know, for Master Hob had been busy with some other task.

If this sort of thing was easy work, he did not want to contemplate what the peasants outside of the grounds of the cottage would do with him if they caught him trying to escape.

But his memory was giving him some hints, with bits of recollection of things he hadn't paid a lot of attention to at the time. Donkeys with bundles strapped to their backs to the point where it was hard to see anything but four staggering legs and a nose. Donkeys hitched to carts that a warhorse would have been hard put to move. Donkeys so thin you could have played a tune on their ribs, their patchy hides showing raw, rubbed places and sores where flies had been feasting on them. He'd seen these poor beasts, often enough, in the streets of Eisenberg, the capital of Kohlstania, and in Polterkranz, the city where the military academy had been. He'd seen them, and his eyes had skimmed right over them. He certainly hadn't done anything about them.

He had plenty of time to think about them now; hauling things didn't take a lot of mental concentration. Why did you look right past us? said those sad, reproachful eyes in his memory. Why did you ignore us? Why didn't you help us?

But they were just donkeys, brute beasts, he tried to rationalize. They weren't men, they hadn't been men! They couldn't suffer as I am suffering!

Oh, no? replied that other, hateful voice in the back of his mind. Really? And it would force him to remember those thin bodies, those sores, those hopeless, glazed eyes.

Those thoughts, well, plagued him like the flies he'd been cursed with until another little man, this one called "Master Robin," had come out with a bottle of something that Master Hob had rubbed into his hair and hide. It smelled sharply of herbs, but whatever it was, it kept the flies away.

Nothing kept the thoughts away.

Nor was that all; it was only when he hurt the most that he thought about those donkeys. When he was resting, other thoughts swarmed him. What was his father thinking? Julian's palfrey must have gotten home by now. Riderless, with cut reins. What was the King thinking? What was he doing? Had he sent out riders to look for Julian—to ask after Octavian and Alexander? If he had, he would have found only that their trail stopped at the forest, and he could scour the forest all he liked, but he'd find no trace of any of the three of them.

Would he send to King Stancia? If he did, he'd find out that Julian, at least, was there. What was going on for Julian? Were the trials of the Glass Mountain over? Had he won the girl and the throne, or had he already started his defeated way homeward? And what would he tell their father, in either case?

The questions buzzed in his head like the flies, and tormented him. They were his last thoughts before he went to sleep at night, and his first thoughts when he awoke in the morning. There were other questions too, but they were not as urgent—

Still, when his mind wearied of going around and around in the same fruitless track, they did float to the surface. Just who— and what—was this "Fairy Godmother" person? What did she want with him? It wasn't ransom, or anything else he could understand. It wasn't some sick desire to see him suffer, because she was never around, or at least, never around him. What did she want? What did she think she would gain from keeping him in the shape of a donkey? If she was this powerful a magician, what in heaven's name was she doing in this cottage out in the middle of nowhere? Why wasn't she ruling a Kingdom herself? It made no sense!

It all made his head ache—and none of it stopped the anger inside him from building, either. He worked it out during the day by throwing himself into the tasks he'd been given, but it burned in him all the time.

Such was the state of his mind and heart when, on the morning of the seventh day of his captivity, he woke—slowly, as ever, in the thin grey light of predawn—to find that he was himself again.

And the mysterious "Godmother" was standing over him, magic wand in her hand.

Chapter 13

He lay there, staring up at her stupidly for a moment. His vision was a bit foggy, and more than a bit distorted; he had trouble focusing until he realized that his eyes were now on the front of his head, not the sides. He shook his head, trying to make his mind wake up. Then, of all the ridiculous things to be worried about, his first reaction was of horror—that he had come back as a man and was now lying there naked in front of her, at her feet, like some sort of—of—

Naked slave boy? the voice in the back of his mind suggested slyly.

But in the next moment, relief washed over him, for no, he was exactly as he had been when he was transformed into an ass in the first place. He was still wearing the same clothing, in fact, though it was a bit worse for wear.

He blinked again, his eyes still having trouble focusing. And the feeling of having only two legs again was extremely disorienting.

"Wake up, your highness," she said, prodding him in the ribs with a toe, her tone of voice making the honorific sound very sarcastic. "I can't leave you a donkey forever, much as I would like to. If I do, you'll become more ass and less man with every passing day. Not that you weren't an ass already," she added matter-of-factly, "but it was a rather different sort of ass."

He really wasn't thinking as she was speaking; he was really still waking up, right up until the moment she finished talking to him. Then, with a jolt, his mind started working.

And he didn't exactly think. Instead he reacted in the way he had fantasized he would in the first hours of his captivity.

He leaped to his feet.

He meant to lunge at her, at this vile Witch who had ruined his life. He had done it so many times in his mind, he would throw her to the ground and truss her up, then demand that she restore him his possessions and send him home—

But his balance was all wrong. His legs didn't work right. But after tripping and falling, he scrambled to his feet again, anyway.

He made a grab for her—

—and there was a sort of bang, and a flash of light—

—and he found himself flat on his back in the straw with a monumental headache.

"As I was saying," the woman said, calmly, but with an edge to her voice, and her blue eyes flashing with suppressed anger. "I can't leave you in the donkey-skin for more than a few days without your mind becoming more donkeylike." She looked down at him and shook her head. "Not that it would be a huge difference, apparently. So once a week or so, you'll get to be a man for a day and—"

He leaped to his feet for a third time, despite pain in his head that threatened to send him to his knees. This time he didn't make the mistake of trying to attack her; instead, he just shoved blindly past her and ran.

He blundered into the wall of the stable, but the clean, chill air braced him, and he staggered a few more paces, then broke into a real run, his steps growing more sure with every moment.

In the thin grey predawn light, he got his bearings by the cottage. He could get away; the Witch hadn't a prayer of catching him. After all, he knew the forest around here, now. He even knew how to get to the village. And while the villagers might not treat an enchanted donkey with any consideration, they couldn't ignore the demands of a Prince of Kohlstania!

He sprinted down the path to the cottage, then leaped the low stone wall around the garden and pelted for the road. In a moment, he'd be in the forest, under the trees, and she didn't have a horse to chase him on, nor did she have a hound to track him with. He—

—found himself pelting down the path to the stable.

He whirled, and reversed himself, running this time for the forest itself rather than the road. There must be some sort of spell on the road; fine, he'd get into the forest and get onto the road again later, he'd get to the village that way. That would be even better! She couldn't possibly find him in the forest and—

—he found himself running down the path to the stable.

"So, how many tries you going to make before you figure it out, boy?" asked a voice to his right. He stopped, and looked. The little woman called Lily stepped out from between two blackberry canes, her head, crowned by a flat straw hat, bobbing with suppressed laughter. "You reckon we're all as big a set of fools as you are? It's you the enchantment's on, not the path, nor the forest. You can't leave here unless the Godmother lets you."

He heard footsteps coming towards him, and saw the Witch emerging from the stable and walking towards him in a leisurely fashion, a smug smile on her face. And rage completely overcame him.

He seized a pointed stake supporting a plant and yanked it out of the ground; he hadn't intended to kill her before, but this was clearly war, and none of the laws of chivalry applied! And if he couldn't touch her, he was a prize-winner at the spear and javelin—

He pulled his arm back to impale her at the same time he caught a kind of silvery flash out of the corner of his eye.

And suddenly, he found himself looking at something very sharp, the tip of which was less than an inch from his eye.

It was the shining silver tip of a Unicorn's horn.

He clutched at his improvised spear, wondering if he could manage to duck under the threatening horn to kill it before it killed him—

There was a second flash, and a second Unicorn in his path. This one was braced to charge, and the tip of its horn was pointed somewhat lower than the first's. Very much lower.

He gulped, and his hands clenched hard on the stake.

"I wouldn't do that if I were you," said the first Unicorn, its voice hard and angry.

"That's right. You aren't a virgin," the second said, in a tone of accusation. Then it snickered. "But try it, go ahead, and you'll wish you were."

His mind raced for a moment. What did being a virgin have to do with—

Oh.

Of course. Unicorns were not only held spellbound by virgins, but they were the protectors of virgins.

He remembered the things in the night-shrouded garden, the conversation he'd overheard. So—the Witch was a virgin?

Not a big surprise, he thought sullenly, if this is how she treats real men.

He dropped the stake, and the Unicorn imperiling his eyeball backed away a pace or two, without dropping its threatening posture. The Witch came up even with the second Unicorn, and placed a hand on its shoulder.

Oh, yes. The bitch is a virgin, all right.

It would have been funny, under other circumstances, to see how the Unicorn tried simultaneously to melt under the Witch's touch and maintain its threatening posture towards Alexander. She would have been attractive, under other circumstances. He wouldn't have minded tumbling her if he found her serving as pot-girl in an inn. But at the moment—

"Now, if I may continue," the woman said, one hand absently petting the Unicorn's neck, "you will be permitted to wear your shape as a man from sunrise to sunset, when you will become an ass again." He thought for a moment that she was going to make another one of those nasty comments, but she evidently restrained herself.

"But just because you're wearin' your man-shape, my lad, don't think that means you don't work," said that detestable Master Hob from behind him. "The same rules hold true whether you're a man or a beast; if you don't work, you don't eat."

The Unicorns both seemed to wake up a bit, and became all threat again. And perhaps that was because Master Hob stepped past Alexander and shoved an axe into his empty hands.

He hefted it experimentally. It was a woodman's axe, of course, and not a war-axe, but—

"Don't even think about it," Master Hob warned, and poked him hard in the ribs with the stake he'd dropped. "She's been easy on ye until now. And there's more Unicorns where these twain come from."

"Don't I even get some breakfast, first?" he said, plaintively. His voice sounded unpleasantly whiny, even to him.

The Witch raised one eyebrow. Master Hob nodded at the east. "Sun isn't up yet," he countered. "You go over to the woodpile, and you chop some wood. Your breakfast'll be ready when it's ready."

"You ought to let us poke him, Godmother," said one of the Unicorns, as the Prince slouched angrily away in the direction of the woodpile. "You ought to drop the spell and let us chase him away with holes in his hide. You don't need him here."

"Of course I don't need him here," she replied, looking after him thoughtfully. "But he needs to be here. He has lessons to learn."

"Then let him learn them in the forest," said the second, in an uncanny echo of what Master Hob had said to her just this morning before she transformed him.

"That one's all trouble, Madame Elena," he'd said, shaking his head. "Let me go down to the village and buy us a new donkey. Drive him out into the forest like his brother."

She tapped her cheek with her wand, looking after him—astonishing how like a sulky adolescent he looked from the back!—and finally shook her own head and walked briskly back up the path to the cottage.

She was of two minds about letting him inside to eat. On the one hand, she wanted to keep an eye on him to assess him; on the other, the rest of the household was divided over keeping him on, and that sort of tension would only be increased if he shared the breakfast table with the rest of them.

Lily thought he was hilarious, and so did Rose. Robin was of two minds about him. Hob thought he was trouble waiting to happen.

Randolf's reaction was predictable; to Randolf, Prince Alexander and his family were a fresh new source of entertainment.

Julian's horse had returned to its stable with the desired effect. King Henrick had frantically sent searchers on the path of the Princes, only to learn that once they entered Phaelin's Wood, they vanished. He was frantic; he had sent messengers on to King Stancia to determine if any of the Princes had arrived, but the messengers were being delayed by Stancia's Sorcerer. Prince Julian had only just completed the last of the tasks—which was to play chess with the Sorcerer with impossible stakes.

Now, the Sorcerer's intention there had been something that was the talk of all of the white magicians that had heard about it. Everyone agreed that the way he set up the final task was a brilliant bit of trickery. If Julian lost, two things would happen. The Princess would be "spared"—the Sorcerer cleverly did not specify what she would be spared. The second thing was "you will meet your fate." But of course at this point, Julian was putting the worst possible interpretations on everything. He assumed that it meant that the Princess would live and he, Julian, would die.

On the other hand, if Julian won, the outcome would be just as bad, from the point of view of someone who was worried about the Princess. "You will live. The Princess will be no more—" Of course, what he didn't know was that the Princess would be no more, because her father intended to make her Queen and co-ruler, with her new husband.

And Julian, of course, being the gallant young fellow that he was (and probably hoping that somehow he could wiggle out of the "fate" that awaited him), threw the game. So by losing, he won, which was the whole point of the trial, not the outcome of the game itself.

At this point, of course The Tradition was in full flood, and the moment they set eyes on each other they were passionately in love. The Sorcerer was making certain that the wedding went off unhindered in order to have King Henrick's messengers arrive at the wedding-feast itself. Beautiful timing. This put any idea of Julian returning home out of the question; he was Prince Regnant now, and had his own Kingdom to rule, King Stancia having established Julian and his daughter as co-Rulers, and intending to abdicate in a year or so. So the messengers would return home with the news that the most despised of the three had triumphed, but with only the vaguest hints of what had happened to the other two Princes.

Meanwhile, Karelina in Phaelin's Wood had passed Octavian on to Arachnia. And that was proving to be a stroke of genius. Arachnia and her consort looked the part of Evil Sorcerers, and at this point, they really enjoyed playing the part so long as they could do so without ever harming anyone. So Octavian was now wandering about in Arachnia's forest, a place perpetually shrouded in gloom, dripping with rain, thick with will-o-the-wisps and foxfire, abounding in giant frogs, enormous insects, and colossal spiders. Some of the weirder tribes of the Fair Folk liked to live in such surroundings, and they were all of the mischief-making sort. The place was tailor-made to give Octavian the sort of lesson he deserved, and eventually Arachnia herself would take over the final portion of it, as he was reduced to begging at the door of her kitchen for shelter and work. And when he proved himself worthy, he would be sent home, beautifully clothed and armed, on a finer horse than anything King Henrick had in the stables. Randolf had done some delving into the past for her, and it seemed that Octavian was less of a bully than Elena had thought; the "bullying" was Octavian's clumsy attempt to get Julian to come up to the standard that their father thought was acceptable. It wasn't done out of sadism or spite; in fact, Octavian was dimly worried for his youngest brother, afraid—

Well, what he was afraid of was the sort of thing that one didn't talk about in Kohlstania. But one single conversation that Randolf dug up explained it all. Octavian had been talking to his best friend, the Master-At-Arms of the castle. "Afraid he's turning into a—" Octavian's voice had dropped to a whisper"—a nancy-boy." Both men had shuddered, as at a fate so much worse than death it didn't bear thinking about. Octavian had straightened his shoulders. "Gotta cure him of that, by God," he'd said gruffly. "Can't have that in the family. Disgrace! Besides, Papa'd kill him." And Octavian had then gone about, making his clumsy, simpleminded best effort to turn Julian into a Real Man for his Own Good.

Alexander had missed all of this, of course, having been packed off to the military academy to get him away from Julian's possible "taint."

All of which explained a great deal about the youngest and oldest scions of the Kohlstanian Royal Family. Julian was the rebel, in his own quiet way, and had come out of it all the better man—certainly the more humane man. Octavian desperately needed some of that moral superiority shaken out of him.

But Alexander—Alexander was a different kettle of fish altogether.

He was afflicted with Octavian's sense of moral superiority; he was also afflicted with a case of class superiority. But there was one more little problem with Prince Alexander. It was what the military academy had made out of him.

She sighed. She did not understand it, and could only observe the results, which were dire. There was no apparent connection in his mind between himself and the vast majority of mankind. The only people that mattered were the ones of "his" class and a little below. Everyone else was chattel.

She suspected this was because the military academy to which he had been sent turned out officers that treated their men like little counters on a game-board. Fodder for the front lines, and not human at all. And it was a place reserved only for the sons of the elite of Kohlstania, which only reinforced the cadets' sense of superiority.

Whatever the reason, it would take more than wandering about as Octavian was doing to drive it home to him that he was, when all else was stripped away, no better than any other man, and quite a bit worse than a lot of them.

"I believe he'd better eat in the garden," she decided aloud, and went on to help Robin in the kitchen.

At least he had learned his first lesson as a donkey; according to Rose, who brought him his breakfast, there was quite a pile of chopped and split wood already stacked up for seasoning. Elena had almost brought him his breakfast herself.

Except that she had realized, even as she was reaching for plates, that there was something other than her own thoughts nudging her down that particular path.

And when she realized that, she stopped, closed her eyes, and felt the unmistakable presence of The Tradition.

When Rose brought the dirty plates back, she took a moment to check again. And there was no doubt. The Tradition was trying to fit them into a tale.

At that moment, she thought she could hear Madame Bella, and her warning about what having a Prince hanging about a Godmother could mean.

She tightened her lips, and realized that it was far more important for her to keep the upper hand with him than she had realized. There was no place in The Tradition for a Godmother to be courted honorably by a Prince—therefore, The Tradition would be hunting for some other option that might fit. The most logical one was to fit him in as The Prisoner, which, in effect, he was. And there was a precedent for good magicians holding royalty prisoner in order to facilitate their going through a set of trials. That was the path she wanted this thing to take.