"Paul Levinson - A Medal For Harry (2)" - читать интересную книгу автора (Levinson Paul) A MEDAL FOR HARRY
by Paul Levinson Copyright (c) 1997 by Paul Levinson. [Published in BLACK MIST and OTHER JAPANESE FUTURES, edited by Orson Scott Card & Keith Ferrell, DAW, December 1997] "Hai!" The waiter bowed quickly and receded like the warm wind in autumn. Masazumi "Harry" Harihoto knew he would soon have the freshest tekkamaki in New York on his plate. He also knew he wouldn't enjoy a bit of it. He looked at the rice papers, the rows and rows of crisp, translucent rice papers on his lap, and shook his head. Somehow the neat lasered letters on this ancient kind of paper were out of place. Such letters belonged on screens; the delicate paper deserved the tender ministrations of a pen in hand. The combination of the two -- the government's requirement, its attempt to cling to some tradition in a written realm otherwise given over to virtual glyphs -- made him uneasy. What the letters said -- the report he would deliver In fact, it might well make him the most hated person in Japan. *** Harry had few illusions, especially about who he was. An unknown, though hardworking, bio-historian. One of many researchers caught up in his nation's obsession to find out why they had become the undisputed global power on Earth by the middle of the 21st century. Computer chips like jewels that made the world run like clockwork; space stations that gleamed in the sky; pearls of bio-mass in the seas to jump-start the food-chain; and all the gems were Japanese. Oh, everyone knew the proximate reason. The 21st century was the most earthquake prone in recent history. No one knew why. But Japan had finally come up with buildings that stood up to them, a saving interface for cities prone to shake like castanets. "Neuro-spine" construction, the media called it. Grids ran through the centers of buildings with sensors in every room, every tile, every wall, every floor -- self-sufficient networks of such intelligence and interface power that they could change the arrangement of those rooms, tiles, walls, |
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