"James Lovegrove - The House Of Lazarus" - читать интересную книгу автора (Lovegrove James) The House of Lazarus
a short story by James Lovegrove Visitors were welcome at the House of Lazarus at all times of day and night, but it was cheaper to come at night, when off-peak rates applied. Then, too, the great cathedral-like building was less frequented, and it was possible to have a certain amount of privacy in the company of your dear departed. Because it was dark out, the receptionist in the cool colonnaded atrium betrayed a flicker of amusement that Joey was wearing sunglasses. Then, recognising his face, she smiled at him like an old friend, although she didn't actually use his name until after he had asked to see his mother, Mrs Delgado, and she had called up the relevant file on her terminal. "It's young Joseph, isn't it?" she said, squinting at the screen. She couldn't have been more than three years Joey's senior. The query was chased by another over-familiar smile. "We haven't seen you for a couple of weeks, have we?" "I've been busy," Joey said. "Busy" didn't even begin to describe his life, now that he had taken on a second job at a bar on Wiltshire Street, but he didn't think the receptionist wanted to hear about that, and, more to the point, he was too tired and irritable to want to enlighten her. The receptionist folded her hands on the long slab of marble that formed her desktop. "It's not my place to tell you what to do, Joseph," she said, "but you are Mrs Delgado's only living relative, and we do like our residents to get as much stimulation as possible. As you know, we wake light music every evening, but it's not the same as actual verbal interaction. Think of it as mental exercise for minds that don't get out much. Conversation keeps them supple." "I come whenever I can." "Of course you do. Of course you do." That smile again, that smile of old acquaintance, of intimacy that has passed way beyond the need for forgiveness. "I'm not criticising. I'm merely suggesting." "Well, thank you for the suggestion," he said, handing her his credit card. The receptionist went through the business of swiping it, then pressed a button on a panel set into the desktop. A man in a white orderly's uniform appeared. "Arlene Delgado," the receptionist told the orderly. "Stack 339, Drawer 41." "This way, sir." The orderly ushered Joey through a pair of large doors on which were depicted, in copper bas-relief, a man and a woman, decorously naked, serenely asleep, with electrodes attached to their temples, chests and arms. As they entered the next room, a vast windowless chamber, the ambient temperature dropped abruptly. Cold air fell over Joey's face like a veil freshly dipped in water, and his skin buzzed with gooseflesh. He craned his neck to look up. No matter how many times he came here, the wall never ceased to amaze him. At least a hundred and fifty feet high and well over a mile long, it consisted of stacks of steel drawers, each about half as large again as an |
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