"Lumley, Brian - Vampire World 2 - The Last Aerie" - читать интересную книгу автора (Lumley Brian)

Trask knew that if he were someone or thing other than who and what he was -- head of a top-secret, in more than one way esoteric security organization -- that the experience must surely scare the hell out of him. Except, well, he'd been scared by experts. Or, he might believe he was going mad. But there again, E-Branch was ... E-Branch. This thing he was experiencing, it must be in his mind, he supposed. It had to be, for there was no physical mechanism to account for it. Or was there?
Hallucination? Well, possibly. Someone could have got to him, fed him drugs, brainwashed him ... but to what end? Why bring him here in the dead of night? And why bring these other people here? (The extra lights up there, the shiny black MG Metro pulling into the kerb, and the bloke across the road - an E-Branch agent, surely? - even now running through the rain towards the Branch's back door entrance.) Why were they here?
'Sir?' A girl struggled stiffly, awkwardly out of the Metro. She was Anna Marie English, a Branch esper. English by name but never an English rose - nor any sort of rose by any other name - she was enervated, pallid, dowdy, a stray cat drowning in the rain. It was her talent, Trask knew, and he felt sorry for her. She was 'ecologically aware'; or as she herself was wont to put it, she was 'as one with the Earth'. When water tables declined and deserts expanded, so her skin dried out, became desiccated. When acid rains ate into Scandinavian forests, her dandruff fell like snow. In her dreams she heard whale species singing sadly of their decline and inevitable extinction, and she knew from her aching bones when the Japanese were slaughtering the dolphins. A human lodestone, she tracked illicit nuclear waste, monitored pollution, shrank from
yawning holes in the ozone as a coral polyp from a diver's probing spearpoint. Yes, she was an 'ecopath': she felt for the Earth and suffered all of its sicknesses, and unlike the rest of us knew that she, too, was dying from them.
Trask looked at her: she was twenty-four and looked fifty. Despite his pity, perhaps paradoxically, he thought of her in harsh, disassociated, almost disapproving terms - thick-lensed spectacles, liver spots, hearing aid, straggly-haired, crumpled blouse, splay-legged - and knew he disliked her because she mirrored the decline of the world. And that was his talent at work. Ben Trask was a human lie-detector: he recognized a lie when he saw, felt, heard, or otherwise perceived one as other men recognize a slap in the face; so that conversely, in the absence of falsehood he must acknowledge truth. Except Anna Marie English's truth was unbearable. If Greenpeace had her and could make the world believe in her, they would win their case in one ... though of course it would be lost at one and the same time. For they'd suspect that they were too late. But Trask also knew that it wasn't quite like that. The world was a huge creature and had been sorely wounded, and Anna Marie English was just too small to sustain so much damage. But while she was suffering almost beyond endurance, the Earth could go on taking it for a long time yet. This was Trask's view of it, anyway. He supposed it made him an optimist, which was something of a paradox in itself.
'Can you see it?' he said. 'Do you have any idea what it's all about?'
She looked at him and saw a mousey-haired, green-eyed man in his late thirties. Trask was about five feet ten, a little overweight and slope-shouldered, and wore what could only be described as a lugubrious expres-
sion. Perhaps it had to do with his talent: in a world where the plain truth was increasingly hard to find, it was no easy thing being a lie-detector. White lies, half-truths, and downright fables came at Trask from all directions, until sometimes he felt he didn't want to look any more.
But Anna Marie English had her own problems. Finally she nodded her bedraggled mop of a head. 'I see it, yes, but don't ask me what it's all about. I woke up, saw it, and knew I had to come here. That's all. But I've a hunch the world's a loser yet again.' Her voice was a coughing rasp.
'A hunch?'
This thing isn't specific to me,' she frowned. This time I'm just ... an onlooker? It isn't hurting me. I feel for him, yes, but his fate doesn't seem to have made much impression on the world in general. Yet at the same time, somehow I think it makes the world less.'
'Do you know him?'
'I feel that I should know him, certainly,' she answered, simultaneously shaking her head. And ruefully, 'I know that I was watching him when I should have been watching the road. I went through two red lights at least!'
Trask nodded, took her by the elbow and guided her across the street. 'Let's join them and see if anyone else has a clue.' In fact he already had more than a clue but was unwilling to give it voice. If he was right, then just like the ecopath he could scarcely view this phenomenon as Earth-damaging. In fact it might even be a relief.
With Whitehall no more than a ten minute walk away, the torn front page from a discarded Pravda seemed strangely out of place where it spun slowly in the current of the flooded gutter, inching soggily and
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perhaps prophetically towards the iron-barred throat of a gurgling sump. But as if in defiance of the stinging rain, the night, and all other distractions, the phantom hologram continued to display itself wherever the glances of Trask and Anna Marie English happened to fall. It was there in the tiny unmanned foyer, playing on the neutral grey doors of the elevator as if projected there from their eyeballs; and when the doors hissed open to admit them, they took it with them into the cage to be carried up to the top floor offices of E-Branch HQ.
The rest of the building was a well-known hotel; bright lights at the front, and a uniformed doorman from the Corps of Commissionaires sheltering from the rain under his striped plastic canopy, or more likely inside taking a coffee with the night clerk now that all the guests were abed. But up here on the top floor . . .
This was a different world. And a weird one.
E-Branch: Ben Trask felt much the same about it now as he had fourteen years ago when he was first recruited, and as every Branch esper before and since. Alec Kyle, an old friend and ex-Head of Branch was dead and gone now, (was he? And his body, too? Was that what this was all about?) but he had come closest to it when he'd used to say, 'E-Branch? A bloody funny outfit, Ben! Science and sorcery -- telemetry and telepathy - computerized probability patterns and precogni-tion - gadgets and ghosts. We have access to all of these things .. . now.'
That 'now' had qualified it. For at the time, Kyle had been talking about Harry Keogh. And later he had become Harry Keogh; Keogh's mind in Kyle's body, anyway ...
The cage jerked to a halt; its doors hissed open; Trask and the unnaturally aged 'girl', and the hologram, got out.
Hologram or phantom? Trask wondered. Gadget ... or ghost? When he was a kid he'd believed in ghosts. Then for a time he hadn't. Now he worked for E-Branch and ... sometimes he wished he were a kid again. For then it was all in the imagination.
lan Goodly, the Night Duty Officer, was waiting for them in the corridor. Very tall, skeletally thin and gangly, he was a prognosticator or 'hunchman'. Grey and mainly gaunt-featured, Goodly's expression was usually grave; he rarely smiled; only his eyes - large, brown, warm and totally disarming - belied what must otherwise constitute a rather unfortunate first impression, that of a cadaverous mortician. 'Anna,' he offered the girl a polite nod. 'Ben?'
Trask returned the unspecified query. 'Do you see it, too?'
'We all do,' Goodly answered, his voice high-pitched and a little shrill, but not unusually so. And before Trask could say anything else: T guessed you'd be in. I've told them to wait for you in the Ops room.'
'How many of them?'
Goodly shrugged. 'Everyone within a thirty mile radius.'
Trask nodded. Thanks, lan. I'll go and speak to them. And you'd better go back to keeping watch.'
Again Goodly's shrug. 'Very well, but apart from this it's going to be a quiet night. This thing is happening, and soon it will be finished. And then we'll see what we'll see.' He began to turn away.
Trask caught his arm and stopped him. 'Any ideas?'
Goodly sighed. 'I could give you ... an "educated guess". But I suspect you'd prefer to let it play itself out, right?' Like all hunchmen, he was cautious about being too specific. The future didn't like being pinned down.
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Someone had called the elevator; its doors closed and the indicator signalled its descent. As Goodly made to return to his watch, Trask uttered a belated, 'Right,' then turned left along the corridor and headed for the Ops room. And Anna Marie English limped along behind him.
In the Ops room they found their colleagues waiting for them. In front of the briefing podium an area had been cleared of chairs where eleven espers formed an inward-facing circle. Trask and the girl made thirteen. A witch's dozen, he thought, wryly. We complete the coven.
As the circle opened up and its members adjusted their positions the better to accommodate the latecomers, so Trask saw the point of the formation. The combined awareness of the espers added to the hologram's authentication: to experience the thing as a group was to focus it, lend it definition. And the hitherto nebulous mental projection expanded in a moment from a 3-D picture in Trask's mind's eye to a seemingly physical, apparently solid figure right there in front of him! But only apparently solid, for obviously it wasn't real.
The ring formed by the espers was maybe fifteen to eighteen feet in diameter; the location of the smouldering corpse where it tumbled backwards, head over heels, free of the floor, as on some invisible spit, was no more than ten feet away from any individual viewer. If it were solid - if it were 'here' at all - then the figure would have to be that of a child or a dwarf. But its proportions were those of a normal, adult human being. And so the apparition was some kind of hologram, viewed as from a considerably greater distance than was apparent. It was like a scene in a crystal ball: they were seeing something which had happened, or which
was even now in enactment, somewhere else. And more than ever Trask believed he knew this ... victim? And more than ever he suspected that this was a scene from another world, even another universe.
On entering the room, the Head of Branch had noted the identities of the eleven. There was Millicent Cleary, a pretty little telepath whose talent was still developing. There seemed little doubt but that one day she would be a power in her own right, but right now she was vulnerable - telepathy could do that to a person - and Trask thought of her as the kid sister he'd never had. Then there was David Chung, a hugely talented locator and server. He was slight, wiry, slant-eyed and yellow as they come. But he was British from birth, a Londoner, and fiercely loyal to the Branch. All of them were loyal, or else the Branch would fail. Chung tracked Soviet stealth subs, IRA units in the field, drug-runners -especially the latter. Addiction had killed his parents, which was where his talent had its genesis. And it was still growing.
The precog Guy Teale stood to the left of Trask. Like lan Goodly, he was 'gifted' in reading the future, a suspect talent at best. The future didn't like being read and had kicked back more than once. Teale was small, thin, jumpy. Easily startled, he lived on his nerves. His sometime partner Frank Robinson, a spotter who infallibly recognized other espers, stood next to him. Robinson was as blond as Teale was dark; boyish and freckled, he looked only nineteen or thereabouts, which was seven years short of the mark. The pair had worked with Trask on the Keogh job some six or seven months ago; they'd helped him corner the Necroscope in his house near Edinburgh, and burn the place to the ground. That had caused Harry to escape right out of this world to a place on the other side of the Perchorsk
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Gate. Since then, everyone who knew the score had prayed that he wouldn't be back. And he hadn't been ...
... Until now? Trask wondered. Is this - image - is it Harry? And he suspected that they were all wondering the same thing. And just like him, they'd all be glad that it was only an image.
Paul Garvey, a full-blown telepath, stood directly opposite Trask on the other side of the circle. He caught Trask's eye through the rotation of the projection and nodded almost imperceptibly. It was his acknowledgement of Trask's thought, which Garvey had 'heard'. Yes, they were all thinking pretty much the same thing.
Garvey was tall, well-built, and had been a good-looking thirty-five year old. But then, that time six months ago, he'd tackled a murderous swine called Johnny Found and lost most of the left side of his face. Since then some of the best plastic surgeons in England had worked on Garvey till he looked pretty good, but a real face is made of more than flesh. Garvey's was mostly tissue now, and the nerves didn't connect up too well. He could smile with the right side but not the left, and so avoided the travesty by not smiling at all.
It had happened when they were tracking Harry Keogh, who in turn had been tracking Found, a necromancer whose speciality was to molest women before and after they were dead. Garvey had made the mistake of finding Harry's quarry first, that was all. But the Necroscope had squared it; later, in a graveyard, the police had discovered Pound's body so badly chewed up that he was barely recognizable. And despite everything else that was happening at the time - the fact that Harry had been a prime target - Garvey still reckoned he owed him for that.