"Vonda N. McIntyre-Elfleda" - читать интересную книгу автора (McIntyre Vonda N) Elfleda
by Vonda N. McIntyre This story copyright 1997 by Vonda N. McIntyre. This copy was created for Jean Hardy's personal use. All other rights are reserved. Thank you for honoring the copyright. Published by Seattle Book Company, www.seattlebook.com. * * * I love her. And I envy her, because she is clever enough, defiant enough, to outwit our creators. Or most of them. She is not a true unicorn: many of us have human parts, and she is no exception. The reconnections are too complicated otherwise. Our brilliant possessors are not quite brilliant enough to integrate nerves directly from the brain. So Elfleda is, as I am, almost entirely human from the hips up. Below that I am equine: a centaur. She is a unicorn, for her hooves are cloven, her tail is a lion's, and from her brow sprouts a thin straight spiral horn. Her silver forelock hides the pale scar at its base; the silver hair drifts down, growing from her shoulders and spine. Her coat is sleek and pale gray, and great dapples flow across her flanks. The hair on the tip of her tail is quite black. For a long time I thought some surgeon had made a mistake or played her a joke, but eventually I understood why this was done, as from afar I watched her twitching her long black-tipped tail like a cat. My body has no such artistic originality. I hate everything about me as much as I love everything about Elfleda. She will talk to me from a distance; I think she pities me. When the masters come to our park she watches them, lashes her tail, and gallops away. Sometimes she favors them with a brief glimpse of her silver hide. Her inaccessibility makes her the most sought-after of us all. They follow after her, they call this freedom was their creation; they are so powerful they can afford to play with the illusion of defiance. But the rest of us, the other centaurs, the satyrs, nymphs, merfolk, we strut and prance across the meadows or wait in the forest or gently splash the passersby, hoping to be noticed. We dare not complain. Indeed, we should not; we should be grateful. Our lives have been saved. Every one of us would have died if the masters had not accepted us and taken us in. We owe them our lives, and that is the payment they exact. Sometimes I think the price too high, but though nothing prevents me from leaping off the mountainside or eating poison flowers, I am still alive. The noon sun is warm in the meadow, so I walk toward the forest through the high grass. A small creature leaps from his sleeping-place and flees, as startled by me as I by him. Galloping, he surges into the air: one of the small pegasoi. His feathered wings seem much too large in proportion to his body. That is the reason only the smallest pegasoi can fly at all. This one is a miniature appaloosa pony, not as tall as my knee. Half the meadow away he touches down and trots off, folding his blue-gray wings against his spotted sides. The larger pegasoi, the ones my size, are spectacular but earthbound; they seek flight but never find it. I have watched one standing in the wind, neck arched, nostrils flaring, tail high. She spread her wings and raised them, cantered against the wind, galloped, rain, but the wings were not large enough to lift her. Our masters use their beasts as they use those of us part human: for amusement, for beauty. It would not occur to them that a flying horse's heart might break because she could not fly. The shade of the forest envelops me with a cool scent of pine and humus. The loam beneath my hooves is soft. I can feel its resilience, but not its texture. When first I rose, after the operations, the healing, the pain, I could not walk properly. I stumbled and fell and was threatened with punishment if I scarred my bright bay hide. After that I walked slowly but learned quickly. Human beings did not evolve to articulate six limbs, but we are adaptable. I learned to talk, to trot, to run, and I even learned to move my arms simultaneously, with not too much gracelessness. I did not scar myself, and now my skin-- my |
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