"Mcauley, Paul J - Inheritance" - читать интересную книгу автора (Mcauley Paul J) distance, and the lonely winter sound of rooks hoarsely calling across
bare fields. The car motor, cooling, ticked behind him. There was a gate in the hedge, sagging on its posts and held shut with a loop of orange twine. With the feeling that he was trespassing, Tolley lifted the loop and pushed through. Beyond was a wide, rough meadow, on the left bounded by a copse of bare trees, on the right sloping down toward the river, presumably the Cherwell. Ahead was an embankment, and, as Tolley watched, a train drove out of the misty distance and slid past, the lights of its passenger cars like a string of yellow beads, the roar of its passage dragging behind as it dwindled towards Birmingham. Tolley dipped his chin inside the collar of his Burberry and started across the grass. There had once been a narrow road there, a continuance of the track, but now it was overgrown. Humps on either side marked where houses and cottages once stood. Not a stone showed now. He went on towards the copse and, as he walked past the first clump of trees, realised that he was amongst the ruins of the manor house his family had once owned. But curiously, the realisation struck no chord in him, for all that he had looked forward to the moment. Perhaps it was because there was hardly anything left. Here was a low hummock, narrow and straight, all that remained of a wall; there was a huge brier patch that might have once been a rose garden. Beyond the trees was the only part of the house still standing, ragged shoulders of wall either side of a great chimney, a cluster of octagonal stacks that must have been Elizabethan. Here and there were heaps of stone blocks covered with ivy and grass; nothing else. Olympus; only when he had finished did he notice the building standing a few hundred yards beyond the ruins, a small, undistinguished church with a low, square tower. The hedge around its graveyard had grown wild, long whips of briers trailing from it like unkempt hair, and the headstones stood in waist-high grass obviously untrimmed since spring. Yet the gravel path was free of weeds, and a hand-sized pane broken from one of the stained-glass windows had been patched with hardboard; obviously, the church was still cared for, although its congregation had long since deserted it, or lay under the long grass. Tolley stood at the wicket gate, then turned away. It was growing dark, the sun a smear in clouds low over the cold fields; too dark, he told himself, to examine the gravestones, to look in the church for relics of his family. He would come back tomorrow. Perhaps it was just as well his grandfather had squandered the family fortune: these grassed-over ruins were not much of an inheritance. He wondered how it had come to such a state. The end of the line. Well, he might as well see everything, he thought, and walked down to the river. It was divided by a long, narrow island that lay in the shadow of the railway bridge; on the other bank were the remains of a big, square building. A mill of some kind, Tolley guessed, for the far stream of the bisected river dropped in a glassy rush over a weir. One wall still stood, surrounded by a clump of scrubby trees. As Tolley framed this in his viewfinder, it seemed that someone was standing in the shadows there, a man with an oddly shaped head. Or no, he was wearing a top hat -- A freight train trundled around the curve and crossed the bridge with a |
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