"Mike O'Driscoll - The Future Of Birds" - читать интересную книгу автора (O'driscoll Mike) on the streets of Rochina, the stinking favela that sprawled up over the
lure of the wealthy suburb of Saї Conrado. And a sister, a year older, a pretty girl who sold her body so that they might eat. But already the teeth-marks of the disease were on her flesh; there were nights when the boy awoke in the corrugated iron shack that was home, to her cries of pain as blood poured from between her legs. There were no parents. Gangsters ruled Rochina with machine guns and calculated terror; occasionally some City politician wanting to make a name for himself would send the police into the favelas to wipe out a few marginals - low life petty thieves; the politician's face would make the tv news and things would go on as before. Business-financed death squads would execute children; a cleansing process, ridding the city of future criminals, making Rio safe for gringo tourists. Their bullets spared the girl the worst ravages of the disease. The boy left Rochina and graduated to picking tourists pockets on Copacabana, and from there to the docks at Maua, where he learned to give head for ten dollars a trick. Soon, he was working the streets off Rua Princesa Isabel, discovering that he could double his take if he dressed as a girl. Evenings, he'd work the cars parked along the seafront, blowing the men on their way home from work; in one car, suck suck, open the door, spit it out and move on to the next vehicle; for an hour or two each evening, a prolonged chorus of slamming cardoors. And all the while, the boy worked on his appearance, improving his make-up and clothes, avoiding the older hookers and pimps till one day he gave lip to a marginal who wanted his money. The man was going to cut him bad and buried a knife in the man's ribs. That was his first meeting with Cledilce Macedo. He was sixteen, streetsmart, and was making more money than the boy had thought possible from giving head. Cledilce's johns - American and European tourists - were a long way up from the factory workers and dockers among whom the boy plied his trade. They had to be, because Cledilce was a Bird, a transsexual on a female hormone programme, and like any other route out of the gutter, hormones cost big money. He took the boy home to a shabby apartment on the sixth floor of a block on Rua Toneleiros. He got him on to hormones too and told him he needed a new name. For three years he ... I learned, developing and refining my body, making contacts, saving money and loving Cledilce. At first, I worried that I would no longer be able to perform sexually, that it would feel like nothing at all, but the strength of Cledilce's erection soon put my mind at rest. There would be no loss of libido he, or rather she, explained, not until after the operation. And even then, we wouldn't have to ejaculate to experience orgasm; sex, she said, was mainly in the head. As my breasts grew and I lost my facial hair, I began to worry about the operation itself. I had heard tales of the awful consequences of the gender reassignments carried out in the Centro clinics, even saw the evidence of their botched surgery with my own eyes. Till Cledilce had finally shared the dream with me, the dream of escaping to 'sanctuary,' where Parisian surgeons - not Centro butchers - would sculpt us anew, transforming us so that we would feel what women were meant to feel. |
|
|