"Criticism" - читать интересную книгу автора (Poe Edgar Allan) Come when the heart beats high and warm,
With banquet song and dance, and wine; And thou art terrible- the tear, The groan, the knell, the pall, the bier, And all we know, or dream, or fear Of agony, are thine. Granting, however, to Marco Bozzaris, the minor excellences we have pointed out we should be doing our conscience great wrong in calling it, upon the whole, any more than a very ordinary matter. It is surpassed, even as a lyric, by a multitude of foreign and by many American compositions of a similar character. To Ideality it has few pretensions, and the finest portion of the poem is probably to be found in the verses we have quoted elsewhere- Thy grasp is welcome as the hand Of brother in a foreign land, Thy summons welcome as the cry That told the Indian isles were nigh To the world-seeking Genoese, When the land-wind from woods of palm And orange groves, and fields of balm Blew o'er the Haytian seas. The verses entitled Burns consist of thirty-eight quatrains- the three. This poem has many of the traits of Alnwick Castle, and bears also a strong resemblance to some of the writings of Wordsworth. Its chief merits, and indeed the chief merit, so we think, of all the poems of Halleck is the merit of expression. In the brief extracts from Burns which follow, our readers will recognize the peculiar character of which we speak. Wild Rose of Alloway! my thanks: Thou mind'st me of that autumn noon When first we met upon "the banks And braes o'bonny Doon"- Like thine, beneath the thorn-tree's bough, My sunny hour was glad and brief- We've crossed the winter sea, and thou Art withered-flower and leaf, There have been loftier themes than his, And longer scrolls and louder lyres And lays lit up with Poesy's Purer and holier fires. And when he breathes his master-lay Of Alloways witch-haunted wall |
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