"Criticism" - читать интересную книгу автора (Poe Edgar Allan)Another specimen, and one still more to the purpose may be given from Milton whose accurate ear (although he cannot justly be called the best of versifiers) included and balanced without difficulty the rhythm of the longest passages. But say, if our Deliverer up to heaven Must re-ascend, what will betide the few His faithful, left among the unfaithful herd, The enemies of truth? who then shall guide His people, who defend? Will they not deal More with his fo than with him they dealt? Be sure they will, said the Angel. The other metrical faults in The Ages are few. Mr. Bryant is not always successful in his Alexandrines. Too great care cannot be taken, we think, in so regulating this species of verse as to admit of the necessary pause at the end of the third foot- or at least as not to render a pause necessary elsewhere. We object, therefore, to such lines as A palm like his, and catch from him the hallowed flame. The truth of heaven, and kneel to Gods that heard them not. above respect, requires an accent on the monosyllable the, which is too unimportant to sustain it. The defect is rendered the more perceptible by the introduction of a Trochee in the first foot. The sick untended then Languished in the damp shade, and died afar from men. We are not sure that such lines as A boundless sea of blood and the wild air. The smile of heaven, till a new age expands. are in any case justifiable, and they can be easily avoided. As in the Alexandrine mentioned above, the course of the rhythm demands an accent on monosyllables too unimportant to sustain it. For this prevalent heresy in metre we are mainly indebted to Byron, who introduced it freely, with the view of imparting an abrupt energy to his verse. There are, however, many better ways of relieving a monotone. Stanza VI is, throughout, an exquisite specimen of versification, besides embracing many beauties both of thought and expression. Look on this beautiful world and read the truth |
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