"The Landscape Garden" - читать интересную книгу автора (Poe Edgar Allan)

"Our author's observations on the artificial style of gardening,"
continued Mr. Ellison, "are less objectionable. 'A mixture of pure art
in a garden scene, adds to it a great beauty.' This is just; and the
reference to the sense of human interest is equally so. I repeat
that the principle here expressed, is incontrovertible; but there
may be something even beyond it. There may be an object in full
keeping with the principle suggested- an object unattainable by the
means ordinarily in possession of mankind, yet which, if attained,
would lend a charm to the landscape-garden immeasurably surpassing
that which a merely human interest could bestow. The true poet
possessed of very unusual pecuniary resources, might possibly, while
retaining the necessary idea of art or interest or culture, so imbue
his designs at once with extent and novelty of Beauty, as to convey
the sentiment of spiritual interference. It will be seen that, in
bringing about such result, he secures all the advantages of
interest or design, while relieving his work of all the harshness
and technicality of Art. In the most rugged of wildernesses- in the
most savage of the scenes of pure Nature- there is apparent the art of
a Creator; yet is this art apparent only to reflection; in no
respect has it the obvious force of a feeling. Now, if we imagine this
sense of the Almighty Design to be harmonized in a measurable
degree, if we suppose a landscape whose combined strangeness,
vastness, definitiveness, and magnificence, shall inspire the idea
of culture, or care, or superintendence, on the part of
intelligences superior yet akin to humanity- then the sentiment of
interest is preserved, while the Art is made to assume the air of an
intermediate or secondary Nature- a Nature which is not God, nor an
emanation of God, but which still is Nature, in the sense that it is
the handiwork of the angels that hover between man and God."
It was in devoting his gigantic wealth to the practical embodiment
of a vision such as this- in the free exercise in the open air,
which resulted from personal direction of his plans- in the continuous
and unceasing object which these plans afford- in the contempt of
ambition which it enabled him more to feel than to affect- and,
lastly, it was in the companionship and sympathy of a devoted wife,
that Ellison thought to find, and found, an exemption from the
ordinary cares of Humanity, with a far greater amount of positive
happiness than ever glowed in the rapt day-dreams of De Stael.


THE END
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