"Pohl, Frederik - The Day The Icicle Works Closed" - читать интересную книгу автора (Pohl Frederick)

Worse, the jobs vanished. Pulcher had been on the corporation's legal staff, with an office of his own and a faint hint of a vice-presidency, some day. He was out. The stenos in the pool, all but two or three of the five hundred who once had got out the correspondence and the bills, they were out. The shipping clerks in the warehouse were out, the pumphands at the settling tanks were out, the freezer attendants were out. Everyone was out. The plant closed down. There were more than fifty tons of frozen antibiotics in storage and, though there might still be a faint trickle of orders from old-fashioned diehards around the Galaxy (backwoods country doctors who didn't believe in the new-fangled synthetics, experimenters who wanted to run comparative tests), the shipments already en route would much more than satisfy them. Fifty tons? Once the Icicle Works had shipped three hundred tons a day-physical transport, electronic rockets that took years to cover the distance between stars. The boom was over. And of course, on a one-industry planet, everything else was over too.
Pulcher took the girl by the arm and swept her into the restaurant. "Eat," he ordered. "I know what jail food is like." He sat down, firmly determined to say nothing until she had finished.

But he couldn't.
Long before she was ready for coffee he burst out, "Why, Madeleine? Why would you get into something like this?"
She looked at him but did not answer.
"What about your husband?" He didn't want to ask it, but he had to. That had been the biggest blow of all the unpleasant blows that had struck him after the Icicle Works closed. Just as he was getting a law practice going-not on any big scale but, through Charley Dickon and the Party, a small, steady handout of political favors that would make it possible for him to pretend he was still an attorney-the gossip reached him that Madeleine Cossett had married.
The girl pushed her plate away. "He emigrated."
Pulcher digested that slowly. Emigrated? That was the dream of every Niner since the Works closed down, of course. But it was only a dream. Physical transport between the stars was ungodly expensive. More, it was ungodly slow. Ten years would get you to Dell, the thin-aired planet of a chilly little red dwarf. The nearest good planet was thirty years away.
What it all added up to was that emigrating was almost like dying. If one member of a married couple emigrated, it meant the end of the marriage. . . . "We got a divorce," said Madeleine, nodding. "There wasn't enough money for both of us to go, and Jon was unhappier here than I was."
She took out a cigarette and let him light it. "You don't want to ask me about Jon, do you? But you want to know. All right. Jon was an artist. He was in the advertising department at the Works, but that was just temporary. He was going to do something big. Then the bottom dropped out for him, just as it did for all of us. Well, Milo, I didn't hear from you."
Pulcher protested, "It wouldn't have been fair for me to see you when I didn't have a job or anything."
"Of course you'd think that. It's wrong. But I couldn't find you to tell you it was wrong, and then Jon was very persistent. He was tall, curly-haired, he has a baby's face-do you know, he only shaved twice a week. Well, I married him. It lasted three months. Then he just had to get away." She leaned forward earnestly. "Don't think he was just a bum, Milo! He really was quite a good artist. But we didn't have enough money for paints, even, and then it seems that the colors are all wrong here. Jon explained it. In order to paint landscapes that sell you have to be on a planet with Earth-type colors; they're all the vogue. And there's too much altamycin in the clouds here."
Pulcher said stiffly, "I see." But he didn't, really. There was at least one unexplained part. If there hadn't been enough money for paint, then where had the money come from for a starship ticket, physical transport? It meant at least ten thousand dollars. There just was no way to raise ten thousand dollars on Altair Nine, not without taking a rather extreme step. .
The girl wasn't looking at him.
Her eyes were fixed on a table across the restaurant, a table with a loud, drunken party. It was only lunch time, but they had a three o'clock-in-the-morning air about them. They were stinking. There were four of them, two men and two women; and their physical bodies were those of young, healthy, quite good-looking, perfectly normal Niners. The appearance of the physical bodies was entirely irrelevant, though, because they were tourists. Around the neck of each of them was a bright golden choker with a glowing red signal jewel in the middle. It was the mark of the tourist Agency; the sign that the bodies were rented.
Milo Pulcher looked away quickly. His eyes stopped on the white face of the girl, and abruptly he knew how she had raised the money to send Jon to another star.

II

Pulcher found the girl a room and left her there. It was not what he wanted. What he wanted was to spend the evening with her and to go on spending time with her, until time came to an end: but there was the matter of her trial.
Twenty-four hours ago he had got the letter notifying him that the court had appointed him attorney for six suspected kidnapers and looked on it as a fast fee, no work to speak of, no hope for success. He would lose the case, certainly. Well, what of it?
But now he wanted to win!
It meant some fast, hard work if he was to have even a chance- and at best, he admitted to himself, the chance would not be good. Still, he wasn't going to give up without a try.
The snow stopped as he located the home of Jimmy Lasser's parents. It was a sporting-goods shop, not far from the main Tourist Agency; it had a window full of guns and boots and scuba gear. He walked in, tinkling a bell as he opened the door.
"Mr. Lasser?" A plump little man, leaning back in a chair by the door, got slowly up, looking him over.
"In back," he said shortly.
He led Pulcher behind the store, to a three-room apartment. The living room was comfortable enough, but for some reason it seemed unbalanced. One side was somehow heavier than the other. He noticed the nap of the rug, still flattened out where something heavy had been, something rectangular and large, about the size of a T-V electronic entertainment unit. "Repossessed," said Lasser shortly. "Sit down. Dickon called you a minute ago."
"Oh?" It had to be something important. Dickon wouldn't have tracked him down for any trivial matter.
"Don't know what he wanted, but he said you weren't to leave till he called back. Sit down. May'll bring you a cup of tea."
Pulcher chatted with them for a minute, while the woman fussed over a teapot and a plate of soft cookies. He was trying to get the feel of the home. He could understand Madeleine Gaultry's desperation, he could understand the Foltis boy, a misfit in society anywhere. What about Jimmy Lasser?
The elder Lassers were both pushing sixty. They were first-
generation Niners, off an Earth colonizing ship. They hadn't been born on Earth, of course-the trip took nearly a hundred years, physical transport. They had been born in transit, had married on the ship. As the ship had reached maximum population level shortly after they were born, they were allowed to have no children until they landed. At that time they were all of forty. May Lasser said suddenly, "Please help our boy, Mr. Pulcher! It isn't Jimmy's fault. He got in with a bad crowd. You know how it is: no work, nothing for a boy to do."
"I'll do my best." But it was funny, Pulcher thought, how it was always "the crowd" that was bad. It was never Jimmy-and never Avery, never Sam, never Walter. Pulcher sorted out the five boys and remembered Jimmy: nineteen years old, quite colorless, polite, not very interested. What had struck the lawyer about him was only surprise that this rabbity boy should have had the enterprise to get into a criminal conspiracy in the first place.
"He's a good boy," said May Lasser pathetically. "That trouble with the parked cars two years ago wasn't his fault. He got a fine job right after that, you know. Ask his probation officer. Then the Icicle Works closed. - . ." She poured more tea, slopping it over the side of the cup. "Oh, sorry! But- But when he went to the unemployment office, Mr. Pulcher, do you know what they said to him?"
"I know."
"They asked him would he take a job if offered," she hurried on, unheeding. "A job. As if I didn't know what they meant by a 'job!' They meant renting." She plumped the teapot down on the table and began to weep. "Mr. Pulcher, I wouldn't let him rent if I died for it! There isn't anything in the Bible that says you can let someone else use your body and not be responsible for what it does! You know what tourists do! 'If thy right hand offend thee, cut it off.' It doesn't say, unless somebody else is using it. Mr. Pulcher, renting is a sin!
"May." Mr. Lasser put his teacup down and looked directly at Pulcher. "What about it, Pulcher? Can you get Jimmy off?"
The attorney reflected. He hadn't known about Jimmy Lasser's probation before, and that was a bad sign. If the county prosecutor was holding out on information of that sort, it meant he wasn't willing to cooperate. Probably he would be trying for a conviction with maximum sentence. Of course, he didn't have to tell a defense attorney anything about the previous criminal records of his clients. But in a juvenile case, where all parties were usually willing to go easy on the defendants, it was customary. . . . "I don't know, Mr. Lasser. I'll do the best I can."
"Damn right you will!" barked Lasser. "Dickon tell you who I am?
I was committeeman here before him, you know. So get busy. Pull strings. Dickon will back you, or I'll know why!"
Pulcher managed to control himself. "I'll do the best I can. I already told you that. If you want strings pulled, you'd better talk to Dickon yourself. I only know law. I don't know anything about politics."

The atmosphere was becoming unpleasant. Pulcher was glad to hear the ringing of the phone in the store outside. May Lasser answered it and said: "For you, Mr. Pulcher. Charley Dickon."
Pulcher gratefully picked up the phone. Dickon's rich, political voice said sorrowfully, "Milo? Listen, I been talking to Judge Pegrim's secretary. He isn't gonna let the kids off with a slap on the wrist. There's a lot of heat from the mayor's office."
Pulcher protested desperately: "But the Swinbume kid wasn't hurt! He got better care with Madeleine than he was getting at home."
"I know, Milo," the committeeman agreed, "but that's the way she lies. So what I wanted to say to you, Milo, is don't knock yourself out on this one because you aren't going to win it."
"But-" Pulcher suddenly became aware of the Lassers just behind him. "But I think I can get an acquittal," he said, entirely out of hope, knowing that it wasn't true.
Dickon chuckled. "You got Lasser breathing down your neck? Sure, Milo. But you want my advice you'll take a quick hearing, let them get sentenced and then try for executive clemency in a couple months. I'll help you get it. And that's another five hundred or so for you, see?" The committeeman was being persuasive; it was a habit of his. "Don't worry about Lasser. I guess he's been telling you what a power he is in politics here. Forget it. And, say, tell him I notice he hasn't got his tickets for the Chester A. Arthur Day Dinner yet. You pick up the dough from him, will you? I'll mail him the tickets. No-hold on, don't ask him. Just tell him what I said." The connection went dead.
Pulcher stood holding a dead phone, conscious of Lasser standing right behind him. "So long, Charley," he said, paused, nodded into space and said, "So long," again.