"02 - Reliquary" - читать интересную книгу автора (Preston Douglas)

Director Merriam's narrow features creased into a frown. "I'll speak to Dr. Hawthorne," she said. "You'll be given whatever time necessary to assist the police."
Margo opened her mouth to protest, then decided against it. Too bad, she thought, that her curatorial appointment at the Museum was too recent for her to refuse.
"Very good," said Brambell, a tight smile briefly cracking his face. "I will be working alongside the two of you, of course. Before we disperse, I might just emphasize that the utmost discretion will be required. It was bad enough having to release the news that Pamela Wisher had been found dead and decapitated. If word ever gets out that our socialite was nibbled on after death ... or perhaps before ..." His voice trailed off, and he smoothed a hand over his bald pate.
Frock glanced up sharply. "The teeth marks are not postmortem?"
"That, Dr. Frock, is the question of the hour. Or one of them, at least. The Mayor and the Chief of Police are waiting rather impatiently for results."
Frock made no reply, and it was clear to everybody that the meeting was at an end. The group turned to go, most of them eager to distance themselves from the gaunt brownish things that lay on the specimen tables.
As she walked past, the Museum Director turned briefly toward Margo. "Let me know if I can help in any way," she said.
Dr. Brambell took in Frock and Margo with one last sweep of his eyes, then followed the Director out the door.
Last to leave was Lieutenant D'Agosta. In the doorway, he paused for a moment. "If you have to talk to anyone, talk to me." He opened his mouth as if to say more, then stopped, nodded, and turned away abruptly. The door closed behind him and Margo was alone: with Frock, Pamela Wisher, and the bizarrely malformed skeleton.
Frock sat up in his wheelchair. "Lock the door please, Margo," he said, "and get the rest of the lights up." He wheeled himself toward the specimen table. "I guess you'd better wash and put on scrubs."
Margo glanced at the two skeletons. Then she looked toward her old professor.
"Dr. Frock?" she began. "You don't think this could be the work of a--"
He turned suddenly, an odd expression on his ruddy face. Their eyes locked, and he shook his head.
"Don't," he whispered fiercely. "Not until we're certain."
Margo held his gaze for a moment. Finally she nodded and turned toward the bank of light switches. What had not been said between them was much more unsettling than the two grisly skeletons.
= 6 =
In the smoky recesses of the Cat's Paw bar, Smithback wedged himself into a narrow telephone booth. Balancing his drink in one hand and squinting at the buttons in the dim light, he dialed the number of his office, wondering how many messages would be waiting for him this time.
Smithback never doubted that he was one of the greatest journalists in New York. Probably the greatest. A year and a half ago, he'd brought the story of the Museum Beast to the world. And not in the usual dickless, detached way: He'd been there with D'Agosta and the others, struggling in the dark on that April night. On the strength of the book which quickly followed, he'd secured this position as Post crime correspondent. Now the Wisher thing had come along, and none too soon, either. Big stories were rarer than he could have guessed, and there were always others--like that stain-on-the-wall Bryce Harriman, crime reporter for the Times--out to scoop him. But if he played it right, this could be as big as the Mbwun story had been. Maybe bigger.
A great journalist, he mused as he listened to the phone ring, adapts himself to the options offered him. Take the Wisher story. He had been totally unprepared for the mother. She'd been impressive. Smithback found himself embarrassed and deeply moved. Fired by those unfamiliar emotions, he'd written a new article for that morning's edition, labeling Pamela Wisher the Angel of Central Park South and painting her death in tragic colors. But the real stroke of genius had been the $100,000 reward for information leading to the murderer. The idea had come to him in the middle of writing the story; he had carried the half-written piece and his reward idea straight into the office of the Post's new editor, Arnold Murray. The man had loved it, authorizing it on the spot without even bothering to check with the publisher.
Ginny, the pool secretary, came on the line excitedly. Twenty phone calls about the reward, all of them bogus.
"That's it?" Smithback asked, crestfallen.
"Well, there was, like, this really weird visitor for you," the secretary gushed. She was short and skinny, lived in Ronkonkoma, and had a crush on Smithback.
"Yeah?"
"He was dressed in rags and he smelled. God, I could hardly breathe. And he was, like, high or something."
Maybe it's a hot tip, Smithback thought excitedly. "What did he want?"
"He said he had information about the Wisher murder. He asked you to meet him in the Penn Station men's room--"
Smithback almost dropped his drink. "The men's room? You've got to be kidding."
"That's what he said. You think he's a pervert?" She spoke with undisguised relish.
"Which men's room?"
He heard papers shuffling. "I've got it right here. North end, lower level, just to the left of the track 12 escalator. At eight o'clock tonight."
"What information, exactly?"
"That was all he said."
"Thanks." He hung up and checked his watch: seven forty-five. The men's room in Penn Station? I'd have to be crazy or desperate, he thought, to follow up a lead like that.

Smithback had never been inside a men's room at Penn Station before. Nobody he knew would ever go in one, either. As he opened the door into a vast, hot room, suffocating with the stench of urine and old diarrhea, he thought that, in fact, he'd rather piss his pants than use a Penn Station men's room.
He was five minutes late. Probably the guy's gone already, Smithback thought gratefully. Assuming he'd ever been here in the first place. He was just about to duck back outside when he heard a gravelly voice.
"William Smithback?"
"What?" Smithback looked around quickly, scanning the deserted men's room. Then he saw two legs descend in the farthest stall. The door opened. A small, skinny man stepped out and walked up to him unsteadily, his long face grimy, his clothes dark with grease and dirt, his hair matted and knotted into alarming shapes. A beard of indescribable color descended to twin points near his belly button, which was exposed through a long ragged tear in his shirt.
"William Smithback?" the man repeated, peering at him through filmy eyes.
"Who else?"
Without another word, the man turned and moved back toward the rear of the men's room. He stopped at the open last stall, then turned, waiting.
"You have some information for me?" Smithback asked.
"Come with me." He gestured back toward the stall.
"No way," said Smithback. "If you want to talk, we can talk out here, but I'm not going in there with you, pal."
The man gestured again. "But this is the way to go."
"Go where?"
"Down."
Cautiously, Smithback approached the stall. The man had stepped inside and was standing behind the toilet, prying back a large piece of painted sheet metal that, Smithback now saw, covered a ragged hole in the dirty tile wall.
"In there?" Smithback asked.
The man nodded.