"Ramthun, Bonnie - Eileen Reed 01 - Ground Zero 2.0" - читать интересную книгу автора (Ramthun Bonnie)
>
GROUND ZERO Bonnie Ramthun
This is a work of fiction. Names,
characters, places, and incidents are either the product of the
author's imagination or are used fictitiously, and any
resemblance to actual persons, living or dead, business
establishments, events, or locales is entirely
coincidental. GROUND ZERO A
Berkley Book / published by arrangement with the
author HUNTING HISTORY G.
P. Putnam's Sons edition / August 1999 Berkley mass-market edition / September
2000 All rights reserved. Copyright © 1999 by
Bonnie Ramthun This book may not be reproduced in whole or in
part, by mimeograph or any other means, without
permission. For information address: The Berkley Publishing
Group, a division of Penguin Putnam Inc., 375 Hudson Street, New
York, New York 10014. The Penguin Putnam Inc. World Wide Web site address
is http://www.penguinputnam.com ISBN: 0-425-17632-0 BERKLEY Berkley Books are published by The Berkley
Publishing Group, a
division of Penguin Putnam Inc., 375 Hudson Street, New York, New York
10014. BERKLEY and the "B" design are trademarks belonging
to Penguin Putnam Inc. PRINTED IN THE UNITED STATES OF
AMERICA 10
98765432 I would like to thank Jerrie
Hurd, who teaches fiction writing at the University of Colorado
in Boulder. Not only is Jerrie a great teacher and a terrific
writer (read The Lady Pinkerton Gets Her Man), but she
treats every person in her class with respect and dignity, as
though we were all best-selling authors. My friend Megan Silva gave
me the services of her English professor father, Dr. John
Reardon, as a Christmas present. He critiqued my book
meticulously and skillfully. My other editors include my sisters
Roxanne, Aimee, and Allison, my mother, Judith, and my
father-in-law, Gary Ramthun. This book wouldn't exist without
them. My thanks to the Gamers. My
time as a Gamer changed my life. I am still in awe that I had the
chance to work within a group of people so brilliant and
talented. At the disk-drive
manufacturing firm where I worked after Gaming, I finally
admitted that what I really wanted to do was write novels, not
program computers. Greg Matheny, Kathy Albrecht, Dean Price, Mark
Lutze, Linda Chumbley, Ron Bishop, and my good friend Steve
Filips made me realize Gaming was not the only place where
brilliant and incredibly funny people worked. Thanks to my lifelong
friends Harold York, Susan Dunn, and Megan Silva; my brothers
Nick, Pete, Alex, Dan, and Marc; my fathers Lee John and Dick;
and my three beautiful sons Thomas, Ryan, and Jasper. Thanks to
Emile Bisson for hiring the newest Gamer, Bill Ramthun, and
seating him at the desk right next to mine. Finally, thanks to
Bill, my husband and best friend. He's better than
fiction.
For my
sister,
Roxanne Ailine
Tomich
1 Colorado Springs
Investigations Bureau "Hey, Rosen, see
those?" "See what?" Dave Rosen was
hunched over his computer. He was typing rapidly with two
fingers, but stopped and looked over at Eileen Reed. "Those flashes up at NORAD,"
Eileen said. "What're they doing up there?" Rosen looked, shrugged,
turned back to his screen. "Probably nothing," Eileen
said. "But I wanted you to see it. You know, if we both get
blasted into hash by The Big One about ten minutes from now.
We'll be playing our harps, halos on our heads, and I'll turn to
you and say—" Rosen mistyped, cursed, and
rested his forehead with a dull clunk against his computer
screen. "I'm going to kill you," he
said. "If you don't shut up." Eileen grinned. "I went inside the Mountain
once," she said. The North American Air Defense Base, called
NORAD, was buried inside Cheyenne Mountain. The cavern had been
carved out of solid rock sometime during the 1950s. The only
remnants of that huge excavation were a length of road and a
tunnel opening. Her office window faced the Mountain and she had
been looking out the window instead of working on her own
report. "I know you did," Rosen
said. He turned his head, his forehead still resting on the
screen, and glared at her. "And I'm going to finish this report
before Harben puts me back out clocking speeders on
I-25." Eileen pretended to be
contrite. Rosen had been in the Special Investigations Division
for only three months. He was tall and broad-shouldered, with a
firm nose and straight ink-black hair. He was originally from New
York. To a lot of people in Colorado, he looked Navajo. Eileen
suspected this was a source of amusement to him, having seen his
reaction when people asked about his tribe. "Okay, I'll shut up," Eileen
said brightly, and tried to turn back to her own incomplete
report. But instead Eileen found
herself looking at the flashes. There were more of them now,
colored blue and red and white. Now she didn't feel like joking
any more about The Big One. The pulse of lights from the tunnel
that led to NORAD looked ominous. They looked
serious. She'd gone inside the
Mountain, not on police business, but as a civilian on tour. Once
she'd heard about NORAD, she had to go inside. Her mother told
her she must be half cat on her father's side; Eileen poked her
paws into everything. NORAD had a waiting list three months long
for civilians. Eileen signed up and waited impatiently. She did
not jiggle and hop from foot to foot when she finally boarded the
NORAD bus that would take them down the entrance tunnel and into
the base. She'd learned stillness long before. But if she had a
tail, it would have been twitching back and forth when the
ancient bus lurched and started down the tunnel. The tour itself had been a
bit of a disappointment. The cave was huge and damp and smelly,
like old wet clay. The office buildings were sitting on monstrous
metal coils, ready to hold steady under nuclear blasts. But they
were drably colored and shabby. The buildings looked like old
office structures just about anywhere. Then Eileen looked up, and
saw the roof of the cavern. Rusty steel nets held back the
crumbling rock. This sent a chill through her. There was solid
rock over her head, hundreds of feet of it. She wouldn't even be
a rust stain if some of that rock decided to come down. The nets
looked as frail as cobwebs in the gloom of the cavern's
ceiling. Colorado seemed like such a
safe place back in the early fifties, the tour guide explained.
Eileen, standing at the back of the group with her hands shoved
into her pockets and contemplating the roof, smiled. A mountain
was no protection against hydrogen bombs. The tour guide went on
to explain that Cheyenne Mountain still operated as the early
warning center for any ballistic activity on the planet. The
Mountain was not perfectly safe, but it was still the safest
place there was. This, too, was chilling. "Good thing the Cold War is
over, right?" The guide laughed, and the tour group obediently
laughed with him. "Now here, these are water
caverns. The excavators struck a spring when they were digging,
so NORAD has an internal water supply..." Eileen blinked and woke from
her reverie as an enormous lightning bolt smashed down from the
thunderclouds and danced across the rods at the top of Cheyenne
Mountain. The entrance lights continued to flash. She picked up the phone. She
hesitated, wondering whom she could call to ask. She thought of
Gary Hillyer. Hillyer was a journalist on the Gazette
Telegraph. He would rib Eileen unmercifully if those flashes
were some kind of standard Air Force drill. But Hillyer would
know. He knew everything and everybody in Colorado
Springs. Captain Nick Harben saved
her the call. "Reed!" Harben could have
used the phone's paging system, a simple matter of pressing a
button, but Harben just liked to yell. Eileen figured Harben
would be much happier in a police office from the forties, smoky
and grimy and full of atmosphere. Instead, the Investigations
Bureau offices were offensively clean and full of sunlight.
Plants clustered around large windows that framed a beautiful
view of the mountains. Personal computers sat on every desk,
linked by a communications network to the rest of the police
department and, by special access keys, to the countrywide
law-enforcement network. Eileen had a good desk, close to the
windows and not too close to Harben. She headed for Harben's
glass cube. Harben looked at her, his
narrow face expressionless. He was just hanging up the
phone. "A body was found out at
Fort Carson just now. That AWOL soldier, Jerry
Pendleton." "Oh great," Eileen said.
"Hey, did you see those lights up at NORAD?" "I didn't," Harben said with
a frown. He looked out his window, squinting a little, then
shrugged. "I've seen them once or twice before, Eileen. They
might be having some sort of war game." "Okay," Eileen said,
relieved. She'd lived in the Springs for six years. Harben had
lived there all his life. "I was beginning to think there was
something wrong up there." "Well, if there was, we
wouldn't have to think about it long." Harben didn't smile at his
own grim joke. Colorado Springs was one of the first targets for
any major nuclear attack, and everybody knew it. The common
phrase was "Ground Zero." Colorado Springs was just about as
ground zero as Washington, D.C. NORAD was the wartime command
center, where the President was supposed to relocate if
Washington, D.C, was destroyed. There was supposed to be another
huge underground base somewhere in the Russian steppes, similar
to NORAD, and undoubtedly targeted by American missiles. None of
it made much sense to Eileen, but she had never worried much
about it until this morning. "So let's talk about
Pendleton." "Yeah, right, I know. Why
did I get saddled with this assignment?" Eileen dropped into a
chair. She was the new Police Liaison for Fort Carson, Peterson,
Schriever, NORAD, and the Air Force Academy, the five military
establishments in Colorado Springs. "You're the best person for
the job," Harben said dryly. "You were in the Air Force once, as
I recall." "I don't want the Liaison
job. I didn't want it. I hated the Air Force. I still hate
it." "You'll have to go talk to
the new Air Force Medical Examiner. This is Army, by the way. The
Air Force ME handles all the cases." Eileen sighed. She was
sarcastic around military people, and she had a tendency to be
rude. Having been in the military, she couldn't help teasing the
officers she met, like an unchained dog running outside a kennel.
She just couldn't stop herself from barking through the
bars. "This is out at Fort Carson,
so you can ask around and see if there are Games going on today,"
Harben suggested. "I'm sure it's nothing important, but that way
you'll stop wondering about it." Harben glanced at the faint
flickerings from the hole in the side of the Mountain, and a
puzzled crease developed in his forehead. "Well, I guess it has to be
some kind of drill," he said. North of
Bermuda The Unified German submarine
Edelweiss dove hard, cutting through layers of cold
seawater. She launched chaff, but the Subroc torpedo closed
without hesitation. The USS Guitarro had been too close
when the Edelweiss launched her missile. The German sub
didn't have a chance. There was a sound like the
ringing of a bell, clearly audible to the frantically scrambling
men inside the Edelweiss. Some hadn't even made it to
their battle station when the bell rang through the
hull. The Subroc's motors stopped.
A small flotational pack popped from the stern of the missile and
it started to drift slowly to the surface. "Damn," the German captain
said. "We're dead." His crew was more eloquent in their
disappointment, and for a few moments the air rang with curses.
The crew of the Unified German sub hadn't even known that their
own side in the Joint War Games was tracking them. They knew, of
course, that they were to be the "rogue" submarine that
unexpectedly attacks the United States, but security had been
good. The crew hadn't even known their assignment until they'd
left port and were in the open sea. "We avoided her for almost a
minute," the Fire Control officer reported quietly when the
volume dropped. "Pretty good for this old girl." "I didn't know a sub was
tracking us," the Radar officer said. He was wooden-faced but
still clearly upset. "I'm sorry, Captain." "We got our missiles off
before they killed us," the Captain said thoughtfully. "We learn
from them. When it is our turn to play the hero and theirs to
play the rogue, we'll do better than they did." The Captain nodded at his
first officer. The command was sent. The Edelweiss stood
down from battle stations. Her part in the Game was
over. Washington, D.C., and
NORAD Washington received the
signal while the Guitarro was still accelerating. The
Secret Service hustled the President to his helicopter in
thirty-seven seconds. Since everyone knew the drill was going to
happen, the President's schedule was clear and he was sipping
coffee in his office when the Secret Service notified him of the
alert. Not a particularly realistic drill for the President, but
he was, after all, the President. Air Force One was in the air
twenty-four minutes later. NORAD saw the missiles leave
the ocean surface. The latest satellite technology sent the
information to the computer screens just slightly slower than the
speed of light. Air Force Major General Jeremy Kelton didn't
change his usual calm expression. He was drinking from a can of
soda. He put the can down carefully, reached over, and flicked
open a plastic cover. He turned a key. NORAD buttoned up. The
outside lights, flashing for half an hour now in warning of a
simulated attack, stopped. Whoever was inside would stay inside.
Whoever was outside would not be able to get in until the
emergency was over. A quiet tone sounded throughout the cavern.
The outside air fans died. There was a faint, almost
imperceptible flicker as the power system shunted over to
internals. The only door to the gigantic tunnel swung shut with a
crash. Air Force personnel raced to their positions. Some still
had thick sandwiches clutched in their hands. The cafeteria at
NORAD Air Force Base had a reputation for good food, and a number
of the shift workers were eating lunch at the time of the
alarm. Colorado Springs
Investigations Bureau "I'm going to try one more
time to get out of this, boss," Eileen said earnestly. "I hate
the military. I'll be rude. I'll spit in all the wrong places and
I'll call colonels by their first names. I'll step on their shiny
shoes and get them all muddy. I can't help it." "I want you to step on
shoes, Eileen," Harben said coldly. "That's the general idea.
Congress passed the law about civilian police being involved in
military investigations just last year, and the military hates
it. But there were too many scandals. Like what happened to your
friend." Eileen had told Harben about
her friend Bernice when she received her promotion to detective.
She figured Harben should know. Harben never showed any emotion,
which Eileen thought a relief. She couldn't stand sympathy,
particularly about Bernie. Captain Bernie Ames was
flying a standard training flight in Arizona when her A-10 broke
away from the formation and headed north. She didn't respond on
the radio to the increasingly frantic attempts to contact her.
Search planes found the remains of her body and her A-10 two
weeks later at the top of a Colorado mountain. The resulting Air Force
investigation concluded "pilot error." Worse, the gossip always
added "female" to "pilot error." Eileen, feeling as shredded as
Bernie's A-10, could do nothing about the verdict. The records
were sealed. No real explanation was ever found for why Bernie
decided to fly her plane hundreds of miles north and nose dive
into a mountain. Her friend went into her grave as a bad,
possibly suicidal pilot. A bad woman pilot. "I don't want to deal with
their garbage," she said heavily. "I doubt I can help. But I'll
do it." Harben regarded her for a
moment. She couldn't tell what he was thinking. But then again,
she never could. Harben was the definition of a closed
book. "Good. Thank you." Harben
picked up a pen and wrote briefly. "Here's the access name for
the Pendleton file." He looked up. "What is it?" "The flashes," Eileen said.
"They stopped. I guess it was nothing after all."
2 Space Command, Schriever Air
Force Base, Colorado From the highway the Air
Force base looked like a fenced mile of prairie grass. A few
dun-colored buildings dotted the grass. Schriever had been built
so quickly there was still a prairie dog town within the fencing.
There were no coyotes within the base, and none had yet figured
out how to pass the electrified fence. The prairie dogs were very
fat. One of the buildings was the Space Command Center, which ran
the Ballistic Missile Defense program. The so-called Star Wars
program had faded from the public sight, but the funding
continued through discretionary, or "black," funds. Few people
knew that the Ballistic Missile Defense program was still
continuing. Fewer still knew that much of the proposed system was
already in place. Inside the building, the
Space Command Center was hooked up to the same satellite feeds as
NORAD, although its early warning systems weren't nearly as
complex as those of its elder cousin. Space Command's computer
screens, however, were greatly superior. Instead of Klaxon and a
bright dot north of Bermuda on a black and white map of the
earth, a huge screen showed earth's Northern Hemisphere from a
lofty altitude. A blue map of the ocean was so precise it looked
like a movie shot from the Shuttle. The computer marked
concentric rings around the probable launch site. Tiny black
lines were already starting to show at the center of the circle.
The radars were picking up enough of a track to mark the flight
path of the incoming nuclear warheads. Colonel Olsen, Commander in
Chief, Space, picked up the phone that connected him to NORAD. He
was at the back of the Center at Space Command, and was a little
nearsighted but refused to admit it. Consequently he'd been
squinting at the computer map and had a headache. "Give me validation of that
launch!" he barked. The other phone rang, the
Gold Phone. Colonel Olsen scooped it up with his free
hand. "Yes, sir," he said into the
Gold Phone. "Copy all," he said into the Blue Phone. "Get me
impact," he said to his Space Director, who was sitting elegantly
straight and seemingly relaxed at his left side. "Washington, D.C., and
surrounding area," she responded immediately. The glow from her
computer terminal lit her expressionless face. "Oh my God," murmured a
member of the audience. He turned to his companion, a Marine
colonel. The man was ashy pale. He lived in Washington, D.C., and
had come out to Colorado for the Joint War Games. "What
happened?" The Marine looked at him in
surprise. Then the officer leaned close to the other man's
ear. "This is a simulation," he
said. "Those are unarmed missiles. Duds." The Marine looked at
the enormous computer screen. The missiles were climbing skyward
in the midst of flames and smoke. "The President is really on Air
Force One, but this is his drill with the Secret Service. Those
missiles are really aimed toward Washington, but they'll be
detonated if the system misses." "What if they don't
detonate?" the other officer hissed. "Then we'll surprise some
fish," the Marine replied impatiently "They're aimed at the bay,
and they're tiny. They could splash down next to a rowboat and
they wouldn't capsize the boat, though I think whoever was rowing
the boat would need to change his shorts. But they won't hit
anything. Where were you this morning when the briefing was going
on?" The officer from Washington
sat back in his chair in relief. "Thank God," he whispered to
the other officer. "I missed the briefing—I got lost coming out to the base.
I thought this was real." "It could be real," the
Marine colonel said grimly. "This time, it isn't." "Roger, the President is in
the air," Colonel Olsen said into the Gold Phone. "Impact area
D.C. The missile type is probably SS-N-06, multiple warheads
likely. Time to impact"—he glanced over at the Space
Director's computer screen—"less than ten minutes. Do I have
authority to shoot this down?" There was
silence. The Colonel stood at
attention, one ear to the Gold Phone, the other to the Blue. His
face was square and tanned. Laugh wrinkles networked his eyes. A
thin line of sweat dropped from his hairline into a wrinkle and
disappeared. "Sir?" Major Torrence, the
Ground Director, clenched the tabletop with his left hand. His
right finger hovered over the computer key that gave Weapons
Response Authority. His finger trembled slightly. He knew this
was a game, but it was a deadly serious one. Major Torrence knew
about the nightmare War Game three years before, where the
blundering and indecisiveness of the command staff caused the
complete destruction of most of the American East Coast. Several
forced retirements followed the debacle. Even simulated deaths
weren't taken lightly, not when they were counted in the
millions. "Less than eight minutes to
impact," the Space Director said without inflection. Colonel Olsen stood like a
statue. The phone at his ear was silent. "We need weapons release to
shoot this down," the Atlantic Commander said over the radio
communications link. "There's a manned shuttle
launch from Russia today at eleven," a Defense aide said over the
same link. "There's a possibility—if we release the Brilliant
Pebbles they might shoot it down." "Are the bombers scrambled?"
Olsen asked. "We have two B-1s in the
air, and that's all we have on alert nowadays," Air Command
replied from Omaha, Nebraska. During the Cold War hundreds of
pilots would be racing to bombers kept ready for just such an
event, but not today. "Seven minutes, thirty
seconds," NORAD reported. "We have to be prepared for
a massive follow-on," the Atlantic Commander said. "The President
has authorized." The Colonel didn't say a
word. He nodded his head abruptly at Major Torrence. "Weapons release
authorized," the Major roared into his microphone. His finger
punched the button that would turn the first "key." There was a
faint overload whine from the communications network. "Brilliant Pebbles
released," barked the Space Weapons officer, pressing his console
button and turning the second "key." Far above, in a low earth
orbit, hundreds of small bullet-shaped objects received a burst
of encrypted computer instructions. The Brilliant Pebbles stopped
their lazy orbital spin by squirting out tiny jets of hydrogen
peroxide. They deployed their sensing eyes. Circular radar dishes
unfolded delicately from shielded housings on top of the
Pebbles. Deployment of the sensing
eyes was an expensive operation. The lubrication of the folding
joints didn't last forever in the harsh climate of space. The
Space Weapons officer, in his excitement, sent the "All Deploy"
command to the Pebbles. Every Pebble in orbit around the earth
received the instruction and opened its radar eyes. This mistake
would earn a sharp reprimand from Olsen for the offending
officer. The Pebbles that opened
above the Atlantic had plenty to see. The twin radar dishes on
each Pebble caught the bright flare of the burning SS-N-06
rockets. The eyes, now in control, sent commands to the tiny
peroxide thrusters. To an astronaut floating a few hundred yards
away, the Pebbles would have looked comical. Their big goggle
eyes seemed to peer intently earthward, shifting back and forth
as they tried to acquire the tracks of the nuclear
missiles. The first two missiles
finished boost phase and launched the vehicle that contained the
nuclear bombs, called reentry vehicles or RVs. The post-boost
vehicle started an irregular bum as it launched off the RVs. To
the Brilliant Pebbles, the missiles became harder to track. The
second set of missiles were still boosting, leaving telltale
flare. Seven Brilliant Pebbles
locked on the remaining missiles. One Pebble, achieving an
intercept solution, sent a burst of instruction over the
communication link. The instruction was a simple one; it was,
essentially, "I've got it!" The other Pebbles, still struggling
for an intercept on the missile, received the transmission and
stopped calculating. The winning Pebble shed its
power packs and support system, called the lifejacket, and leaped
toward the missile. Behind it, another Pebble shouted over the
communications link and headed for the other missile. The velocity at impact was
nearly incalculable. The Pebble disintegrated into particles. The
fragile electrical impulses that were supposed to set off the
bomb vaporized along with inert chunks of steel. In a fraction of
a second the warhead was no more. The debris dropped toward the
ocean below. "Got 'em!" crowed the
Weapons Officer. "Can that, Captain," snapped
Colonel Olsen. "What have you hit?" "Two boosters, three and
four. Two Pebbles launched, two hits, no misses. Two busses are
currently deploying RVs." "Impact time?" "Two minutes, sir. Impact
point is Washington, D.C." Colorado Springs
Investigations Bureau Eileen sat at her computer,
delaying the moment when she would call up the Pendleton file.
She was watching the rainstorm and she was thinking about her
time in the military. They were not pleasant memories. Eileen shrugged and turned
away from the rain. Time to think of other things. Like teasing
the new rookie, perhaps. "Hey, Rosen," she said.
Rosen was editing. His rapid two-finger typing had ended. He was
still intent on his computer screen, looking over his
report. "What?" "The lights up at Cheyenne
Mountain ended. Harben told me it wasn't a nuclear
bomb." "Hmm, really," Rosen said
dryly. "Like I couldn't tell by now." "No, but they were tracking
something big." She had his attention now,
although he wasn't looking at her. She would win if he looked
over at her. "Something big?" "Yeah, Harben said for us to
go check out the news channels." Rosen sat up in his chair
and looked over at her, and she spoiled the joke with her grin.
She couldn't keep it off her face. He knew he'd been
had. "Oh, come on," he
snapped, and turned back to his screen. "Ha, I got you to look," she
said. "You were about to get up and check out CNN for the big
landing of Klaatu and his alien friends." "Next time if you can keep a
straight face I might even go find a TV," Rosen said, and started
typing on his keyboard again. Eileen, having lost the
game, still felt cheered. She'd been a rookie herself, not so
long ago. She turned from her computer and looked out the window.
There was another thundershower moving in over Cheyenne Mountain.
The flashing lights had ended for good, it seemed. The entrance
to NORAD was dark and still. Space Command, Schriever Air
Force Base "Ground Sensor, what are you
tracking?" The ground-based radars on
the East Coast were similar to the radar dishes on the Brilliant
Pebbles, although the ground radars were much more powerful.
Unrestricted by weight or space, the radars had the nuclear
weapons along the coast to draw power. They scanned over the
Atlantic with muscular pulses of energy, finding and tracking the
tiny falling bombs with exact precision. Their job was to take
out the missiles that the Brilliant Pebbles missed. They were the
last line of defense. The ground interceptors were
a descendant of the Patriot missile system, an advanced smart
bullet that could take apart the big city-busting bombs before
they had a chance to detonate. The powerful rockets could
accelerate at high speeds to intercept their targets. They had
weak sensors for eyes; the ground-based radars were their eyes,
pointing out and aiming them at the incoming bombs. The interceptors locked onto
the incoming RVs. "Radars are tracking, looks
like the ground interceptors are locked on," the Sensor officer
said, a puzzled note creeping into her voice. The interceptors didn't
fire. "Why aren't they firing,
Ground Weapons?" Colonel Olsen swung his head like a nervous
bull. The narrow black tracks were closing in on Washington with
frightening speed. "Ground Weapons?" There was no answer from the
Ground Weapons station. Colonel Olsen dropped the
Blue Phone from his ear. "Major Torrence, detonate
those missiles," he snapped. Torrence reached out so quickly he
knocked over an empty Styrofoam cup that once held coffee. He
flipped all four buttons on his console. The missiles abruptly
puffed into white smoke and arced toward the ocean. Colonel Olsen was smiling.
Deep laugh lines framed his eyes. It was not a pretty
smile. "Game Director," he said
softly. "What the hell is your person doing back there? Sleeping?
We have live assets on this Game, goddammit!" "Debris is down," crackled a
voice over the intercom. The chase pilots in the Atlantic had
just verified that the scrap metal from the detonated missiles
had landed safely in the ocean. Major Torrence tore the
headset from his head and threw it down in exasperation. Colonel
Eaton, the Space Director, took the headset gently from her head,
not disturbing a hair of her smooth French roll. The Gaming Center, Space
Command, was a long rectangular room with a raised dais at the
far end. Built in a series of steps, the room was like a small
theater. Twelve audience members, most of them in military
uniform, sat in comfortable chairs. At the front of the room was
a large-screen projection of the computer simulation. The screen
suddenly blossomed with light. The real test missiles had been
detonated, but the computer was instructed to continue the
simulation if such an event happened. The virtual bombs had just
impacted in the virtual city of Washington, D.C. The audience blinked and
muttered at the rising nuclear cloud above Washington. The
simulation was detailed enough to be horrifying. Along each side of the room
were the narrow doors that held the operations officers. Directly
ahead of Colonel Olsen, at the corner of the room, was the Ground
Weapons station door. The other doors opened cautiously.
Civilians who ran the different computer consoles peered out with
puzzled faces. The Game Director, a tall,
balding civilian, paced tightly to the Ground Weapons door and
flung it open. The audience, muttering and shifting, grew still
in a slow wave as first the front, then the back of the room
became aware that there was something wrong. The Director backed out of
the room. He turned away from the door, and the people in the
room could see his freckles standing out in a suddenly white
face. Inside the room there was a
figure slumped over the console. To Colonel Olsen, without
glasses, it appeared as though the woman in the room had a long
yellow stick or tube tucked under her armpit. Only as the first
muffled screams burst out did Olsen realize the stick was the
handle of a screwdriver, and it wasn't tucked under her arm. It
was driven deeply into her back, and the sprawled gracelessness
of the body could only mean that she was dead.
3 Schriever Air Force
Base The time from the discovery
of the body behind the narrow door in the Gaming Center to the
ringing of Harben's phone was fourteen minutes. Nelson Atkins,
Game Director, called Major Jeff Blaine, Chief of Security for
Schriever Air Force Base. Major Blaine had dealt with murder
before in other positions with the military police. Not at
Schriever, though. He wasn't set up for a murder investigation at
Schriever and he knew it. He called the base commander, Colonel
Willmeth. Colonel Willmeth had been
the base commander for just three months. He hadn't even caught
up on his paperwork yet. He put Blaine on hold, cursed briefly
and fluently, and opened his intercom. "Roberta?" he asked. "Can
you come in here for a moment, please?" Roberta came into the room a
moment later and shut the door behind her. She was a woman who
had been really beautiful thirty years before. She would still be
beautiful, Colonel Willmeth thought, if she weren't still trying
to look twenty. She had black hair piled high in what was now a
trendy do. She wore the latest in high-school fashion and her
bright pink nails were almost an inch long. She was the base
commander's secretary, and Colonel Willmeth hated her with all
his heart. "What is it, Jake?" she
asked. Colonel Willmeth winced at her use of his first name but
said nothing. The troops in his last command would have bet their
last paycheck that Willmeth could face down a tank or two with
his mouth alone, but they had never met Roberta. "We've had a murder at the
Gaming Center," Colonel Willmeth said. Roberta's large black eyes
widened. "A murder?" Willmeth nodded. He shrugged
with his hands outspread, as he'd done a thousand times in the
last three months. Only Roberta knew the rules that were specific
to Schriever Air Force Base. Only Roberta knew the filing system.
Roberta knew where everything was stored. Roberta was the real
base commander, and only Roberta and the base commander knew it.
Colonel Willmeth had wondered at the sigh of relief Colonel
Flaherty had given when he took command, but he'd been too
excited at his first base command to care. "Hang on," Roberta said. She
left the office and Colonel Willmeth chewed his lip, looking at
the blinking light that meant Major Blaine and thinking black
thoughts. "According to Regs we need
to call Air Force OSI, Office of Special Investigations," Roberta
said, reentering with a notebook in her hands. "That's Major
Stillwell at Peterson Air Force Base." She flipped a few pages
carefully with the pads of her nails so as to keep her polish
unmarred. "We're also required to notify the Colorado Springs
Police Department." "What?" Colonel Willmeth
said, distracted from his contemplation of Roberta's shiny nails.
"Civilians?" "According to Regs this last
year, passed by Congress. They've got a military liaison with a
security clearance. Detective Eileen Reed. Her captain, that's
Harben. I've got all their phone numbers." Roberta wrote briefly, tore
the page from her notebook, and laid it carefully on Colonel
Willmeth's desk. "Amazing," the Colonel said
wearily. "Thank you, Roberta. I don't know what I'd do without
you." Roberta smiled her little
Mona Lisa smile, the one that made Colonel Willmeth feel like
grinding his teeth. "No problem, Jake," she
said. "If you need anything else, let me know." She left the
room. Colonel Willmeth swallowed
hard and punched the light on the phone, opening the connection
to Major Blaine. Colorado Springs
Investigations Bureau "Hey, Rosen," Eileen said.
She'd typed in the access code to the Pendleton file, and had
already read the brief summary. It was time to go out to Peterson
and take a look. Rosen had finished editing
and was looking over a printout of his file. He'd propped a foot
up on a nearby chair and was sipping from a bottle of purified
water. Rosen was a health nut. He never drank coffee or soda,
which was a mystery to Eileen. How did he get going in the
morning? "Yes?" "You want to go look at this
Pendleton guy? He's a month dead, been lying in the
bushes." "Oh boy," Rosen said. "Is
this another one of those so-you-wanna-be-a-detective tests you
guys keep coming up with?" "No, I just want to see if
you'll puke," Eileen said innocently. Peter O'Brien, hanging up
his coat on a hook, snorted with laughter. There were damp rings
under his armpits and the back of his neck was beaded with
sweat. "Grow up," Rosen said. He
didn't smile, but his black eyes glittered. That was his version
of a laugh. "You should go," O'Brien
said. "Who knows? Maybe Eileen will puke." Eileen was opening her mouth
for a sizzling reply when Harben yelled her name. "I don't puke," she said
loftily to O'Brien. "And if I do, I'll make sure to puke on
you." "You puke on kiddie rides at
the carnival," O'Brien returned automatically. He was already
typing his own access code and pulling crumpled notes out of his
pockets. O'Brien never managed to remember his notebook, so he
ended up writing notes on any piece of paper he could scrounge.
This eccentricity was a great source of amusement to Eileen and
exasperation to Harben, but O'Brien managed to do a good job with
his ATM slips and his grocery receipts. Harben, on the phone again,
was holding the receiver away from his ear. "I'll have a detective out
immediately," he said. Eileen could hear the tiny frantic buzzing
from the receiver, the excited tones of the speaker. "That's fine, she'll sign
whatever she needs to, she has a security clearance. Yes, she's
our Military Liaison. Yes, she has a lot of experience with these
cases." Harben looked soberly at Eileen, who started grinning.
"I'll get her out there. Don't disturb the scene, understand?
Don't clean up anything, don't touch a thing." Harben hung up the phone
gently and the tiny voice, still squawking, stopped. "Security clearance,
sir?" "There's been a murder at
Schriever Air Force Base," Harben said. "Schriever?" Eileen asked in
surprise. There was never trouble at Schriever. Peterson Air
Force Base, sometimes, Fort Carson, all the time, but Schriever,
never. It was too small and too distant from everywhere else to
be much trouble. Eileen, in fact, had never seen Schriever. It
was out on the eastern prairie somewhere. "Schriever. Some civilian
Defense Department woman got herself murdered and that calm,
collected voice you just heard was Major Jeff Blaine, Chief of
Security." Eileen grinned again. Harben's expression didn't
change. Eileen had learned in her first year under Harben that
Harben never laughed at his own jokes, or even smiled at them.
But he didn't mind if you did. "She's in some top-secret
area with classified information just oozing out of the walls, if
the good Major can be believed. He'll be briefing you on the
information, you'll have to promise never to tell, et
cetera." "Okay. I guess this takes
priority over the Pendleton case?" "Yes, it does. In fact, the
Major tells me the Air Force Office of Special Investigations
will not be able to get out there for at least today, so you are
on your own. Their Major Still-well is at some conference in
Alabama and they're only one person deep in the OSI at
Peterson." "So he'll show up in a day
or so and take this off my hands?" "Correct, Eileen. But you'll
have to write all the new standard Military Liaison reports on
the investigation and file them." "Great, boss," Eileen said,
and sighed. "Get on the road, ma'am,"
Harben said, and flapped a bony hand. "I hear it's a long drive
to Schriever. Oh, and one other thing," he added as Eileen turned
for the door. "Sir?" Eileen asked
politely. "Get their shoes all muddy,
Eileen. That's what you're there for." Space Command, Schriever Air
Force Base "Jake, hello," Colonel Olsen
said in tones of relief. He held out a hand, and they shook
firmly. They were both the same rank, so military protocol
allowed them to call each other by their first names. They knew
each other from Germany as well. Their daughters became fast
friends in grammar school and were now attending the same high
school in the Springs. Willmeth took a look around the Gaming
Center. Blaine had them all in their seats. The Civilian Gamers
were all sitting at the back of the room. No one looked well. No
one was speaking. One was openly sobbing. The room was noisy with
the hum of the air-conditioning fans, but that was all. The huge
screen still showed the Earth. Willmeth spotted the one closed
door. Olsen noticed his glance and nodded slightly. "Major Blaine is collecting
the police detective at the gate," Willmeth said in a low voice.
"He'll be here soon, and we can get everyone out of this
room." "We stopped the simulation
and shut down the systems outside the base," Olsen spoke quietly
in return. "But this is going to fuck us up in Washington,
Jake." "I know, Brad," Willmeth
said. "As soon as the police release you from the scene, I've got
a secure phone set up. We'll get on the horn and do some damage
assessment." "Good," Olsen said in
satisfaction. "Thank you." There was nothing more to be
said. There would be action, later on, and reports to be written
and meetings to attend, but for now there was nothing more. The
two colonels stood and watched the Earth and the drifting pattern
of simulated nuclear fallout. Manitou Springs,
Colorado George Tabor was taking a
walk. With him trotted Fancy, his English spaniel. The spaniel
loved her Thursday-morning walks. Meandering up and down the
hilly streets of Manitou Springs, they brushed by overgrown lilac
bushes and stepped over an occasional cracked piece of
pavement. Tuesdays they walked
downtown, which was interesting but not nearly as pleasant to the
young dog. The smells weren't as good. George sat down for a moment
or two at his regular stopping point, a low rock wall near
Manitou Springs Avenue. It was a pleasant place to sit. The wall
was shaded in the summer, sunny in the winter, and had a pretty
view of the downtown area. Additionally, there was a crack in the
stonework that occasionally contained a small beige cloth bag.
George scratched his knee and leaned back and scooped the bag out
of the crack and into his pocket. He didn't always search the
stone. If there were no bike chained to a light post downtown, or
if it had a flat rear tire, he wouldn't have stopped by the stone
at all. But the bike was there, sitting on fat knobby tires,
looking cheerful. George felt cheerful, looking at it. Something
good, he thought, and absently rubbed his spaniel's ears. Perhaps
something very good. The bag retrieved, he
finished his walk briskly, as he always did. The spaniel leaped
happily into the backseat of his car and George drove home
through the mild summer morning, humming softly along with the
radio. As a child, he'd thought he
wanted to be an American. He was a capitalist by birth, it
seemed. He'd made pocket change holding places in food lines
before he could read a book. He had a thousand ideas about making
money. Life would be so easy if he lived in America, he thought.
Then in George's adolescence he revised his opinion on America.
He could see, even with his limited vision, that the Soviet Union
wouldn't hold together much longer. He might be able to live out
the uncomfortable years of a Soviet breakup in some nice place
like Great Britain or America, working as a spy for his country.
Eventually he could come home to a freshly liberated Russia. A
man who knew the workings of capitalism might do very
well. George never wavered once he
decided what he wanted to do. At twenty-five, to all appearances
a dedicated GRU officer, he made the ridiculously easy entry
through Canada with papers declaring him to be the American
George Tabor. He never looked back. By the time he had focused
on stealing secrets from the Missile Defense program time, his
theory about the dissolution of the Soviet Union was proving to
be correct. George's contacts started to change. An East German
spy took him to a lavish dinner at the Broadmoor. After the first
former Soviet satellite started to pay for information, George
started probing for more. The new Russian Republic became a
customer instead of a master. He expanded, like a good
capitalist, to include the new countries that were once
satellites of the former Soviet Union. A contact in Japan made a
very polite request and delivered a staggering amount of money.
George was very good at his job. In the post-Cold War world of
espionage, he was in his element. And absolutely everybody
wanted to steal missile-defense information from the
Americans. Posing as a headhunter for a
defense contractor, George had obtained a phone directory from a
janitor at the Ballistic Missile Defense Center. The phone
listing he received wasn't classified, but it was still a hit. It
contained names, phone numbers, and supervisors' names.
Eventually, after hours tracing supervisor to supervisor, George
figured out each employee's field: operations, administration,
engineering, security. George made discreet phone
calls. He interviewed several applicants in his modestly plush
office near Garden of the Gods park. He was searching for a
person with a grudge. Or a person who needed money. Or even a
person who knew someone who needed money. Six months after the handy
little pink directory fell into his hands, he had his contact.
George worked on the contact like a fine fly
fisherman—a sport he'd recently taken up and
found very pleasant. Hooking a trout was like landing a contact
into a top-secret installation. He got the same kind of thrill.
The contact he found had an immense ego. The contact hadn't been
given a promotion in a long time. The contact needed money.
George commiserated. George soothed. George asked for some
sensitive information—just as a way to get a better idea
of the program, so he could steal away good people and put them
into better jobs. The contact delivered. The hook was
set. When he asked for classified
information, the contact knew who he was. And didn't care. The
packet was delivered. It was very good. The contact was in the
bag. George and Fancy entered
George's apartment. His spaniel shook free of the leash and raced
toward her water bowl as though afraid someone would snatch it
away if she didn't get there in moments. Silly dog, George
thought fondly. He shut his front door and locked it. He didn't
have to draw the shades. He drew them every morning before his
walk as a matter of routine. Finally, at last, he drew the savory
little bag from his pocket. The smile, like the Cheshire
cat's, was the last to leave. His eyes widened and his face
muscles sagged in disbelief. Finally the smile winked out. He
crumpled the piece of paper so tightly, he would have a bruised
palm later. He said a very American word, with a very American
inflection. He said it again. Then he picked up the phone and,
after a moment, dialed a number from memory. "Yes?" a voice said
briskly. "Is this
387-7754?" There was a
pause. "No," the voice said
heavily. "Sorry." George cradled the phone
gently and began to pack.
4 The Pentagon "There's been a what?" The
Admiral's voice, unbelieving, was nearly shrill. "A murder, sir. At the War
Game Center. That's what stopped the Game." There was a long pause. The
Admiral turned to look out the windows. He had an office at the E
level, which gave him one of the prettier views of Washington,
D.C. His face was thin and wrinkled. His sharply creased uniform
was immaculate. "Have the ships been
notified of the stand-down?" "Yes, sir, I gave the abort
code and we've verified that all the components have received the
code. The ships are standing by. We had an All Deploy sent to the
Brilliant Pebbles—" "All Deploy? All of them?"
The Admiral's voice climbed toward shrill again. "Yes, sir. Listen, sir. We
knew mistakes like that could happen during the progress of a
Game. All Deploy was considered one of the mistakes that could
happen. We've sent the stand-down command to the Pebbles, and
they're functioning. That's actually quite encouraging, and gives
us a lot of data." "Well, that's something, at
least." The Admiral held the phone against his ear and patted his
stomach with his free hand. He was rubbing against a network of
burn scars, a souvenir of an Iraqi shell that was more accurate
than most. The scars no longer hurt, but it was a nervous habit
to touch and rub at them. The rubbing soothed him. "We've had word out to the
DIA to find out if they've gotten feedback on this." "Was this—this was a death? Or was this a
murder?" "A murder, sir. One of the
civilian Gamers was stabbed to death, or at least that's what it
looked like to me." Olsen didn't like admitting his vision
problems. "All right, then. You
aborted the duds in flight. We know the Germans think we were
testing our early radar warning against rogue submarines. No one
has to know we lost the Game. Everything but the ground
interceptors worked perfectly." "Perfectly, sir," Colonel
Olsen said. "All right. Make sure your
OSI team is a bright one. Make sure they know what they're
looking for. Who's on the case right now?" "Civilian police, sir. The
Police Liaison." "Civilian?" "The Schriever police don't
have the resources to investigate a murder. The Peterson
investigations officer is in Alabama on a case and couldn't fly
into Colorado in less than six hours. Federal law requires we get
assistance from the Police Liaison in homicides. There's only one
person, and she's ex-military. Air Force pilot." "Ahh," the Admiral grunted.
"Better. I guess it'll have to do. What's this detective's
name?" "Reed, sir. Eileen
Reed." "Check her out." "Yes, sir. I've already sent
the request." "Thanks, Brad. We'll see you
tomorrow here at the Pentagon. We'll have to set up for another
Game." "Yes, sir." The Admiral pushed the
intercom button that connected him to his secretary. "Get me Mills at the CIA,
Delores," he said, and hung up the phone. He turned to
contemplate the pretty view, his hand absently patting his
stomach. In less than a minute, the phone rang. "Mills," Kane said into the
phone. "There's been another murder." Schriever Air Force
Base It was a long drive. Eileen
fought noon traffic south on Academy Boulevard and turned east on
Platte Avenue. The city soon gave way to long stretches of hot,
dry open land. She turned off Platte and aimed her Jeep down
Highway 94. The open stretches of land became a ranch. Cattle
dotted rolling hills, grazing on long brown prairie grass. She
thought about Captain Bernie Ames. They'd met when they'd been
forced to bunk together in the overcrowded bachelor quarters in
Minot, North Dakota. Bernie loved to talk. Eileen loved to
listen. They were fantastically different. Bernie grew up in
inner-city Chicago; Eileen was raised on a Wyoming ranch. Bernie,
short and round, busty and loud, confessed that she always wanted
to look just like Eileen. Eileen, tall and gawky, frozen into
silence by any crowd greater than two people, confessed that she
always wanted to be just like Bernie. Bernie would no more have
flown her plane into a mountain than she would have put her
clothes on backward. Bernie was a fighter. She was not the
suicidal type. She loved to fly, she loved to crack jokes, she
loved food and men and movies and every delicious part of her
life. There had to be a reason she flew her plane into a
mountain. Eileen did everything she
could to find out what happened on Bernie's last flight. She went
up her chain of command. She found out, astonishingly, that this
was the third time a pilot broke away from a formation and
disappeared. When her review board came up that year she was
passed over for her promotion. The message was clear. Eileen
handed in her resignation, and the greatest surprise was the
intensity of her relief. She loved to fly, though it
was not a consuming passion. Eileen was a competent pilot without
dash, and she knew before she graduated from pilot training that
she would never be a great pilot. But she lived while four of her
classmates died, so perhaps a lack of dash wasn't so bad. Eileen
liked being part of a squadron. She thought it would hurt more to
give it all up. It was only later, as she
was waiting for acceptance into the police academy, that she
realized how much she'd disliked military life. She'd joined to
see more of the world than Wyoming, and because she wanted to be
around people. When she was growing up she didn't have many
friends. She didn't have any brothers or sisters, and her nearest
neighbors were twenty-four miles away over dirt roads. Eileen found there were
pilots from the more thickly settled east who couldn't comprehend
that she lived twenty-four miles away from another living being,
that there were ranchers who were even more isolated than the
Reeds, that a trip to the grocery store was a large and
well-planned monthly event. One pilot from New Jersey could not
believe there existed a place in the United States where pizza
could not be delivered. Eileen laughed for a long time at that.
She told him that when she and her high-school friends got a
hankering for McDonald's, they would drive three hours into Rapid
City, South Dakota. Six hours round-trip for a fast-food
hamburger. Being in a squadron was
crowded and never lonely. Delivery pizza was almost always
available. Eileen found a real friend in Bernie. Military life
should have been exactly what she was looking for. But something about the Air
Force just wasn't right for Eileen, and she knew it long before
Bernie flew into a mountain. Being in the Air Force was like
eating a meal made of plastic. The food looked delicious, but it
didn't taste good at all. The family of the squadron, so enticing
when Eileen considered it, turned out to be an insider's circle
where the condescension toward nonpilots was childish and cruel.
And Eileen always felt like a second-class citizen, no matter how
well she flew. She was a girl, a woman, a female. An
outsider. At some point while she was
still trying to get Bernie's files reopened, Eileen decided she
wanted to try her hand at police work. She wasn't even sure what
made her decide that being a cop might be satisfying. Eileen
found she loved it. And she was surprisingly good at it. The new
Liaison job was going to be difficult, but she was Detective Reed
now, not Air Force Captain Reed. Things would be different. She
would make sure of it. Eileen smiled at the cattle.
It was a long drive, but a pretty one. Time enough to get her
thoughts in order and her temper firmly locked away. Eileen's
mother was a true redhead, tall and fiery and very intelligent,
with ice-cream skin and lots of freckles. Eileen's hair was
darker and she had no adorable freckles, but she had her mother's
height and her temper. To her regret, sometimes. "Step on shoes," she
murmured to herself. "But softly, softly now. And don't forget
you're not in the military anymore. You don't have to call anyone
'sir.' " Eileen found herself missing
Jim Erickson fiercely. Jim was her partner, the senior member of
their team. He'd moved to Denver six months before. Eileen was
glad for the opportunity to move up into a senior position, but
she missed Jim's steady and unblinking presence on a case. He
made her laugh. And she'd never handled a really big homicide all
on her own before. "So what?" she said to
herself. "I can handle it." Up ahead, she saw a small sign
modestly announcing Schriever Air Force Base and an arrow
pointing to the right. She made the long curving
turn off the highway at a safe and sane cop speed, about sixty
miles an hour, and as she headed down a side road she could see a
group of buildings on the horizon. A cluster of big white
golf-ball shapes, radar dishes, sat beside the buildings. As
Eileen approached the base, she became aware of the enormous size
of the dishes. They were huge, five or six stories tall, looking
like puffball mushrooms from an old horror movie. "This place is bigger than I
thought," Eileen murmured as she took the final turn onto the
base. There was a security patrol Blazer waiting to meet her,
lights flashing. The Blazer was parked in a poor position for
Eileen to speak to the driver. She pulled up to the passenger
side, rolled down her window, and waited as the occupant reached
over and cranked down the passenger-side window. "Major Blaine?" "Yes, and you
are?" "Detective Eileen Reed."
Eileen flipped open her badge and held it up. "Follow me," Major Blaine
said shortly. He was a trim man with a mustache and a deep
widow's peak. His face was pale. Eileen looked at the sleepy
peaceful base and saw a couple of early lunchtime joggers heading
off along broad dirt paths. She followed the Blazer down
a long curving road, lined on each side by wide green strips of
lawn. Sprinklers fought gamely under the hot prairie sun. Eileen
could see brown spots dotting the green. The sprinklers were
losing the battle. The Blazer parked by a long, low building and
Eileen followed. The base really started here; she could see two
sets of sturdy fences with an asphalt strip of no-man's-land
between them. At intervals along the fence line she saw posts
with cameras mounted at the top. Very serious security. The air
was hot and dry and smelled of baking asphalt and prairie sage.
Very faintly, Eileen could smell cattle. "Can I see your badge again,
please?" Blaine asked after they both got out of their cars.
Eileen gave it to him, and watched as Blaine compared her picture
with one in a file he produced from his briefcase. "I guess you're Eileen Reed,
and you have the clearances we require. This is your badge,"
Blaine said, and sighed heavily. He handed Eileen a square of
plastic about as large as the palm of her hand. Where her picture
was supposed to be was blank. Blaine held the door open for her,
and they entered the building. Filling the interior was
what Eileen took for a moment to be phone booths. She saw a woman
standing inside a booth. The woman was facing them and her mouth
was set with impatience. There was a loud click and the woman
opened the door on the booth. She passed them without a glance,
wrapping a neck chain around her badge and stuffing it in a gym
bag she carried slung over her shoulder. "This is the ECF, the Entry
Control Facility." Blaine held out his own badge to Eileen.
"Those booths are retinal scanners. You enter the portal and it
locks behind you. Run your badge through like this"—he demonstrated with a sliding
movement of his hand—"and type in your number... oh,
damn." Blaine dug in his pockets for a moment and came up with a
slip of paper. He squinted at it. "Your number is 7893; memorize
it. You put your eye to the retinal scanner. This is your first
time through, so you'll have to scan twice, once to put your
pattern into the system, and once again to establish your
entry." "What is this place, anyway?
Why do you have such a fancy setup just to get in this place?"
Beyond the other side of the clear glass phone booths and beyond
the fencing Eileen could see more green grass, more dun-colored
buildings. The whole scene looked ordinary to her. "I can't answer that yet,"
Blaine said. Eileen nodded, wondering if her face showed the
distaste she felt. The military and its secrets. She hated
secrets. She watched Blaine as the
Major went through one of the portals. Eileen felt a brief burst
of panic when she entered the booth and the door clicked shut
behind her, locking her into a coffin-size glass room. The
retinal scanner looked ominous. The booth smelled stale. The
eyebrow pad on the one glass eyehole reminded Eileen of surgeon's
equipment. She felt distinctly afraid of putting her eye to the
small round circle. She took a deep breath, bent down, and
pressed the button on the machine. A clear green beam briefly
flashed into her eye. She expected pain but there was none, not
even the wincing reflex that a bright light causes. She pressed
the button a second time, remembering that she had to set her
pattern into the system. There was a sudden honking
sound somewhere in the building. Her booth suddenly lit up with
red lights. Eileen stood up from the scanner and looked around.
She couldn't hear Blaine, but she could see him talking to her.
She tried to open the door. It was locked. She tried to open the
door she'd entered from. It, too, was locked. Eileen felt a burst
of panic and took a deep breath. "Let me out of here,
please," she said through the glass to Blaine. "Uh, ma'am?" A voice came
out of the speaker next to the retinal scanner. "Let me out of here,
please," Eileen repeated through clenched teeth, trying to keep
calm. She did not like enclosed places. The booth was getting
smaller by the second. "I'm sorry, ma'am, but you
set off our metal detectors," the voice said, sounding
bewildered. "I imagine I did," Eileen
said dryly. "I'm carrying a .357 in a shoulder holster." As well
as a concealed .38 Ladysmith in an ankle sheath, she did not add.
There were some secrets that Eileen didn't mind keeping to
herself. "You're not allowed to carry
weapons on base," the voice said, sounding shocked. "I'm allowed," Eileen said.
She glared out at Blaine. "You better talk to your Major Blaine,
out there." Major Blaine walked quickly
to an office area at the end of the row of booths. Eileen could
see him speaking rapidly to a soldier dressed in
camouflage. "I'm with the Colorado
Springs police," Eileen said, hoping her voice sounded patient
and wise instead of squeaky and shrill. She felt unsure and out
of control. It was a hateful feeling and she felt her temper
begin a slow climb to compensate. Major Blaine waved his arms
around. The soldier looked confused. "Used to be, civilian police
held no jurisdiction on federal property, but that's not true
anymore," Eileen said conversationally. She was pleased at her
calm voice, when what she felt like doing was pulling her gun and
shooting the glass. She wondered if she
could shoot out the glass in the booth. Eileen felt a
quick drop of sweat run down from her armpit and soak into the
cotton of her bra. If she didn't get out of this coffin very
quickly, Major Blaine was going to spend some time in the
smallest jail cell she could find. More sweat ran down her
armpits. She felt fury and claustrophobia in a nauseating
mix. The door of the booth
suddenly clicked open. Eileen leaned against it and stepped out.
The air smelled divinely cool and sweet. She took a deep breath
and mentally gripped the reins on her temper. "That was unpleasant," she
said to Major Blaine. He was hurrying back toward her, his
forehead wrinkled in anxiety. "I forgot you'd be carrying
a gun," he said, holding his hands out apologetically. "I will always be carrying a
gun," Eileen said calmly. "Is this going to happen again, Major
Blaine?" "No, don't worry," he said.
"I had the guard set your pattern into the system. You have a
bypass to the metal detector." "Thank you," Eileen said.
She was amazed at her voice. It sounded very steady, when what
she really wanted to do was commit all sorts of police atrocities
on Major Blaine. "Why don't you show me to the victim
now?" "This way," Major Blaine
said, and headed toward the exit. He held the door for her and
Eileen accidentally stepped heavily on his shoe as she walked
through. "Sorry," she said
sweetly. Central Intelligence Agency,
Langley, Virginia Lucy Giometti was not having
a good day. She'd gotten past the first bout of morning sickness,
but the second was coming earlier than she'd hoped. She had a lot
of work to do and she couldn't afford to spend her time in the
halls at Langley going back and forth from the bathroom. She also
had a lot of trouble with her weight. The only way to stop from
throwing up was to eat, and she was already well past the weight
gain her doctor had set for this month. She sighed, and opened her
desk drawer. It was full of food. She was an attractive woman
who'd been absolutely breathtaking in college. Her body had been
one flowing curve of female muscle and fitness, and the lines
still showed through the soft new padding of fat. Lucy picked up
a package of fat-free crackers and opened the twist tie. She eyed
the package of fruit pies underneath the crackers, then firmly
shut the drawer. When the phone rang she was
immersed in her primary case, a Chinese firm that might or might
not be trying to spy on the latest computer-disk technology. Her
job was to collect and analyze data for the Central Intelligence
Agency. She had a powerful Sun workstation on her desk. Lucy was
hooked directly into the TRW credit-check services, as well as
some of the other less-well-known credit systems. She had access
through her Government Internet channels to all university
records, police dispatch files, and medical charts that existed
on networked computers. Her snooping was relentless and expert,
although she felt she never had enough time to spend on her
detective work. Lucy loved the Internet. Lucy picked up the ringing
phone and tucked it on her shoulder, her fingers barely pausing
in their rapid typing on the computer keyboard. She was using a
"gopher," a computer program that connected to different computer
servers across the country, seeking information on her suspected
spy, John Chan. What a name. It had to be false. "Giometti here," she
said. "We have a potential
addition to our Missile Defense homicide case, Giometti. This is
Mills." Lucy sat up straight in her
chair, her eyes leaving the screen and focusing on the wall
behind her desk. Mills was her boss. She couldn't divide her
attention between Mills and her computer screen, as she did with
most of her callers. "I have Admiral Kane from
the Pentagon on the line. He's the BMD C in C." "Yes, sir," Lucy said, and
resisted saying "I know." Of course, she knew the Missile Defense
commander in chief. Who did Mills think she was? She pressed her
lips together and drummed her fingers silently against her
leg. "They've had a murder during
the War Game they had in progress today. The murder was in
Colorado Springs, Schriever Air Force Base. Do you have your
file?" "Yes, sir," Lucy said. Her
fingers, resting a half-inch above the keyboard, stabbed toward a
key that dumped her two hours' worth of data to disk. She typed
rapidly for a moment, and her screen filled with new data. "I
have it right here." "I'll put him
through." Admiral Kane was brisk and
to the point. "We might have a problem out at Schriever," he
said. "You're the new analyst? What happened to Bob?" "He retired, sir," Lucy
said. "I have the file now. Mr. Mills told me you'd had a
murder?" "Yes. Civilian woman,
stabbed. They've got the OSI called in, but he won't be there for
three days. They have a civilian Police Liaison man—er, woman—on the job." Lucy typed quickly, taking
notes on one of the windows on her computer screen. As she typed,
her eyes were scanning one of the other windows that contained
the latest data on the file. "Civilian detective,
sir?" "Yes, and I don't like it.
We don't want any fuss out there. We can't have the press knowing
what Schriever really does." "Of course, sir," Lucy said.
Her eyes flickered across the screen. "I know the policy is
nonintervention in this particular file. Any investigations that
attempt to tie the deaths together are discouraged. We're still
investigating at the CIA level, but we're not allowing it
anywhere else." "Good," Admiral Kane said
approvingly. Lucy frowned, her forehead wrinkling. My God, had
the file been open for that many years? How many deaths had there
been with the Missile Defense project? Her mouth dropped open in
surprise as she scanned some of the totals in the
list. "I see we've had three
incidents at Schriever on this case, none filed as Homicide," she
said neutrally. She'd read the file quickly when it had landed on
her desk but hadn't given it much thought until now. "All were
automobile related." "We won't be so lucky with
this one," Kane said grimly. "Olsen tells me she was
stabbed." "May I have Colonel Olsen's
number?" "I have it here, but you
won't be able to reach him until later today. They haven't
released the witnesses yet." Witnesses? Lucy thought
blankly. Her hand stole to the desk drawer and pulled out a fruit
pie. Kane gave her the number, and she wrote it down. "I'll get right on it, sir,"
she said. "I appreciate it." There was
a click, and the buzz of a blank line. Lucy sat with the phone
still cradled against her ear, her eyes scanning the data. She
bit off a hunk of fruit pie and chewed it thoughtfully. She
finally put the phone down and started to work. After ten minutes
she opened her desk drawer and pushed aside the fat-free
crackers. She pulled out a package of cookies and opened them
with her teeth as she typed on her console. This case was going
to call for serious snacking.
5 Schriever Air Force
Base As they walked into the base
Eileen figured out what was bothering her about this strange Air
Force base. "Where do the personnel
live?" she asked. "I don't see any barracks." There were only
about a dozen buildings on the base, and none of them looked like
living quarters. "The housing is at Peterson
Air Force Base, about half an hour from here," Blaine said. "This
base has no resident barracks, no commissary, no place to buy
anything." Blaine pointed at the
farthest building. All the buildings were windowless, with broad
lines. "The Command Center?" Eileen
asked. Blaine nodded, and took a deep breath. "The Ballistic Missile
Command Center," he said. "That is the first of many classified
facts you are going to find out today." "Missile defense? But I
thought it was—" "Canceled? It was canceled
to the public. It has not been canceled. If this fact gets to the
media, we will know whom it came from, Detective." "I get the picture," Eileen
said, sighing. "I have a security clearance, Major." Blaine bit
his lip. Blaine was a lip biter, Eileen was
discovering. "Good." He continued to walk
briskly toward the building. After ten minutes, Eileen
realized what was fooling her. The lack of windows made the
buildings appear smaller than they were. Every building on base
was huge, huge like the towering golf-ball radar dishes that were
now behind them. It took them ten minutes to walk the length of a
building that Eileen thought was an ordinary structure. She felt
like an ant next to this bland monolith. "That's the See-Sock,"
Blaine said, following Eileen's gaze. "Consolidated Space
Operations Center, CSOC. Not quite as large a building as the
Missile Defense Command Center." They reached the building,
and Eileen breathed a sigh of relief as they entered the cool
interior. The sun had been hot. "Next badge," Blaine said,
handing Eileen one and clipping his own to his shirt. They were
standing in an anteroom, alone and indoors. Blaine looked around
furtively. It appeared that he was going to give her some more
information, she thought in amusement. Major Blaine was acting as
paranoid as any military officer she'd ever seen. "I've already keyed you into
the system. This one is simpler, and all you have to have is the
badge and the number." Eileen looked at this badge
curiously. It was a pale green and had her name printed neatly on
the front below a fancy logo. The plastic was still warm to the
touch. "Enough with the badges,"
she said with a smile she hoped was charming. "What about the
incident?" "The murder took place today
somewhere between eight and ten a.m.," Blaine said reluctantly.
"There is—there was— a War Game going on out here
today. A full-up, worldwide War Game with what we call
hardware-in-the-loop." "What's that?" "That means there were ships
in the ocean with sailors at battle stations. There were
satellite surveillance systems on a state of full alert. It is
enormously expensive to put on a full-up War Game." "Someone just wasted a lot
of money by getting murdered, you mean?" Blaine's face flushed a
little. "I didn't mean that.
I—Well, the woman who was murdered
was a Civilian War Game member, who was supposed to operate her
computer a certain way at a certain time. She is still in the
room in the War Game Center where she was killed." "And you're not happy about
taking me in there?" "No, I'm not," Blaine said
shortly. "I left the Air Force as a
Captain, Major Blaine. Air Force Captain Eileen Reed. I flew
A-10s." "Oh? A-10s? I didn't know.
A—
That's great!" Blaine
offered his hand again and Eileen shook it, though she knew what
he'd bitten back. A woman, that's right, she thought.
One of those women fighter pilots. "You'll be fine, then,"
Blaine said. "Being ex-military, I mean." "I will be just fine,"
Eileen said firmly. "Shall we go, then?" "This way," Blaine said. His
shoulders rose and he gave a curt little wave at her. His
attitude had changed, Eileen realized with a sinking sensation.
Before, she was an unknown, a cop, a detective cop. Now he had
safely stuffed her into an Air Force captain's box, and that
meant she was a subordinate to him. She'd just made her first
mistake on the case. They passed a guard desk
after the anteroom. Two men and a woman sat behind a desk,
looking bored. The setup was comforting and familiar. Most large
office buildings had a similar guard staff, whose primary
function was to make sure that only the right people got inside
the building. Eileen wondered blankly how many of the wrong
people could even get as far as the guard desk. She followed
Blaine past the desk and into the building. Here the atmosphere was very
different. The base as a whole did not know about the murder, but
in the building worried knots of people gathered here and there,
and a sudden hush fell over them as they walked by. Eileen
followed Major Blaine to an elevator, which took them slowly to
the third floor. "This is the Gaming floor,"
Blaine said to Eileen as they walked down another anonymous
hallway. Because there were no windows Eileen had no sensation of
being on the third floor of a building. It felt more like a
basement. She wondered uneasily if she
was going to be out of her depth on this case, and suppressed
another longing for Jim Erickson that felt like homesickness. If
Jim were here she would be invisible, just the colorless junior
partner. She'd solved a lot of homicides that way, but she'd been
wanting for several years to be out in the front and on her own.
This had the looks of a big case. Blaine stopped at another metal
door. "Last door, you can tailgate
on me this time, but watch me. If you go through by yourself you
have to know what to do." Again, his voice was curt.
Eileen mentally cursed her big mouth. Blaine swiped the card
through yet another odd-looking machine, typed in his number, and
pulled on a big steel door as the locking mechanism clicked
open. "My," Eileen said. "Another
door?" "Yes," Blaine said, and
stepped up to a huge metal door with a submarine-style wheel on
it. As he reached out to touch it, it spun from the other
side. "Someone coming out," Blaine
said, and stepped back. The huge door swung toward them
noiselessly, and a tiny young woman of Japanese descent stepped
briskly through. Her perfume floated along with her, a cloud of
Eternity that nearly made Eileen sneeze. "Oh, good," the woman said.
"You'll close it for me?" Blaine nodded, and they
stepped across a doorway lined with flat brass plates. "What is this for?" Eileen
asked, gesturing at the door and the plates. "If this place
springs a leak and sinks?" Blaine didn't smile. "This
protects this area from electronic surveillance," he said. "No
electronic emissions can escape this quadrant of the
building." A stray thought crossed
Eileen's mind and caused her a brief, tense shudder. "Something wrong?" Blaine
asked. "I just realized that our
murderer is probably in this building with us," Eileen said with
a mirthless smile. "Be kind of hard to get in and out of here
unless you worked here." Blaine paled at that, and
bit his lips to a bloodless line. "This way," he said, and led
the way down the hall. "Another door." Eileen
sighed as they stopped next to a blank steel door. "The last one,
I dare not hope?" "The last one," Blaine said.
He put his fingers into a small metal box on the wall and lifted
his palm up awkwardly so Eileen could see what he was doing. The
box contained a series of buttons, each one numbered
sequentially. "The number is 8030," Blaine
said. "Memorize it?" Eileen
offered. Blaine pursed his lips at her disapprovingly and pressed
the buttons in the numbered series. The final door clicked
open. "The Gaming Center," Blaine
said, and ushered Eileen in. They walked up a narrow
hallway, barely wide enough for Eileen's shoulders, and slanted
like a handicapped ramp. There was another door at the end of
this oddly tilted hallway, but it was chocked open and through it
Eileen could see bright lights, colors, the movement and sound of
a crowd. There was a smell of coffee and donuts and the crowd
animal, perfume and aftershave and the rank scent of sweat.
People never smelled pretty after they discovered a dead
body. In the crowd, a murderer,
and somewhere at the end of the hallway, the murdered. Eileen
took a deep breath. However the strangeness of coming here, in
the end a murder was a murder. This was going to be her show, and
she was going to make it a good one. They walked through the
doorway and movement and noise dwindled and died away. Eileen
looked, seeing a blur of faces and trying to see if one stood out
with the pale vampire face of the murderer, pale and shiny with
guilt. None presented themselves. Eileen became aware that Blaine
was speaking. "Please take a seat and
wait. The Springs Police have arrived and we'll get you cleared
out of here as soon as possible." This last to a very
imposing-looking man with the eagles of a full colonel on his
shoulders. A large blond-haired man stood with him. His hair had
a fringe of thick bangs, making him look somewhat like a Roman
Caesar. He also wore a set of eagles. "I'm Colonel Willmeth, Miss
Reed," the man said, and held out his hand. "Detective Reed, sir. Just
call me Eileen." Eileen smiled and shook his hand, and realized
belatedly she'd just called someone "sir." "I'm the base commander.
Major Blaine called me in when he went to contact you. Is there
anything I can do to assist you?" "Has the Medical Examiner
arrived? I was told the OSI provides their own." Willmeth looked at
Blaine. "He's on his way from a case
at Fort Carson, he should be here within the hour." "All right, then. I need to
get these people out of here. Can you put them in a conference
room somewhere?" "I'll take care of it,"
Willmeth said. "Don't let anyone leave the
conference room unless they're escorted. That should be
fine." Eileen stood and watched the
crowd slowly work their way from the room, shepherded by Major
Blaine and Colonel Willmeth. A rule of investigation already
broken. These people had nearly an hour to discuss the murder
among themselves. She shrugged, and turned her attention to the
room. It was big, and beautifully
proportioned to show to advantage the large-screen displays. The
biggest screen showed a view of the East Coast. Eileen looked at
this for a moment, puzzled, and realized the swirl of cloud that
she had initially taken for some sort of strange hurricane was
the spreading mushroom cloud of atomic detonation over
Washington, D.C. "What you are seeing is
classified," Blaine said, returning to Eileen's side. He sounded
too much like he was giving an order to suit Eileen. "It's a
simulation." Eileen stopped looking at
the screen. It looked unbelievably real. The room had rows of
seats like an auditorium, with a set of consoles at the end where
Blaine and Eileen were standing. The consoles had headsets and
microphones, now abandoned. One headset lay dangling over a chair
arm, lazily revolving in the chilly breeze of the
air-conditioning. This room was different from
a typical auditorium. Along each wall there were doors that led
to small rooms. All except one of the doors were open, and
although Eileen immediately realized the significance of this,
she forced herself to look into the other rooms and note the
setup: one console, headsets, microphones, and a
comfortable-looking chair. Each of the rooms had a fire
extinguisher and a phone along with some other tool-like gadgets
that were apparently used on the big computers that nearly filled
each room. There were no windows or other exit. The little rooms
were barely bigger than phone booths. Eileen inclined her head
toward the closed door, and Blaine nodded. "I need a list of everyone
in this room, names, addresses, phone numbers. Do you have a
suspect or have you heard anyone mention a suspect?" "I thought you knew," Blaine
said. "Knew what?" Eileen asked
irritably. "Terry was murdered in that
room, but there's no way in or out of it. These
cameras"—and Blaine pointed up toward the
ceiling—"record everything. From the
moment she walked in there and shut the door, she was on tape.
The audience saw her go into the room, and they didn't see anyone
else go in. No one could have gotten in or out of that room
without the cameras or everyone here seeing them. No one but
Terry went in. And nobody came out."
6 Garden of the Gods, Colorado
Springs George Tabor couldn't do it.
No matter how intensive his training had been, he couldn't do it.
He looked into his little dog's trusting eyes and put away the
pill. They were in the Garden of
the Gods, a city park in Colorado Springs. The Garden was an area
with a geologic fault that caused huge rock spires to jut from
the ground. The spires reached fantastic heights and were laid
edge to edge like knives tumbled in a drawer. The Garden was
beautiful in the summertime, with the deep green of the scrub oak
setting off the dark red of the rocks. There were bike trails and
running trails and horse trails through the park, as well as a
few roads for cars. There were plenty of wild spaces in the
Garden as well. George had parked his car and walked just a few
minutes with Fancy at his side. He stopped in a small clearing
that was completely private and hidden. But he couldn't do it. The
sandy soil would be easy to dig to hide the little body of his
dog, and he would be free to catch the flight from Denver
International Airport he'd booked less than an hour before. The
flight left in two hours and it was nonstop to Paris. He couldn't
take a dog. What could he do with her? Then he knew. "Fancy, come on," he said,
and they started to walk back to his car. The dog bounded at his
side, panting happily, knocking into him so he staggered in the
soft soil. "Watch it," he said. He was in his travel
suit. He put her in the car and
shut the door. "You're going to the animal
shelter," he told her through the glass, and took a deep breath
of the summer air. He opened the door and got in, starting the
engine. The interior was still cool from the air-conditioning. "I
think someone will adopt you," he said. "At least it's a better
chance for you than this." Even though he knew the
risk, George Tabor was smiling as he pulled his car out of the
parking space and headed down the road. Gaming Center, Schriever Air
Force Base "Get me a tape of everything
the cameras recorded," Eileen said. "It's
classified." "I'll look at it
here." Eileen stood still and
thought for a moment. Should she view the tapes now, or interview
the Gamers now? She desperately wanted to see the videotapes of
the Game. She wanted to see how Terry Guzman could have walked
into a room and never come out. Someone must have entered that
room, and that someone had to be on the tape. But the Gamers were
real people, with memories that would fuzz and fade in just a few
hours. The murderer, too, if he were one of them, would have more
time to knit together a face of innocence. She didn't want to
risk that. The tapes would have to wait. Eileen stepped toward the
door. She examined it briefly and could see no signs of forced
entry. Eileen pulled open the door by tucking her pencil in the
slight crack, careful not to touch the knob. The stench that met her was
palpable, the unmistakable effluvium of death. The body was
slumped over the console. The console still showed the nuclear
cloud moving slowly out over the Atlantic. The woman—for woman it was, her body curved
and lush under what looked like a very expensive linen
suit—had one slender hand still
outstretched over the computer mouse. In her back, driven deep
and puckering the pale green material of her suit, was the bright
yellow handle of a screwdriver. There was a wet patch around the
puckered place, starting to dry and change colors at the edges.
Eileen could not see her face and was glad, not for the first
time. She didn't like to see their faces. Never had. She could easily reconstruct
the murder. The woman's headset was hanging from the chair arm,
but it was undoubtedly on when the murderer stepped into the room
behind her and drove the screwdriver into her back. Unfortunately, the theory
didn't fit. Anyone in the room behind her could see her right
now, and if the murderer came through that door every one of them
would have seen him. Or her. Eileen looked closely at the walls,
seeing only two air vents near the ceiling that were too small
for a human being. There was no other door, no window, no duct
opening that would allow someone to wiggle through. The only way
in or out of that room was through the doorway she was now
standing in. Eileen backed carefully out
of the room. The Crime Lab would be here soon, and the Medical
Examiner. She hoped the Air Force Crime Lab was competent. She
would want their notes. She let the door swing gently
closed. "I've started a list going
around the conference room," Blaine said. "Names, ranks,
numbers." "Tell me what went on here,"
Eileen said abruptly. She realized she'd been waiting for Jim
Erickson to ask the question. "We had a War Game here
today. There was an audience, and there were players. The players
were in the rooms. The audience members were in their seats. The
Commanders were here, behind the audience." Blaine pointed at the
dais and the row of consoles. "The audience and the Commanders
were all in view of the cameras before the Game started. I was
here, too. No one left the room from the time Terry entered that
room to the time Nelson opened the door." "Nelson?" "Nelson Atkins, the Game
Director." "I see." "So then there are the
Gamers, there are eight of them. I mean, seven of them now. They
were in the other rooms." "Is there any way into
Terry's room other than the door?" "Not that I know
of." "Thank you, Major," Eileen
said. "Okay. I'll view the tapes later. I think I'll release the
audience and your high-ranking commanders, once we have their
names. Do you have another conference room or somewhere private?
I need to interview these people—the Gamers, you said? I'd like to
do it one at a time." "We could use the little one
in here," Blaine gestured to an open door, "but the office one is
bigger and more private. It's across the hall." "Sounds good," Eileen said.
"Lead me to it. And fill me in on the people I'm going to talk
to. I'll let you tell the others they can go for now. I'll
contact them later." Fort Rucker Army Post,
Alabama Major Alan Stillwell did not
understand quite what was going on. His orders were to return to
Peterson immediately, even though his regular flight was
scheduled to depart in less than twenty-four hours. The message
had come through a strange channel, as well. His own base
commander had phoned him at the officers' quarters. This was odd
enough, considering that the Major had seen his own commander
perhaps three times in the past two years at Peterson. However, Major Stillwell was
an ambitious officer in a shrinking Defense world. He knew he
wasn't a particularly good-looking man. He was short and had a
tendency to grow a paunch, and his hair had been gone on top
since he was thirty. A drill sergeant told Stillwell in the
officers' training course that he'd never make flag rank because
of his looks. "It's a friggin' beauty
pageant," the sergeant told Stillwell, at a distance of about a
quarter inch. "And you're butt ugly." But behind Stillwell's
ordinary brown eyes was a handsome brain. Alan Stillwell
astounded his good-looking friends by capturing an array of
beautiful, bright girls during his college years. These girls saw
the interior man in the tubby little body and, to his friends'
amazement, adored him. Alan Stillwell was working
his way up through the ranks using the same dogged style that won
him female hearts wherever he went. So he packed his bags and
headed to the flight line. Waiting for a flight was
sometimes a long process, but the orders were clear. He was to
return to Peterson on the first available transport and report to
his base commander. Stillwell didn't much like to fly. He hadn't
minded once, back when he'd finished officer's basic training.
He'd even felt regret when he was passed over for flight school
because of his lack of perfect vision. Then came his assignment to
the OSI, and investigation. Investigation in the Air Force OSI
was primarily aircraft accidents, and they were never pretty.
Alan Stillwell threw up until he saw black dots in front of his
eyes the first time he assisted in an accident investigation of
an Air Force Huey helicopter. The helicopter lay in pieces in a
hangar, and young Lieutenant Stillwell was assisting Major
Johnston, a veteran OSI investigator. The pieces of the
helicopter had been collected carefully and laid out in place.
The pieces of the two pilots were mostly cleaned out. Not all.
Shreds and splashes of human tissue and blood rotted slowly in
the early-summer heat. Later, a major himself,
Stillwell was grimly amused when his own new lieutenant lost his
lunch at the last investigation. This one was also a helicopter
accident, a catastrophic failure of the rotor mechanism. The
reason for the rotor failure had to be determined, and the bodies
couldn't be moved until they'd filmed the scene and figured out a
potential cause. The bodies were frozen solid in the high
Colorado winter, and what sent his young assistant to his knees,
vomiting, were the frozen icicles around the mouth of the
copilot, a pretty young captain. Lieutenant Trask abruptly
broke into a run and almost made it to the trees before he lost
his Air Force cafeteria lunch. Stillwell and the Medical
Examiner, Dr. Rowland, nodded at each other sympathetically. You
had to be detached. Trask would either learn, or he would find
himself in a nice uneventful Military Police job, reading
magazines and watching camera shots of windowless
buildings. Now Major Stillwell sat in
the flight room at Fort Rucker, Alabama, waiting for a flight to
take him to Colorado. He was very detached when at a scene, but
he couldn't be quite so detached when he boarded a real plane. He
wondered how badly dying in a plane crash felt. Was it really
agonizing? Or did the shock make you feel dreamy and uncaring?
How long did you have before you realized the plane was crashing?
Minutes, seconds, even longer? "Well, I have one for you,
Major," the flight control airman said, setting a piece of paper
down on the high flight-line table. "It's not going to be pretty,
but it'll get you home. A Chinook, she's brand-new and Peterson
is where she's being delivered." Major Stillwell felt a
rictus of a smile spread across his face as he took the paper. He
hated helicopters. "I hope they've got a good
supply of barf bags," he said. The airman laughed. "You bet they will. There's
some good thunderstorms up near Oklahoma this time of year. Check
with Roseburg, he's got extra flight helmets. She takes off at
dawn, that's about six hours from now. Better try and get some
sleep." Gaming Center, Schriever Air
Force Base Eileen was catching up on a
month's worth of Dilbert cartoons pinned to a nearby cubicle wall
when Major Blaine came back. He'd left her at a conference room
across the hall and went to select a Gamer for her to talk to. A
tall, stooped man with thinning gray hair was with
him. "Nelson Atkins," Blaine
said. "Detective Eileen Reed,"
Eileen said to the man, and shook his hand. "Here's the list of names,"
Blaine said, and handed a clipboard to Eileen. She took the list
and looked at it briefly. There were three sets of names, one
marked "Observers," one marked "Commanders," and one marked
"Gamers." Nelson Atkins headed up the list. Next to his name was
written "Game Director." Eileen waved a hand to the
chairs in the conference room. Atkins went in and took a seat
immediately. "I need to talk to Colonel
Willmeth about the secure phone line," Blaine said apologetically
from the doorway. "You'll stay here until I return." "That's fine," Eileen said
with a glittering false smile, as though he'd asked her a
question instead of giving her an order. She closed the door
behind Blaine and took a seat. The chairs were comfortable,
almost plush, with a dull geometric pattern in heavy fabric. The
backs were very high and the arms were padded. The other chairs
stood in random positions around the table. After a moment,
Eileen realized the chairs were left in the positions they rolled
to when the last people to sit in them had gotten up. There was a
white board along one wall. It was written and rewritten on so
many times, the latest writings were hard to read over the poorly
erased ghosts of the old. Eileen studied the board for a moment.
She couldn't make heads or tails out of the hieroglyphics. There
were circles connected by lines and phrases connected by pluses
and brackets, as though someone had tried to do algebra with
words instead of X's and Y's. "Enable Command Authority
equals time plus check plus switch?" Atkins looked bewildered and
followed Eileen's gaze to the white board. He smiled faintly.
"Data Dictionary Entries," he said. "Excuse me?" "It's called structured
software design. It's a way of engineering software so you get
exactly what you want, every time," Atkins replied patiently.
Faint color washed across his forehead, and his shoulders rose a
little. "We use it in combination with Object Oriented Design. It
works well." "I see," Eileen said gently,
although she didn't. She really wanted to see Atkins get his feet
under him a little. This was her territory, the interviews. Jim
always had her do the inter-views. If he were here, he would be
rewinding the Game tapes and watching them, and they would
compare notes later. "Let's talk about what
happened. I know you're upset." "Of course, of course,"
Atkins said anxiously. "Anything I can do to help. This is
terrible, just terrible." He scrubbed at his face with a shaking
hand. "What happened, Mr.
Atkins?" "I don't know, Miss ...
Er?" "Reed. Call me
Eileen." "Miss Reed. She was fine
when she went into the Ground Weapons station. She closed her
door, and I went into my room and closed my door. Then I came out
when the ground interceptors didn't fire—" "The what?" "The ground interceptors.
She was supposed to release them to fire at the incoming RVs. Er,
reentry vehicles. Nuclear bombs." "Who opened the door to her
room?" "I did. I went to see why
she hadn't—hadn't..." Atkins
stopped. "Just take your time, Mr.
Atkins," Eileen said. "I'm okay," Atkins said, and
wiped at his upper lip. "I opened the door and saw
her." "What did you
see?" Atkins looked at her
blankly. "I saw she had something in her back, that she looked
like she was dead." "Did you touch
her?" "No, I didn't. I turned
away, I—I couldn't believe
it." "Was she moving when you
opened the door?" "No," Atkins said after a
moment. "No, she was still. She didn't look asleep, even. She
looked like a doll. Not alive." "Did anyone else touch the
door or enter the room?" "I don't think so. I closed
it before Major Blaine got there. He didn't open it." "Okay. Let me ask you some
questions about Terry. How long had she worked for
you?" "About a year and a half. I
can get her personnel file for you." Eileen nodded and made a
note. "Please do. Where did she
work before this?" "Digital Equipment
Corporation. She was laid off along with about two hundred other
people. It had nothing to do with her work
performance." "Why did you hire
her?" Atkins flushed and pressed
his lips together. "I think that's obvious." "Obvious?" Eileen was
puzzled. "Oh, I'm sorry, I thought
you knew. Lowell Guzman is our Assistant Game Director. Lowell
recommended her highly. We have regulations about hiring
relatives, but since she would be reporting to me and not to
Lowell, the regulations didn't apply." Eileen glanced down at his
list. "Lowell Guzman, Assistant Game Director." Sure
enough. "Lowell is her brother? Her
husband?" "Husband, I'm
sorry." "Her husband was here? Where
is he?" "He's in the conference
room. The base paramedic gave him a shot. He's pretty woozy right
now." "I'll talk to him when he
comes out of it a bit," Eileen said, making notes. "Were she and
Lowell getting along?" "Lowell loved her," Atkins
said angrily. "What are you trying to say?" "I'm trying to say she was
murdered," Eileen said calmly. "Now, did she and Lowell get
along?" "I think they did," Atkins
said, deflated. "They never fought, as far as I"
know." "Okay, then. Did she have
any enemies?" Atkins hesitated too long
before answering. "No, I don't think
so." "Really?" Eileen asked
gently. Atkins seemed to huddle back in his chair. The gray hair
seemed darker against the paleness of his face. "Miss Reed, I don't know how
to say this—" "Just try," Eileen
said. "Okay. Terry was not
popular. She wasn't a—an easygoing kind of person. But
if you arrest anyone here on suspicion just because they didn't
like her, you're going to ruin their lives." "Excuse me?" "I mean it. If you arrest
me, I'll lose my clearance. It's doubtful I'll get it back. The
same is true of"—Atkins swept a pale arm from the
chair—"everyone here. I don't want to
make you upset, Miss Reed. But if you arrest someone who turns
out to be innocent, you'll probably have a lawsuit on your
hands." "Are you threatening me?"
Eileen asked mildly. "No, no," Atkins said,
aghast. "I'm not. I'm just asking you to be—careful, that's all. I'll tell my
people to work with you. I just—it's just..." Atkins ran out of steam. He
scrubbed at his face again. "I suppose I can restrict my
wild tendency to arrest everyone in sight, Mr. Atkins," Eileen
said dryly. "And in return I assume I'm going to get complete
cooperation with everyone?" "Everyone, I swear it,"
Atkins said gratefully. He nodded, and nodded again, and kept
nodding his head for the rest of the interview as though the nod
motor had shorted out somewhere and wouldn't shut off. He told
Eileen he'd gone out for coffee once, to the bathroom once, and
stayed in the main room for the rest of the Game. He hadn't seen
anything or noticed anything. He plucked at the hairs on
his arm while Eileen finished up her notes. "Bring me Lowell Guzman,
please," Eileen said. "Okay." Atkins shot to his
feet and left the room with palpable relief. Eileen sat and drummed her
fingers on the comfortable chair arm, and looked at the queer
drawings on the white board. She made a little whistling mouth,
but didn't whistle out loud. She looked at the list again. There
were seven names: Nelson
Atkins—Game Director Lowell
Guzman—Assistant Game
Director Arthur
Bailey—Truth Team Leader Joe
Tanner—Software Engineer Roberto
Espinoza—Software Engineer Doug
Procell—Software Engineer Sharon
Johnson—Software Engineer "What the hell's a Truth
Team?" Eileen said to herself. The door opened. The man who
walked in was handsome in a way Eileen liked immediately: strong
face, lanky body, big hands. He wore a suit elegantly because he
had good lines, but Eileen immediately noticed the color change
at the seams and the splotch of mustard along the dark sleeve.
His hair was brown and mussed. His eyes were pale green and
red-rimmed, as though he'd been crying. He smelled of Dial soap
and fresh, anxious sweat. "Lowell Guzman?" Eileen
asked, rising. "No, I'm Joe Tanner," the
man said. "Lowell is really out of it. Whatever the paramedics
gave him knocked him right out. Nelson said to come on in, and
when Lowell wakes up he'll send him in." "All right," Eileen said,
not meaning it. She sat down and gestured for Tanner to take a
seat. "I need to ask you some questions, Mr. Tanner. Can you help
me?" "Joe, please. Yes," Tanner
said. He sat down and pressed the back of his hand to his eyes
and then his nose. With a complete lack of self-consciousness, he
wiped his wet hand on the expensive wool of his suit. He took a
deep breath. "Okay." "When did you know that
Terry was dead?" "The same time everyone
did," Tanner said. "When Nelson opened the door and we saw
her." "What did you
see?" "I saw Terry—well, no, I saw Nelson first. He
turned away from the door and bent over like he was going to
throw up. I saw Terry in her room and she was lying over her
keyboard. There was something sticking out of her—her back. Then someone screamed
and I realized she was dead. I turned away." "Did you see Terry after
that?" "Nelson closed the door,"
Tanner said. "I didn't look anyway." "Was she moving when the
door opened?" Tanner blinked hard. "No. I
didn't see her move. Why do you ask?" "I want to know when she
died," Eileen said. "Oh," Tanner said in a dazed
voice. He was very pale. "Did you know
Terry?" "Not really. I worked with
her, but we weren't friends." "Do you know someone who
would want to kill her?" Tanner looked down at his
own large hands, as though he were trying out the idea on
himself. He opened his palms wide and looked at them. "No," he said finally. "I
don't. I really don't." Eileen nodded. She expected
that answer from everyone she questioned. At first, that is.
Later, when the heat turned up on all of them, someone would
start to talk. "Okay, then, let me ask you
some questions about today. Tell me what you did
today." "I work on the Truth Team
during the Game," he replied obediently. "I watch the true
picture of the War. We have to—" "What do you mean, 'Truth
Team'? And what's a 'true picture'?" "Urn. Well, we play both
teams—Enemy and American. Because our
satellite and intelligence operations might screw up, just like
in real life, the Simulation tries to duplicate that by rolling
the dice." Tanner smiled at her
confused expression, the first smile she'd seen. "Let me explain. Say you
think a submarine is three hundred miles north of Bermuda. What
if it's actually one hundred miles south? The American Team sees
a little submarine flag north of Bermuda, and the Truth Team sees
a little submarine flag south. The Enemy side would have proper
coordinates for their own subs and missiles, but they'd have best
guesses for ours. The Truth Team knows what we call 'truth,' so
we can analyze the Game data later and figure out how the system
worked." "So where's the Enemy Team?"
Eileen was confused. Were there Gamers she didn't know
about? "Oh, well, we play the Enemy
Team for the Games, mostly. Today it was a full-scale Game with
Flag Officers involved. So the Germans played the 'Mad Sub'
scenario this time, with real missiles. But they were duds, you
know." "I would hope so," Eileen
murmured, feeling even more confused. "We usually play the Bad
Guys in the Truth Room. Sometimes I play the Chinese, the Arabs,
the Japanese—" "The Japanese? You've got to
be kidding." "No," Tanner said. "We play
everybody. I mean everybody. I've played a War Game where Great
Britain tries to take us back as a colony. I liked that one. I
guess you know this is all classified. Major Blaine said to tell
you everything we could." "Yes, I have a clearance. So
you play Bad Guys and you know the true state of the Game,"
Eileen said. She fought another distressing moment of doubt, and
cursed Harben for getting her into this mess. "You have your own
room in the Center for this?" At his nod, she said, "Did you
leave your room during the Game today?" "No, I didn't," Tanner said.
He was starting to look a little better, but now the color
drained away from his cheeks again. "Art and I were there the
whole time, and we sit in the same room. Doesn't that mean we
both have alibis?" Eileen didn't say
anything. "Yeah, I guess not. We could
be in on it together, right? Or maybe I sneaked out while he
wasn't looking, or the other way around. It would be tough,
though," he added, " 'cause we have to talk a lot to keep the
Game running smoothly. We also monitor all the computer
equipment, and feed the loops in for the President and
SAC—Strategic Air
Command." "I see," Eileen said
neutrally. Tanner nodded in understanding. "Sure, you have to have
proof." "Let's talk about Terry
again. Why wasn't she liked around here?" If Tanner was uncomfortable
with the rapid change of subject, he didn't show it. "Did Nelson tell you we
didn't like her much?" he asked, then held up his hand. "I'm
sorry, I shouldn't ask you that. Don't answer." "Okay," Eileen said,
smiling. "I won't. Tell me why you didn't like her." Tanner thought this over for
a moment. "I—well, Terry wasn't a very good
engineer," he said carefully. "I would have to explain something
to her three or four times, and if I didn't write her a memo and
date it and keep a copy, she'd come back and say I never told her
the information. I don't know how to express this—when you work together as closely
as we have to, you have to develop trust. And the Simulation
world is a wicked place. You'll be halfway through the
development cycle and all of a sudden the whole world will
change. When the lab at Lawrence Livermore got that Brilliant
Pebble to really work, we had Space Command hammering at our
door, wanting to hook up Brilliant Pebbles into our simulation
right away. "A lot of the technology we
just have to extrapolate. That means we make it up, on the fly.
Lots of stuff is still being tested. Some of the stuff is only
theoretical. So we take what we know and make up the rest. What's
the flight characteristics of a Patriot Missile? Well, we use
data from the Gulf War, take into account the improvements, and
simulate nuclear missile impacts instead of Scuds. What happens
to a Patriot when the sensors are blinded by a nuclear flash? How
do you succeed in target acquisition when you've got
sophisticated jamming...?" Tanner stopped. He'd been
making a speech. "Sorry." "It's all right. Go on,"
Eileen said quietly. She loved people who babbled. Babbling was
good. Babbling was great. "I guess I'm not even
talking about Terry. But then again, maybe I am. When you walk
into a software engineer's office and you tell them to drop all
their work on a space-based laser and start working on Brilliant
Pebbles, you need someone who'll shove six months of work onto a
back shelf and smile when they do it. And produce a Brilliant
Pebble simulation that'll work." "And Terry wasn't like
that." "No," Tanner said, and his
gaze dropped to his hands. "I guess she'll never get any better
now." "What did Terry do when you
asked her to simulate Brilliant Pebbles?" "She complained. That's
okay, everybody does. But she would do it in a really mean and
ugly sort of way. One time 'Berto forgot about an
interface—hmm, an interface is a way for two
elements to communicate, okay? 'Berto was working on a
communications satellite model, and he forgot about some jamming
information that Terry needed to be aware of for her work. So he
went to tell her, and I overheard her really giving it to him
rough, if you know what I mean." "What did she
say?" "Oh, something like, 'Thanks
for forgetting this, 'Berto, is there anything else you've
forgotten?' in that biting Terry sort of way. But when she'd
forget something, which was always happening, you know, that's
just the way it works, well, she'd pretend that she'd told you
and you forgot." "And you let her get away
with it?" "Well, Miss—er?" "Reed. Call me Eileen,"
Eileen said, and couldn't help smiling again. "Miss Reed, we had a saying
here on the War Game Team, just between us little guys. The
saying was, 'Whatever Terry wants, Terry gets.' " There was a little silence.
Eileen wrote, knowing Tanner was flushing without looking up,
keeping her eyes to her notebook to give him space to
recover. "Because Lowell Guzman is
Assistant Game Director." "Yes," he said. "Would someone kill her
because of that?" Eileen asked. "And why?" "I don't think so. I don't
know," Tanner said. He looked at her with a clear green, anxious
gaze, asking for her to somehow understand that he didn't do it,
he would never murder Terry Guzman. Eileen had often seen the
look before, sometimes on a murderer's face. "Thanks for your help," she
said neutrally. "I'll probably be contacting you again, but if
you think of anything, could you call me at this number?" She
held out her card. "Okay," he said, and nodded
exactly like Atkins, an eager jerk of the chin. Another suspect
glad to escape the clutches of the police, Eileen said to
herself. He took the card and stood up. "Let me walk you out," she
said, getting up. "Maybe you could direct me to the john? And
maybe the coffee machine?" Tanner showed her to the
bathroom, but he was gone when she came out. Eileen figured she'd
missed her chance for coffee, but when she got back to the
conference room there was a plain blue mug on the table near the
chair where she'd been sitting. A ribbon of steam rose from the
cup into the air, and her next suspect was already seated and
waiting for her.
7 Denver Animal
Shelter When the animal shelter
woman brought Fancy's collar and leash to him, Tabor almost wept.
He could imagine his little darling pacing in confusion, locked
in some wretched little concrete box. She could never understand
why he had to leave her behind. The shelter woman looked at him
with a flat and carefully nonjudgmental face that felt as damning
as spittle. "Here's your collar and
leash, sir," she said. "Thank you," Tabor
whispered. He had allowed himself to forget this side of the spy
business. He'd become settled in, complacent, and now his dog was
going to die and he faced an uncertain future. He did, however, carry his
Bahamas account. His savings were safe. And he had one last piece
of information to sell, the last document his contact had
smuggled out of Schriever. With that, he'd be able to give up the
business and have a real life. Open a restaurant in Georgia. He'd
always wanted to do that. But he'd never, ever have
another dog, he promised himself. He carried Fancy's leash and
collar to the car. He could hardly see through his tears as he
drove out of the parking lot. He turned on the windshield wipers,
but that didn't help. Gaming Center, Schriever Air
Force Base A young man was sitting in
the chair opposite Eileen's, liquid Mexican eyes meeting hers
without flinching. Eileen settled herself in her chair and took a
sip of her coffee. It was excellent, so far removed from police
coffee that Eileen almost choked on the first gulp. "Joe's guest coffee mug,"
the man said. "He must have decided you were okay. Roberto
Espinoza." He reached out and shook Eileen's hand
firmly. "Not Lowell," Eileen said
grimly. "No, he's still passed out,"
Roberto said. Eileen knew the accent in
Roberto's soft voice. The phrasing was definitely Los Angeles
barrio. Roberto carried the bones and skin tones of the nearly
pure Mexican Indian, a high narrow forehead and chin with the
flat, angled cheekbones that made little pouches below the eyes
and kept the face ageless. His nose could be called European, but
Eileen had taken several anthropology courses in college and knew
the Mexican Pyramids carried profiles like Roberto's. The total
effect was one of almost overwhelming male beauty. Eileen
supposed Roberto had earned the tough, uncompromising line of his
shoulders in more than a few schoolyard fights. "You're from Los
Angeles?" "Straight from the barrio,
señorita," Roberto said, and flashed a set of
straight white teeth. "I guess you've been there yourself, if you
can tell where I'm from." "Yes," Eileen said, and
opened her notebook to a fresh page. Roberto's purely Mexican
good looks and the tailored suit made Eileen wonder, for a
moment, what the world would have been like if the Aztecs had
carried smallpox to the Spanish instead of the other way around.
Much was made of the Aztecs' brutal human sacrifices atop the
tall temples, but little about the culture that attained a level
of civilization that allowed such temples to be built. How would
the Aztecs have fared against Nazi Germany? Perhaps the trials at
Nuremberg would have ended in a different sort of spectacle than
hangings. "I saw Stand and
Deliver, can you believe it?" Roberto spoke resignedly and
quickly, as though he'd told the story many times. "My elementary
school math teacher hauled a TV and a VCR in and made us watch
it. I musta beat up a dozen kids that week, 'cause of course I
cried. Damn movie. The actor, what's-his-name, teaching a whole
class of dumb barrio kids to ace a calculus class. So that's what
I did, too. And here I am, and that's my story. Inspired by a
dumb movie." "I saw it, too." Eileen
smiled. "How old are you?" "Twenty-three. This is my
first job out of college. I have a computer science degree from
UCLA." "Why did you come
here?" Roberto shrugged his
shoulders. "I was recruited. Government
contractors need to fill quotas for minorities, and I had good
grades. I had my choice, Miss—Excuse me, I don't know your
name?" "Eileen Reed," Eileen said.
"Call me Eileen." "Eileen, then. Well, I got a
lot of offers, and this one paid the most and looked like
fun." "Has it been
fun?" For some reason this struck
home. The smooth planes of Roberto's cheeks darkened slightly and
the deep black eyes glittered for a moment. "Until today,
yes." "Did you know Terry well?"
Eileen shifted in her chair and took a sip of coffee. The coffee
made her think, distractingly, of Joe Tanner. "I don't know if I knew
her," Roberto was saying. "We all work here very closely, but she
was—well, she was Terry." He frowned,
his brow crinkling in distress. "I can't believe she's dead," he
said slowly, as if to himself. "I—" "Yes?" Eileen asked
gently. "I just can't believe
someone would kill her," Roberto said, and Eileen knew that
wasn't what he was going to say. "We've been told she wasn't
easy to work with." "She wasn't." Eileen waited,
but the black eyes didn't falter and Roberto offered nothing
more. Eileen shifted in her chair and took another gulp of
coffee. "All right," she said
finally. "Let's go through the War Game. Everything you did,
everything you saw." When the door finally closed
behind Roberto, Eileen flipped to a fresh page of her notebook.
She didn't feel particularly bad, though. These Gamers were
bright, educated, and totally rattled by the murder. She was
getting a lot of good information. It would fall into a picture,
eventually, and the murderer would appear from the puzzle
pieces. The person Roberto sent in
was a rather short, freckled man with thinning wheat-blond hair
and a friendly face. "Art Bailey, ma'am," the man
said, and held out a firm, square hand. "The Truth Team Commander,"
Eileen said, shaking the hand and gesturing to a chair. "Still no
Lowell." "Nope, he's still out of
it," Art said, and sat in the chair abruptly. Eileen looked at
the droop of the shoulders and the cast of the eyes and realized
Art was more than distressed— he was completely exhausted. The
man should have ruddy skin tones with all those freckles, but he
was a shade closer to gray. "Tell me about the Game,
Art. I want to find out who killed Terry, and the best way to do
it is to find out what happened." Art nodded. Eileen had
thought that with the blond hair Art would have blue eyes;
instead, they were a deep and opaque brown. The color gave a
somber expression to the otherwise round and cheerful
face. "All right, where shall I
start?" "Tell me everything that
happened today. Just start when you got up and go through
everything," Eileen asked. Art shrugged his shoulders and nodded
his head. He put a hand to his lips and pinched the lower one.
Major Blaine was a lip biter. Art Bailey was a
pincher. "My day started at
four-fifteen, I got up and showered and fixed the coffee for Meg
and me. She gets up at five to get the kids off to day care at
six-thirty, so I always get the coffee made and feed the dogs
before I leave at four-thirty." "You do all that in fifteen
minutes?" Eileen asked. "I'm a time-and-motion kind
of person, Miss—" "Reed. Call me
Eileen." "Eileen. I read this book
when I was a kid, it's called Cheaper by the Dozen, you
ever hear of it?" "I think I saw the movie,"
Eileen said, amused. "Yeah, there was a movie
too. Anyway, the dad and mom were time-and-motion-study experts.
And the dad would experiment with how quickly he could get
dressed in the morning—buttoning up his vest from bottom
to top, for instance, because it was faster. I do the same
thing—that's one of the reasons I'm in
this job." "Okay." "So I have everything ready
to go, I'm out the door in fifteen minutes flat, the only thing I
slow down for is a kiss for Meg. And I'm in here thirty-two
minutes later—that includes the drive, parking,
going through the retinal scanner, badge check, capsule doors
..." "I know, I know," Eileen
said, and Art chuckled rustily. "An amazing amount of work
to get in here, isn't it? I hardly notice it anymore,
actually. "So I have to open up the
Gaining Center, which means I go through a checklist to see that
all doors are closed and locked, all the terminals are shut down,
all the printers are empty—" "You check all the doors?"
Eileen asked sharply. "Yes, there are three. And I
sign a document in each door along with the time, to verify that
I've checked it. The lists are changed when the sheet of paper
gets full—I know where you're going with
this," Art said, holding up a hand as Eileen opened her mouth to
speak. "There should be lists going back to the time the doors
were hung on this Center." Eileen nodded, and wrote in
her notebook. Art waited politely for her to finish. "I also check the safes
where classified information is stored, and sign off those too.
Then I log on to the master terminal, and if it's an ordinary day
I do whatever needs to be done— test new software, get new
machines set up or old ones upgraded. This morning is a Game Day,
so Joe and I—" "When did Joe come
in?" "Oh, I'm sorry, that's
right. He got there at five-thirty, so he helped me check the
rooms in the center." "Check them for
what?" "Pop cans, mostly," Art
said. "We do our testing in here and it becomes pretty frantic
before a game. So before we have a Game, we have to clean up
house. The janitors vacuum and carry out the trash, but they
never touch papers on the desks. One of the rules. We know
exactly what is going to happen in the Game, and the Observers
who come here don't." "Observers?" "The audience members,
sorry. So Joe makes sure there are no telltale notes, like 'Don't
forget to release ground weapons when the German sub launches off
Bermuda.' " Art's smile died as he remembered that the weapons
were not released, and why. His eyes reddened and he blinked
rapidly. "So Joe got here at
five-thirty and checked the rooms with you?" "Yes." Art frowned and
pinched his lip. "Miss Reed, I just don't know how anyone could
be in there this morning. Joe checked the rooms, and later, so
did I. Nelson always checks them too. Then I make a run on the
computer systems. I usually choose some scenario that will really
wring out the system—" "Scenario?" "Yes, um, like a story? I
play the Enemy Commander and I launch from four subs, then I play
the Blue Commander and I launch back, then I try to shoot down
everything in the air, I like doing that one." "You shoot down our
missiles?" Eileen asked in astonishment. She had never heard of
such a thing. "Well, only in my Games,
Miss—Eileen. I play the President so I
get to say that it's all been a big mistake, and Missile Defense
shoots down everything that's flying. It's a lot of work for the
computers, and so I know that everything is up and running
smoothly for the Game." "That's what you did this
morning?" "Well, no, actually Joe and
I played a different one this morning. He was Enemy and I was
Blue and the rules were, the launches had to match size for size.
And they had to target the same places the other launch fired
from—am I making sense to
you?" "No." "Like that old game,
Battleship, we guessed where the other person had their ships.
Except we guess where the other person is going to launch their
missiles." "I think I see. So after
that?" "After that, we sit around
and talk until the donuts and the coffee arrive." "Who brings that
over?" "Oh, one of the cafeteria
people—oh." Art's face showed sudden
dismayed understanding. "Who was it
today?" "Clarice. I don't know her
last name. She rolled the cart in and unloaded the donuts and the
coffee urns, and then she left. I know she left because Joe and I
always get the best donuts and the first cups of
coffee—it's one of our little
perks." Eileen made a
note. "Clarice
wouldn't—" Art began, and stopped. He
looked at Eileen with confused and sorrowful eyes. "Somebody did,
eh?" "Yes." "We got our donuts and
poured our coffee and then Nelson came over. He got one too, and
we three talked over the schedule for the day." "Is there a planned
schedule?" "Sure, always. It's in the
safe; I could get one for you, but it's classified." "I'll talk to Major Blaine,"
Eileen said, and wrote "schedule." "I think Lowell Guzman came
over next, and then, oh, I'm not sure, really, the commanders
started arriving, and the audience, and Joe and I had to get the
simulation started. I couldn't tell you when people came in what
order." "That's quite all right,"
Eileen said. "You've been very helpful. Tell me about Terry. Do
you remember her coming in?" "I don't, really," Art said,
puzzled. "I've gotten the impression
Terry was kind of unpopular," Eileen said mildly, and watched for
Art's reaction. Art shifted in his chair uneasily for a
moment. "I didn't have any problems
with her," he said finally. "I got along with Terry just fine,
but I never did cater to her either. A lot of the other Gamers
did, because of Lowell's position, but I don't report to anyone
but Nelson, and I've been here longer than him. If Nelson tried
to fire me he would be right behind me in the job
line." "I see," Eileen said. Art
was obviously discomfited by this self-promotion, another
endearing trait that made Eileen believe Art was everything he
did not boast about being: the most valuable member of a very
specialized team. "When did you realize she'd
been murdered?" "When everyone else did,
when Nelson opened the door. I couldn't believe it. I still
can't." "I just have one other
question, Art," Eileen said, and leaned forward over the polished
veneer of the table. "Yes?" "How did the murderer get in
that room?" There was silence, and a
tiny squeak as Art's chair shifted on the oiled
castors. "I don't know. I really
don't know," Art said helplessly, and shrugged once more. "As far
as I know, it couldn't have been done." Eileen leaned back in her
own chair and sighed, ignoring the interior voice that kept
saying, Out of your depth, out of your depth. "I may be speaking to you
later." "All right, then. I'll get
Jeff, he will probably want to take you for some
lunch." Eileen glanced at her watch
and noticed with some surprise that it was already
noon. "Cafeteria closes at one,
and there aren't any Taco Johns out this way," Art said wryly,
and heaved his body out of the chair. "I'll get Jeff for
you." Eileen sat in the silent
room, and it was only when Major Blaine opened the door that she
realized who Art was talking about. Eileen couldn't imagine
anyone calling the stiff Major Blaine something so personal as
"Jeff." "Want some lunch? And what
are you laughing at?" Blaine asked, annoyed.
8 Schriever Air Force
Base Eileen and Major Blaine
worked their way out of the first two sets of locking doors,
passed through the submarine airlock entrances, and went down a
long flight of stairs. There were others in the stairwell, and
the smell of food wafted pleasantly from covered Styrofoam dishes
held in the hands of some of the people heading up. "Lots of people eat at their
desks," Blaine explained. "I discourage it in my office. We spend
enough time inside as it is." As if to underline his
point, the door they were approaching opened and two young women
in running clothes walked quickly through and headed down the
stairs. Their clothes were damp with sweat and they were
gasping. "Locker room in the
basement," Blaine explained, his eyes following the trim figures
as they disappeared down the stairs. "Did Terry ever go
running?" "I don't think so. She kept
slim through diet, not exercise. She wasn't athletic." Eileen nodded. Blaine opened
the door and they left the stairwell, entering a glass-walled
corridor and an amazing flood of sunlight. The end of the
corridor connected to another building, this one a more typical
office complex with large expanses of glass. "It's great, isn't it?"
Blaine said, and lifted his head to the bright sky. "That
building is like a damn prison." Eileen was surprised at the
intensity of the relief she felt to see the sun again. "Cafeteria is on the right,"
Blaine said. They walked into a lovely large dining room with
huge windows. The blinds were pulled all the way back, flooding
the room with light. The selection of food was sturdy and
unimaginative, but looked well prepared. Eileen realized she was
quite hungry. "Have some of the soup,"
Blaine murmured. "We've got a frustrated chef out here who makes
some incredible soups." They filled their
trays—the soup was mushroom; Eileen
wasn't too interested but got some out of politeness—and found a seat near the windows.
Most of the seats in the sunshine were filled. Hidden speakers
played soft country music. "I got the word before we
came down. The ME should be here within about a half hour,"
Blaine said, and crunched into a salad. Eileen nodded, and dug
in. The soup turned out to be as
good as advertised, hot and smoky and thick with fresh
mushrooms. "Very good," Eileen said
with a sigh. "I hope I won't be having too many more lunches out
here, but this almost makes me change my mind." "You think you'll close the
case that quickly?" Blaine asked, surprised. "No, I think the Air Force
OSI will be here to take this off my hands in a couple of days."
Eileen grimaced, thinking of the distant and bureaucratic
OSI. "Well, that's good," Blaine
said, with a totally infuriating smile of relief. "I'm sure
they'll handle things after that." "I'm sure they will," Eileen
said, balling her napkin and tossing it on her tray. They stood and brushed their
clothes into place, and went to meet the Medical
Examiner. The Gaining
Center door
was now attended by a single young Army guard. The guard was
white-eyed with excitement but standing rigidly at attention.
Eileen thought the guard could have been no more than nineteen or
twenty. Blaine nodded at the guard
as he clicked the key sequence to open the door. Eileen glanced
back as they walked through the door and saw the young shoulders
visibly droop with relief. The big center room was
empty now, the clutter of coffee cups and crumpled napkins the
only evidence of the former crowd. The room was very
cold. "I've asked Sharon, Lowell,
and Doug not to leave the base until they've spoken to you,"
Blaine continued. "Those are the Gamers you haven't interviewed
yet. The Observers have been allowed to leave the base provided
they don't leave the city. You'll contact them as you need
to." Eileen nodded, feeling again
as though Blaine were giving her orders and finding herself
helpless to respond. The only possible response was to be
insultingly rude, and Eileen found rudeness difficult. Instead
she turned her attention to the video cameras. The video cameras
were mounted high against the ceiling. A person would need a
stepladder to tamper with them. "Don't touch the cameras
until I can get fingerprints from them," Eileen said as Blaine
took out his notepad and pen. "I need the names of the workmen
who installed the cameras, whoever repairs them, anyone who might
have a legitimate reason to have touched them." "You'll be able to look at
the tapes while we're waiting for Dr. Rowland," Blaine said. He
pointed with his pen to a door at the back of the room. "The
video center is right here. No one has been in there since the
game started. It's all controlled by Art Bailey and Joe Tanner,
through the computer." Eileen was surprised when
Blaine opened the door. She had seen television studios before,
but this was a surprising sight on a military base. The room was
crammed with tall electronics panels. The panels were stuffed
with high-resolution television monitors, dubbing equipment, and
a soundboard to rival that of a recording studio. There were a
couple of comfortable chairs in the same style as the ones in the
conference room. Blaine dropped into one and studied the
equipment with a frown. "What do they need this
stuff for?" "To make films about missile
defense," Blaine said absently. "Films?" "Propaganda," Blaine said
shortly, and twisted his mouth. "Beautiful stuff, you should see
it. Very exciting. Makes you glad we are building missile
defense, all of that. We have to get funding, you
know." "I thought it was all
classified." "The people who see these
films all have clearances. These films aren't shown to the Boy
Scouts." "I see," Eileen said,
flushing despite herself. How was she to know such a thing? She
opened a drawer at random and saw a stack of compact discs. "Your
Gamers like their rock and roll too, I guess?" Blaine turned to see Eileen
holding a CD. "I guess they do. At least the thousands they spent
on the sound system is being used more than once a
month." Eileen thumbed through the
CDs. There was everything there, from classical to heavy metal to
Nat King Cole. She opened the Cole CD and saw "Joe Tanner"
written within in a large, neat hand. She smiled. "Er—" Blaine said. Eileen glanced up, not
knowing how much time had passed. Blaine was sitting at the
console, his hands busy at a keyboard. It was fascinating to see
how much she was learning just from people's taste in music.
Arthur Bailey, the earnest Truth Team lead, had a whole
collection of hits from the seventies music that Eileen couldn't
stand when she heard it the first time. She couldn't imagine
someone actually listening to an entire Donna Summer disc.
Roberto Espinoza tended toward alternative music. There were no
discs with Lowell Guzman's name, but quite a few with Terry's.
Terry, whose body was cooling less than fifty feet away, liked
Top Forty music. Doug, one of the Gamers he hadn't met yet, was a
New Age fan. His CDs were all instrumental Windham Hill artists.
Sharon, one of the other unknown Gamers, had only two CDs and the
plastic was cloudy and chipped on the cases. She had one Michael
Jackson and one Whitney Houston, and although the cases were
ancient the CDs inside were clean and shining, with no hair or
dust. Tanner, he of the green eyes
and square hands, had nothing classifiable. There were some New
Age discs and some classical. There was Nat King Cole, a
Replacements disc, one from a local band called the Auto-No, and
Aretha Franklin. Eileen knew about the Auto-No. She liked their
music a lot. She wondered if Tanner ever went to the local bars
where the band liked to play. "Ahem," Blaine said. Eileen
looked up again. "I don't know how to work
this," Blaine said. "We're going to have to get Joe or Art in
here. I thought it would be like a VCR, but—" And he spread his hands in front
of the bewildering array of equipment in front of him. "Only one, please," Eileen
said. "Only one and we'll both watch." "That's fine," Blaine said,
and picked up a phone. Eileen turned back to the CD drawer,
noticing that without even realizing it she had sorted out the
music by Gamer. There was a sheet of paper at the bottom of the
drawer, and she pulled it out. On it was large type: TUNES RULES: 1) No more than three CDs in
the queue. 2) No stopping the CD in
progress. If you hate it, wear earplugs! 3) No volume past the third
hash mark. Unless it is after midnight. Blaine spoke briefly into
the phone and replaced it in the cradle. He swiveled around to
face Eileen, scrubbing tiredly at his face. "Joe's coming
over." The phone rang suddenly,
startling them both. Blaine picked it up and listened for a
moment. "We'll be right there," he
said, getting to his feet. He put down the phone and jerked his
head toward the door. "The ME is here. Dr. Rowland. And the whole
Air Force Crime Scene crew." "I'll wait here," Eileen
said. Blaine nodded and went to get the door. Eileen, in her music
sorting, noticed there were CDs owned by someone called Sully, a
name she hadn't heard in connection with the Gamers. She tapped
one of the CDs against her lip gently, finished up her sorting
job, put them all back, and shut the drawer as Major Blaine led
in a short Air Force captain in a wrinkled, ill-fitting uniform.
Behind him were four other people, all in comfortable civilian
clothing. The photographer looked upset, clutching his big camera
with white fingers. "Dr. Rowland," the captain
in the rumpled uniform said, shaking Eileen's hand. "I don't
believe we've met yet, although I know your Captain Harben. A
good guy." Dr. Rowland had bright, small brown eyes and a shock
of thinning reddish hair. He walked in brisk, abrupt steps and
when he cocked his head to the side while shaking hands Eileen
almost laughed aloud. Rowland reminded her of a small red
fox. "Nice to meet you," Eileen
said. "I'm glad you're here." "Took me long enough,"
Rowland said with a quick glance at Blaine. "I've never been
through more checks, not even at the Pentagon." Blaine shrugged
and spread his hands apart. The photographer blew a strand of
black hair off his forehead with a loud snort, but said
nothing. "Where?" Rowland asked, not
looking at the screens that had captured Eileen's attention
earlier. The globe was still focused on the eastern seaboard,
where streamers of radioactive clouds could be seen flowing north
and west. New York City was already covered by a long plume.
Blaine pointed at the closed door, and Rowland immediately
shifted his grip on his medical bag and strode off in his quick
little steps. "Just got finished on a
murder at Fort Carson," Rowland said briskly. "No mystery there,
straight overdose. Needle marks still clear. Trouble was," and he
gestured for Blaine to open the door, "the soldier was in the
bushes for a week. Hot weather is rough on a corpse." "Pendleton," Eileen said
gloomily, and Rowland laughed. "You'll be working that one
too, I imagine? Camera, please. Closed door first." The camera flashed. The door
swung open. Eileen remained impassive. She'd stood watch enough
times to know how many terrible odors a dead body emits in the
first few hours. After that things get better as rigor mortis
sets in, and the smell only becomes awful again after decay
really starts to take hold. Eileen didn't envy Dr. Rowland the
examination of Pendleton's corpse after weeks in the summer
heat. Dr. Rowland stood for a
moment, and to Blaine's amazement and Eileen's approval, took a
deep, sampling breath. "Ahh," he said, but it was not an
expression of enjoyment. He looked at the shape of the woman,
still slumped over her keyboard, looked at the yellow handle of
the screwdriver. He gestured for the camera, here, there. The
flashes were silent and too bright. Finally he stepped into the
room. He crouched down and looked underneath the loosely hanging
arm, peering up at the dead face. He stood again, took the wrist
of the body, and appeared to be feeling for a pulse. Eileen could
see how deeply the fingers were pressing into the skin, feeling
the silence. The cameraman took a picture from the same angle,
crouching down on limber haunches. One team member took notes in
what looked like a notebook. Eileen saw it out of the corner of
her eye and glanced at it. As fast as the man was writing notes,
the text was turning into typed words on a little computer
screen. Eileen turned her attention back to the body. Dr. Rowland looked at the
screwdriver and bent down to his medical bag. He took out a small
paper bag and taped it carefully over the screwdriver
handle. "Prints at the autopsy from
this," he said in the direction of the fingerprinters, who were
patiently waiting their turn. One of them nodded and snapped his
gum. "I need a hand here,"
Rowland said, looking at Eileen and Blaine. Eileen stepped into the room
before Blaine could move. "I'll help." "Okay, then, take her
shoulder. We're going to lean her back in the chair. The
screwdriver is high enough to miss the back of the chair. She'll
be heavy," he warned. Eileen nodded, and took hold
of the slack shoulder. "On the count of
three." At Dr. Rowland's sharp
"Three," both of them pulled the body of the woman up and back in
the chair. Her head lolled forward, then tilted back toward
Blaine. Trapped gasses gurgled out of her throat. Blaine looked
away, grimacing. Dr. Rowland started
examining the chest, the face, the neck, and Eileen met the
murder victim. She would see pictures later that would give a
better impression of soul and personality than the lifeless clay
in front of her. She would get a better idea of what Terry Guzman
was like from the interviews she would make. In fact, she already
was forming an idea of the personality of the dead woman. Here
was the physical thing, however, limp and dead though it was.
Terry had rich brown hair and the ring of iris from one dulled
eye was blue. Her body was lush and full under the formal green
suit. Her skin showed faint marks of sun and wind, and Eileen
looked for the character lines. She found a set of lines by the
mouth, lines that spoke of self-indulgence and the set of a mouth
in bad temper. Already, though, she wondered if she would have
characterized those lines as bad temper if she hadn't already
known that Terry was not a well-liked person. The room was too small to
hold Eileen, Dr. Rowland, and the photographer comfortably, so
Eileen stepped out into the fresher air of the Center. She
blinked at the sight of Joe Tanner standing at the doorway, his
hands at his sides, his face as pale as chalk. Eileen cursed under her
breath and quickly closed the door. She didn't want Joe to see
the body. If he were the murderer, he could use this glimpse of
the body to cover up any slipups he might make later. Blaine
noticed Joe. "How long have you been
there?" Blaine barked. "I—I—I just got here," he
stammered. "It's all right," Eileen
said, more to Tanner than to Blaine. "We need to see the
videotape," Blaine said to Joe. "I'm sorry to call you over here.
I didn't want you to see that." Tanner shrugged faintly and
nodded at Blaine. "It's okay," he said. "Not
something I really wanted to see." "I need to know how to work
the machine," Eileen said. "I'll be going over it quite a bit,
and I wouldn't want you to have to stay here while I
work." "Okay," Tanner
said. In the studio, more color
came into his face. He obviously felt very much at home. He sat
down at a console and logged on to a computer terminal, his
fingers striking the keyboard quickly. The screen went dark and
then cleared, showing a series of boxes of different colors and
sizes. "Okay," he said to himself,
and took a deep breath. "Okay." He turned to Eileen and gestured
her closer. "This is like your VCR, only
a little more complicated," Tanner explained. "Ignore the console
itself, that won't do anything. It's all hooked into the monitor
here." Behind him, Blaine made an ahhh sound. "The tapes
from monitor A are here," and his finger touched the screen at a
large A. "To view the tape, press this button with your
mouse key," and he moved the mouse so the computer arrow was
directly over the View button. "The rest should be obvious;
there's Pause, Fast Forward, Rewind, and this one you'll probably
like, it's a frame-by-frame option." He pressed the View button,
and the TV monitor set into the studio console went dark and then
lit up with a scene of the room in front of them, full of people.
He pressed the Frame-by-Frame button with his mouse key, and the
people froze. Every time he pressed the button, the people made
some kind of tiny advance in their movements. The picture was
perfectly sharp. "Good equipment," Eileen
murmured. "The best," Tanner said
absently. "Now, there is an audio feature too, you'll want this
too. Look." He moved over to the
television picture and picked up another mouse. A cursor appeared
on the television screen. Tanner swirled the cursor around in a
nervous little gesture, then picked on a tall major with a cup of
coffee and a donut in his hand. He held down the first mouse key
and drew the mouse sharply downward. Where the cursor was, a box
appeared and grew as he moved the mouse. He "drew" a box around
the donut-eating major, then let the mouse go and moved his chair
back to the other keyboard. He picked up the mouse and clicked on
Audio and then pressed a button marked Listen. "Resume is the button for
when you want to listen to all the conversations again," Tanner
said. "Don't forget that, or it's annoying." He pressed the Play
button on the tape. "Another show," the major
was saying to the person at his side, another major who was
wiping his fingers on a napkin. The other major said something,
but there was no sound as the lips moved. "Yeah, they do have some
lookers here, don't they? I'd like to hang out in the Ground
Weapons room just to look at that babe in the green
suit." Eileen nodded. That was a
comment she'd expect about a woman like Terry. "You can listen to anyone's
conversation?" Blaine asked. "What does the whole room sound
like?" Tanner didn't say a word. He
turned back to the terminal and pressed the Audio, and then the
Resume button. At once, the sound of fifty voices filled the
booth, the crowd noise. "Amazing," Eileen said
admiringly. "This may help me quite a bit." "It's easy," Tanner said.
"I'll be at my desk until four o'clock if you have any other
questions, and you could call Art or me if you need
to." "That's fine, then," Blaine
said. "I'll let you get back now so my team can get to
work." Eileen tried to keep her
face expressionless. My team? "There's one other thing,"
Tanner said, looking anxiously at Eileen. "I need to bring the
simulation down. Er, I mean, I need to stop the programs from
running." He gestured at the globe in the front of the room. The
sun was westering and the lights were coming on in many of the
cities. "Hey, there's lights in the
east," Eileen said. "Wouldn't the power be out?" "Well, I'll be dipped,"
Tanner said in wonder. "We never let the thing run this far
before. 'Berto will love this one!" He snapped his fingers and
grinned, and for a moment Eileen saw him as he must have been
before Terry's body was discovered: vibrant, alive, full of humor
and vinegar. Then as he glanced over at her in amusement, as if
to share the knowledge of the computer bug, he remembered the
murder. For a moment, he'd obviously forgotten. The light in his
eyes died out and he looked miserable. "What will happen if we just
let it run?" Blaine asked. "You'll crash a Cray
supercomputer, is what you'll do," Tanner answered dully. "Every
keystroke and mouse movement is stored on the Cray, as well as
all the number-crunching to run the simulation. If we just let it
run the Cray will fill up like a bathtub. We never run
simulations this long, we have to store the data away so it can
be processed." "You can bring it down,"
Blaine said. "Please don't get rid of
anything," Eileen added. "Not until we know if there's anything
on that computer that could help us." "Okay," Tanner said. "I can
bring it down from next door, that okay? Art and I will have to
do the cleanup, but we can do that from our desks too, we're
linked to the Cray." "Bring it down, then, Joe,"
Blaine said, before Eileen could say anything. She blinked hard
and thought about whether or not she should challenge him. But
she really had no idea what was stored on the computer, or
whether or not Joe Tanner or Arthur Bailey would be getting rid
of valuable information. Eileen simply could not control
everything, and she knew it, so she let it go. Tanner gave a brief ghost of
a smile and got to his feet. He picked a piece of paper from a
note board to the side of the console and handed it deliberately
to Eileen. "Our numbers," he
said. "Thanks," Eileen said wryly.
A murder suspect, giving her some support against the big bad
Major Blaine. This was turning out to be some
day. As Blaine escorted him out,
Eileen went back to Dr. Rowland. She waited until Tanner was out
of sight before opening the door to the little room where Terry
was killed. As she did, she realized anew that she had no idea
how the murder was committed. The room had only one door, and
that was on the monitor. Perhaps the videotape would show
something. She froze for a moment, trying to keep her heart from
speeding up in her chest. Now was no time for her doubts to
show. "I'm done, you can call the
wagon," Rowland said. "She died of the stab wound, I would
predict, but I won't know until the autopsy for sure." He was
scrubbing at his hands with a disposable wet tissue. Overwhelming
the other odors was a smell of baby powder. "Diaper wipes," Rowland
said, winking at Eileen. He dropped the wipe back into his bag.
"Greatest stuff ever invented. Take off anything and they smell
awful powerful. I've got a little girl, so I steal from our home
supply." Eileen smiled at the little
doctor. It was a good smell. In the room the fingerprinters were
now going to work. They were done with the door. It was marked
with streaks and smears of light brown dust. "You're the investigating
officer, that right?" Rowland asked. "That's right." "This is a hell of a stab
wound," Rowland said thoughtfully. "I don't know if the
screwdriver was sharpened or not, but even if it was, it still
takes a lot of force to drive a screwdriver into someone's back.
This person you're looking for is strong. Smart to use a
screwdriver. No blood splash like from a knife," Rowland
said. "You can buy one at any
store," Eileen added. "Fingerprints nearly
impossible to take from that plastic." Rowland continued
grinning. "And impossible to trace.
Who would remember selling someone a screwdriver?" "Poison is much more
difficult. Not sure of the results, or how quick." "Strangling could be a
straggle. It had to be quick, and silent, with no
blood." "Could a woman have the
strength to do this?" Eileen asked, abandoning the game. Rowland
shrugged, still smiling a little. "Ordinarily, I'd say no. But
the insane have different ways of using power. I've seen a tiny
woman who needed two orderlies to hold her down, all because she
didn't want her medication. A normal woman, no." "Insane," Eileen
repeated. "Or full of hate. The person
who killed this woman, insane or not, hated her very
much." "I'll remember that," Eileen
said. "See that you do," Rowland
said grimly. "I'd hate to be sawing you in two to see what killed
you." He winked, and Eileen grinned back, liking him a
lot. "Right." "Should I call for the
stretcher?" Blaine asked at the doorway. "A stretcher it is," Rowland
said cheerfully. "I'll do the autopsy tomorrow. You want a
report?" Blaine and Eileen both
nodded. "Do you have
e-mail?" "I've got it," Eileen
said. "Good." "I don't have e-mail. We're
not allowed to have external computer lines," Blaine said.
"Hackers, you know." "Oh," Rowland said. He put a
stubby hand in his medical bag and produced a black address book.
"Too bad. Wonderful stuff, e-mail. What's your
address?" "[email protected]," Eileen
said. She saw the address book was filled with streams of
addresses like her own. "I do all my work on a voice
recognition system," Rowland explained to Blaine, writing
Eileen's address in a small, neat hand. "I dictate, it produces a
pretty packet, all set up just like my old reports. Plus," and he
closed the book with a snap, "I can send it to Detective Reed in
a few seconds. She reads it, prints what she wants, no
problem." "We have e-mail systems, but
they're all internal," Blaine said. "Security." "I'll send you a packet by
regular mail. Can I have your card?" Rowland was brisk and
unsympathetic. "I need to get home. I'm not like those TV MEs you
see working all hours of the night. I have three little
girls." Blaine produced a card and
within a few moments the ME was out the door and gone. His
passing seemed to leave a wake like a speedboat engine. Eileen
sighed. After the crisp Dr. Rowland, Major Blaine was even harder
to face. "Let's have you view those
tapes now," Blaine said. "I'll interview the other
Gamers now," Eileen said firmly. "I'll look at the tapes
afterwards." There was a short silence
from Blaine. Eileen looked at him without challenge, waiting to
see what he would do. "That sounds reasonable," he
said. "I'll handle the crew in here and you go across the hall.
I'll check on you later—" He stopped as there was an
almost audible pop. The screen in front of them, now showing
lights across the dark half of the world, went black. The lights
in the room dimmed slightly, then became brighter. The consoles
that Eileen could see had also gone black and still. It was
eerie, as though the computer had stopped the simulation all on
its own. Eileen knew that Joe and Art must have brought the
programs to a halt from their office, as he said they
would. "Fine," Eileen said.
"Bathroom break first." "Right," Blaine said. "I'll
get the ambulance crew in here. You know the key sequence to get
in next door?" "Eight zero three zero,"
Eileen said. Blaine blinked, impressed. Eileen didn't bother to
explain that she'd developed her memory for numbers working as a
waitress in college, adding up bills for eggs and bacon and chewy
truck stop steaks. Let Blaine think she was brilliant. She hoped
she would be able to keep at least an image of competence. So
far, she felt like she was floundering her way through the
day. "Okay, then, let's get
going."
9 Great Falls,
Virginia Lucy Giometti was home
early. She intended to return to work later that evening, but
dinner with her husband was not to be denied. She loved to cook
and she loved their dinners together. Her mother lost a baby girl
to sudden infant death syndrome before Lucy. She had three
younger brothers, so had her sister survived she would have been
from the essential cliché, the large Italian family. As it
was, her mother gave all her affection to her surviving daughter.
Lucy spent a lot of time with her brothers, escaping as much as
she could from her mother's smothering femininity. Lucy was the
first to try riding her bicycle off the concrete embankment and
into the sand pile. She was the first to climb trees, and until
adolescence hit was the fastest and strongest of the four of
them. Then she fell behind each year, as her brothers became more
powerful and she became mysteriously smaller and weaker. She
picked up track and excelled at running, but she never quite
forgave her body for becoming a woman. Her father, a policeman, had
no interest in his daughter. Even when Lucy graduated in the top
ten at her university he had no words of congratulations for her.
Lucy was unable to understand her mother and her father had no
desire to understand her, and until Ted came into her life she
didn't realize how lonely she was. Ted Giometti changed all that.
He brought joy. Now they were starting a family. Lucy Giometti
fell in love with an English teacher and found she'd learned a
lot from her mother after all, when in courtship she tried to
please him with her cooking skills. Her phone rang just as the
fettuccine timer went off. Lucy scooped up the phone and held the
hot pot one-handed, dumping the noodles into the strainer as she
settled the phone into her shoulder. "Hello," she
said. "We need you in here," Mills
said. "Right away." "I'll be there in forty-five
minutes," she said serenely. "You know I don't give up
dinner." "I need you here now,
Giometti," Mills said. Lucy smiled at the phone.
"Mr. Mills, I am not involved in any operation that could cause
the death of an agent by my presence. Fire me if you wish. Let
the gate guards know and I'll give them my badge. Otherwise, I'll
be there in forty-five minutes." Mills hung up the phone and
Lucy returned to her dinner task. "Who was that?" Ted asked,
coming out of the bathroom. "My boss. I have to go back
in after dinner," she said, and held her mouth up to him for a
kiss. Gaming Center, Schriever Air
Force Base Sharon of the Whitney and
Michael CDs was a solidly built woman in her late thirties, skin
the cafe-au-lait of the Louisiana Creole, eyes a deep and somber
black. "Sharon Johnson?" Eileen
asked, standing and offering her hand. "Eileen Reed, Colorado
Springs Police, Special Investigations." "How do you do?" Sharon
asked politely. She took the hand and shook it briefly. Her hand
was warm and dry. "Please have a seat," Eileen
said. Sharon took a chair quietly, folded her hands on her lap,
and waited. Eileen seated herself as well, and studied the other
woman for a moment. Sharon's body was thick-figured, big
breasted, her legs short and chunky under the soft cream cotton
of a dress that was quite obviously new. The shoes were scuffed
and well worn, although of good quality, and she wore no jewelry.
Her hair, thick and black, curved beautifully to her shoulders
and her skin was a miracle, without tonal variation or flaw, a
perfect buttered toffee brown. "Lowell is still not up for
an interview?' Eileen asked quietly. "He asked me to come in
first. Doug took him something to eat. He was still feeling
pretty bad." "It has been a terrible day
for you folks." "A terrible day," Sharon
repeated. "Did you know Terry Guzman,
Ms. Johnson?" "Sharon, please, Miss Reed.
Yes I did." "Sharon, then. Please call
me Eileen. Were you friends with Terry?" "No, I wasn't," Sharon said
firmly, and stirred in her seat. "But it is, a terrible thing, to
die that way, a very bad thing." "Why weren't you friends
with her?" Eileen asked gently. "She felt that I—" Sharon stopped for a moment, a
look of bafflement coming over her face. Then her expression fell
smooth again. "I don't have a four-year degree, Miss Reed. I am
going to night school and they've given me this position while I
finish. I—" Here she looked down, her mouth
twisting for a moment as though she struggled with some unnamed
emotion. "I have been having difficulties. Terry has not been
kind to me." There was a pause. "Terry was not kind to me." There
was relief in Sharon's voice when she corrected the
tense. "Why wasn't she kind?"
Eileen asked. "I don't know. I wish I
knew. She was not kind to me, and I did not speak to her because
of it." "I see," Eileen said. "Was
it racial?" Sharon looked at her without
surprise. "No, I don't think so. You
get to know pretty quickly when someone hates you because of your
race. She didn't like anyone, I don't think. She never looked at
me like I was a human being, but it wasn't because of my
race." "I'm trying to get an idea
of what Terry was like, that's all. More importantly I need to
know exactly what you did today, everything you can remember.
Even if it doesn't seem important. All right?" "That's fine," Sharon said.
She took a deep breath. "Okay then," Eileen said,
smiling. "Tell me everything from when the alarm went off this
morning." Sharon looked surprised,
then shrugged. "I got up at five-forty-five
this morning. I have three children and I got them off to school
before I came in." "Where do they go to
school?" Eileen asked, hearing "School" instead of "school" in
Sharon's voice. "The Colorado Springs
School," Sharon said. Eileen was surprised. That place was
private, aimed at the Ivy League. Tuition was horribly
expensive. "It's worth it," Sharon
explained. "They pay me a regular engineer's salary, it allows us
to pay tuition and eat. They pay for my schooling, the company
does, and books. Graham suffers, sometimes—he'd like to be dressed in fancy
shoes like the other kids, but I'm bringing him up proud. He
knows what it takes and he doesn't whine." "That is an incredible
accomplishment," Eileen said slowly, and meant it. "When did you
get to work?" "I got to my desk about a
quarter till eight. I fixed myself some tea and walked over to
get a donut, that's our Game Day bonus. When I got into the room
I saw Terry talking to Major Travers. There are two donut and
coffee tables. Terry was standing by the first one. So I went to
the other one." Sharon focused in on Eileen.
"I'm trying to be honest, Miss Reed. I hope this doesn't get
anyone in trouble. But you should know how I felt about
her." "I understand," Eileen said
quietly. "All right. I got to the
table. 'Berto was there too. I always pick out the blueberry cake
donuts if they have them. 'Berto always has those chocolate
cream-filled ones? Joe calls them sugar and grease bombs. He eats
the chocolate raised ones, though. So we started eating our
donuts and we wandered over to Art's console, the Truth Team
area. Art and Joe were watching some kind of network monitor on
the screen. They—I'm sorry, it was Art—kicked out a couple of chairs and
we— 'Berto and I—sat down. There was the usual
crowd of people in there, all the military types and the Civil
Service gray-suits. Everyone was just stuffing their faces with
the donuts and drinking coffee out of Styrofoam cups and just
talking as fast as their gums could flap. My! Working in the
Center, you don't realize how you get used to the quiet. Game Day
is always so noisy." Sharon shifted in her chair.
She unfolded and refolded the sensible legs. "I sat next to Joe
and pretty soon we started talking a little bit, about the
Brilliant Pebbles. He is pretty stressed on Game Day." Sharon paused. "Joe and Art
were trying to fix a problem on the day of the Game. That's like
retooling the motor when you're launching a ship." Sharon shook
her head. "I can't stay late, I have the kids, but I was here
until six last night finishing up some testing. If I had found a
problem, I would have called Marion, my neighbor, and she would
have watched the kids until I got the job done. We always make
the Game." "Was everyone that
dedicated?" Eileen asked levelly. "No," Sharon responded
slowly. "You know who was not. Her stuff always worked, but I
can't see how. Unless—" "Unless what?" "I have thought for quite a
while that someone else was helping her. I mean, writing her code
for her," Sharon said, and bit at her lips. "Software has a
fingerprint. You can't write code without leaving your mark on
it. Terry wrote sloppy, terrible, confused code. Then it started
to get better, right after Sully died and we thought that was it
for her—" "What? Who died?" Eileen
interrupted sharply. "Oh, I'm sorry, you don't
know. Sully was another engineer. She wasn't killed or anything
like that, it wasn't... murder." Her voice died away. "Tell me about Sully,"
Eileen said grimly. "Sully was Harriet Sullivan.
She was a Gamer. She was real abrasive, but she was good. Terry
and her didn't get along at all. She was—Sully, I mean—she was so fine nobody could
touch her, not even Lowell. I know Terry tried to get her fired,
she hated her so much. She was so witty, you know? Just that turn
of phrase that would sting you bad. If you knew Sully, you would
laugh, because she was really a good person. She wrote me a note
once when I gave her some terrible code and asked if having three
children made me stupid, or was it just a defense
mechanism." "That's rough," Eileen
commented. "Yes. Sully was rough. She
made me cry a few times, before I got used to her. Then we were
just fine, I understood her. She had no biases, except for
stupidity. Then she changed, near the end." "How did she
die?" "She skidded off the road
driving to work. She was broad-sided by a truck and killed
instantly," Sharon said, her mouth a thin angry line. "She was
working a lot of overtime, just like the rest of us, to make up
for Terry's mistakes. One person on the team doesn't pull their
own weight and everybody suffers. Terry made everybody suffer.
None of us liked her before then, but afterwards ... I don't know
how we held together. We had a wake. We never eat the sprinkle
donuts during a Game. It's stupid, but they were her favorites.
The military guys eat them, usually." "Why did she
change?" Sharon looked
discomfited. "The girl is long dead,
almost two years now," she said. "And it's old news." "Tell me," Eileen said
patiently. "Sully and Joe were
together," Sharon said quietly. "It was very sudden. I expected a
wedding within the year. She was so in love she forgot she had
rough edges. And then she was killed." "I see." "I hope you don't think
Joe— Well. Killed Terry, I mean,"
Sharon said. "I'm sure he wanted to, we all wanted her gone from
us. But we put it back together and went on." She abruptly folded her arms
tightly around herself. "I feel like I've told you more than I
should, Miss Reed." Eileen looked at Sharon
gravely and sympathetically. Something about Eileen's face, which
always appeared to be a rather plain sort of face in her mirror,
seemed to open people up like magic. Eileen had three murder
confessions to her credit, and none of the murderers could later
describe just why they spilled their guts to Eileen. "I think you listen, Miss
Reed," Sharon suddenly added. "You really listen. I don't
think very many people do that. Anyway, that's what I know. I
hope this helps." "You are helping me a great
deal," Eileen said. "Anything you say to me is going to help me
find the person who killed Terry. That's what I need. Don't be
nervous. The only person this information is going to hurt is the
murderer." "I want that," Sharon said,
her eyebrows puckered in distress. "I just don't want it to be
someone I know." "How about we get some
coffee and take a break and then we finish up talking about the
Game? Sound good?" Eileen found the coffee
machine. She needed time to think, too, to digest the image of
the slack dead girl that was forming in her mind. Terry's shadow
was beginning to take on the outline of a monster. That was
disturbing. She had worked a couple of cases where the victim was
an evil person, but both times the murderer was standing ready
for the handcuffs when the police arrived. Once, a woman who
killed her husband, another a man who killed his sister's
boyfriend. Both abuse cases, both straightforward. Terry was
different. Instead of a murder of passion, Terry's was more of an
execution. Eileen nearly spilled coffee
from Joe's mug. This was confusing, and she was beginning to be
tired. There was still much to do, and again there was the
whisper in the back of her mind that she was out of her depth,
out of her depth. She sipped the hot fragrant coffee and reminded
herself firmly that her abilities had nothing to do with Jim
Erickson, that they were within herself and dependent upon no
one. This was her case. This was her time. No matter how exotic
the surroundings, the blood and the death were just the same as
any other. "Just the same," she
murmured to herself, squared her shoulders, and headed back to
the conference room.
10 Gaming Center, Schriever Air
Force Base Sharon was waiting for
Eileen when she returned with coffee, hands folded in that
Madonna quiet pose. "Where were we?" Eileen said
briskly. "No coffee for you? No? I think we left off where you
and 'Berto were talking to Joe about those rock
things." "Brilliant Pebbles," Sharon
corrected, smiling faintly. "Tell me about Terry. Tell
me when you found out." "I was in my room. I had my
communications gear on, and I played the game. That's all I
remember until the ground interceptors didn't go off, and then I
heard screams." Sharon shuddered suddenly and intensely,
gooseflesh rising on the smooth brown of her arms. "Did you see anything odd
afterwards? Anything different, anything not quite
right?" "I know what you're asking
for," Sharon replied, "but everything was odd. Everyone was out
of their seats and standing around, and all the doors were open
to the rooms. I could see that Terry was dead. I looked over at
Joe and he was standing by Art, they were both just as white as
sheets, and they were frozen, just frozen. Art's hands were still
held over the keyboard like he was going to start typing
again. "And then I saw Lowell, He
was looking completely confused, embarrassed really, he couldn't
see the room, and he must have been upset that Terry had messed
up again. Then he saw the faces, and I think he started to
realize that it was worse than he thought. 'Berto came up next to
him and put his hand on his arm, and when Lowell tried to start
forward he held on to him. I saw 'Berto might need my help and I
went to Lowell too. We actually pulled him into his room and shut
the door, he was trying to break free of 'Berto and go to Terry,
but 'Berto, you know—" Sharon made an arm gesture like
a weight lifter, and Eileen nodded. "I held him too, until the
first shock was over and he started crying. Then the paramedics
came, they gave him some tranquilizers. "It's funny, really, I think
it was 'Berto and I because we've seen death before, we're both
from the ghetto. Well, the barrio, in his case. I lost two
cousins to the gangs. A girlfriend of mine got killed by a stray
bullet. 'Berto, he saw friends go down too. We know death. So we
were there for Lowell while people like Joe and Doug were just
standing still." "I'm glad you were there for
him," Eileen said quietly. "Is there anything else? Anything you
can think of?" "I don't think
so." "You've been very helpful,"
Eileen said. "I appreciate it. I might need to speak with you
again, but I'll be here tomorrow. I probably won't need to
contact you at home. If you think of anything at all, could you
call this number?" She flipped out her badge and dug behind it
for her business cards. She held one out to Sharon, and the other
woman took it in her sturdy fingers. "Thank you," Eileen
said. "You are welcome," Sharon
replied, and got to her feet. "I think you are a good cop, Miss
Reed. I've seen bad and I've seen good," she smiled wryly. "And
you seem pretty good." Eileen stood and shook
Sharon's hand, feeling absolutely confident that this woman was
no murderer. Eileen usually felt this way after an interview.
Perhaps that was part of her success as an interviewer. She
listened, she believed, she was sympathetic. Sharon could be the
murderer. "I'll get Lowell for you, is
that okay? He really needs to go home pretty soon. Nelson called
his family in Denver and Lowell's got a brother coming down to
stay with him tonight." "Lowell would be fine,"
Eileen said. "Thanks." Eileen glanced at her watch.
Four-fifteen in the afternoon. She felt as though it could be
midnight. The lack of windows was stifling. She sipped at her
good strong coffee and looked through her pages of terrible
notes, and wondered if she could talk Bob, the station office
manager, into using the page scanner. Then she would have pages
of good clean type, with only errors to correct when the scanner
couldn't tell what she had written. She'd be at Schriever until
late. Perhaps she'd drop by the station after hours. Bob was a
notorious tightwad and didn't like Eileen. He kept asking her to
type her own stuff, get her own supplies, in general to do all
the work Bob was supposed to do for the detectives. Eileen
ignored his complaints and made him work for her, which didn't
help Bob's temper or his opinion of Eileen Reed. Lowell Guzman entered the
room with another man—it had to be Doug Procell, the
only other Gamer Eileen hadn't interviewed. Lowell was shiny pale
and sweaty, with blurred and dilated eyes. Sedatives. Doug, the
other Gamer, a slender nondescript type in a gray suit, helped
Lowell find a seat and vanished with an embarrassed mumble Eileen
didn't catch. Eileen didn't care about
Doug Procell at that moment. Her interest was focused on Lowell
Guzman, new widower, husband of a murdered woman. Guzman was
rather short and gently rounded all over, from pudgy face to
square feet in loafers with the seams giving out along the sides.
He was not precisely fat, there was no beer belly or rolls around
the neck, he was just big. A teddy bear type, a friend of
Eileen's had called that kind of man. Huggable. "I don't want to keep you
long," Eileen said gently. "I just need to ask a few
questions." "Okay," Guzman said with an
effort, eyes focusing on Eileen for a moment and then sliding
away, blurring again. "I—" he said, for a moment struggling
to speak, and Eileen noted the strong brown hair, curled like
wires on Guzman's head, the healthy tone of the skin under the
grayness of shock and medication. Guzman had bushy eyebrows and a
firm jaw under a soft padding of fat. "I—okay," Guzman tried again, then
sighed. His eyes teared up. "Okay. Sorry." "I understand. Just relax
for a bit. How old are you?" "I—oh. Thirty-seven." The voice was
rusty but there. "How old was
Terry?" "Thirty-five." A hoarse
whisper. "How long were you
married?" "Three years." "Any children?" "No. I mean, yes. I have two
girls from a previous marriage. They visit." "Okay. How long have you
worked here?" "Four years." Eileen took him through the
standard questions slowly, evenly, without the variations she had
thrown the other Gamers. There would be time for that later, when
the sedatives and the shock were gone. Terry had come to Gaming
barely four months after her marriage. With Eileen's mental
sketch of Terry already forming, she found herself wondering if
the marriage hadn't been a response to her imminent layoff from
Digital Equipment Corporation. Then she frowned at herself.
Marriage, to avoid unemployment? Not likely. "Was Terry married before
this?" she asked. "Yes. She was divorced two
years before she met me," Lowell said tiredly. "Name?" "Vance somebody. Something
real plain. Oh, yes. James. Vance James. Why?" "We just need to find out
everything we can," Eileen said gently. "Where was she
born?" "I don't know." "Well then, where was she
from?" "I—I don't know that either," Lowell
said wonderingly. "I asked once, but she didn't want to talk
about it." "Family? Does she have
family?" "No. She said her mother and
father died years ago, when she was in college. No brothers or
sisters either, I think." "You don't know?" "She didn't like to talk
about her past!" Lowell burst out. Fresh tears ran down his
swollen and raw-looking skin. "She didn't talk about it. You can
find that out by looking at her security paperwork. I never
looked at it, she didn't want me to. If there was anything wrong
with her past, they would have found it. Okay?" "Okay," Eileen said evenly.
"These are just questions, Mr. Guzman. I'm not trying to accuse
you or her of anything." "Okay," Lowell said with an
effort, looking confused and angry, and bewildered. Eileen knew
the look. There would be all the stages to go through, the denial
and the rage and the bargaining, and the final acceptance. Eileen
was often long out of the picture when the last peaceful stage
was reached, unless the person appeared at the trial. "Sharon said that someone
would be with you tonight, is that right?" Eileen
asked. "Yes, my brother
Jeff." "Okay, then. Please lock up
tonight. I don't mean to alarm you, but whoever it was might
threaten you too, Mr. Guzman. And please don't touch any of
Terry's things. I'll be by sometime tomorrow to look through
them." "Why would you look through
her things?" Lowell asked. He looked exhausted and upset, like a
bear being teased in a cage. "Just a normal part of
police procedure, Mr. Guzman. I'll ask you some more questions
tomorrow when you're feeling a little better, all right? And if
you think of anything, here's my card." "That's all?" Lowell asked,
confused. His fingers trembled on the tiny slip of
paper. "That's all for now. All
right, then?" "All right," Lowell said in
relief. "How about fetching Doug
Procell for me." "All right." He left, and
Eileen sighed and worked her shoulders back and forth in her
jacket. "What a day," she murmured.
She rose to her feet when Doug Procell entered, the nondescript
type in the gray suit, the last of the Gamers. Eileen glanced
down at her list, seeing the check marks by every name: Nelson,
Joe, 'Berto, and Arthur Bailey before lunch, Sharon and Lowell
after lunch. The last check mark was the gray-suited man now
extending a hand to her. "Doug Procell." "Eileen Reed. Please sit
down." Doug sat down, and as he did Eileen took a good look at
him, reaching past the expensive suit and the regular features
that would make him invisible in any business crowd. Here was
actually quite a handsome man, with direct hazel eyes behind
wire-rimmed glasses, thick black hair, and a strong chin. His
hands and feet were large. There was a good breadth to the
shoulders but no real depth, unlike 'Berto. Doug Procell had more
of a runner's frame than a weight lifter's. He looked
healthy. "When did you learn about
Terry's death?" Eileen asked. "When Nelson found her, same
as everyone else," Doug said. "But I wasn't surprised that she
was murdered." "You weren't?" Eileen asked
sharply. "Why?" "Because I was expecting
another murder." "Another murder?" "I don't believe
Sully—Harriet Sullivan—drove off the road. I think she
was driven off the road," Procell said. "I think it was murder.
Sully—" "I know about Sully," Eileen
said. "Sharon told me. But she didn't think it was
murder." "I know. No one thinks these
deaths are murders. But I do. There have been three deaths here
at Schriever in the past four years. Three of them! Two of them
were late at night, no witnesses, just the car run off the road
and the person inside dead. The third, a person you don't know,
John Richmond, he smashed into a garbage truck going sixty-plus
in the midst of early-morning traffic. No evidence of foul
play." "You think there
was?" "I'm sure of it," Procell
said grimly. "Look, I can get you my file." "Your file?" Eileen felt
completely stunned. "My file. I've been keeping
notes on the murders within the Missile Defense Program since
1987. There were six people killed in Great Britain that year.
Their deaths were all strange. All completely mysterious. Why
would a young man kill himself by driving his car, loaded with
gasoline cans, into an abandoned caf6 in London? That's a death
no one wants to die, being burned alive. I don't think he wanted
to die." "Wait, wait." Eileen held up
her hand. "Let me get this straight. You think Terry Guzman is
one of a number of murder victims? All people who work on the
Missile Defense program?" "Yes, I think so," Doug
Procell said. His earnest hazel eyes held Eileen's. "I guess I
shouldn't be happy about this. But I've been collecting this
information for years, and no one believed me, and now they have
to believe me. Terry Guzman wasn't killed. She was
executed."
11 Central Intelligence Agency,
Langley, Virginia "I'm here," Lucy said at the
doorway to Mills's office. "What's up?" He looked up from his desk
and glared at her. He was a thin man with fading blond hair, and
if Lucy felt obligated to him in the slightest, she would have
hated him as a boss. As it was, she could get a job in the
civilian world as a computer engineer within twenty-four hours,
and therefore Mills had very little power over her. Mills knew it, too. Lucy
knew he was offended by her. She knew he was offended by her dark
Italian beauty, by her intelligence, by her casual attitude
toward himself as a boss and her job in general. The worst
offense of all to Mills was Lucy's work, which was incredibly
good. Mills couldn't stand that. Mills wanted a WASP worker
from the 1950s, Lucy often thought, a shrinking white man in a
white pressed shirt whose future depended on the good graces of
his boss, namely Steven Mills. Mills wore the fifties uniform,
perhaps unconsciously. His pants were polyester and his shirts
white, and he wore a pocket protector with no sense of irony. His
hair was combed back and slightly dusty, and his teeth, though
white, were hid behind lips that were always chapped and
raw-looking. Lucy thought perhaps he had an ulcer, because
sometimes she caught a whiff of his breath and it was chalky and
desperate-smelling. She hated when she could smell his breath.
She walked into his office and dropped into a comfortable chair
without being asked. She smiled at him and rubbed her slightly
rounded stomach. "The baby needed the chow,
Steve. So what's up?" "We had a development in a
related case," Mills said. "The Missile Defense
homicides?" Mills nodded and rubbed his
forehead with his small manicured hands. He looked
tired. "The FBI has had a suspect
under surveillance for almost two years. The FBI contacted us
today. He skipped town. Boarded a plane to Paris at noon and is
just clean gone." Lucy leaned back in her
chair. The CIA didn't engage in surveillance in their own
country; that was the duty of the Federal Bureau of
Investigation. The FBI did the investigation and got the glory in
the United States, although the CIA was often the controlling
organization. American spies were handled in the press with great
fanfare. Foreign spies sometimes made the back-page news as they
were deported. It wasn't fair, but that was the way the business
worked. "What kind of
suspect?" "Espionage. NORAD, Peterson,
Fort Carson, and Schriever. He posed as a corporate headhunter
for engineers. Made quite a living at it, too. His name was
George Tabor, and we had positive ID. We almost had him cold. He
sold to everybody: the new Russian Republic, the Baltic States,
Japan. The only countries he didn't sell to were the Moslem
countries in the Middle East, and China. He didn't seem to have
any contacts in the Middle East, and he hated the
Chinese." "Schriever," Lucy said. "He
was spooked by the murder? Wait a minute. He left at lunch? He
must have been tipped off by someone at Schriever." "Right," Mills said,
irritated. Lucy had come to the same conclusion he had, only it
took her about three seconds and it had taken him
hours. "So if he was tipped off,
that must mean the murdered woman was involved. Maybe she was his
contact. Or she smuggled information to someone who gave it to
Tabor. What did she do?" "She was a computer
engineer. Software. In the Gaming division. Her name was Terry
Guzman, and she'd worked there for almost two years." "Gaming. She could get a lot
of good stuff out the door," Lucy said angrily. Espionage
offended her. She hated it. It was vile and disloyal, like
cheating a member of your own family. "Very good stuff," Mills
said. "The latest algorithms for the battle managers. The whole
Missile Defense program is mostly old technology, you know.
Brilliant Pebbles are just fancy rocks. It's the computer
programs that make the system happen. She's got—or she had, anyway—connection with all the
latest." "Could she have been killed
because she wanted to stop?" "I don't know. Right now her
case is being handled by Detective Eileen Reed, Colorado Springs
Police. She's probably still at Schriever. You can speak with her
if you want, we can set you up as an employee of the
DIA." "That might be helpful,"
Lucy said slowly. The DIA was the Defense Intelligence Agency,
the organization that handled security clearances. "But first I
need to speak to Colonel Olsen. Is he aware of the Missile
Defense homicides?" "He's aware of the need for
secrecy," Mills said carefully. "The only military official we
brief on this project is the Missile Defense commander in chief.
That's Admiral Kane. You'll have to keep this one sealed up.
Don't even mention Tabor to Olsen." Lucy felt a burst of
irritation, but controlled it. Why in the world would the CIA
want to keep a series of murders so quiet? Why wasn't this case a
higher priority within the Agency? There were twelve dead people
on that list. "I'll get on the phone to
Olsen. I can contact the FBI on this one?" "Yes, but don't—" "I know, I know," Lucy
interrupted. She got up from the chair. "They don't know about
the missile defense homicides, do they? I won't let it
slip." But as Lucy walked down the
hallway to her own office, she made a resolution to herself. She
was going to find some answers. Conference Room, Schriever
Air Force Base Eileen pinched the bridge of
her nose, fiercely, the sharp annoying pain bringing her back
into focus. She knew she had to quit soon, and leave this place,
and get some food. "Mr. Procell, I want that
file," she said, and the slump of relief in Procell's shoulders
was almost comical. "I will read it. I will look at it. If Terry
is one of your murder victims, then hopefully I can hand off this
case to whoever is working the other cases. Right now, they are
all supposed to be accidents." She held up her hand as Procell
started to speak. "But I will also look at this case as an
isolated murder, and I will find that murderer. The best way I
can do this is collect your file later. First, I need to find out
about you. Is that clear?" Procell smiled at her
peacefully and relaxed back into his chair. "Yes, ma'am," he
said. "All I want is for you to read the stuff." "You got it," Eileen said
grimly. She felt a kind of sickness in her stomach. She didn't
want to lose this case to the Air Force bureaucracy that had
buried Bernie Ames with such careless insult. She didn't want
this case, but now it was hers and she intended to finish it, no
matter how deep the waters got. If there were multiple murders
going on at Schriever Air Force Base, then she was just going to
have to solve them all. She clenched her pen and
looked at Procell. "Now, tell me about you. How
long have you been working here?" "Almost ten years. I worked
on another project down in New Mexico before this
one." "Did you know Terry
Guzman?" "Yes, I did. I—I don't want you to find this out
later, and think that I'm hiding something, so I'll tell you now.
Terry and I went to the same college. Nobody else here knows
that." Eileen didn't hide her
surprise. "Why doesn't anyone else know?" It seemed like harmless
information. "Because Terry wanted it
that way. She had a bad marriage, I guess, and wanted to leave
her past all the way behind her. So when we met again she
pretended she didn't know me, and when I asked her later she ...
well, she asked me not to tell anyone." "What was the
university?" "University of Utah, Salt
Lake City. We saw each other in a few computer classes, is all,
but you know Terry, she's—" Abruptly, Doug stopped.
Eileen saw the fact of her death strike Doug suddenly, as a
reality and not a confirmation of his pet theory. The color
washed from his face. For a moment Eileen was sure Doug was going
to pass out. Doug reached out and gripped the table edge with one
of his big hands, holding so hard the hand washed white and
bloodless. "Okay?" Eileen asked as Doug
lowered his head. "Mlright," Doug slurred. The
seconds passed. Doug pulled himself upright. There was sweat on
the clear brow, but his eyes were focused. "Okay?" Eileen asked
again. "I'm okay," Doug said, and
sat back in his chair. His face was paper white. "It hits you like that
sometimes," Eileen said gently. Sometimes the fact of murder took
a while to sink into the murderer too. "Just try to relax. You
want some water?" "How about a pop?" Doug
still looked faint. "Takes you fifteen minutes to get one. You
want to walk out there and back? The pop machines are all the way
in the stairwells." "That sounds like a great
idea," Eileen said. "I would like to stretch my legs,
actually." Doug got shakily to his feet
and led the way back through the maze of offices, empty now, and
down the corridor to the submarine door. "Why don't they have pop
machines in here by the bathrooms?" Eileen asked. There were
spaces next to the rest rooms for pop machines, and heavy-duty
electrical outlets. The rest rooms were by the submarine doors.
There were no machines in the alcoves. "That's a breach of
security, you see," Doug said with a wry smile. "I'm the class
crazy, but even I think it's ridiculous that the Russians or the
Chinese or whoever would put listening devices in our pop
machines. If they can do that, why can't they just put listening
devices in our pops, we carry them right back to our desks? I
don't understand." Doug spun the heavy door and
stepped through with an ease born of long practice. He gestured
Eileen to follow, then spun the door shut with a heavy, final
sound. "What a door," Eileen
said. "Your tax dollars at work."
The color was coming back into Doug's face. "I don't mind the
doors so much, there are some pretty sophisticated listening
devices out there. I was at a Hughes Aircraft facility in Los
Angeles once and saw a demonstration. Big Chevy van, not really
an odd-looking antenna, not for L.A., and parked outside the
Hughes building. Way far away, I mean more than a city block. And
they had screens that were printing out what people were typing
into their terminals, inside the building. Scary." "That door stops
that?" "Stops everything. No mice,
no insects. I've never seen a spider even. Like a big vacuum
jar." Doug led them to a door
marked "Stairwell #3" and opened it. There were huge candy and
pop machines humming next to the stairs. "I've got extra change, let
me," Doug said. "You learn to carry change around here. It's a
long walk back to your desk." The pop cans chunked down
into the bins below. Eileen opened hers and took a long, grateful
swallow. "This will help," she said.
Doug took a long drink of his own pop and opened the door back to
the corridor. Eileen did not make it obvious, but Procell ended
up going through the doorway first. The corridors were very quiet
and very empty. The conference room seemed
even more stifling after the brief walk. Eileen sat down with a
sigh. Procell took a chair. "I feel better." "Me too." Procell's fingers
trembled faintly on the can of pop, but his mouth had lost its
gray, pinched look. "Tell me about the War Game.
Start out with your morning, every little detail. From the time
you woke up." "From the time I woke up?"
Procell asked, puzzled. "What does that have to do with your
case?" "I don't know what it has to
do with this case," Eileen answered steadily. Procell thought
that over for a moment and then nodded. "Okay," he said. "I got up
at five-fifteen and showered ..." Gaming Center, Schriever Air
Force Base It was nearly six-thirty
when Eileen picked up the conference-room phone to dial Major
Blaine. Procell had told her every tiny detail of his day, and
she had learned absolutely nothing. Eileen wanted to view the
Game tapes, but she knew she was too tired. Harben needed a
report as well. She'd seen Blaine lock and tape the entrance to
the Gaming Center. Blaine set a security guard at the only
entrance to the Center. The tapes were as safe as they could be,
and Eileen was hungry. "Security, Major Blaine
speaking." "This is Eileen Reed, Major
Blaine. Can you come guide me out of this place?" "I certainly can," Blaine
said warmly. "I've been catching up on paperwork waiting for your
call. I'll come right over and show you the door on our way out,
and you can give me your report." Eileen sat for a moment in
silence, feeling her heart pound so loudly that her hand trembled
on the phone. "I report to Captain
Harben," she said, much more softly than she wished. She was
afraid her voice would crack if she spoke any louder. "But I'll
be happy to discuss what I'll need for tomorrow." There was a small silence.
Eileen bared her teeth in a smile. She knew the way the military
world worked. Major Blaine thought of Eileen as Captain Reed, a
former Air Force pilot and the Major's subordinate. And a
woman subordinate, to boot. Major Blaine wanted to give
Eileen orders. She was not— not!—going to let that
happen. "Oh." The voice on the other
end of the line showed annoyance. "Well—I'll be right there." "Thanks." Eileen set the phone down
gently and took a few deep breaths. Her notes lay in an untidy
pile in front of her. Now more than ever, she was bound to solve
this case. How long did Harben say she had before the Air Force
OSI officer arrived? Three days? Not enough time, usually, to
close a case. She would just have to work harder on this
one. She flipped through her pad
of notes, making an occasional correction or footnote, waiting
for Blaine to arrive. The office outside the conference room was
totally deserted now. The office lights were on, but the desks
were empty. The screen-saver patterns that played on the
computers gave an eerie kind of motion to the big room, as though
right outside of Eileen's peripheral vision the computers were
turning, moving, and whispering to each other. "Creepy," Eileen said to
herself. The silence and the motion were oppressive. Undoubtedly
the murderer was gone from this building, just as the murdered
woman was gone, but the murder itself remained. Eileen shared a
solemn belief among police, that the physical location of
violence, especially murder sites, retained some kind of
malignancy long after the blood and remains were cleared away.
Police liked to live in new houses, although they could seldom
afford them. Eileen felt certain she must
have spoken to the murderer today. Despite Procell's file, which
lay thick and as yet unread by her elbow, she felt certain that
Terry Guzman was murdered by one of the people in the Center.
She'd probably been murdered by one of the people Eileen had
interviewed, though she hadn't the faintest idea who. She turned to look at the
file, bulging with newspaper clippings and paper-clipped reports,
and felt an exhausted kind of impatience. She hated this whole
military world, had hated it since before Bernie had died so
senselessly, and here she was being drawn back into it. Joe
Tanner was— "Well, Detective?" Blaine
said from the doorway. "Let's go" The last of the day's light
was fading behind Pikes Peak as Eileen and Major Blaine stepped
outside the building. The air was fresh and warm, and smelled of
a recent thunder-shower. Eileen took a deep breath. "How can they stand to work
there?" she murmured to herself. Blaine shrugged and led the way
to the sidewalk that would take them to the retinal scanners and
Eileen's car. "The pay is good, the work
is good. How often do you really look outside the
window?" "All day long," Eileen
said. "You'll be back tomorrow?"
Blaine asked, managing to make it sound like an order. He looked
jittery, as though he'd had too much coffee or pop that
afternoon. "I spoke to Air Force Special Investigations, the
closest time they can have their man out here is in three
days." "I'll return tomorrow
morning to review the tapes," Eileen said mildly. There was silence for a
while, as they walked along the flank of the huge building that
housed the other space communications center. "Remember, there isn't
anything out here except a weather station, once you leave the
base," Major Blaine said stiffly, scratching at his arms as
though he had old mosquito bites there. Perhaps she was making
him nervous. Eileen liked the thought of that. "I know. I've had clearances
before. Didn't like 'em then, and I don't like it
now." "Tomorrow morning, then.
Eight o'clock?" Blaine's light-colored hair looked faintly sweaty
where it showed under his cap. The little mustache drooped. He
looked tired. "Sure. All I need is access
to the room and paper and pencil. I'll supply the paper and
pencil." "I'll meet you at the gate,
to get you through one more time. Then your badge and number and
retinal scan will be enough." "And no more problems with
my weapons, I assume?" Eileen asked without a smile. "No problems," Blaine
said. They came up to the tiny
building full of scanners, and Blaine took out his piece of paper
again. "Seven eight nine three," he
reminded Eileen. "You just swipe your badge through the slot,
like a credit card, and key in the number. You don't need to scan
on the way out, only on the way in." Eileen felt the same
claustrophobic feeling as before when the glass door clicked and
locked behind her. She swiped her badge through and keyed in the
numbers. There was a pause, and a click. She pushed the door open
and stepped through. Blaine was already through and waiting for
her. "Everything set? Keep the
badge. If I think of anything, I'll call the station." Blaine
balanced his briefcase on one knee, opened it, and rummaged
around for a moment before pulling out a business card. "I never
use these things," he said. He closed the case and put it under
his arm, dug in his pocket for a pen, and wrote a number on the
card. "My home phone," he said, holding out the card to
Eileen. "Thanks." "Tomorrow morning, eight
o'clock," Blaine said, and turned away. Eileen nodded, and dug
into her pocket for her own car keys. There was a phone in the
little retinal-scan building. She called in to the station and
told Harben she would be in after she'd gotten some supper. She
asked Harben if he wanted anything, and Harben said no. No one
ever saw Harben eat. Peter O'Brien swore that Harben was a
vampire and drank only human blood. Since there were never
blood-drained bodies found in Colorado Springs, O'Brien had come
up with the theory that Harben must have a deal with Memorial
Hospital. O'Brien had even passed around a rendition of a
blood-bank savings account made out in Harben's name. Eileen and
O'Brien laughed until they were leaking tears. Harben got a look
at it and never cracked a smile, which made O'Brien and Eileen
laugh all the harder. A new detective, Stan Jabowski, was too
nervous to laugh. He didn't know Harben yet and was afraid that
Harben was offended. "Vampires don't laugh,"
O'Brien had said, trying and failing to keep a serious
face. Eileen smiled at the memory,
and flicked on her lights as she pulled her Jeep out of the
parking slot. Then she felt sad, remembering Stan Jabowski hadn't
had much of a chance to get dry behind the ears. He'd been killed
on Nevada Avenue less than a month later. Eileen waved to the guard at
the gate and accelerated into the curve.
12 Colorado Springs
Investigations Bureau "... So that's the wrap,"
Eileen finished comfortably. She wiped her fingers on a napkin
and took a big sip of her soda. The scraps from a sub sandwich
lay on waxed paper. A few shreds of lettuce had fallen onto
Harben's immaculate desk. Behind Harben the blinds were drawn
against the dark. "Use the scanner, get those
notes onto your machine," Harben said. He never referred to a
computer as anything but a machine. "Okay," Eileen said. She
picked up the lettuce shreds and ate them slowly. "I didn't get
any feel for who the murderer is. This Procell file worries me
too. I'm going to have to call up the traffic-accident reports
from those other scientists." "The ones who were killed
commuting to work?" Harben asked. "Yeah. Harriet Sullivan. Um
... John Richmond, I think." "Do you know how many people
are killed every year on that stretch of highway, Eileen?" Harben
asked coldly. "We scrape up bodies every month from that road.
I'm sure Procell—is that his name?—has some interesting statistics,
but if the government hasn't taken an interest, I'm not so sure
you should waste your time." "The government doesn't
always know what they're doing," Eileen said quietly. "Bernie crashed in a very
expensive plane. There's a greater desire for a
cover-up." Eileen winced. "A secret murder campaign
against scientists in the military would be great tabloid
material," Harben continued. "Why wasn't this made public? You
said Procell's first notes started years ago." "I haven't read the whole
file." "I suggest you skim the
file. Procell's entire intent may be to divert attention from
himself or from someone he's trying to protect." "Okay," Eileen said, and
stretched. "What a day." "Don't make it too late,"
Harben said to her. "Oh, and you still have to start on the
Pendleton file. I sent Rosen out to do the prelim work, but I
want you to check it." Eileen nodded, and reached
out to crumple up the sandwich wrapper and drop it in the
trash. "All right, all right," she
said, and hoisted herself to her feet. "You are no fun sometimes,
boss." Harben didn't reply. He had
already turned, and was keying in the password to his
computer. "It was a good sandwich,"
Eileen said to Harben's back. "You shoulda had one." Central Intelligence Agency,
Langley, Virginia Lucy was deep. She was
getting to know George Tabor from a hundred different traces left
within the Web. Her office chair squeaked as she stretched,
putting her hands to the small of her back. The building was
darkened but not quiet. It rustled like a haystack full of mice.
Someone had burned a bag of microwave popcorn, and the stench
drifted everywhere. Lucy had an open cup of coffee in front of
her. For some reason, that killed the burnt popcorn smell. She
hated being here at night. She wanted to be home, nestled up to
Ted and watching something mindless on the television. But George Tabor, now. He
was an interesting fellow. Lucy saw his face, plain and friendly,
as her gopher sent the picture. George made it away clean. His
flight landed on schedule in Paris, and from there he could have
gone anywhere. Lucy knew his skills would be valuable. Where
would he go? Tabor wasn't her problem now, although she thought
their paths might cross sometime. She hoped they
would. She picked up the image of
the map the FBI surveillance man had created, along with the
routes he took when he walked his dog. Those walks were how he
made his pickups and dropoffs. Wait a minute. Lucy paused,
trying to focus her thoughts. The drawer of food was empty, and
her baby was clamoring for something hot. Something hot and
preferably greasy, like a hamburger. But there was something
there in the notes, something that snagged at her
mind. That was it. Did he take the
dog on the flight? She pulled up the travel records. No, there
was no dog checked on the flight. What did he do with the dog?
She was an English springer spaniel named Fancy, and he evidently
took good care of her, judging by the veterinarian record and the
FBI reports. Lucy thought, her fingers
poised over the keyboard. Then she searched animal shelter
listings in Colorado. In a few minutes Lucy had a possible
listing. He might have dropped her off at a Denver animal shelter
before flying out. The shelter listings tried to make the animals
as appealing as possible, in hopes of an adoption before the
relentless syringe. "English springer spaniel,"
the note read. "Female, spayed, three years old. Beautiful dog,
very well behaved. Good with children. Please adopt her! Left at
11:25 a.m." Lucy leaned back in her
chair and rubbed at her upset stomach. The baby was too small to
be felt, but she imagined the tiny fetus floating inside her,
eyes still unformed, with webbed fingers and little gill slits,
listening quietly to her and the steady sound of her
heart. "Well, little fish," she
said to her stomach. "I think Mr. George Tabor was a very careful
person. He was well prepared. And he loved his dog. That's what
the FBI report said, anyway. You can tell a happy dog. So if he
knew he was going to be leaving town, would he have left his dog
at an animal shelter? I don't think he would. He would have found
a home for her. I'll call the shelter tomorrow and see if I can
find out if that's her." Lucy paused. Or was she
being too sentimental? She sighed, and stretched, and started
shutting down her computer links. It was time to go to bed and
think this one over. There was a Taco Bell on the way home
too. Colorado
Springs When Eileen slotted her key
into her town-house lock it was nearly eleven o'clock. Her cat
was waiting at the door, angrily meowing. "Oh, Betty, you've got
plenty of food," Eileen said, picking up the big orange tabby and
stroking her fur. The cat settled in her arms and began to purr
loudly, meowing occasionally through her purring as though she
were not quite ready to stop being angry. Eileen kicked the door
shut behind her and leaned against it, exhausted. "Are you fatter
than usual, or am I just tired?" Eileen had never thought
herself a cat kind of person. She was a dog person. Cats were to
keep the mice population down on her parents' ranch. Then Betty
appeared on her doorstep, a scrawny fluff of orange, furiously
hungry. She kept her. She always meant to get a dog, but she was
away from home too much to have a dog. "I'm away too much to have a
cat too," she murmured, rubbing Betty's ears. "Time for a beer
and the news and bed." There was sometimes a man
who shared the bed. Two, maybe three, and they hadn't lasted and
Eileen wasn't sure why. She liked her solitude too much, perhaps,
or she was too used to it. She wanted a man like her cat,
self-reliant and self-entertaining. After a few weeks they wanted
her to pick up their socks and cook their food and rub their feet
after their hard day's work—in short, to turn into a wife.
Eileen wasn't ready for that. Not now, maybe not ever. She set Betty down and the
cat stalked over to her dish, looking back at Eileen pointedly.
One half of the double dish was full of dry cat food. The other
side was licked clean. "And some of that wet stuff for you, too,
Bets." Eileen yawned hugely. Maybe she would just forget the beer
and the news. She had to be back out to Schriever at eight
o'clock. Then she walked over and switched on the TV anyway, just
to give herself some company. Paris, France When George Tabor opened the
door to his modest hotel room, the man standing outside was not
familiar to him. That only made sense. George had never seen the
face of his major contact. The man was not very reassuring in
looks or manner. He had curly black hair and olive skin pitted by
acne. He could have been Italian or Spanish or Arab or Eastern
European. His clothes were Paris rummage sale, wool turtleneck
fraying at the collar and cuffs, sturdy no-color twill pants. He
slumped in the doorway, hands shoved in his pockets, and his
breath was bad. George immediately mistrusted him. George mistrusted everything
about this horrible adventure. He'd forgotten how clean and empty
the American West was. George felt a horrible pang of
homesickness. "You're George?" the man
asked. "Yes, and you are?" George
asked politely. "Mr. Brown," the man said
after a pause. "I'm married to Molly. She's
unsinkable." "Come in," George said
grimly. This was his contact. He knew the password, specific to
Colorado. The unsinkable Molly Brown was a famous Colorado
heroine but virtually unknown in Europe. It was a hasty password
but a good one. "I'm to take you with me,"
the man said. He didn't shift his slumped position from the door
frame. "Muallah would like to meet you." "Muallah?" "Muallah, the boss," the man
said. "I thought I was going to
meet Mr. Wulff," George said in surprise. His major buyer was a
polite German, Mr. Wulff. Who was Muallah? "Wulff is one of his names,"
the man said impatiently. "But his real name is Fouad Muallah.
And he doesn't like to be kept waiting. Let's go." Colorado
Springs Wednesday morning was
breakfast day. Eileen hadn't missed a breakfast with Gary Hillyer
in three years. They changed locations occasionally, to sample
new restaurants, but they always met at 6:30 a.m., somewhere, on Wednesdays.
This month was the Omelet Parlor on Fillmore Street, where Cathy
the waitress already knew their favorite breakfast dishes and
when to refill their cups of coffee. Eileen pulled into the dirt
parking lot, feeling cheerful. The Procell file lay, still
unread, on the passenger seat. The notes she took the day before
were in a neatly typed stack underneath. "Morning, Eileen." The
waitress showed her to the corner booth she and Gary had decided
was the best in the restaurant. The new day's sunlight shone
through the windows but left the seat in enough shadow so reading
the newspaper wasn't a painful experience. Gary Hillyer was
buried behind the morning's Gazette, a steaming cup of
coffee in front of him. "Morning, Gary. Thanks,
Cathy." Eileen slid into the booth and reached for the
sugar. "Why are you so happy this
morning?" Hillyer asked grumpily. He put down the paper,
revealing a basset-hound face and tired eyes. Gary Hillyer was
tall, with brown hair and eyes and a perpetual stoop to his
shoulders. The stoop was more pronounced this morning. "What kept you up all
night?" Eileen asked, stirring sugar into her coffee. "What makes you so happy?"
Hillyer responded. They had met over a case four years earlier.
Eileen wanted the information kept confidential. Reporter Gary
Hillyer wanted the facts known. The classic confrontation. Casual
gossip linked them as lovers, but not to anyone who knew Gary
Hillyer very well. Gary lived in a handsome Victorian on the west
side of Colorado Springs with Frank, his lover of twenty years.
Gary occasionally took Eileen home for dinner, a treat she
appreciated. Frank was a gourmet chef, and his dinner parties
were legendary. "New case," Eileen said. She
reached for the paper. "The latest on Nevada
Avenue? No? The body at Fort Carson, that Pendleton boy? Oh, no,
that wouldn't put such an interested look on your ravishing face.
He's a standard overdose, case already pretty much closed. Must
be the death at Schriever? It was a murder, then?" "Yes," Eileen
said. Hillyer nodded, and Eileen
grinned at him. Hillyer would be able to use that. "What shall it be this
morning? Shall I just choose for you? What do you hate the
most?" Hillyer grinned up at Cathy.
She smiled, expertly refilling their cups. "Today's special," Eileen
said absently. She'd found the column on Terry Guzman's
death. "Make that two," Hillyer
said. "I'm starving." Paris, France When George saw Fouad
Muallah he felt an immediate sense of recognition. This man, like
George, had style. He was dressed much the same as his
deliveryman, in wool turtleneck and sturdy twill trousers. But
Muallah wore them like a king's robes. He would look completely
natural with a cloak waving behind his broad shoulders. His skin
was olive and flushed with health. His eyes were brown and
sparkling with good humor and intelligence. He shook George's
hand with a grip that was reassuring and intimate and
friendly. "Mr. Tabor," he said warmly.
"At last." His hair was black and tightly curled and he smelled
of sandalwood soap. His breath was clean and healthy. George
realized with a sense of amusement that he was feeling a little
jealous. George had always felt he had a great blend of
sophistication and savoir faire. Fouad Muallah made him feel like
an awkward adolescent. "Mr. Wulff?" "That's one of my names."
Muallah laughed. His laugh was terrific, deep and full of
delight. George found himself smiling and noticed the
deliveryman. The deliveryman had a goofy, infatuated look on his
face. Muallah noticed George's glance and turned to the other
man. "Ali," he said gently. "We need to be undisturbed. Let no
one enter." Ali's expression was more
than infatuation, George realized uneasily. It was adoration. Ali
nodded and left. George looked around for the first time. He had
been so dazzled by Muallah, he had noticed nothing. The apartment
was old and very small, but extremely clean and decorated in a
distinctly Arab style. There were small lamps, a length of rich
Persian carpet, and pillows arranged around a low coffee table
inlaid with mosaic in tile. "Shall we have some coffee?"
Muallah asked, gesturing with his arm toward the coffee table.
"We have known each other so long, you and I, and here we are
meeting for the first time. We shall relax, and talk." George settled on the
richness of the pillows. Muallah clapped his hands sharply, and a
young woman appeared. She was robed and veiled in the traditional
Arab way, with kohl-rimmed eyes. She carried a coffee service in
silver on a gorgeous tray. Her eyes never glanced at George. She
looked only at Muallah, with the same intent adoration as
Ali. "I thought we were going to
be alone," George said as the woman poured coffee and settled
back on her heels next to the table. The coffee smelled
delicious, strong and fragrant and fresh. "We are alone," Muallah said
with a slight frown. "I have spent long in
America," George said, smiling uncomfortably. "American
women—" Muallah waved his hand in
dismissal. "Are rubbish," he said
shortly. "As all America is rubbish." Muallah sipped his strong
coffee in the small cup, and George copied him. The coffee was
deliciously hot and strong, and George used the moment to try and
get his mental feet underneath him. Finding that his German buyer
was really an Arab was a shocking discovery. George, like most Russians,
had a deep distrust of all things Islamic. He'd deliberately
avoided selling to the Arabs. George's grandmother claimed that
she was descended from Batu Khan, grandson of Genghis, who
plundered the whole of Russia and Poland in the thirteenth
century. Grandmother took care of George when he was small, and
some of his fondest memories were of sitting cross-legged on the
kitchen table while Grandmother kneaded dark bread dough with her
strong arms. She would tell him story
after story handed down through the generations, embellished over
time until they had the patina of fairy tales. Their ancestress
was a lovely woman, as beautiful as a princess, who willingly
became one of Batu's many concubines. She had a paiza, a
special coin, that allowed her to travel wherever she wished in
the conquered lands. Grandmother let George hold the paiza
once, a strange worn piece of ordinary metal carved with what
looked like snakes and swans. It went to his sister, not to
George, when Grandmother died. The paiza had been handed
down through the females of George's family for generations,
undoubtedly cherished because it was worthless base metal and
could not be sold for food. So George had Mongolian
blood, however diluted, royal blood of the Khans. He'd felt a
sense of pride about that. But the Arabs had fared even more
poorly than the Russians under the Khans. Once the most civilized in
all the world, the Arabs had great technology, medicine, and
literature before Hulagu Khan, another grandson, pillaged and
subjugated the Arab world. Hulagu had the last of the caliphs
rolled up in carpets and trampled to death by horses, a story
that George's grandmother told with relish. George, remembering his
grandmother's stories, had done a little research in the
fabulously free libraries of America. The Arabs had nearly risen
to conquer again before the Ottoman empire took over. The empire
had kept the Arab lands until the British took over the rotting
hulk of the Ottomans. Who was to say there would not be another
reversal now that the Arabs had technology and education? Oil
brought the Islamic world out of the Dark Ages and into the
modern world, but their culture was still—George glanced over at the
submissive girl and looked away again quickly—barbaric. Now he found he'd been
dealing with Arabs all along. But there was nothing to be done
about it. George gave a mental shrug and determined that he would
make the best of this situation. Muallah did not know that George
was a descendant of Hulagu Khan. And George didn't care whom he
dealt with, not really, he told himself. He would make his final
sale and disappear. It was long past time to stop playing the
game. "Americans are such rubbish,
my friend," Muallah said thoughtfully, sipping his coffee. "And
rubbish is meant to be burned, is it not?" He smiled at George,
showing dazzling white teeth, and gestured to the girl to serve
them more coffee.
13 Schriever Air Force
Base Eileen was late. The number
of cars heading out to Schriever at 8:00 a.m. was astonishing. Eileen
sat in bumper-to-bumper traffic and drummed her fingers on the
wheel and looked at the cattle moving through the summer grass.
There was a big hill at the edge of the horizon, and the sun had
risen right through the notch the road made in the hill. The
light was blinding even though the sun was well up into the sky.
Eileen looked at the streams of cars and thought about Harben's
warning. In winter that hill would be treacherous. In winter the
sun would be just at eye level at eight o'clock in the
morning. As she approached the bottom
of the hill she saw a garbage truck pull out from a dirt side
road. The truck accelerated toward her, huge and dirty, and as it
passed her she saw another one pull out of the same road. This
was the landfill for Colorado Springs, Eileen realized. She
hadn't known where it was located. Her own garbage was carried
out here each week, to be churned up and buried. She moved
forward in the traffic another few car lengths and looked at the
truck as it thundered toward her. "John Richmond," she said to
herself. "John Richmond died when he hit a garbage truck." Eileen
tapped her fingers impatiently on the wheel and looked over at
the Procell file. "I can see it now, a spy getting all dressed up
in overalls and a cap, and stealing a Great Western garbage
truck." Eileen laughed aloud. "Right," she said to the file. She
felt much better. Eileen parked in the same
place she had the day before. She remembered how many of the
Gamers had mentioned how long it took to get to their
desks. Major Blaine was
waiting. "Took a while, eh?" he said.
"I was late too. Let's process you through." They entered the security
building, and Eileen smiled at the sound of the gates clicking
and clacking as people passed through. Most people had bored,
impatient expressions on their faces, putting their faces to the
retinal scanners as though it were the most natural thing in the
world for them to do. "You can get used to
anything, I guess," Eileen commented absently. She was looking in
the crowd, looking for someone. She wasn't sure what she was
looking for until she realized she was looking for the
murderer. "It's worth it to be safe,"
Blaine said. He was next in line at the scanner. They processed through the
scanners without comment. Eileen drew a deep breath when she
entered and let it out when the door clicked open. Evidently
Blaine was right and her guns were not going to cause
problems. "You'll be looking at tapes
today," Blaine said. "I'll be tracking the visitors' military
clearances. We'll get together for lunch at eleven-thirty or so.
I'll call you." "I'll be in the Gaming
Center," Eileen sighed. She still didn't have a handle on Major
Blaine. As far as he was concerned, she was a member of his team
and he was running the show. "The Games are canceled, so
there won't be anyone in the Center," Blaine said. "I have it all
arranged." They walked along the side
of the CSOC building. The early-summer sun was brilliant and
already hot, but the shade of the huge building made the sidewalk
chilly. Eileen couldn't wait to get rid of Major
Blaine. Paris, France "It is late, my friend,"
Muallah said. The coffee was gone, and the tiny sandwiches, and
the rich little seed cakes. George was exhausted and humming with
caffeine all at the same time. And he was waging a battle to keep
from falling under the spell of this remarkable man. To say Fouad
Muallah was a gracious host was completely inadequate. He
listened to George. When Muallah turned his dark gaze on
him George felt as if he were being bathed in a soothing light.
Muallah spoke lightly of the documents he'd purchased from
George, in an offhand yet flattering way that made George feel
good all over. He found himself wanting to like this man. He was
vaguely surprised at himself. Whatever mistrust he had toward his
ancient enemies seemed to be dissolving in the remarkable
personality of this person, this Muallah. "The hour is late," George
admitted. "You have something for me,
my friend? Some last delight that you managed to spirit away from
under the noses of the infidels?" "Yes, I have," George said,
smiling foolishly. What was wrong with him? "This one is
very good. Something you've wanted for a long time." "You have the locations,"
Muallah said, leaning forward intently. "I have the locations,"
George said. His warmth started to seep away, leaving him feeling
chilled and confused. "The locations of every missile silo in the
republics of the former Soviet Union. But why would you want
them?" "Does it really matter?"
Muallah asked charmingly. "I will pay you handsomely as always,
Mr. Tabor. I always keep my promises. Fifty thousand American
dollars, in cash. Tonight, if you can deliver the
documents." "I can deliver them," George
said slowly. He was so tired. There was something tugging at his
mind, but he couldn't seem to clear his head enough to figure out
what the tugging meant. He felt the way he did the one time he
tried marijuana. For a moment he studied the remains of the seed
cakes with a frown, then the thought seemed to float away like a
balloon. "I—I'm not used to doing this
face-to-face." "Ah, but I am," Muallah
said. "Do not be uneasy, my friend. It is just the same as your
drops and safety-deposit boxes. Except here we do our deals in
warmth and friendship, with food and drink." "Of course," George said,
feeling ashamed. "I don't mean to be paranoid." Muallah raised an
eyebrow at him. "Er, mistrustful. Do you have the money for
me?" Muallah snapped his fingers
without looking around. The veiled girl rose to her feet and
padded quickly to the door. Ali came in and, at Muallah's nod,
went into another room and returned with a cheap plastic
briefcase. He set the case by George's feet. George flicked open the case
and glanced at the contents. He'd seen so many piles of money
delivered like this, he could make a quick estimate of amounts in
a flashing glance. The money was all there, or close enough not
to matter. "Excellent." George smiled.
He felt better, looking at the cash. "We can take care of our
transaction right now." He unbuckled his belt and pulled it free.
The concealed zipper in the back held the developed film:
locations, maps, satellite photos, the whole package. Terry
Guzman had really delivered. She had no way of knowing it would
be her last delivery, but she'd still made it a good
one. "Very nice," Muallah
murmured, looking at the film through the light. George replaced
his belt and smoothed his shirt. Muallah smiled at George. "Thank
you so much. You have no idea what this means to me." "My pleasure," George said.
"If it would not be rude? I am so tired from my
flight—" "Of course, of course,"
Muallah said, carefully placing the film on the mosaic table. He
rose to his feet and clasped George's arm in his own as he
escorted him to the door. "You must be very tired, Mr. Tabor.
Again, I must thank you. Sleep well." Muallah took one step back
as something impossibly tight snapped around George's throat. It
had to be Ali, a garrote, George thought numbly. I should have
known, I should have known.... The tightness increased around his
throat, and George saw a small porcelain lamp go flying into the
air as he tried desperately to ease the constriction. Black
blossoms started to flower in the air, exploding silently. A
spindly little table skidded in front of him and toppled over,
one tiny leg broken in two. The flowers grew bigger. Then George could breathe
again, and the relief was incredible. He shook his head and
looked around. He was having that old nightmare again, he
realized. His restaurant hummed around him. Waiters in spotless
white and black hurried by with full platters. The candles shone
on the beautiful tables. Georgian ladies, released from their
long Soviet peasantry, showed their creamy white shoulders and
delicious bosoms in modern gowns. Sturdy Russian men smiled and
tilted their wineglasses, good color blooming in their clear
cheeks. There was vodka, and the smell of good Russian beef, but
suddenly overwhelming was the smell of strong coffee. Arab
coffee. George looked down in horror
and saw a slender side table with a shattered leg. He tried to
draw a breath and could not. Then he relaxed. He was back in the
restaurant with the waiters and the beautiful ladies. He was
home, at last. "He fought like a warrior,
Mahdi," Ali said thoughtfully. "He was rubbish," Muallah
said with a shrug. "He served his purpose. Dispose of the
body." Muallah turned without
looking back and walked to the mosaic table. The films were
there, the lovely priceless films. He picked them up and held
them to the light, ignoring the sounds behind him. Gaming Center, Schriever Air
Force Base The Gaming Center was locked
and taped. Blaine had taken care of that chore the night before.
The tapes of the Game were left in the video machines. If anyone
tried to tamper with the door, the seal would have broken. A
tired-looking Air Force soldier stood at the door. The door to the Center had a
spin lock exactly like a safe's. Blaine knew the number but
fumbled with the lock before the tumblers finally fell and the
door opened and broke the seal. Blaine wrote his initials and the
date on a piece of paper that was stuck in a pocket next to the
door. On the paper was a long list of initials and
dates. "Every time the Center is
opened or closed, it goes on this record." Blaine showed the
record to Eileen. Eileen took it and glanced down the list. Most
of the initials were AB. Arthur Bailey. She put the sheet with
her notes. "I'll keep this for a
while," she said to Blaine. "There might be something
here." "You're dismissed, Airman,"
Blaine said to the young guard. The guard saluted and sighed and
headed down the hallway. They opened the door and
walked up the sloping hallway to the Gaming Center. Only a few
lights were on. The screen-saver pattern whispered on all the
computer screens. Blaine left Eileen at the door and went to turn
on the lights. Eileen looked at the room,
feeling as if she was being watched. Probably those damn
screensaver patterns again, with their spiderweb images. Or maybe
she just knew the Center had a secret. After five minutes in the
television studio, Eileen stopped Blaine. "Look," she said. "You don't
even know how to turn on the power to these boards, much less how
to play the tapes back. Just stop messing with it and call one of
those Gamers over here." Blaine looked up from his
seat in front of the console. He looked stubborn for a moment,
then relented. "Okay, I guess I don't know
how. I swear I've watched it a hundred times, when they have
demonstrations in here." Eileen watched as Blaine
picked up the phone, feeling satisfied. Now, why was she
wondering if Blaine would call over Joe Tanner? She smiled and
dug in her pocket for one of the spare toothpicks she'd swiped
from the Omelet Parlor. "Art? This is Major Blaine."
Eileen grinned to herself and peeled the wrapping from the
toothpick. Now, this was interesting. What was it about Joe
Tanner? Not just that he got her a cup of coffee. Perhaps because
the gift was so thoughtful. And his innocence seemed so strong.
It couldn't be his looks. If it were just looks, Eileen would be
thinking about the gorgeous 'Berto. Joe Tanner intrigued her
somehow. He had to be the murderer. He had the best motive: Terry
had basically killed his girlfriend. "What are you smiling at?"
Blaine asked. "You look like you're holding a conversation with
somebody." "With myself," Eileen said.
"Being a civilian, I can do that. I even talk to myself
occasionally." She showed her teeth at the Major and inserted the
toothpick in the corner of her mouth. "Art Bailey is coming over,"
Blaine said after a moment of frowning at her, which she
steadfastly ignored. "Okay." There was silence as Eileen
looked over the darkened room. She stared at Terry's door. She
looked at the cameras. She studied the way the lights were set
into the ceilings, the way the doors were hinged. She ignored
Major Blaine. She thought, and tried to ignore the little voice
that kept asking her how she was going to solve the murder when
she didn't even know how it had been done. Central Intelligence Agency,
Langley, Virginia Lucy Giometti was unloading
a grocery bag full of food into her desk drawer when Mills walked
into her office. "Good morning," she
said. "What's the
latest?" Lucy sighed. He couldn't
even say good morning. She kept on unpacking food. She'd thrown
up twice that morning already and she didn't feel very well. The
double beef burrito on the way home last night was pure ambrosia,
though. She'd slept soundly all night. "Well, I don't think the
Guzman murder was planned by Tabor or his buddies. And that's my
opinion only," she added. She sat down at her desk and started
keying into her computer systems. "I'll get you a whole report as
soon as I'm finished." "I appreciate it," Mills
said, and without another word he turned and left her office.
Lucy sighed and watched her computer software assemble itself on
her screen. She pulled open the desk drawer and contemplated the
bright packages within. She'd make it through this day too, she
thought. When would that baby stop making her sick? When her computer systems
were ready Lucy pulled up the file she'd started on George Tabor.
She picked up the phone and dialed the animal shelter in
Denver. "Humane Society, this is
Debbie," said a cheerful woman's voice. "Hi, I'm wondering if you
could do me a favor," Lucy said. "I'm looking for a dog, a
springer spaniel?" "We have one here," Debbie
said. "But she wasn't lost, she was left for
adoption." "Did the person who left her
tell you her name?" "Well, I think so." She
sounded eager. "We write them up by the kennel doors. Hang on
just a second." Lucy held the phone to her
ear and typed busily, opening connections to the different
computer databases that might give her the information she
needed. Faintly, she could hear the sound of dogs wailing. She
wondered if one of the howls could be Fancy's. "Hello?" "I'm here," Lucy said
promptly. "Her name is Fancy," Debbie
said, and Lucy felt the rush in her blood. She was
right! "Thanks so much," Lucy said
warmly. "Would you like to adopt
her?" Debbie said eagerly. "She's so beautiful, and adult dogs
just aren't adopted very much. She's only got three
days." Lucy felt the flush of
victory turn to embarrassment. "Well, er, no, I
mean— No." "Oh," Debbie said. "Then why
did you call?" "I was looking for the
person who left her," Lucy said, and winced at the lameness of
her explanation. She waited for the questions, but there were
none. "Okay," Debbie said,
disappointed. Lucy hung up the phone after
saying her good-bye. She sat for a moment, then turned to her
computer screen.
14 Gaming Center, Schriever Air
Force Base The Center door opened and
Art Bailey stepped through. He looked better today. His skin was
more ruddy and his shoulders were squared. "Good morning," he said.
"Jeff wanted me to come over and set up the films for you. And
I've forgotten your name." "Eileen Reed. Do you call
everybody by their first names?" "The SecDef was here once.
The Secretary of Defense. I didn't call him by his first
name." Eileen looked closely at
Art, but the bland face was unreadable. "I think I'll be okay here,
er—Jeff," Eileen said, smiling. "I
have your number, so I can call if I have questions?" "That'll be fine," Blaine
said. Eileen expected him to be a little upset, but he looked
relieved. "I have a lot of phone calls to make. Feathers are
flying from here to D.C. over this." Art sat down at the studio
console and gestured for Eileen to take a seat next to
him. "Joe said he showed you the
pick-and-draw capabilities yesterday," Art said. He showed Eileen
the tape machines. "Here's the Eject button, just like your VCR.
Play, Rewind, Fast Forward—you can do it all from the
machines. But you can do it better on the computer console,
here." Art flicked a switch. "Joe showed you these buttons? Yes?
Here's the key to display time and seconds. We hardly ever use
that, but I imagine you might need it. There are four tapes
usually made, and we didn't make it to number four yesterday."
Art grimaced and stopped for a moment. He looked around him as
though lost. Eileen knew the feeling. The fact of a death keeps
sneaking up on you at the oddest times, and all you can do is try
to turn your head with the blow and keep on going. Eileen watched
Art shake his head a little and keep on going. "Uh, okay, so you have three
tapes." "When did the tapes
start?" "Exactly twenty minutes
before Game start. That way we record people as they enter the
Gaming Center, as they take their places, and that way we also
record the Gamers, that's us, take our places in the rooms. We
started taping before Game start when an Air Force colonel
accused us of cheating. He thought we 'canned' the simulation. As
though we always had to launch weapons at a particular time to
make everything work out right. Like a video game instead of a
real simulation. We had him play the game any way he wanted to.
You launch at six p.m., your Bombers take longer
to scramble because more people are eating supper. We really
simulate all of that. It was fun to make him accept that this
wasn't some big canned demonstration. He thought he was being
smart when he played Colonel Olsen's position. He launched a
preemptive strike at the Soviet Union, and they responded with
subs—" "The Soviet
Union?" "Oh, this was a while ago.
Before we got the Brilliant Pebbles up in orbit and really
started wringing this Star Wars stuff out. Anyway, the
Soviets—that was me at the
time— launched back with subs and a
massive follow-on, and we toasted the Earth. Complete lava." Art
laughed cheerfully. "He knew he was beat. We couldn't have read
his mind and known what he would do. It had to be a real
simulation. Now he's in D.C. and he's our biggest salesman out
there." Art sobered abruptly. "Well.
Anyway. You'll see everyone enter their rooms. Terry,
too." "You've had overnight to
think it over," Eileen said. "How do you think it
happened?" "Aren't I a potential
suspect?" Art asked, with a sidelong glance at Eileen. "Should I
conjecture? I was worried last night because if I Figured it out,
you might think I did it." "If you figure it out, I
might think you did it," Eileen said levelly. "I think everyone
did it until proven otherwise. I'm not the judge or the jury. All
I do is collect evidence and try to make a good arrest. I'll make
a good arrest." Art nodded. "That's good
enough for me," he said. "I just don't want to be arrested. I
don't want to lose my clearance. I know I'd be proven innocent,
because I didn't do it, but I don't want to lose this job. I
really love it." "I'll arrest the murderer,
Art, if I can. Not anyone else. Now, how did she die?" "I don't know," Art said
heavily. "I can't figure it out either." Eileen sighed. Was Art
trying to annoy her? Probably not. Art might figure out the way
it happened, so he was clearing the avenues of communication to
her. He didn't know that Eileen had been holding her breath,
willing to promise anything as long as somebody could tell her
how the murder had been done. "Well, if you do, let me
know, okay?" "Sure, Eileen. I'll be
thinking about it all day. That's all I've been thinking about
all night," Art continued grimly. "I'll be at my desk. Oh, hey,
you want music? I can show you how to work the CD
player." "No, thanks, I can't
concentrate with music on. But thanks." When the door closed behind
Art, Eileen breathed a big sigh of relief. She turned to the
console. After a moment or two of study, she thought she might be
able to make it work. She picked up the mouse, swirled the little
arrow on the screen around a couple of times, and picked 1 under
tape. Then she
picked Play, and sat back in the big chair to watch. Central Intelligence Agency,
Langley, Virginia Lucy saw the tiny flashing
lights when she returned from a trip to the bathroom. She'd
brushed her teeth and bathed her face, but she still felt
horribly weak. Tiny beads of perspiration stood in her hairline.
The lights caught her eye, and in an instant her wretched stomach
was forgotten. The flashing lights were atop a tiny cartoon
police car, parked at the bottom of her screen. She knew what that meant.
She'd set a search program, called a search engine, to scan all
news reports from Paris for any reference to George Tabor, or any
dead bodies found, or any muggings. It was a very wide scan. Lucy
had even included a search for any missing dogs or dog-related
stories. The cartoon police car had driven across her screen and
skidded to a stop, leaving cartoon skid marks on her screen, to
alert her that a story containing one of her search elements had
been found. She felt a moment of regret she'd missed the little
car; she thought it was really pretty hilarious when it skidded
across the screen. Lucy dropped into her chair
and clicked on her Paris icon. Associated
Press POLICE CONFIRM DEATH
OF AMERICAN
BUSINESSMAN PARIS (AP)—Police confirmed the death of an
American businessman, George Travers, found at the bottom of a
rubbish Dumpster in a Paris alley. A transient searching for
aluminum cans found the body at approximately 10:30 local time.
Travers' body had been robbed and he was apparently the victim of
strangulation. He was identified through the hotel staff where he
was staying. His room was undisturbed. Lucy had her fingers at her
temples and realized vaguely that the tips of her fingers were
wet with sweat. George Tabor was dead. Travers was his alternate
set of identification. He'd been murdered so quickly, it was
chilling. Lucy knew he'd carried something out of the country and
it had to be something from the Missile Defense program. How
sensitive was it? Why had George been murdered? He was a valuable
agent, a spy with a lot of successes under his belt. Most large
organizations would be happy to welcome George into their ring.
He would be an asset. Unless the organization
George dealt with didn't like him. Or didn't like what George
was. Lucy massaged her temples. Perhaps there was
something in the CIA files on George's contacts. She had to get
access through Mills to see those files, though. Lucy sighed
heavily. She dug a package of crackers out of her desk and forced
herself to eat five of them before she went to see
Mills. Gaming Center, Schriever Air
Force Base The room was crowded and
noisy. Eileen could not see Terry Guzman. Joe Tanner stood in his
rumpled navy suit, talking to a colonel; Eaton, wasn't she?
Arthur Bailey was already in the little room that he shared with
Joe, the Truth Team room. Eileen noticed a poster of national
flags hung on one wall, and smiled, thinking of Joe playing a War
Game where England was the enemy. Art was sitting in front of his
console, looking intently at the screen. Nelson Atkins stood with
Colonel Olsen and Major Blaine. The premurder Blaine was relaxed
and confident. He slowly ate a chocolate donut and licked his
fingers clean afterward. Nelson looked nervous. He picked at the
hairs on his arm and kept looking around with darting, birdlike
movements. Lowell Guzman was in his tiny room. His headphones
were on and he was flicking switches on his communications set, a
square wooden box lined with brightly lit buttons. He kept
tapping at his mike, as though it weren't working. Eileen looked
into the next room. It was empty. Terry Guzman walked into the
Center. From Sharon's story, Eileen expected her to be there
already. Perhaps she'd been to the bathroom. Her lipstick was
fresh and peach-colored. Her suit was pale green. She was
stunning. Eileen fumbled for a moment before she managed the
Pause button on the tape. Terry stood, vibrantly alive, frozen on
the screen. The lines of discontent were there, but the way she
held herself made such tiny details irrelevant. Eileen pressed
the Play button. Terry walked to Major Torrence, the Ground
Weapons commander, and started speaking. Her voice was lost in a
dozen different conversations. Eileen would capture her
conversation later, as Tanner showed her. Right now she wanted to
absorb the whole scene. The murder scene. These were the last
minutes of Terry Guzman's life. Terry smiled and spoke to
Major Torrence. She touched her brown hair, shifted from one
round hip to the other, threw her head back, and laughed. She was
holding a notebook in one hand. She held herself like a young
girl, light on her feet, her chin proudly level on the slender
neck that was only just beginning to show the signs of age. The
lights dimmed, and Terry made a smiling farewell to the Major.
She strode toward the room in measured, even strides, swinging
her pretty fanny just a little. As she entered, she did not look
back. She examined her console, picked up her headset, and sat
down in the chair. Eileen could see every inch of the tiny cube.
The door swung outward, not in. No one could be hiding behind the
door. The console table was a spindly affair, a platform on a
single stalk of a leg. No one could be hiding behind the console
table. Besides, even if they were, how would they then get out?
Terry checked her microphone." A person walked in front of the
cube, blocking Eileen's view for a moment. Terry was now taking
off her headset. She came to the door. Nelson Atkins walked to
her and spoke to her for a moment. She nodded, and Nelson swung
the door shut. Eileen leaned back and
breathed. She hadn't realized she'd been holding her breath until
now. She rubbed a cold hand on her forehead. Terry would not come
out of that room alive. She found the mouse key and
pressed Rewind. The rest of the audience had been a blur. It was
time to see what everyone else was doing. Eileen opened her
notebook and read down the list of names. Besides the Gamers,
there were twelve audience members and the Command Team, Major
Torrence, Colonel Olsen, and Colonel Eaton. Major Blaine told her
the audience was in full sight of the cameras for the full hour
and a half of the Game. She would check on that. Right now,
Eileen added a name to the list. Terry Guzman. She put a check
mark next to the name. She had watched her on the tape. After a
moment, she made two columns on the paper. The first column she
titled "Watched on Tape." The second column she titled "Listened
on Tape." The machine made a whirring
noise and stopped. Eileen pressed Play. Paris, France Muallah stood on his
apartment balcony, breathing the muggy air of Paris as though it
were the finest morning breeze from the desert. He looked at the
teeming city around him as though he already stood on the balcony
of a palace, looking at his subjects. They would be his
subjects. "Prophecy is the Lamp of the
world's light; But ecstasy in the same
Niche has room. The Spirit's is the breath
which sighs through me; And mine the thought which
blows the Trumpet of Doom." Muallah savored the words,
repeating them slowly. Al-Hallaj had said those words in Baghdad
in 922, before he was executed. Some said it was a prophecy
fulfilled when the Ottoman Empire collapsed. Muallah knew
differently. The prophecy was yet to be fulfilled. The prophecy
was speaking about him. "Mahdi," Ali said quietly
behind him. Muallah waited a moment and
then turned to see Ali waiting patiently. Ali would wait until
darkness fell, until Ali shriveled and died from lack of water,
until Muallah was ready for Ali to speak. All Muallah's people
felt this way about him. This was one of the reasons Muallah knew
he was touched by Allah. This was one of the reasons Muallah knew
he was the One of the Prophecies. "Yes, my Ali?" Muallah said
gently. "Achmed has a transport,
Mahdi. A four-wheel-drive Mercedes, but old and battered as you
requested. They await us in Mashhad. I have purchased our plane
tickets. Will you see them?" "I trust they are good,"
Muallah said with a wave. Ali's face flushed with pleasure. "Have
Sufi pack our things. We shall not return here." Muallah turned away and
contemplated the city again. The Trumpet of Doom was a prophecy
not for the fall of the Ottoman Empire, but for the fall of the
Western Empire. It was time for the rebirth of the Arab Empire.
Muallah had worked and waited many patient years, waiting for the
right information to fall into his hands. At last the foolish
American-Russian had given him what he had to have. The dead spy
had delivered to him the location of the Trumpet. Fouad Muallah would blow the
Trumpet of Doom, as the prophecy had said. Out of the ashes of
the Western Empire the Arab Empire would be reborn. Muallah would
be the One of the Prophecy, the Emperor. He drew a deep,
satisfied breath and recited the poem again, savoring the words
as they flowed off his tongue in gorgeous Arabic.
15 Gaming Center, Schriever Air
Force Base The tape was in the pre-Game
stage. Eileen was watching Lowell Guzman, who casually took a
sprinkle donut and ate it. Weren't the sprinkle donuts reserved
for the memory of Sully? Eileen knew they were. An eccentric
memorial like that was unforgettable. Yet there was Lowell,
eating the Holy Donuts. Odd. The door to the Center
opened. The real door, not the one on the tape. Someone was
coming into the Center. Eileen fumbled for a moment before
pressing Pause on the recording. She turned. The person who stepped
through the door was the tall, gray-haired Game Director. Eileen
thought for a moment and then came up with the name. "Nelson Atkins?" "Yes, you remembered,"
Atkins said. He was more composed than he had been the day
before, although the skin around his eyes was pouched and webbed
with stress. He was wearing slacks and shirt and a Western-style
string tie. The tie clip was silver and turquoise and looked
Navajo. It was a handsome piece of jewelry. "That's my job," Eileen
said. She stood up to shake Atkins's hand. "I don't want to bother you,
I just wanted to make sure you have everything you need," Atkins
said. His grasp was firm and dry. "Art helped me set up the
videotapes," Eileen said, and gestured to the control panel
behind her. Atkins nodded. "Good. I figured he would. I
brought the personnel files you wanted." Atkins held out a bulky
accordion folder. "These aren't classified, but they are very
personal, so if you'd be careful with them—" "I will, thank you," Eileen
said. "Can I do anything else?"
Atkins asked. "I know we're all suspects, even me. I want to help
if I can." He held out his hands in an open gesture. Eileen
noticed they were big hands, and they looked familiar. Eileen
recognized after a moment the calluses that could only come from
horseback riding. Atkins's hands looked like her father's
hands. "No, I don't think so." As
Atkins nodded and turned to go, Eileen said, "Wait. There is
something." "Sure," Atkins said. "What?"
There was no hesitation, no furtive guilt or telltale dampness
around the forehead or upper lip. If this plain, sturdy man was a
murderer, he was hiding it very well. "Why is a clearance so hard
to keep? Art just mentioned it to me a few minutes ago, and you
told me yesterday if I arrested someone they'd lose their
clearance." "Jeff Blaine told me you
were in the military," Atkins said. "Didn't you have to worry
about them there?" "Not really," Eileen said
wryly. "You really had to screw up big time to lose your
clearance in the Air Force. Drugs, conviction. Arrest wouldn't do
it, or every Saturday night a dozen airmen would lose their
clearances." "Not in the civilian world,"
Atkins said. He put his hands in his pockets and leaned a big
shoulder against the door frame. "If you get too deep into debt,
you're out. They run a credit-card check yearly." "Who does?" "The DIA. Defense
Intelligence Agency. They do civilian clearances. If you have too
much drinking, any drugs, any arrests, any big financial
problems, you're out. Still, though, we have those spies like the
Walker Ring, or Aldrich Ames. They do a lot of damage, selling
secrets." "I know they do," Eileen
said. The hatred against spies ran deep in any pilot or soldier.
Eileen knew if she'd had to fight in her plane she'd be going up
against technology that was stolen from her own country. There
was nothing worse than a spy. Eileen felt that they were the
worst of thieves, stealing from a whole country instead of just
one person. "We hate them too, here,"
Atkins said. He jingled the change thoughtfully in his pocket.
"After you play a few War Games and lose, you don't mind the
background checks so much. I don't think anyone
minded." "Are those background checks
in these folders?" Eileen asked. Atkins shook his head.
"Those are kept at DIA. I suppose you could get them from DIA.
I've never seen them, myself, not even my own. I wouldn't want to
see them. They get really personal." Atkins looked away, into the
Gaming Center, where the screens whispered with their spiderweb
pattern, repeating and repeating. His eyes looked sad. "I wonder
what happened to her," he said, and Eileen realized Atkins was
looking at Terry's door. "I wish I knew." "Me too," Eileen said. "I
appreciate the files." "Okay," Atkins said. "If you
need anything, let me know. I'd appreciate if you'd keep the
files with you until you can give them back to me personally. I
wouldn't want anyone else seeing them." "No problem," Eileen
said. After the door swung shut,
Eileen sat down with a huge sigh, the folder in her hands.
Nothing about Nelson Atkins betrayed anything but the most
profound innocence. She looked at the folder.
She could go over that later. Right now, the tape had barely
begun. Eileen found the proper button and pressed
Play. Joe Tanner: "Art, pal, we
better not hit that packet problem during the big
follow-on." Art Bailey: "We won't. Don't
worry. You better worry about that racquetball tournament you and
Meg are playing next weekend. I'm not looking after the kids all
day to have you guys lose, you know." Joe Tanner: "Win or lose,
we're still expecting supper. It better be good, too." Art Bailey: "Pizza is always
good. Close the door, it's time." The door closes upon
them. Roberto Espinoza: "So we
have the church retreat in two weeks, and I don't care what
happens here, I'm going to make it this summer. A week of fishing
and praying and hiking—" Doug Procell: "That sounds
great. I don't know about the praying, but the fishing and hiking
parts sound good." Roberto Espinoza: "You'd
like that too, I bet. It's very spiritual. Plus, the North Fork
runs right through the retreat grounds and it's private
fishing." Doug Procell: "Ah, man. You
dog. Wouldn't you know it, private fishing. I'd be taking a
retreat about once a week in the summer, eh?" Roberto Espinoza: "Prayers
and the right fly, works every time. Hey, let's go. It's show
time." They go into their rooms,
and the doors close upon them. Sharon Johnson: "Yes, I'll
be done with my class in another week." Nelson Atkins: "So how is it
going?" Sharon Johnson: "It's a
tough course, but I think I'll do okay on the final. It seems to
take so long, but I'm getting there. I have to go now, I need to
check out my headset." Nelson Atkins: "All
right." The door closes upon
her. Lowell Guzman, on the sound
system: "Art, can you hear me?" Arthur Bailey, on the sound
system: "Loud and clear, Lowell. What's up?" Lowell Guzman: "I was having
trouble with my headset, but it seems to be okay now." Arthur Bailey: "Sounds good
now." Lowell Guzman: "All right,
then. I'm almost ready." The door closes upon
him. Nelson Atkins: "We'll be
starting in a few minutes." Terry Guzman: "I know that.
Thank you." Nelson Atkins: "I just
wanted to make sure you were comfortable." Terry Guzman: "I'm fine and
I won't screw up. Is that what you were trying to say,
Nelson?" Nelson Atkins: "Terry,
now—" Terry Guzman: "Don't worry,
Nelson, you'll give me a complex. You know I'll do great, I
always do, don't I? Now, quit hovering and get on with
it." The door closes upon
her. Fort Rucker Army Base,
Alabama "What do you mean,
canceled?" Stillwell asked. He'd been waiting for so many hours
in the plastic chair, his butt was beyond numb. Nobody told him
anything, just asked him to wait, please, sir. Now it was past lunch and
the flight sergeant finally let him know the Chinook was not
leaving today, in an absent-minded manner that left Stillwell
wanting to choke him senseless. "What about another
transport?" Stillwell asked, gritting his teeth. "No available spaces, sir,"
the sergeant said. "You'll just have to come back at dawn
tomorrow, sir. I'm sure she'll be ready for takeoff
then." Stillwell gave up. He'd been
in the Air Force long enough to know when to surrender to
bureaucracy. Whatever was out in Colorado Springs would just have
to wait another day for Major Alan Stillwell. Gaming Center, Schriever Air
Force Base Eileen stretched and sighed.
Terry's voice was husky and teasing and very cold. She looked at
her list of check marks. All the Gamers were covered. Now it was
time to see who left the room during the game. She leaned forward
to pick up the mouse again and the phone rang, startling her. It
rang again, and she shrugged and picked it up. "Miss Reed?" "I thought you called
everyone by their first names." "You and the SecDef, I
guess." Art laughed. "I was wondering if you wanted some coffee.
Joe mentioned it. So we tried to figure out if offering you
coffee would mean we were sucking up to you. Then we decided,
screw it. Want some coffee?" "I would love some," Eileen
said gratefully. "If you poison it, then I'll know you're the
ones, right?" "Well, your replacement
would," Art replied cheerfully. "I'll be right over with a
cup." Eileen put the phone back in
the cradle and grinned at it. "Send Joe," she said to the dead
line. Art brought the blue mug and
a white carafe. "Only the best for our women
in blue," Arthur said. He put down the carafe and expertly poured
a cup. He handed it to Eileen and perched a hip on the edge of
the table. "I know how it could be
done, if I weren't here and didn't know it didn't happen that
way. Does that make sense?" "Sure," Eileen said, and
sipped the coffee. As excellent as yesterday's. "Someone hides in the room.
Somehow. Okay, the room is too small. But let's say. The door
shuts, murderer kills her as soon as she puts on the
headset." "How does murderer
exit?" "In the confusion
surrounding the body, the murderer steps from his hiding place
and becomes one of the horrified crowd." "Nice. I saw it on
late-night TV last week," Eileen said dryly. "Me too," Art said, and his
shoulders slumped. "Besides, I was there. There wasn't anyone in
the room." "I've been watching the
tapes. I've zoomed in so close, I can see a stray hair fall from
Terry's back and land on the carpet behind her.
Nothing." "I could explain it in a
Star Trek episode," Art said glumly. "A mysterious
creature that could blend into the walls. I don't
know." "I want to know too. There's
got to be a way. There was a way. Thank you for the
coffee." "I wish I weren't a
suspect," Art said quietly. "If I could be here, watching the
tapes, I might see something—" Eileen shook her head no.
Art pinched his lip between two fingers. "Smart. I'd do the same.
Wish I had an alibi, though." "Believe me, so do I,"
Eileen said. "So do I." As the door closed behind Art, Eileen
turned back to the machine. It was time to move beyond the Game
start and see the discovery of the body. She wrote the time of
Game start in her notebook: 7:57 a.m. "They started early," Eileen
murmured to herself. She poured another cup of coffee, and
pressed Play. Nelson Atkins
swung away
from the door, his hand to his mouth. He swung away from the
door, his hand to his mouth. He swung away a hundred times,
obeying Eileen's hand on the mouse key, until Eileen knew beyond
a doubt Terry Guzman was not being murdered as the door opened.
Her body was still and lifeless from the moment the door started
its swing. Nelson could not have stabbed her or shot the
screwdriver from some hidden device at the moment he opened the
door. She would be twitching. She would be hitching, breathing a
last breath, the headset falling from her head. Terry was
absolutely still. "Damn," Eileen said. She
rubbed her eyes. Was there any way to view the tapes that she'd
missed? She hadn't played them backward yet, but other than that
she couldn't think of another way to look at them. The phone
rang. "Lunch? Shrimp bisque is our
soup today. I never miss shrimp bisque." "Sure, Jeff," Eileen said,
feeling a ridiculous sense of guilt over calling a major by his
first name. "Lunchtime already?" "Lunch already. I'll be
right over. I'll bring a guard so we don't have to lock up the
Center." "Okay." Eileen hung up the phone and
turned back to the screen. Lowell was being dragged into his cube
by Sharon Johnson and Roberto Espinoza, his mouth a wide O of
confusion and despair. Art Bailey and Joe Tanner stood side by
side in their Truth Team doorway, looking with blank shock at
Terry's back. Colonel Eaton, the smooth and elegant Air Force
officer, stood with eyes round and wide, hands braced on the
table in front of her. The audience members, seven military and
five government civilians, sat in their chairs and held their
hands over their mouths like little children watching a scary
movie. Doug Procell looked
frightened. He looked behind his own back. He was the only one
who realized or thought there might be danger. He sat down
carefully against the wall of the Center and folded his trembling
arms. "Good acting, whoever you
are," Eileen said to herself. She realized she was tapping a
pencil against her teeth, and stopped. "Damn fine
acting." The door to the Center
opened. "Shrimp bisque," Blaine said cheerfully. "Lunch break.
Have you got anything?" "No," Eileen said
shortly. "Oh. Well. Let's go get some
food. Things always look better after lunch." Eileen gathered her
notes. Paris, France Muallah closed Sufi's
staring eyes with one gentle hand. She was a beautiful creature,
or had been. Her skin was still warm and soft, still fragrant
with the soap she liked to use. He was sorry to have to dispose
of her, but there was no way to bring her with them. He'd honored
her with one last visit from him, a last touch of his body to
hers, before he had Ali strangle her. She had fulfilled her
destiny and deserved that final gift. Muallah turned away. Ali was
just finishing up at the sink. He'd washed the blood from his
hands and his garrote, and was coiling it. His face was blank and
smooth, as always. "It is time," Muallah said.
Ali nodded, and Muallah gave a last glance around the apartment.
All was ready. The only things left were rubbish they did not
want to bring with them. Muallah squared his shoulders, feeling a
dizzying sense of excitement. The waiting was over. It was
time.
16 Schriever Air Force
Base The shrimp bisque was as
incredible as advertised. Eileen went back for another bowl. The
cook, a tall, cheerful-looking young man, smiled over the steam
table at her. His hair was black as a crow's wing and fell over
his forehead. "Nice, eh? One of my
best." "Delicious," Eileen said.
"What are you doing out here? You should be a chef
somewhere." "I'm working regular hours,"
the man said. He wiped enormous hands on his apron and walked
over. "You the detective, eh? Going to tell us who murdered
Terry? Nice to meet you." They shook hands. "I work here because they
pay me as well as a fancy restaurant. I get to cook for all the
uppity-up military types that come out for the games. And I go
home at five o'clock, instead of going to work at five o'clock.
Can't beat it. John Wells, by the way." "Eileen Reed. Thanks for the
soup." "Find that bad guy. I don't
like thinking this place has a bad guy, eh?" "I'll do my best, John,"
Eileen said, and found her way back to her table. She noticed Art
Bailey and Joe Tanner sitting a few tables away. 'Berto joined
them with a full plate of food. Joe's tray contained the remains
of a salad. Eileen smiled. Art glanced over and waved a bit
nervously. 'Berto and Joe also nodded, 'Berto with his shy pretty
smile and Joe grave and unsmiling. "The great detective
contemplates the suspects," Eileen said gloomily, crumbling her
crackers into the soup. "I'm probably ruining their lunch,
looking over at them." "Maybe," Blaine said, wiping
his mouth. "We've never had a murder out here before. No one
knows what to do or how to act. I think—" Eileen never did find out
what Blaine thought. There was a gasp and a half-smothered shriek
from the tables by the windows. Eileen was out of her seat
without thinking, her hand reaching for her gun, and because she
was standing she got the best view out the window of an eagle
sweeping down for a second blow on a prairie dog. The fluttering
shadow of the first, missed strike was what brought gasps from
the tables nearest the windows. The eagle stood on the grass
with wings extended, less than ten yards from the windows. The
cafeteria was set at the edge of the developed portion of the
base. Wild grasses grew to the distant fences beyond the
glass. "Is that a hawk?" someone
said in a wondering voice. Eileen crowded to the windows with
everyone else in the cafeteria. They stood watching the huge bird
as it looked around, mouth open, fierce eyes blinking. "That's a golden eagle,"
Eileen said. "What's it doing out here?" "It can't see us," Joe
Tanner said at Eileen's side. She looked up at him. He was quite
a bit taller than she was. His face was rapt. His eyes were
shining like a child's. He was crowded close to her in the press
of people at the glass, and she got a clear whiff of
aftershave. "An eagle," someone else
said softly. "Wow." "The glass is polarized. It
can't see us through the glass," Art Bailey said. The eagle glanced down at
the tan body half-hidden in the grasses, and shifted its talons
back and forth. Twenty people stood
watching, silent and delighted. "I thought eagles had white
heads?" "That's a golden eagle.
They're larger than bald eagles," Eileen said. "We have them back
home. They love those prairie dogs." "They've been getting mighty
fat without any coyotes in here to eat on them," John Wells said.
The cook was standing at the back of the small crowd, wiping his
hands on his white apron. He looked as excited as everyone else,
like a child who has been given an unexpected present. "I bet
that bird decided those critters were just too fat to pass
by." "I wonder if it will nest
here?" Joe asked no one in particular. A half-dozen murmurs
answered him, and sighs. "When the prairie dog is
dead, she'll carry it off," Eileen said. "Sometimes they have to
wait, because the strike doesn't kill right away." As if the eagle heard
Eileen, she raised her wings sharply and looked around. The
talons shifted, found another grip, and with a powerful spring
the eagle rose into the air with the prairie dog dangling
below. The crowd at the windows
said "Aaah" in unison. The eagle dwindled, became a speck, and
disappeared into the sky. Excited chatter burst out as people
turned away from the window. "Show's over," Blaine
said. "Wasn't that incredible?"
Joe Tanner said to Eileen. "Wasn't she beautiful? Do you think
she was a she?" "Yes, I think she was a
she," Eileen said. "Males are smaller. Maybe she'll hunt here
more, if those prairie dogs are as fat as John says." "I hope so. I was going to
ask the boss what he was going to do about them. Those prairie
dogs'll move right into the storeroom if we don't slow 'em down,"
John said. "We can't poison 'em, they're on federal property.
Protected. Wasn't that pretty?" "Let's go, Joe," Art said
fondly. "You freak. We're going to be late for the
meeting." '"Bye," Joe said to Eileen.
He looked embarrassed, as though he had just remembered who she
was. "Thanks." "Sure," Eileen
said. For a moment she and Joe
Tanner and the others had been simply people watching something
extraordinary together. She wished the moment had lasted longer.
She wished the prairie dog had put up more of a fight. She smiled
at herself in mockery. "You ready?" Blaine
said. "I need to find a phone,"
Eileen replied. "I have to call my boss." Harben's voice on the phone
line was chilly. "You going to spend all day
out there? You haven't started the Pendleton case
yet." "I've got a lot to do
here." "I'm sure you do. Try and
make it back before six o'clock. I want to discuss the case with
you." "Shall I bring
dinner?" "Very funny. No, I brought
my own supper today." Was there the ghost of a smile in Harben's
voice? "Bring whatever greasy concoction you wish, but be here by
six, please." "I expected candles and
music," Eileen said, and hung up before Harben could respond.
That was the only way to win. "Ready to go back up? You
know the numbers now?" Blaine asked as Eileen turned away from
the phones. "Yeah, I'm ready. I'll be
leaving about five-thirty or so. I have a meeting with the
Captain at six." "Leave at five or you'll be
late," Blaine advised. "It's a longer drive than you
think." "Okay," Eileen said
absently. "Thanks." Central Intelligence Agency,
Langley, Virginia Lucy munched thoughtfully on
a Hostess Twinkie. She licked whipped cream from her upper lip.
The files were all on-line, including the pictures and the maps.
George Tabor was terrific. He'd been trained and installed by the
GRU, the military branch of the KGB, and at the fall of the
Soviet Union had somehow managed to position himself as a
freelance spy. One of the FBI agents had
even ended up going to bed with him, and her report was
unblushingly specific. She hadn't been ordered to sleep with him,
she'd just ended up there. George was so darn American. He
was romantic and full of laughter. The FBI agent had been
reassigned immediately after the report. "Yeah, no shit," Lucy said
to herself. She grinned around the Twinkie. The female agent had
not been able to find any proof that George Tabor was the spy
they all knew he had to be. George was so deeply undercover there
was nothing the CIA or FBI could do but watch him and hope he
made a mistake. Lucy moved on to the foreign
files, the CIA-gathered intelligence on the buyers. There were a
surprising number from half a dozen countries. Missile Defense
information was hot. Lucy clicked her tongue. The Germans?
That seemed odd. The Americans were so tightly allied to the
Germans, they would probably give the Germans defensive
systems once they were made public. Lucy looked up Mr. Johann
Wulff. No picture. His profile was sparse. Wait a
minute. Lucy leaned forward. The
last known location of Mr. Wulff was Paris, France.
Paris. "I think we have our last
contact," Lucy murmured. "Who are you, Mr. Wulff? Inquiring minds
want to know." She reached for the
phone. Gaming Center, Schriever Air
Force Base Eileen figured out a way to
follow a person through the course of the Game. She drew a blue
colored box around them with the computer keys and pushed the
Fast Forward key. Eileen could then lean back and watch the box
as it followed the movements of the person. She played the tape
quickly for all twelve audience members. That didn't take much
time. None of them got up during the Game. Eileen checked off
their names as she watched. Every audience member, the seven
military and five civilian, were seated safely in a chair from
the moment Nelson closed Terry's door to the moment he opened
it. The Commanders, Eaton,
Torrence, and Olsen, were clean as well. Olsen paced nervously
back and forth, which made the blue box hop and jerk along with
him as the tape ran on Fast Forward. He never left the
Commander's area. Eaton and Torrence didn't get up from their
chairs. Nelson Atkins left his room,
presumably on a bathroom break. He monitored the communications
equipment and the links to the other military centers from his
room, or so Eileen gathered from listening to his conversation
with Art Bailey. Eileen noted the time when Nelson left and the
time he returned. Six minutes, forty seconds. Time
enough. Major Blaine, who wasn't
assigned a position during the game, was in and out of the Center
a half-dozen times. Either man, Atkins or Blaine, could have
committed the crime when they were absent from the Center. But
how could either one of them have killed Terry Guzman when they
were off camera? The only way in or out of Terry's room was
through the door that was on film. The other Gamers were off
camera too, locked in their small rooms. Eileen felt a lifting of her
heart as she thought of Joe Tanner and Art Bailey. They would
have to be in on the murder together, or both be innocent. Even
though they were both unseen by the cameras, they were together
in their small room until the murder was discovered. Eileen
didn't want either one to be the murderer. But how did the murderer get
into the little room? If the murderer was one of the Gamers, how
did the Gamers get out of their little rooms? Eileen stood up. What was
it? There was something— The phone rang. The hovering
idea vanished. Eileen cursed under her breath and picked up the
phone. "Hi, Eileen, this is Art
Bailey. I was wondering if you would mind me coming over for a
few minutes." "Why?" "Well, Joe and I both,
actually. We have to pull tapes from each of the Silicon Graphics
drives. It's part of the routine. They contain classified
information, and they were left there the day before yesterday.
We really need to get them in the safe." "All right." Eileen hung up
the phone and dropped into her chair. She started the tape
again. Art and Joe Tanner entered a
few moments later. Art lifted a hand, and Joe nodded gravely at
Eileen. She nodded back. In jeans and a sweatshirt, he looked
just right. He was fascinating. He was puzzling. Eileen watched
as Art moved toward the row of doors along one side of the room
and Joe started toward the doors on the other side. Terry's room
was taped shut. They looked over at the door and then looked
away. Joe glanced back at Eileen, perhaps feeling her gaze on
him. I'm the policeman, Eileen
thought as Joe turned away hurriedly. He isn't embarrassed
because a woman is looking at him. He's afraid because the
detective might think he's a murderer. Or he's afraid because he
is the murderer. She turned her eyes back to
the screen and set the button to Listen mode. "Did you and Art fix the BP
flare problem?" "We think so, Terry. There
was a network packet problem—" "I don't care what it was, I
just wanted to know if I had to come up with some sort of
explanation. I think I'll have one just in case, don't you
think?" Joe looked at Terry in a
calm, friendly way, as though he didn't understand the poison in
the woman's words. "Okay, that would be a good
idea. Just in case." Terry walked away, and Joe
betrayed himself with one tiny, telltale swallow, as though he
were trying to clear his mouth of something bitter. His face
didn't change. He turned back to Art, who was speaking to Colonel
Eaton. "Miss Reed?" Eileen jumped
in surprise. Joe stood at the door of the studio, looking
nervous. Eileen had a queer doubling feeling for a moment, seeing
Joe in front of her and on the screen at the same
time. "Yes?" She pushed the Pause
button on the monitor screen. "I brought you a pop. Doug
told me what kind you got yesterday, so..." He held out a pop can
to her. It was beaded with moisture and looked
wonderful. "You and Art sure take care
of me," Eileen said. "Thank you." She took the can from him and
popped the tab. "And thank you for the coffee yesterday. I really
appreciate it." "You're welcome. I sure hope
you find out who did it," Joe said. He leaned against the doorway
more confidently and brought his other hand into Eileen's view.
He had an open pop can in it, and took a sip. The sweatshirt he
wore was thick and green and had a wolf on the front. "Ski
Banff," the shirt suggested. "I hope so too. Did you
think of anything more since we talked yesterday?" Eileen asked.
She wanted to ask Joe if he'd ever skied Banff. She wanted to ask
him if he had had anyone special since Harriet Sullivan. She
didn't ask. What was wrong with her? If Terry had caused Sully's
death, Joe had the best motive she'd seen for the murder. The
only motive she could think of, as yet. "No," Joe said, and looked
down at his pop can. "Sharon said she thought
someone was writing Terry's code for her," Eileen said. She took
a sip. Joe looked up in surprise. "She told you that?" Joe
said. "I'm—well, I'm amazed. We've talked
about it, you know, because it just seemed like all of a sudden
her code got really good, but—" "She wanted to help. She
knows the little things can be important." Joe looked at the floor
again. "She told you about Sully,
didn't she?" he said in a low voice. "Yes," Eileen said. "Do you
want to tell me about her?" "No." "Did you kill Terry Guzman,
Joe?" "I did not," he said hotly.
"I did not. I hated her, but I wouldn't. I could
never." "I just want to know who
did," Eileen said. "That all the tapes, Joe?"
Art asked from behind Joe. "Can you bring them across for me? I
want my turn with the detective, here." "Your turn?" Eileen said.
She finished her pop. Art handed his tapes to Joe.
He took them and left with a brief, anxious glance toward Eileen.
Eileen raised the pop can to him in a small salute, then pitched
it into the corner waste-basket with perfect accuracy. A small
symbolic message for Joe Tanner. "Two points," Art said
admiringly, not understanding. That was all right with Eileen;
she was sure Joe did understand. "So what do you want, Art?
You figured out the murderer yet? I have to go in"—Eileen checked her
watch—"forty-five minutes. Gotta date
with the boss." "No, I haven't figured out
the murderer," Art said. "But I thought I would show you the
Gaming computer system and how it works before you go. Don't know
if it'll help or not." "Worth a try. I'm sick of
these damned tapes." Berlin,
Germany Muallah looked out the small
window of the airplane and watched the refueling trucks. He
schooled himself to patience. A private jet was out of the
question, however much it would have made the journey easier. The
helicopter that awaited them in Mashhad would satisfy his desire
for speed once they reached the northern Iranian city. From there
the helicopter would bring them into Uzbekistan, former subject
state of the USSR. Muallah had targeted
Uzbekistan more than two years before. He knew there were missile
silos somewhere there, and he knew the Uzbekistanis were more
Islamic than Russian in their loyalties. He'd thought that
Uzbekistan would be a fine place if he only had the exact
location of a missile silo. Uzbekistan was close to Iran, one of
the countries where Muallah was held in a certain ... affection.
He'd found plenty of help there for what the Iranians believed
was just another terrorist group. Muallah smiled, his fingers
resting lightly on his copy of the Koran. The Iranians meant to
use him. As did the Libyans and the Iraqis. None of the
governments were aware that Muallah was using them. When
they discovered their mistake, their own people would already be
Muallah's fanatic subjects, loyal to the death to the One of the
Prophecies. The one who blew the Trumpet of Doom would topple
governments before him like straws in the wind. "Allah akhbar,"
Muallah murmured, and
opened his Koran. He ruthlessly suppressed his excitement. The
time was coming, but it was not yet upon him.
17 Gaming Center, Schriever Air
Force Base They stood in the Truth Team
room. Art showed Eileen a screen full of little windows, each one
flashing and clicking. "I'm backing up the data
from the Cray to the Digital storage devices, basically just a
bunch of big machines with tape drives. The Silicon Graphics
computers are hooked into the network, but it would take too much
time to transmit all their data, so we just push it onto tapes
and store it. The whole system, the whole Game, is started off
from my console, right here." Art touched the mouse key
and brought a window to the front of the others. "This window would start a
program, which would call other programs on the Silicon Graphics
machines. These programs all talk to each other via messages,
across the network. So these computer programs are like people on
a party phone line, each talking away at each other. Say you have
a battle manager who wants to fire a Brilliant Pebble? He calls
up the Environment guy and says 'Hey, what's the weather like?'
Or sort of like that." "Okay," Eileen
said. "The Crays are our big
machines, they run most of the processing to figure out
intercepts, the weather, the time of day, everything else you can
think of. I'd like to show you one, if you would
like." Eileen had heard of Crays.
She didn't think the enormous supercomputer would have anything
to do with the murder, but she was curious to see one. "Sure," she said to
Art. "Okay, we have to leave the
Center for a few minutes. You want me to lock the
door?" "Yes, please." Eileen was
immediately suspicious. "Don't worry, Jeff changed
the combination yesterday. You want to leave for good, right now?
I'm not doing this well, am I? I mean, Jeff Blaine has the only
combination to this room. Nobody could come in here while we're
gone. But in order to get back in, we'll have to have the Major
back here." "No, you're not doing this
well." Eileen couldn't help but laugh. Art looked so crestfallen.
"But I'll tell you what. I will leave for good. That'll give me a
chance to pick up some supper." She bent and gathered her notes
into a pile. "That's all I need." "Okay, then," Art said
cheerfully, good humor restored. "Let's go see the
Cray." They walked down the sloped
hallway to the door. "Notice the slight slope to the hallway,"
Art said. "I did notice that. Why is
that?" "The floors throughout the
Gaming Center are raised a little bit, to allow the network
communications cables to run underneath the floor," Art said.
"The Cray has enormous cables, and the power cables to each of
those Silicon Graphics are also huge. In addition, the space
underneath is chilled and vents are put in underneath each SG, to
make sure they don't overheat. They—" He stopped. Eileen
stopped. "The floors are raised,"
Eileen said. "How do you get underneath the floors?" "The floors come up in big
metal squares," Art said. "You can raise the floors everywhere in
the Center. The carpets are designed to raise in big flaps, but
they're interlocked so you can't see how they come apart. But I
don't think there's room—" Eileen turned and ran back
into the Gaming Center. Art followed. Eileen stopped at Terry's
door, looking at the floor. Streaks of dust lay everywhere. The
chalk outline was oddly shaped, drawn around the chair where
she'd died. It didn't look like a human, just an irregular
blob. "The floor," Eileen said.
The carpeting looked solid and plush. "The carpet is cut into
interlocking squares. If you look at the pattern, you can almost
see it. The squares can be lifted up," Art said. "Then the floor
tiles can be raised. But I don't think you could crawl around
down there." "Could you enter this Center
from across the hall? From downstairs?" "No. The Center is sealed.
The vents are only so big," Art said, holding his hands a few
inches apart. "Let me get a suction tool, that's the way to lift
up the floor tiles. You want to go underneath the floor? I really
don't think you'll fit." "Yes, I do. But not from
Terry's room. I'm going to want prints from underneath that
tile." "He left prints on the
underside?" Art said doubtfully. "Maybe so," Eileen said
grimly. "I want to check out those vents. If no one can get in or
out of this Center, then . .." "Then what?" Art said. He
walked back to the television studio and returned with a metal
bar with two suction cups attached at either end. "This will
bring up the tiles. And here's a flashlight." "Then the person who killed
Terry Guzman was one of the Gamers," Eileen said. Art stopped,
and the suction tool drooped in his hand. The color drained from
his face. "No one else could have done
it. Every other person was in sight of the cameras. Unless the
film has been tampered with. I won't rule that out
entirely. "Whoever it was was sitting
in their own cube, one of the little rooms in the Center. They
lifted their own floor tile, crawled underneath the floor to
Terry's room, killed her, and crawled back. Then they pretended
great shock and amazement when her body was found. No one else
could have done it. It has to be one of the Gamers who were in
those rooms." "Oh, no," Art said softly.
"Oh, please, no." "You are still on my suspect
list, Mr. Bailey. Although you and Joe would have to be together
on this." "We could have done it, but
we didn't," Art said steadily. He held out the suction tool and
the flashlight. "But you shouldn't believe me, of
course." "I don't," Eileen said. "I'm
going to give Major Blaine a call, then I'll go under the floor.
I'd like to have you leave the area before I do this." "I understand," Art said.
Eileen took the metal tool and the flashlight from him. "You pull
the lever in the middle and that breaks the suction," Art
explained. "Those tiles are heavy, so be careful." "I'll be careful," Eileen
said grimly. Art turned and left the room
without another word, and Eileen sighed and scrubbed at her
forehead with her free hand. She could see Art in the witness
stand, with the same mournful innocent look on his face. She
could see Art in the electric chair. Art could be a murderer. But
it felt bad to mistrust him, just the same. "Major Blaine
speaking." "This is Eileen Reed, Jeff.
I need you to get the SID people back here. I need you to come up
here, too." "What did you find?" Blaine
said immediately. "I found out how it was
done. I need the print people. Get up here." Eileen hung up the
phone and clicked the locking mechanism on the suction
tool. "Here we go," she said to
herself. The carpet flap came up like
a jigsaw puzzle piece. The sturdy carpet pieces were laid across
a metal checkerboard of tiles. The tool sucked up against a metal
tile firmly, but it took Eileen a couple of tries to get the
heavy tile up and out of its metal frame. When the tile moved
aside, a blast of cold air hit Eileen in the face. The opening
was pitch black, and cold. Eileen made a little
whistling mouth but didn't whistle. She had never liked dark
places very much. The flashlight was powerful and the batteries
were fresh. The floor looked as if it was a good distance beneath
the layer of tiles. Huge gray cables snaked across the floor.
Bright red and blue lines twisted through the cables. The gray
cables looked like enormous snakes. "'Snakes, why'd it have to
be snakes,'" Eileen quoted to herself. She checked her gun and
looked around the room. Blaine would figure out where Eileen had
gone when he came in. Eileen had pulled up the floor tile
directly in front of the Center door. If Blaine didn't look down,
he'd fall right into the hole when he walked in. Eileen dropped into the
darkness. She crouched down, and only then thought perhaps the
murderer was waiting in the dark for her. That perhaps she should
have drawn her gun. She peered around in all directions and felt
her body prickle with sudden sweat. There was nothing but
cables, and thin metal columns that supported the frame that held
the tiles. Eileen swept the flashlight around in a circle. She
could see to the walls in every direction. The walls were
concrete, solid, pierced by cables and vents that were only big
enough to let a good-size rabbit through, if that. Eileen swept
again, more slowly, looking. There was no dust. The chilled air
started to cool the sweat, and Eileen began to feel the cold.
There were cables dangling from the metal framework, attached to
the Silicon Graphics machines above her. Eileen crawled forward a
few paces. The fit was fairly tight, but she could move around.
She'd found her murderer's pathway. "Miss Reed," said a voice,
and Eileen backed up. She looked up out of the hole to see Major
Blaine. "What are you doing?" Eileen stood up. "I found out how the murder
was done," she said. "And I found out it had to be one of your
Gamers. Unless—" Eileen looked around. "What if
the murderer were hiding in the floor? They could have gotten out
sometime yesterday, when no one was looking. You said all doors
weren't guarded? They were dead-bolted?" "Wait, wait, what's going
on? I don't understand. Explain." Eileen sighed and stepped
out of the chilly hole. She clicked off the
flashlight. "This is how the murder was
done. The murderer was either one of your Gamers, or someone
already here, hiding underneath the floor. Unless there was
someone here before the Game began, it has to be one of the
Gamers. They pulled up the floor tile in their cube, dropped
underneath the floor, and crawled to Terry's room. They came up
through a floor tile behind Terry, stabbed her, and then went
back underneath the floor. Get it?" "Got it," Blaine breathed.
"I got it." "Okay. If the killer was a
Gamer, they went back to their room, put on their gear, and
pretended everything was okay. If this murderer was another
person, when did they leave? Could they have left the room last
night, after everyone had gone?" "I understand now. But they
couldn't have. All the doors except one were dead-bolted from the
inside. The other one was locked and guarded. They were still all
dead-bolted this morning when I checked." Eileen stood looking at the
hole in the floor. She shut out Major Blaine and thought about
the possibilities of what she'd just discovered. She'd had this
ability since she was a child. Perhaps it had been born in her.
She could turn off all input and stand in a clean white room in
her head, arranging puzzle pieces. So she stood with a blank
face, looking toward the hole in the floor but seeing a white
room and a white table. Some of the pieces went together. Terry
Guzman's piece lay neatly surrounded by interlocking Gamers. A
pile of white pieces lay off to one side. The Procell file. Now a
new puzzle piece appeared. It had a familiar shape. Bernie Ames, the best friend
of her Air Force days, was killed and classified a "pilot error"
death. Bernie would not fly into a mountain. Bernie would not
make such a mistake. Eileen tried to get the documents about the
A-10 crash. The documents were sealed. Other documents were
mysteriously missing. Was Bernie shut up because she knew
something? Was the plane crash the result of some scandal, some
error, that the Air Force didn't want brought to the light of
day? The puzzle piece that
refused to be solved had existed in Eileen's white room for seven
years. Now it suddenly joined the Gamers that surrounded Terry
Guzman. There was another possibility for Terry's death, the same
sort of piece that fit in with Bernie's unadmitted murder. The
piece was titled "Cover up." It could fit. Eileen blinked and looked at
Major Blaine, who was speaking to her. Eileen hadn't heard a word
he had been saying. "...one of the Gamers? It
must be? Miss Reed?" "Or maybe that's what I'm
supposed to think, Major," Eileen said coldly. "Maybe. I want the
names of the guards who were at this door last night." "Surely you don't think
someone else was here—" "I think I'm going to keep
my mind open," Eileen said. "I need the names of those guards.
And your OSI crime scene team needs to get prints from this
floor." Eileen glanced at her watch. "I've got to go, I'm going
to be late." "Will you be back tomorrow?"
Blaine asked, for the first time looking lost. "I'll be back," Eileen said.
"I've got some other work I need to do. I'll be back at
eight." "I'll expect you," Blaine
said. "You—" But Eileen was already
walking away. She passed Roberto in the
hallway as she headed out. Roberto was coming through the doors
with a can of pop in his hand, and he gave Eileen a cautious
smile. Eileen lifted a hand to him. Her other arm was full of her
notes and the personal files of the Gamers. Along with the notes,
she carried the Procell file.
18 Colorado Springs
Investigations Bureau Associated Press 5
April POLICE CONFIRM DEATH OF
FIFTH SCIENTIST UNDER UNUSUAL
CIRCUMSTANCES LONDON (AP)—Police on Sunday confirmed the
death of a metallurgist involved in secret defense
work—the fifth such case in the past
eight months in which authorities have been unable to establish
the cause of death. A sixth scientist, a
research expert on submarine warfare equipment at the University
of Loughborough, vanished in January. Eileen took a bite of her
third taco and wiped some shreds of lettuce off the file. The
file was extremely neat. The newspaper articles were folded and
slipped into envelopes, stapled to a photocopy of the article.
The name and date of the newspaper had also been included when
Doug Procell clipped his articles. There were pictures, too, one
of them of a spectacular wreck. One glance and Eileen knew it was
a nonsurvivable wreck. There was nothing that the paramedics
called "living space," the bubble formed of twisted metal and
glass that could hold a human being. Sometimes people died when
there was a living space in the vehicle, because their seat belts
weren't on or they didn't have the ancient animal cunning to
hunker down when the accident started to happen. Sometimes,
though, nothing would help because the living space was
destroyed. The car in the newspaper photograph was one of those.
The only recognizable thing were the wheels. Harriet Sullivan, 26, was
pronounced dead on arrival at Memorial Hospital after this
single-car rollover on Highway 94. Eileen looked at the picture
again. Then she turned it over and read the next article. It was
another article from England, but it was a completely different
murder. Associated Press Fri 10
April 00:41 DEAD SCIENTISTS MYSTERY
BAFFLES BRITAIN LONDON (AP)—On March 30 scientist David Sands
climbed into his car, the trunk packed with tanks of gasoline,
and drove into the front of a vacant restaurant. He died in a
fireball that incinerated him almost beyond recognition, the
fifth British scientist involved in security-related research to
die in mysterious circumstances since August. A sixth scientist
has been missing since January. Together the cases add up either
to a series of bizarre coincidences or to a cloak-and-dagger
conspiracy. Eileen stretched. She
finished her taco and took a big swig of her pop. The murders
were fascinating, but there didn't seem to be much connection to
Terry Guzman. She bent to the article. "Eileen, what are you
reading?" Harben asked from behind her shoulder. "Oh. I
see." "Procell's stuff is
interesting, but still." Eileen snorted. "How much is there?" Harben
asked. Eileen measured the
remaining papers with her fingers. "An inch and a half, boss,"
she said gloomily. "I'll be here all night." "Don't be here all night.
You've got some work to do tomorrow. They might come up with some
prints from your discovery, or perhaps not. You need to talk to
those Gamers again. Someone will crack." Harben tapped a finger on
the file. "Good work, by the way. In most mystery novels,
however, once the good detective figures out the locked-room
mystery, he knows immediately who has committed the
murder." Eileen grinned at Harben.
Harben's congratulations always made her feel good. "I'll get there." "See that you
do." Harben turned and went back
to his office. Eileen crumpled up the taco papers and tossed them
into the wastebasket. She turned to the next article and began to
read. Hours later,
Eileen glanced up at
the clock and winced. Eleven. Betty would be hungry. She'd missed
the local news again. She rubbed her forehead and stacked Doug
Procell's papers. John Richmond's article was not accompanied by
a picture, mercifully. He must have died instantly when the
garbage truck slammed into his little commuter car. The other
deaths were all at other military bases, sometimes mysterious but
mostly just common accidents. Eileen lingered over a picture of
an unsmiling, curly-haired woman with dark eyes. Harriet
Sullivan. Sully. The notice was her memorial service, and Joe
Tanner was not mentioned in the survivors list. They probably
weren't officially engaged. Eileen put the picture in the file
and shut the cover. She sighed. "Done?" Harben's voice
startled her. "I'm done. I don't think I
learned a damn thing." "Could she have been
executed?" Harben asked quietly. "Yes, I think so," Eileen
said, and looked up. Harben was sitting at the desk next to her
own, a cup of coffee in one relaxed hand. The man was uncanny, he
was so silent. Eileen should have heard him walk up and sit down,
but she hadn't. "Major Blaine would have to be involved, I think.
I saw him tape the door shut. But who's to say he couldn't have
smuggled the murderer out before he sealed the door?" "More important, who was
brought in to commit the murder?" Harben asked quietly. "Where do
you hire a killer with a security clearance?" "You're right," Eileen said.
"They'd have to bring someone new on base to do that. A mole. A
spy. Maybe there's a trail there." "I find the scenario
unlikely, Eileen," Harben said. "A killer who has a clearance,
who is brought onto the base to kill someone, who is hidden in
the dark and the cold for hours ... with no guarantee he won't be
discovered and shot to cover the whole mess up. Then the killer
is smuggled out of the area with no one spotting him?" "Accidents are much easier
to arrange," Eileen said grimly. "Which is why I don't
believe this is an execution," Harben responded. He leaned back
in his chair and sipped from his coffee. "I think you've met your
murderer already, Eileen. You just have to find out which of your
Gamers it is." Eileen was opening her mouth
to speak when the on-duty phone rang. The Investigations office
was quietly busy with the nighttime shift, but just the same the
phone cut through the air. Harben took a small measured sip of
his coffee as the on-duty officer picked up the phone. The
officer was Rosen. New detectives always pulled the worst shifts.
Eileen hadn't even noticed he was there, she'd been so absorbed
in the case. Rosen spoke for a moment and then glanced over at
Eileen and Harben. He nodded his head at them and waved for them
to come over. "Oh, no," Eileen said, and
got to her feet. She knew, she always knew. She saw the shy smile
of Joe Tanner as he handed her a can of pop, and swallowed past a
lump in her throat. She took the
phone. "Detective Reed
here." "Oh, Miss Reed, thank God,"
Major Blaine said in a hoarse voice. "Thank God. Can you get out
here?" "What happened?" Eileen said
tightly. "It's Art. Oh, God, it's
Art. Art Bailey," Blaine choked. Eileen had spoken to Art
just a few hours before, when she'd told the sad-eyed Truth Team
leader to clear out of the Gaming Center. "What about Art?" Eileen
asked. "It's—I—He's been murdered," said
Blaine. Colorado Springs
Investigations Bureau "I'll be right there,"
Eileen said. She hung up the phone. She stood there for a moment
and then turned to Harben. "It's Art Bailey. He's been
murdered too. I didn't let him help me with the floors," Eileen
said. "I didn't let him look at the tapes with me. He must have
thought of something. He must have figured it out." Harben looked down at his
coffee cup, his mouth tight. "This will not be an
unsolved case," Harben said coldly. "I'll send officers out to
the other Gamers' houses. You have the names and addresses in
your file? What's your file and code name access?" "The file is TGUZMAN,"
Eileen said, reaching for a scrap of paper and writing it down.
"And the code name access is MEDEA." The software system picked
the code names and assigned them to case files. Eileen had felt a
chill when she first saw the code name. Medea was the
mythological queen who murdered her own children. "Dave," Harben said. Rosen
looked up from his desk and got to his feet at Harben's nod.
Eileen had thought over the past few weeks that perhaps Harben
was going to assign Rosen as her partner. She'd worked without a
partner for nearly six months, ever since Jim Erickson moved to
Denver. Eileen liked working without a partner, but that couldn't
go on much longer. There was too much to do, working alone.
Harben had given her a chance to get her hands on the Senior
Detective position, and now it was time to see if she could keep
it with a new partner. Dave Rosen looked like a good choice. He
was smart, and he was green. This was a test, for both Rosen and
herself. "Yes, sir," he
said. "Eileen's file on the Guzman
case. Get the other Gamers listed here on the phone. Find out who
they are. Read the file. You'll be assisting Eileen on this case.
Understood?" "Understood, sir," he said
quietly, and took the scrap of paper. His eyes glittered, and
Eileen remembered that was Rosen's way of smiling. He was a
rookie, but he was going to be good. "I've got to go," Eileen
said. She had to get to Schriever. "I'll contact you by
radio." "All right," Rosen said, as
evenly as before. "Keep in contact," Harben
said. "Watch your back, Eileen." "I will," Eileen said, and
headed for the door. The drive out
was one of the longer
ones in Eileen's life. She wished she'd trusted Art. Why had she
told him to clear out of the Gaming Center? How often had she
wished she'd made Bernie tell her what was going on? Or that
young detective, Stan Jabowski, the one who'd been killed so
quickly on Nevada Avenue, how often had she wished she'd been
nicer, shown the boy the ropes a little better? Eileen made the
last turn onto the long stretch of Highway 94 and thought about
Art's hurt expression when she made him leave the Gaming
Center. "What did you think of,
Art?" Eileen said to herself, and struck the wheel with the palm
of her hand. "What did you do? Who did you call?" Or was Art a suicide? Did he
kill Terry and then kill himself out of remorse? Major Blaine
said Art was dead, didn't he? Or did he say he was
murdered? Eileen chewed on her lip.
She was driving as fast as the Jeep could go. "Nine seven oh four, this is
CXO, please come in." Eileen took the phone from
its hook. "This is Reed." "This is Rosen. I've
contacted Sharon Johnson at her home. She was apparently asleep.
I've instructed her to remain in her home and ask a neighbor to
come over, since she is alone except for her children. I've also
contacted Doug Procell, also apparently asleep, also at his home.
He will stay at home as well." "Thank you." "I'll let you know as I
contact more. Out." Schriever loomed in the
distance, brilliantly lit in the dark plain. Eileen spun the
wheel and took the exit off Highway 94 with a long squeal of her
tires. "Nine seven oh four, this is
CXO." "Reed here." "I've contacted Roberto
Espinoza, also at his home. He claims he was in a class this
evening, until nine or so. He's given me the names. Evidently it
was a church meeting. I'll verify." "Nelson Atkins? Lowell
Guzman? Joe Tanner?" "No response." "Call Sharon Johnson. Ask
her if she knows where they are." Suddenly that heavy feeling was
back in Eileen's throat. "Affirmative.
Out." Eileen pulled up to the
guard gate and showed her badge. The guard waved her through and
she drove toward the lighted building of the retinal scanners.
There was a flashing military police vehicle waiting on the other
side of the scanners. Blaine sat inside, head lowered and
forehead resting in one hand. Eileen scanned her way
through the glass booth and walked up to Blaine. She carried her
police phone with her. "Nine seven oh four, this is
CXO." "This is Reed." Blaine sat
up and looked at Eileen, his eyes bloodshot. Eileen held up a
hand as Blaine opened his mouth to speak. "Sharon Johnson said that
Joe Tanner's class didn't get out until nine-thirty. He is
possibly on the UCCS campus in the computer lab. It stays open
all night. I've sent a patrol car to check." "Copy," Eileen said. The
heavy thing wouldn't let go of the back of her throat. "Nelson Atkins is not
responding to phone. I've sent a car to check his home. I have
contacted Lowell Guzman. He is disoriented and said he didn't
hear the phone because of medication." "He's the husband of the
first murder victim," Eileen said. "Okay. He is at home and
says he has been there all evening. No witnesses. Maybe
neighbors, but he's not sure. We'll verify. Out." "We're checking on the
Gamers," Eileen said to Blaine. "We've contacted almost all of
them." "Art's in the Center,"
Blaine said. "The night guard thought he heard something but
didn't have the key combination to get in the door. Loud voices,
he said. Then a shout, like a scream." Blaine gestured for Eileen
to get in the police car. Eileen held on as Blaine turned the car
on the soft sod of the lawn and headed toward the Space Command
center. "They called me at home. I'm
the only one with the combination besides the Gaming staff."
Blaine's voice was flat. "Why doesn't anyone but you
have the combination? What if there were a fire?" "Anyone in that room
would have the combination," Blaine said dully. "Anyone else
couldn't get in. This is a compartmentalized base. That means
nobody has access to particular rooms unless they have the right
need to know." "Did you touch
anything?" "No. I saw it was Art and I
saw he was dead, and I got out." "Are you sure he was
dead?" "I'm sure," Blaine said, and
swallowed hard. He stopped the car in front of the building, and
they got out. "CXO, this is nine seven oh
four," Eileen said before she entered the building. She
remembered Procell's speech on the building's construction, how
it was made to block out electronic signals. "This is CXO." "I am entering a shielded
building. You can reach me at—" Eileen looked at
Blaine. "Oh, uh, the Center number
is 344-8814." "344-8814, got
that?" "Copy." "Anything on Atkins or
Tanner?" "Negative." "Copy," Eileen said, and
turned off her phone. "Let's go," she said, and
thought of Joe Tanner. She wondered if Art had asked him to help
do whatever he had done to get himself killed. She wondered if
Joe Tanner had killed Art. Or if he was lying in some darkened
corner of the Center, as dead and still as Terry.
19 Great Falls,
Virginia The phone rang in the
darkness. Ted Giometti sat up, instantly awake, instantly afraid.
Who was dead? He picked up the phone. "Hello?" "I need to speak to Lucy
Giometti, please," Steve Mills said crisply. Ted sighed, and his
shoulders slumped. He'd completely forgotten his wife, the warm
hump of covers at his side. His aunt and his cousin had been in a
car wreck when Ted was thirteen, and the doctors hadn't known if
they were going to live or die. His aunt Mary did die, after the
first long week. The phone became the family's enemy. The phone
was still the enemy, even though Wilson recovered completely. He
was happily married now and had a child of his own. Still, Ted
never forgot the feeling when the phone rang, and he never forgot
his mother's face when they told her about her sister. "Sure, Steve," he said.
"Hang on." Ted shook his wife's shoulder gently. Mills was such
an asshole. Couldn't he just ask to speak to Lucy? What, did he
think there were two Lucy Giomettis at this address at three
o'clock in the morning? "Wha—?" Lucy said. She didn't wake
easily. "It's Mills," Ted said. Lucy
brushed a sheaf of her silky dark hair away from her face and
took the phone. "Lucy here," she said.
"What? Okay. Yeah, okay. I'll be in at eight a.m., Mills." There was a
silence, and Ted could hear the tiny buzzing of Mills's
voice. "Steve, I don't know why you
would want me in at"—she paused and glanced at her
clock—"three a.m. I'd be a useless wreck by
two o'clock in the afternoon. I'll be in at eight and I'll get
right on it. Bye." She hung up the phone and lay back in the
bed. "What an asshole," she said
to her husband. He leaned over and kissed her. "Hmm, three a.m. until eight a.m. Just enough time," he
said. "What?" she protested,
laughing. "That's what got me fat and sick in the first place,
you brute." She fought against his hands, giggling, then relaxed
under him. Her face grew serious as she looked into his
eyes. "Kiss me," she said as his
hands caressed her. "It's the middle of the night and I think I
hate my boss. Kiss me and make me forget what he just told
me." Gaming Center, Schriever Air
Force Base The Gaming Center door was
attended by a familiar-looking guard. After a moment, Eileen
realized it was the same guard who'd been there the previous
morning. It seemed like days ago. This must be the night
guard. "At ease, Airman," Blaine
said. "Where's the SID unit?"
Eileen asked. Blaine looked at her blankly for a moment, as
though Eileen were speaking in a different language and he was
translating in his head. "The Special Investigations Division
guys. Crime Scene. Dr. Rowland. Photographer. You
know?" "They're on their way," he
said. "Dr. Rowland didn't want to get out of bed." "Are you all right, Major?"
Eileen asked. "I'm fine," Blaine said.
"Let's go inside." Eileen didn't feel that
Blaine was fine. Blaine looked like a man who'd just been woken
up. Or he was stoned. Or he hadn't slept in days. Anything was
possible. "Okay, let's go," Eileen
said heavily. They walked up the sloping hallway, and she felt
the tightness in her chest she always felt when she knew the
victim personally. Most times it was another cop. Once a
neighbor, an older woman Eileen used to speak to occasionally
when she brought in her mail. Seeing a body like that was the
ultimate indignity. In most cultures the family members would
bathe and prepare a body before visitors were allowed to see.
Eileen knew why, after the first time she'd seen the sad sprawled
form of a person she knew. Her instincts were to cover the poor
person, to arrange their clothing, to give them some dignity that
murder robbed. She wanted to close their eyes, and say good-bye,
and she had to leave their bodies in disarray, in their own blood
and wastes. She hated to see the body of someone she
knew. Art was lying on his side
near the door. It had been a hard death. The wheat-colored hair
was matted and dark with sweat and blood. He'd been trying to
crawl to the doorway after the murderer had stabbed him. The
murder weapon was lying on a table, set carefully there, almost
contemptuously left out in the open. It was wiped clean. A
sharpened screwdriver. Eileen took a handkerchief from her pocket
and flicked the main banks of lights to brightness, using the
handkerchief so she wouldn't disturb prints. A useless exercise.
Blaine, standing in her shadow in the doorway, winced at the
light and looked away from Art. "There's no one else here,"
Eileen said. "Check anyway, behind these desks, look
around." "Okay," Blaine
said. "Don't touch anything. You
see something, you call me." "Okay," Blaine said
again. Eileen looked down at
Art. "I'm sorry, Art," she said
softly. She started to bend down when the phone rang. Eileen
spent an endless minute searching before she found the phone in
the television studio room. "I need to speak to
Detective Reed," a voice said crisply. "This is Eileen, Rosen,"
Eileen said. "We've located Joe Tanner.
He was in the UCCS computer lab with several members of his
class. They had some assignment due that they were all working
on. He didn't leave the lab." Eileen had to swallow twice
before she spoke. "Nelson?" "No contact. We have
verified with Roberto Espinoza's church group that he was
attending a Catholic Youth Organization meeting until
nine-thirty. He teaches eighth-graders. He was there since six
o'clock this evening. He said he went straight home, fixed a
microwave dinner, and went to bed. We have verified with Lowell
Guzman's neighbors that he was in his family room watching
television. They could see him through their living-room
windows." "After you contact Atkins,
when you do, I want you to visit each Gamer's house. You
shouldn't need a search warrant; they are all willing to
cooperate. Or at least, they're supposed to cooperate. I want you
to look for one thing. Look in the trash, on the floors, in the
backyard." "What do you want me to look
for?" "Metal shavings.
He—or she—had to sharpen that screwdriver
somewhere." "I understand." "Watch yourself, Dave,"
Eileen said, and looked over at Art's body. "Whoever this is,
he's getting very desperate. And he's getting very good at
killing people." "Understood.
Out." Eileen hung up the phone and
turned again to Art Bailey's body. There were two stab wounds,
one in the back and one in the neck. The neck was the fatal
injury. Eileen could see how the murderer struck once, pulled the
screwdriver free, and slashed at Art as he struggled to rise from
his chair. The slashing, second strike was the one that tore open
Art's neck and finished him. Art saw the murderer before he died.
The wound was in the front. Eileen felt tired. Had Art
seen a friend? His surprise was his undoing. He didn't expect the
second blow. There were no marks on his hands from warding off
strikes. There were no other signs of a struggle. Art stood in
amazement, and let himself be killed. Eileen remembered Tanner
mentioning Art's gentle nature, and for a moment she had to
struggle with a choking feeling of rage and frustration. Art was
dead. Eileen Reed hadn't been able to stop it from happening. She
felt sick. "There's nothing else
here." "Any clothing? The blood
would have spattered this time." "No clothing." "Anyone see someone leave
this room?" Eileen knew the answer before Blaine shook his head
no. "Damn it!" Eileen said
explosively. "How about the base? You keep a record in those scan
things?" "No record, and no guards.
We could ask the guard at the gate if he saw any particular car
that was driving too fast." "Call him. Not that phone,"
Eileen added as Blaine headed toward the television room. "I'm in
contact with my assisting officer on that line." "Someone else?" Blaine
said. "Detective Rosen. He's
tracking down each of the Gamers to see if they have
alibis." "I was thinking," Blaine
said slowly. "The murder was done at change of shift. Eleven is
when the night shift arrives and the swing shift leaves. That's
why he killed Art at eleven. He drove out of here with a hundred
other cars. He went through those scanners with hundreds of
people." "Clever," Eileen said
grimly. "He or she." "Yes," Blaine said. "I'll
call the guard anyway, just to check. Do you want coffee or a
pop?" "Coffee," Eileen
said. "Yes, I'm going to get some.
I'll get a cup for you too." As Blaine left, the phone rang
again. "Reed speaking." "This is Rosen. I'm mobile.
No contact with Nelson Atkins. I'll be trying his house first to
see if he's home." "You got
assistance?" "I'm with Officer
Hetrick." "Would Shelly turn me in if
I said, 'Be very careful'?" "You mean because I'm a
girl, girl?" Shelly Hetrick came over the line, her voice bright
and sarcastic. "Well, yes." "I'm turning you in,"
Hetrick said. "Look for fresh blood. I
think the perp got splashed. Okay?" "Clear. I'll carry my
parasol, dear." "Thanks. Out." Eileen hung up the phone,
smiling. Shelly Hetrick was deadly. Eileen would worry less about
Shelly than she would about Rookie Rosen. The door beeped, and
Eileen heard the familiar voice of Dr. Rowland. "At least this time I knew
it would take forever to get here," he grumbled as he entered the
room. Rowland was dressed in his uniform, but his hair was
flattened on one side and hastily combed. The SID unit followed.
The fingerprint people were different, but the photographer was
the same. The photographer looked fresh and alert with the bright
energy of a night owl. Eileen envied him. Rowland looked at Art,
looked at Eileen. "Didn't catch him quick
enough, eh?" he said, then grimaced. "Sorry. Not your fault. No
clues. Any motive for this one?" "Maybe he found out who it
was," Eileen said. Rowland nodded, and put down his
bag. "I sent the autopsy report
to you this evening," he said, bending down and examining Art.
"I'll try to be quicker on this one." Eileen walked away from the
camera flash and the bustle of activity. She followed the blood
trail that went back to Art's console. The blood spray on the
carpet was consistent with a blow to the throat after Art rose
from his chair. The chair was tipped on its back. The console was
still logged on to the system. There were windows open and
flashing with lights and color. Eileen looked at the big screens.
They were dark and empty. The windows on the console looked like
the War Game simulation Art had showed Eileen that
afternoon. Eileen stood in front of
Art's console. What was Art doing on the computer? He was
obviously running some kind of simulation, but there were no
graphic displays. The big screens were dark. Art's console was
doing something, though. "Detective," Rowland called.
Eileen looked over at Rowland, who was squatting by the body and
beckoning with one gloved hand. Eileen started to walk over,
and the console beeped shrilly behind her. She turned to see one
of the little screens flashing the word "Found" over and over in
red letters. "Found?" Eileen said. "Found
what?" She crouched over the console, trying to see if there was
a name in any of the windows. Suddenly the whole console flashed
and went white. Eileen jerked her hands back and away, but she
was sure she hadn't touched anything. "Time Limit Exceeded." The
words scrolled across the screen. "No Interaction. Logging out
ABAILEY at 0123 hours." The screen went dark, taking
whatever Art found with it into blackness.
20 Central Intelligence Agency,
Langley, Virginia "The Medical Examiner's
notes are on-line now," Lucy Giometti said tersely. She'd
finished reading Terry Guzman's autopsy earlier that morning, a
report that had been typed in half a continent away by the
concise Dr. Rowland. The autopsy report had briefly pushed aside
her inquiry about Johann Wulff. Lucy intended to get back to
Wulff as soon as she could. Wulff had a taste about him that made
Lucy feel certain he was the key to Tabor's death. The FBI special agent in
Colorado Springs, Fred Nguyen, was on the phone that was socked
against her left ear. Nguyen was a second-generation Vietnamese,
child of a large family that made it out before the fall of
Saigon. He spoke perfect English accented with more than a touch
of California. Lucy had called up his picture from the FBI files,
and the mental image of the blond football player that went along
with the voice disappeared when she saw the thin Asian face. His
eyes in the picture were black and small and
expressionless. "So, hey, I'm not saying
these are related to this George Tabor dude," the cheerful voice
sounded in her ear, "but I don't know why they're happening at
the same time. It's weird, man." "Fred, my friend, I don't
know either. I know we've got nothing on Arthur Bailey. He's salt
of the earth. Clear all the way back to grade school. Never even
been out of the country." "Yeah, that's what my
reports say too. I think maybe Tabor just got spooked and ran, is
all. Damn. It would've been great if we'd been able to grab him
alive. We'd been tracking this guy for a long time." "Well, if anything more
comes up, I'll let you know," Lucy said. "Thanks." "Thanks, Lucy. I'll get in
touch if I find something juicy." Lucy hung up the phone and
pulled open her desk drawer for the fortieth time that
morning. "No, no, no," she said to
herself. The phone rang. It was
Mills. "What's up?" Lucy said, her
eyes still wandering over the stacked cookies and pastries in the
drawer. "We've got an appointment at
the Pentagon," Mills said, and the bafflement and fear were plain
in his voice. "At the Pentagon?"
Lucy said. "I don't know what's going
on. The Deputy Chief called me personally. This is getting pretty
damn hot, Lucy. Be in my office at one o'clock." Lucy didn't realize for a
moment he'd called her by her first name. Then it struck her.
Mills must be really upset. And she still hadn't nailed Johann
Wulff. Lucy pulled a fruit pie out
of the drawer and picked up the phone. She had a few hours. She'd
have to use them well. Colorado
Springs "I have witnesses. I was in
church." 'Berto sat on the couch in
his apartment. His thick black hair was uncombed. He was wearing
gray sweats and a black tank. He didn't look as if he'd slept
much. "I know you were in church,"
Eileen said. She didn't feel much better than 'Berto looked. The
morning sun was just touching through 'Berto's blinds. 'Berto's apartment was
small. Two or three days' worth of dishes were piled in the sink.
The carpet was clean, although it was old. There were gym clothes
on the floor and a few brightly colored ties hung over some
chairs. The overstuffed armchair in front of the television was
piled with newspaper. The table next to the chair was loaded with
old pop cans and magazines. Eileen could see the corner of the
bed at the end of the short hallway. The bed was unmade, but the
room looked clean. "Pretty small
place." "Small is all I need,"
'Berto said. He got to his feet. "Coffee? How about some orange
juice?" "Coffee would be nice,"
Eileen said, and followed 'Berto into the kitchen. 'Berto pulled
out some filters and a grinder and started to make
coffee. "I haven't been shopping,
but I could make you something. You want breakfast? You going to
haul me in?" 'Berto ran the words together and tossed the last
line off lightly, but there was nothing light in his dark and
miserable eyes. "No." The tough line of the
shoulders slumped. For a moment 'Berto looked like a relieved,
frightened little boy. Then he turned his face away and began
rinsing the filter holder. "So why are you
here?" "I want to talk some more.
You can afford better than this, can't you?" "Maybe," 'Berto
said. "You can afford a maid,
though?" Eileen asked. "I don't have a maid,"
'Berto said, and finished assembling the coffee. He turned the
switch to start the brew. "Looks like you have a
maid." "Okay, my cousin," 'Berto
said. "She comes by once a week. She works as a maid,
okay?" "I'm not trying to say
anything," Eileen said mildly. "I just thought you had a maid for
a place like this, that was funny. A girlfriend would treat a
place differently." 'Berto leaned back against
the counter and folded his arms. He smiled faintly. "You notice stuff, I guess.
No girlfriend. Estelle, she comes by for a favor." "A favor?" Eileen said, and
eyed 'Berto. 'Berto shifted nervously. " 'Berto, look. You don't
drive a hot car. You live in a dump. You don't have great
clothes. But I've seen your salary. Why don't you live better?
Are you being blackmailed?" "I'm not being blackmailed!"
'Berto's shoulders rose. He seemed unsure whether to laugh or get
angry. "I'm—look. Well, hey. I'll show
you." 'Berto walked over to his
cluttered coffee table. He rummaged around the newspapers and
magazines stacked on top. He pulled out a photo album. "Ready for the sob story,
eh?" Eileen glanced at the
coffeepot. It was nearly done. She opened the cabinet above the
coffeemaker and the coffee cups were there, in the most logical
place for them to be. She looked inside before she poured, but
they were clean. "So give me the sob story.
You take milk?" "Black is fine for me,"
'Berto said. "I couldn't sleep last night. Nelson called me and
told me about Art. I was thinking about Art. Terry
too." 'Berto put his photo album
on the kitchen counter. He opened it. Eileen took a sip of his
coffee and looked. "This is my brother Luis.
College. Tuition. Books. This, my sister Isabelle. Okay, no
college for her. Two little ones, boy and girl. College for them.
Eh?" Eileen looked at Luis, a
younger, thinner version of 'Berto. The slate-black eyes were
smiling. The UCLA sweatshirt was fresh and white. The sister
Isabelle, chunky and plain, had two happy children in the circle
of her arms. There were more pictures. Eileen flipped through the
album, sipping her coffee, seeing the signs of prosperity appear
as the children grew. The bright spots of new lamps, a new
carpet, new clothing. There were pictures of another woman, a
thin beautiful girl with an angular, Spanish look to her face.
She wasn't smiling in any of the pictures. She wore a lovely red
dress, and looked almost embarrassed, as though she knew she
looked spectacular. "Another sister?" Eileen
asked. 'Berto smiled. "Mi madre," he said proudly. "My mom. My
dad was a cop, got killed a long time ago. She's
beautiful?" "Wow," Eileen said. "She
sure is." The sun, rising, laid a
strip of brightness across the kitchen and picked up the glare of
the picture film. Eileen closed the album and refilled her
cup. "You support them all," she
said. 'Berto shrugged. "They know it, they knew it
before I got all my clearances through. The government didn't
mind that I send my money to my family. I don't think my
investigating officer liked it, though." "Your investigating
officer?" "Yeah, they send one out to
interview the family, your friends, your professors. People from
your last jobs. Sometimes they interview you, too. This one did.
When you get this kind of clearance, they do a background check
on you. This guy was a young white guy. Didn't like visiting the
barrio. Didn't think I should be wasting money. A man with no
family." 'Berto grimaced in disgust. "He doesn't
understand." "I know you have an alibi
for last night," Eileen said quietly. "I teach classes, sure. My
cousin is a priest. My father's sister, she's a nun. The Church
is important to us. I'll have my cousin say a prayer for
Art." There was a little silence.
Eileen looked at the slight steam that rose from her cup, then
looked up at 'Berto. She knew there was more to 'Berto's story
than he was telling her. Something about 'Berto's good looks, the
misery in his eyes, urged her on. "But no prayers for
Terry." 'Berto was standing with an
elbow on the kitchen counter, his other hand on the cover of the
photo album. He stood frozen. "Oops," Eileen
said. 'Berto opened his mouth.
Closed it again. " 'Berto," Eileen said
softly. "Come on." Incredibly, 'Berto's eyes
filled with tears. He hung his head, his hand pressed to the
album as though it were holding him up. Eileen didn't move. She
hardly breathed. "Please," Eileen whispered
to herself. She needed just one-little break, that's all. Just
one break. 'Berto lifted his head and wiped his eyes. He looked
very young. "I'll tell you," he said.
"Can we sit down?" Central Intelligence Agency,
Langley, Virginia "An efficient job," Lucy
mused, looking at the autopsy photographs of George Tabor. She
was on the phone to Charles D'Arnot, a Paris police detective who
supplemented his income by helping out the American CIA. D'Arnot
spoke perfect English with a slight Scottish accent, which Lucy
found hilarious. They were looking at pictures together, half a
world apart, on the Internet. Lucy patted her computer monitor
affectionately. "Go to the next one,"
D'Arnot said. A red arrow appeared on Lucy's screen, showing the
ligature marks on the neck. "He was a professional. Only one
mark. He never had to shift positions, and the bruising is
slight. There is bruising, though." The arrow disappeared and
reappeared at another place on the screen. "Your Mr. Tabor fought
well, Lucy." "He was surprised," Lucy
murmured. "You can tell." "We have another set of
pictures for you, cherie" D'Arnot said
cheerfully. "Another set?" Lucy asked,
sneaking a glance at her watch. "Not of Tabor," D'Arnot
said. "I'm uploading now." Lucy watched with amazement
as a new set of autopsy pictures appeared. The victim was a
female, Arab, and young. She had the same markings on her neck as
George Tabor. Even to Lucy's untrained eye, she thought the marks
looked similar. "Eh?" D'Arnot said with
satisfaction. "Who is she?" Lucy
breathed. "Sufi Ad-Din," D'Arnot said.
"Found in her apartment less than five blocks from Tabor's
rubbish heap." "She's Arabic?" "Jordanian, formerly
Palestinian," D'Arnot said. "She had a lover. She told her
neighbor what his name was, and the name he used when he
traveled. Her neighbor was a—how do you say it in
English—?" "A girlfriend? A chum?" Lucy
said. "A chum," D'Arnot said.
"Evidently the lover didn't know about the chum, or doubtless
Sara would be as dead as Sufi." "What was his name?" Lucy
asked. Her fingers tingled and her heart pounded. She knew what
D'Arnot was going to say before he said it. "Johann Wulff. But his name
was really Fouad Muallah. He is Jordanian as well, according to
the chum, but we don't have any further information. We put a
warrant out, but he has probably flown the coop, as you
say." "Fouad Muallah," Lucy said.
She bit her lips to keep from laughing out loud. "I'll see what
we can find out, Charles." "You do have some good
resources," D'Arnot said wryly. "If you track this man down, I'd
appreciate a call, cherie." "You shall have it," Lucy
said. "Thank you very much. You've given me a lot to work
with." "Of course," D'Arnot said
with a Frenchman's modesty. "And now I must go. My companions,
they grow suspicious if I spend too long on the
phone." "I understand," Lucy said.
"Thanks so much." "I told them you were my
lover," D'Arnot said with a laugh. "So if you ever come to Paris,
I hope you are as beautiful as your voice. I do have a reputation
to keep." Lucy chuckled for a long
time even after she hung up the phone, even as she set up her
search engine to seek out Fouad Muallah. After three months of
feeling like a bloated horror, it was wonderful to hear flattery.
French flattery, no less. Parisian flattery. Ted would
pretend to be jealous and cover her in kisses tonight. But before tonight, she had
to meet with someone at the Pentagon, an Admiral Kane. There were
monsters to defeat before she could return to her castle and her
prince. "And a monster to find,"
Lucy murmured, leaning over her keyboard. "A monster named Fouad
Muallah." Fort Rucker Army Base,
Alabama "You know what they call a
Chinook?" Roseburg asked him as Stillwell signed for his flight
helmet. "What?" Stillwell asked
apprehensively. "A loose collection of nuts
and bolts flying in formation," Roseburg laughed. "Why, thank you," Stillwell
said. "I really needed to hear that." "Have fun," Roseburg said.
"You've got two damn good pilots, I'll tell you that much.
Anything goes wrong with that bucket of bolts and they'll bring
you through it." "I'm comforted," Stillwell
murmured, and headed in the direction Roseburg pointed. He ducked
out of the hangar into the wet and the heat of an Alabama
morning. The hills and forest—well, jungle really; Alabama
woods were more like a jungle to Stillwell and always would
be—were faded by the humidity into a
soft palette of green and blue. The jungle started at the end of
the runway, and on the runway was his ride. The Chinook was an ungainly
looking aircraft with two rotors, one at the head and one at the
tail. She stank of jet fuel, even at a distance. The air
shimmered above her engines. Her rotors were turning lazily.
Chinooks looked like a joke, Still-well had always thought. But
he had presided at only two fatal crashes of the
ridiculous-looking birds. The statistics were with him. Or so he
hoped. He hopped onboard, clutching
his flight bag. At last, it looked like he was heading for
Colorado. Colorado
Springs "I started at Schriever out
of college," 'Berto said to Eileen. "I wanted money, to help my
family, and I wanted to do graphics simulation. That's what I
love. When I interviewed, they showed me a globe of the earth on
a Silicon Graphics Indy. It was so beautiful. I could see the
sunrise line. I could see the city lights in Europe. That's what
I wanted to do. "So I start, and there's Art
to help me. Ahh, I miss him. I'm going to miss him forever. I
didn't know how to set up my workstation, and Nelson isn't
around. I'm too nervous to talk to Joe or Sharon or Doug, and
Lowell is busy. So I see this guy who looks friendly, and it
turns out he's Art, the genius. I ask him to help me, he gets up
from his desk like he's been waiting all day just for me. Turns
out he stays late that night to make up for the time he spends
with me. But that's Art. "He comes over and sets me
up. Soon we're talking graphics and morphing and the latest
Hollywood pictures. I'm kind of arrogant, you know, stupid,
because I've just graduated and I know everything, I think. Art,
he never slaps me around like he should. Sully, oh boy. First
time I pull that shit with her, she takes me down." 'Berto stopped for a moment.
He looked blankly into the distance. "Sully first. Now Art. I
knew when she got together with Joe. He was on fire. He blew out
like a candle when she died. Art got him through it, I think. Art
and Meg, that's his wife. Now Art, he's gone too. Joe, he's going
to be hurting so bad. I want to call him, but I don't. Too scared
of what's going to happen. I think everyone thinks I'm the
murderer. I think you knock on the door this morning, this is the
end." "Why?" Eileen
asked. "Because of me and Terry,"
'Berto said. He swallowed hard and rubbed his palms against his
sweats. "I'm getting there. It's hard. "So my second year there,
I'm graphics king with Art's help, and I'm getting along with my
new friends, and my family is happy. They find me Elena and her
family, they're cousins away, but so I have family." "But nobody special," Eileen
said. "Nobody special," 'Berto
repeated. He didn't meet Eileen's eyes. "Terry and I never talked
much. She was muy guapa, yes? She and Sully were different
sides of the same coin. Sully, she was strong, but she was a
woman. Full of heart. Terry, she's strong but full of hate. Hard
to see that at first. You look at her, you think, I know what
would make her happy. Get her in bed, get past all that armor,
fuck her, she'll be happy. She just looks like that's what she
needs. "Lowell didn't know how to
handle her, that's for sure. Always looking a little bit puzzled.
And her holding out that body like a piece of fruit. Lowell
doesn't know what to do with it, that's for sure." "She decided she wanted
you?" "She wanted me, sure. Not
that I knew it for a while. She made me want her. I never knew
until a lot later how I'd been set up." "Set up?" "Set up like old style,
woman style. She knows—knew— tricks they wrote in the book
years ago. Centuries. I don't know. A woman like that, you burn
for her. You want to conquer, to break her down, make her soft.
You don't know you go to bed with her, you give her what she
wants. Then she eats you afterwards, like a spider. No use for
you after it's done." 'Berto sighed and shifted on
the couch. "Why is it so easy for me to
tell you this? They sent four of us to a conference, we had to
attend some seminars on graphics. It was fun, the seminar part.
Terry, me, Joe, and Sully. They didn't much like each other then.
Or maybe they already liked each other but didn't know it. We all
went to dinner, and they both disappeared to their hotel rooms
every night. Not with each other. Sully probably set up her
laptop and played. You can't log into the system long
distance— it's secure. But she liked those
computer games. Joe, he read, I think, or went and swam in the
pool. He's always working out. He didn't like Terry and maybe he
had a crush on Sully, and I think he would have liked to spend
time with me, but the only way to do that would be to say, I'm a
guy, I want to hit the bars with 'Berto, okay?" 'Berto laughed.
"Joe was too nice for that. So he disappeared, and Sully, so
there was Terry and me." "We went to the bar that
first night, and somehow it was me asking her, I don't know how
she did it. I thought I was in control." "Did it happen the first
night?" "Oh yeah, and the second
too. That first night, I was so drunk. Don't know how that
happened either. But there she was in my room, and all I wanted
to do was get her out of her clothes, get her under
me." 'Berto put his head in his
hands, and his shoulders rose. "I am so ashamed the next day.
Married! I break a solemn vow, me, Roberto. I wanted to be a
priest when I was a little boy, an altar boy. And this is what I
did." "She used that, didn't she?"
Eileen asked. Now she felt she understood all the references to
Terry's sharp tongue. Joe hadn't understood when Terry asked
'Berto if he'd "forgotten anything else." 'Berto knew what Terry
meant. "She used it. I was ashamed
and hungover, and the next night I was back in her bed like I had
a ring through my nose. Then we flew home, and I took a shower
forever. I didn't want to go to work the next day. But everything
was fine. At first. Then she would make references, in front of
Lowell even, with that little kitten smile on her mouth and her
eyes, so wide. Ahh, I blamed myself at first. But after a few
months, I knew what she wanted. She had me on a string like a
puppet, and she knew it. I didn't want to hurt anyone. I didn't
want to see disgust in Joe's eyes. Or Art's. She knew
that." "Did she ever ask you for
any favors?" Eileen asked. She was thinking of Sharon's suspicion
that someone was writing Terry's code. "I helped integrate her
code," 'Berto said. "That means I helped make her part fit into
the simulation. I never complained about her stuff. After a
while, it got a lot better. She didn't ask for anything, she just
had it. She had it there and we both knew it." "Did you hate
her?" "I hated her enough to kill
her," 'Berto said. "I could have killed her. But I didn't. I
don't know how to make anyone believe that. I didn't kill her.
She could have pushed me over the edge, I could have killed her.
But I know I would have been sobbing for the priest the moment it
was over. I got dispensation from my priest for adultery. I would
have volunteered for the classes anyway, but they're part of my
penance. He absolved me, and I'm washed clean. Terry knew that, I
think. She knew she had me through embarrassment, and shame, but
not through shame of my immortal soul. She hated that, I think.
She ate people. She liked to have their souls." Eileen shivered
involuntarily. "Someone hated her. I think
anyone who knew Terry would hate her. But it wasn't me. It
wasn't me." Mashhad, Iran "Mahdi," the man said in
reverent tones. The Mercedes was as dented as advertised, but
gave a reassuring rumble of power. Muallah was aware of the
deadening weight of exhaustion beneath his excitement. He needed
sleep. "Allah be with you, Haadin,"
Muallah said, smiling at the look of joy on the man's face. Ali
silently loaded the baggage into the back of the Mercedes, his
face reflecting nothing, not even weariness. "I need to rest," Muallah
added shortly. Haadin seated him immediately in the Mercedes and
drove with a reckless dash through the dusty streets of Mashhad.
Haadin had rooms, of course, the best of which remained empty for
Muallah. The rest of the rooms were occupied by Muallah's Chosen
Ones, ready at last to serve him as they knew they were born to
do. Muallah rested his head against the back of the seat, trying
to ignore the bumps and swerves. He needed to conserve his
strength. He would allow himself only a few hours of rest before
they began.
21 Central Intelligence Agency,
Langley, Virginia "Charles!" Lucy said with
delight. She had a substantial CIA file she'd found on Fouad
Muallah. Paper pages were spread on her lap and electronic ones
covered her computer screen. "Lucy, ma cherie,"
D'Arnot said. "I have an interesting tidbit for you." "I'm ready," Lucy said. She
clicked on her notes screen and made an entry for D'Arnot's
information. "I spoke again to Sara, the
chum," D'Arnot said. "And something she said matches with what we
found with Sufi." "Okay, I'm ready," Lucy
said, typing. "Sufi had intercourse
minutes before she died. Not rape; there was no trauma. But she
was killed immediately afterward." Lucy paused, her fingers
poised over the keyboard. "He's an egotistical
bastard, isn't he?" she said. "Yes! You're beautiful
and intelligent," D'Arnot said admiringly. "Yes, Sara
spoke of Muallah as a man who treated Sufi as a toy. Sufi loved
him. She worshiped him." "Muallah worships himself,"
Lucy said slowly. She typed quickly. "He had sex with her as a
gift to her before killing her, didn't he?" "Looks like it to me,"
D'Arnot said. "This is a very dangerous man, I think." "I think so too," Lucy said.
She looked with new eyes at the file on Fouad Muallah. "I think
so too." Colorado
Springs "Detective," Doug Procell
said in tones of relief. His face was thin and white and
miserable. He looked like a handsome vampire two kills short of a
full meal. He stood in his doorway and regarded Eileen. He was
wearing sweats, the Gamer off-duty uniform, it seemed. His were
gray, and looked old. "Can I come in and talk?"
Eileen said. "I'm too damn tired to haul you in." "Yes, of course, I'm sorry,"
Procell said, still looking at Eileen with a relieved expression.
He swung open the door and nudged a golden retriever back with
his bare foot. "Back, Cherry," he said. "Go
lie down." The dog pressed against his foot and wagged its tail,
looking at Eileen with shining happy-dog eyes. "I like dogs," Eileen said
mildly. "It's all right." Cherry didn't jump on Eileen
as she entered. The dog sat in her path and put up a paw, wagging
its tail. Then it switched paws. Eileen gravely put out a hand
and shook the paw. "Nelson called me last
night, after the police called. He said to stay home today. I
don't think I could have gone to work anyway," Procell said. "Do
you want some coffee?" "No coffee," Eileen said,
and patted Cherry on the head. She followed Procell down a
hallway and into a sunny living room. The newspaper spread over
the floor in untidy piles. Cherry immediately headed for a bright
band of sunlight, her tail wagging. She flopped down in the
sunlit section and gazed back at Eileen. "She's happy I'm home,"
Procell said. "How about your wife? Kids?
Are they home?" Eileen knew they weren't, just by the empty-house
feel of the place. "Janet, she's at work. She's
an attorney. And Martha is in day care. I had Jan take her to
school anyway; I wouldn't be able to think about taking care of
her today. You sure you don't want coffee? How about some
breakfast?" "Well, breakfast you could
interest me in," Eileen said, and shrugged off her jacket. Her
shoulder holster was clearly visible, but Procell seemed more
relieved at the sight than discomfited. "Okay," Procell said.
Unexpectedly, he grinned. "I'll fix you a good breakfast and then
you won't arrest me. Isn't that how it works?" "Depends on the breakfast,"
Eileen said. Procell went into the kitchen and Eileen took a seat
at the bar. Cherry abandoned her place in the sunlight and walked
over to Eileen. She nudged Eileen's hip with her nose until she
reached down and started to pet her. "Cherry's a big baby,"
Procell said, opening the refrigerator. "She loves being petted.
I think I could eat something now." He set out eggs, cheese, and
a package of what were obviously homemade tortillas. "Huevos be
okay? I make them spicy." "Good huevos rancheros might
keep you out of jail," Eileen said, and turned so she could rest
her back against the wall. She closed her eyes, her hand
smoothing the dog's silky head, enjoying the sunshine. "You don't think I did it,
do you?" Procell asked, cracking eggs into a bowl. His voice was
sounding less pinched. Eileen suddenly realized why Procell was
happy that she was here; Procell felt safe. Procell wasn't afraid
of being arrested. He was afraid of being murdered. "No, I don't," Eileen said.
"But I don't think it was your conspiracy, either." "You don't?" Procell asked
in surprise. "I would think that would be certain
now." "Why?" "Well, because Art was
murdered. Why Terry and Art both?" "Why don't you tell
me?" "I don't know." Procell was
honestly bewildered. He started beating the eggs again. He added
some spices and milk, and poured the mixture into a skillet. He
got a bowl of refried beans from the refrigerator and set them in
the microwave to warm, then opened a can of green chili sauce. He
handed a block of cheese and a grater to Eileen, who took them
and started working on the cheese. The kitchen began to smell
delicious. "All right, then, answer me
this. How did a hired killer get clearance to come onto the
base?" Procell, stirring the eggs,
stared over at her blankly. "He'd have to have
help." "Exactly. How did the killer
get under the floors?" "Someone had to put him
there," Procell said slowly. "I never really thought about it. If
that's the case, then—Major Blaine!" He looked at Eileen
with amazement. "It's Major Blaine! It has to be! He—he—" "Hold your horses," Eileen
said. "Major Blaine would be suspect number one in a conspiracy.
But even Major Blaine couldn't get a new person on base without
leaving a trail a mile wide. There is no trail. No one new came
onto the base in the last two weeks, not anyone with a permanent
badge. We checked on all the temporary types too, and they're all
accounted for during the time of the murder. And what about
getting Mr. Hired Killer out of the floor?" Procell stirred the eggs and
shook some chili powder into the skillet. His attention remained
focused on the food. Eileen couldn't see his
expression. "I think I just figured
whoever it was could do anything. But killing Terry like that...
you know, it's not their style." Eileen, still grating
cheese, felt a chill. There was a pattern in the Procell file,
and she'd completely missed it until now. The deaths were all
automobile related. Not a single scientist whose obituary filled
Procell's file had died of any other cause. Some were more
bizarre, like the young Briton who had driven his car into a
stack of gasoline canisters. Some were completely normal, like
Harriet Sullivan's single-car accident on the highway. Procell,
the author of the file, saw the pattern. Eileen
hadn't. Terry's murder, and now
Art's, were completely out of pattern. What troubled Eileen was
the feeling she was seeing the shadowy edge of something much
larger than Terry or Art. If there was a relationship, it was too
subtle to be seen. She still couldn't believe in Procell's
conspiracy. But there seemed to be something going
on. "If they are separate, if
they were murdered by another person, what will that do to my
conspiracy members? That's what I'm thinking now," Procell said.
He spread the refried beans over the tortillas and folded the
eggs inside. He took the cheese from Eileen and filled the
tortillas with the shredded cheese. Then he poured the green
chili sauce on top and put the huevos into the oven to
warm. "This is going to be good,"
Procell said. "I mean, let's say we have Person X, who murdered
Terry and Art. Then we have Organization Y, which has murdered a
bunch of scientists on missile defense. What is Organization Y
doing right now? If Person X is some clumsy amateur, Organization
Y may be revealed simply because X is out there. I hope this
happens. You know that somebody is killing us." "Maybe two somebodies. Maybe
two groups of somebodies." "So maybe Organization Y
panics? Maybe they make a mistake. Like killing Art." "So you're saying Terry was
killed by Person X, for reasons unknown, so Y responds by taking
out their next victim early." "Right. Art Bailey. Smartest
man in defense simulations. Breakfast is done. Want some juice?
Milk?" "Milk would be fine," Eileen
said. She smiled wryly at Procell. "You get this detachment from
your job, don't you?" Procell looked at her in
surprise. He was carrying the hot plates with two oven mittens.
They were shaped like cartoon sharks. "Detachment?" "Yes. We're talking about
murder, you know." Procell put the plates down
and went back for the milk. He flushed a little. "Well, we're all used to
talking about death. In the large sense. Casualties, millions of
them. We put together this one briefing for a senator from a
state I won't name. The bastard wanted to cut out our black
funding. We showed him a War Game where a submarine
from—" Procell paused. "Well, from a
place. This sub launched a missile and took out one city. Los
Angeles. We calculated the casualties. Deaths from the blast wave
at ground zero. The overpressure drops exponentially as you move
outward from ground zero. So some people survive, the ones quite
a way from the blast and behind big buildings. You have hundreds
of thousands who won't survive, blinded and burned. We showed him
the graphs. Came up with a dollar figure. Every burn unit in the
country would be filled by the ones who just might make it. Damn,
we even calculated burial costs for the dead. Added up to our
funding for five years. If we stopped one bomb, that would equal
our funding for five fiscal years. Talk about cheap insurance.
Bastard still voted to cut funding." "You're used to death, in
other words." "Yeah, I am. Not so much my
own, though. I'm not very brave. I've been sitting here all
morning waiting for some Bond assassin to come through my door
and tell me we're taking a ride." He gestured to the table.
"Let's eat." The meal was as good as it
looked. Eileen dug in, relishing the taste of homemade food. She
was an indifferent cook and didn't spend much time at home as it
was. Procell was neat and quick. "This is very good," Eileen
said after half her tortilla was gone. She felt more tired but
better able to handle it. A quick nap in the early afternoon and
she could go all night. She would have to. "Thanks. I'm glad you came
over. Not just because I feel safe. But because I want to
help." Eileen straightened in her
chair at that. "Art wanted to help, too," she said grimly. "I
think he figured out something. And I think that may be what got
him killed." She told Procell about seeing the lines "Found"
before the screen went dark. She did not tell Procell any other
details. "Found," Procell said
slowly. "Art must have thought about something. I don't know what
he did. It was the computer, you said, not the
videotapes?" "The computer terminal.
That's what said 'Found.' " "Well, maybe he did,"
Procell said. "If so, then perhaps my Organization Y is sitting
tight, maybe even going underground." Eileen kept from sighing by
taking a mouthful of tortilla. Procell was on a single track
about his pet theory. "That means we have Murderer
X who has killed twice. Why? I can come up with all sorts of
reasons why Organization Y would kill scientists. Money from
powerful governments, political goals, even environmental
extremists who want to keep mankind out of space. But why one
murder? Why Terry?" "Terry was a girl that made
people hate her," Eileen said. She glanced at Procell, who was
finishing his milk. Procell looked mild and innocent. "Why did
you want to murder her?" The shot went home so
easily, Eileen felt ashamed. Procell paled instantly. "Me? I didn't. You know I
didn't!" "I didn't say you murdered
Terry. I just want to know why you wrote her code for
her." Eileen trusted her
instincts. They weren't wrong this time. Procell looked as though
he'd been punched in the stomach. "Why—how did you know?" he said
finally, after swallowing a few times. There was a green tint to
his face. Eileen hoped Procell wasn't going to lose the excellent
breakfast he'd just eaten. "I found out. Terry couldn't
have written good code. Not the stuff she magically started
turning out. Why did you do it?" Procell slumped in his
chair. He put a hand over his eyes. Eileen leaned forward
intently. What did Terry do to this man? She could still see the
image of the young, defeated 'Berto in her mind. She could still
hear the baffled hurt in his voice. "She was blackmailing me,"
Procell said quietly behind the hand. "We went to the same
college together. She knew she couldn't keep up on the project,
but she wanted to stay on. I don't know why. Maybe because Game
Days are so fun. Maybe she liked to walk around with all the
military officers looking at her. I don't know why." "What did she have on
you?" "I had a love affair with
the wrong person," Procell said. He didn't meet Eileen's eyes.
"She knew about it." "A love affair? How could
she blackmail you with that?" "Security clearances are
touchy things," Procell said wearily. "You have financial
problems, you're out. You have relatives in some foreign country
the government doesn't like this year, you're out. Anything in
your past that could be a blackmail risk, and you're
out." Cherry wandered over to her
master and nudged at his hip with her nose, hoping for a treat.
Procell caressed her head absently. "So what was her
blackmail?" "An affair with the wrong
person." "Stop stonewalling," Eileen
said. Procell looked at Eileen's face and paled even
more. "You going to write this
down? Could you not write this down?" There was naked appeal in
Procell's voice. "This is my life you can ruin. Terry was the
last one who knew. I thought I was okay once she was
dead—" He stopped. Eileen looked at
him. "I didn't, though! I would
never. I'm—" "So what was the
blackmail?" "I did her code for her,"
Procell said, looking at the carpet, "so she wouldn't let slip
that I had an affair with a professor at college." "A prof—" "A male professor," Procell
said, and looked at Eileen. There was a
silence. "Oh," Eileen said. There
didn't seem to be much else to say. "I'm not even bisexual now,"
Procell said. "I think I got fooled into it for a while. I'm not
one of those closet gays who marry and raise a family. I wasn't
sure of my identity and so I experimented, and then I met Janet
right after I graduated. That was it for me. I love her more than
my life, Miss Reed. She's everything." Procell looked down at his
hands as his voice broke. "She's everything. And we have Martha.
If I were an attorney too, then it wouldn't be a big deal, maybe.
But I'm in Defense. I'd lose my job in a snap. I will lose my
job. They don't give gays security clearances, even if they
aren't gay." "That's a damn good motive
for murder," Eileen said. She felt fresh outrage at the military,
at the whole clearance system. Eileen supposed you could murder
to keep your clearance, if it was that hard to keep. Although she
wasn't quite sure. Murdering someone over a piece of paper? But
Procell was the proof, sitting in a devastated silence at his own
dining-room table. Nelson Atkins, with his pale freckled face.
Major Blaine, with his endless report writing. The security
clearance was the means of earning a living. Without the paper,
the good life would be lost. Would someone do murder to keep from
losing their livelihood, their job, their self-respect? Eileen
didn't have to think about that one for long. And Terry knew the
weaknesses of the people she worked with. What was Joe Tanner's
Achilles' heel? How about Sharon Johnson? Nelson
Atkins? "If I was going to murder
her I would have done it a year and a half ago," Procell said
bitterly. "I haven't spent an entire weekend at home for almost
two years because I've been doing two jobs. Terry never leaves
late, she takes weekends and holidays, and she would smirk at me
and flip her narrow little hand at me as she got into her coat
and left, while my two-year-old daughter is being fed at home and
I'm working on Terry's code. Writing her name instead of my own
into the computer code! I wish you knew how that felt. Like
painting a picture and having someone else sign their name to it.
I would have done it long ago, if I was going to do
it." "She wasn't a good person,
was she?" Eileen said gently. "She was a monster. She's
owned my life for the past two years, and now she's going to ruin
me forever after she's dead." "No, she won't," Eileen said
impatiently. "What do you think I am?" Procell looked up, and
Eileen had to look away from the expression in his
eyes. "There's no reason to take
any of this down unless you turn up as the murderer," Eileen
said. "Sure you've got a motive, and you're still a suspect, but
I don't compare notes with Major Blaine." Procell put his head in his
hands for a moment, his long fingers squeezing his skull through
the thick handsome hair. Then he took a deep breath and sat up
straight. "Thank you," he said
quietly. "I don't know how else to say it. Thank you." "Don't thank me," Eileen
said. "This was another lead that I've followed down to the
proverbial blank wall. Should something break on this case,
however, that points your direction, all the huevos in the world
won't keep you out of jail." "Yes, ma'am," Procell said,
his voice light and dizzy with relief. "You won't. I mean, it
won't. I promise. I swear it." "I'm going to have to be
going," Eileen said. She balled up her napkin and tossed it on
the table. "I really appreciate the breakfast. If you think of
anything—" "I'll call," Procell said
eagerly. "Don't try anything, all
right?" Eileen said sternly. "If your conspiracy group Y isn't
out there, you know we have Mr. X. Or Miss X. Whoever it was,
they killed Art." "Yes, ma'am," Procell said,
trying to look sober but failing. He was euphoric. Eileen felt
chilled again as she walked to the door. Procell looked like a
victim. The Gamers looked as if they were all marked for
death.
22 The Pentagon "What's going on?" Lucy
asked Mills. They were in one of the briefing rooms at the
Pentagon, the one that was set up like a small movie theater.
They'd been escorted there by a Navy lieutenant and asked to
wait. That was an hour before. Lucy itched to be back at her
computer, finding out more about Muallah. "I don't know. The Chief
told me I had to come over here, and bring you. He said he'd be
with us but he's got something too hot to leave. I hope I'm not
in trouble." Lucy smiled wryly. What a
total asshole Mills was. "You want some cookies? I
have to eat or I'm going to be sick again." "No," Mills said nervously.
Then he glanced over at her as she opened a package of
chocolate-chip cookies. "Well, maybe one," he said. The cookies made them both
feel better, but the sugar increased Mills's nervousness. Lucy
stretched out in the comfortable chair and closed her eyes so she
wouldn't have to look at him. "This has to do with the
Missile Defense homicides, I'm sure of it," he said. "You've been pushing me
pretty hard on it," Lucy said, her eyes still closed. "Did you
know Fouad Muallah has a master's degree?" "The guy you think killed
Tabor in Paris?" "Yes," Lucy said, pressing
her lips together to keep back a sigh. "He did his thesis on an
eighth-century Islamic poet, who was supposed to be some sort of
Arab Nostradamus or something." "I wonder why they wanted to
see us here at the Pentagon," Mills said worriedly. "So this terrorist was
interested in the Missile Defense system," Lucy continued,
wishing she were talking to anyone but Mills. "Why? Why would
anyone at less than a governmental level want access to that
information? Missile defense isn't a terrorist kind of thing. You
can't use it to bomb someone, or threaten someone. So why was he
so interested?" "I haven't done anything
wrong," Mills said. "I'm sure you haven't," Lucy
said soothingly, suppressing another sigh. "I decided to give you the
homicide project," Mills said thoughtfully, his knees bouncing to
the nervous tapping of his feet. "The DDCIA wanted me to give it
to Felix, but I thought you'd be a better man—er, analyst for the
job." "Thanks," Lucy said, and
looked over at him in surprise. Felix was only slightly younger
than her retired fellow analyst, Bob. "So did you tell the DDCIA
you gave the file to me instead of Felix?" "I did yesterday. He didn't
like it, and I don't know why." "Maybe that's what we're
about to find out," Lucy said. Mills stilled his feet with an
obvious effort when the door opened. "Admiral Kane," Mills said,
leaping to his feet. "Steven Mills. This is Lucy
Giometti." "Hello," the Admiral said.
There were lines in his face that were sagging with weariness,
but the uniform was sharply creased. "This is my aide, Lieutenant
Jefferson." Lucy and Mills nodded at Jefferson, whose face was
impassive above the white of his uniform. "So you're the girl who has
the BMD homicide file," the Admiral said with a charming,
grandfatherly smile. Lucy, who was looking at his
eyes, was not fooled by the smile. "Yes, sir," she said
politely. "Any new developments on the
case?" "Not so far," Steven Mills
said as Lucy opened her mouth. She looked over at Mills in
amazement. Mills gave her a warning glance, as though to tell her
to keep quiet and let him do the talking. Did he think she would
suddenly turn into his little fifties mouse
now? "Except for the Fouad
Muallah connection," she said smoothly, watching Mills's face
flush out of the corner of her eye. "We believe he is the contact
for Tabor's information, and probably his murderer." "But we don't have proof for
that, yet," Mills broke in quickly. "And we're not sure why,"
Lucy said. "I'm working on some information right now, but that's
as far as I've gotten." "What about the local
murders, then?" the Admiral asked. "The local detective hasn't
made any breaks in the case," Lucy admitted. "I don't have any
information other than the police and autopsy
reports." "I hear you're quite an
arrogant analyst," the Admiral said pleasantly, and for a moment
Lucy thought she must have heard him incorrectly. Then she saw
the glitter of his eyes. "You hear right, I suppose,"
she said, and kept her face pleasant and inquiring. It took an
effort. Behind Admiral Kane's shoulder she could see Jefferson,
standing quietly. Her heart felt as if someone had just dumped a
gallon of adrenaline into her system. She felt the beginnings of
a completely unexpected attack. "You're arrogant,
opinionated, and I question your commitment to your job. You
leave early, you always take lunch, and you never come in on the
weekends." "And I always get my work
done," Lucy said, still calmly. "I find that astonishing,
considering the amount of hours you put in on the
job." "I find it astonishing that
some people stretch an eight-hour day into a twelve-hour day
without getting anything done," Lucy said. But she could feel her
face flushing with emotion. She was itching to track down Muallah
and figure out what he was doing, and her time was being wasted
with this? "Did you bring me all the
way over here to chew me out? Don't tell me about commitment to a
job, Mr. Admiral, sir." She tried to keep from spitting
out the words, noticing Mills's white and desperate face and
ignoring it. "Commitment doesn't mean spending time at work or
brownnosing the boss. Commitment means applying your mind to your
work, which I do. I can get my job done in forty hours, and I do.
I love my job. But you can't destroy my life just because I love
my job. You can't ransom my brain and my skills. You don't like
my work, tell Steve to fire me. It won't even disturb my sleep."
There was a silence in the tiny room. Lucy could see Jefferson's
broad and delighted grin behind the shoulder of his boss. She
tried to calm her racing heart. She sat down without permission
and crossed her legs deliberately. She'd learned in a thousand
family arguments that the most infuriating position to take was
one of calm superiority. It worked on her brothers,
anyway. "You question my
commitment?" she said, and closed her eyes as though she were
bored with the conversation. She clenched her hands against the
armrests of her chair to keep them from trembling. "You're the
Missile Defense commander in chief and you've got fourteen dead
scientists. Now you've got a dead spy. What are you doing about
that? The same nothing you've been doing for years?" The Admiral laughed
aloud. "Just checking, Mrs.
Giometti," he said. "You're about to become one of a few dozen
people in the world to know this particular part of history, and
I wanted to make sure you were up to the task." Lucy opened her eyes and saw
the changed face of the Admiral smiling tiredly at her. He looked
grandfatherly and kindly. Mills, at her other side, was still
pale and shocked. "What the hell?" she
started, and Admiral Kane held up a hand. "Let me explain. Steve Mills
here is CIA to the core. He'll never leave. You might. You might
walk out the door tomorrow, as you put it so succinctly. That's
why we wanted Felix to have this file. You ended up with it." The
Admiral threw a steely glance at Mills, who paled even further,
although it didn't seem possible. "But what's done is
done. "I wanted to see what you
were made of, Lucy," Kane said. "You aren't going to like what
I'm going to say. You could damage national security by knowing
this information, but you could damage national security by not
knowing this information. So I had to decide." He grinned at her, and she
felt a reluctant and helpless liking for him. "That's why they put me in
this getup, to make these decisions. I'm going to show you
something, and let you make your own decision." "About what?" Lucy asked
evenly. "I've sent word to an Air
Force captain named Stillwell. Alan Stillwell. He's the OSI
officer that should have taken on this Schriever investigation.
He'll be at Schriever tomorrow night, and he's going to take over
the investigation from the civilian detective." The Admiral looked calmly at
Lucy. "He will be told to cover up the entire incident. No more
waves. No news. He'll bury it as deep as every other homicide on
this case. As of tomorrow night, the Schriever incident will be
closed." Colorado
Springs "Mrs. Bailey?" Eileen
asked. "No, I'm Susan. I'm her
neighbor. Who are you?" "Detective Eileen Reed,
ma'am, Colorado Springs Police. I'm investigating the murder of
Terry Guzman and Arthur Bailey." She held up her
badge. The one eye she could see
through the chain on the door regarded her doubtfully. The eye
looked at her badge, back at her face, then crinkled in what
could be a smile or a grimace of worry. "Come on in, then,
Detective. Meg is here, and I think she's up. I fixed her some
soup an hour or so ago, and she ate some of it." The woman fumbled with the
chain for a moment. The door swung open and a slender, lovely
girl looked at her. Eileen blinked in surprise, then looked at
the eyes again. The woman was in her forties around her eyes, and
in her twenties everywhere else, from the boyish curve of hips to
the curly black hair. "I'm Susan Lazecki. I've
been taking care of Meg since we found out. Come on
in." Eileen followed the
girl—woman, she corrected
herself—down a dark hallway and into
another sunny family area. This one was scattered with toys and
papers and magazines in an untidy mess. A huge gray cat was
sleeping on a pile of laundry in a basket. Eileen looked at the
clean clothes in the basket and got an uncomfortable image of Meg
Bailey, worried, getting ready to fold laundry, setting down the
basket to answer the phone call that would destroy her
life. Susan Lazecki turned around
in the family room and regarded Eileen nervously. "Please don't treat her
badly." "I just want to ask her some
questions. I knew Art Bailey, Mrs. Lazecki. I was working on the
murder of Terry Guzman when this happened." That was the wrong thing to
say. The young face with the old eyes sparkled with
tears. "Why couldn't you stop
it?" "I've been asking myself
that question since last night at eleven-thirty, Mrs. Lazecki. I
haven't had any sleep since the news came in. I still haven't
caught the murderer." Eileen didn't like the taste of the words
in her own mouth. She was tired and upset. She wanted to be
Harben, seemingly capable of dismissing emotion when it
interfered with her thought process. She sighed, and held out her
hand. Mrs. Lazecki regarded it,
and her, and then shook Eileen's hand. Her hand was small, but
her handshake was very firm. "I'm sorry," she said. "I
just—please don't hurt her. She didn't
want to cry, and didn't want to cry, and then she let it go all
at once. I haven't slept either, Miss—er—" "Eileen Reed. Call me
Eileen." "Eileen. She got up an hour
or so ago, and I fixed her lunch. And I—" "Susan tries to protect me,
I think," said a soft voice from the stairs. Eileen and Susan
Lazecki turned to look. Meg Bailey stood at the foot of the
stairs, dressed in dark sweatpants and a sweatshirt. Meg had
brown hair and soft brown eyes and fair skin that was gray and
lined with grief. She would be pretty, perhaps, with love and
happiness in her face. "I'll be okay to talk for a
little while," she said, and let go of the banister to walk to
the dining-room table. It looked like an effort. She sat down and
gazed at Eileen. "I'll just sit here, is that all
right?" "Will you be okay?" Susan
said. "I'll be okay. Art talked
about you, Miss Reed. He said you were working very hard on
solving Terry's murder." "Did he tell you why he went
out to Schriever last night?" Eileen asked, taking a seat at the
table. Meg's hands clenched on the tabletop. "No, he didn't. He's the
kind of man who gets up in the middle of the night when he
thinks—thought—of something, and then off he'd go
to work. He'd catch up on his sleep later. He—" Here Meg's voice scaled down to
a harsh whisper. "We were reading, we'd put the kids to bed, and
he stopped reading and looked at the wall. Then he got up and got
dressed and kissed me good-bye, and then he went. That was it.
Your other officer, Detective Rosen, he asked me this
too." "I'm sorry I'm covering the
same ground," Eileen said. "I don't want to waste your time, but
I wanted to speak to you personally. Also, I wanted to look at
Art's office, if he has one." Meg was already shaking her
head. "We don't have one. What
could he bring home? We have the kitchen organizer, that's where
we sit and do bills. Would you like to look through
that?" "I'd like to, please,"
Eileen said. "Detective Rosen already looked, though, didn't
he?" Both women nodded their
heads at the same time. Eileen sighed. Well, she had expected
that. "Detective Rosen was just
assigned to the case," Eileen explained. "He's good, and he'll
give me a thorough report, but he might have missed something. At
least, that's what I'm hoping." "What are you looking for,
Detective?" Meg asked. "Something to tell me why he
went out there. Can you remember anything different about what he
did last night? Did he make a phone call, or did anyone call
here? Someone had to know he went out there." "He did make a call," Meg
said, and scrubbed her hands across her face. She started crying
but didn't seem to realize it. "I told the policeman that too. He
made it from the kitchen. Sometimes he calls Nelson to tell him
he'll be going in. Sometimes he calls Joe, if he needs Joe to
meet him there." "Joe wasn't home," Susan
said quickly. "You know him?" "He's a friend of the
family," Meg answered for Susan. "Don't get defensive, Joe's been
cleared. That's what the other detective said. Isn't that
right?" Eileen nodded. "I know he
was in class. I'll be calling on him later to ask him about the
case. Art made a phone call? Do you remember what he
said?" "I don't. I heard his voice
in the kitchen, then he hung up the phone. Then he
left." "Was there something about
the conversation that was different?" Eileen asked. "Think about
every second. I know it's hard. But think. Did he talk for a long
time? Were the tones of his voice angry, upset? Did he laugh at
all?" "Please," Susan began, but
Megan Bailey held up her hand. "Yes. I remember." She
looked up at Eileen, and her expression was dazed, almost
hypnotized. "He didn't laugh, and he wasn't upset. He spoke for a
moment, then he hung up the phone. Even, measured tones. No life
to them at all. Like—" "Like he was leaving a
message," Eileen said. "That was it?" "Yes. Yes! He left a
message. It must have been Nelson he left the message for. Or
Joe." "A message," Susan Lazecki
breathed. "The message might still be
there," Eileen said. The tiredness was gone as though she'd
received an electric jolt. "Wherever he left it. Did he dial more
than one number?" "No, just one," Meg said.
"Just one." Her voice broke unexpectedly, and she bent her head
down so Eileen couldn't see her expression. She felt a terrible
pity for her, and a terrible anger. It was a hateful feeling, but
she didn't think about it. There was no time.
23 Black Forest,
Colorado Nelson Atkins lived in the
Black Forest, a sprawling stretch of dense forest east of
Colorado Springs. Sheltered from the prairie winds and set to
catch the moisture sweeping from the Front Range, the Black
Forest is a place of towering, thick pines. Eileen had been out
to the Forest occasionally, and found Atkins's house without much
trouble. The house was large but not pretentious, built to sit in
the sun along a stretch of meadow. There were some pretty horses
in the shade at the edge of the meadow, grazing
contentedly. Atkins opened the door when
Eileen pulled up. He was in jeans and a T-shirt, the first of the
off-duty Gamers to break the pattern of sweat clothing. Eileen
caught an immediate strong odor of horses as Atkins shook her
hand. "Just got in from grooming.
I asked Caleb to stay out and finish up." "Your son?" "Yes. He runs the horse
business with me," Nelson said, and gestured for Eileen to enter
the house. "We sell Appaloosas. My wife died three years ago.
Cancer." "I'm sorry," Eileen said
automatically. "It was quick. Caleb took
over the business. I was planning to sell after Cassie died, but
he convinced me to stay with it." Atkins showed Eileen into a
sitting room. There was dust on the cabinets and dead flies on
the sills of the quiet room. Caleb loved the horses, but he
didn't much bother with dusting or cleaning. Atkins was
oblivious. He looked stronger in his own home, more in control of
his environment. Eileen, watching the Game Day tapes over and
over, developed an impression of the Game Director as a man
uncomfortable with authority. A man who didn't want to lead. His
handling of Terry Guzman's poisonous personality was inept. He
was probably as oblivious to Terry's effect on his team as he was
to the tiny dry carcasses of the flies on the sills of his
home. "Do you want something to
drink?" "Thanks, but no. I would
like to look at your answering machine, if I could." There was no reaction from
Atkins except puzzlement. Eileen, who was braced for the guilty
reaction she craved, relaxed in disappointment. She didn't see
the other indication she was looking for either. She wanted to
see Atkins going through the mental check—"Did I do everything right? Did I
wipe the prints? Did I get rid of the tape?"—that Eileen had seen in a few
people who'd later been found guilty of murder. There was nothing
but puzzlement in the freckled face. "My answering machine? I
have voice mail, if that's what you mean. I don't have an
answering machine." "Did Art Bailey leave you a
message, Mr. Atkins?" Eileen asked, leaning forward. Would every
lead turn into this frustrating blank? "I have reason to believe
he left a message for you, or for someone on the Gaming
Team." "I didn't get a message from
Art," Atkins said. He grimaced and shook his head. "I checked
this morning, I use the same voice mail for the horses as I do
for work. There was nothing from Art. Why would he leave me a
message?" "Didn't he usually leave a
message when he went into work for a late night?" "Oh. Well, yes," Atkins
said, his expression so lost and wandering that he looked stupid.
Eileen remembered the veiled contempt that Art held for Atkins,
and the way the Gamers looked to Art or Lowell instead of Atkins
when they needed help. "Why are you the Game
Director?" Eileen asked neutrally. "I was the Assistant Game
Director when Paul Wiessman won the lotto," Atkins said promptly,
and looked so unhappy Eileen nearly burst into
laughter. "He won the
lotto?" "Yes, can you believe it? I
was supposed to be the assistant just for the last three years
before I retired. I didn't want to lead the Gamers. That wasn't
what I was supposed to do." "Why didn't you turn down
the job?" "I was only supposed to have
it for a few months. But the productivity was so high they wanted
to keep me. I didn't do anything, or at least that's what I
thought." And that's why the Gamers
wanted you, Eileen thought. You didn't do a thing and you didn't
get in the way. A perfect manager. "So the person before you
retired when he won?" "He was only thirty-three. I
guess you could say he retired," Atkins said grimly. "He fishes a
lot now, and rides dirt bikes for fun. The funny thing is, he got
the job by default too. The Game Director before Paul was Karen.
Karen somebody, I don't know. She was up and coming in the
Defense Simulations world, built the team, hired Joe and Art and
Doug." "Then?" Eileen prompted. She
was having a hard time keeping a grin from her face. "Then she took a diving trip
to the Bahamas," Atkins said. "She met a guy and fell in love and
never came back. She sent her badges by mail. Can you believe it?
Like a really dumb romance novel. Cassie used to read them all
the time." "Was he rich and handsome
and French?" Eileen asked, seriously close to collapsing with
laughter. She knew she was exhausted and that was affecting her
judgment, but this was hilarious. Her mother liked to read those
novels too. "Well, rich and handsome.
American. They run a dive shop. Joe's been down there for a
vacation. Karen was supposed to be the first woman on the board
of directors, she was that hot. And she threw it all away."
Atkins shook his head, but there was no censure in his voice. He
sounded glum and admiring at the same time. "So you ended up with the
job." "I did," Atkins said,
looking with a lost expression at Eileen. "I never wanted this. I
thought we were doing all right, and then Terry was killed. Now
Art. I'm going to resign. I'll lose some of my retirement
benefits, but not all of them. It doesn't matter
anymore." Eileen thought Atkins looked
like an old janitor who'd somehow ended up in the president's
chair. He really wasn't management material. "Can I check your voice
mail, just to make sure?" Eileen asked. "I'll call Joe from here.
I need to talk to him." "He'll be at the health
club," Atkins said immediately. "If he's not home. He works out
when he feels bad. I've got the number. I've called him there
before." "Okay," Eileen said.
"Thanks. You know, I think I'll change my mind about that offer
of a drink. Do you have a pop?" Atkins went to the kitchen
to get Eileen a cold drink, and she shook her head. She'd check
Atkins's voice mail and call Rosen to check on his progress, then
she'd meet Joe. She scratched at her cheekbone and refused to
think about how glad she was that Joe had an alibi for Art. She
also thought about how Joe didn't have an alibi for Terry. Joe
Tanner had one of the best motives for killing Terry Guzman, and
that lead hadn't ended yet. The Pentagon "I think you'll agree with
me after I've finished," the Admiral said. "Agree with you?" Lucy said
in a hoarse whisper. "Agree with me. I'm going to
have Jefferson here get us some supper. Lucy," Kane said, and his
face became a grandfather's again. "Trust me. Eat something and
calm yourself. It's bad for the baby." Jefferson spoke up then,
surprising both Lucy and Mills. "You better eat something. This
is going to be hard enough as it is." Lucy saw Mills look at
Jefferson with a frown, as though a servant had spoken up, and
her rage came under her control as she felt the familiar wash of
contempt for her boss. "That would be just fine,
Mr. Jefferson," she said. "I would like some supper. I didn't
realize we'd be here so late." Jefferson smiled at her with
an echo of his boss's kindly twinkle. "I've got an order already
in. Chicken and mashed potatoes. That's what I fed my wife when
she was pregnant and feeling peckish. It will only take me a
minute to get it." The Lieutenant left the
room, and Lucy turned to look at Admiral Kane. Her opinion of the
old man inched higher. "Young Jefferson will be
taking my place someday, I hope," the Admiral said thoughtfully.
"He's quite a brilliant young man." Lucy knew the position of
aide to a high-ranking officer in the Pentagon was highly sought.
Even though the job was basically that of a servant, the mantle
of command was almost inevitable. She wondered if Mills knew
that, or if he thought Jefferson was merely a servant. "What are you going to tell
us?" she said. "Can't you just summarize it in twenty-five words
or less so I can get home at a reasonable hour? After I've eaten
your food, of course." Kane smiled with his eyes.
He understood she was offering a little olive branch, and he took
it. Lucy felt a little better. Kane might be the kind of person
she could deal with. But why would he bury the
investigation? "I'm going to show you a
film," Admiral Kane said. "Ahh, Samuel. Supper." The chicken dinner was in
small bags, packed like lunch. But the paper bags were hot and
smelled delicious. "Let's get the film
started," the Lieutenant said, passing out the bags to Lucy, the
Admiral, and Mills. "I suggest you eat quickly. The first part
isn't so bad. You won't be eating much later on." "Are you feeling okay, Miss
Giometti?" the Admiral asked, and this time the solicitude was
real. Lucy felt sick with the swings of emotion in the room, but
she wouldn't admit that. And the food did smell
delicious. "I'm feeling all right," she
said. "I'll be all right." "Good girl," he said
warmly. Lucy opened her divinely
smelling bag of food. Lieutenant Jefferson started the film. He
didn't dim the lights all the way, so she could see her chicken.
She dug in. Garden of the Gods, Colorado
Springs Eileen found Joe Tanner's
car where he'd agreed to meet her. Garden of the Gods was quiet
and still in the late-afternoon heat. The deep red of the rocks
was paled by the sun. Eileen saw him as she parked her car next
to his. He was sitting halfway up the slope of a rock, in the
shade, in a white T-shirt and black sweatpants. Eileen chunked the door shut
and climbed the rock, the soles of her shoes gripping firmly.
They looked like women's dress loafers, but they had the
structure of running shoes, a recent invention that police were
finding very useful. She found a flat place next to Joe and sat
down. The shade was cool and good after the heat of the car and
the sun. The rock gave a good view of the spires of the Garden,
and the sprawl of the city beyond. "This is a pretty spot,"
Eileen said mildly. Tanner turned his attention away from the
view and looked at her. His eyes were red-rimmed. Lack of sleep?
Tears? Eileen didn't know. "Thanks for meeting me
here," Joe said finally. "I don't think I could be inside right
now. I didn't even go running. I've just been sitting
here." "I'm sorry about Art,"
Eileen said, and waited for the accusation. She should have found
the murderer before now. She should have stopped this from
happening. She turned her view to the drowsing city beyond the
red-gold spires of the Garden and waited. "He should have called you,"
Joe said surprisingly. "Art was all heart and brain and no common
sense. He figured out who the murderer was, and the murderer
found out." "How do you figure that?"
Eileen asked casually. "Because he was killed at
the Center," Joe said. "He was there at midnight and he was doing
something. He told me about the tiles, by the way. I never
thought of them either. Then Art must have remembered something
else. I've been awake all night trying to think of what it could
be. Whatever it was, he was on the right trail." "I wonder," Eileen
murmured. "Oh, come on," Joe said
harshly. "Don't try that Detective Columbo bullshit on me. Who do
you think you're dealing with, a bunch of idiots?" "I don't think I'm dealing
with idiots," Eileen said steadily. "I haven't found the murderer
yet, now have I?" Joe surprised her with a
deep and husky laugh, then turned his head away and coughed. He
kept his head averted for a few moments. "God, I miss Art," he said
finally, turning back to her. "Do you think I did it? Killed
them?" "I know you didn't kill
Art," Eileen said. "Unless you're not acting alone." "Sure, one of Doug's
conspiracy gang," Joe said. He blinked firmly a couple of times
to clear his eyes. "Tell me. Why is it easier now?" "For some, there's no
feeling at all after a while," Eileen said. "But not for
you." "No, not for me." There was silence between
them. Joe was looking at her curiously, and for the first time
Eileen felt uncomfortable. He was really looking at
her. "Do you think there's a
conspiracy?" "I don't know," Eileen said,
and shrugged her shoulders. This was getting nowhere, and she was
finding herself increasingly aware of losing her grip on the
conversation. "Hey, I'm really hungry,"
Joe said. "Do you want to get something to eat?" Eileen's stomach responded
before she did; her last meal was the huevos rancheros at Doug
Procell's house that morning. The growl was audible to both of
them. Joe grinned, then laughed, and Eileen laughed with him.
Nobody who laughed like that could be a vicious murderer, her
heart insisted. What the hell was wrong with
her? "Come on," Joe said, getting
to his feet and holding out his hand to her. "Let's get some
food." "I know a place near here
called Joni's," Eileen said, getting to her feet and brushing off
the seat of her slacks. "Oh, yeah. Old Victorian
House. I've never been there. I'll treat." "That would be a bribe,
Joe," Eileen said severely, feeling like bursting into very
undetective-like laughter. "It will have to be my
treat." "Okay," Joe said
immediately. She had not taken his hand, so he dropped it
reluctantly to his side. "You first," Eileen said,
and Joe immediately understood. He grinned
sarcastically. "Of course, Detective," he
said, and turned to go down the rock. Then he turned back, and
his face was so serious Eileen nearly took a step
back. "Don't trust anyone," he
said. "I'm glad you don't trust me either. You shouldn't trust
anyone until you find out who this is." "That's what they pay me
for," Eileen said with a confidence she did not feel. "Okay," Joe said, and turned
to make his way down the rock. "Let's take my car, so you can
hold your gun on me while I drive." Eileen didn't have to see
his face to know that he was smiling again. Mashhad, Iran Muallah felt reborn as he
bathed in the warm Arab water. The few hours of sleep had been
deep and restful, and he woke humming with energy. He dressed
quickly and rolled out his prayer rug for morning prayers. His
prayer rug was an oddity, an ancient Persian weave that showed
the mosques and towers of a city on one half of the design. Most
Arab designs were abstract; the idea of representational art was
considered sinful and an attempt to emulate Allah. This rug,
which Muallah had found in Baghdad over twenty years before, was
very rare. He knew at once that it was meant for the One of the
Prophecies. The city over which he knelt every morning was the
rebirth of the Arab Empire. Allah had promised this to him in
return for his service and devotion. Muallah prostrated himself
on the rug, facing Mecca, and prayed. When he left his room the
smell of good coffee filled the air. His team was awaiting him in
the large central room. The coffee was untouched, of course, for
he would have the first cup. They knelt, twelve men with faces
all alike in their devotion, waiting. "Allah be with you!" Muallah
said with a broad smile. The men smiled back at him, except of
course for Ali, who never smiled. "Come, let us share coffee and
break our fast, and we shall begin." "Do we leave today?" the
helicopter pilot, Assad, asked. "This afternoon," Muallah
promised. The pilot nodded and chewed his lip. His craft was an
old Soviet Hind, lovingly maintained. Assad was a worrier,
however. He wanted his Hind to be perfect, and there was always
something leaking or separating or wearing out. "The helicopter is ready,"
Assad said stoutly at a raised eyebrow from Muallah. As soon as
the coffee was over, however, Muallah knew that he would rush to
his machine for last-minute preparations. "The weapons are ready,"
Haadin said. "We just need to know
where," Rashad said eagerly, sipping his coffee. "There is a silo outside a
town named Turtkul, in Uzbekistan," Muallah said. He nodded at
Ali, who unrolled the maps they'd carried from Paris. Ali held
one half of the map and Rashad held the other. The small town of
Turtkul was marked with red pen. "We should be able to fly there
within a few hours." The men leaned over the map, their coffee
forgotten in their hands. Muallah sipped his with appreciation,
leaning back against the comfort of the richly embroidered
pillows. "Is it well guarded?" Haadin
asked. "These silos are nearly
forgotten," Muallah said scornfully. "The rotting hulk of the
Soviet Empire fills the air with its stench. There may be four,
five soldiers at most. They won't be prepared for us." "Mahdi," Assad said softly.
Assad, the worrier. Muallah knew he was a weak team
member—perhaps because he loved his
helicopter so much. The worship in Assad's eyes was dimmer than
that in the others. He loved his Hind, perhaps more than he loved
Muallah. That was annoying to Muallah. But Assad and his Hind
were vital. "Yes, my son?" Muallah said
gently, though Assad was at least a decade older than
he. "What do we do here, Mahdi?
How does this fulfill the Prophecy?" Muallah couldn't help
himself. He was so filled with excitement and delight, so ready
for action after years of planning and waiting, that he threw
back his head and laughed. His coffee cup rattled on the tiny
saucer. His Chosen Ones smiled at his laughter, not knowing why
he laughed but glad that he was laughing. Assad, too, smiled. But
his eyes were dark and worried above the smile. "My son, it is time,"
Muallah said. "All of you, it is time to know the whole
plan." Ali, who knew the plan,
watched the other team members instead of Muallah. As Muallah
explained his plan, Ali gazed from one man to another. His eyes
were as expressionless as his face. If any faltered, they would
not leave the room alive. Ali reached inside his pocket and
caressed the coil of wire that always lay within. There would be no turning
back now, for any of them.
24 Colorado
Springs Joni's was uncrowded, quiet,
and cool. The house was left largely intact, with separate
parlor, dining room, and living rooms. The walls were decorated
in the fussy, crowded Victorian way. The tables were generous and
the chairs comfortable. There were no more than two or three
tables in each room. The air smelled of fresh bread and
herbs. As they stood in the front
hall a tiny woman appeared from the back and smiled broadly at
Eileen. "Eileen!" she said, and held
out her arms. Eileen grinned and hugged her. "Joni, this is Joe Tanner,"
she said, and the woman looked sharply at Joe. Joe smiled
politely. Joni was an old woman, with a network of wrinkles
across a miniature face. Her eyes were bright and sharp. Her
lined cheeks were rosy from cooking. She had small white teeth
and a halo of white hair, held back by a girl's flowered
headband. She was wearing a flowered dress and a calico apron, a
childish costume that suited her. "Joe," Joni said. "Eileen
finally brings a man to my place! I celebrate. Sit in your usual
spot, my dear, I'll bring your coffee. Would you care for coffee,
Joe?" "A big glass of water
first?" "Of course." Joni whisked back down the
hall. "She's a good friend,"
Eileen said with a half-embarrassed smile. "She got robbed two
years ago, and I handled the case. We ended up friends." She
indicated the passageway with her hand, and Joe followed her into
the dining room. There were four small tables, one in a bay
window nearly covered with vines. Eileen sat down at the bay
window table. "This is really nice," Joe
said. "It's like being underwater." The westering sun poured
through the leaves, lighting the alcove with shafts of gold and
green. The afternoon breeze made the shafts dance and flicker,
moving through the open windows and stirring the napkins on the
table. "My spot," Eileen said.
"Joni doesn't save it for me, particularly, but if I call ahead
she will, and if it's empty it's mine. I come here for breakfast
almost every Sunday." Joni appeared and set down
water and coffee, giving Joe another of the quick, birdlike
glances. "I'm fixing roughy with
Jamaican sauce today, sound good? You like fish?" She addressed
her question to Joe, ignoring Eileen. "Fish would be fine," Joe
said. "Good," Joni said abruptly,
and vanished. Eileen poured cream from a
tiny porcelain pitcher, stirred her coffee, sipped it, and sighed
in pleasure. The Pentagon The film Lucy Giometti was
watching was produced in the same television studio where Eileen
Reed was spending so much of her time. The film was professional
and crisp, with the flavor of a documentary. The narrator had a
deep bass voice, soothing and beautiful. "The so-called Star Wars
program was canceled in the mid-eighties," the narrator said.
"But the new Ballistic Missile Defense program was born out of
the ashes, born in secret and built under the blackest program
since the Manhattan Project." Somehow the dramatic words
sounded just right in that buttery-rich voice. "The President had made his
decision," the narrator said. "The Missile Defense program would
not be canceled. The following film is from a test made a little
over a year after the public cancellation." The view switched to an
object in space, shiny as a tin can and shaped vaguely like one.
Lucy wondered how large the object was, since there was nothing
to compare it against. Then an arm came into view, the arm of the
astronaut who was operating the camera. The object was tiny, Lucy
realized. It was smaller than the astronaut. "This is a Brilliant
Pebble," the narrator said proudly, sounding like a father
introducing his son, the doctor. Lucy grinned around her
chicken. The Pebble floated above the
huge blue curve of the planet. "Man, look at that little
sucker," the astronaut-cameraman said in a Dallas accent. "She's
so tiny. You gonna do this test, or am I gonna float on my ass
out here all day?" The Pebble responded by
unfolding her delicate eyes. The goggles turned toward the
astronaut, and he burst into delighted laughter as the Pebble
appeared to wink at him. "Wiggle that fanny, honey,"
the astronaut said, then laughed again as peroxide jets squirted
out and made the little Pebble appear to dance back and
forth. "Could you can that, Major?"
an irritated voice said over the communications link. The
astronaut's body floated upward a few inches; he had shrugged
inside his suit. The Pebble turned slowly until it faced the blue
earth beneath it. The goggle eyes continued to scan back and
forth, steadied by tiny bursts of peroxide jets. "Beautiful," the astronaut
murmured. "We have Brilliant Pebbles,"
the narrator said. "The BPs are loaded with command software.
They can destroy ballistic missiles in flight much like the
Patriot missiles destroyed incoming Scuds during the Persian Gulf
War." "I heard the Patriots
actually weren't very effective," Mills said. "Disinformation," Lucy and
Jefferson said at the same time. Lucy smiled at the aide, and he
grinned back. She knew there was something fishy about those
pooh-pooh reports after the war was over. She watched CNN every
night and saw the missiles getting hit by Patriots. Somehow she
couldn't make herself believe all the reports about how they
"didn't really work very well." "The Patriots had to be
discredited or foreign governments might become suspicious about
our 'canceled' Missile Defense program," Jefferson explained to
Mills. "We also have ground-based
missiles much like the Patriots, even more powerful than the
original missiles, capable of destroying a delicate reentry
vehicle in flight and rendering the incoming missile harmless,"
the narrator continued. There was another shot, this
time one familiar to Lucy from her memories of the Persian Gulf
War; a hissing, screeching missile launching itself skyward from
a rack mounted on some sort of truck, and then the spectacular
fireworks as the missile hit something in the sky. Lucy began to
nod as the narrator continued, discussing the plans for the
future installation of Patriot-type missiles around American
cities. The end of the documentary
showed another shot from the Shuttle. The earth floated before
them, blue and white and pure. For a moment the image held, and
then it faded. Lucy couldn't take her eyes from the earth. It was
heartbreakingly pure and beautiful. The image faded and the
President's image appeared. "I may not be the President
now," he said. He was correct; he'd left office at the last
election. "But what we Americans have is a great thing. We can
stop a nuclear missile from destroying a million innocent people.
No country knows that we can do this. Most Americans don't know
that we can do this. But now you know." The President leaned
forward, and seemed to be looking directly at them. "Your heart should be full
of pride at your people, your countrymen and -women who made this
possible. We have to keep funding for the shield. For all our
sakes. For all our children's sakes." The screen held on him for a
moment, then went dark. Lieutenant Jefferson went to the back of
the room and the lights came up. "This is shown to senators
and representatives, isn't it?" Lucy asked Admiral Kane. He was
looking at her with sad eyes. "Yes, it is. Any congressman
who wants to get feisty about 'black project' defense spending
gets a little trip to this theater. The members of the Armed
Services Committee have seen this film. We get our
funding." "Why isn't it made public?"
Mills asked in bewilderment. "I don't understand. We could be
heroes to the whole world." "The world is much less
peaceful now that the Cold War is over. Nuclear weapons are in a
lot of hands that I don't even care to think about." "The shield works partly
because few hostile countries know we have it," Jefferson
explained. "Once they knew, they'd start figuring out ways to
defeat it. Since they don't know ..." He shrugged. "I see," Lucy said. She was
beginning to see, and she didn't like the direction her thoughts
were heading. "What about hand-carried
nuclear devices—you know, like truck bombs?" Mills
asked. "What good is the system against those?" "Carry a nuclear device in a
truck for a week and see how much hair you have left," Jefferson
commented with a small, cynical smile. "If a truck bomb could be
nuclear, there probably would have been one by now," Kane agreed.
"We're still worried that someone will figure a way to shield a
bomb and transport it and set it off, but the logistical problems
are intense. Governments are more likely to use a nuclear device
and they are most likely to use airborne methods of
delivery." "Airborne," Lucy
murmured. "Can't other countries see
the Brilliant Pebbles?" Mills asked. "Oh, you mean with
telescopes?" Jefferson smiled. "A Brilliant Pebble is tiny. Each
one is about as big as a medium-size dog. Space is big. We can't
even track them on our radar systems; we see them through radio
signals that they send to us." "Dogs," Lucy
murmured. "Doberman pinschers, more
likely." Admiral Kane smiled at her. "Watchdogs." "If the Missile Defense
homicides case goes public," Lucy said slowly, feeling a taste
like something terrible in her mouth, "then the whole project
could be hauled into the light of day." "Exactly, my dear. Which is
why you are here today. Which is why we have to haul this project
back into the black. We are dangerously close to breaking on this
Schriever incident. If this police detective isn't taken off the
case, she might discover our other problems." "Our other problems," Lucy
said. "Our twelve other problems. Our twelve dead problems. And
the spy." "They are twelve. We've got
the life of the whole human race at stake here," Admiral Kane
said, but he didn't sound pleased. "I don't like it either, but
we have to continue down this course. We're not just Americans
here, we're human beings. We could save New Delhi from a conflict
with Pakistan. Or Seoul, South Korea, from an attack by North
Korea. Our path was set by others, but we still have to follow
it. We invented nuclear weapons, and now we are going to stop
them from being used. We have to keep the secret." There was silence in the
little room. Lucy nodded finally, her shoulders bowed. "I understand," she said in
a low voice. "I agree, Admiral Kane. I'll let the Schriever case
be buried as completely as all the other cases." She looked up at
him. "But Fouad Muallah may be a bigger threat than we know. I
would like permission to continue working on that
case." Admiral Kane considered, and
Lucy's fingers clenched the armrests of her chair. Then he nodded, and she
heaved a sigh of relief. "I trust your discretion,
Lucy," he said. "Thank you," she said. Even
with that small victory, the taste was terrible. Those poor
people out at Schriever. She was going to have to find a bathroom
after all, it seemed. "May I go now,
please?" "Of course," the Admiral
said. Jefferson leaned toward her and spoke quietly in her ear.
He was telling her the directions to the ladies' room, she
realized. "Thank you," she murmured to
him, and gathered her bag. She made it to the ladies'
room with seconds to spare, but at least she hadn't lost her
dignity by running. Colorado
Springs For a space of time, in the
green underwater light, nothing of blood or murder existed.
Eileen asked Joe about his childhood, where he had grown up, what
he had done as a little boy. Eileen loved to listen to people
talk about themselves. Joe Tanner, not surprisingly, talked a
great deal. Eileen had learned years before that her delight in
listening to people's stories was extraordinarily useful.
Everyone liked to talk about themselves. Joe talked about his summer
car trips, the swimming lessons, bright sunny days. His family
was very poor, but all the children worked their way through
college. His sisters and brother were all very close. He loved
computers, loved the relentless logic of them and the
satisfaction of making them work. He was a computer nerd with an
athletic bent. He refused to turn pale and doughy like his other
computer friends: Somehow Eileen found
herself, during the main course, explaining about growing up on
her parents' ranch, near Devil's Tower in Wyoming. Her school
years were spent farmed out in the Smithsons' family home in
Belle Fourche, South Dakota. She told Joe how it was to wait
through that last week of school, both dreading and longing for
the day when she could be home with her mom and dad. "No brothers or sisters?" he
asked. "No," she said. "A brother I
never knew. He was only a few months old when he died. A heart
problem, my parents said. That was before I was born." "I'm sorry," Joe said. "Your
parents must have been very happy to have you." "They were, really," she
said. "They never clutched, as you might've supposed after that.
Just let me be. I was lonely for a brother or sister, I think,
but it didn't really matter." "Where are they
now?" "My parents? On the ranch,
of course. They're only in their sixties; they still run over a
thousand head of cattle on the land." "Wow," Joe said, sitting
back in his chair. "I didn't really think— Hearing your stories, I guess I
had an image of Little House on the Prairie, you know,
your mom in a bonnet or something..." "Not exactly," Eileen said
wryly. "They come to Denver once a year at least, for the Western
Stock Show, and every few years they take a trip—Canada, Bahamas,
England—for a whole summer. They like to
travel." "You didn't stay and be a
rancher?" "I joined the Air Force. I
wanted to fly, I thought, when I would see those contrails and
hear the jets in the sky." "Why didn't you stay in?"
Joe asked. "I quit," Eileen said. "I
flew A-l0s—warthogs, they're called, ugly and
fast. A friend of mine—" "Well, hello," Joni said
behind them, and poured more coffee. A silent busboy whisked away
their plates. "Dessert, you must have dessert. Let me show this
charming young man my very best." "Dessert, of course," Eileen
said, smiling at Joni and mentally shaking herself. The idea was
to get Joe Tanner to talk about himself, not to listen to herself
babble. "What about your friend?"
Joe asked. "Oh, nothing," Eileen said,
too brightly. "That's way in the past now. So how did you get
this job at Schriever?" Joe looked at her and
grinned insultingly. "A poor segue," he said. "You're not
supposed to be that obvious, Columbo." Eileen had to smile back.
"Caught red-handed," she said. Joni came by after they'd
eaten their flaky pastries. She brushed a kiss against Eileen's
cheek. "On the house, my girl, today," she said. "Come back
anytime, and bring this handsome devil too," and she smiled at
Joe. "You get your meals free
there?" Joe asked as he held the door for Eileen. The summer
night was upon them, rich and warm. A few bugs beat their wings
against the porch lights. "Not always. Not so often
that I expect it, just enough so it's a treat." "What favor did you do? You
said she was robbed?" "She was robbed and beaten
and raped, Joe," Eileen said. "And I caught them, and talked her
into testifying, and they are in prison for a long, long time
because I did everything right. I got the paperwork all filed and
I got Joni to have pictures taken of her in the hospital and I
didn't violate any procedures. I won one, that time." Joe put his arm through hers
and hugged it against him. He didn't look at her. "I'm glad," he
said. "I'm glad you won that one." When his headlights lit the
small dark shape of her car, she felt regret that the drive
hadn't been longer. The Garden of the Gods was very dark, and the
monoliths loomed over the narrow asphalt of the road. Joe got her
door and took her hand to help her out, and for a moment they
stood, listening to the crickets. "Look at the stars," Eileen
murmured. They were brilliant, made more visible by the stone
spires blocking the light of the city around them. "Let me follow you home," he
said at last, dropping her hand with a regretful little
squeeze. "You don't have to do that,"
she said sharply. The fizz abruptly went out
of the night. Joe blinked and dropped his head to look at the
ground. He rubbed his hand across his forehead. "Well, that was a dumb thing
to say," he said sadly. "I forgot everything. I just wanted to
make sure you got home safely, that's all. I'm sorry." "That's all right," Eileen
said. She felt as sad as Joe looked. Under other circumstances
... She held out her hand. Joe shook it warmly and tried on a
version of the sunny grin he'd had earlier. "Maybe when this is all over
we could try another dinner," he said. "That's a promise," Eileen
said. She knew Joe Tanner wasn't the murderer. She knew it with
all her heart. But she still waited until he had driven out of
sight before starting up her own car.
25 Great Falls,
Virginia Ted Giometti held his wife
and thought passionately about murdering that skinny WASP
pipsqueak, that washed-out pale-eyed rat-faced creature, that
Steven Mills whose headstone he would deface after he was buried,
whose entire family he would... "I can't tell you why," Lucy
sobbed, grinding her flushed face against Ted's shoulder. His
shirt was already damp from the flood of her angry tears. "I
can't tell you why. I—" Here she broke down again,
crying out her rage and striking at her husband's solid chest
with her fists. Ted was not a huge man, but he was strong enough.
He scooped up his pregnant wife and carried her to bed, managing
not to stagger. He knew he wouldn't be able to do that soon.
She'd weigh more than he did if she kept up her weight gain. He
laid her on the bed and gathered her up in his arms. She cried for a long time,
long enough that he became worried. They were Italian Americans,
he and Lucy, and their culture knew about grieving. Italian men
didn't hold back their emotions, didn't absorb the poisons of
grief into their system. Leave that to the pale WASPs like Steven
Mills. Ted comforted himself with imagining Mills stumbling
around his house, clutching his chest or his head as the heart
attack struck or the aneurysm burst in his brain, blood flooding
from his mouth and ears. Lucy's crying tapered off and finally
stopped. Her breathing slowed and her body relaxed. She'd wept it
out. She slept. Ted held her, glad that she
was all cried out. He kissed her damp forehead and slowly
extricated himself from her sleeping grasp. He'd wake her in an
hour, after he'd fixed some good pasta for her. After her cry,
she'd be famished. He paused at the door and
looked at the rounded sleeping curves of his wife. Then he turned
away to make his way to the kitchen and start supper. Mashhad, Iran A decade ago, Ala-ad's
report would have been painstakingly typed, photographed, and
mailed through various tortuous channels until it reached
Langley, Virginia, weeks after it was written. Even after it
reached the CIA, an analyst might never look at it; there was
always too much data and too few analysts. That was before the
Internet. Ala-ad's boxy IBM computer had a pitifully small
processor and a painfully slow modem, but for Mashhad he was far
ahead of the times. Ala-ad used his computer to run his business
accounts, print out his employee paychecks, and keep track of his
aircraft fuel. He sold all types of aircraft fuel at the Mashhad
airport. Ala-ad typed his reports
with two fingers. He had only two fingers on one hand, three on
the other. His fingers were the least of his losses during the
Iran-Iraq war. His wife and son were dead, used by the Ayatollah
as human shields during the most desperate years of the fighting.
Ala-ad should have been grateful to dedicate his wife and son to
the glorious Ayatollah. He was not. Ala-ad had some funny ideas
for an Iranian, ideas that his wife, an Oxford graduate, had
filled his head with during the short, sunlight-filled years of
their marriage. The idea that all men are created equal, that
Ala-ad should be able to have life, liberty, and the pursuit of
happiness. These goals were reconcilable with the religion of
Islam, Ala-ad knew. In fact, the Prophet Mohammed himself was the
originator of the concept that each man is his own religious
leader, not a sheep in some leader's flock. Somehow through the
centuries Mohammed's ideas had been corrupted. Ala-ad had lost
his wife and his child because of that corruption. He sent reports that might
be interesting to the CIA not because he had any real hope that
Iran might someday be an Islamic democracy, but because it was
something to do to pass the time until he could join his Liah and
his beautiful little boy, Adda. There wasn't much in Ala-ad's
idea of the future. That had ended with Liah. Today he wrote about Assad
and his precious Hind. Assad was worried that they would get shot
down over Uzbekistan as they tried to take over some old Soviet
silo. They were going to stage some sort of terrorist event,
Ala-ad figured, but Assad didn't come right out with the plan.
Assad loved his Hind and was worried he would have to leave it
behind if there were no fuel reserves at the missile
silo. Before Ala-ad finished his
report, he wrote down all the names Assad had mentioned, as he'd
been trained to do by his dead wife's Oxford professor who had,
in turn, been trained by the CIA. Ala-ad wrote down the names he
remembered: Rashad, Ali, and the leader, Fouad
Muallah. Ala-ad sent his report via
modem to a number in Tehran that was actually a rerouted number
to Berlin. The Berlin office forwarded the electronic report
automatically to Langley, Virginia, where it joined hundreds of
thousands of documents from around the world in the huge
databases of the CIA computers. Within the computer Lucy's
search engine was still running, looking for information about
George Tabor, missing dogs in Paris, and the name Fouad
Muallah. Colorado Springs
Investigations Bureau For an entire morning, like
a child stuck with homework during a beautiful day, Eileen sat at
her computer. She was in Harben's office at seven-thirty, and
from eight o'clock until noon she was embroiled in paperwork.
Rosen briefed her on his investigations the night Arthur Bailey
was murdered. Could it have been only a day ago? Eileen felt the
sense of time slipping away. She was nearly frantic by the lunch
hour. "Everything we need is
here," Rosen said sensibly. "You wouldn't learn anything more by
driving out there." "I haven't spoken to Sharon
Johnson again," Eileen said, rubbing at her temples and glaring
at Rosen. He was easier to glare at than Harben, although he
seemed to be as unaffected by her impatience. "Why would you need to speak
to her?" "Well, look at my notes.
Every single damn one of them hated Terry Guzman. Every one of
them had a good reason to wish her dead." "How about
Lowell?" "Lowell particularly. Maybe
he knew about 'Berto. Jealousy?" "Could be," Rosen admitted.
He was sitting across from Eileen and his long legs were propped
up next to the keyboard. He wore sensible dress shoes that, like
Eileen's, were actually running shoes. "But we have no indication
he found out. You want to go talk to him? He's not out at
Schriever today." "No shards of metal found
anywhere," Eileen muttered, changing the subject. "No shards. No blood on any
clothing in any of the Gamers' houses or apartments." "Did you read the autopsy
report from Rowland? I skimmed it, but I didn't see anything in
particular." "I didn't see anything
either," Rosen admitted. "Nothing that would point a finger
toward the suspects. I skimmed your Procell file,
too." "And?" Eileen prompted.
Rosen had fallen silent. His face was turned to the windows. The
massive flank of Pikes Peak showed the shadows of the first of
the afternoon thunder-showers. "In my opinion they are
murders," Rosen said flatly. Eileen was surprised. "Really?" "Yes, really," he said, and
shrugged. "Nothing we can do about them. I don't think they're
related to Guzman or Bailey. This case doesn't fit Procell's
pattern." "But you think they're
related to each other." "Yes," Rosen said. He
glanced over at Eileen. "Nothing we can do. Scientists are being
murdered in the Defense Department, and if the Defense Department
chooses to do nothing, that's their business." Eileen felt chilled. She'd
removed all references to the Ballistic Missile Defense program
before she'd placed the file on disk. The file was unclassified
now, but what would Rosen have said had he seen the complete set
of information? "What we need to do is solve
these murders, is what you're saying," Eileen said. "Do you know
the OSI is going to be here in two days? I'd bet you my pension
there will no longer be an investigation in two days." She ran
her fingers through her hair. "We can't let that happen. We just
can't." "Well, that may be," Rosen
said. "And may not be. Right now I think we need to blow off some
steam and think things over. How about blowing away some targets
at the range?" Eileen glared at him for a
moment more, then sighed and grinned. "Lead the way, Ros," she
said. "That sounds like heaven to me." Central Intelligence Agency,
Langley, Virginia To Lucy, Fouad Muallah was
like an itch between her shoulder blades, an itch she couldn't
reach. The thrust of Muallah's master's thesis was an attempt to
prove that the prophecy of al-Hallaj had not been fulfilled by
the collapse of the Ottoman Empire. His thesis wanted to leave
the reader believing that the prophecy was yet to be
fulfilled. Lucy picked up a sheet of
paper. She'd printed out the poem just so she could look at the
words on paper. Prophecy is the Lamp of the
world's light; But ecstasy in the same
Niche has room. The Spirit's is the breath
which sighs through me; And mine the thought which
blows the Trumpet of Doom. Why was this poem important?
What connection did it have to the Ballistic Missile program? If
only she knew what George Tabor had carried to Muallah. The
information was somehow vitally important; Muallah had not only
killed Tabor, but also his Parisian girl Sufi. He no longer had a
base in Paris, and that obviously didn't matter anymore. Charles
D'Arnot had no further information for her. Wherever Muallah had
gone, it was beyond the bounds of the Paris police. Lucy opened her food drawer
and rummaged. Today her baby demanded beef jerky. She had six
different kinds, every flavor the local 7-Eleven had
provided. "Teriyaki, is it?" she
murmured to her baby, ripping a package open with her teeth.
She'd never had beef jerky before today, until the person ahead
of her in line at the gas station bit off a mouthful from a hunk
of jerky he was holding. The pungent smell should have sent her
to the bathroom. Instead, she'd bought every flavor she could
find. "Mine the thought which
blows the Trumpet of Doom," Lucy said around a mouthful of jerky.
There was something there, something that felt like cold fingers
pressing along the bottom of her spine. A cartoon police cruiser
suddenly howled across her screen, tiny lights flashing, and
skidded to a stop at the bottom of her screen. Denver Animal
Shelter Fancy lay in her kennel with
the sound of dogs howling all around her. She whined every once
in a while, but she wasn't a howler. The kennel keeper, Debbie,
was a stout young woman with short black hair. She fed Fancy and
patted her on the head. "I'm sorry your owner had to
move away, Fancy," Debbie said as she hosed the kennel. "He was
cute, wasn't he? What a pretty set of eyes, all that blue with
those thick brown lashes." She sighed, rubbed Fancy's ears, then
moved to the next kennel. Later that day a puppy was
adopted by a young boy. His parents stood and talked to
Debbie. "Good choice. Those pups are
a good mix," she said approvingly. "How big will he be as an
adult?" the mother asked. "He's a blue heeler mix. No
more than forty pounds or so." At closing time, Debbie
walked down the kennel corridor and took away a German shepherd.
Her face was set and sad as she walked the dog toward the back of
the kennel. When she returned, alone, she hosed out the empty
kennel and hung the leash on a hook by the door. She moved two
dogs from an overcrowded kennel into the empty space. She turned
out the lights. Fancy stopped pacing. She
lay down on the bare concrete and put her head on her paws. The
silk of her fur was already getting matted and dull. Fancy, like
Eileen, like Lucy, had only two more days to go. Oklahoma The Chinook developed engine
trouble over Oklahoma. The pilots weren't happy about the
performance of the new helicopter before they'd gone a hundred
miles, but they weren't paid to be finicky. They had to have a
reason to ground a helicopter that cost over a million dollars.
To say "It just doesn't feel right" wouldn't do. But the engines didn't feel
right. They responded sluggishly in the thick Alabama air, and
the pilots knew how helicopters did in the thin air of Colorado.
In a word, terrible. Stillwell, in the back, had a sickening
headache from the ill-fitting flight helmet. It felt as if a
blunt drill were being ground slowly into his head. But taking
off the helmet would be suicide to his eardrums. The noise of the
twin-rotor helicopter was unbearable. Stillwell hung miserably
on, unaware of the pilot's increasing nervousness. Right around noon the oil
pressure in the main engine sank. The pilot was paying very close
attention to each gauge and dial in his complex aircraft. Things
weren't right, and he was expecting trouble. "Oil pressure!" he shouted
over the comm link. "Autorotate!" He started the autorotation
process. The autorotation of a helicopter consists of disengaging
the rotor system from the rotor blades. The rotor blades can then
spin free like the propellers of an aircraft. The free-spinning
blades should provide enough lift to set the helicopter down,
although roughly, in one piece. Stillwell, hearing the shout over
his flight helmet's headset, clutched his flight bag to his chest
and closed his eyes. Brightly printed on his mind's eye was the
sight of two dead pilots whose autorotation system had failed. In
that incident the controls of the aircraft were seized out of the
pilot's hands as the rotor system locked up, ripped out of the
bottom of the aircraft as the system disintegrated. There were
blank looks of astonishment on the pilot's dead faces. This time the autorotation
didn't fail. The system disengaged and the ungainly Chinook
dropped out of the sky and came to an abrupt, jarring landing in
an Oklahoma field. Corn stocks rustled and crunched under the
helicopter's landing skids. There was silence, and a series of
rapid clicks as the pilots shut down their system. "She'll be good to go in a
week, I'd say," the pilot said cheerfully. "No systems are
damaged." The copilot nodded and clapped the pilot on the
shoulder. "Damn nice landing,
Richard," she said. "You okay back there, Major?" Stillwell nodded, unable to
speak. He still couldn't believe he was down safely. "You wouldn't happen to have
any shorts in that bag, would you?" the pilot said, unhooking his
helmet and placing it on the floor of the aircraft. He turned
toward Stillwell and climbed into the seat next to
his. "Let me take this off for
you," he said, and as he removed the helmet Stillwell could hear
him again. "You have any shorts in that
bag?" the pilot asked again, patiently. "Yes," Stillwell whispered.
His lips felt icy and numb. "Why?" "Because I pissed myself,"
the pilot said. "I'll borrow some if you've
got three pair," the copilot said, removing her helmet and
revealing a puglike, cheerful face. "I knew I should have worn my
diaper today." Stillwell looked out the
windshield of the helicopter, and all he could see was corn. He
looked to the sides, and when the three of them got out of the
helicopter he looked to the rear of their landing, and in all
directions the only thing he could see was unending rows of fresh
growing corn.
26 Turtkul,
Uzbekistan Muallah felt a lift of his
heart as well as his stomach as the Hind swooped over a low,
scrub-covered hill. Beyond was a stretch of barbed wire dotted
with weeds. Within the fencing the huge concrete covers to the
missiles looked like unfinished building foundations. There was
one small building at the center of the six concrete pads, a
building with clean white curtains and flower boxes outside the
windows. The windows were clean and the building was freshly
whitewashed. It looked like a farmer's cottage instead of a
missile base command center. But, of course, the command
center would be underground. Muallah resisted an impulse to rub
his aching forehead under the heavy Russian helmet. Flying in the
Hind was exhausting. The noise was overwhelming, the seats were
wretchedly uncomfortable, and the helmet was insufficient
protection from the noise. He did not rub his forehead because he
was Fouad Muallah, the Chosen One. His people needed to see his
absolute confidence. And he was confident. Muallah leaned forward and
gave a thumbs-up to Assad. Ali, who was at the door of the Hind
with his Uzi at the ready, nodded tensely as Muallah turned to
him. He was ready. Rashad, at his left, was beaded with sweat and
miserably pale. He'd been sick twice on the trip. Muallah nodded
at him, and he squared his shoulders. Below, Muallah could see two
men leaving the house and running to the helicopter pad. They
were pointing and shouting. Unbelievably, they appeared to be
unarmed. Their uniforms were patched and well-worn, and one of
the men had no hat. The situation was better
than Muallah had thought. These soldiers had made a home out of
their missile silo. They were stranded by the decay of the Soviet
machine, left behind as the old country was going through its
difficult transformation. They probably had wives and children in
the whitewashed cottage, vegetables planted around the missile
silo caps. Muallah started to grin. This was going to be
easy. Colorado Springs
Investigations Bureau "I need to talk to Sharon
Johnson again," Eileen insisted to Rosen. The shooting range had
been a fine distraction, but the day was getting along. The usual
afternoon thundershowers were moving down Pikes Peak. "Maybe
she'll give me some ideas. Then I need to talk to Lowell. After
that, I'm out of ideas." "I've got a request in to
Major Blaine for the contents of Terry's desk," Rosen said. "I'd
like to look through what she had there." "That's something," Eileen
said. "I'm going to make some phone calls." She called Sharon Johnson
and caught her just as she was leaving her house. Sharon was
going to her Network class at the university. She agreed to meet
Eileen after her class let out, at the Student Union. Eileen hung
up the phone, glanced at her watch, and called Joe
Tanner. "Think of anything?" Eileen
asked. "Nothing so far," Tanner
said. "How about dinner again? Nelson won't let any of us go back
to work, and I'm driving myself crazy at home." Eileen was astonished at the
feeling of pleasure this gave her. It worried her. "Come on," Tanner said
soberly. "You can keep an eye on your suspect this way, can't
you?" "Six o'clock. I'll pick you
up," Eileen said. "Done," he said cheerfully,
and hung up the phone with a crash. Eileen sat for a moment
staring at her phone, then turned to see Rosen looking at her
with his blank, impassive face. His Navajo face, she was
beginning to think of it. "A personal call," she said
defensively. Rosen nodded without saying anything and turned back
to his computer screen. Oklahoma "My goodness, look at you,"
the woman cried, and started laughing. "You're all sunburn and
mosquito bites. You from that crash? What was that thing,
anyway?" "A Chinook helicopter,
ma'am," Richard, the pilot, said politely. "May we use your
phone?" "Well, we don't have a phone
this week since that tornado took out the lines. My husband
should be back tonight around six o'clock. I would have come out
to get you, but as you can see ..." She gestured at her leg,
encased in a bright blue cast. She was plain and brown-haired and
young, with a handsome smile. "But come in, come in," she
said, and gestured them into the house. "I'm forgetting my
manners. I saw you out there coming, so I've been cooking. I've
got iced tea for you, and there's some fresh chicken I've done up
myself. Tornado broke my leg and killed some of those blasted
chickens. Proves some good comes out of every bad." "How about some Calamine
lotion?" Stillwell said ruefully, scratching, and she laughed her
pretty laugh again. "Plenty of that, too," she
said. "Come on in." Turtkul,
Uzbekistan Anna Kalinsk figured she
might be a genius, although she could not be sure. She had
finished only secondary school. College was a luxury beyond her
family's reach or influence. She regretted that. Anna felt she
would have done very well in college. Concepts and ideas that
others seemed to have trouble grasping came leaping to her,
complete and whole. Math was a joy to her in school. Literature
wasn't much fun, since books were heavily censored. Now that the
Soviet Union was Russia again, Anna had hopes that she might get
her hands on some real books. Eventually. She read her husband's
Missile Command Center handbook more or less out of boredom. Soon
he was coming to her for advice, though he never saw it that way.
She made sure he never saw it that way. A merely smart woman
would have made Dmitri feel uncomfortable at her intelligence.
Anna was not merely smart. Therefore, it was Dmitri's
idea that the four wives move onto the base with their children.
Dmitri divided up the underground into sleeping and living
quarters, and put his wife in charge of turning the cottage into
their communal living room and kitchen. Dmitri had a brilliant
idea that they should grow a vegetable garden. Next year, Dmitri
was going to have another great idea and build a barn. Then they
were going to get some dairy cattle. As long as the Russian
Republic remembered them with monthly paychecks, Anna was happy
to baby-sit the old missile silo. She knew there was no radiation
danger to the children—not only had she read the Missile
Command Center book, but she had a Russian's adeptness at reading
between the lines. Only the open silos were dangerous. The little
missile base was a fine place to raise her boys and grow her
vegetables while the old Soviet Union slowly decayed. And, like
her compost heap by her vegetable garden, she was sure the new
Russian plant was going to be strong and fruitful. Right now, though, the
Russian Army was in horrible disarray. Many soldiers found
themselves with no skills and no jobs, in a country that had only
the most rudimentary idea of capitalism. Anna did not want that
fate for her Dmitri or her boys. The new Republic realized the
importance of keeping control of the old missile silos until they
could be safely dismantled. Thus, Dmitri and his fellow officers
received paychecks where thousands of soldiers did not. Anna was
happy to live here in the middle of Uzbekistan, far from her
Ukrainian home, as long as the money kept coming and they were
left alone. Eventually the silo would be dismantled, but by then
Anna was sure Mother Russia would be on her feet. Mother Russia,
like Anna, was a survivor. Everything changed for her
in a single instant. She'd been doing dishes when the helicopter
arrived. She was standing at the door of the cottage, wiping suds
from her arms with her apron, when the chatter of the Uzi blew
Dmitri backward. He had an expression of surprise and dismay on
his dying face as he stumbled back from the open door of the
helicopter. Anna felt her mouth open in
a soundless cry of denial and grief. Dmitri was dead. Her
husband, full of sternness and unexpected laughter, putting on
weight as he aged and developing a touch of gray in his hair, was
dead. Dmitri was dead. Anna looked at the Hind and saw the
patches, the faded Red Star on the side. All this while Dmitri
was still stumbling backward and the Uzi was aimed at Serenko.
Anna saw the black hair and the dark complexions, and all
computations came together in a flashing instant. "Downstairs!" she cried.
Boris Berezovo ran to the doorway instead. Luckily the other
women and the children were downstairs with their after-lunch
stories. The little ones would be put down for naps and the older
ones settled with books or quiet chores. Anna ran for the stairs
and ignored the chatter of weapons fire that meant Boris had not
listened to her and was now dead. She threw the bolt on the
inside of the door and ran eight flights of stairs as though she
were still a fleet-footed girl. The door would hold them for a
little while. It was steel, and the bolt was good. But it
wouldn't hold against a grenade. She heard the first bullet
thumps booming down the stairs after her as she reached the
bottom. The door at the bottom of
the stairs was also merely steel. Anna threw this door too, and
bolted it. Dmitri, Serenko, and Boris, all dead. She had to tell
their wives. She had to make the younger Boris, whom they all
called Boriska, understand. Somehow she had to get everyone to a
place the terrorists could not come. She knew where that place
was. "Anna!" The frightened face
of Ilina peered around the corner of the Children's School, a
long tube in the ground that had once held ordnance. Boriska came running from
the command center. Today had been Boriska's watch in the center.
Anna felt a brief burst of hate for Boriska. Why couldn't today
have been Dmitri's turn? "What is going on?" he
shouted. "Listen to me," Anna panted.
"We don't have much time. There are terrorists outside. They
killed Dmitri and Boris and Serenko." Ilina made a grotesque
face, her mouth pulling down and her eyes squinting shut. Her
hands went to her hair and tugged as though she were going to
pull her hair out by the roots. But she made no sound. Anna
looked away. She had no time for grief, either. Boriska went
pale. "They want the missiles?" he
choked. "I don't care what they
want," Anna said. "We can get into silo number six, the empty
one. We can bar it from the inside with a metal bar and they'll
never be able to spin the door lock. All the grenades in the
world won't break that door, either." "I'll get the children,"
Ilina whispered. "We have maybe ten minutes,"
Anna said, closing her eyes for an instant and visualizing
bullets, grenade, careful negotiation of the eight flights of
stairs, and another grenade or two. "Ten minutes." "I will send out the
warning," Boriska said stiffly. "It is my duty." "Come to your wife,
Boriska," Anna said. "Don't be a hero." "I will come if I can,
Anna," Boriska said. His face was ashen white, but he was not
trembling. "Take care of my babies." "I will, Boris," Anna said,
and turned away. She did not look back.
27 Central Intelligence Agency,
Langley, Virginia "I'd like to speak to
Lieutenant Jefferson, please," Lucy said. Her fingers clenched
the phone. Sweat beaded her hairline yet again. "He's not at his desk right
now. Would you like to leave a voice mail?" the voice said
cheerfully. "No, this is very important.
Can you page the Lieutenant and tell him Lucy Giometti from the
CIA would like to speak to him?" "Well, all right," the voice
said, not as cheerfully. "But you'll have to wait." "I'll wait," Lucy said. She
massaged her temple with her finger, switched the phone, and
massaged the other one. She'd never felt so angry in all her
life. She was sure Mills was feeling just grand. Mills had refused to take
her report to higher levels. It was too much of a leap, he said.
The potential attack on a missile silo was not confirmed by any
other source except an Iranian fuel clerk's gossip, he said. The
idea that Muallah was going to attack an American city using
nuclear weapons because of a poem written in 922 was ridiculous,
he said. Lucy had watched the smile
bloom into a grin on Mills's face as her frustration became
apparent. Her logic was infallible. The report from Mashhad fit
in perfectly with everything she'd learned. But Mills was not
going to take her analysis and use it. Finally she realized why
Steven Mills was grinning. He had her, finally, and he knew it.
She could quit, she certainly could, at any time. Steven Mills
had never been able to have power over her, the way he longed for
power over his subordinates. Now Lucy had handed him a collar and
leash. She desperately wanted to complete her case, and only
Mills could do that for her. He finally had power over her, and
he loved it. "The report is interesting,"
he said, and pushed her report to one side of his desk. "We'll
see if it's confirmed by additional sources." "But—" Lucy bit off the words she was
about to say. She stood for a moment, looking at Mills, and
nodded slightly. "I see. Well, then, you have my report, Mr.
Mills. I'll be getting back to my other work, then." Mills looked at her
suspiciously for a moment, then nodded. His grin was still there,
though. Mills was having a great day. Lucy left to find the
bathroom and throw up. "Lieutenant Jefferson here,"
a voice spoke suddenly in her ear. Lucy started, lost for a
moment in her musings over the horrible scene in Mills's
office. "This is Lucy Giometti,
Lieutenant Jefferson," she said. "Ah yes, Lucy," Jefferson
said warmly. "What can I do for you?' "I'd like to send you a
small analysis I've done," Lucy said calmly. This might be the
end of her career at the CIA. Lucy understood the risk of going
around the chain of command. "Do you have a computer at your desk
with on-line capability?" "Of course," Jefferson said
warily. "This will be encrypted, of course?" "Of course. The key
is—" Here Lucy thought for a moment.
"The key is the word you said your wife was when she was
pregnant. Remember?" "I remember," Jefferson
said. "Are you at your
desk?" "I'm at my desk, Miss Lucy.
This sounds important." "It is important," Lucy
said. "Desperately important." "Then why isn't this going
through channels?" Jefferson said sharply. "Because channels are closed
to me right now," Lucy said grimly. "My companion at our little
dinner party is not interested in furthering my reputation, shall
we say?" "In the military world, this
is a very dangerous thing to do, my dear," Jefferson
said. "This is my world," Lucy
said, then winced at the arrogance of her remark. "Well, I
mean—" Jefferson laughed in her ear,
but it was a kindly laugh. "You are very young," he
said. "But I do like your style. So does my friend." "Give me your e-mail
address," Lucy said, typing in "Peckish" as the encryption code
to her report. She typed in Jefferson's address rapidly and
punched the Send button before she could change her
mind. "What am I supposed to do
with this?" Jefferson said in her ear. "Whatever you think you
should, Lieutenant," Lucy said grimly. "Whatever you think you
can." University of Colorado,
Colorado Springs Sharon was waiting when
Eileen found her way into the Student Union. The University of
Colorado at Colorado Springs sat along the slope of a bluff. The
buildings were the usual college mixture of old and new. The
union was new, all glass and concrete, and was empty except for a
few solitary students studying at the tables. Sharon was studying
as well, but she put her papers neatly together and put her books
and papers in her knapsack as she saw Eileen
approaching. "Would you like some
coffee?" Eileen asked. "I was going to get a cup." "Nothing, thank you," Sharon
said. She was dressed in old black jeans and a long sweater, and
she wore old squashy loafers on her plump feet. Sharon Johnson
looked puffy and tired. A woman who was mourning. Eileen got a
cup of deep black student coffee and poured half a cup of milk
into the Styrofoam cup before the liquid turned a muddy brown.
She sat down across from Sharon and took a cautious
sip. "I'm sorry about Art,"
Eileen said finally. Sharon blinked and nodded and looked down at
her folded hands. "Art's in God's hands now,"
she said. "I'm sorry you didn't find the murderer before, but I
hope you still will. Arthur was a good man." "I talked to Joe Tanner
about Sully," Eileen said. "I found out about your mysterious
coder, as well." Sharon looked up in surprise
and with the faint beginnings of a question on her lips. Eileen
shook her head, and Sharon nodded immediately. "I understand," she said. "I
don't want to know. I hoped that would help you find—whoever it was. But it didn't,
did it?" "No, I'm afraid not," Eileen
said. "I'm fresh out of ideas." "You're not supposed to tell
me that, Detective," Sharon said wryly. '-'I'm one of your
suspects still, I suppose." "Yeah, you are," Eileen
said, and sipped her coffee. "I want to know something from you,
and it's probably not going to be easy for you. So I'll start off
by saying I don't think you killed Art." Sharon nodded gravely and
moved the loafered feet in a slight whispery sound on the tile of
the floor. That was the only sound she made, although Eileen
thought she saw a slight relaxation around the tired brown
eyes. "So you're off the hook,
maybe." "Thank you, Miss Reed," she
whispered. "Now I want to know what
Terry had on you." "Pardon?" "I think I knew Terry.
Perhaps better than any of you did. Better than Lowell did, even.
She had to have something on everybody. I'll be talking to Lowell
tomorrow; perhaps the only thing she had over him was his love
for her. I'll find that out tomorrow. But every other Gamer had a
reason to hate her. Tell me what she tried to do to
you." There was a period of
silence. Eileen tried to keep her expression open and friendly
and slightly pleading. She wouldn't threaten this
woman. Sharon Johnson
sighed. "Well, I'll tell you," she
said. "I don't know what Terry did to the other Gamers. But she
hated me. She hated me and she knew just where I was the most
vulnerable, the little bitch." Sharon spoke the word with a total
lack of passion that came off as somehow deadly. "Where was that?" "My children, of course,"
Sharon said. She looked at Eileen with black eyes that suddenly
seemed even blacker. "She was trying to get me fired. Because of
my work. I told you that the first day." "I remember," Eileen said.
"What did she do?" "She knew I couldn't afford
the Colorado Springs school. Not without this job. She knew I
couldn't afford this school unless the government was paying for
my classes. I have three children. I have to pay for my neighbor
to look after them while I'm in class, so there's that money
too." "Why did she think she could
get you fired?" "Because I'm not that good,
or I wasn't. I struggled a lot that first year. Sully, I thought
she hated me. I didn't know how to think my way through the whole
problem. I kept missing things." Sharon looked down at her
fingers, twined together, then spread her hand out and looked at
it. "I didn't know what a
parameter was. It was a complete mystery. I didn't dare ask. I
worked so hard, but I didn't know how to write a good program.
Even Terry was better than me at first. They hired me because I
talked Paul Wiessman into it. And my race helped, too," she said,
and her mouth twisted bitterly. "I wanted to prove to everyone
that I could pull my own weight." "What is a parameter?"
Eileen asked, smiling. "A list of things you pass
to a program," Sharon said promptly, and her grave look lifted
for a moment. She smiled back at Eileen. "Like your program is
going to sort fruit, so you run the program and you pass along an
apple, an orange, and a banana. Those are the parameters to the
program." "I see," Eileen said. "You
make it sound simple." "Those are Art's words,"
Sharon said, and she blinked rapidly. "I finally asked, late at
night. He came by and I was in tears. I don't cry easily. I knew
I was beat. He sat down and flat out told me he was going to help
me, and for me not to get my damn southern back up about
it." Eileen could see the vision
Sharon presented to her. She could see the half-darkness of the
empty office space and the weeping woman in the front of the
blank face of the computer terminal. She could see Art's friendly
expression and the simple explanation of apple, banana,
orange. "He tutored me for months,"
she said, and reached down to her purse. She blew her nose
briskly on a tissue. "I started to get it. Before then, Terry
didn't hate me. I wasn't worthy. People have to be beneath her,
that's her kink. When I was the worst programmer on Gaming, she
didn't notice me. Then I started understanding. Then the computer
started to become a machine to me, not this living creature that
hated me. "Then Terry started making
remarks about my work. My code. We'd run a test and she'd find
some flaw with my work—that was easy at
first—and she'd throw up her hands and
declare she couldn't do her tests unless the product was stable,
unless she had good code to work with. She'd be just loud enough.
Lowell had a talk with me." "Lowell talked to
you?" "He'd do anything she
wanted, poor man. He loved her so. I can't imagine sleeping next
to that woman. It would be like sleeping next to a nest of
cottonmouth snakes. She'd talked to him about me, I imagine at
home, and so he wanted to ask me about my work." "What about Nelson?" Eileen
asked, although she already had a pretty good idea about
that. "I didn't talk to Nelson,"
Sharon said after a moment. "He didn't concern himself much with
this sort of thing." Eileen nodded solemnly.
Sharon had a tender heart. Nelson Atkins was a worthless manager,
but he was a sweet and caring man. She wouldn't reveal Nelson's
inadequacies to Detective Reed. "What did Lowell
say?" "He wanted to know how I
felt I was doing. Perhaps Terry thought I would be an easy
pushover, that I would cry and beg to be kept on. It was so odd
to see his face and hear his voice saying words that I knew had
been spoken by her. " 'Do you think this job is
going to be too much for you?' he asked, and I took my courage
and I fixed him with my eye and I said, 'I don't think it is. I'm
doing well and I'm getting better every day. I've done code
counts and problem counts, and I could print you out a chart if
you'd like. Sully helped me with a program that shows my
improvement over time.' "Terry didn't know I was
making friends, you see. She thought of everyone as a separate
island, vulnerable. Sully put a sword in my hand. Sully knew I
was supposed to go talk to Lowell. I don't know how she knew. But
there she was, with her hair all sticking up every which way, and
she showed me this program that she'd put together. She showed me
how my code and the quality of my code was shooting up every
week. She showed me her code, all flat line and basically
perfect, and she winked at me and showed me Terry's code, flat
line and at the bottom. Then she put my code up against Terry's
and she turned and just walked away." "She helped you," Eileen
said. She was choked with admiration and jealousy over a woman
two years dead. "She knew what I was going
up against. If I had shown any weakness, maybe Lowell would have
tried to get Nelson to set my rating back to technician instead
of engineer. That would have been a big cut in pay. She wanted to
punish me through my children. I would have had to pull them out
of the private school. She wanted me beaten." She almost did
it, Eileen
thought, and remembered the dead-ness of Joe's eyes when he spoke
of Sully, the tortured penance of 'Berto, and the exhaustion and
guilt of Doug Procell. "She didn't know I'd have my
friends. She took Sully away, but there was Joe, and 'Berto, and
Doug. She didn't beat me. But she never gave up, either." Sharon
looked at Eileen, and her eyes were implacable. "Whoever killed that woman
did us all a favor," Sharon said. "I'm ashamed of myself for
thinking that. Then God took Art away from us. He was the best of
us, Art was. Now he's gone. Perhaps that's our
punishment." Turtkul,
Uzbekistan Muallah toed the body of the
Russian soldier. He was a young one, perhaps no more than twenty
or so. He'd gotten some sort of message out over the
communications set before Rashad shot him carefully in the back.
There was no sign of anyone else, although Muallah was sure that
there were more people here. Women, probably, and perhaps
children. The curtains at the window. The vegetable
garden. "Ali," he said softly.
"There are more here. Find them." Ali touched his lips with
his right hand and ghosted out of the room alone. Ali needed no
help. "Ruadh," Muallah said, and
gestured at the console. Ruadh, a tall beefy man with a shadow of
black beard across his sweating face, looked more like a camel
driver than a Scud missile controller. Ruadh had fought well in
the Iraqi acquisition of Kuwait. It was not his fault the damned
American Patriot missiles kept shooting down his Scuds. Rashad
had found Ruadh morosely smoking hashish in a filthy hovel in
Baghdad, victim of Hussein's rabid attempt to lay blame down the
line of command. Ruadh barely escaped a prison sentence, simply
because his equipment was outgunned by the Americans and he was
of a small and unprotected rank. The purge left Ruadh without a
livelihood and with a deep hatred toward America, which he
considered the source of his troubles. "I will need time," Ruadh
said shortly, and started pulling books from the shelves of the
command center. Muallah gestured toward Rashad to remove the dead
soldier. There were comfortable furnishings in the helicopter,
even a silver coffee service. Muallah required his small
luxuries. Unfortunately, there was no woman to serve the coffee.
Unless... "Rashad," he said softly.
"Tell Ali to let one woman live. To serve us." Rashad grinned and nodded.
He dropped the dead feet of the soldier and darted from the room.
Ali was very efficient in his work. If there was to be anyone
left alive, Rashad had to hurry. Moscow, Russian
Republic The call from the
Uzbekistani missile silo, what would be called a Mayday call in
America, was picked up immediately in Moscow by the GRU, the
intelligence branch of the military. This was not a matter of
luck. There were huge amounts of money pouring into the former
Soviet Union, much of it American and all of it welcome. One of
the more interesting strings attached to the U.S. government
money was the establishment of a firm control structure over
former Soviet missile silos. U.S. West, unrolling phone wire in
Russia as fast as they could pitchfork the bales out of trucks,
donated a staggering amount of communications equipment to the
Moscow GRU. IBM delivered some gorgeously appointed computers.
All of it free. The Center was almost American, it was so
modern. Colonel Sergei Kalashnikov,
a second cousin three times removed from the man who invented the
rifle, was grouchy for many months about the massive and
typically heavy-handed American influence in what should be a
Russian problem. His superior, Major General Cherepovitch, was
equally grouchy but had received The Word from on high, from the
President himself. Let them help. Don't lose control. For four years Kalashnikov
had complied with this strategy, finally admitting that the
system was indeed very helpful. The American advisers were almost
tolerable. They were even learning how to drink vodka. His own home village of
Salekhard in the western Siberian lowland was now under the
enormous wing of Exxon. Exxon was building roads, schools,
housing, a landing field, and installing a model waste-treatment
plant. Exxon seemed to be intent on turning every Russian oil
field site into a show-place. Of course, it was making money in
bundles from the new and previously untapped oil fields. This was
not causing the Russian people, who discovered that Exxon
considered them to be "private property owners" of the land and
the oil fields, any pain. Kalashnikov's uncle just sent a letter
asking Sergei to resign his commission and come home to help run
the family business, a grocery store. Business was booming. The
lease rights from the oil fields were stunning. And every house
in Salekhard had running water! Kalashnikov didn't seriously
consider resigning his commission. Moscow was also benefiting
from the Western invasion. Kalashnikov's wife liked the ballet,
the new restaurants, the beginnings of a shopping district.
Moscow suited them very well. When the cold and
emotionless voice of Boris Pavlovsk broke through static on the
emergency line, Kalashnikov's musings over Salekhard and the
grocery store ended abruptly. The systems were set up to record
all incoming radio traffic, so all Kalashnikov had to do was
listen. Hearing what he heard was like seeing a gun unexpectedly
aimed at his head. "Oh my God," Major Thomas
Paxton said when the transmission ended with a very brief, very
final gunshot. The American major was standing shoulder to
shoulder with Kalashnikov, staring at the blinking light on the
Russian map that pinpointed Turtkul, Uzbekistan. The Center was
in a large room in the basement of the building that used to
house the KGB. Four other soldiers sat at their consoles, looking
with wide eyes at the two ranking officers. They knew
too. "Boris Pavlovsk will get the
highest medal for this," Kalashnikov said through numb lips. "He
warned us instead of hiding with the other families." "We have to believe they're
safe in the empty silo," the Major said, clearly not believing
it. "The terrorists must want the missiles." "Before we contact them, we
have to get a higher authority involved," Kalashnikov said
coldly. "I must contact my chain of
command too," Major Paxton said formally. He said it like the
Americans said everything they knew you didn't want to
hear—like a man who takes a forbidden
bone from a dog's mouth. Gently, reluctantly, but with a clear
sense of mastery. Kalashnikov hated that. "Of course," he said, and
his tone was pure frost. "We have no idea who they intend to
threaten, or what they intend to do. You must use your best
judgment." The Major nodded quickly and
went to his phone. Kalashnikov found himself looking over at the
Major after he dialed the number marked in red on the sheet taped
to the phone. The Major was looking back at him, and his face was
as grim as Kalashnikov felt. "God help those poor women
and children," he said softly to the Major, for Kalashnikov was
Russian Orthodox and believed very deeply in God. "God help us
all." 28 Turtkul,
Uzbekistan "They are in a missile silo
marked number six," Ali said. His face showed the slightest hint
of dissatisfaction, which meant Ali was in a thundering rage. "We
cannot enter, Mahdi." "You cannot enter?" Muallah
asked, incredulous. Ali, fail? This was impossible. "The doors are very thick.
We checked number five after three grenades failed to open number
six. I cannot enter." Muallah looked silently at
Ali, who paled and lost his look of dissatisfaction. Ali smelled
sharply of gun smoke and sweat. The breast of his jacket was
splattered with a few drops of the Russian soldier's blood. His
hair was disheveled and flopped over his forehead. Muallah
frowned. "Can you lock them in so
they cannot escape?" "I have already done so,
Mahdi," Ali said. "Then they are rubbish.
Assad, you must make the coffee." Muallah smiled at Assad to take
the sting from the demeaning task, one fit only for a woman.
Assad nodded and left immediately. Ali waited in silence as
Muallah glanced at Ruadh. Ruadh was buried deep in the missile
manuals. "How long, Ali?" Muallah
said softly. "Until they get a team together that can attempt an
assault?" "Perhaps a few days. No less
than twenty-four hours." "Ah, good. And
bombers?" "They could attempt a
bombing, but we are well protected from anything but a nuclear
strike, which of course they will not risk." Muallah knew all this, but
he was jittery from nerves and excitement. He needed Ali to
confirm his flawless plan. "Excellent," Muallah said.
He stretched back on the pillows and Persian carpeting they had
brought on the Hind. "Now all we need is coffee." Colorado
Springs Joe Tanner opened the
door. "Well, hello," he said, and
smiled at Eileen. "Hello back," she said,
absolutely convinced she was looking at a murderer and absolutely
convinced he was innocent, all at the same time. Joe was wearing
a plain white shirt and jeans. His hair was just washed, thick
and brown and bristly, like a mink. His eyebrows were thick and
arched over his green eyes. He'd cut himself underneath the chin
while shaving. "Shall we take my car
again?" Joe asked, turning away to lock his door. "Sure," Eileen said. "Where
are we going? You said it was your choice?" "The Broadmoor," Joe said
with a wicked grin. "My choice." "Oh, no, we can't go there,"
Eileen protested. "It's too—" "Expensive? Of course," Joe
said. "I'm loaded, Detective." "Not expensive," Eileen
replied, trying not to laugh. The income from her portion of the
cattle on her parents' ranch was more than her yearly salary as a
detective, and that wasn't half bad. Money was not the reason
she'd never been to the Broadmoor. "Snooty, Joe. That place is a
five-star resort hotel. They're snooty. Look at me." "You look ravishing," Joe
said. "Don't you know that?" "I'm wearing pants," Eileen
explained, feeling her face start to flush. "I noticed," Joe said dryly.
"Why would you wear anything but pants? You look like a young
Katharine Hepburn, only in color. You should always wear
khakis." "Thank you," Eileen
murmured, inwardly amused at her own reaction to Joe's flattery.
She wasn't that young or foolish, to feel warm over a
compliment. "I like the Broadmoor," Joe
continued, taking her elbow in a warm grip and leading her down
to his car. "It's the Gamers' place to go after a successful war
game. A four-star place is snooty. A five-star
place is just like home, only better. They've got this huge patio
overlooking the lake, with the mountains just above it. It's the
best place in Colorado Springs. I can't believe you've never been
there." "Well, I've been there,
professionally," Eileen said, settling into the car and pulling
the seat belt across her lap. She got a sudden, vivid image of
the gorgeously appointed room 104, with the view of Cheyenne
Mountain through the windows and the sprawled sad legs of Suzanne
DeBeau, lady golfer and cocaine addict, making a sloppy X on the
plush green carpet. "Yikes," Joe said, getting
into the driver's seat. "A murder?" "Accidental death," Eileen
said, "but let's not talk about work." "Let's not," Joe said, and
smiled over at her again. "There's lots to talk about besides war
games and murders. I want to know what herding cattle is
like." Eileen laughed. "It's hot
and stinky," she said. "But if you really want to know, I'll tell
you all." When Joe turned onto Lake
Drive a few minutes later, Eileen looked doubtfully at the
enormous hotel at the end of the street. "There used to be a railroad
that went right up Lake Drive, did you know that?" Joe said.
"This whole city was founded as a resort community. The Broadmoor
was the first hotel, and it's the grandest. I always feel like
I'm going back in time when I come here." He looked up with a kind of
familiar pride at the facade as they pulled into the parking lot.
The stone was painted a dull putty color and the roofs were red
slate. The flower beds were impeccable and their scent filled the
air. A little fountain played by the entrance. It should have
looked European and out of place, but it didn't. The building had
been designed by someone who knew how it should look against the
setting of Pikes Peak and Cheyenne Mountain. "It is beautiful," Eileen
said grudgingly. "This'll really be a treat,"
Joe said greedily, and rubbed his hands together. Just as at Joni's, a kind of
bubble surrounded Eileen. Nothing existed beyond the present
moment. The sun was setting slowly behind the Front Range as they
were seated in the enormous dining room. Eileen ordered seafood
fettuccine. Joe ate a filet that was smothered in asparagus and
crab, and he insisted that Eileen have a bite. She took the beef
from his fork, and the meat was so tender it was like butter in
her mouth. Nothing was said of the
murders during the dinner. They spoke of college days, of Joe's
family, the latest movies. They rambled easily from one subject
to another. "You can't brand cattle when
they're wet," Eileen explained at one point, waving a chunk of
crab at the end of her fork. "If you do, then the whole area just
kind of scabs up and falls off, so you get this big round scar
instead of a nice clean brand." She stopped, and Joe started
laughing. "That's disgusting," he
said. "Sorry," she said, and ate
the piece of crab. She grinned over at him. "But who was telling
me about the road rash from that bike crash, huh? A whole leg of
scabs for a month?" "I've got an iron stomach,"
Joe explained. "Nothing bothers me. My aunt was a nurse, and she
lived with us for a summer when she first got divorced. Her and
her kids. What a great summer. She'd come home and shower up and
talk to my mom about her day in the emergency room. We'd be
eating supper and she'd be telling Mom about the gunshot wounds
and the car wrecks. We'd listen with our mouths hanging open as
they'd laugh and talk." "How many cousins do you
have?" "She had three kids, all
boys, all right around our ages, me and my brother and sisters.
We had such fun! There were a couple of ponds, and we would go
fishing for sunfish and crappie. The moms signed us all up for
swimming lessons, too, so we'd all troop off in the morning for
those." Joe shook his head. "I miss the guys to this day, I do.
Aunt Rachel moved out, but she was still close by. We still
visited together all the time. We used to take our summer
vacations together." "We didn't take many
vacations," Eileen said. "One to Disneyland. Of
course." "Of course," Joe laughed.
"Everybody goes to Disneyland, don't they?" "I almost got kicked out. I
sneaked away and went over the fence at Jungle Safari, because I
swore those were real crocodiles in the river. So I get three
steps and I've got one of the Disney Secret Police holding me by
the scruff of the neck." "You went over the fence at
Jungle Safari? In Disneyland!" "I was interested," she
said, trying to put on her best wide-eyed innocent look. She was
rewarded by a burst of laughter. "You talked your way out of
it? I don't believe it." "My mom did," Eileen said.
"She could sweet-talk the birds out of the trees. They let us
stay. As long as she was holding me by the hand." "We went, too," Joe said.
"When I was seven. Pretty exciting, even for a big-city
kid." "Rapid City was the big city
to me," Eileen said dryly. "And Laramie, Wyoming. Wow, that was
such an adjustment." "Belle Fourche," Joe said in
a marveling voice. "I can't imagine what it would be like to go
to boarding school." "It wasn't a boarding
school, just a regular high school. But the ranch kids boarded
with local families. You know, parents whose kids were gone or
families with an extra room. I had a good time in high school,"
Eileen said. "It's lonely at first because you still want to be
with Mom and Dad. But in high school we had a whole crowd of
boarders that hung out together. The family I lived with, the
Smithsons, they couldn't have any children. They're probably
still boarding ranch kids. They had another boarder when I went
to school, Owen Sutter. My buddy Owen. He couldn't figure out why
I wanted to go into the Air Force. He wanted to work the ranch
and be a cowboy forever." "Does he do that
now?" "He sure does, and he's got
three kids. He married Molly, we were friends with her in high
school. Molly Williams, there's a girl for you. She could ride a
horse. Still does, I imagine." Eileen winked at Joe. "I'm glad
Owen married her, actually, don't be thinking there's some tragic
romantic story here. Owen was the brother I never
had." "What was it like when
school ended for the summer?" Eileen looked at him
doubtfully. "I really am interested. You
are so different than I expected, so—" "Not coplike?" she
said. "Exactly. Though I don't
know any cops, personally. Until now." Joe regarded her across
the remains of their supper, now being whisked away by the
silent, impeccable Broad-moor waiters. "I like listening to
people's stories," Eileen said. "I like brainteasers and puzzles,
but best of all I like figuring out what makes people the way
they are. Being a cop suits me." "How about the gun? Doesn't
it feel strange, carrying a gun?" "Oh, yes, the gun too,"
Eileen said, and patted her side affectionately. "I've carried a
gun since I was ten. Mountain lions like to snack on calves, and
they'd be happy to snack on me too. Mom and Dad taught me to
shoot. I don't feel right without a gun." "I don't think I'd feel
right with a gun," Joe said. Eileen's bubble fled as, for just a
moment, she contemplated Joe Tanner sharpening a deadly
screwdriver stiletto, humming as he shaved metal particles from
the blade. Then she blinked, hard, and the image disappeared. Joe
was not the murderer. He was not. Not tonight,
anyhow. "Sometime I'll take you
shooting," she said lightly. "You'll be hooked, I bet. When I
first took Joni shooting she'd pucker her face up and barely get
a shot off, her hands would shake so bad. Now she can hit the X
ring half the time." "Joni has a gun?" Joe asked
in surprise. "She was carrying a gun when
you met her, Joe," Eileen said. "Concealed carry permit. Nobody
is going to mess with Joni again." "I like that," Joe said
slowly. "I don't want anybody messing with Joni
either." "Time for coffee and
dessert," the waiter said with a grin, rolling a cart to the
table that was packed with confections. "Don't try to get away
without dessert." "We have to have coffee,"
Eileen said, eyeing the cart. "But of course," Joe said
gloomily. "I'll just run about twelve miles tomorrow to work this
off, that's all." The night fizzed around her
like champagne as she laughed, and Eileen understood in the cold
and rational part of her that the danger was a part of the fizz.
The danger that she might be falling in love with a madman and a
murderer. Eileen knew with all her heart that Joe Tanner was
innocent, that he was intelligent and good. But the tiny rational
voice in her head stayed awake and aware, looking with cold
lizard eyes out of her head and assessing every movement and
nuance of Joe Tanner. The rational part of her, her lizard part,
would not trust Joe Tanner until she had the real murderer in
custody. No matter what her heart was telling her. The night breeze
blew through the car
windows and stirred Eileen's hair as they drove to Joe's
home. "That was the best dinner I
ever had," Joe said after he pulled to a stop. "Do you want to
come in for coffee or something?" "I don't—" "Please? Just for a bit. I
don't want the night to end." He leaned forward and kissed
her, and his mouth was as soft as she imagined it to be. His kiss
was maddeningly gentle. "All right," she
said. His apartment was small and
indifferently decorated, as she knew it would be. There was no
particular style, just nice furniture and lamps and a couple of
prints. "Let me fix decaf," he said,
"or I'll be up all night. I'll probably be up all night
anyway." Eileen didn't answer. She
was looking at a framed picture of Harriet Sullivan. Eileen felt
a withering rage and jealousy of this dead woman, for the second
time. She couldn't help it, even though she knew it was
useless. "It was two years ago," she
said. "It feels like yesterday,"
he said, his face abruptly as expressionless as stone. "I've heard a lot of stories
about Sully," Eileen said. "Sharon told me what she did when she
thought she was going to lose her job. I think—" "You think I killed Terry
because of Sully," Joe said sharply. He was clenching the coffee
grinder in his hands. He looked furious. "I don't know," Eileen said,
from the lizard part of her. Then she folded her arms and bowed
her head. "No," she whispered from her heart. "Not
you." The coffee grinder thumped
to the counter with a clatter. "Not me, Eileen," Joe said.
He walked to her and took her in his arms, as naturally as though
he'd done it a thousand times. "It wasn't me." Eileen could feel
his heart beating under her ear, and she put her arms around him
and held him tightly. Lost, she was lost, and she didn't
care. "I know it wasn't
you." Great Falls,
Virginia "Lucy, Lucy," Ted called to
her. Lucy could hear her
husband's voice, but the smoke swirled around her and she
couldn't see. There was a frantic crackling sound that had to be
fire. There were sharp rubble and rocks under her feet. She
looked down, in the queer fishbowl vision of a dream, and saw
that her feet were encased in stout boots. Underneath her feet
were brick shards and shell casings and tiny white sticks that
she understood were children's bones. "Ted!" she screamed, but the
scream came out of her throat as the tiniest of whispers. She
tried to look around, but the smoke was choking and thick and
studded with particles that glistened like crystals. The smoke
was shimmering, but the taste was foul, like death. The smoke haze lifted and
she saw the Tower of London, broken, one part of the spire
sticking up like a brutally sharpened pencil, and then the
shimmering clouds swirled it away again. She'd visited London as
a college student on spring break and never forgotten her first
breathtaking glimpse of the Tower. Now it was
destroyed. Lucy felt the scream
sticking in her throat, and knew she was walking through
radioactive clouds. Then she realized she was carrying a child,
and knew that the worst part wasn't that she was dead, but that
her child was too. That broke the scream free
and sent her up and out of the nightmare, and she opened her eyes
in the darkness and Ted was there, holding her. There was no
smoke. "Lucy," Ted said. He was
near tears. "Don't scream, Lucy, don't." Lucy put her arms around his
neck and sobbed, feeling her sweat running down her body and
soaking her nightshirt. "Oh, Ted," she said. "I had
the most horrible nightmare." "It's okay now, baby, it's
okay, it was just a dream," he soothed, and held her. But it was a long time
before Lucy fell asleep again.
29 Oklahoma "Have you finished Chapter
Twelve yet?" Major Stillwell asked Richard, the pilot. They were
sitting in a Greyhound bus stop in Oklahoma. The bus stop also
served as a gas station and liquor store. The bugs swarmed around
the light at the front of the station. "Almost done," Richard said
absently. Richard was bringing home a romance novel for his wife,
a gift. She loved romance novels. This was the only reading
material anybody had. They'd split Richard's book into chapters
and were sharing the chapters around as they read. They'd tried
reading it together, but Gwen was too fast and Stillwell was too
slow. The gas station's one video game had an Out of Order sign
on it that was so sun-faded as to be illegible. The friendly broken-legged
farmer's wife had fed them some terrific fried chicken for lunch
and some cherry pie for dessert that Stillwell thought he might
remember forever, it was so good. After the lunch—the farmer's wife called it
dinner—there was a long, boring wait for
the farmer to return from the fields, and a long, boring drive to
the nearest town, and then a long, boring wait for the
bus. The bus tickets weren't that
expensive, but all three groaned when they found out the next bus
wouldn't pull into town until two that morning. "I was supposed to be in
Colorado Springs tonight," Stillwell said. "We all were," Richard said
gloomily. Richard finished
his chapter and handed
it over to Stillwell. Stillwell set his chapter carefully on the
growing stack by his chair. Gwen, the quickest reader, was the
first in line. "Chapter Twelve," Stillwell
said to himself, " 'The Wolf and the Dove.' " This was his first
experience with historical romance. Gwen told them she liked this
one because the beautiful heroine was full-bodied and chunky,
like Gwen. "Those were the days," Gwen
said. Stillwell sighed and tried
to find a comfortable position in the hard plastic
chair. Colorado
Springs Joe's mouth was soft and
salty and hot, just the way Eileen imagined it to be. "I want you," he said
against her mouth. "Everything is right when you're around
me." How long had it been?
Forever. The rational part of her brain was calling to her,
crying out in a sharp commanding voice, but it was far away and
she didn't want to listen to it. She wasn't going to listen to
it. "I want you too," she said
through the thudding of her heart. He pulled her against him
and kissed her. She could taste the salt and the softness of his
mouth. His shirt was untucked at the back and she slid her hands
underneath, hungry to feel his bare skin. "Yes," he said, and pulled
her to the couch so they could sprawl down upon it. The landing
was awkward, which made them both laugh. She opened her eyes as he
stopped kissing her, because she wanted to look at him. Eileen
wanted to look at his face. Joe showed everything. If he was
doing this as a way to finish his mourning over Sully, or to
forget his friend Art, Eileen wanted to know. She wanted to see
more than desire in his face, because what she felt was more than
just desire. He let his head fall back
against the couch cushion, as though he understood what she
wanted. He smiled at her, his wicked and unabashed
grin. "I want you," he said. "Not
somebody to take her place. Is that what you want me to
say?" "Yes," she said,
laughing. "I want you, Eileen," he
said strongly. Eileen kissed him again,
fiercely, her hands moving to his shirt buttons. She had to feel
his skin against hers. She had to feel all of him. Eileen fumbled with his
buttons as he fumbled with hers, which set them to laughing again
while they were kissing. "Oh, wait, dam it," she said
as he tried to strip her shirt off. She unbuckled her shoulder
holster and casually set it on the floor. She tossed his shirt on
top of it. He finished stripping her shirt off, her thin cotton
bra showing the hard points of her nipples. He murmured in
admiration as he took the bra from her, his hands meeting across
her back as he brought her breasts to his mouth. Eileen pushed
against his shoulders as his mouth pulled and licked at her
nipples. His teeth closed softly around the hard point and she
groaned, trying to pull away. He growled against her and smiled
up at her, his lips against her breast. She laughed, cradling his
head against her, twining her fingers through the thickness of
his hair. "Oh, it's so good," she
whispered. "Yes," Joe murmured, and
unbuttoned her pants, unzipping the zipper and letting the fabric
fall down her hips, pulling them free and kissing her ankles as
he stripped the khakis from her. She reached for his pants, the
waistband. She was now clad only in the silkiest of panties. His
hand smoothed downward and cupped her bottom. "I'm very excited," she
whispered, and he pulled her against him and kissed her hard, his
breath nearly a pant. "Oh, God, yes you are," he
said. She struggled with his waistband, her hands clumsy, and
finally the tongue of the zipper went down and she reached in to
touch him. His head fell back as she struggled to release him. He
stood up, impatient, and stripped his pants off. Eileen sat on
her heels, knees apart, and as he tossed the pants aside she
reached out with her own hands and caught his hips. Then she was
nuzzling and kissing the smooth length of him, tasting him with
her tongue and her lips. He stood, head forward, looking at her
mouth against him, his hands reaching out to her shoulders to
steady himself. Then he pulled away, shaking his head, needing to
slow down, and it was her turn to smile. He pushed her back
against the sofa and she lay back for him as he peeled her
panties from her and covered her body with his. "I can't wait," he gasped
against her ear, kissing the curve of her neck. "Here," she said. "Ahh,
here." She tilted her hips to him. "More," she said. "Oh
please." Soon she cried out and
caught at him as he, too, groaned and sighed and then his weight
came down on her, sweat slicked, and their hearts thudded
together. "Oh, yes, yes," she
whispered. "Oh yes. Oh Joe." "I think I love you," he
said in a sleepy, blurred voice. "I think I love you too,"
she said, and sleep took her under like a black wave. Central Intelligence Agency,
Langley, Virginia "I couldn't sleep," Lucy
said shortly to Mills. She had her desk light on because the sun
wasn't up yet. It was very early for Lucy. "That's unusual," Mills said
to her in a smugly friendly way. Lucy looked at him for a moment,
puzzled, then realized Mills thought she was in there to impress
him. He had her under his control now, or so he
thought. "Just couldn't sleep, that's
all," she said shortly, and turned her head back to her computer
screen, clearly dismissing him. He closed the door softly with a
small chuckle, which she ignored. After he left, Lucy took
another donut out of her desk drawer. They were incredibly fresh
at four-thirty in the morning, she had just discovered. The
bakers were still putting them out on the racks when she stepped
into the bakery. The smell of fresh-baked donuts was
mouthwatering. "I hate that man," she said,
her mouth muffled by donut. There didn't seem to be anything more
on Muallah, any piece of information that could get her report
off Mills's desk and into the DDCIA's office. The phone rang. Lucy
swallowed hard. "Yeth," she said, because
her voice was still mostly choked with donut. "Is this Lucy
Giometti?" "Yes, Lieutenant, this is
Lucy," Lucy said. She sat straight up in her chair. "Did you read
it? What did you—" "We've got all the
confirmation we need now," Jefferson said grimly. "Kane wants you
over at the Pentagon right away. You are now our Muallah
expert." "I have to talk to
Mills—" Lucy started, grimacing. Mills
was not going to be happy about this. "I've already called him,"
Jefferson said. "We're going to let him have the opportunity to
take the credit for your brilliant analysis. If he chooses to try
and nail you for going around the chain of command, he's going to
bounce so far on his ass you'll see skid marks on the pavement.
Now, get over here, Miss Lucy. We've got a Situation." "I'm on my way," she said,
and hung up the phone just as Mills stormed into the
office. "What's the meaning of all
this?" he squealed, his face mottled with red and
white. "The meaning is that you
were wrong and I was right," Lucy said. "But you can still get
the credit if you want." Mills stood there like a
fish on a dock, his mouth opening and closing, as Lucy gathered
her purse and closed down her computer and contemplated the
donuts. Finally she shrugged, closed the donut box, and tucked it
under her arm. "We need to go," she said to
Mills. "Plan your revenge later. We need to get to the
Pentagon." Lucy found she regretted
that remark very much, later on. Oklahoma "The bus is here," said
Gwen. Major Stillwell came awake with a start. His left foot was
asleep and started tingling when he moved in the hard plastic
chair. He groaned. "Oh, thank God," said
Richard. He was sitting rigidly in the bus station's hard,
brightly colored chair, his eyes locked on the big blue and white
form of the bus. Three other sleepy passengers stirred in the
tiny waiting room of the gas station that served as a bus
stop. "What time is it?" Stillwell
asked. "Two o'clock," Richard
said. "I was almost willing to fly
that Chinook out of that cornfield," Gwen said grimly. "I thought about it,"
Richard said to her. "You're a fruitcake," she
said, which puzzled Stillwell. The bus was mostly empty.
Everyone on board seemed to be asleep. Stillwell felt sweaty and
rank in the close confines of the bus, but he realized everyone
else smelled that way too. He took a seat, and Gwen and Richard
sat together on the seat across from him. "See, we're safe now, you
big baby," Gwen said as they pulled away from the station. "We'll
be in Oklahoma City in a couple of hours and home by tomorrow
night, I bet." "I want a shower," Stillwell
said. "And some sleep in a real bed." "I'm just glad we made it
out," Richard said. He did look better. The color was beginning
to return to his face. "What's the deal?" Stillwell
said. "Too many scary stories when
he was a kid," Gwen said. Richard looked out the window as though
he were annoyed, but Stillwell could see the beginnings of a
grin. "There was a movie called
Children of the Corn, from a Stephen King story," Gwen
said. "Oh, yeah, I caught that on
the late night a long time ago. It was pretty good," Stillwell
said. "I hate cornfields. Always
have. I've always thought there was something in there, when I
was growing up in Kansas. Then I saw this movie. So here we go,
crashing in a cornfield. Then we have to sit in a little redneck
town all day," Richard said. "Richard was waiting for the
natives to come swarming out and sacrifice us to the corn," Gwen
said. "Well, I would have made
it," Richard said. "I would have given them you to sacrifice, and
saved my own ass." They laughed together, and
Stillwell found himself laughing too. He was finally moving
again. It was too bad that he was going to be late to investigate
the case at Schriever, but at least he was alive. Tomorrow would
be soon enough. Stillwell laid his head back in the bus seat and
tried to find a comfortable position so he could get some
sleep. Colorado
Springs Halfway through the night
Eileen woke Joe by tugging at his arm, trying to get him to stand
up. "We're going to the
bedroom," she said, getting her shoulder under his
arm. "What?" Tanner said
sleepily. "Bedroom," she said. His
body, naked, shone in the darkness. "We're going to sleep in a
bed. You're crushing me on this couch. Come on now, it's just
down the hall." Joe didn't resist. He was
still mostly asleep. He let her lead him to the bedroom. The
sheets were wonderfully cool and smooth, and the comforter she
pulled over him was soft and warm. Eileen hurried quickly to
the living room. She fetched her gun and their clothing and set
her holster by the bed, dumping their clothes by the door. She
crawled in and curled her body up against him. He sleepily put
his arm around her. She felt a vast sense of peace. She
slept. Turtkul,
Uzbekistan "They will rescue us," Anna
whispered confidently. She held her youngest, who was seven and
usually unwilling to submit to baby treatment, firmly against her
bosom. He was sleeping, mouth open, eyelashes fanned against his
perfect rounded cheek. Salt tears had dried in tiny streaks from
his eyes. He snored. "We can survive only three
or four days," Ilina whispered. "That will be more than
enough," Anna soothed. "You brought plenty of food. We are safe,
Ilina. Do not worry." Anna, though, was worried,
and deeply. What she knew, and hoped the murderous terrorists
would not figure out, was that missile silo number six was capped
by a concrete cover that could be blown off, just like every
other silo with a nuclear warhead within. Blow the cover off and
the women and children would be like mice at the bottom of a
barrel. If the terrorists figured this out... Anna shook her head
and stroked her sleeping son, and made a small offering to the
God she'd been taught all her life did not exist. "Please, God," she said to
herself. "Please, God. Don't let them be as smart as me." She
looked upward into the darkness at the top of the silo, and she
prayed.
30 Colorado
Springs "I shall fix you French
toast," Joe whispered to Eileen. She woke abruptly and for a
moment didn't know where she was. Joe was on his side next to
her, his chin in his hand, looking into her eyes exactly like her
cat Betty liked to do. "Good morning?" he said, and
there was an awkward silence for a moment. "Good morning? Good
morning!" Eileen said, recovering herself. She put her arms
around Joe and hugged him hard. He rolled over in the bed until
she was underneath him. "When I woke I thought it
was another of those dreams I've been having since I met you," he
said solemnly as she started to laugh. "I thought Betty had figured
out how to open the cat-food cans and had gotten
huge." "I guess I am huge," Joe
said with a smirk. "You're gigantic ... for a
cat," Eileen said. He started kissing her. "My mouth tastes terrible.
But I can't stop." "I'm going to fix you
breakfast," he said again, laughing, but his arms were around her
neck and he was kissing her. "Later," she
said. Denver Animal
Shelter The dark-haired girl,
Debbie, hung up a tag on Fancy's door when she fed the little
spaniel that morning. She hosed out Fancy's kennel and patted the
dog, and moved down the line to the next kennel. Fancy's time was
going to ran out the next day. Colorado
Springs "I might have something,"
Dave Rosen said to Eileen. She wasn't late, but he was there
before she walked into the office. Was he always early? She'd
never noticed before. "On the Schriever case? What
is it?" Eileen was heading for her desk but changed direction.
There was a purse on Rosen's desk. "This is Terry Guzman's
purse," Rosen said. "I realized when I was going over the autopsy
report that she didn't have a purse." "I missed that," Eileen
said, and touched the edge of the leather bag with her finger.
She wanted to snatch it off the surface of the desk, but this was
Rosen's find. "Have you opened it?" "It just got here," Rosen
said. "She left it at her desk. Nobody touched her desk and
nobody asked about a purse, so it wasn't turned in until the Game
Director found it yesterday. He found it in her desk; they were
boxing up her stuff. He sent it in." "At your request, you mean.
Stop teasing me, dammit, open it," Eileen said. Rosen smiled. He
opened up the top and carefully shook out the contents onto the
desk. On the desk was lipstick, a
checkbook, a comb, a small bottle of hairspray, a nail file, a
bankbook, a coin purse, a pink oval case ("birth control pills,"
Eileen said to Rosen), a folding toothbrush in a clear case, a
traveler's tube of toothpaste, a vial of perfume, an ancient
granola bar, and a set of car keys. Eileen felt a deep sadness
when she saw the pitiful contents of Terry's bag. These were the
private items of a woman's life, spread out for
inspection. There was so much happiness
in her life this morning, she couldn't feel bad toward anyone.
Everyone should have a fresh chance at life. Everyone should have
the chance to feel like she did today. She thought guiltily that
her mood must show. After the glorious morning lovemaking, Joe
fixed Eileen French toast that was crisp and tasty. And coffee.
Joe was a coffee drinker. His coffee was strong and good, just
like him, she thought in amusement. Her brain was temporarily on
vacation, obviously. She looked down at the desk. "Let me see the checkbook,"
she said. Rosen handed her the book and then took up the bag and
hefted it, trying to see if the weight was wrong. If there was an
unexplained heaviness, there might be a hidden pocket or two.
Purses often had little compartments that were easy to
miss. Eileen started looking
through the check register. There were the usual utilities, car
payment, ATM withdrawals. There was the monthly deposit of her
paycheck, an amount that made Eileen draw in a deep breath. Did
they really pay engineers that much? She remembered the huge and
costly machines in the Gaming Center. Evidently the engineers
were worth that kind of money. Eileen flipped through the checks
and felt an unexpected hardness at the back of the
checkbook. "What's this?" Rosen peered over Eileen's
arm as she looked through the checkbook. She finally found the
hidden compartment and pulled out a slim blue
bankbook. "She had two savings
accounts?" Rosen asked. "Hey, now." Eileen opened the savings
account book and saw the name. "Teresa James." "That was the last name of
her first husband, right?" Rosen said. Eileen nodded. She pointed
silently to the listing of deposits. "My God," Rosen said.
"Fourteen thousand dollars. Twelve thousand dollars. Fifteen
thousand dollars. Where was she getting the money?" "What did she have worth
selling?" Eileen asked wearily. The sunshine had abruptly gone
out of her day. The moment she'd seen the first amount she
realized what Terry Guzman was doing to earn it. "Secret documents," Rosen
said. His face was shuttered, but his hands were clenched on the
tabletop in excitement. "Surely," Eileen said. Her
fingers felt numb. This was it. This had to be it. All the trails
led here. "She screwed everyone she could. Figuratively as well
as literally. She tried to find everyone's proudest point and
make it dirty. Look," she said, ticking the names with her
fingers. "There's 'Berto. He was proud of his beliefs, his
religion. There's Doug. He loved his wife, his new little
girl." "Procell had to work nights
and couldn't see them," Rosen said. "And 'Berto, she made him
guilty by sleeping with him. What about Joe? And
Sharon?" "Joe lost Sully. Terry
destroyed him without even setting him up," Eileen said grimly.
"And she got rid of Sully permanently, even if it was an
accident. Sharon loves her kids. Terry was trying to get Sharon
switched to a lower-paying position so Sharon would have to take
her kids out of private school." "Nelson?" "I don't know. And Lowell?
Did he know about this?" "What about Art? Did she try
anything on Art?" "I don't know. We'll
probably never know now," Eileen said, and started turning the
pages of the bankbook. There was something written on the back
page. "Phone numbers," Rosen said
in a strangled yelp. "Look." Eileen looked at the first
phone number. She knew the number. She felt a burst of savage
excitement, and Rosen saw the look in her face. His face flushed
a dusky red color. "Whose is it? You
know?" "I know," Eileen said in
satisfaction, and punched Dave Rosen on the thick part of the
arm. "Feels good, doesn't it? We've got the bastard
now." "Who?" "It's Major
Blaine." Central Intelligence Agency,
Langley, Virginia Lucy's screen was full of
windows, but her mind refused to process any of the information.
She was exhausted. Lieutenant Jefferson and four other officers
had grilled her all morning in the stuffy room at the Pentagon.
Mills, wisely, said little. He sat next to her on the hard
folding chair and nodded sagely at all the right places. Lucy
talked until she was hoarse, then talked some more. She shared
her donuts, which had suddenly lost their taste. She longed for
some more beef jerky, the greasy teriyaki kind. Jefferson gave a little
information away. Yes, there had been a takeover of a Russian
missile silo. And yes, since Lucy seemed to know about it before
it happened, it was in Uzbekistan. Even though Uzbekistan was now
technically a separate country, the silos were still considered
Russian territory, with the cooperation of the Uzbekistani
government. Jefferson refused to discuss anything
else. Lucy did her best. She
believed Jefferson was a listener. He was a smart man. The other
officers might be of the same mettle, but it was Jefferson she
spoke to. And, through Jefferson, Admiral Kane. "Look, I know how this
sounds," she had said. "You don't want to wade through Muallah's
master's thesis. But if you did, you'd understand this guy really
believes he is the One of the Prophecies. He believes he will
blow this "Trumpet of Doom' and unite the Arab countries into a
new empire. What else could his trumpet of doom be but a nuclear
bomb?" "Saddam Hussein will eat him
for breakfast if he tries a stunt like that," one of the unnamed
officers said. He was a Marine, with cold eyes. Lucy didn't have
to stretch to figure this guy was a veteran of the Gulf War.
Mills made a little wiggling gesture in his chair, as though to
apologize for her. She could have killed him then. "I didn't say it was a
good plan," Lucy said patiently. "The man is a freak. He
killed a girl in Paris right after he killed Tabor.
He—" Here Lucy stopped. She realized
she was about to make a horrible blunder. Charles D'Arnot
understood about Sufi. But he was French. These men, American
military men, were not going to understand the monstrous ego
behind the murder of Sufi. She was not going to score points by
trying to explain. "He's a murderer, a casual
one," she finished lamely. "He kills for fun. He's going to
launch that missile." "There is no way a terrorist
is going to launch a nuclear missile to unite the Arab
countries," the Marine said dismissively. "The Arab countries
wouldn't unite even if he single-handedly destroyed Israel on
live television. No, he probably wants money. Or the release of a
few of his buddies from Israeli prison." "I didn't say it was a
good plan," Lucy said again, feeling hopeless. Jefferson
nodded sympathetically at her. There were a few more questions,
but the session was over. She felt she had failed. The phone rang. Lucy
started, and realized she had a half-chewed piece of teriyaki
jerky in one hand. Pregnancy really sucked. This whole day
sucked, and it was only noon. "Hello, Giometti here," she
said. "Lucy! What's up? Got
something for me on the Tabor case?" The voice was cheerful
Californian surfer boy. Fred Nguyen. "Fred!" she said happily.
She couldn't be depressed with Fred on the line. He positively
crackled with energy. "I do, actually. But I'm muzzled right now
until things settle out." "Bummer," Fred said. "You're
gonna let me know when everything's over, right?" "I will," Lucy said firmly.
She was of the younger generation at the CIA, and didn't buy into
the old rivalry between the services. Nguyen was of her
generation as well, and he laughed. "Good," he said. "That Tabor
case was a real wreck for my boss. I guess they'd been closing in
on this dude for a while. Me, I just keep thinking about that
poor damn dog he left behind. I wish he'd given her the cyanide
pills, for sure." "Why?" Lucy
asked. "Oh, come on. You think
anyone's going to adopt her? She's a full-grown dog. She'll live
for another day or so and then they'll put her to sleep. Damn spy
couldn't even kill his own dog. I guess I can understand, but it
pisses me off." "Poor thing," Lucy
said. "Yeah. I'd adopt her myself,
but my youngest has asthma. Can't have a dog. So, hey, keep in
touch." "You betcha," Lucy said, and
rang off. She felt better after talking to Fred, even if no one
else believed her. She bit off another hunk of jerky. Steven Mills walked in. His
thinning blond hair was askew and his pale eyes were bloodshot.
He had the beginnings of sweat dampening his forehead, but a
small smile sat on his lips, an odd, satisfied kind of smile.
Lucy didn't like his smile at all. "Giometti, we have a
problem," he said without preamble. "Stillwell is stuck in some
backwoods Oklahoma airport and won't make it in before midnight
at the earliest. You need to get out there today and do some
damage control." Lucy nearly choked on her
jerky. She chewed hard, and swallowed. "Are you kidding? With
Muallah in the missile silo? You're sending me to
Colorado?" Mills looked at her without
expression. "Why, yes," he said. "We need you out there to help
with the cover-up." Lucy felt a sinking
sensation in the pit of her stomach. She was being put Outside.
Put out of the way. "What about Jefferson?" she
choked. "He probably wants to talk to me—" "Nope, the Pentagon is done
with your analysis," Mills said smugly. "You aren't needed on
that effort any longer. I called Lieutenant Jefferson on that
issue and he agreed that you could be sent to
Colorado." Lucy sat for a moment, then
swallowed hard. "Well, sure, Steve," she
said mildly. This took enough effort that she could feel tiny
sweat beads in her hairline. "You get Travel to set up the
airline tickets, and I'll call Ted." "I really appreciate it," he
said. "What shall you go as? Air Force?" "How about DIA?" "Great idea," he said, and
left the office. Lucy leaned over her desk,
eyes closed, feeling betrayed. How could Jefferson do that to
her? Then she raised her head and blinked hard. "Oh my God," she said
suddenly, alone in her office. What would be the most likely
target of a missile aimed at the United States? Why, Washington,
D.C., of course. Washington, D.C., was always the first ground
zero, the first target. Jefferson believed her. He was
trying to get her out of harm's way. Lucy grinned. Damn
chauvinist. What a wonderful man. Lucy picked up the phone and
dialed quickly. "Ted," she said. "I'm being
sent out of town. Colorado. Do you think you could take a plane
to your sister's place in Florida for a few days?"
31 Colorado
Springs "So you want to bring him
in?" Harben sat behind his perfect desk, his fingers folded
neatly in front of him. His tie was narrow and black and his dark
brown hair was combed. He looked back and forth from Eileen to
Dave Rosen. "Look, he's got to be the
one," Eileen said. "He's her contact to get information out. He's
the one who delivers the money to her. We found three numbers in
that bankbook. Two of them are disconnected." "They've been disconnected
for two days," Rosen said. "I checked with the phone company. The
services were canceled the day Guzman was murdered." "The foreign spies," Harben
said. "Yes," Eileen said. "There
isn't a single thing she could do that would be worth fourteen
thousand a pop except for drugs or espionage." "How about drugs,
then?" "The only indication we have
as far as drugs go is Blame's apparent marijuana use the night
Art Bailey was killed," Rosen said crisply. "I missed that," Harben
said. "Eileen?" "Maybe he was a little
stoned the night Art was killed," Eileen said reluctantly. "I put
it in my report. Maybe it was dope. Maybe it was because he'd
just murdered Art and it wasn't as well planned out as
Terry." "Maybe he has a drug habit,"
Harben said. "But that doesn't matter, because espionage takes
this case right out of our hands. You know that, don't you?" He
addressed his remarks to both of the detectives. Rosen's lanky
frame was slumped in the chair in front of him. Eileen sat
forward in hers, forearms on her knees, her head propped in her
hands. "I know," Eileen said
glumly. "We could haul him in and
have a few hours to interrogate him," Rosen said. "Just by
arresting him we could make him talk, maybe." "Maybe so," Harben said.
"But we won't. The Air Force OSI officer called me this morning.
He'll be arriving this evening and he'll take the whole case out
of our hands. We turn our documents over to him and it's his ball
game." Eileen stared at the
floor. "It all fits," Rosen
pleaded. "Blaine was there. He's got a motive. He's our
man." "He'll be the FBI's man, if
he's anybody's," Harben said. "This is a federal case." Eileen
looked up at Harben. Her captain was staring at her, and as
always there was no emotion in his face. "Eileen, you've done a fine
job here," Harben said. "And so have you, Dave. I'm sorry you
can't close this case. I want you to wrap up the documents and
get them printed for the OSI officer." "I'd like to talk to Lowell
Guzman one more time," Eileen said in desperation. "Maybe he
knows something about Terry's dealings with Major Blaine. I won't
blow the case, I swear. I just have to wrap up the last loose
ends." Harben opened his mouth,
then hesitated. "Lowell might be in danger
from Blaine, actually," Rosen said, and Eileen and Harben turned
to look at him. "Wouldn't Blaine want to make sure Terry didn't
have anything that pointed a finger at him? I wonder why he
didn't search Lowell's house already." "Maybe he hasn't gotten
around to it," Eileen said. Harben leaned back in his
chair. It didn't squeak. Nothing was ever out of place around
Harben. "Please," Eileen said.
"Don't let it just end like this. We can wrap it all the way up
and they can just—tie the bow on the thing. I don't
want to let them stuff this case in a drawer somewhere, or screw
it up. Please let me—I mean, us—finish this." There was
silence. "Go check on Lowell,
Eileen," Harben said. "You could suggest he spend the night at a
hotel until the OSI has Blaine in custody." "I can't believe we can't
arrest him right now—" Rosen started, and Harben waved
him down. "I won't allow that. They
might want to let him run, to see if he reveals anyone else. We
don't deal with espionage. But I have," Harben added dryly, "read
up on it. Check on Lowell Guzman." "I'm on my way," Eileen
said. Turtkul,
Uzbekistan "I am Fouad Muallah,"
Muallah said proudly. Behind him, Ruadh had finished his research
and was now examining the launch control panels. The microphone
in front of Muallah smelled faintly of garlic. "What are your intentions,
Mr. Muallah?" the voice asked respectfully. The speaker was
Russian but spoke a passable Arabic. They knew who he was,
then. "Let my intentions be known
to the world," Muallah said grandly. "Let the name of Fouad
Muallah be repeated around the world, as the One of the
Prophecies. Allah has sent us here today to complete a holy
mission—a jitan. This you shall
know. Let all know my name." With that, Muallah gestured
to Ruadh, who obediently left off his examination of the launch
panel. Ruadh turned off the radio and returned without a word to
the panel. "When?" Muallah asked
tensely. This was taking longer than he expected. "Very soon, Mahdi," Ruadh
said serenely. "Very soon." Moscow, Russian
Republic "What the hell does that
mean?" Major Paxton said in bewilderment. Lucy Giometti could
have told him, but Lucy was boarding a United Airlines flight for
Colorado Springs. Major Sergei Kalashnikov didn't like the sound
of Muallah. He didn't like his tone, and he didn't like what the
man said, once it was translated from Arabic by the sergeant who
spoke the language. "I don't like the sound of
this," Major General Cherepovitch said. "I have been instructed to
offer you American Stealth bombers," Major Paxton said
unexpectedly. Cherepovitch and Kalashnikov turned to the Major,
who was not looking much like the master of anything at the
moment. His hair looked sweaty and rumpled. "We can blow the covers off
the silos and drop bombs down the tubes in two bomber waves,
guaranteed," the Major said reluctantly. His face was definitely
flushed. He was not a happy-looking man. "That will kill the Russian
women and children in silo number six, won't it?" Kalashnikov
said softly. The Major's flush deepened. He knew that. "Yes," he said shortly.
There was a long moment of silence. "Let's see," Cherepovitch
said slowly. "You want to send American bombers over Russian soil
and bomb Russian women and children in order to kill a terrorist.
Is this correct?" "We have some background on
Muallah that suggests he might launch," the Major said
stubbornly. He refused to look Kalashnikov in the eye. "Wherever
that bomb might hit would kill far more women and children than
are in silo number six." "Thank you, no,"
Cherepovitch said coldly. Kalashnikov wanted to cheer. "My
country declines. We have a ground assault team that can be there
in twelve hours. We will take our missile base back and rescue
our comrades, Major Paxton. Please express our regrets to your
government, and our thanks at your offer." Cherepovitch turned to
Kalashnikov and gave him a solemn wink. Kalashnikov barely
suppressed a grin. God, that felt good. Now their assault team had
to succeed, that was all. Kalashnikov said another silent prayer
as Major Paxton, shoulders slumped, went to his secure
phone. The Pentagon "They said no?" "They said no," General Knox
said to the Secretary of Defense. "What is your
assessment?" "Mr. Secretary, the Russians
are the Three Stooges of the military world," Knox said rudely.
"They'll probably kill each other and launch the missile
themselves." The Secretary licked his
lips nervously. Was this man serious? "And?" "I suggest we get the
President in the air and as many members of Congress out of town
as quickly as possible." Knox knew he'd convinced the Secretary
when the man paled to a nice tone of paper white. "Oh my God," he
said. "We have one card up our
sleeve," Knox said. "If this madman does happen to
launch." "The Missile Defense
program?" the Secretary whispered. "That's correct, sir," Knox
said. He'd argued for years against spending on those damn
foolish space toys. Now here he was offering the program like a
life preserver to a drowning man. He hated the words coming out
of his mouth. "After we get the President out of danger, I
suggest we get Admiral Kane to fire up this system and see if all
the billions we spent pays off." "First things first," the
Secretary said, still pale. Knox kept a contemptuous smile from
curling his lip. The Secretary would be on Air Force One with the
President. The coward. The Secretary picked up the
phone. "Operation Scramble," he
said. Colorado
Springs Lucy Giometti, who left
Washington, D.C., a day after Major Alan Stillwell finally left
Alabama, beat him into Colorado Springs by a margin of better
than four hours. Her commercial flight landed at the Colorado
Springs airport and taxied to the entrance in the late
afternoon. Colorado Springs still
managed to retain the flavor of a small-town airport. The
business out of the huge Denver International Airport, sixty
miles north, consumed most of the air traffic in the area. So
Lucy found herself in a small, nearly empty terminal building
framing a breathtaking view of a single towering
mountain. "What's that mountain
called?" she asked the rental-car attendant. "Pikes Peak," the girl said
with a bored expression. Lucy nodded and set down her bag. Her
legs ached from the flight and her stomach felt awful. She hadn't
thrown up, but it had been a near thing as they'd bumped their
way down the Front Range. She turned again to regard the amazing
bulk of Pikes Peak. There were thunderstorms rising lazily in the
afternoon heat, building up along the shoulders of the Peak. Lucy
thought she could look at the view forever and never grow tired
of it. The FBI office was fairly
close to the airport. The directions Fred Nguyen had given Lucy
were simple, and she found his office without any trouble. The
air was hot but fresh and dry, and she stretched luxuriously
outside her car before entering the office building. "Fred?" she asked. There
couldn't be a doubt. The Asian man who was sitting at the front
desk in the empty office could only be Fred Nguyen. He had a
phone to his ear and his feet were up on the desk. He was wearing
the FBI suit, but the thick black hair was cut so that it stood
up wildly all over his head. A grin split his face when he saw
Lucy in the doorway. "Gotta go, hon," he said,
and hung up the phone. "You must be Lucy." "I'm Lucy, and I'm hungry,"
she said, and grinned back at him. "Hey, you're pregnant," he
said, standing up from the desk and walking around to shake her
hand. "Not really," she said
soberly. "It's all part of the disguise." He looked at her
closely for a second, then threw his head back and
laughed. "You kill me," he said.
"Hey, how about genuine Vietnamese food? I asked Kim if she'd do
us up a real meal and she said sure. That okay with
you?" "That sounds great," Lucy
said. "Let's head right to my
house, okay?" Nguyen said. He escorted her out and locked the
office behind him. "Everyone's
gone?" "Hot line's in Denver,"
Nguyen said with a grin. "This here is the backwater. Gone
fishin', gone skiin', we take any excuse to take off. That's why
I like this place." His smile was warm and without cynicism, but
Lucy knew the real story. Nguyen just didn't have the look of an
FBI agent. He wasn't white and he wasn't tall, and so he was
assigned to Colorado Springs, not Washington, D.C. Nguyen caught
her look and offered a small, cynical shrug. "Heck, it could have been
the Navajo Reservation," he said. "Or up in Rapid City. Colorado
Springs has a knock-your-socks-off symphony." "A symphony," Lucy murmured.
Here she was, safely out of Washington. At least Ted was safe in
Florida. If anything happened, that is. Lucy looked toward the
west again and realized uneasily that NORAD was in those
mountains. Wouldn't that be a good joke, if Jefferson sent her to
ground zero? "Almost heaven," Nguyen
said. "You'll be in heaven when you taste my wife's cooking. Now,
that's paradise." As they went to their cars,
an afternoon thundershower started booming off Pikes Peak,
sending gray sheets of rain drifting through the dry afternoon
air. Garden of the Gods, Colorado
Springs Joe Tanner had an idea. An
Idea. Perhaps the thunderstorms inspired him. He'd read once that
thunderstorms created an electromagnetic field that caused people
to do better on tests. The thundershower hadn't caught him on his
run through the Garden of the Gods, but only because he'd
sprinted the last half mile to his car. He was a native and knew
the weather patterns, so he'd timed his run to end before five
o'clock, when the first of the showers should be striking down
from the Peak. They hit just as planned, and now he sat in his
car, panting, as the first big drops splattered against his
windshield. Thunder boomed, and he smelled the glorious wet sage
smell of Colorado rain. "Ahh, beautiful," he said to
himself, and leaned back in the seat. He was happy. To wake up
with Eileen Reed was something he was going to like getting used
to, he decided. Fixing coffee was a whole new experience. And
that shower they'd had together! He shivered with sudden goose
bumps. The rain fell harder and a few hailstones bounced off the
windshield. Joe kept the window open so he could smell the rain
and the sage, even though a hailstone or two bounced into the
car. He remembered Sully, and the memory didn't hurt. Remembering
Sully made him think that Art would be so happy for him that he'd
found someone—and his thoughts dissolved in
confusion and grief. Art was dead and he'd never know now. He
watched the hard rain bouncing off the hood of the car. Art had
been trying to prove to Eileen that he hadn't killed Terry. Art
hated the thought that he was a suspect. He'd told Joe on that
last afternoon that he was going to try and figure out a way to
prove who'd done it. Or at least, prove that he hadn't.
There really wasn't any way for him to do that,
unless... That was when he realized
what Arthur Bailey had been doing. Joe sat straight up in the
car seat. His eyes stared at nothing. The sweat that beaded his
face from his run dripped, unnoticed, from his nose and
chin. "That's what he was doing!"
he said aloud to himself. "Why didn't I think of that? I'm so
stupid. I'm so stupid!" He pulled his seat upright,
fumbled for the keys, and started his car. He pulled into the
roadway with a scattering of wet gravel, and headed down the
road. Washington,
D.C. "Ouch, goddammit, you're
hurting me!" Richard yelped as the Secret Service agent carried
him over his shoulder like so much baggage. Richard was not
small, but the agent ran down the hallway at a near sprint. When
Richard was dumped into the helicopter he rubbed his arms and
glared at the agent, who was panting and red-faced. "Sorry, sir," the agent
said, obviously not meaning it. Richard was preparing to go
into what he fondly considered a high fury, but then he saw the
wildly waving legs of his younger brother being carried upside
down by a very determined-looking Secret Service agent. Richard
was instantly diverted. "That's funny." He laughed.
"I can't wait to see Dad..." His voice trailed off as the
enormous bulk of his father came shooting out the White House
door right after his brother. The President was upright, but his
feet weren't touching the ground. His agents were carrying him,
actually carrying him. Richard wondered if he was
imagining this. No, his father's feet really were off the ground.
The President of the United States had been enormous before he
was elected. Now he was of legendary proportions. The two agents
who were carrying him looked very distressed and were trying to
hide it. Their grip made the President, at a distance, keep his
dignity. But his tiny feet paddled inches above the ground as he
traveled faster than a normal man could run. Richard covered his
mouth to stifle a giggle. "Ha, Steve," he said as his
brother was shoved in next to him. "You sure looked stupid,
upside down like that." "Shut up," Steve panted.
"What about Mom?" he asked his agent. "She's already in the air,"
the agent said. The First Lady was on a fund-raising trip and
wasn't due back from Florida until the end of the
week. The President was hustled in
the door, and Richard made as though to sneak over and sit with
him. The agent who'd carried him out briskly reached over and
fastened his seat belt. "This is going to be a very
rough ride," he said softly and not unkindly. "You'll be able to
sit with him on the plane." The helicopter leaped into
the sky with a very nasty jerk, and the engines revved up into a
scream. This was not the usual helicopter ride from the White
House. Suddenly the whole picture
fell into place for Richard. "Oh my God," he said,
horrified. "Is it aliens?" His father was panting too
much to talk. Steve, who was a worm, sneered at him. Steve was
brilliant. Richard had lived his whole life with a little brother
who could think rings around him. And Steve wasn't a
wormy-looking geek, either. He was tall and straight and had wavy
brown hair and snapping blue eyes. He looked like a little
superhero. Richard, who shared Steve's height and hair and eyes
but who was built like Dad, held out hope he would keep from
getting quite as fat as his father. In the meantime, algebra and
his brother were the banes of his life. "Look in the sky,
bat-brain," Steve said nastily. "Do you see alien
spaceships?" "No, I don't, Wormy," he
snapped back. "But if I were President, I'd get out before they
hovered over the White House." His agent, Carlton, grinned
at him affectionately. "So let me in on the joke,"
Dad said, having finally regained his breath. "Yes, Mr. President," the
head of Secret Service said. He was very tall and very grave and,
to Richard, looked like he was about a million years old. "There
is a potential nuclear threat against the United
States..." Richard stopped listening.
He reached out blindly, and Steve took his hand. They sat huddled
together as the Secret Service agent spoke of monstrous terrors
in his low and soothing voice. The helicopter screamed through
the skies over Washington, D.C., headed for the airport and Air
Force One.
32 Colorado Springs
Investigations Bureau Eileen cursed and hung up
the phone. "What's up?" Rosen said. He
was tilted back in his chair and had a wet washcloth pressed to
his forehead. Rosen didn't believe in drugs of any kind and so
used the washcloth method to get rid of a headache. He informed
Eileen it worked much better than the aspirin she was going to
swallow. "Uh-huh," Eileen said, and
swallowed the aspirin. Now she let her head rest
against her arm and cursed again. "Let me guess," Rosen said
from behind the washcloth. "Guzman still isn't home." "No, he's not. It's six
o'clock," Eileen said in frustration. "Where is he?" "Could be anywhere," Rosen
said. "I've got a date tonight,"
Eileen said reluctantly. "I've got possibilities of developing a
life here." "With Joe Tanner?" Rosen
said. His face was hidden behind the cloth, but his voice was
reassuringly bland. "Yeah," Eileen said,
unsurprised. Dave Rosen was no dummy. She rested a hip against
the desk. "We're going to be working together from now on, it
looks like. I don't think I should start out by lying to you."
She felt the heat rise in her face. This was difficult for her.
She didn't have any brothers, although she had had Owen Sutter,
her fellow high-school boarder, when she was a child. A new
partner always presented some challenges. "That's a good idea," Rosen
said. "Not lying, I mean." He took the washcloth from his
forehead and looked over at her. "I don't think dating Joe Tanner
is a real swell idea right now. I know all the signs point to
Major Blaine, but he's still contaminated by all of this. I hope
you don't lose your perspective on that." Eileen took a deep, angry
breath, then blew it out again. She shrugged at Rosen, then
grinned at him. "I guess that's what you're
around for," she said. "Right?" Rosen looked at her for a
moment, then leaned back in his chair and put the washcloth back
over his face. "Right," he said. "I
wouldn't want to work with anyone else. You know Guzman might be
at his house. He might have turned the phone off." "Hey, good idea," Eileen
said. She was a little disconcerted by the compliment. "Good
idea. I think I'll drive out there. Let me call Joe first,
though." She dialed, but there was no
answer there either. Eileen frowned and left a message on the
machine. "Now, where could Joe be?"
she wondered aloud, then realized he was probably working out at
the health club near the Garden of the Gods. Nelson had said he
swam or ran there nearly every day. She got her keys from her
desk. "You got the rest of this?"
she asked Rosen. He was still relaxing, feet up on the
desk. "I got the paperwork going,"
he said, and flapped a hand at her. "Go on." As Eileen took her jacket
from the hook by her desk, Rosen spoke behind the wet
rag. "Eileen?" "Yes?" she said, shrugging
into her jacket and checking her holster. "You sure you don't want me
to go? I got a funny feeling about this one." Eileen felt a run of goose
bumps. "No," she said, after
thinking for a moment. "We have to get that paperwork out the
door. I'll only be an hour at the most." "Okay," Rosen said. "Just
watch your back." "I will." She smiled at the
washrag. "Don't worry." Colorado
Springs Lucy leaned back in her
chair, sighing. She'd had to pass on the plum wine because of her
pregnancy, but she'd eaten the other dishes until she was
stuffed. "This plum wine isn't
authentic anyway," Fred Nguyen said. Fred's wife Kim was another
California Vietnamese with the same mixture of Asian features and
beach girl mannerisms. They had two children, a boy and a
girl. "I'm afraid of labor," Lucy
admitted. "But it's worth it to have a baby." "You're going to love being
a mom," Kim said, stacking dishes. "Labor isn't all that
bad." Behind her, Fred rolled his
eyes. "I need to get to my hotel
room," Lucy said, smiling. "I've got to get ahold of Colonel
Ellison. And maybe Detective Reed, if she's around." "Sure you can't stay?"
Nguyen asked. He'd already given Lucy his sheaf of documents,
which she'd locked in her little travel suitcase. The suitcase
was the only CIA-made object in her wardrobe. No poison pens or
little laser-beam penlights, she'd thought with a sigh. The
suitcase was aluminum reinforced and had a tiny acid container in
the locking mechanism. If the case was forced the acid would dump
and destroy the contents of the case. "Cool," Lucy muttered when
Mills gave her the suitcase on her first business
trip. "Don't forget the combo,"
Mills had said. "Or the acid will eat my
shorts." Lucy grinned. Mills didn't laugh. "I do have to work," Lucy
said. "Thank you so much for the meal and the
company." Looking at the two of them
made Lucy miss Ted terribly. She wished she'd talked him into
coming with her instead of going to Florida. For whole blocks of
time she could make herself forget Fouad Muallah and the Turtkul
missile silo, then she would remember. Remembering felt awful.
There was nothing she could do, she reminded herself as she shook
hands with Fred. Her analysis was complete and that's all she
was, an analyst. She wasn't some kind of movie hero, to go with
guns blazing into Uzbekistan and somehow ruin Muallah's plans.
She just had to wait it out. "Good luck with your little
one," Kim said, woman to woman, and they smiled at each
other. "Take care, now," Fred
called as she walked to her car, and a shiver ran up her spine
like the cold touch of a hand. Muallah. Nuclear threat. Lucy held
one hand over the rounded swell of her belly as she got into the
car. Air Force One Richard, attached like a
round little barnacle to the side of his father, heard the whole
conversation. Air Force One was in the air and there were no
aliens, just a crazy Arab terrorist who might launch a nuclear
missile. Some CIA analyst had decided he was going to launch at
the United States instead of the obvious target, Israel, and the
Russians refused to let the Americans take the missile silo out.
Evidently there were some Russian hostages. Richard had great problems
with algebra, but he had a keen grasp for detail. What was most
important was that the chances of America getting nuked seemed
pretty small. The atmosphere inside Air Force One was definitely
more relaxed. "Admiral Kane," Dad said in
his Mr. President voice. "Sir," said the voice over
the radio. Kane sounded old, Richard thought. Or perhaps he'd
been up for many hours. "You're requesting
authorization to enable the Missile Defense System?" "That is correct, sir. The
sooner the better. If there is a launch and the system is already
set up for tracking, we should have a better chance of shooting
it down." "More than a chance, I hope,
Admiral," the President said harshly. "For the money we've
spent." "Mr. President, the system
is still in the start-up stages. It's not fully operational. But
we feel confident the system will work." "Any chances of the system
being compromised?" "None as far as we can tell,
sir." "Approved," the President
said, and waved his hand to cut the communications link. "Now
let's get to work on the Russian situation." One of the Generals in the
cabin looked quickly at Richard and Steve, then looked at the
President. The President glared at him. "They stay," he said, and
Richard gave a smug grimace at the General. "As long as they
don't say a word." Richard pressed his lips together firmly and
looked over at Steve, who nodded back. They weren't going to get
kicked out. This was much too interesting. Colorado
Springs Eileen finally found the
Guzman residence. Rosen had been here, but she hadn't. It was
merely another handsome tract home on a quiet cul-de-sac, a
location innocent of any atmosphere. She turned off her lights
and coasted to a stop against the curb. Her tires made a mild
crunching sound over the few pieces of gravel on the road, and a
dog barked a long way away. The thundershowers had stopped and it
was almost dark. Water ran in the curbs, drying quickly in the
warm evening air. The porch light was on.
There were lights on in the house, and there was the faint sound
and flickering of a television. Eileen rang the
doorbell. Silence. The dog barked
again, down the street. The slight breeze brought a heavy scent
of summer roses. The Guzmans must have a rose bed somewhere.
Eileen rang the doorbell again. She couldn't figure out why she
was so nervous. Perhaps because she knew about Terry Guzman. She
knew the spider this house was home to. Eileen wondered about
Lowell Guzman. Could he not know what he was married to? Was
there some deep feeling of relief under all that grief over her
death? Still no reply. Eileen drew
a deep breath. Perhaps Guzman couldn't hear her because he was
already dead. Maybe Lowell was the next victim. Eileen walked
quietly around the side of the house. Her breath was light and
quick. She came to the living-room windows and saw the television
and the back of Lowell Guzman's head. The head was slack, resting
in a big armchair. One limp hand hung around a glass of what
looked like Scotch. The arm seemed too still. It looked more than
passed out. It looked dead. Eileen felt her whole body prickle
with goose bumps. She drew her gun carefully from her
holster. The back-porch door was
locked, but the window next to it was open. It took only a moment
for Eileen to unlatch the screen and- reach through to the door.
She stepped into the house. Gaming Center, Schriever Air
Force Base Joe Tanner took a deep
breath and sat down in Art's chair. His terminal keys were dirty,
he saw; the F and the J were particularly grubby. For a moment
unexpected tears stung his eyes, and then he blinked them away.
Art was shorter than he was. Joe had to adjust the chair. The
workstation screen was dark. Joe posed his hands over the
keyboard, fingers lightly touching Art's keys, and pressed the
return key with one finger. "Login." The words printed
in cold white on the dark screen. Joe had three chances to log in
to the computer network that controlled the simulations. If he
failed three times and tried again, the computer system would
appear to let him in, while screaming for help at the main
operator console. There was a computer security program that
would spill false data to an unsuspecting pirate. By the time the
invader figured out that the system wasn't responding quite as it
should, the FBI would be knocking at the door. Or, in Joe's case,
he would call the operator and receive a tongue-lashing for his
thick-fingered clumsiness, while the operator shut down the
emergency alarms. It had happened to some Gamers, but not
Joe. Joe looked around, even
though he knew no one could possibly be there this late at night.
Besides, the door to the computer Center was a huge, noisy thing
that beeped loudly when opened. Still, he was about to commit a
computer crime. He took another breath and
typed Art's name and password on the screen. Art and Joe always
shared their passwords, a secret they told no one else. Sharing a
password was a crime, but it made their work easier during the
long preparation hours for a War Game. Neither the name nor the
password appeared, another security feature that Joe found
irritating. The workstation seemed to muse for a moment, chewing
over his request for access. The screen flashed white, then
cleared. He was in. Colorado
Springs Eileen walked down the dim
hallway toward the family room, where the TV chattered
meaninglessly. A burst of canned laughter tensed her briefly. The
sound of the TV, the darkness of the hallway, the absurdity she
was involved with, made her feel unreal, as though she were part
of some television drama. It was a soothing and dangerous
thought, as though if Major Blaine were to leap from some unknown
corner and stab her, Eileen could just wipe the blood away and
shoot the next scene. She caught sight of the back of the
armchair, the shock of brown hair, and the checkered bathrobe arm
as limp as a store dummy draped over a fragile side
table. The armed moved stiffly, and
the glass was brought to the front of the chair. Eileen felt her
whole body relax in relief. She wet her lips and entered the
room. "Mr. Guzman," she said
softly. "It's Detective Reed. Can we talk?" There was no reply. Eileen
moved in front of the chair and froze in surprise. She faced a
nubbled yellow face without eyes or mouth or nose, topped by a
snarl of brown hair. It took her a moment to identify the face as
a foam football, turned on end and impaled on a thin pine board.
Beneath the head, settled into the armchair like some malevolent
broken toy, a nest of wires and circuit boards moved a
bathrobe-clad robot arm toward the football. The glass turned,
the Scotch rose smoothly up the side of the glass, the arm moved
back toward the table. There was a gentle humming. Behind Eileen the television
flickered and launched into a loud musical commercial. The
seamless face of the robot seemed to mock her. She caught a
movement from the corner of her eye and turned to look, tensed in
an instant, the sweat turning icy on her face. The motion was from a house
next door. A woman was in her kitchen. The woman's blinds were
up, and the French doors in Lowell's house had the curtains
pulled back. The woman was too far away to see an expression, but
she could obviously see Eileen in Lowell's living room, and her
posture spelled confusion. Eileen moved carefully to
one of the other chairs and sat down calmly, as though invited to
do so by the faceless thing in the armchair. She saw the woman
lose her suspicious posture and go on with some sort of homey
evening cooking, probably cookies or some kind of treat. Eileen
could almost smell the chocolate. It was then that she
realized, all in a rush, what the robot and the woman meant. The
neighbor would swear Lowell had been there; she'd seen him in his
armchair all evening. And that could mean only one thing: Lowell
needed an alibi because he was going to commit a murder. Another
murder. Lowell Guzman was the
murderer, not Major Blaine. Eileen couldn't move in the armchair.
Everything came rushing together. It all fit. Lowell must have
found out that Terry was selling secret documents. If she were
discovered and convicted, he would go to jail, or at the least
lose his clearance. Lowell was in the Gaming Center the day Terry
was murdered. Lowell was the damn fine actor that Eileen watched
on the videos of the Game, crumpled and weeping in the arms of
'Berto and Sharon Johnson. It wasn't Major Blaine at all. It was
Lowell.
33 Gaming Center, Schriever Air
Force Base Joe walked from room to
room, flipping on lights and punching the buttons that turned on
the graphics terminals. He had done this a thousand times, but
always with Art chattering on the keyboard in the main room, or
racing him to see who could turn on more terminals. His death
surrounded Joe like a rough sea: sometimes it surged around him
quietly and sometimes it took him and dragged him under and
scraped him raw. It hurt. Then he thought of Eileen, and he knew
how much better it was to feel, even if it hurt. For the two
years since Sully died he hadn't felt much of anything. Now he
was living again. Then the seas quieted down
around him and he forgot everything but the minutiae of the
simulation, the terminal stations up and going, the computer
network functioning without error, the ports between computers
connected and transmitting perfectly. If anything was slightly
less than perfect, his attempt would not work. Joe returned to the main
console, his fingers moving rapidly over Art's grubby keyboard.
His eyes, lit by the screen, showed a dazed, slightly puzzled
look of concentration. Eventually he paused,
sitting back in his chair and putting one foot up on the table
where the terminal sat. The computer screen was full of square
windows, each one filled with words. Joe flicked his gaze over
each window, then nodded in satisfaction and punched the return
key. The screens in the Gaming
Center went dark, one by one, then lit up again with the blue
globe of the Earth. Joe went to 'Berto's console and stood
plucking at his lower lip. He wasn't aware he was copying Art's
favorite expression. On the console, the arrow that represented
the mouse control suddenly jerked and moved across the screen,
although there was no hand at the mouse. Joe nodded to himself,
unsmiling. The arrow moved again, and
the globe shifted to a view of the United States. Joe watched,
fascinated, as the slightest move of Roberto Espinoza was played
back in front of his eyes. Every move that he had made on the
keyboard, every tremor of muscle or finger key-click, had been
recorded faithfully by the computer system. Joe, as he suspected
Art had done before him, had set the system up so that the
recording was being played back, exactly as the Game had happened
on the day of the murder. Somewhere, on one of the
eight terminals in the Gaming room, one arrow would grow still.
During a War Game the participants were required to have their
hand on the mouse at all times, to monitor the battle and send
the right commands. On one screen, the mouse
would stop moving. The screen would stay unchanged. The person
whose fingers should have been on the mouse, making it move and
shift around the screen, would be gone. The mouse would stay
absolutely still while the murderer crawled under the Gaming
Center floor and rose up behind Terry Guzman like a cobra from a
basket. The mouse wouldn't move again until the murderer was back
in his seat, pretending all was well. The missiles burst from the
ocean and 'Berto's terminal flickered toward the launch. Joe
stood and watched as the missiles lifted and flared and
eventually detonated in Washington, D.C. He sighed, and walked back
to Art's console. He pressed a series of keys and the screens
went black, then lit up again with the blue globe of the
Earth. Joe knew that the screens
hadn't been live when they'd found Art. Art must have created a
program to check on each of the terminals and make a decision
when one was silent for too long. That was the "Found" phrase on
Art's computer that Nelson told her about when Major Blaine
discovered Art's body. Joe knew he could duplicate Art's code,
but it would take him days where it had taken Art hours. He
figured it would be easier to just replay the Gamers' screens and
watch them one by one, in each person's room. Art was so good. He
felt a surge of panic as he realized if there were more games to
be played, it would be Joe Tanner at the helm now. He wouldn't
ever be able to fill Art's shoes, but he'd have to try. He rubbed
his hands together furiously and blinked hard. Finding out Art's
murderer would be a good start. Joe walked to Doug Procell's
terminal, and the light from the screen lit his face as he stood
motionless, watching. NORAD, Cheyenne Mountain,
Colorado General Kelton was on duty
that night. There were three American generals and one Canadian
general who shared the on-call duty at NORAD. Now that the Missile Defense
program was more or less on-line, crucial decisions had to be
made. Most important, the whole system wasn't operational yet.
Control of the system alternated between NORAD and Space Command,
out at Schriever. Eventually control would rest at NORAD, as it
must, and Schriever would continue as a research-and-development
station. For now there was always a bit of a battle whenever
there were War Games going on. Kelton, who considered
himself a tough son of a bitch and a damned fine soldier,
contemplated the Real Thing. He'd been at NORAD for almost three
years and he dreamed about incoming missile tracks. Sometimes he
wondered if they weren't printed on the inner side of his
eyelids. He'd played enough War Games to understand decisions had
to be made at lightning speed. Missiles were rockets, godddammit,
rockets, and they came fast. So Kelton drank Coke all
night long and slept in a darkened room with special window
shades during the day. His children were grown and gone, so his
wife good-naturedly moved her schedule around to match
his. The alert phone rang. Kelton
picked up the red phone and heard a dial tone. The phone rang
again. He looked down and realized the gold phone was ringing.
The gold phone. "Alert!" he roared, and
picked up the phone. "General Kelton, this is
Admiral Kane," the Admiral's voice crackled. "Admiral Kane," Kelton said.
Around him, the Command Center at NORAD was exploding with
running feet and flashing lights. But silently, silently. Kelton
established silent alerts when he took command, and now his
people were as quiet as ghosts. His punishment for noise was a
suspension of cafeteria privileges. No one messed up twice after
having to eat sandwiches from a cooler when the rest of the crew
were devouring the gourmet meals dished up at NORAD. "We have a Russian missile
silo taken over by an Arab terrorist group," Kane said briefly.
"There is a potential for a launch at an American
city." "Yes, sir," Kelton said, and
pumped his forearm at the Colonel standing four feet away. Kelton
poked his index finger out of his fist, and the Colonel went
white. Kelton glared at him so fiercely, the Colonel should have
burst into flames like a newspaper in the path of a
flamethrower. "Button up!" the General
whispered, covering the phone with one hand. "Button
up!" "You need to enable the
Missile Defense system," Kane said. "If this missile flies
anywhere, we want to shoot it down. Europe, Israel, South
America, anywhere." "If it flies, it dies, sir,"
Kelton said grimly. "Keep me
informed." "Yes, sir." Kelton heard, through the
earth that surrounded him on all sides, the shuddering sound of
the blast door slamming shut. NORAD was sealed. Colorado
Springs Eileen sat in Lowell's
chair, frozen with indecision. Who was going to be murdered? For
precious minutes her mind raced without purpose or coherence. The
sweat beaded and dropped down her back. The bland empty face of
the robot stared straight ahead, the glass rising and falling in
the metal hand, rising and falling. The robot would have been in
this position the night before, when Art was being murdered.
Eileen felt the rage rise and blossom in her body. She nearly
reached out and swept the mechanical man from the chair. The urge
was so overwhelming, she found herself on her feet, fists
clenched, wanting to kick and hammer and destroy. But Eileen
wanted Guzman, wanted him behind bars or perhaps dead and rotting
in a coffin. And if Eileen didn't do some
fast thinking, there would be three Guzman victims instead of
two. Eileen straightened with a
jerk. She leaped to the phone and pawed at it for a moment with
clumsy and sweat-slicked hands. She dialed Joe's number from
memory, waiting an agony of seconds before the connection was
made and the phone began to ring. She knew he was
gone—or dead, a tiny cheerful voice in
her head informed her—before the answering machine
picked up and Joe's precise, velvety voice asked her to leave her
name and number. Eileen almost put the phone down, then
stopped. "Joe, this is Eileen. Please
get out of your house, right now. Go to a phone and call the
police. Don't talk to anyone or get close to anyone, do you
understand? If you are hearing this, please get out and get to a
phone now!" Eileen bit back a strangled sound as she slammed the
phone on the cradle and headed for the door. NORAD, Cheyenne Mountain,
Colorado "What do you mean, you can't
enable the system?" Kelton said in a voice as cold as frozen
iron. "I can't enable," the
Captain said miserably. Her hair was in disarray and her uniform
skirt was rumpled. "We suspended the system when that girl got
murdered at Schriever. The system hasn't been reset,
sir." "That means we have to
enable at Schriever," Kelton said. His lips were numb. "Get the
emergency helicopter ready to fly. Shelly, we'll send you to
Schriever to—" "Sir," Shelly squeaked.
"Sir—" "Yes?" "The Gaming Center has to be
kicked on—started up, sir. I don't know how
to do that." Kelton stood contemplating
Captain Shelly for a moment. He was in a cold rage, but he was
thinking fast. Rockets were so goddamned fast. "Who knows?" "The Truth Team leader got
killed too, sir," Captain Shelly said. "But the Game Leader,
Nelson Atkins, he should know how to do it." "Find out where he lives,"
Kelton snapped at Colonel Maclean. "Get the helicopter ready for
Maclean and Shelly," he snapped to Major Dunn. "And open that
goddamned blast door!" Turtkul,
Uzbekistan Anna Kalinsk was allowing
herself to feel a little kernel of hope. The terrorists hadn't
figured out how to blast the silo top off, or they had decided
the little group of women and children weren't worth the effort.
She didn't care about the reason, only the result. Her sons might
live, after all. "Will our comrades send
troops, Anna?" Ilina whispered fiercely. "Will they
come?" Anna closed her eyes and
thought for a moment. Yes, troops could be brought in using
Hinds. Would the little missile silo be worth it? Of course. Anna
counted the hours in the silo, the last radio transmission by
Boriska, the probable response time.... She opened her eyes and
smiled at Ilina. "Why, they should be here
anytime!" she said brightly, and as though her words were a cue,
they heard the booming sounds of heavy guns. Ilina looked at Anna with
her mouth hanging open. Anna offered a small shrug, and
blushed. "Just luck," she
said. Gaming Center, Schriever Air
Force Base Joe watched Sharon's console
next, although he felt sure Sharon Johnson couldn't kill anyone.
Sharon's was the next in line, and Joe was a logical person. He
wondered where Eileen could be. He'd called her at the office and
they'd said she was out. He was nervous about telling some
dispatcher that this was an emergency—what if he were wrong? So he said
it was a personal call, and he left a message for Eileen at her
home machine. The globe of the Earth
showed blue and white and spectacular. Sharon, manning some of
the communications satellite views, was positioned casually
north, near England. That way the launch could be seen at Bermuda
but she wouldn't commit the mistake of hovering directly over a
launch that she shouldn't know was going to happen. The view
shifted constantly. Joe gazed at the terminal and wondered if
Nelson was going to call him at the Center. He'd left a message
for Nelson on voice mail since he hadn't been able to contact
Eileen. Maybe Lowell would call. Sometimes he picked up Nelson's
voice mail when Nelson was out. Joe sighed, watching Sharon's
mouse key move through the course of the game. Not Sharon, then,
but he could have guessed that. Colorado
Springs Eileen made the call as her
Jeep squealed out of the subdivision. Rosen was still in the
office. "Thank God," she said to
him. "Listen. I've been to Lowell's house. He's got a robot
there, something that looks like him from the
windows." "It's Lowell," Rosen said
immediately. "Oh, shit, it's Lowell." "Could be Lowell and Blaine
both, for all I know. I think he's after someone. He used that
alibi the night Art was killed." "I'll send out cars to all
the Gamers' houses," Rosen said. "I'll take Lowell's house
myself. We'll get the crew there to photograph for evidence.
You're on your way to Joe Tanner's house?" Eileen felt warmth in the
cold yawning pit of her insides. Rosen was going to be a great
partner. "On my way there," she said.
"Yes." "I'll get a warrant for
Guzman and Blaine both," Rosen said. "We haven't had word one
from Stillwell." "Clear. I'll contact you
when I'm there. Out." Eileen's stomach felt like a
slick stone in her middle, and her mouth was so dry she made a
little clicking sound when she swallowed. Joe, Joe, she
mouthed. She saw Constitution Avenue.
The road upon which she would turn to go to Schriever Air Force
Base. Eileen stared at the crossing, and the answer came to her.
It was so simple. She swerved across two lanes and made the turn
to Schriever, and the sudden hope in her chest was more terrible
than the fear. She picked up the phone to call Rosen. Peterson Air Force Base,
Colorado "Captain
Stillwell?" Stillwell, in the hangar at
Peterson Air Field, was just hanging up the pay phone. He felt
dirty and tired and confused. That seemed to be his fate lately.
He looked up and saw the on-duty officer holding a phone and
gesturing to him. Behind the on-duty officer Stillwell could see
Gwen and Richard and the flight commander of the base. The flight
commander looked crisp and fresh. Gwen and Richard looked dirty
and exhausted, but their faces were animated. They were standing
at a map and discussing the salvage operation. "For me?" he said. The
on-duty officer nodded and held out the phone. Stillwell felt sick to his
stomach. He hadn't lost his lunch when the Chinook dropped out of
the sky into a cornfield, but now his stomach was rolling like a
ship at sea. Colonel Ellison had just told him to shut the
investigation down, and the order wasn't even disguised as a
polite request. Stillwell intended to follow orders, but he
didn't have to like them. "Hello?" "Captain
Stillwell?" "Yes," he said. "Who is
this?" "My name is Lucy Giometti.
I'm from DIA. I just spoke to your Colonel Ellison, and he told
me you'd just gotten into town. Did he talk to you?" "I'm in town," he said. "And
I just finished talking to him. Why—what are you to do with all
this?" "I'm here to help out," the
voice said. "Let's just say, I'll hold up the edge of the carpet
while you sweep." Stillwell closed his eyes.
"I see." "Not too pleasant, I know,"
Lucy Giometti said. "Alan," Stillwell said.
"Call me Alan. I was planning to shower and change. I've
been—" There was a tap on his
shoulder. The harassed-looking on-duty officer was holding out
another line. "Hang on," he said, and took
the phone to his other ear. "I called the Colorado
Springs Police to tell them you were in town and to arrange a
transfer from Captain Harben," Colonel Ellison said in his deep,
clipped voice. "And they tell me the detective is at Schriever
right now. She called in an assault." "I'm on my way," Stillwell
said immediately. "Good," his commander said.
"This is turning into a royal mess, Alan. I want you to get this
under control." "Yes, sir," Stillwell said,
through the click of the disconnecting line. "What was that?" Lucy
Giometti said in his other ear. "That means I don't get a
shower," he said. "Where are you?" "Day's Inn, next to the
Colorado Springs airport," she responded instantly. "Be out front. I'll be there
in ten minutes. We have to get to Schriever," he said. "I'll be there," she
said. Stillwell handed both phones
back to the on-duty officer. "I need a car," he said.
"Mine is at the Denver airport." "My car is here," Gwen said
from across the room. "You can borrow mine." 34 Gaming Center, Schriever Air
Force Base Joe configured for Lowell
Guzman's terminal. Colorado
Springs Lucy Giometti pulled thick
white socks over her feet. Her pregnancy pants were really
horrible looking, but they were comfortable and they fit. She
pulled on a white button-up shirt—also a pregnancy
shirt—and laced her running shoes
tightly. Her heart was pounding and there was a slick feeling at
the back of her throat. Part of her brain was telling her to stay
in her safe little rabbit hutch of a room. That part of her brain
was telling her that she was pregnant. Going into danger while
pregnant was not right. She should be protecting herself. She
should stay put. The other part of her
remembered the Tower of London, shattered and smoking. That part
of her checked her gun. The shoulder holster fit under the baggy
white shirt. Lucy slipped an extra clip into her hideous
pregnancy pants, where it rested coldly against the swelling of
her stomach. "Here I go," she said to her
reflection in the mirror, and blew out a trembling deep
breath. Lucy remembered her room key
and headed for the door. Highway 94,
Colorado The highway was dark and
empty. The cattle stood sleepily by the fences, washed
momentarily by Eileen's headlights as she held the Jeep on the
bare edge of control. One large stone, one clod of debris, could
tear the steering wheel from her hands and send her hurtling into
the ditch. The Jeep was not meant to be treated like a sports
car. Eileen took the chance that there would be no stone, and
kept her foot on the accelerator. Turtkul,
Uzbekistan Muallah was extremely
unhappy with Ruadh. He was supposed to have targeted the missile
and blasted it off within twelve hours, and look at him. He was
still humming, still running his fingers on the console, still
consulting manuals. "Ruadh," Muallah said
finally. "You must start the countdown to launch. We cannot wait
any longer. Or you must admit that you cannot do it." Ruadh looked over, and
Muallah made sure he saw the look in his eyes. Admitting failure
meant a very quick death at the hands of Ali. "I—" Ruadh looked stubborn for a
moment, then sighed. "I can begin for you. I would like more
time, but—" "Then begin!" Muallah
shouted. At that moment, there was a
booming sound from far above. A shot. "Attackers!" Rashad shouted,
and left the Command Center at a dead run. "Stay with me, Ali," Muallah
commanded. "Ruadh, be quick. For your life, be quick." Gaming Center, Schriever Air
Force Base Joe watched Lowell's
terminal, bored now and impatient. He wanted to go home and take
a shower and think about Eileen, not stand here in the gloom and
watch another Game. He was hungry. He wondered where they would
go tonight. Joni's, perhaps? Would Joni see that they were
lovers? Perhaps she would. This replay idea seemed so good a few
hours before. Now it was boring. Maybe Joe would fix dinner for
Eileen himself. Maybe they'd order out for pizza, because he
wanted to take her clothes off as soon as she got there and crawl
into bed with her and find out if every touch was as incredible
as he remembered. The screen stopped. The
mouse arrow stopped. The globe froze in place. Joe froze, one
hand to his mouth, eyes widening. He looked at the Game clock, a
display in the corner of each screen. It stood at 9:12 a.m. The mouse was still
and un-moving and the globe turned, unattended, as Lowell Guzman
crawled under the floors and rose up behind his wife with a
screwdriver and drove it into her back. It was Lowell. "Oh dear God, it was
Lowell," Joe whispered. The strength ran from his bones and he
sat back in the chair. Then he leaped out of it as though stung.
This was Lowell's chair. His heart started pounding.
He'd called Eileen, but she wasn't home. He'd called Nelson, but
he wasn't home either. Probably out feeding the
horses. Then the enormity of what
he'd done hit him. He'd called Nelson. Just like Art. Just like
Art. Lowell had Nelson's voice-mail password. He'd done exactly
what Art had done. Far away, down the long
sloping corridor to the front of the Gaming Center, Joe heard the
key clicks as someone on the other side keyed in the combination
to open the door. Black Forest,
Colorado Caleb Atkins loved his
Appaloosa horse business. He was a genuine horse nut. His father
insisted he attend college classes at the University of Colorado,
and Caleb grudgingly admitted his business degree was going to
help the business quite a bit. But he still felt like a
six-year-old when the last class ended and he could come home to
the barns and the stalls and the creatures that he
adored. When the thudding sound of
the helicopter rose out of the forest, Caleb was looking at the
slightly swollen foreleg of Annamarie in the Big Barn, where the
pregnant mares were kept. Annamarie whickered softly. The barn
smelled of warm horses and hay and disinfectant. Caleb stood up
from Annamarie's leg, eyes wide. The stories of the Black
Helicopter of the Black Forest were many and varied. Some claimed
the helicopter was merely some Army training mission from down at
Fort Carson. Some claimed whoever saw the Black Helicopter always
had missing time afterward, and bloody noses at night. Always.
Caleb didn't believe in UFOs. He had no time for them. But
everyone who lived in the Black Forest heard about the Black
Helicopter. Caleb looked out the open
barn door, stunned, as a huge black helicopter with absolutely no
markings swooped over the trees and settled in for a landing in
front of the main house. Annamarie whinnied sharply at the sound
and shifted, pressing her warm shoulder into Caleb. Caleb
clenched his jaw. They were coming for his dad, who worked out at
Schriever on something that was so top secret he never spoke
about it. That helicopter was going to abduct his dad. "No, it's not," Caleb said.
Cassie Atkins's shotgun was behind the barn door, fully loaded.
It was a Defender combat shotgun intended to kill rabid dogs,
crazy mountain lions, and any Bad Men who had intentions about
Cassie. Caleb's mother had taught him how to shoot her Defender
years earlier and insisted Caleb keep up regular practice. Caleb
kept the shotgun and kept in practice, just as she would have
wanted him to do. The length of her final illness had left them
plenty of time to say all their good-byes, but it didn't mean
that he still didn't miss her. Caleb hefted his mother's
shotgun and ran into the darkness as the helicopter settled on
the grass and two figures ran for the door. He moved behind the
helicopter, keeping to the trees, and scuttled toward his front
door. The smell of jet fuel was choking. The two figures were,
knocking—knocking? he thought
blankly—and when his father opened the
door in bathrobe and reading glasses, one of them grabbed his arm
as though to hustle him to the helicopter. "Oh no you don't!" Caleb
roared, and stood up. He leveled his shotgun at the closest
figure. "You take your hands off my father!" Highway 94,
Colorado Eileen slowed to take the
turn onto Enoch Road, her eyes leaping ahead to the lights of the
base. She was looking for flashing colors, the police lights that
would mean she was too late. She kept mouthing Joe's name. He had
figured out what Art had done. Eileen had realized why her mind
had supplied Joe's image, and where he must be, when she saw the
turn to Schriever. Who else but Joe, Art's partner, would be able
to figure out what Art had done? Lowell must have found out what
Art had discovered. What had Art known? Eileen would have pounded
the steering wheel in frustration if she dared to take her hands
from the wheel. She hoped that Lowell was
even now in Joe's house, waiting for him to return home, ready to
kill him on the off chance that Joe might find out what Art had
discovered. Lowell would be caught if he were, and Joe would be
safe. But she knew she was foolish to think that. Lowell left the
robot alibi in his house because Joe was out at the Gaming
Center. Joe knew what Art had done, and Lowell had found
out. Eileen bit her lip hard
enough to draw blood, her hands cold and slick on the trembling
wheel of the Jeep. Her portable siren was flashing on the top of
her car, and she flipped the audible on as she blew by the guard
station at the entrance to Schriever. She saw the guard in the
rearview mirror as he ran out into the road and stood staring.
Then he ran back into his shack, and Eileen knew he'd be calling
the other guards. Good, she thought. She pulled the Jeep up to
the vehicle gate at the retinalscanner building. The Entrance
Portals, Major Blaine had called them. Eileen left the siren
blaring, and in a few seconds there were soldiers at her car,
looking dazed and frightened. Eileen flipped the siren
off. "Colorado Springs Police,"
she shouted. "We have an emergency at the War Game Center. I need
to get on this base now!" "Ma'am, we can't let you
drive on this base," one of the guards said. He carried an M-16
on his back, but Eileen doubted it was loaded. He looked
obstinate and afraid, the way Eileen remembered all enlisted
people looking when she was in the Air Force. "Look, we've got a possible
assault in the Gaming Center," she said. "You want to drive me?
You can drive my car. You can get me there any way you want. But
I need to get to that Center now!" "Do you have authorization
to be on this base, ma'am?" the soldier asked. Eileen pulled out her police
badge. Her Schriever badges were tucked in behind. "Will this do?" she said,
trying to keep her voice even. The best way to deal with the
military was to follow all the right forms. Otherwise you ended
up splattered on a mountain, the words "pilot error" engraved on
your headstone. Eileen never wanted to pull her gun and try to
force her way as much as she did at that moment. But there were
six of the guards now, and they all looked concerned. The gates
were solid. In the movies she would be able to drive through
eight-foot-tall chain link, but not in reality. Her Jeep would
give a great bounce and a lurch and never run right
again. "Yes, sir," the guard said.
"Let me call my commander and see if we can give you a ride over
there." Eileen got out of her Jeep
and ran into the retinal-scan building, and for one horrified
moment as she felt the glass doors lock behind her she thought
she'd forgotten the number. Then it sprang into her brain and she
keyed the access code. The green light flashed in her eye, the
door clicked open, and Eileen burst through the other side,
officially on base. The guards stared after her. The head guard
shrugged his shoulders to the other guards, as if to say, "What
can we do?" Then he went in to call his commanding officer. They
wouldn't get in trouble, at least. They'd followed all the right
procedures. The woman had entered the base the proper
way. Eileen ran into the
darkness, her clever running shoes making no sound. Black Forest,
Colorado "Oh my God," Nelson Atkins
said. "You need me to start up the system?" Captain Shelly, her hands
locked firmly behind her neck, glared at the tall boy with the
shotgun. "Can you tell your son to
let us go now?" Colonel Maclean said gently. His hands were
behind his neck too, and he didn't like it any more than Captain
Shelly did. Why hadn't they brought side arms? The boy held the
shotgun firmly, and Maclean felt the sweat start to drip down his
sides. The opening of the shotgun seemed about as large as the
Eisenhower tunnel. "We need to get you to Schriever to enable
the—uh— system. There is a potential that
the system might be used. Do you get my meaning,
sir?" Nelson paled
further. "Stop scaring my dad," Caleb
snapped. "And what are you talking about? What
system?" "Son, this is about my job,"
Nelson said gently. "They're from where I work. I didn't know
they were coming or I would have said something. Can you put the
shotgun up? They need me to do something very important.
Okay?" Caleb put up the shotgun at
once. Maclean could see the blush climbing up the boy's cheeks.
Caleb thumbed the safety switch and shrugged again. "No hard feelings," Captain
Shelly said with a wobbly grin, taking her hands down from her
neck. "None at all," Maclean said,
working his shoulders and sighing. "You did a fine job of
protecting your dad, son." "Thank you," Caleb murmured,
flushing an even brighter red. "We need to go, sir,"
Captain Shelly said. "I'll be back," Nelson said
to Caleb. He didn't go into the house to change out of his
bathrobe, or put his reading glasses away. He hurried with the
two Air Force people toward the helicopter, a section of the
newspaper still clutched in his hand. Turtkul,
Uzbekistan "Our men can hold the
stairway for hours, Mahdi," Ali said confidently. "The foolish
Russian could have held us off until his ammunition gave out. We
have plenty of ammunition." "Grenades?" Muallah asked
tersely, not taking his eyes off Ruadh. Ruadh was sweating
heavily, but at long last he appeared to be doing something. He'd
fetched keys from all the dead Russian soldiers hours before and
had three of the keys in slots on the control panels. "The stairs are reinforced
and block the bottom doorway. The only way they can blow the door
again is by reaching the bottom of the stairs as we did. Rashad,
Haadin, and Assad will not allow that." "Our escape?" Muallah
murmured. Ali said nothing. "Many of the Russians will
be dead shortly," Ruadh spoke up, startling Muallah. "The silo
tops blow sideways with explosive charges. I'll blow them all,
Mahdi." "Excellent." Muallah
grinned. "Soon?" "Now, if you are ready,"
Ruadh said, his sweaty face glowing with pride. "We need to turn
the two keys at once." Muallah knew this drill from a dozen
Western movies. He went to the panel and watched as Ruadh took
hold of the little silver key. "Two turns. On my count of
three make the first turn," Ruadh said. "One. Two.
Three!" As Muallah turned his key,
he heard a glorious roaring sound from eight stories above his
head. Then the ground shuddered as the giant concrete covers,
blasted sideways by explosive charges, thudded to the ground and
shattered. The covers were the size of basketball courts. Any
living thing in their way was now so much ground meat. "Now we launch," Ruadh said.
"I've set silo number two for the launch sequence." Muallah nodded at Ali and
watched as Ali slipped silently from the command center. Ali
would see how many of the Russians were left. Muallah's plans did
not include a Russian prison. "On my count of three,
again," Ruadh said, and took hold of the second of the two sets
of keys. Gaming Center, Schriever Air
Force Base For a moment Joe couldn't
move. The fear poured into his body, and he saw white specks in
front of his eyes. There was a roaring sound in his ears, and he
wondered if he was going to pass out. Then he heard the door open
down the long hallway, and the trance broke. He looked around Lowell's
room. Everything seemed very bright and very clear. He noticed
with one part of his brain that the clock on the computer had
slowed down. Each second ticked by an eternity after the last.
The gadget to pick up the metal floor tiles was in the television
studio, a few feet from Lowell's room. Joe leaped to the television
studio and, device in hand, was levering up a metal square while
one part of his mind was still contemplating the curious slowness
of the simulation. He left the carpet square folded up, hoping it
would drop back down as soon as he put the tile down. If Lowell
found him, he wouldn't have much of a chance. A tile opener
against a sharpened knife wasn't much. But unlike Art Bailey, Joe
Tanner knew who the murderer was. Joe wasn't going to stand there
and let Lowell rip out his throat. He was going to
fight. He had no flashlight, but
that didn't matter. He kept the suction device, the weight
reassuring to his hand, and squeezed into the blackness beneath
the floor. As he lowered the tile back down, he heard Lowell
calling his name. Highway 94,
Colorado "Colonel Ellison didn't tell
me why!" Stillwell shouted over the screaming of the little
Datsun's engine. Gwen's car was a pickle-green B-210 with
rusted-out side panels and an engine that probably shouldn't be
driven over forty. Stillwell held the engine at
sixty, and the sound of the wind shrieking in through every faded
seal was matched by the howl of the tiny engine. Lucy held on to
the frayed dashboard. "Have they found another
body? Did he say that?" "No!" Stillwell shouted. He
banged the steering with his fist, and Lucy jumped and
shouted. "What?" he yelled. "What is
it?" "Don't hit this car!" she
shouted back. "Are you crazy?" Stillwell started roaring
with laughter and Lucy, after a moment, joined him.
35 Schriever Air Force
Base The weight of her gun kept
bumping against Eileen's ribs, but she was used to that. The
night air was soft and warm against her hot face. The long dark
bulk of the CSOC loomed over her. A brief flicker caught her by
surprise and she lost her pace for a moment, seeing something
moving in the grass. Then she saw the white flip of a tail and
realized she was seeing a jackrabbit. They must live on the base
and come out at night to feed on the alien Kentucky bluegrass.
What a treat for the rabbits. She crossed the road and
headed up the slope toward the Gaining Center, and she felt as if
she could run straight up the side of the building. The fear was
over now. This was the time for action. She no longer had to sit
and wait. She would finish this. She would save Joe or she would
avenge him. There were no other options open to her. She
ran. Peterson Air Force Base,
Colorado "I'm the commander of
Schriever Air Force Base," Colonel Willmeth said into the phone.
"And you are going to listen to me very closely. We have an
inbound helicopter on the way to the Space Command building. This
helicopter is authorized to fly over Schriever and land
undisturbed. Do I make myself clear?" "We're not supposed
to—" "Tonight, you will,"
Willmeth said. He was struggling into his clothing and was
hopping on one foot as he spoke. What the hell was going on out
there? Not for the first time, he cursed an assignment where he
could not live on the base he commanded. He knew General Kelton
from NORAD only slightly. Kelton's usual clipped voice had been
flat with stress when he'd woken Willmeth out of a sound sleep
minutes before. "I'll be there in twenty
minutes," Willmeth said to the on-duty officer at Schreiver. "If
that helicopter has any troubles with my base guards, I'll gut
you like a fish. Now follow your goddamn orders,
Captain!" He set the phone down and
struggled with the zipper of his uniform pants. His hair could
wait, he decided. His teeth could not. He grabbed his toothbrush
and squeezed an enormous minty-smelling gob of paste on the
bristles. The toothbrush went into his mouth. Car keys in hand,
Colonel Willmeth ran for his car. Schriever Air Force
Base "Captain Alan Stillwell,"
Stillwell repeated. He could feel his temper threatening to float
away like a balloon. His head felt like a balloon, full of the
pound of his furious heart. "We can't let you in here,"
the Air Force soldier said stubbornly. "We had a call from Colonel
Ellison that Detective Reed from the Colorado Springs Police
Department had called in an assault," Lucy said. Her face was
pale, and two red spots burned on her cheeks. Lucy looked
furious. "Yes, ma'am, she came out
here and tried to drive in on base, but we can't allow vehicle
traffic on base." "How did she get
in?" "She had her badges,
ma'am." Lucy drew a deep breath and
stepped up to the airman. "You listen to me, soldier,"
she said. Her eyes were narrowed to slits. "You have two options.
You can escort us onto this base, or you can keep us here. If you
escort us on base, you might get in trouble. You might even lose
a stripe." She looked at his two stripes. "If you keep us here,
and you are wrong, which you are, I will guarantee that you will
be charged with criminal negligence, conspiracy to commit a
crime, and obstruction of an officer in the commission of his
duty. That means Leavenworth. Is that clear?" The airman was no longer
looking stubborn and scared. He was now just looking scared.
Stillwell looked at Lucy in admiration. Lucy was just getting
started. "Your commission, your oath,
is to your duty. You are not a robot. You are supposed to think.
You do not shoot babies. You do not let innocent people die. If
you do, you hang for it. You go to Leavenworth for it. Is that
clear?" "Ma'am," the airman said
weakly, "I—" Lights suddenly washed
across the group as a Chevy Blazer roared up the road. The truck
came to a skidding stop. "Major Blaine here," said a
trim-looking man from behind the wheel. "I'm chief of security. I
need to get through—" He stopped and looked with an
unsettling blankness at Lucy and Stillwell. "Who are
you?" "Captain Stillwell, OSI,"
Stillwell shouted. "And Lucy— ahh—Lucy from DIA. We need to get on
this base!" "OSI?" Blaine said. For a
moment Stillwell saw a look of fright on his face, but it was
gone so quickly he couldn't be sure. "Why are you
here?" "Detective Reed called in an
assault," Stillwell said with the last rags of his composure. "We
need to get on this base to contain this situation, Major
Blaine." Major Blaine was silent for
an endless second, his face smooth and blank. Stillwell glared at Blaine.
Didn't the stupid Security Chief understand the phrase? In all
military services, containing the situation means one thing and
one thing only. Cover-up, burial, containment,
dammit. Blaine at last seemed to
understand, or to come to some kind of conclusion. "Open the gate, Airman,"
Blaine said, and held up his badge. "Get in the car," he said to
Stillwell and Lucy. "I'll take you in." Gaming Center, Schriever Air
Force Base Joe lay prone in pitch
blackness among the hum and pulse of the computers, trying to
make his breathing slow down. This was the nightmare of
childhood, hiding in the darkness while the monster stalked. He
crawled away from the spot where he hoped the carpet lay
undisturbed. There was a thumping sound
off to his right. Joe concentrated fiercely, but he couldn't hear
anything over the hum of the machinery. A tile lifted suddenly, off
to his right. A bright shaft of light speared down and a hissing,
squealing sound broke from his throat as he scrambled away from
the light. He could see the support shafts now, too small to hide
him. The whole area seemed to be lit up to his night
eyes. Another floor tile lifted
suddenly, this one down by the doorway. Joe knew what Lowell was
doing. When there were enough tiles lifted, he would be able to
drop down and see him. Lowell knew where he was. He scrambled
away from the lights, trying to think. A red mist tried to swamp
his brain, a mist that told him he could kill Lowell, yes he
could, he could kill Lowell with his bare hands, just stand up
and fight, kill, kill him. "No," he mouthed to himself,
although he made no sound. Lowell outweighed him by fifty pounds.
Joe didn't know how to fight. He'd never taken boxing or even
wrestling. He did track in high school, for godsake.
Lowell would take him apart. The only thing he had were his
brains and his speed. Joe started to work his way
toward the far end of the Center. If he could just lead Lowell
away from the door, he might have a chance to make a break for
it. He clutched the tile-lifting
tool to his chest, and as he crawled under the floors he started
to pry the rubber suction cups off, leaving the sharp metal edges
exposed. Just in case, he told himself, dropping the suction cups
to the floor. Just in case. Schriever Air Force
Base "I got the information from
the base commander," Blaine said as the Blazer roared across the
grass. Lucy held on as they bounced over a gully. Surprised
jackrabbits scattered everywhere across the damp
grass. "We heard from the Peterson
base commander," Stillwell shouted. He was still half deaf from
the cruise in the screaming Pickle. "Colonel Willmeth said Reed
had called in a possible assault, not a murder," Blaine said
forcefully. "I hope to God we're not too late!" Lucy, from the backseat,
looked at Major Blaine. Blaine was a horrible actor. There were
big beads of sweat in the crisp hairline. There was a tic at the
corner of his mouth. Blaine's voice wasn't steady. His face
showed concern, but his eyes were ringed in white and wild with
anxiety. Lucy knew someone had tipped
off George Tabor. It couldn't be anyone in the Gaming Center;
they were all locked in the Center until the Colorado Springs
detective arrived. Colonel Willmeth was a brand-new base
commander and so could hardly have been George's contact. Lucy
had tentatively marked Major Blaine as a possible risk, and now
she decided that he was a very probable risk. She was certain of
it. Major Blaine was not playing for the Home Team. Lucy braced herself against
the bouncing of the Blazer and decided to ride this one out. She
would see what Major Blaine was up to. She could be wrong about
him. But she had no intention of letting Major Blaine out of her
sight. Gaming Center, Schriever Air
Force Base Eileen held up her Schriever
badge and her police badge and ran by the guards in the Missile
Defense Center. She was too out of breath to explain anything to
them, and she assumed the base guards would be along
shortly. The long stairs were the
cruelest part of her run, and she was nearly done when she
reached the third floor. The air was thin with little oxygen, and
Eileen could feel the sweat soaking through the back of her
shirt. She gasped and wheezed and then picked up a run again,
nearly staggering. The submarine-style door
bashed against the wall as she flung it open. She didn't bother
to close it behind her. Later on, they would show her the long
groove the door handle had punched into the wall and the spray of
blood from the knuckle she'd skinned when she spun the wheel.
Eileen ran down the hallway to the last door, unaware of her
bleeding hand, and as she came to the Gaming Center she reached
under her arm and brought out her gun. The number didn't work. She
keyed the clicker twice, fingers trembling, before she realized
she was keying in the proper number in reverse order. Eileen
cursed, keyed in the number in the proper order, pulled the door
open, and raced up the hallway. As she entered the Gaming
Center she saw the patchwork of tiles. Carpet squares lay
everywhere. The metal tiles were flipped on their backs, metal
gleaming sharply from their undersides. Every console in the
Gaming Center showed the vision of Washington, D.C., in the last
seconds before impact. Eileen recognized the simulation. It was
from the War Game that had played just a few days
before. Lowell Guzman, hair soaked
with sweat, was flipping open another tile. His soft burly body
was crouched over the opening, and the glitter of his screwdriver
was murderously sharp in the gloom. As Eileen appeared in the
doorway Joe leaped up from an opening a few feet from Lowell. His
eyes were grim and narrow and his cheeks were patchy with red and
pale white. He clutched a bare levering device in one hand and he
was heading for the doorway, directly toward Eileen. For a moment he didn't see
her. His eyes were at his feet as he sprinted from opening to
opening, fleet-footed as a deer in the snow. Behind him, Lowell
roared and sprang after him, dropping his own tile-opening tool
and raising the sharpened screwdriver high. Joe was quicker than Lowell.
But he raised his eyes, saw Eileen, and stumbled, arms flung
wide. Lowell, behind him, still shouting, raised the screwdriver
above his shoulder to drive it forward into Joe's
back. "Drop!" Eileen shouted, and
Joe tucked into a ball and fell into the next opening like a
magician through a trapdoor. He was gone, and Lowell saw
Eileen. Eileen raised her gun in
slow motion, seeing every bead of sweat and the surprise and the
frustration on Lowell's face. Behind Lowell, the giant screens
blossomed with nuclear detonation. A climbing mushroom cloud
stood over Washington like an angry fist. Then Lowell was gone,
too, tucking up exactly as Joe had done and dropping into the
floor. Eileen shouted in
frustration and ran forward. She didn't have a chance to make a
shot at Lowell, and now she couldn't. She might hit Joe. She
stood on a tile where the two had been, and as she looked for Joe
the tile underneath her erupted up and she stumbled, staggering.
Lowell burst up through the floor, and in the patchwork of the
room Eileen could not find a footing. She curled up and rolled
over a tile. The gun spun from her hands as she instinctively
tried to keep from dropping into one of the holes in the floor.
Lowell scratched a long silvery streak in the metal floor as his
homemade stiletto missed Eileen by a bare half-inch. Eileen dropped into the hole
in the floor. Lowell came after her. Lowell was mad, eyes
completely senseless in his beefy face, sweat running in streams.
He drew back for another strike as Eileen scrambled to her feet.
Eileen reached under Lowell's arm and hit him smoothly in the
throat. Most people hit in the jaw, thinking about the movies.
Jaws are hard objects that in real life have a tendency to break
what hits them, like hands. Throats, on the other hand, aren't
very hard. People protect their throats with their jaws in a
fight, but Lowell wasn't expecting Eileen to strike him there.
The blow struck Lowell directly in the windpipe, immediately
cutting off his breath. Eileen danced backward, and
that was her mistake. The edge of a floor tile caught her in the
upper thighs, sending exquisite pain through her legs. She
doubled over and barely avoided Lowell as he tried to strike at
her again. His eyes were bulging and he was trying unsuccessfully
to breathe. Lowell stood up for a third
strike, and that was when Joe rose up behind him with the tile
opener held in both hands. He swung the bulky thing like a
baseball bat and connected solidly with the back of Lowell's
head. There was an amazing spray of blood from Lowell's scalp as
the metal edges tore through his hair, and the sense and madness
fled from Lowell's eyes. He stood for a moment, a childlike,
puzzled look on his face, then fell forward. He landed half on,
half off a tile that was still in place. His feet dangled to the
floor below. Joe stood staring, then
dropped the bloody tool from his hands. Eileen secured her gun
before she handcuffed Lowell Guzman, and she did both of those
before she turned to Joe Tanner. "I told you I didn't do it,"
Joe said shakily. "I knew you didn't," she
said. She looked at Guzman and realized he was breathing, which
relieved her. She wanted to have a long talk with Lowell Guzman.
Several of them. It was going to be a pleasure. "Gotcha, you
bastard," she murmured. "I got him," Joe
said, smiling ferociously. Eileen put her hands on the
crossbars of the tiles and swung herself out of the floor. She
dusted her hands and grinned. "You got him, yes you did,"
she said. "Have I said thanks yet?" "Not yet," Joe said, and
scrambled out of his hole in the floor. There was an empty floor
tile between them. "Thank you." Eileen laughed,
and leaped at him.
36 Schriever Air Force
Base The Blazer scattered gravel
into the grass as it slid to a stop in front of the building.
Blaine got out of the Blazer and ran toward the doorway, not
waiting for Lucy or Stillwell. Lucy cursed, struggling with the
backseat release. She passed Still-well as they ran for the
entrance. "What's going on?" Stillwell
asked. Lucy ran without answering.
She sprinted by the desk without seeing the guards, following
Blaine. Her stomach felt heavy and unfamiliar, but her legs were
toughened by years of running. Stillwell was a distant third as
Blaine headed up the stairwell. She was silent in her
running shoes. She hoped her intuition was wrong. She knew it was
not. The building seemed enormous, and she could not quite catch
up to Blaine. There didn't seem to be any oxygen in this Colorado
air. As she rounded a curve, she
saw Blaine in an open doorway. He was looking at something, and
as time slowed down for her she saw him pull a pistol from his
shoulder holster. Her pistol matched his, flying into her grip
with absurd and dreamlike ease. He raised the pistol. Lucy
didn't raise hers. She knew she couldn't hit him while she was
running, and she hoped she could reach him before he
fired. He fired. Turtkul,
Uzbekistan The sound was enormous. It
was unbearable. Anna Kalinsk shrieked and huddled over her two
youngest boys, trying to hold her body over theirs and protect
her ears at the same time. She knew everyone must be screaming,
but she could hear nothing. Suddenly daylight poured
over her. Anna hunched over her boys, trying to gather them under
her like a duck hiding her ducklings, knowing that it would do no
good. Her body would not stop the bullets. They would go through
her and into her sons, and it would be over. Not for the first time, Anna
wished she had a rifle. At least she could try and take some of
the husband-killing, father-killing murderers with her. She
looked up, teeth bared, to meet her death face-on. There was no one at the
opening of the underground silo. Nothing but clouds of billowing
dust. Gaming Center, Schriever Air
Force Base There was a movement at the
entrance to the Gaming Center. Eileen turned from Joe's arms,
expecting to see a whole platoon of base guards, and instead saw
Major Blaine standing at the end of the hallway. He had a pistol,
and as he raised it to his shoulder Eileen twisted around and
pulled Joe into an open space between the floor tiles. They hit the subfloor
together, with an impact that drove the air from her lungs. Joe
had landed on top of her. Blaine's gun went off with an enormous
coughing sound. It was not the thud of a bullet hitting meat.
Eileen whooped, and Joe shouted. He scrambled off her and tried
to stand up. Eileen put her hands on his shoulders and pushed him
roughly down. She couldn't seem to take a breath. She leaped out
of the floor. The office chair in front of
the unconscious form of Lowell Guzman was shredded and smoking.
It had been a near miss. The stink of gunfire was choking. Eileen
ran toward the entrance, gun in hand. Blaine was down. He was flat
on his face, one arm twisted high between his shoulder blades. He
was breathing heavily. A woman sat on him, holding his arm
neatly. She was panting. Both of them had obviously arrived at a
run, which explained Blaine's poor shot. He didn't have time to
take a good stand and steady his aim. If he had, Lowell Guzman
would probably be dead. Eileen stopped in the
doorway, bent over, put her hands on her thighs, and drew a deep
harsh breath. "Ahh," she said. "Anyone shot?" the woman
said. "Just a chair," Eileen
wheezed. Another man came running up,
wheezing as badly as Eileen. "Was he trying to shoot a
bad guy or a good guy?" the woman asked. She was dark-haired and
very pretty, and dressed in civilian clothes. Eileen had never
seen her before. "Tell me I did the right thing." "You did the right thing,"
Eileen whispered hoarsely. She took a couple of breaths and
choked out a laugh. "I'm out of handcuffs." "He's not," the other man
said, pointing at Blaine. Eileen looked at the new man. He was a
short Air Force major in a rumpled uniform. The uniform was not
merely rumpled. There were wrinkles on the wrinkles. Dust was
creased into the wrinkles at his ankles. There was a big stain on
the shirt. He was sunburned and mosquito-bitten. He looked as if
he'd been hopping freight trains for a week. "Lucy Giometti, DIA," the
woman said. She was very pale. She unhooked Blaine's own
handcuffs from his belt and used them on him. As she stood up
Eileen realized the woman was pregnant. "Eileen Reed, Springs
Police," Eileen said. Her breath was coming back. "Are you
okay?" "I'm okay," Lucy Giometti
said. She was feeling her stomach, patting it all over, as though
she were checking to make sure it was all there. She grinned at
Eileen and held out her hand. "I don't want to do that, say, for
regular exercise, but I'm okay." "Thank God," Stillwell said
as Eileen and Lucy shook hands. "I couldn't get here as fast as
she did. What a hit! Where did you learn to do that?" "Girl Scouts," Lucy said
primly. "I'm Captain Stillwell,
OSI," the raccoon-eyed major said, turning to Eileen. "Nice to meet you," Eileen
said. "You're supposed to take over the investigation,
right?" "That's right," Stillwell
said, and started to grin. "Looks like the only thing you left me
was some paperwork." He held out his hand, and Eileen shook it
firmly. "I'm glad," Lucy
said. "Me too," Joe said from
behind Eileen's shoulder. He was looking at Major Blaine with a
wondering expression on his face. "Me three," Stillwell
said. "Let me up," Blaine said
from the floor. "Shut up," all four of them
said at once. Turtkul,
Uzbekistan Ali appeared at Muallah's
right. Muallah was watching the countdown clock with
satisfaction. Only four minutes and Fouad Muallah would fulfill
his destiny. The Trumpet of Doom would sound, and the world would
never be the same. "Mahdi," Ali murmured. "I
predict survivors. We can climb from silo one." "We need Assad," Muallah
murmured, understanding instantly what Ali meant. Rashad, Haadin,
and Ruadh would hold off the soldiers while Muallah and Ali
escaped. They needed Assad to fly the helicopter, but the others
were disposable. "We need Assad to set the
explosives in this room," Muallah said aloud to Ruadh. "Take his
place and send him here." "I can—" "I require Assad," Muallah
ordered. Ruadh bent his head and left, with a last glance at the
control panel. "Only three minutes left,"
Ali said, gazing at the red numbers. "I want to be outside when
the Trumpet sounds," Muallah said. He felt rapturous,
transported. His moment was at hand. "We need to hurry," Ali
said. Gaming Center, Schriever Air
Force Base "Who's in the Center?" Lucy
asked, holstering her gun. "Lowell Guzman," Eileen and
Joe said together, and grinned at each other. "Lowell," Lucy said
wonderingly. "He's the murderer? And Major Blaine was trying to
shoot him?" "He sure wasn't aiming at
us," Eileen said. "I think—" She was interrupted by the
earsplitting shriek of a siren. The hall to the Gaming Center lit
up with swirling red lights. Lucy and Stillwell jumped.
Joe Tanner gasped. "Oh my God," he
shouted. "What is it?" Eileen said,
shouting over the whooping of the siren. "It's a launch," Joe shouted
back. "It's impossible. It's—" Then he turned and was gone,
bounding up the hallway into the Center. Stillwell and Eileen looked
at each other, then at Lucy. The color was draining out of Lucy's
face. "What is it?" Eileen
asked. "Muallah," Lucy whispered
from ashen lips. "Muallah is going to launch." Turtkul,
Uzbekistan Anna saw the distant
silhouette of a figure at the top of the silo, the figure she'd
been dreading, and she felt her whole body go rigid. As if that
would help stop the bullets. "Hello?" a voice echoed down
the silo. Anna blinked in disbelief. The voice and the language
were Russian. Russian. "Hello!" she screamed.
"Hello, help us, please!" Ilina stood, dislodging
children left and right, her face wild with hope. "Help us, we are Russians,
we are women and children, help us, please!" she shouted, then
burst into hysterical laughter. "They are Russian, Ilina,
Russian!" Anna shouted, and then everyone was on their feet,
shouting and laughing and crying, as the first ropes came down
the silo. A very tough-looking Russian
soldier slid down the rope like a circus acrobat, facefirst, a
wicked-looking rifle at the ready. He landed on his feet and
bounced like a tiger. His eyes darted everywhere. "You okay?" he asked
Anna. "We are okay," Anna said,
wiping at her face with her apron. "The terrorists? You have
killed them?" "Some of them," the soldier
admitted. "We need to get you out of here as quickly as possible.
Do any of you need a doctor?" "No," Anna said, and bit
her lips to keep from laughing aloud. Was it wrong to feel this
joyful when Dmitri lay dead so close by? But she could not help
it. She had survived, and so had her children. "Tell us what to
do." Moscow, Russian
Republic "They have the women and
children," Colonel Kalashnikov shouted. This turned the gloom of
the Command Center into sudden excitement. Losing twenty men and
three assault helicopters was a terrible blow. The silo covers
had blown without warning. Now that twenty trained soldiers were
dead, it was easy to see how stupid they had been not to plan for
such an event. Now that the covers had blown, that is. Cherepovitch was still a
mottled shade of purple. Major Paxton was white with anxiety.
He'd received more information from his superiors in Washington,
and none of it was good. Muallah hated America, it seemed. The
Russian Republic was not a likely target if Muallah got a missile
off after all. "We will succeed, Major,"
Kalashnikov said softly. "We have half our force left, after all.
We will kill them." "I hope so, sir," Paxton
said woodenly. Gaming Center, Schriever Air
Force Base Joe slapped the commander's
console and the siren stopped in midwhoop. He bent over the
console, fingers waving in the air uncertainly, then punched the
access keys to NORAD. "Get in here!" he roared in
the direction of the doorway. Then he keyed the microphone to
NORAD. "This is Joe Tanner?' he
said. "War Game Center? What—" "Oh my God," a voice burst
from the console. "General, we've got someone! We've got
someone!" "This is Major General
Kelton," another voice said calmly. Joe barely noticed Eileen and
Lucy and Stillwell joining him at the console. "We are unable to
release the Missile Defense system from NORAD. We have a possible
launch event. Is this clear?" "That is clear," Joe said
with lips as pale as Lucy's. "Uh, sir." "The system has to be
enabled from the War Game Center. We predict—" There was a brief pause.
"Perhaps twenty minutes to launch. Can you get the system enabled
and released?" "Yes, I can," Joe said
slowly. He looked around the Center uncertainly, looking
bewildered, then focused on Lucy and Stillwell and Eileen. He
nodded. "I have enough people to run the consoles." "Who is this?" the General's
voice asked. But Joe was already gone, leaping from floor tile to
floor tile on his way to the Truth Team room. "I've got to start it from
here!" he shouted. "Follow me!" Eileen immediately followed.
Stillwell glanced at the console, and Lucy waved him
on. "Go," she said. She pressed the same key Joe
Tanner had used. "This is Lucy Giometti, CIA," she said crisply.
"Joe Tanner is going to start up the system, but he needs our
help. We'll contact you when we're ready. Over and
out." Cheyenne Mountain,
Colorado "CIA? What do you mean,
CIA?" General Kelton was shouting, but the connection was dead.
"How long until the helicopter gets to Schriever?" he
snapped. "ETA twenty-eight minutes,"
Major Parker said in a dead voice. "It's going to be way too
late." "I know Joe Tanner," a
captain piped up. She was at another communications console. All
faces turned to her. "He's a Truth Team guy. I talked to him last
time we were out there for a demo. He knows how to start up the
system. He does it all the time." "Sweet Holy Mary," murmured
Major Parker. "What is Joe Tanner doing at
the Center at ten o'clock at night?" the General asked. "And what
is a CIA agent doing there? Get me Admiral Kane," he said to the
Captain. General Kelton scrubbed his
hands over his balding head. He was furious because he was
helpless. He stalked up and down the room, watching the screens,
waiting for the telltale plume that he could do absolutely
nothing about. Gaming Center, Schriever Air
Force Base Eileen watched as Joe
Tanner's fingers flew over the keyboard. Joe bit his lips into a
bloodless line as his eyes flickered back and forth across the
screen. "Thank God I was already set
up for play," he said. "All I have to do is—" "All you have to do is
what?" asked Stillwell after a long moment. Eileen glared at him
and made a shushing sound. Joe ran his hands through his hair and
looked at the screen. He kept on typing. Eileen and Stillwell and
Lucy stood like statues behind him, looking at a screen full of
windows that were full of words that meant nothing to
them. Joe stopped typing. He put
his hands on his forehead and squeezed his fingers around his
temples. He sat and stared at the screen for long endless
seconds. Then he nodded. "Eileen, go to the
commander's console," he said crisply. "That's the one I was just
standing at. Uh—you, pregnant lady, go sit at her
left. That's Missile Launch Control. Major, go to the Space
Command console." "Where's that?" Stillwell
asked humbly. "Third door on the right,"
Joe snapped. "Go!" As they hurried out of the
room, Joe shouted after them. "Push the button on the bottom left
of your communications box, that's the green button. That gives
us hot-mike communication." Eileen sat down at the
commander's console. It showed the swirling cloud of nuclear
detonation over Washington, D.C., the same one she'd seen days
before. Joe had been replaying the game, she realized. Lucy was
staring at her screen with horrified eyes. "An old simulation," Eileen
hissed. She punched the green button on her communications
console. Suddenly the screen in front of her went dark. The whole
room darkened as the large screens went dark as well. Then, one
by one, the screens lit up with a perfect blue and white globe.
The earth. "This is a simulated earth,"
Joe Tanner said. His voice seemed to come from everywhere. "But
everything on it is real. We can't do real clouds and we don't
need to, not really." "Why not?" Eileen whispered.
Her voice came out of every speaker in the Center, and she
winced. "We can see through clouds,"
Lucy said matter-of-factly. Her voice echoed from every corner of
the room. "Welcome to the world of Top Secret,
Detective." "Okay, I want to engage the
whole Brilliant Pebble system," Joe said. "I don't know where the
launch is and I don't care—" "Uzbekistan," Lucy
said. "Okay, we'll focus our best
satellite sensors there, after we get the system enabled," Joe
said. Eileen looked over at Lucy, and Lucy offered a tiny
shrug. "CIA?" Eileen mouthed
silently, and Lucy made a mouth. Eileen grinned like a
child. "We have to engage in
sequence," Joe said. "Eileen, you're Command. I've hooked us to
the hardware-in-the-loop. When we're fully integrated and
on-line, your console will show the Enable key. When it does, you
press it with your mouse key. Understood?" "Understood," Eileen
squeaked, then coughed in embarrassment. "Next, pregnant lady. You're
secondary command. Your key will light after Eileen presses her
key. That's the second key. You have to press it within ten
seconds of Eileen or we'll have to start over. Okay?" "Okay," Lucy
said. "Major, you're Space
Command. You have Brilliant Pebbles. You have a bunch of choices
on your screen. Ignore them all. Punch the All Enable key, it
will light up after the pregnant lady—Dammit, what's your
name?" "Lucy," Lucy
said. "After Lucy presses her key.
Don't screw up. Okay?" "All right," Stillwell said.
Eileen could see him through the open door of his room. He was
sitting at a console just like the one where Terry Guzman was
found, his computer on a spindly table with a single stalk for a
leg. He looked out at her and Lucy, and gave a little wave.
Eileen looked over at Lucy and saw that she was
smiling. "We can do this," she said
confidently. Her voice came out of all the speakers. "Of course we can," Joe said
absently. "Waiting to go online." Suddenly one of the big screens
of the globe disappeared and was replaced with an odd-looking
chart of satellites and lines. The lines connected the satellites
together. All but three of them were green. "Come on, come on, come on,"
Joe said tonelessly. "Come on, you bastards. Hook up." Turtkul,
Uzbekistan Muallah was twenty feet from
the lip of the silo when the world suddenly filled with sound.
Ali was ahead of him and Assad behind him. He could see a
crescent of sky beyond the nose cone of the missile in their
silo. "Allah akhbar!"
he screamed, but he
could not hear himself. He looked up, into the blue day, to see
the Trumpet flaming upward into the sky. Muallah screamed in
triumph as the roaring filled the world with sound.
37 Cheyenne Mountain,
Colorado "We have a launch event,"
Major Parker said tonelessly. General Kelton stopped his pacing
and sat down in the commander's seat. "Well, people," he said
calmly. "Here we go. Get me Air Force One." Gaming Center, Schriever Air
Force Base "We've got a launch," Lucy
said. She was staring at the big screen, her eyes huge and
bruised looking in her pale face. Eileen looked away from the
communications console, where one line remained red, and gulped.
There was a big black dot in the map of Uzbekistan. "Ignition plume," Stillwell
said in a gulping voice. "Be ready," Joe warned, his
voice tight and angry. "Goddammit, you all just be
ready." Eileen held her finger over
the mouse key, her mouse pointer hovering over the Enable key,
which was dark and useless. Her finger trembled over the mouse.
She looked away from the screen. "Where is it headed?" Lucy
whispered. "Don't look," Joe snapped.
"We're almost there, almost there, almost there ..." Eileen focused her whole
body on the dark Enable button. "Light, light, light," she
whispered. The button flashed green as
Joe shouted "Now!" from the Truth Team room. Eileen stabbed her
mouse key, and her button started flashing. She looked over at
Lucy. Lucy was clicking on another green button. They got up
together and ran toward Major Stillwell's room, leaping awkwardly
over the empty floor tiles. Joe appeared from the Truth Team room
and beat them both to Major Stillwell. "Here, here?" Stillwell
panted. His console was a confusing mass of flashing buttons and
weird-looking symbols. His unwashed hair flopped on the back of
his neck. Beads of sweat stood out on his face. "Right there," Joe said, and
his voice was reassuringly calm. "Punch it." Stillwell punched the
button, and the console flashed yellow, then green around the
edges. "Done!" Joe shouted. Eileen
and Lucy crowded in the doorway. "We did it!" "How long 'til they shoot it
down?" Lucy asked. "Minutes," Joe said
confidently. "We got it released in time, I'm sure of it. Now
let's go see where it's headed." "Should I stay here?"
Stillwell asked. "No, we can all go to the
commander's console," Joe said. "We need to tell NORAD we got the
Pebbles enabled." Like children playing
follow-the-leader, Eileen and Stillwell and Lucy leaped back to
the commander's console, following Joe. On the way, Eileen spared
a thought for Lowell Guzman, unconscious and bleeding less than
ten feet away, and Major Blaine, facedown in the hallway. Then
she put them out of her mind. Joe punched the NORAD
sequence again. "Pebbles are released," he said. "Uh, General.
Sir." They heard faint shouts and
cheers from Cheyenne Mountain. "What about a follow-on?"
Joe asked. "Is there going to be more?" "No follow-on," General
Kelton said. "The Russian troops secured the base just as the
missile took off. The terrorists are all dead." "Good," Lucy said
fiercely. "Where's the impact
location? The President needs to know." "We all need to know,"
Eileen said dryly. "General impact location is
the northern United States," Joe said, looking at the globe of
the Earth on the console. Eileen saw a large gray splotch over
the northern part of America. It looked horrible, like a
monstrous amoeba. "Northern United States? Not
Washington, D.C.?" Lucy asked in surprise. Joe typed on the commander's
console. The screen in front suddenly shifted to a view over the
United States. The blotch was shrinking rapidly. It now covered
the Great Lakes regions and was decreasing by the second. Eileen
realized the computers must be predicting the impact from the
missile's trajectory. "It's the gut shot," Joe
said numbly. The microphone to NORAD was still live. "The gut shot?"
General Kelton said. "The gut shot," Joe
repeated. "The body blow. The kidney punch. You know. Chicago,
Illinois. We play that one all the time. You take out the
industrial heartland. You take Chicago, you poison Detroit, Gary,
Indiana, all the industrial centers. Then the fallout drifts over
Ohio, Pennsylvania, New York. America loses her industrial
capacity all in one strike. Not too good for crops in the
Midwest, either." "Oh my God," Eileen said
faintly. "Much more effective than
the decapitation strike," Lucy murmured. "Decapitation?"
Eileen
whispered. "Of course," Joe said.
"Decapitation is Washington, D.C., Eileen. Take out the federal
government and supposedly you destroy our country. Cut off the
head, you kill the body. But anyone who does their homework knows
we don't really depend on Washington, D.C." "Bomb Washington, D.C, and
you just piss the hell out of America," Stillwell said, nodding.
"And you don't have much of a chance of getting the President.
They can get him out of Washington fast. You can't
decapitate us, not really." "Well, it would hurt pretty
bad," Lucy murmured, and Eileen remembered the other woman was
from Washington. "We'll let the President
know. God grant those Pebbles will work," the General said over
the loudspeaker, startling them all. "God grant we were in
time." Turtkul,
Uzbekistan "You think this was the
guy?" the soldier asked, rolling the body over with his toe. The
arms flopped limply and the eyes gazed at the brilliant sky. The
eyes blinked; the man was still alive, but he wouldn't be for
long. The blood was pouring out of three bullet wounds in his
chest. "He doesn't look like a
leader," the other soldier said doubtfully. "He's too
young." "Maybe this guy," one of
them said to the other, going to the other body lying limply in
the dirt. Behind them, Muallah gazed
at the sky. It was a brilliant and beautiful blue. The faint
contrail of the missile crossed one side of his vision. He would
have liked to move his eyes to see if he could see the missile
still climbing into the heavens, but his eyes no longer obeyed
him. He would go to Allah, and
that would be good. He would bring with him all the souls of the
American infidels to be his slaves. Allah had decided that
Muallah was not to be the leader of the new Arab empire, and that
was the will of Allah. Muallah had fulfilled his jitan,
his holy mission, and that, too, was the will of
Allah. Allah akhbar,
he tried to whisper,
but the sky was growing dark around him, swirling in black flakes
like the fires that would consume the Western world. Allah
akhbar. Air Force One "Hold on," the Secret
Service agent said. The plane didn't just bank; for a moment
Richard thought he was going to pass out as he was pressed deeply
into his seat. "Secondary sanctuary is
Florida," the Secret Service agent said through compressed lips.
Air Force One was doing a complete reversal in midair, turning on
her tail and fleeing back in the direction from which she had
come. "Maine wasn't such a good
idea after all, I guess," Steve said, his eyes sparkling with
excitement. He loved roller-coaster rides. Not that he'd had a
chance to ride on any in the past three years. The Secret Service
would simply not hear of it. "Oh my God, Chicago," the
President said. Richard tried to pat Dad's arm, but his own arm
wouldn't leave the seat. Dad was a terrible ashy color. Nobody
else looked very good either, and it wasn't because of the
g-forces. "We have the Brilliant
Pebbles, sir," the Secretary of Defense said with a grotesque
attempt at confidence. "I hope they work," the
President said, and blinked rapidly. He bowed his head, and for a
moment Richard couldn't figure out what he was doing. Then he
realized his father was praying. Moscow, Russian
Republic Kalashnikov could not bear
to look at the American. But he could not live with himself if he
did not. The Command Center was sick with tension. The radio
communications link was open, but was silent except for a slight
hiss of static. The roar of the missile launch had been clearly
audible over the link. The projected impact had come in a scant
two minutes later. The United States. After that, everyone had
fallen into a helpless silence. "General Cherepovitch,"
Major Paxton said abruptly. His words were slurred and drawn out,
as though he were speaking an entirely different language than
English. Oddly enough, Kalashnikov had recently seen Gone With
The Wind in the theater and recognized the accent
immediately. Kalashnikov looked at Paxton and saw that the
Major's face was pale and his lips were bitten to a bloodless
line. His precise and unaccented English was gone, but his eyes
were still sane. "Major Paxton," Cherepovitch
responded formally. "We must prevent war between
our countries," Major Paxton said. For a moment Kalashnikov
didn't understand what he meant; in Paxton's accent, thick with
stress, "war" had come out as "wah." Cherepovitch bowed his head.
Kalashnikov realized his palms were damp and stinging. His
fingernails had bitten through the skin. Was this to be the end?
Not just the end of Salekhard, democracy, clean water and food
and opportunity, but the end of everything? Like the films his wife so
loved to see, Kalashnikov could see the course of disaster. A
Russian missile destroying an American city. A million dead,
thousands more screaming in blind, burned agony. Thick
radioactive ash falling over American soil, killing animals and
plants, sickening children. All of it on television, all of it
traceable to a Russian missile silo, a Russian bomb. Would the
terrorist who launched the missile matter in the end? Or would
the American people, mad for revenge, demand a response?
Kalashnikov squeezed his fingers in his palms and felt the warm
stinging of blood. He looked at Major Paxton and saw the man
looking back at him with haunted, sickened eyes. They both knew
there would have to be a response, and the result would lead to
war. "We will help you however we
can," Cherepovitch said simply. "I would have done the same
as you," Paxton said heavily, reluctantly. "I would not choose to
save my country over the bodies of your women and children. You
did your best." "We did our best,"
Cherepovitch said. "I'm sorry that it was not enough." Gaming Center, Schriever Air
Force Base "Come on," Joe said. They
looked at the main console, watching the missile track grow and
grow. He typed rapidly on the commander's console, a frown
pinching his forehead. Eileen looked on helplessly. Lucy and
Stillwell stood with their hands at their sides. "Everything is enabled. They
have to get an intercept solution. They have to!" Joe
said. "It's almost to the Pole,"
said a voice from NORAD. For an eternity they stood,
staring at the growing black track. Eileen thought of the babies
being born in Chicago hospitals, the cops patrolling
neighborhoods and chasing drug dealers and prostitutes and doing
their best to keep the streets just a little bit safe, just a
little bit sane, and this insanity was flaming toward them and it
wasn't stopping. There were late-night restaurants and
millions of people sleeping sweetly in their homes and they were
going to die, all of them, if that curve didn't stop growing.
There had to be something else they could do. "Is there something else we
can do?" Stillwell asked, his face in agony. Joe put his hands to
the sides of his face and shook his head back and forth, eyes
stricken. Lucy choked back a sob. "Come on, baby, come on!"
Eileen suddenly shouted. She couldn't stand it anymore. "Come on,
baby, find that bastard. Come on!" Lucy glanced at Eileen and
then shook her fists at the screen, grinning wildly. "Comeon! Comeon! Comeon!"
she shouted. "Find the ball, baby," Joe
shouted, jumping up and down and laughing. "Find the fucking
ball, baby, you can do it!" There was nothing from the
speaker at NORAD; perhaps they thought this weird set of Gamers
had gone completely off the deep end. Stillwell joined in, his
face flushing red. "Go for it, man," he shouted
in a hoarse voice. "Go for it!" Eileen started laughing.
They were all shouting at the computer screens, screaming at
them, and it wasn't doing a damn thing, but it felt good,
it felt as if they were doing something. She was looking at the
center screen when there was a flash of brilliant light. The
light was nearly blinding. The whole room lit up fiercely, and
then the light was gone. "Did you see that?" she
gasped. They all stared at the screen, silent and still in an
instant. "Yes," Joe said. "Yes," Stillwell
said. "Yes!" Lucy
shouted. The gray splotch over
Chicago, the projected impact point, disappeared without any
fanfare. One moment it was there, the next it was
gone. "The missile has been shot
down," Joe said quietly, voice trembling. He looked at his
console and typed rapidly for a few moments. "This is NORAD," General
Kelton said from the speaker. His voice sounded shaky and young,
like a boy's voice. "Can you confirm what we're
showing?" "I can confirm it, sir," Joe
said. "No threats are in the air." "The skies are clear?" Lucy
asked, her face unbelieving. "Clear?" "All clear," Joe
said. The speaker from NORAD
erupted with shouts and cheers, but Eileen paid no attention. She
was kissing Joe, and Lucy, and even Alan Stillwell, who was rank
and sweaty and dirty— but she didn't care, they had
done it. The earth floated on the big screen, pure and
blue.
38 Memorial Hospital, Colorado
Springs When Lucy parked her rental
car the sky was beginning to lighten, although it wasn't yet five
o'clock. The bulk of Pikes Peak blocked out the stars to the
west, clearly visible in the light of the false dawn. Lucy
lingered for a moment, breathing the clear morning air, then
headed for the entrance doors to Memorial Hospital. "Yes?" The nurse behind the
emergency-room admitting desk looked tired. "I'm looking for Detective
Reed," Lucy said politely. "She should have come in here a little
bit ago." An orderly coming down the
hall heard the conversation and stopped at the desk. "Sure, Eileen," he said.
"She's with a suspect. They've got police guards. Guzman," he
said to the nurse. The nurse nodded back. "They're up on the third
floor, where we have the prisoners' rooms." "Thanks," Lucy said
politely. "Waiting rooms are to the
left," the orderly said helpfully as Lucy walked toward the
elevators. Moscow, Russian
Republic The room smelled of
desperate and unexpected victory, stinking with sweat and bad
breath and the sharp tang of vodka. In respect for the rules,
Cherepovitch had allowed only one shot for each soldier. Alcohol
was strictly forbidden in GRU headquarters. "It's the size of the damn
glasses that gets me," Major Paxton said to Kalashnikov, one of
Cherepovitch's cigars clenched in his still trembling fingers.
"You think they're such tiny little things, and the next thing
you know you're singing and being dragged along the street by
your friends because you can't walk anymore." Kalashnikov laughed, but not
loudly. He was still shaky from reaction. They were sitting in
the upper control room, a booth where cable news played around
the clock. Hours, it had been, and nothing had leaked. The
biggest story was the American tour of the Polish rock band
Night, now singing to sellout crowds and being likened to the
Beatles, during the British invasion. "Every new band gets
compared to the Beatles," Paxton said. "When I was a kid the Bay
City Rollers were compared to the Beatles, for
godsake." "Who?" asked
Kalashnikov. "So tell me, Major,"
Cherepovitch said casually. "Why do you think the weapon
malfunctioned?" "Could be the guidance
systems were corroded somehow," Paxton mused. "Or faulty to begin
with. I'm sure our entire fleet of nuclear missiles—what's left of them—are going to be overhauled
starting immediately. I'm sure you'll do the same." "You wouldn't, perhaps, have
shot it down, would you?" Cherepovitch asked, taking a puff on
his cigar and squinting his eyes as though he were telling a
joke. Paxton threw his head back
and laughed. "You don't get off that
easy," he said. "Our missile defenses were never installed,
remember? We made up Star Wars to end the arms race, not to
actually build the damn thing." Paxton put his cigar in his teeth
and put an arm around Cherepovitch and his other arm around
Kalashnikov. He gave them both an unexpected and very Russian
bear hug. "We were damn lucky, that's
all," he said. Memorial Hospital, Colorado
Springs Eileen was slouched in a
chair in the waiting room, trying to read a magazine. Stillwell,
who was grimacing and sipping at some very old coffee, looked
up. "Did you get the Pickle home
safe?" Lucy asked. Stillwell had dropped her at the hotel before
returning Gwen's car to the airport. "Safe and sound," Stillwell
said, grinning. Eileen snorted. "I can't believe you got
that thing to go over twenty." "Gwen was amazed too,"
Stillwell said. "Where's Joe?" Lucy
asked. "At home," Eileen said. "I
took him home. He needed the sleep. And he didn't want to talk to
Lowell." "I can understand why," Lucy
said. "And Blaine?" "Safe in custody at
Peterson," Stillwell said with satisfaction. "Now all we have to
do is figure out why Blaine was trying to shoot
Lowell." "That's all we have to do
now," Lucy said. She saw her smile answered in her new friends'
faces. Even though none of them had gotten any sleep that night,
they were still all on a high. Saving the world was better than
sleep. "Blaine won't talk,
right?" "Oh, he talked," Stillwell
said. "He sounded like a lawyer trying to beat a speeding ticket.
He kept telling me he thought Lowell was armed, he thought Lowell
was threatening Eileen, blah blah blah. I don't buy
it." "I don't either," Eileen
said. "Hey, is that a package of Oreo cookies?" Lucy looked down
into the open mouth of her handbag. "Hey, so they are. You want
some?" "The vending machine is out
of order," Stillwell explained. Lucy doled out the cookies
and sat down with a sigh. "Somebody give me
background," she said. "Eileen, how about you?" "Lowell should be coming
around pretty soon. They said it was only a concussion,"
Stillwell said. "I want the story too, if you don't
mind." "I don't mind," Eileen said,
crunching into an Oreo. "You told us all 'bout that Muallah
creep, anyway." "Let's just call him the
Creep." Lucy winced, looking around the very unsecured waiting
room. She'd told the story of Fouad Muallah and his Trumpet of
Doom during the wait for Colonel Willmeth and the rest of the
Schriever cavalry. Eileen Reed would have made
a great CIA analyst, Lucy decided, even if she was beautiful the
way Lucy usually detested: long-limbed, straight dark reddish
hair, gorgeous cheekbones. Still, she had an incredible brain
behind all of those good looks. "Well, I'm glad the Creep is
dead," Eileen said with satisfaction, sipping at her coffee. "You
know, it's too bad he never knew all his great plans were foiled
by a woman." "A woman?" Lucy asked in
confusion. Joe Tanner wasn't a woman. "You, Lucy Giometti, you
know?" Eileen said, as though it were obvious. "We and the
Russians both were alerted to the whole situation in time to stop
him from getting away, if not stop him. And if you hadn't been at
Schriever we couldn't have started up the system to
stop"—here Eileen looked around
cautiously—"it." Lucy smiled. "I never
thought of it that way," she admitted. "It's almost too bad they
didn't catch him alive. I would have liked to see him realize he
was beaten." "For Sufi's sake, if no one
else's," Eileen said, and Lucy nodded, feeling an enormous rush
of affection for her new friend. Eileen
understood. "So what about Lowell and
your investigation?" Stillwell asked. He hadn't showered and was
still remarkably filthy, but his raccoon eyes were intent. Lucy
realized that his man, Blaine, was still not quite in the
bag. "I'll fill you in up to
tonight," Eileen said. "My partner should be here before I'm
done. I want him to hear what happened tonight. At least, the
part about Lowell and Blaine." They all exchanged grins,
and Lucy felt the laughter bubbling up inside of her
again. "Okay, I'll start with Terry
Guzman. She was murdered during the War Game this week, found
with a sharpened screwdriver in her back...." Rosen showed up before
Eileen was finished, carrying a bag of subs and a thermos full of
coffee. He delivered the subs and shook hands with Lucy and
Stillwell. Economical as always, he said nothing, but sat down in
a chair and unwrapped his own sub. "I'm almost finished
catching them up tonight," Eileen explained. Rosen nodded, and
for a few minutes there was no talking at all. "Ahh, better." Lucy sighed
after swallowing her last bite and crumpling up her sandwich
paper. "Thank you for bringing those, Detective." Rosen nodded
gravely. "Okay, go on," Lucy said.
"This is incredible. You know Terry's contact was Major
Blaine?" "That's why we have to wait
for Guzman to wake up," Stillwell said. "I don't think we can get
an espionage conviction from a single phone number. And unless we
can prove the espionage, Major Blaine can beat the attempted
murder rap in court." "Sure, just doing his job,"
Rosen said gloomily from the depths of his chair. "We thought the murderer was
Blaine," Stillwell said, sipping at his coffee. "Now we know it
was Lowell." "Lowell was trying to kill
Joe Tanner, at least," Lucy said thoughtfully. There was a
silence among them. Eileen looked out into the
deserted hallway. The waiting room was softly lighted and
tastefully decorated, but the chair arms were soiled and the
magazines tattered. The signs of waiting. "I'm hoping Lowell has
something to say about Blaine," Eileen said. The on-duty doctor appeared
in the doorway and contemplated the small group of people. He was
thin and elderly. He wore glasses, and his blue scrub suit was
wrinkled. "No problem with the
stitches, no fractures, and your patient is waking up," the
doctor said, taking off his glasses and polishing them with a
handkerchief. "Four visitors?" "Four, please," Eileen
said. "Room 309," the doctor said.
"Don't stay long." Lowell was awake.
The face was as
innocent-looking as Eileen remembered it, although it was bruised
and swollen along the right side. A white bandage covered half
his head. There was an IV taped to his wrist. Lowell saw Eileen
first and looked away. His eyes were blurred and
vague. "First, the business,"
Eileen said. "You have the right to remain silent..." When Eileen finished reading
Lowell his Miranda rights, she asked him if he was willing to
speak. "Sure, why not?" Lowell
said, not looking at Eileen. He glanced at Lucy Giometti, and
turned away from her bright look of loathing. Rosen leaned
against the door frame. Still-well stuffed his hands into his
grimy pockets. "Why did you kill Terry?"
Rosen spoke first, quietly. "I don't know why she
married me," Lowell said, and moved his hands on the covers. "I
don't know why. She wanted—I don't know what she
wanted." "Why?" Eileen repeated
patiently. "Because she was going to
lose her job. She was so obvious about her little games. I found
out about her and Major Blaine—" Lowell caught the abrupt
movement from Stillwell. He looked at Stillwell, and
understanding cleared the sad brown eyes for a moment. "Ahh, you want him? He's got
a habit, that's what Terry said. When I confronted her. They
didn't sleep together, they just did business. You can't screw on
heroin. I guess he got the habit overseas." Lucy gave a little shudder
of disgust. "Terry, everything was easy
for her, you know?" Lowell added in a blurred voice. "From the
time she was a little cheerleader in high school, everything was
just handed to her. Her mom and dad gave her money, a car, a
college education. When things got hard in college she just went
out with guys who would help her get through her classes, help
her cheat. She didn't even really have a computer science degree,
she had a business degree with a CS emphasis." Lowell chuckled rustily, his
eyes focused far beyond the people in the room. "Emphasis," he said
bitterly. "She couldn't code her way out of a paper bag. But ah,
God, she looked so good, she smelled so good, she wanted me, and
I would have done anything for her, anything...." His voice
trailed off and his eyes sharpened. He looked over at Eileen.
"She had anything she wanted, but she always wanted more. Why is
that, do you know?" "Who did Blaine pass the
information to?" Eileen asked neutrally, struggling with a desire
to feel pity for the drugged man. He was pitiful, but he was a
monster. "I don't know." Lowell
sighed. "Once I found out it was too late, you know. All I could
do was beg her to stop, and she just laughed. I'd lose my
clearance. They'd probably send me to jail, too." "That's why Blaine tried to
shoot him," Lucy said. "With Lowell dead, no one could prove that
he was her contact." Lowell turned his blurry
gaze to Eileen. "She was so wicked. Didn't
you find that out? Didn't everyone tell you how evil she
was?" "She didn't deserve to die,"
Rosen said coldly. "And Art?" Eileen said,
tasting the brightness of revulsion in her mouth. "Was Art evil
and wicked? Is Joe Tanner?" Lowell looked puzzled. The
big hands on the coverlet stirred a little, then relaxed
again. "I—don't know," he said. "I couldn't
let Art find out it was me. Who would have thought you could play
back those terminals? I thought I had the perfect murder planned.
I worked on it for months. I even tested it one Game earlier,
without raising the floor tile behind her. But Art figured it
out." Lowell shook his head. "Then Joe figured it out
too, and left a message for Nelson. I—" He looked around the room,
seeking understanding. "I couldn't let them figure it out. It was
easy, after killing Terry. It was easy after the first
time." Lowell laid his head back on
the pillows, his bruised face gray and wan. "It was pretty easy,
really," he muttered, and fell asleep. Eileen, Lucy, Rosen, and
Stillwell stood around the bed and watched Lowell Guzman sleep.
They looked at each other, and as they turned to leave the room
the first light of dawn began to touch the windows with pink and
gold.
39 Denver Animal
Shelter Fancy surged to her feet
along with the other dogs in the kennels that lined the room. It
was morning. Someone was coming in from the street entrance. The
dogs barked. Debbie walked an elderly couple down the corridor.
Fancy wagged her tail, trying to shove her tender nose through
the chain link of the kennel gate. A volley of barking burst
from one of the kennels and the couple rushed to the door. The
girl opened the door and a little white poodle came bounding out,
leaping in joy around the old couple's feet. The barking died down as the
kennel keeper escorted out the old couple and their
dog. Debbie petted Fancy as she
hosed out her kennel later. "Tonight for you, Fancy.
Game over. Sometimes I hate this job," the girl said to herself.
She latched the door and moved to the next cage. Peterson Air Force Base,
Colorado Major Stillwell looked at
the film on the closed-circuit camera. "What's the matter with
him?" the guard asked. "He's driving me crazy in there. He keeps
pacing and pacing." "I know what the matter is,"
Stillwell said. "He's a junkie. And in about six hours he'll be
so frantic he'll tell us everything we want." "A junkie," the guard said,
and looked with disgust at the tiny figure walking back and
forth, back and forth, in the little cell. "Be careful around him,"
Stillwell warned. "He might get pretty violent." "I'll be careful," the guard
said. He'd let Blaine stew for a
while longer, Stillwell thought. Time enough to go home and
shower and catch a few hours of sleep. He smiled in grim
satisfaction, looking into the camera. "Hey, you're the one who
crashed in that cornfield?" the guard asked suddenly. "I heard
about that. What a pain in the ass that must have been,
sir." "You're telling me,"
Stillwell said with feeling. "Was this guy the
reason?" "One of them," Stillwell
said with an unbelieving laugh. "One of them." For the first time,
Stillwell realized that his little adventure was going to
accelerate his career. Accelerate? Hell, he was the ranking
military officer at the first-ever shoot-down of a nuclear
missile in flight. He was going up for colonel in another year,
and he had no doubt about what would happen. He might even be a
general someday. For the first time in the whole endless journey
from the Oklahoma cornfield to Colorado, Alan Stillwell
contemplated his suddenly brilliant career. "Well, you got your man,"
the guard said. "Sir. Congratulations." "Thanks," Stillwell said. He
felt great. Tired and still dirty, but no longer confused. He
felt just great. "Thanks." Village Inn Restaurant,
Colorado Springs The sunlight glittered on
the clean table, the glasses of ice water, and the surface of the
hot coffee in the thick china mugs. Steam curled up from the
coffee. Eileen sighed, feeling the
exhaustion but not willing to surrender to it, not yet. Now was
the time for a few minutes of contemplation and quiet
celebration. There were people eating eggs and drinking coffee at
Village Inns in Detroit, Michigan; Scranton, Pennsylvania; and
Buffalo, New York. There were babies being born, old people
sitting in rocking chairs, punks stealing cars and addicts
getting their morning fix, and all of it was wonderful,
wonderful, because the alternative was too horrible to
contemplate and it had nearly happened. "I wish he would have lived.
He should have known he was beaten," Lucy said quietly, sipping
her coffee and looking out the window. Pikes Peak looked as
stunning as it always did. Eileen saw with affection that Lucy
couldn't seem to stop looking at the mountains. Eileen understood about
Muallah. She'd met several Muallahs in her police career, men who
believed women were like disposable tissues. The way Lucy tracked
Muallah down and figured out what was going on was stunning. If
only the CIA had listened, they might have had a team in place
and the missile might never have been launched. "I can tell you're not a
cop," Eileen said. "I'm glad they shot him. If he'd lived, who
knows what would have happened? He might escape, or be acquitted.
Nope, I like the idea of Muallah cold and dead just
fine." "You're right," Lucy said.
"I really meant to say, I wish I was the one who shot
him." She grinned at Eileen, and Eileen grinned back. They were
the same kind of woman, Eileen thought, even if Lucy was a
stunning beauty and Eileen was just Eileen-looking. "Here's breakfast, ladies,"
the waitress said cheerfully, and started setting down an amazing
array of plates. Later, Eileen watched as
Lucy continued to tuck her enormous breakfast away. Bacon, eggs,
hash browns with gravy, pancakes. Eileen had finished her
pancakes long before, and was sipping her coffee
contentedly. "I'll be out of here this
afternoon," Lucy said with real regret. "I have about a zillion
debriefs to go through when I get home." "I hope this helps your
career," Eileen said. "Oh, I think this will help
a bit." Lucy grinned. "You're going up to NORAD today? Or
tomorrow?" "Tomorrow," Eileen said. "I
need to sleep today. I have about a jillion reports to fill out
too. I've been to NORAD, anyway." "This will be a classified
visit. You're going to see things you never saw before," Lucy
predicted confidently. "Besides, you're a hero. They'll roll out
the red carpet." Eileen shrugged, feeling
uncomfortable. "Not me, that would be Joe,"
she said. "And you." "Hmm," Lucy said, waving a
chunk of sausage on her fork. "Let's see, if you hadn't gotten
out there Lowell would have gotten Joe, and Joe wouldn't have
been alive to start the system, so—" "And if you hadn't been
there Blaine would have gotten both of us," Eileen shot back,
smiling. "And if Stillwell hadn't
crash-landed in his cornfield and showed up at just the right
time—" "And if my mom had never met
my dad," Eileen finished, laughing. "It was all a miracle, that's
all. I'm glad I was there. I'm glad you were there. You know, if
you ever get tired of Washington, I could get you a job out
here." "Funny, I was about to say
the same." Lucy grinned. "It was nice to work
together," Eileen said wistfully. How often had she met someone
like Lucy? Once, twice in her life? One of those had been Bernie,
and she felt a surprisingly sharp stab of grief for her lost
friend. "Yes," Lucy said. "Thanks
for the file." She gestured to her briefcase, where a copy of
Doug Procell's conspiracy file lay, as yet unread. "The least I could do."
Eileen shrugged. She had a sudden idea and cleared her throat
nervously. "Uh, I have a favor, maybe..." "If I can do it, it's
yours," Lucy said simply. "I was wondering if you
might be able to get a government file on a plane crash," Eileen
said. Her voice grew harsh. "I was a friend of hers, and they'd
never let me see the file. I was wondering—" "I'll see what I can do,"
Lucy said. "I'll get it for you if it's out there. You've got a
clearance. You'll be cleared to see it." "Okay," Eileen said, and she
felt a smile of relief spread across her face. "Her name was
Bernice Ames. And the crash was an A-10. Seven years
ago." "You have an e-mail
address?" "On my card," Eileen said,
and dug one out of her wallet. She wrote the information about
Bernie on the back of the card, in sloppy large script. "You
know, I don't know that it means so much anymore. I don't want
revenge. I just want to know. If I can, I want to clear her
name." "I understand. To put the
memory to rest. Ghosts die hard sometimes," Lucy said
slowly. "I suspect we'll all have
bad dreams for a while," Eileen said. "I can deal with bad
dreams." "Me too," Lucy said bravely,
but her eyes were sad. Her hand hovered over the swelling of her
stomach. "I wish we'd never thought up the damn things. The bomb,
I mean." "If we hadn't, I wouldn't be
here," Eileen said with a wry smile. "My grandfather was on a
transport ship headed for the invasion of Japan when we dropped
the bomb. His survival chance was less than zero, and he was only
eighteen. He hadn't met my grandmother yet" "So no Eileen Reed without
the bomb," Lucy said. "So Muall—I mean the Creep—succeeds. But he doesn't have a
bomb without the bomb. So maybe it would have been plague, or
mustard gas. I think I'm getting a headache." But she looked more
cheerful, which made Eileen feel better. "What really matters is the
end of the story," Eileen said. "The good guys won. We
won." "This time," Lucy
said. "This time," Eileen
agreed. They walked
together to
Lucy's rental car. The morning was hot and cloudless, but there
were hints of the eternal afternoon thunderstorms to come moving
up around Pikes Peak. "Hey, if you want to
vacation out here sometime," Eileen said, "I make a great
baby-sitter." "I might take you up on
that." Lucy smiled. She took Eileen's hand. "Thank you again,"
she said. "We Italians take loyalty seriously. If you need
anything, ask me." "Thank you," Eileen said,
surprised. "I—er—well, I'm a mutt, so I guess I
have to say we mutts take our loyalty seriously too." She smiled,
but her eyes were unexpectedly stinging. They squeezed hands and let
go. "I guess we did it together,
didn't we?" Lucy said. "Well, I have to get up to Denver for my
flight, so I better get going." "Why Denver? Don't you want
to fly out of Colorado Springs?" "There's something I want to
do in Denver first," Lucy said. "I'll call you!" She put her briefcase in the
car and started up and drove expertly away, one narrow hand
lifted in a wave. She did not look back. "Good-bye," Eileen said, and
lifted her hand to wave back. She wondered if Lucy would send her
a package in the mail. She wondered what it would
contain. One way or another, she
would set her memories to rest. Eileen stretched and yawned
happily in the morning sunlight. There was another duty she had
to perform, and that one wouldn't be a chore at all. She turned
to find her car. Joe Tanner
stirred and
woke. He was being kissed. "Mmm?" he said
sleepily. "It's Eileen," a voice
whispered to him. Joe opened his eyes with a start, and
remembered everything. "Eileen," he said, and put
his arms around her neck. "You're here." "I'm here," she said,
laughing. "Move over." He moved over, leaving a
delicious warm space for her. Eileen crawled in, and Joe wrapped
his arm around her. He was almost asleep again, his arm heavy and
limp, his breathing slow and even. Slowly his arm hugged her
close, as though he was dreaming of holding her. "Love you," he mumbled. His
breath evened out and he was gone. "I love you back," Eileen
whispered. The exhaustion she'd held at bay for the last few days
washed over her like surf, carrying her away bit by bit. Her
heart had known about Joe, and it had been true. She had never
been happier. She lay in the curve of Joe's sleeping arm and let
the waves carry her away. Epilogue Denver Animal
Shelter Fancy was dozing fitfully
when the door opened. The dogs all rose, howling, to their feet.
Not Fancy. She knew it was her time. She lay with her head on her
paws, her eyes dull. Then the little dog pricked
up her ears at the sound of two sets of footsteps instead of
one. "This is Fancy," Debbie
said. "What was your name again?" "Lucy," Lucy Giometti said,
and smiled. "Fancy, this is Lucy,"
Debbie said, and reached to unlatch the door. "Oh, I'm so glad!
She's such a good dog, and today was going to be her last
day." "I know," Lucy said. The
kennel keeper opened the door and Fancy hesitantly put her nose
out to nuzzle Lucy's hands. Her tail, bedraggled after days in a
concrete kennel, wagged a little bit. Then Lucy smoothed her fur
and rumpled her ears, and Fancy sniffed and licked Lucy's hands
and thumped her tail again and again. "How are you with babies?"
Lucy asked the dog. Debbie smiled indulgently. "I bet she'll be
great." "Well, we better go. I've
got to make arrangements with the airline to get her back
home." "Where do you live?" Debbie
asked. She attached a leash to Fancy's collar, and they started
toward the entrance. "Virginia," Lucy said. She
took the leash from the other woman, and Fancy fell in instantly
at her side, panting happily. "You came all the way out
here to adopt a dog?" Debbie looked incredulous. "Well, not really." Lucy
smiled. "I was out here on business and I knew she was here, so I
thought..." Debbie nodded happily. She
needed no more explanation. "I'm so glad," she said
again. She filled out the adoption form, and Lucy gave the woman
her credit card. She bought the collar and leash, too. Fancy sat
obediently at her side. "Well, Fancy," Lucy said to
the dog, and took up the leash. "Let's go home." "You saved her just in
time," Debbie said to Lucy. "I just want you to know
that." "I know," Lucy said. "Thank
you. I was just in time for my assignment out here too. So it all
fits together just right." Fancy trotted obediently at
Lucy's side as they walked out the entrance and into the blaze of
the afternoon sun. The last that Debbie saw of them was Lucy's
silhouette in the doorway and, next to her, the curling plume of
the dog's tail, wagging as though it would never stop. > GROUND ZERO Bonnie Ramthun
This is a work of fiction. Names,
characters, places, and incidents are either the product of the
author's imagination or are used fictitiously, and any
resemblance to actual persons, living or dead, business
establishments, events, or locales is entirely
coincidental. GROUND ZERO A
Berkley Book / published by arrangement with the
author HUNTING HISTORY G.
P. Putnam's Sons edition / August 1999 Berkley mass-market edition / September
2000 All rights reserved. Copyright © 1999 by
Bonnie Ramthun This book may not be reproduced in whole or in
part, by mimeograph or any other means, without
permission. For information address: The Berkley Publishing
Group, a division of Penguin Putnam Inc., 375 Hudson Street, New
York, New York 10014. The Penguin Putnam Inc. World Wide Web site address
is http://www.penguinputnam.com ISBN: 0-425-17632-0 BERKLEY Berkley Books are published by The Berkley
Publishing Group, a
division of Penguin Putnam Inc., 375 Hudson Street, New York, New York
10014. BERKLEY and the "B" design are trademarks belonging
to Penguin Putnam Inc. PRINTED IN THE UNITED STATES OF
AMERICA 10
98765432 I would like to thank Jerrie
Hurd, who teaches fiction writing at the University of Colorado
in Boulder. Not only is Jerrie a great teacher and a terrific
writer (read The Lady Pinkerton Gets Her Man), but she
treats every person in her class with respect and dignity, as
though we were all best-selling authors. My friend Megan Silva gave
me the services of her English professor father, Dr. John
Reardon, as a Christmas present. He critiqued my book
meticulously and skillfully. My other editors include my sisters
Roxanne, Aimee, and Allison, my mother, Judith, and my
father-in-law, Gary Ramthun. This book wouldn't exist without
them. My thanks to the Gamers. My
time as a Gamer changed my life. I am still in awe that I had the
chance to work within a group of people so brilliant and
talented. At the disk-drive
manufacturing firm where I worked after Gaming, I finally
admitted that what I really wanted to do was write novels, not
program computers. Greg Matheny, Kathy Albrecht, Dean Price, Mark
Lutze, Linda Chumbley, Ron Bishop, and my good friend Steve
Filips made me realize Gaming was not the only place where
brilliant and incredibly funny people worked. Thanks to my lifelong
friends Harold York, Susan Dunn, and Megan Silva; my brothers
Nick, Pete, Alex, Dan, and Marc; my fathers Lee John and Dick;
and my three beautiful sons Thomas, Ryan, and Jasper. Thanks to
Emile Bisson for hiring the newest Gamer, Bill Ramthun, and
seating him at the desk right next to mine. Finally, thanks to
Bill, my husband and best friend. He's better than
fiction.
For my
sister,
Roxanne Ailine
Tomich
1 Colorado Springs
Investigations Bureau "Hey, Rosen, see
those?" "See what?" Dave Rosen was
hunched over his computer. He was typing rapidly with two
fingers, but stopped and looked over at Eileen Reed. "Those flashes up at NORAD,"
Eileen said. "What're they doing up there?" Rosen looked, shrugged,
turned back to his screen. "Probably nothing," Eileen
said. "But I wanted you to see it. You know, if we both get
blasted into hash by The Big One about ten minutes from now.
We'll be playing our harps, halos on our heads, and I'll turn to
you and say—" Rosen mistyped, cursed, and
rested his forehead with a dull clunk against his computer
screen. "I'm going to kill you," he
said. "If you don't shut up." Eileen grinned. "I went inside the Mountain
once," she said. The North American Air Defense Base, called
NORAD, was buried inside Cheyenne Mountain. The cavern had been
carved out of solid rock sometime during the 1950s. The only
remnants of that huge excavation were a length of road and a
tunnel opening. Her office window faced the Mountain and she had
been looking out the window instead of working on her own
report. "I know you did," Rosen
said. He turned his head, his forehead still resting on the
screen, and glared at her. "And I'm going to finish this report
before Harben puts me back out clocking speeders on
I-25." Eileen pretended to be
contrite. Rosen had been in the Special Investigations Division
for only three months. He was tall and broad-shouldered, with a
firm nose and straight ink-black hair. He was originally from New
York. To a lot of people in Colorado, he looked Navajo. Eileen
suspected this was a source of amusement to him, having seen his
reaction when people asked about his tribe. "Okay, I'll shut up," Eileen
said brightly, and tried to turn back to her own incomplete
report. But instead Eileen found
herself looking at the flashes. There were more of them now,
colored blue and red and white. Now she didn't feel like joking
any more about The Big One. The pulse of lights from the tunnel
that led to NORAD looked ominous. They looked
serious. She'd gone inside the
Mountain, not on police business, but as a civilian on tour. Once
she'd heard about NORAD, she had to go inside. Her mother told
her she must be half cat on her father's side; Eileen poked her
paws into everything. NORAD had a waiting list three months long
for civilians. Eileen signed up and waited impatiently. She did
not jiggle and hop from foot to foot when she finally boarded the
NORAD bus that would take them down the entrance tunnel and into
the base. She'd learned stillness long before. But if she had a
tail, it would have been twitching back and forth when the
ancient bus lurched and started down the tunnel. The tour itself had been a
bit of a disappointment. The cave was huge and damp and smelly,
like old wet clay. The office buildings were sitting on monstrous
metal coils, ready to hold steady under nuclear blasts. But they
were drably colored and shabby. The buildings looked like old
office structures just about anywhere. Then Eileen looked up, and
saw the roof of the cavern. Rusty steel nets held back the
crumbling rock. This sent a chill through her. There was solid
rock over her head, hundreds of feet of it. She wouldn't even be
a rust stain if some of that rock decided to come down. The nets
looked as frail as cobwebs in the gloom of the cavern's
ceiling. Colorado seemed like such a
safe place back in the early fifties, the tour guide explained.
Eileen, standing at the back of the group with her hands shoved
into her pockets and contemplating the roof, smiled. A mountain
was no protection against hydrogen bombs. The tour guide went on
to explain that Cheyenne Mountain still operated as the early
warning center for any ballistic activity on the planet. The
Mountain was not perfectly safe, but it was still the safest
place there was. This, too, was chilling. "Good thing the Cold War is
over, right?" The guide laughed, and the tour group obediently
laughed with him. "Now here, these are water
caverns. The excavators struck a spring when they were digging,
so NORAD has an internal water supply..." Eileen blinked and woke from
her reverie as an enormous lightning bolt smashed down from the
thunderclouds and danced across the rods at the top of Cheyenne
Mountain. The entrance lights continued to flash. She picked up the phone. She
hesitated, wondering whom she could call to ask. She thought of
Gary Hillyer. Hillyer was a journalist on the Gazette
Telegraph. He would rib Eileen unmercifully if those flashes
were some kind of standard Air Force drill. But Hillyer would
know. He knew everything and everybody in Colorado
Springs. Captain Nick Harben saved
her the call. "Reed!" Harben could have
used the phone's paging system, a simple matter of pressing a
button, but Harben just liked to yell. Eileen figured Harben
would be much happier in a police office from the forties, smoky
and grimy and full of atmosphere. Instead, the Investigations
Bureau offices were offensively clean and full of sunlight.
Plants clustered around large windows that framed a beautiful
view of the mountains. Personal computers sat on every desk,
linked by a communications network to the rest of the police
department and, by special access keys, to the countrywide
law-enforcement network. Eileen had a good desk, close to the
windows and not too close to Harben. She headed for Harben's
glass cube. Harben looked at her, his
narrow face expressionless. He was just hanging up the
phone. "A body was found out at
Fort Carson just now. That AWOL soldier, Jerry
Pendleton." "Oh great," Eileen said.
"Hey, did you see those lights up at NORAD?" "I didn't," Harben said with
a frown. He looked out his window, squinting a little, then
shrugged. "I've seen them once or twice before, Eileen. They
might be having some sort of war game." "Okay," Eileen said,
relieved. She'd lived in the Springs for six years. Harben had
lived there all his life. "I was beginning to think there was
something wrong up there." "Well, if there was, we
wouldn't have to think about it long." Harben didn't smile at his
own grim joke. Colorado Springs was one of the first targets for
any major nuclear attack, and everybody knew it. The common
phrase was "Ground Zero." Colorado Springs was just about as
ground zero as Washington, D.C. NORAD was the wartime command
center, where the President was supposed to relocate if
Washington, D.C, was destroyed. There was supposed to be another
huge underground base somewhere in the Russian steppes, similar
to NORAD, and undoubtedly targeted by American missiles. None of
it made much sense to Eileen, but she had never worried much
about it until this morning. "So let's talk about
Pendleton." "Yeah, right, I know. Why
did I get saddled with this assignment?" Eileen dropped into a
chair. She was the new Police Liaison for Fort Carson, Peterson,
Schriever, NORAD, and the Air Force Academy, the five military
establishments in Colorado Springs. "You're the best person for
the job," Harben said dryly. "You were in the Air Force once, as
I recall." "I don't want the Liaison
job. I didn't want it. I hated the Air Force. I still hate
it." "You'll have to go talk to
the new Air Force Medical Examiner. This is Army, by the way. The
Air Force ME handles all the cases." Eileen sighed. She was
sarcastic around military people, and she had a tendency to be
rude. Having been in the military, she couldn't help teasing the
officers she met, like an unchained dog running outside a kennel.
She just couldn't stop herself from barking through the
bars. "This is out at Fort Carson,
so you can ask around and see if there are Games going on today,"
Harben suggested. "I'm sure it's nothing important, but that way
you'll stop wondering about it." Harben glanced at the faint
flickerings from the hole in the side of the Mountain, and a
puzzled crease developed in his forehead. "Well, I guess it has to be
some kind of drill," he said. North of
Bermuda The Unified German submarine
Edelweiss dove hard, cutting through layers of cold
seawater. She launched chaff, but the Subroc torpedo closed
without hesitation. The USS Guitarro had been too close
when the Edelweiss launched her missile. The German sub
didn't have a chance. There was a sound like the
ringing of a bell, clearly audible to the frantically scrambling
men inside the Edelweiss. Some hadn't even made it to
their battle station when the bell rang through the
hull. The Subroc's motors stopped.
A small flotational pack popped from the stern of the missile and
it started to drift slowly to the surface. "Damn," the German captain
said. "We're dead." His crew was more eloquent in their
disappointment, and for a few moments the air rang with curses.
The crew of the Unified German sub hadn't even known that their
own side in the Joint War Games was tracking them. They knew, of
course, that they were to be the "rogue" submarine that
unexpectedly attacks the United States, but security had been
good. The crew hadn't even known their assignment until they'd
left port and were in the open sea. "We avoided her for almost a
minute," the Fire Control officer reported quietly when the
volume dropped. "Pretty good for this old girl." "I didn't know a sub was
tracking us," the Radar officer said. He was wooden-faced but
still clearly upset. "I'm sorry, Captain." "We got our missiles off
before they killed us," the Captain said thoughtfully. "We learn
from them. When it is our turn to play the hero and theirs to
play the rogue, we'll do better than they did." The Captain nodded at his
first officer. The command was sent. The Edelweiss stood
down from battle stations. Her part in the Game was
over. Washington, D.C., and
NORAD Washington received the
signal while the Guitarro was still accelerating. The
Secret Service hustled the President to his helicopter in
thirty-seven seconds. Since everyone knew the drill was going to
happen, the President's schedule was clear and he was sipping
coffee in his office when the Secret Service notified him of the
alert. Not a particularly realistic drill for the President, but
he was, after all, the President. Air Force One was in the air
twenty-four minutes later. NORAD saw the missiles leave
the ocean surface. The latest satellite technology sent the
information to the computer screens just slightly slower than the
speed of light. Air Force Major General Jeremy Kelton didn't
change his usual calm expression. He was drinking from a can of
soda. He put the can down carefully, reached over, and flicked
open a plastic cover. He turned a key. NORAD buttoned up. The
outside lights, flashing for half an hour now in warning of a
simulated attack, stopped. Whoever was inside would stay inside.
Whoever was outside would not be able to get in until the
emergency was over. A quiet tone sounded throughout the cavern.
The outside air fans died. There was a faint, almost
imperceptible flicker as the power system shunted over to
internals. The only door to the gigantic tunnel swung shut with a
crash. Air Force personnel raced to their positions. Some still
had thick sandwiches clutched in their hands. The cafeteria at
NORAD Air Force Base had a reputation for good food, and a number
of the shift workers were eating lunch at the time of the
alarm. Colorado Springs
Investigations Bureau "I'm going to try one more
time to get out of this, boss," Eileen said earnestly. "I hate
the military. I'll be rude. I'll spit in all the wrong places and
I'll call colonels by their first names. I'll step on their shiny
shoes and get them all muddy. I can't help it." "I want you to step on
shoes, Eileen," Harben said coldly. "That's the general idea.
Congress passed the law about civilian police being involved in
military investigations just last year, and the military hates
it. But there were too many scandals. Like what happened to your
friend." Eileen had told Harben about
her friend Bernice when she received her promotion to detective.
She figured Harben should know. Harben never showed any emotion,
which Eileen thought a relief. She couldn't stand sympathy,
particularly about Bernie. Captain Bernie Ames was
flying a standard training flight in Arizona when her A-10 broke
away from the formation and headed north. She didn't respond on
the radio to the increasingly frantic attempts to contact her.
Search planes found the remains of her body and her A-10 two
weeks later at the top of a Colorado mountain. The resulting Air Force
investigation concluded "pilot error." Worse, the gossip always
added "female" to "pilot error." Eileen, feeling as shredded as
Bernie's A-10, could do nothing about the verdict. The records
were sealed. No real explanation was ever found for why Bernie
decided to fly her plane hundreds of miles north and nose dive
into a mountain. Her friend went into her grave as a bad,
possibly suicidal pilot. A bad woman pilot. "I don't want to deal with
their garbage," she said heavily. "I doubt I can help. But I'll
do it." Harben regarded her for a
moment. She couldn't tell what he was thinking. But then again,
she never could. Harben was the definition of a closed
book. "Good. Thank you." Harben
picked up a pen and wrote briefly. "Here's the access name for
the Pendleton file." He looked up. "What is it?" "The flashes," Eileen said.
"They stopped. I guess it was nothing after all."
2 Space Command, Schriever Air
Force Base, Colorado From the highway the Air
Force base looked like a fenced mile of prairie grass. A few
dun-colored buildings dotted the grass. Schriever had been built
so quickly there was still a prairie dog town within the fencing.
There were no coyotes within the base, and none had yet figured
out how to pass the electrified fence. The prairie dogs were very
fat. One of the buildings was the Space Command Center, which ran
the Ballistic Missile Defense program. The so-called Star Wars
program had faded from the public sight, but the funding
continued through discretionary, or "black," funds. Few people
knew that the Ballistic Missile Defense program was still
continuing. Fewer still knew that much of the proposed system was
already in place. Inside the building, the
Space Command Center was hooked up to the same satellite feeds as
NORAD, although its early warning systems weren't nearly as
complex as those of its elder cousin. Space Command's computer
screens, however, were greatly superior. Instead of Klaxon and a
bright dot north of Bermuda on a black and white map of the
earth, a huge screen showed earth's Northern Hemisphere from a
lofty altitude. A blue map of the ocean was so precise it looked
like a movie shot from the Shuttle. The computer marked
concentric rings around the probable launch site. Tiny black
lines were already starting to show at the center of the circle.
The radars were picking up enough of a track to mark the flight
path of the incoming nuclear warheads. Colonel Olsen, Commander in
Chief, Space, picked up the phone that connected him to NORAD. He
was at the back of the Center at Space Command, and was a little
nearsighted but refused to admit it. Consequently he'd been
squinting at the computer map and had a headache. "Give me validation of that
launch!" he barked. The other phone rang, the
Gold Phone. Colonel Olsen scooped it up with his free
hand. "Yes, sir," he said into the
Gold Phone. "Copy all," he said into the Blue Phone. "Get me
impact," he said to his Space Director, who was sitting elegantly
straight and seemingly relaxed at his left side. "Washington, D.C., and
surrounding area," she responded immediately. The glow from her
computer terminal lit her expressionless face. "Oh my God," murmured a
member of the audience. He turned to his companion, a Marine
colonel. The man was ashy pale. He lived in Washington, D.C., and
had come out to Colorado for the Joint War Games. "What
happened?" The Marine looked at him in
surprise. Then the officer leaned close to the other man's
ear. "This is a simulation," he
said. "Those are unarmed missiles. Duds." The Marine looked at
the enormous computer screen. The missiles were climbing skyward
in the midst of flames and smoke. "The President is really on Air
Force One, but this is his drill with the Secret Service. Those
missiles are really aimed toward Washington, but they'll be
detonated if the system misses." "What if they don't
detonate?" the other officer hissed. "Then we'll surprise some
fish," the Marine replied impatiently "They're aimed at the bay,
and they're tiny. They could splash down next to a rowboat and
they wouldn't capsize the boat, though I think whoever was rowing
the boat would need to change his shorts. But they won't hit
anything. Where were you this morning when the briefing was going
on?" The officer from Washington
sat back in his chair in relief. "Thank God," he whispered to
the other officer. "I missed the briefing—I got lost coming out to the base.
I thought this was real." "It could be real," the
Marine colonel said grimly. "This time, it isn't." "Roger, the President is in
the air," Colonel Olsen said into the Gold Phone. "Impact area
D.C. The missile type is probably SS-N-06, multiple warheads
likely. Time to impact"—he glanced over at the Space
Director's computer screen—"less than ten minutes. Do I have
authority to shoot this down?" There was
silence. The Colonel stood at
attention, one ear to the Gold Phone, the other to the Blue. His
face was square and tanned. Laugh wrinkles networked his eyes. A
thin line of sweat dropped from his hairline into a wrinkle and
disappeared. "Sir?" Major Torrence, the
Ground Director, clenched the tabletop with his left hand. His
right finger hovered over the computer key that gave Weapons
Response Authority. His finger trembled slightly. He knew this
was a game, but it was a deadly serious one. Major Torrence knew
about the nightmare War Game three years before, where the
blundering and indecisiveness of the command staff caused the
complete destruction of most of the American East Coast. Several
forced retirements followed the debacle. Even simulated deaths
weren't taken lightly, not when they were counted in the
millions. "Less than eight minutes to
impact," the Space Director said without inflection. Colonel Olsen stood like a
statue. The phone at his ear was silent. "We need weapons release to
shoot this down," the Atlantic Commander said over the radio
communications link. "There's a manned shuttle
launch from Russia today at eleven," a Defense aide said over the
same link. "There's a possibility—if we release the Brilliant
Pebbles they might shoot it down." "Are the bombers scrambled?"
Olsen asked. "We have two B-1s in the
air, and that's all we have on alert nowadays," Air Command
replied from Omaha, Nebraska. During the Cold War hundreds of
pilots would be racing to bombers kept ready for just such an
event, but not today. "Seven minutes, thirty
seconds," NORAD reported. "We have to be prepared for
a massive follow-on," the Atlantic Commander said. "The President
has authorized." The Colonel didn't say a
word. He nodded his head abruptly at Major Torrence. "Weapons release
authorized," the Major roared into his microphone. His finger
punched the button that would turn the first "key." There was a
faint overload whine from the communications network. "Brilliant Pebbles
released," barked the Space Weapons officer, pressing his console
button and turning the second "key." Far above, in a low earth
orbit, hundreds of small bullet-shaped objects received a burst
of encrypted computer instructions. The Brilliant Pebbles stopped
their lazy orbital spin by squirting out tiny jets of hydrogen
peroxide. They deployed their sensing eyes. Circular radar dishes
unfolded delicately from shielded housings on top of the
Pebbles. Deployment of the sensing
eyes was an expensive operation. The lubrication of the folding
joints didn't last forever in the harsh climate of space. The
Space Weapons officer, in his excitement, sent the "All Deploy"
command to the Pebbles. Every Pebble in orbit around the earth
received the instruction and opened its radar eyes. This mistake
would earn a sharp reprimand from Olsen for the offending
officer. The Pebbles that opened
above the Atlantic had plenty to see. The twin radar dishes on
each Pebble caught the bright flare of the burning SS-N-06
rockets. The eyes, now in control, sent commands to the tiny
peroxide thrusters. To an astronaut floating a few hundred yards
away, the Pebbles would have looked comical. Their big goggle
eyes seemed to peer intently earthward, shifting back and forth
as they tried to acquire the tracks of the nuclear
missiles. The first two missiles
finished boost phase and launched the vehicle that contained the
nuclear bombs, called reentry vehicles or RVs. The post-boost
vehicle started an irregular bum as it launched off the RVs. To
the Brilliant Pebbles, the missiles became harder to track. The
second set of missiles were still boosting, leaving telltale
flare. Seven Brilliant Pebbles
locked on the remaining missiles. One Pebble, achieving an
intercept solution, sent a burst of instruction over the
communication link. The instruction was a simple one; it was,
essentially, "I've got it!" The other Pebbles, still struggling
for an intercept on the missile, received the transmission and
stopped calculating. The winning Pebble shed its
power packs and support system, called the lifejacket, and leaped
toward the missile. Behind it, another Pebble shouted over the
communications link and headed for the other missile. The velocity at impact was
nearly incalculable. The Pebble disintegrated into particles. The
fragile electrical impulses that were supposed to set off the
bomb vaporized along with inert chunks of steel. In a fraction of
a second the warhead was no more. The debris dropped toward the
ocean below. "Got 'em!" crowed the
Weapons Officer. "Can that, Captain," snapped
Colonel Olsen. "What have you hit?" "Two boosters, three and
four. Two Pebbles launched, two hits, no misses. Two busses are
currently deploying RVs." "Impact time?" "Two minutes, sir. Impact
point is Washington, D.C." Colorado Springs
Investigations Bureau Eileen sat at her computer,
delaying the moment when she would call up the Pendleton file.
She was watching the rainstorm and she was thinking about her
time in the military. They were not pleasant memories. Eileen shrugged and turned
away from the rain. Time to think of other things. Like teasing
the new rookie, perhaps. "Hey, Rosen," she said.
Rosen was editing. His rapid two-finger typing had ended. He was
still intent on his computer screen, looking over his
report. "What?" "The lights up at Cheyenne
Mountain ended. Harben told me it wasn't a nuclear
bomb." "Hmm, really," Rosen said
dryly. "Like I couldn't tell by now." "No, but they were tracking
something big." She had his attention now,
although he wasn't looking at her. She would win if he looked
over at her. "Something big?" "Yeah, Harben said for us to
go check out the news channels." Rosen sat up in his chair
and looked over at her, and she spoiled the joke with her grin.
She couldn't keep it off her face. He knew he'd been
had. "Oh, come on," he
snapped, and turned back to his screen. "Ha, I got you to look," she
said. "You were about to get up and check out CNN for the big
landing of Klaatu and his alien friends." "Next time if you can keep a
straight face I might even go find a TV," Rosen said, and started
typing on his keyboard again. Eileen, having lost the
game, still felt cheered. She'd been a rookie herself, not so
long ago. She turned from her computer and looked out the window.
There was another thundershower moving in over Cheyenne Mountain.
The flashing lights had ended for good, it seemed. The entrance
to NORAD was dark and still. Space Command, Schriever Air
Force Base "Ground Sensor, what are you
tracking?" The ground-based radars on
the East Coast were similar to the radar dishes on the Brilliant
Pebbles, although the ground radars were much more powerful.
Unrestricted by weight or space, the radars had the nuclear
weapons along the coast to draw power. They scanned over the
Atlantic with muscular pulses of energy, finding and tracking the
tiny falling bombs with exact precision. Their job was to take
out the missiles that the Brilliant Pebbles missed. They were the
last line of defense. The ground interceptors were
a descendant of the Patriot missile system, an advanced smart
bullet that could take apart the big city-busting bombs before
they had a chance to detonate. The powerful rockets could
accelerate at high speeds to intercept their targets. They had
weak sensors for eyes; the ground-based radars were their eyes,
pointing out and aiming them at the incoming bombs. The interceptors locked onto
the incoming RVs. "Radars are tracking, looks
like the ground interceptors are locked on," the Sensor officer
said, a puzzled note creeping into her voice. The interceptors didn't
fire. "Why aren't they firing,
Ground Weapons?" Colonel Olsen swung his head like a nervous
bull. The narrow black tracks were closing in on Washington with
frightening speed. "Ground Weapons?" There was no answer from the
Ground Weapons station. Colonel Olsen dropped the
Blue Phone from his ear. "Major Torrence, detonate
those missiles," he snapped. Torrence reached out so quickly he
knocked over an empty Styrofoam cup that once held coffee. He
flipped all four buttons on his console. The missiles abruptly
puffed into white smoke and arced toward the ocean. Colonel Olsen was smiling.
Deep laugh lines framed his eyes. It was not a pretty
smile. "Game Director," he said
softly. "What the hell is your person doing back there? Sleeping?
We have live assets on this Game, goddammit!" "Debris is down," crackled a
voice over the intercom. The chase pilots in the Atlantic had
just verified that the scrap metal from the detonated missiles
had landed safely in the ocean. Major Torrence tore the
headset from his head and threw it down in exasperation. Colonel
Eaton, the Space Director, took the headset gently from her head,
not disturbing a hair of her smooth French roll. The Gaming Center, Space
Command, was a long rectangular room with a raised dais at the
far end. Built in a series of steps, the room was like a small
theater. Twelve audience members, most of them in military
uniform, sat in comfortable chairs. At the front of the room was
a large-screen projection of the computer simulation. The screen
suddenly blossomed with light. The real test missiles had been
detonated, but the computer was instructed to continue the
simulation if such an event happened. The virtual bombs had just
impacted in the virtual city of Washington, D.C. The audience blinked and
muttered at the rising nuclear cloud above Washington. The
simulation was detailed enough to be horrifying. Along each side of the room
were the narrow doors that held the operations officers. Directly
ahead of Colonel Olsen, at the corner of the room, was the Ground
Weapons station door. The other doors opened cautiously.
Civilians who ran the different computer consoles peered out with
puzzled faces. The Game Director, a tall,
balding civilian, paced tightly to the Ground Weapons door and
flung it open. The audience, muttering and shifting, grew still
in a slow wave as first the front, then the back of the room
became aware that there was something wrong. The Director backed out of
the room. He turned away from the door, and the people in the
room could see his freckles standing out in a suddenly white
face. Inside the room there was a
figure slumped over the console. To Colonel Olsen, without
glasses, it appeared as though the woman in the room had a long
yellow stick or tube tucked under her armpit. Only as the first
muffled screams burst out did Olsen realize the stick was the
handle of a screwdriver, and it wasn't tucked under her arm. It
was driven deeply into her back, and the sprawled gracelessness
of the body could only mean that she was dead.
3 Schriever Air Force
Base The time from the discovery
of the body behind the narrow door in the Gaming Center to the
ringing of Harben's phone was fourteen minutes. Nelson Atkins,
Game Director, called Major Jeff Blaine, Chief of Security for
Schriever Air Force Base. Major Blaine had dealt with murder
before in other positions with the military police. Not at
Schriever, though. He wasn't set up for a murder investigation at
Schriever and he knew it. He called the base commander, Colonel
Willmeth. Colonel Willmeth had been
the base commander for just three months. He hadn't even caught
up on his paperwork yet. He put Blaine on hold, cursed briefly
and fluently, and opened his intercom. "Roberta?" he asked. "Can
you come in here for a moment, please?" Roberta came into the room a
moment later and shut the door behind her. She was a woman who
had been really beautiful thirty years before. She would still be
beautiful, Colonel Willmeth thought, if she weren't still trying
to look twenty. She had black hair piled high in what was now a
trendy do. She wore the latest in high-school fashion and her
bright pink nails were almost an inch long. She was the base
commander's secretary, and Colonel Willmeth hated her with all
his heart. "What is it, Jake?" she
asked. Colonel Willmeth winced at her use of his first name but
said nothing. The troops in his last command would have bet their
last paycheck that Willmeth could face down a tank or two with
his mouth alone, but they had never met Roberta. "We've had a murder at the
Gaming Center," Colonel Willmeth said. Roberta's large black eyes
widened. "A murder?" Willmeth nodded. He shrugged
with his hands outspread, as he'd done a thousand times in the
last three months. Only Roberta knew the rules that were specific
to Schriever Air Force Base. Only Roberta knew the filing system.
Roberta knew where everything was stored. Roberta was the real
base commander, and only Roberta and the base commander knew it.
Colonel Willmeth had wondered at the sigh of relief Colonel
Flaherty had given when he took command, but he'd been too
excited at his first base command to care. "Hang on," Roberta said. She
left the office and Colonel Willmeth chewed his lip, looking at
the blinking light that meant Major Blaine and thinking black
thoughts. "According to Regs we need
to call Air Force OSI, Office of Special Investigations," Roberta
said, reentering with a notebook in her hands. "That's Major
Stillwell at Peterson Air Force Base." She flipped a few pages
carefully with the pads of her nails so as to keep her polish
unmarred. "We're also required to notify the Colorado Springs
Police Department." "What?" Colonel Willmeth
said, distracted from his contemplation of Roberta's shiny nails.
"Civilians?" "According to Regs this last
year, passed by Congress. They've got a military liaison with a
security clearance. Detective Eileen Reed. Her captain, that's
Harben. I've got all their phone numbers." Roberta wrote briefly, tore
the page from her notebook, and laid it carefully on Colonel
Willmeth's desk. "Amazing," the Colonel said
wearily. "Thank you, Roberta. I don't know what I'd do without
you." Roberta smiled her little
Mona Lisa smile, the one that made Colonel Willmeth feel like
grinding his teeth. "No problem, Jake," she
said. "If you need anything else, let me know." She left the
room. Colonel Willmeth swallowed
hard and punched the light on the phone, opening the connection
to Major Blaine. Colorado Springs
Investigations Bureau "Hey, Rosen," Eileen said.
She'd typed in the access code to the Pendleton file, and had
already read the brief summary. It was time to go out to Peterson
and take a look. Rosen had finished editing
and was looking over a printout of his file. He'd propped a foot
up on a nearby chair and was sipping from a bottle of purified
water. Rosen was a health nut. He never drank coffee or soda,
which was a mystery to Eileen. How did he get going in the
morning? "Yes?" "You want to go look at this
Pendleton guy? He's a month dead, been lying in the
bushes." "Oh boy," Rosen said. "Is
this another one of those so-you-wanna-be-a-detective tests you
guys keep coming up with?" "No, I just want to see if
you'll puke," Eileen said innocently. Peter O'Brien, hanging up
his coat on a hook, snorted with laughter. There were damp rings
under his armpits and the back of his neck was beaded with
sweat. "Grow up," Rosen said. He
didn't smile, but his black eyes glittered. That was his version
of a laugh. "You should go," O'Brien
said. "Who knows? Maybe Eileen will puke." Eileen was opening her mouth
for a sizzling reply when Harben yelled her name. "I don't puke," she said
loftily to O'Brien. "And if I do, I'll make sure to puke on
you." "You puke on kiddie rides at
the carnival," O'Brien returned automatically. He was already
typing his own access code and pulling crumpled notes out of his
pockets. O'Brien never managed to remember his notebook, so he
ended up writing notes on any piece of paper he could scrounge.
This eccentricity was a great source of amusement to Eileen and
exasperation to Harben, but O'Brien managed to do a good job with
his ATM slips and his grocery receipts. Harben, on the phone again,
was holding the receiver away from his ear. "I'll have a detective out
immediately," he said. Eileen could hear the tiny frantic buzzing
from the receiver, the excited tones of the speaker. "That's fine, she'll sign
whatever she needs to, she has a security clearance. Yes, she's
our Military Liaison. Yes, she has a lot of experience with these
cases." Harben looked soberly at Eileen, who started grinning.
"I'll get her out there. Don't disturb the scene, understand?
Don't clean up anything, don't touch a thing." Harben hung up the phone
gently and the tiny voice, still squawking, stopped. "Security clearance,
sir?" "There's been a murder at
Schriever Air Force Base," Harben said. "Schriever?" Eileen asked in
surprise. There was never trouble at Schriever. Peterson Air
Force Base, sometimes, Fort Carson, all the time, but Schriever,
never. It was too small and too distant from everywhere else to
be much trouble. Eileen, in fact, had never seen Schriever. It
was out on the eastern prairie somewhere. "Schriever. Some civilian
Defense Department woman got herself murdered and that calm,
collected voice you just heard was Major Jeff Blaine, Chief of
Security." Eileen grinned again. Harben's expression didn't
change. Eileen had learned in her first year under Harben that
Harben never laughed at his own jokes, or even smiled at them.
But he didn't mind if you did. "She's in some top-secret
area with classified information just oozing out of the walls, if
the good Major can be believed. He'll be briefing you on the
information, you'll have to promise never to tell, et
cetera." "Okay. I guess this takes
priority over the Pendleton case?" "Yes, it does. In fact, the
Major tells me the Air Force Office of Special Investigations
will not be able to get out there for at least today, so you are
on your own. Their Major Still-well is at some conference in
Alabama and they're only one person deep in the OSI at
Peterson." "So he'll show up in a day
or so and take this off my hands?" "Correct, Eileen. But you'll
have to write all the new standard Military Liaison reports on
the investigation and file them." "Great, boss," Eileen said,
and sighed. "Get on the road, ma'am,"
Harben said, and flapped a bony hand. "I hear it's a long drive
to Schriever. Oh, and one other thing," he added as Eileen turned
for the door. "Sir?" Eileen asked
politely. "Get their shoes all muddy,
Eileen. That's what you're there for." Space Command, Schriever Air
Force Base "Jake, hello," Colonel Olsen
said in tones of relief. He held out a hand, and they shook
firmly. They were both the same rank, so military protocol
allowed them to call each other by their first names. They knew
each other from Germany as well. Their daughters became fast
friends in grammar school and were now attending the same high
school in the Springs. Willmeth took a look around the Gaming
Center. Blaine had them all in their seats. The Civilian Gamers
were all sitting at the back of the room. No one looked well. No
one was speaking. One was openly sobbing. The room was noisy with
the hum of the air-conditioning fans, but that was all. The huge
screen still showed the Earth. Willmeth spotted the one closed
door. Olsen noticed his glance and nodded slightly. "Major Blaine is collecting
the police detective at the gate," Willmeth said in a low voice.
"He'll be here soon, and we can get everyone out of this
room." "We stopped the simulation
and shut down the systems outside the base," Olsen spoke quietly
in return. "But this is going to fuck us up in Washington,
Jake." "I know, Brad," Willmeth
said. "As soon as the police release you from the scene, I've got
a secure phone set up. We'll get on the horn and do some damage
assessment." "Good," Olsen said in
satisfaction. "Thank you." There was nothing more to be
said. There would be action, later on, and reports to be written
and meetings to attend, but for now there was nothing more. The
two colonels stood and watched the Earth and the drifting pattern
of simulated nuclear fallout. Manitou Springs,
Colorado George Tabor was taking a
walk. With him trotted Fancy, his English spaniel. The spaniel
loved her Thursday-morning walks. Meandering up and down the
hilly streets of Manitou Springs, they brushed by overgrown lilac
bushes and stepped over an occasional cracked piece of
pavement. Tuesdays they walked
downtown, which was interesting but not nearly as pleasant to the
young dog. The smells weren't as good. George sat down for a moment
or two at his regular stopping point, a low rock wall near
Manitou Springs Avenue. It was a pleasant place to sit. The wall
was shaded in the summer, sunny in the winter, and had a pretty
view of the downtown area. Additionally, there was a crack in the
stonework that occasionally contained a small beige cloth bag.
George scratched his knee and leaned back and scooped the bag out
of the crack and into his pocket. He didn't always search the
stone. If there were no bike chained to a light post downtown, or
if it had a flat rear tire, he wouldn't have stopped by the stone
at all. But the bike was there, sitting on fat knobby tires,
looking cheerful. George felt cheerful, looking at it. Something
good, he thought, and absently rubbed his spaniel's ears. Perhaps
something very good. The bag retrieved, he
finished his walk briskly, as he always did. The spaniel leaped
happily into the backseat of his car and George drove home
through the mild summer morning, humming softly along with the
radio. As a child, he'd thought he
wanted to be an American. He was a capitalist by birth, it
seemed. He'd made pocket change holding places in food lines
before he could read a book. He had a thousand ideas about making
money. Life would be so easy if he lived in America, he thought.
Then in George's adolescence he revised his opinion on America.
He could see, even with his limited vision, that the Soviet Union
wouldn't hold together much longer. He might be able to live out
the uncomfortable years of a Soviet breakup in some nice place
like Great Britain or America, working as a spy for his country.
Eventually he could come home to a freshly liberated Russia. A
man who knew the workings of capitalism might do very
well. George never wavered once he
decided what he wanted to do. At twenty-five, to all appearances
a dedicated GRU officer, he made the ridiculously easy entry
through Canada with papers declaring him to be the American
George Tabor. He never looked back. By the time he had focused
on stealing secrets from the Missile Defense program time, his
theory about the dissolution of the Soviet Union was proving to
be correct. George's contacts started to change. An East German
spy took him to a lavish dinner at the Broadmoor. After the first
former Soviet satellite started to pay for information, George
started probing for more. The new Russian Republic became a
customer instead of a master. He expanded, like a good
capitalist, to include the new countries that were once
satellites of the former Soviet Union. A contact in Japan made a
very polite request and delivered a staggering amount of money.
George was very good at his job. In the post-Cold War world of
espionage, he was in his element. And absolutely everybody
wanted to steal missile-defense information from the
Americans. Posing as a headhunter for a
defense contractor, George had obtained a phone directory from a
janitor at the Ballistic Missile Defense Center. The phone
listing he received wasn't classified, but it was still a hit. It
contained names, phone numbers, and supervisors' names.
Eventually, after hours tracing supervisor to supervisor, George
figured out each employee's field: operations, administration,
engineering, security. George made discreet phone
calls. He interviewed several applicants in his modestly plush
office near Garden of the Gods park. He was searching for a
person with a grudge. Or a person who needed money. Or even a
person who knew someone who needed money. Six months after the handy
little pink directory fell into his hands, he had his contact.
George worked on the contact like a fine fly
fisherman—a sport he'd recently taken up and
found very pleasant. Hooking a trout was like landing a contact
into a top-secret installation. He got the same kind of thrill.
The contact he found had an immense ego. The contact hadn't been
given a promotion in a long time. The contact needed money.
George commiserated. George soothed. George asked for some
sensitive information—just as a way to get a better idea
of the program, so he could steal away good people and put them
into better jobs. The contact delivered. The hook was
set. When he asked for classified
information, the contact knew who he was. And didn't care. The
packet was delivered. It was very good. The contact was in the
bag. George and Fancy entered
George's apartment. His spaniel shook free of the leash and raced
toward her water bowl as though afraid someone would snatch it
away if she didn't get there in moments. Silly dog, George
thought fondly. He shut his front door and locked it. He didn't
have to draw the shades. He drew them every morning before his
walk as a matter of routine. Finally, at last, he drew the savory
little bag from his pocket. The smile, like the Cheshire
cat's, was the last to leave. His eyes widened and his face
muscles sagged in disbelief. Finally the smile winked out. He
crumpled the piece of paper so tightly, he would have a bruised
palm later. He said a very American word, with a very American
inflection. He said it again. Then he picked up the phone and,
after a moment, dialed a number from memory. "Yes?" a voice said
briskly. "Is this
387-7754?" There was a
pause. "No," the voice said
heavily. "Sorry." George cradled the phone
gently and began to pack.
4 The Pentagon "There's been a what?" The
Admiral's voice, unbelieving, was nearly shrill. "A murder, sir. At the War
Game Center. That's what stopped the Game." There was a long pause. The
Admiral turned to look out the windows. He had an office at the E
level, which gave him one of the prettier views of Washington,
D.C. His face was thin and wrinkled. His sharply creased uniform
was immaculate. "Have the ships been
notified of the stand-down?" "Yes, sir, I gave the abort
code and we've verified that all the components have received the
code. The ships are standing by. We had an All Deploy sent to the
Brilliant Pebbles—" "All Deploy? All of them?"
The Admiral's voice climbed toward shrill again. "Yes, sir. Listen, sir. We
knew mistakes like that could happen during the progress of a
Game. All Deploy was considered one of the mistakes that could
happen. We've sent the stand-down command to the Pebbles, and
they're functioning. That's actually quite encouraging, and gives
us a lot of data." "Well, that's something, at
least." The Admiral held the phone against his ear and patted his
stomach with his free hand. He was rubbing against a network of
burn scars, a souvenir of an Iraqi shell that was more accurate
than most. The scars no longer hurt, but it was a nervous habit
to touch and rub at them. The rubbing soothed him. "We've had word out to the
DIA to find out if they've gotten feedback on this." "Was this—this was a death? Or was this a
murder?" "A murder, sir. One of the
civilian Gamers was stabbed to death, or at least that's what it
looked like to me." Olsen didn't like admitting his vision
problems. "All right, then. You
aborted the duds in flight. We know the Germans think we were
testing our early radar warning against rogue submarines. No one
has to know we lost the Game. Everything but the ground
interceptors worked perfectly." "Perfectly, sir," Colonel
Olsen said. "All right. Make sure your
OSI team is a bright one. Make sure they know what they're
looking for. Who's on the case right now?" "Civilian police, sir. The
Police Liaison." "Civilian?" "The Schriever police don't
have the resources to investigate a murder. The Peterson
investigations officer is in Alabama on a case and couldn't fly
into Colorado in less than six hours. Federal law requires we get
assistance from the Police Liaison in homicides. There's only one
person, and she's ex-military. Air Force pilot." "Ahh," the Admiral grunted.
"Better. I guess it'll have to do. What's this detective's
name?" "Reed, sir. Eileen
Reed." "Check her out." "Yes, sir. I've already sent
the request." "Thanks, Brad. We'll see you
tomorrow here at the Pentagon. We'll have to set up for another
Game." "Yes, sir." The Admiral pushed the
intercom button that connected him to his secretary. "Get me Mills at the CIA,
Delores," he said, and hung up the phone. He turned to
contemplate the pretty view, his hand absently patting his
stomach. In less than a minute, the phone rang. "Mills," Kane said into the
phone. "There's been another murder." Schriever Air Force
Base It was a long drive. Eileen
fought noon traffic south on Academy Boulevard and turned east on
Platte Avenue. The city soon gave way to long stretches of hot,
dry open land. She turned off Platte and aimed her Jeep down
Highway 94. The open stretches of land became a ranch. Cattle
dotted rolling hills, grazing on long brown prairie grass. She
thought about Captain Bernie Ames. They'd met when they'd been
forced to bunk together in the overcrowded bachelor quarters in
Minot, North Dakota. Bernie loved to talk. Eileen loved to
listen. They were fantastically different. Bernie grew up in
inner-city Chicago; Eileen was raised on a Wyoming ranch. Bernie,
short and round, busty and loud, confessed that she always wanted
to look just like Eileen. Eileen, tall and gawky, frozen into
silence by any crowd greater than two people, confessed that she
always wanted to be just like Bernie. Bernie would no more have
flown her plane into a mountain than she would have put her
clothes on backward. Bernie was a fighter. She was not the
suicidal type. She loved to fly, she loved to crack jokes, she
loved food and men and movies and every delicious part of her
life. There had to be a reason she flew her plane into a
mountain. Eileen did everything she
could to find out what happened on Bernie's last flight. She went
up her chain of command. She found out, astonishingly, that this
was the third time a pilot broke away from a formation and
disappeared. When her review board came up that year she was
passed over for her promotion. The message was clear. Eileen
handed in her resignation, and the greatest surprise was the
intensity of her relief. She loved to fly, though it
was not a consuming passion. Eileen was a competent pilot without
dash, and she knew before she graduated from pilot training that
she would never be a great pilot. But she lived while four of her
classmates died, so perhaps a lack of dash wasn't so bad. Eileen
liked being part of a squadron. She thought it would hurt more to
give it all up. It was only later, as she
was waiting for acceptance into the police academy, that she
realized how much she'd disliked military life. She'd joined to
see more of the world than Wyoming, and because she wanted to be
around people. When she was growing up she didn't have many
friends. She didn't have any brothers or sisters, and her nearest
neighbors were twenty-four miles away over dirt roads. Eileen found there were
pilots from the more thickly settled east who couldn't comprehend
that she lived twenty-four miles away from another living being,
that there were ranchers who were even more isolated than the
Reeds, that a trip to the grocery store was a large and
well-planned monthly event. One pilot from New Jersey could not
believe there existed a place in the United States where pizza
could not be delivered. Eileen laughed for a long time at that.
She told him that when she and her high-school friends got a
hankering for McDonald's, they would drive three hours into Rapid
City, South Dakota. Six hours round-trip for a fast-food
hamburger. Being in a squadron was
crowded and never lonely. Delivery pizza was almost always
available. Eileen found a real friend in Bernie. Military life
should have been exactly what she was looking for. But something about the Air
Force just wasn't right for Eileen, and she knew it long before
Bernie flew into a mountain. Being in the Air Force was like
eating a meal made of plastic. The food looked delicious, but it
didn't taste good at all. The family of the squadron, so enticing
when Eileen considered it, turned out to be an insider's circle
where the condescension toward nonpilots was childish and cruel.
And Eileen always felt like a second-class citizen, no matter how
well she flew. She was a girl, a woman, a female. An
outsider. At some point while she was
still trying to get Bernie's files reopened, Eileen decided she
wanted to try her hand at police work. She wasn't even sure what
made her decide that being a cop might be satisfying. Eileen
found she loved it. And she was surprisingly good at it. The new
Liaison job was going to be difficult, but she was Detective Reed
now, not Air Force Captain Reed. Things would be different. She
would make sure of it. Eileen smiled at the cattle.
It was a long drive, but a pretty one. Time enough to get her
thoughts in order and her temper firmly locked away. Eileen's
mother was a true redhead, tall and fiery and very intelligent,
with ice-cream skin and lots of freckles. Eileen's hair was
darker and she had no adorable freckles, but she had her mother's
height and her temper. To her regret, sometimes. "Step on shoes," she
murmured to herself. "But softly, softly now. And don't forget
you're not in the military anymore. You don't have to call anyone
'sir.' " Eileen found herself missing
Jim Erickson fiercely. Jim was her partner, the senior member of
their team. He'd moved to Denver six months before. Eileen was
glad for the opportunity to move up into a senior position, but
she missed Jim's steady and unblinking presence on a case. He
made her laugh. And she'd never handled a really big homicide all
on her own before. "So what?" she said to
herself. "I can handle it." Up ahead, she saw a small sign
modestly announcing Schriever Air Force Base and an arrow
pointing to the right. She made the long curving
turn off the highway at a safe and sane cop speed, about sixty
miles an hour, and as she headed down a side road she could see a
group of buildings on the horizon. A cluster of big white
golf-ball shapes, radar dishes, sat beside the buildings. As
Eileen approached the base, she became aware of the enormous size
of the dishes. They were huge, five or six stories tall, looking
like puffball mushrooms from an old horror movie. "This place is bigger than I
thought," Eileen murmured as she took the final turn onto the
base. There was a security patrol Blazer waiting to meet her,
lights flashing. The Blazer was parked in a poor position for
Eileen to speak to the driver. She pulled up to the passenger
side, rolled down her window, and waited as the occupant reached
over and cranked down the passenger-side window. "Major Blaine?" "Yes, and you
are?" "Detective Eileen Reed."
Eileen flipped open her badge and held it up. "Follow me," Major Blaine
said shortly. He was a trim man with a mustache and a deep
widow's peak. His face was pale. Eileen looked at the sleepy
peaceful base and saw a couple of early lunchtime joggers heading
off along broad dirt paths. She followed the Blazer down
a long curving road, lined on each side by wide green strips of
lawn. Sprinklers fought gamely under the hot prairie sun. Eileen
could see brown spots dotting the green. The sprinklers were
losing the battle. The Blazer parked by a long, low building and
Eileen followed. The base really started here; she could see two
sets of sturdy fences with an asphalt strip of no-man's-land
between them. At intervals along the fence line she saw posts
with cameras mounted at the top. Very serious security. The air
was hot and dry and smelled of baking asphalt and prairie sage.
Very faintly, Eileen could smell cattle. "Can I see your badge again,
please?" Blaine asked after they both got out of their cars.
Eileen gave it to him, and watched as Blaine compared her picture
with one in a file he produced from his briefcase. "I guess you're Eileen Reed,
and you have the clearances we require. This is your badge,"
Blaine said, and sighed heavily. He handed Eileen a square of
plastic about as large as the palm of her hand. Where her picture
was supposed to be was blank. Blaine held the door open for her,
and they entered the building. Filling the interior was
what Eileen took for a moment to be phone booths. She saw a woman
standing inside a booth. The woman was facing them and her mouth
was set with impatience. There was a loud click and the woman
opened the door on the booth. She passed them without a glance,
wrapping a neck chain around her badge and stuffing it in a gym
bag she carried slung over her shoulder. "This is the ECF, the Entry
Control Facility." Blaine held out his own badge to Eileen.
"Those booths are retinal scanners. You enter the portal and it
locks behind you. Run your badge through like this"—he demonstrated with a sliding
movement of his hand—"and type in your number... oh,
damn." Blaine dug in his pockets for a moment and came up with a
slip of paper. He squinted at it. "Your number is 7893; memorize
it. You put your eye to the retinal scanner. This is your first
time through, so you'll have to scan twice, once to put your
pattern into the system, and once again to establish your
entry." "What is this place, anyway?
Why do you have such a fancy setup just to get in this place?"
Beyond the other side of the clear glass phone booths and beyond
the fencing Eileen could see more green grass, more dun-colored
buildings. The whole scene looked ordinary to her. "I can't answer that yet,"
Blaine said. Eileen nodded, wondering if her face showed the
distaste she felt. The military and its secrets. She hated
secrets. She watched Blaine as the
Major went through one of the portals. Eileen felt a brief burst
of panic when she entered the booth and the door clicked shut
behind her, locking her into a coffin-size glass room. The
retinal scanner looked ominous. The booth smelled stale. The
eyebrow pad on the one glass eyehole reminded Eileen of surgeon's
equipment. She felt distinctly afraid of putting her eye to the
small round circle. She took a deep breath, bent down, and
pressed the button on the machine. A clear green beam briefly
flashed into her eye. She expected pain but there was none, not
even the wincing reflex that a bright light causes. She pressed
the button a second time, remembering that she had to set her
pattern into the system. There was a sudden honking
sound somewhere in the building. Her booth suddenly lit up with
red lights. Eileen stood up from the scanner and looked around.
She couldn't hear Blaine, but she could see him talking to her.
She tried to open the door. It was locked. She tried to open the
door she'd entered from. It, too, was locked. Eileen felt a burst
of panic and took a deep breath. "Let me out of here,
please," she said through the glass to Blaine. "Uh, ma'am?" A voice came
out of the speaker next to the retinal scanner. "Let me out of here,
please," Eileen repeated through clenched teeth, trying to keep
calm. She did not like enclosed places. The booth was getting
smaller by the second. "I'm sorry, ma'am, but you
set off our metal detectors," the voice said, sounding
bewildered. "I imagine I did," Eileen
said dryly. "I'm carrying a .357 in a shoulder holster." As well
as a concealed .38 Ladysmith in an ankle sheath, she did not add.
There were some secrets that Eileen didn't mind keeping to
herself. "You're not allowed to carry
weapons on base," the voice said, sounding shocked. "I'm allowed," Eileen said.
She glared out at Blaine. "You better talk to your Major Blaine,
out there." Major Blaine walked quickly
to an office area at the end of the row of booths. Eileen could
see him speaking rapidly to a soldier dressed in
camouflage. "I'm with the Colorado
Springs police," Eileen said, hoping her voice sounded patient
and wise instead of squeaky and shrill. She felt unsure and out
of control. It was a hateful feeling and she felt her temper
begin a slow climb to compensate. Major Blaine waved his arms
around. The soldier looked confused. "Used to be, civilian police
held no jurisdiction on federal property, but that's not true
anymore," Eileen said conversationally. She was pleased at her
calm voice, when what she felt like doing was pulling her gun and
shooting the glass. She wondered if she
could shoot out the glass in the booth. Eileen felt a
quick drop of sweat run down from her armpit and soak into the
cotton of her bra. If she didn't get out of this coffin very
quickly, Major Blaine was going to spend some time in the
smallest jail cell she could find. More sweat ran down her
armpits. She felt fury and claustrophobia in a nauseating
mix. The door of the booth
suddenly clicked open. Eileen leaned against it and stepped out.
The air smelled divinely cool and sweet. She took a deep breath
and mentally gripped the reins on her temper. "That was unpleasant," she
said to Major Blaine. He was hurrying back toward her, his
forehead wrinkled in anxiety. "I forgot you'd be carrying
a gun," he said, holding his hands out apologetically. "I will always be carrying a
gun," Eileen said calmly. "Is this going to happen again, Major
Blaine?" "No, don't worry," he said.
"I had the guard set your pattern into the system. You have a
bypass to the metal detector." "Thank you," Eileen said.
She was amazed at her voice. It sounded very steady, when what
she really wanted to do was commit all sorts of police atrocities
on Major Blaine. "Why don't you show me to the victim
now?" "This way," Major Blaine
said, and headed toward the exit. He held the door for her and
Eileen accidentally stepped heavily on his shoe as she walked
through. "Sorry," she said
sweetly. Central Intelligence Agency,
Langley, Virginia Lucy Giometti was not having
a good day. She'd gotten past the first bout of morning sickness,
but the second was coming earlier than she'd hoped. She had a lot
of work to do and she couldn't afford to spend her time in the
halls at Langley going back and forth from the bathroom. She also
had a lot of trouble with her weight. The only way to stop from
throwing up was to eat, and she was already well past the weight
gain her doctor had set for this month. She sighed, and opened her
desk drawer. It was full of food. She was an attractive woman
who'd been absolutely breathtaking in college. Her body had been
one flowing curve of female muscle and fitness, and the lines
still showed through the soft new padding of fat. Lucy picked up
a package of fat-free crackers and opened the twist tie. She eyed
the package of fruit pies underneath the crackers, then firmly
shut the drawer. When the phone rang she was
immersed in her primary case, a Chinese firm that might or might
not be trying to spy on the latest computer-disk technology. Her
job was to collect and analyze data for the Central Intelligence
Agency. She had a powerful Sun workstation on her desk. Lucy was
hooked directly into the TRW credit-check services, as well as
some of the other less-well-known credit systems. She had access
through her Government Internet channels to all university
records, police dispatch files, and medical charts that existed
on networked computers. Her snooping was relentless and expert,
although she felt she never had enough time to spend on her
detective work. Lucy loved the Internet. Lucy picked up the ringing
phone and tucked it on her shoulder, her fingers barely pausing
in their rapid typing on the computer keyboard. She was using a
"gopher," a computer program that connected to different computer
servers across the country, seeking information on her suspected
spy, John Chan. What a name. It had to be false. "Giometti here," she
said. "We have a potential
addition to our Missile Defense homicide case, Giometti. This is
Mills." Lucy sat up straight in her
chair, her eyes leaving the screen and focusing on the wall
behind her desk. Mills was her boss. She couldn't divide her
attention between Mills and her computer screen, as she did with
most of her callers. "I have Admiral Kane from
the Pentagon on the line. He's the BMD C in C." "Yes, sir," Lucy said, and
resisted saying "I know." Of course, she knew the Missile Defense
commander in chief. Who did Mills think she was? She pressed her
lips together and drummed her fingers silently against her
leg. "They've had a murder during
the War Game they had in progress today. The murder was in
Colorado Springs, Schriever Air Force Base. Do you have your
file?" "Yes, sir," Lucy said. Her
fingers, resting a half-inch above the keyboard, stabbed toward a
key that dumped her two hours' worth of data to disk. She typed
rapidly for a moment, and her screen filled with new data. "I
have it right here." "I'll put him
through." Admiral Kane was brisk and
to the point. "We might have a problem out at Schriever," he
said. "You're the new analyst? What happened to Bob?" "He retired, sir," Lucy
said. "I have the file now. Mr. Mills told me you'd had a
murder?" "Yes. Civilian woman,
stabbed. They've got the OSI called in, but he won't be there for
three days. They have a civilian Police Liaison man—er, woman—on the job." Lucy typed quickly, taking
notes on one of the windows on her computer screen. As she typed,
her eyes were scanning one of the other windows that contained
the latest data on the file. "Civilian detective,
sir?" "Yes, and I don't like it.
We don't want any fuss out there. We can't have the press knowing
what Schriever really does." "Of course, sir," Lucy said.
Her eyes flickered across the screen. "I know the policy is
nonintervention in this particular file. Any investigations that
attempt to tie the deaths together are discouraged. We're still
investigating at the CIA level, but we're not allowing it
anywhere else." "Good," Admiral Kane said
approvingly. Lucy frowned, her forehead wrinkling. My God, had
the file been open for that many years? How many deaths had there
been with the Missile Defense project? Her mouth dropped open in
surprise as she scanned some of the totals in the
list. "I see we've had three
incidents at Schriever on this case, none filed as Homicide," she
said neutrally. She'd read the file quickly when it had landed on
her desk but hadn't given it much thought until now. "All were
automobile related." "We won't be so lucky with
this one," Kane said grimly. "Olsen tells me she was
stabbed." "May I have Colonel Olsen's
number?" "I have it here, but you
won't be able to reach him until later today. They haven't
released the witnesses yet." Witnesses? Lucy thought
blankly. Her hand stole to the desk drawer and pulled out a fruit
pie. Kane gave her the number, and she wrote it down. "I'll get right on it, sir,"
she said. "I appreciate it." There was
a click, and the buzz of a blank line. Lucy sat with the phone
still cradled against her ear, her eyes scanning the data. She
bit off a hunk of fruit pie and chewed it thoughtfully. She
finally put the phone down and started to work. After ten minutes
she opened her desk drawer and pushed aside the fat-free
crackers. She pulled out a package of cookies and opened them
with her teeth as she typed on her console. This case was going
to call for serious snacking.
5 Schriever Air Force
Base As they walked into the base
Eileen figured out what was bothering her about this strange Air
Force base. "Where do the personnel
live?" she asked. "I don't see any barracks." There were only
about a dozen buildings on the base, and none of them looked like
living quarters. "The housing is at Peterson
Air Force Base, about half an hour from here," Blaine said. "This
base has no resident barracks, no commissary, no place to buy
anything." Blaine pointed at the
farthest building. All the buildings were windowless, with broad
lines. "The Command Center?" Eileen
asked. Blaine nodded, and took a deep breath. "The Ballistic Missile
Command Center," he said. "That is the first of many classified
facts you are going to find out today." "Missile defense? But I
thought it was—" "Canceled? It was canceled
to the public. It has not been canceled. If this fact gets to the
media, we will know whom it came from, Detective." "I get the picture," Eileen
said, sighing. "I have a security clearance, Major." Blaine bit
his lip. Blaine was a lip biter, Eileen was
discovering. "Good." He continued to walk
briskly toward the building. After ten minutes, Eileen
realized what was fooling her. The lack of windows made the
buildings appear smaller than they were. Every building on base
was huge, huge like the towering golf-ball radar dishes that were
now behind them. It took them ten minutes to walk the length of a
building that Eileen thought was an ordinary structure. She felt
like an ant next to this bland monolith. "That's the See-Sock,"
Blaine said, following Eileen's gaze. "Consolidated Space
Operations Center, CSOC. Not quite as large a building as the
Missile Defense Command Center." They reached the building,
and Eileen breathed a sigh of relief as they entered the cool
interior. The sun had been hot. "Next badge," Blaine said,
handing Eileen one and clipping his own to his shirt. They were
standing in an anteroom, alone and indoors. Blaine looked around
furtively. It appeared that he was going to give her some more
information, she thought in amusement. Major Blaine was acting as
paranoid as any military officer she'd ever seen. "I've already keyed you into
the system. This one is simpler, and all you have to have is the
badge and the number." Eileen looked at this badge
curiously. It was a pale green and had her name printed neatly on
the front below a fancy logo. The plastic was still warm to the
touch. "Enough with the badges,"
she said with a smile she hoped was charming. "What about the
incident?" "The murder took place today
somewhere between eight and ten a.m.," Blaine said reluctantly.
"There is—there was— a War Game going on out here
today. A full-up, worldwide War Game with what we call
hardware-in-the-loop." "What's that?" "That means there were ships
in the ocean with sailors at battle stations. There were
satellite surveillance systems on a state of full alert. It is
enormously expensive to put on a full-up War Game." "Someone just wasted a lot
of money by getting murdered, you mean?" Blaine's face flushed a
little. "I didn't mean that.
I—Well, the woman who was murdered
was a Civilian War Game member, who was supposed to operate her
computer a certain way at a certain time. She is still in the
room in the War Game Center where she was killed." "And you're not happy about
taking me in there?" "No, I'm not," Blaine said
shortly. "I left the Air Force as a
Captain, Major Blaine. Air Force Captain Eileen Reed. I flew
A-10s." "Oh? A-10s? I didn't know.
A—
That's great!" Blaine
offered his hand again and Eileen shook it, though she knew what
he'd bitten back. A woman, that's right, she thought.
One of those women fighter pilots. "You'll be fine, then,"
Blaine said. "Being ex-military, I mean." "I will be just fine,"
Eileen said firmly. "Shall we go, then?" "This way," Blaine said. His
shoulders rose and he gave a curt little wave at her. His
attitude had changed, Eileen realized with a sinking sensation.
Before, she was an unknown, a cop, a detective cop. Now he had
safely stuffed her into an Air Force captain's box, and that
meant she was a subordinate to him. She'd just made her first
mistake on the case. They passed a guard desk
after the anteroom. Two men and a woman sat behind a desk,
looking bored. The setup was comforting and familiar. Most large
office buildings had a similar guard staff, whose primary
function was to make sure that only the right people got inside
the building. Eileen wondered blankly how many of the wrong
people could even get as far as the guard desk. She followed
Blaine past the desk and into the building. Here the atmosphere was very
different. The base as a whole did not know about the murder, but
in the building worried knots of people gathered here and there,
and a sudden hush fell over them as they walked by. Eileen
followed Major Blaine to an elevator, which took them slowly to
the third floor. "This is the Gaming floor,"
Blaine said to Eileen as they walked down another anonymous
hallway. Because there were no windows Eileen had no sensation of
being on the third floor of a building. It felt more like a
basement. She wondered uneasily if she
was going to be out of her depth on this case, and suppressed
another longing for Jim Erickson that felt like homesickness. If
Jim were here she would be invisible, just the colorless junior
partner. She'd solved a lot of homicides that way, but she'd been
wanting for several years to be out in the front and on her own.
This had the looks of a big case. Blaine stopped at another metal
door. "Last door, you can tailgate
on me this time, but watch me. If you go through by yourself you
have to know what to do." Again, his voice was curt.
Eileen mentally cursed her big mouth. Blaine swiped the card
through yet another odd-looking machine, typed in his number, and
pulled on a big steel door as the locking mechanism clicked
open. "My," Eileen said. "Another
door?" "Yes," Blaine said, and
stepped up to a huge metal door with a submarine-style wheel on
it. As he reached out to touch it, it spun from the other
side. "Someone coming out," Blaine
said, and stepped back. The huge door swung toward them
noiselessly, and a tiny young woman of Japanese descent stepped
briskly through. Her perfume floated along with her, a cloud of
Eternity that nearly made Eileen sneeze. "Oh, good," the woman said.
"You'll close it for me?" Blaine nodded, and they
stepped across a doorway lined with flat brass plates. "What is this for?" Eileen
asked, gesturing at the door and the plates. "If this place
springs a leak and sinks?" Blaine didn't smile. "This
protects this area from electronic surveillance," he said. "No
electronic emissions can escape this quadrant of the
building." A stray thought crossed
Eileen's mind and caused her a brief, tense shudder. "Something wrong?" Blaine
asked. "I just realized that our
murderer is probably in this building with us," Eileen said with
a mirthless smile. "Be kind of hard to get in and out of here
unless you worked here." Blaine paled at that, and
bit his lips to a bloodless line. "This way," he said, and led
the way down the hall. "Another door." Eileen
sighed as they stopped next to a blank steel door. "The last one,
I dare not hope?" "The last one," Blaine said.
He put his fingers into a small metal box on the wall and lifted
his palm up awkwardly so Eileen could see what he was doing. The
box contained a series of buttons, each one numbered
sequentially. "The number is 8030," Blaine
said. "Memorize it?" Eileen
offered. Blaine pursed his lips at her disapprovingly and pressed
the buttons in the numbered series. The final door clicked
open. "The Gaming Center," Blaine
said, and ushered Eileen in. They walked up a narrow
hallway, barely wide enough for Eileen's shoulders, and slanted
like a handicapped ramp. There was another door at the end of
this oddly tilted hallway, but it was chocked open and through it
Eileen could see bright lights, colors, the movement and sound of
a crowd. There was a smell of coffee and donuts and the crowd
animal, perfume and aftershave and the rank scent of sweat.
People never smelled pretty after they discovered a dead
body. In the crowd, a murderer,
and somewhere at the end of the hallway, the murdered. Eileen
took a deep breath. However the strangeness of coming here, in
the end a murder was a murder. This was going to be her show, and
she was going to make it a good one. They walked through the
doorway and movement and noise dwindled and died away. Eileen
looked, seeing a blur of faces and trying to see if one stood out
with the pale vampire face of the murderer, pale and shiny with
guilt. None presented themselves. Eileen became aware that Blaine
was speaking. "Please take a seat and
wait. The Springs Police have arrived and we'll get you cleared
out of here as soon as possible." This last to a very
imposing-looking man with the eagles of a full colonel on his
shoulders. A large blond-haired man stood with him. His hair had
a fringe of thick bangs, making him look somewhat like a Roman
Caesar. He also wore a set of eagles. "I'm Colonel Willmeth, Miss
Reed," the man said, and held out his hand. "Detective Reed, sir. Just
call me Eileen." Eileen smiled and shook his hand, and realized
belatedly she'd just called someone "sir." "I'm the base commander.
Major Blaine called me in when he went to contact you. Is there
anything I can do to assist you?" "Has the Medical Examiner
arrived? I was told the OSI provides their own." Willmeth looked at
Blaine. "He's on his way from a case
at Fort Carson, he should be here within the hour." "All right, then. I need to
get these people out of here. Can you put them in a conference
room somewhere?" "I'll take care of it,"
Willmeth said. "Don't let anyone leave the
conference room unless they're escorted. That should be
fine." Eileen stood and watched the
crowd slowly work their way from the room, shepherded by Major
Blaine and Colonel Willmeth. A rule of investigation already
broken. These people had nearly an hour to discuss the murder
among themselves. She shrugged, and turned her attention to the
room. It was big, and beautifully
proportioned to show to advantage the large-screen displays. The
biggest screen showed a view of the East Coast. Eileen looked at
this for a moment, puzzled, and realized the swirl of cloud that
she had initially taken for some sort of strange hurricane was
the spreading mushroom cloud of atomic detonation over
Washington, D.C. "What you are seeing is
classified," Blaine said, returning to Eileen's side. He sounded
too much like he was giving an order to suit Eileen. "It's a
simulation." Eileen stopped looking at
the screen. It looked unbelievably real. The room had rows of
seats like an auditorium, with a set of consoles at the end where
Blaine and Eileen were standing. The consoles had headsets and
microphones, now abandoned. One headset lay dangling over a chair
arm, lazily revolving in the chilly breeze of the
air-conditioning. This room was different from
a typical auditorium. Along each wall there were doors that led
to small rooms. All except one of the doors were open, and
although Eileen immediately realized the significance of this,
she forced herself to look into the other rooms and note the
setup: one console, headsets, microphones, and a
comfortable-looking chair. Each of the rooms had a fire
extinguisher and a phone along with some other tool-like gadgets
that were apparently used on the big computers that nearly filled
each room. There were no windows or other exit. The little rooms
were barely bigger than phone booths. Eileen inclined her head
toward the closed door, and Blaine nodded. "I need a list of everyone
in this room, names, addresses, phone numbers. Do you have a
suspect or have you heard anyone mention a suspect?" "I thought you knew," Blaine
said. "Knew what?" Eileen asked
irritably. "Terry was murdered in that
room, but there's no way in or out of it. These
cameras"—and Blaine pointed up toward the
ceiling—"record everything. From the
moment she walked in there and shut the door, she was on tape.
The audience saw her go into the room, and they didn't see anyone
else go in. No one could have gotten in or out of that room
without the cameras or everyone here seeing them. No one but
Terry went in. And nobody came out."
6 Garden of the Gods, Colorado
Springs George Tabor couldn't do it.
No matter how intensive his training had been, he couldn't do it.
He looked into his little dog's trusting eyes and put away the
pill. They were in the Garden of
the Gods, a city park in Colorado Springs. The Garden was an area
with a geologic fault that caused huge rock spires to jut from
the ground. The spires reached fantastic heights and were laid
edge to edge like knives tumbled in a drawer. The Garden was
beautiful in the summertime, with the deep green of the scrub oak
setting off the dark red of the rocks. There were bike trails and
running trails and horse trails through the park, as well as a
few roads for cars. There were plenty of wild spaces in the
Garden as well. George had parked his car and walked just a few
minutes with Fancy at his side. He stopped in a small clearing
that was completely private and hidden. But he couldn't do it. The
sandy soil would be easy to dig to hide the little body of his
dog, and he would be free to catch the flight from Denver
International Airport he'd booked less than an hour before. The
flight left in two hours and it was nonstop to Paris. He couldn't
take a dog. What could he do with her? Then he knew. "Fancy, come on," he said,
and they started to walk back to his car. The dog bounded at his
side, panting happily, knocking into him so he staggered in the
soft soil. "Watch it," he said. He was in his travel
suit. He put her in the car and
shut the door. "You're going to the animal
shelter," he told her through the glass, and took a deep breath
of the summer air. He opened the door and got in, starting the
engine. The interior was still cool from the air-conditioning. "I
think someone will adopt you," he said. "At least it's a better
chance for you than this." Even though he knew the
risk, George Tabor was smiling as he pulled his car out of the
parking space and headed down the road. Gaming Center, Schriever Air
Force Base "Get me a tape of everything
the cameras recorded," Eileen said. "It's
classified." "I'll look at it
here." Eileen stood still and
thought for a moment. Should she view the tapes now, or interview
the Gamers now? She desperately wanted to see the videotapes of
the Game. She wanted to see how Terry Guzman could have walked
into a room and never come out. Someone must have entered that
room, and that someone had to be on the tape. But the Gamers were
real people, with memories that would fuzz and fade in just a few
hours. The murderer, too, if he were one of them, would have more
time to knit together a face of innocence. She didn't want to
risk that. The tapes would have to wait. Eileen stepped toward the
door. She examined it briefly and could see no signs of forced
entry. Eileen pulled open the door by tucking her pencil in the
slight crack, careful not to touch the knob. The stench that met her was
palpable, the unmistakable effluvium of death. The body was
slumped over the console. The console still showed the nuclear
cloud moving slowly out over the Atlantic. The woman—for woman it was, her body curved
and lush under what looked like a very expensive linen
suit—had one slender hand still
outstretched over the computer mouse. In her back, driven deep
and puckering the pale green material of her suit, was the bright
yellow handle of a screwdriver. There was a wet patch around the
puckered place, starting to dry and change colors at the edges.
Eileen could not see her face and was glad, not for the first
time. She didn't like to see their faces. Never had. She could easily reconstruct
the murder. The woman's headset was hanging from the chair arm,
but it was undoubtedly on when the murderer stepped into the room
behind her and drove the screwdriver into her back. Unfortunately, the theory
didn't fit. Anyone in the room behind her could see her right
now, and if the murderer came through that door every one of them
would have seen him. Or her. Eileen looked closely at the walls,
seeing only two air vents near the ceiling that were too small
for a human being. There was no other door, no window, no duct
opening that would allow someone to wiggle through. The only way
in or out of that room was through the doorway she was now
standing in. Eileen backed carefully out
of the room. The Crime Lab would be here soon, and the Medical
Examiner. She hoped the Air Force Crime Lab was competent. She
would want their notes. She let the door swing gently
closed. "I've started a list going
around the conference room," Blaine said. "Names, ranks,
numbers." "Tell me what went on here,"
Eileen said abruptly. She realized she'd been waiting for Jim
Erickson to ask the question. "We had a War Game here
today. There was an audience, and there were players. The players
were in the rooms. The audience members were in their seats. The
Commanders were here, behind the audience." Blaine pointed at the
dais and the row of consoles. "The audience and the Commanders
were all in view of the cameras before the Game started. I was
here, too. No one left the room from the time Terry entered that
room to the time Nelson opened the door." "Nelson?" "Nelson Atkins, the Game
Director." "I see." "So then there are the
Gamers, there are eight of them. I mean, seven of them now. They
were in the other rooms." "Is there any way into
Terry's room other than the door?" "Not that I know
of." "Thank you, Major," Eileen
said. "Okay. I'll view the tapes later. I think I'll release the
audience and your high-ranking commanders, once we have their
names. Do you have another conference room or somewhere private?
I need to interview these people—the Gamers, you said? I'd like to
do it one at a time." "We could use the little one
in here," Blaine gestured to an open door, "but the office one is
bigger and more private. It's across the hall." "Sounds good," Eileen said.
"Lead me to it. And fill me in on the people I'm going to talk
to. I'll let you tell the others they can go for now. I'll
contact them later." Fort Rucker Army Post,
Alabama Major Alan Stillwell did not
understand quite what was going on. His orders were to return to
Peterson immediately, even though his regular flight was
scheduled to depart in less than twenty-four hours. The message
had come through a strange channel, as well. His own base
commander had phoned him at the officers' quarters. This was odd
enough, considering that the Major had seen his own commander
perhaps three times in the past two years at Peterson. However, Major Stillwell was
an ambitious officer in a shrinking Defense world. He knew he
wasn't a particularly good-looking man. He was short and had a
tendency to grow a paunch, and his hair had been gone on top
since he was thirty. A drill sergeant told Stillwell in the
officers' training course that he'd never make flag rank because
of his looks. "It's a friggin' beauty
pageant," the sergeant told Stillwell, at a distance of about a
quarter inch. "And you're butt ugly." But behind Stillwell's
ordinary brown eyes was a handsome brain. Alan Stillwell
astounded his good-looking friends by capturing an array of
beautiful, bright girls during his college years. These girls saw
the interior man in the tubby little body and, to his friends'
amazement, adored him. Alan Stillwell was working
his way up through the ranks using the same dogged style that won
him female hearts wherever he went. So he packed his bags and
headed to the flight line. Waiting for a flight was
sometimes a long process, but the orders were clear. He was to
return to Peterson on the first available transport and report to
his base commander. Stillwell didn't much like to fly. He hadn't
minded once, back when he'd finished officer's basic training.
He'd even felt regret when he was passed over for flight school
because of his lack of perfect vision. Then came his assignment to
the OSI, and investigation. Investigation in the Air Force OSI
was primarily aircraft accidents, and they were never pretty.
Alan Stillwell threw up until he saw black dots in front of his
eyes the first time he assisted in an accident investigation of
an Air Force Huey helicopter. The helicopter lay in pieces in a
hangar, and young Lieutenant Stillwell was assisting Major
Johnston, a veteran OSI investigator. The pieces of the
helicopter had been collected carefully and laid out in place.
The pieces of the two pilots were mostly cleaned out. Not all.
Shreds and splashes of human tissue and blood rotted slowly in
the early-summer heat. Later, a major himself,
Stillwell was grimly amused when his own new lieutenant lost his
lunch at the last investigation. This one was also a helicopter
accident, a catastrophic failure of the rotor mechanism. The
reason for the rotor failure had to be determined, and the bodies
couldn't be moved until they'd filmed the scene and figured out a
potential cause. The bodies were frozen solid in the high
Colorado winter, and what sent his young assistant to his knees,
vomiting, were the frozen icicles around the mouth of the
copilot, a pretty young captain. Lieutenant Trask abruptly
broke into a run and almost made it to the trees before he lost
his Air Force cafeteria lunch. Stillwell and the Medical
Examiner, Dr. Rowland, nodded at each other sympathetically. You
had to be detached. Trask would either learn, or he would find
himself in a nice uneventful Military Police job, reading
magazines and watching camera shots of windowless
buildings. Now Major Stillwell sat in
the flight room at Fort Rucker, Alabama, waiting for a flight to
take him to Colorado. He was very detached when at a scene, but
he couldn't be quite so detached when he boarded a real plane. He
wondered how badly dying in a plane crash felt. Was it really
agonizing? Or did the shock make you feel dreamy and uncaring?
How long did you have before you realized the plane was crashing?
Minutes, seconds, even longer? "Well, I have one for you,
Major," the flight control airman said, setting a piece of paper
down on the high flight-line table. "It's not going to be pretty,
but it'll get you home. A Chinook, she's brand-new and Peterson
is where she's being delivered." Major Stillwell felt a
rictus of a smile spread across his face as he took the paper. He
hated helicopters. "I hope they've got a good
supply of barf bags," he said. The airman laughed. "You bet they will. There's
some good thunderstorms up near Oklahoma this time of year. Check
with Roseburg, he's got extra flight helmets. She takes off at
dawn, that's about six hours from now. Better try and get some
sleep." Gaming Center, Schriever Air
Force Base Eileen was catching up on a
month's worth of Dilbert cartoons pinned to a nearby cubicle wall
when Major Blaine came back. He'd left her at a conference room
across the hall and went to select a Gamer for her to talk to. A
tall, stooped man with thinning gray hair was with
him. "Nelson Atkins," Blaine
said. "Detective Eileen Reed,"
Eileen said to the man, and shook his hand. "Here's the list of names,"
Blaine said, and handed a clipboard to Eileen. She took the list
and looked at it briefly. There were three sets of names, one
marked "Observers," one marked "Commanders," and one marked
"Gamers." Nelson Atkins headed up the list. Next to his name was
written "Game Director." Eileen waved a hand to the
chairs in the conference room. Atkins went in and took a seat
immediately. "I need to talk to Colonel
Willmeth about the secure phone line," Blaine said apologetically
from the doorway. "You'll stay here until I return." "That's fine," Eileen said
with a glittering false smile, as though he'd asked her a
question instead of giving her an order. She closed the door
behind Blaine and took a seat. The chairs were comfortable,
almost plush, with a dull geometric pattern in heavy fabric. The
backs were very high and the arms were padded. The other chairs
stood in random positions around the table. After a moment,
Eileen realized the chairs were left in the positions they rolled
to when the last people to sit in them had gotten up. There was a
white board along one wall. It was written and rewritten on so
many times, the latest writings were hard to read over the poorly
erased ghosts of the old. Eileen studied the board for a moment.
She couldn't make heads or tails out of the hieroglyphics. There
were circles connected by lines and phrases connected by pluses
and brackets, as though someone had tried to do algebra with
words instead of X's and Y's. "Enable Command Authority
equals time plus check plus switch?" Atkins looked bewildered and
followed Eileen's gaze to the white board. He smiled faintly.
"Data Dictionary Entries," he said. "Excuse me?" "It's called structured
software design. It's a way of engineering software so you get
exactly what you want, every time," Atkins replied patiently.
Faint color washed across his forehead, and his shoulders rose a
little. "We use it in combination with Object Oriented Design. It
works well." "I see," Eileen said gently,
although she didn't. She really wanted to see Atkins get his feet
under him a little. This was her territory, the interviews. Jim
always had her do the inter-views. If he were here, he would be
rewinding the Game tapes and watching them, and they would
compare notes later. "Let's talk about what
happened. I know you're upset." "Of course, of course,"
Atkins said anxiously. "Anything I can do to help. This is
terrible, just terrible." He scrubbed at his face with a shaking
hand. "What happened, Mr.
Atkins?" "I don't know, Miss ...
Er?" "Reed. Call me
Eileen." "Miss Reed. She was fine
when she went into the Ground Weapons station. She closed her
door, and I went into my room and closed my door. Then I came out
when the ground interceptors didn't fire—" "The what?" "The ground interceptors.
She was supposed to release them to fire at the incoming RVs. Er,
reentry vehicles. Nuclear bombs." "Who opened the door to her
room?" "I did. I went to see why
she hadn't—hadn't..." Atkins
stopped. "Just take your time, Mr.
Atkins," Eileen said. "I'm okay," Atkins said, and
wiped at his upper lip. "I opened the door and saw
her." "What did you
see?" Atkins looked at her
blankly. "I saw she had something in her back, that she looked
like she was dead." "Did you touch
her?" "No, I didn't. I turned
away, I—I couldn't believe
it." "Was she moving when you
opened the door?" "No," Atkins said after a
moment. "No, she was still. She didn't look asleep, even. She
looked like a doll. Not alive." "Did anyone else touch the
door or enter the room?" "I don't think so. I closed
it before Major Blaine got there. He didn't open it." "Okay. Let me ask you some
questions about Terry. How long had she worked for
you?" "About a year and a half. I
can get her personnel file for you." Eileen nodded and made a
note. "Please do. Where did she
work before this?" "Digital Equipment
Corporation. She was laid off along with about two hundred other
people. It had nothing to do with her work
performance." "Why did you hire
her?" Atkins flushed and pressed
his lips together. "I think that's obvious." "Obvious?" Eileen was
puzzled. "Oh, I'm sorry, I thought
you knew. Lowell Guzman is our Assistant Game Director. Lowell
recommended her highly. We have regulations about hiring
relatives, but since she would be reporting to me and not to
Lowell, the regulations didn't apply." Eileen glanced down at his
list. "Lowell Guzman, Assistant Game Director." Sure
enough. "Lowell is her brother? Her
husband?" "Husband, I'm
sorry." "Her husband was here? Where
is he?" "He's in the conference
room. The base paramedic gave him a shot. He's pretty woozy right
now." "I'll talk to him when he
comes out of it a bit," Eileen said, making notes. "Were she and
Lowell getting along?" "Lowell loved her," Atkins
said angrily. "What are you trying to say?" "I'm trying to say she was
murdered," Eileen said calmly. "Now, did she and Lowell get
along?" "I think they did," Atkins
said, deflated. "They never fought, as far as I"
know." "Okay, then. Did she have
any enemies?" Atkins hesitated too long
before answering. "No, I don't think
so." "Really?" Eileen asked
gently. Atkins seemed to huddle back in his chair. The gray hair
seemed darker against the paleness of his face. "Miss Reed, I don't know how
to say this—" "Just try," Eileen
said. "Okay. Terry was not
popular. She wasn't a—an easygoing kind of person. But
if you arrest anyone here on suspicion just because they didn't
like her, you're going to ruin their lives." "Excuse me?" "I mean it. If you arrest
me, I'll lose my clearance. It's doubtful I'll get it back. The
same is true of"—Atkins swept a pale arm from the
chair—"everyone here. I don't want to
make you upset, Miss Reed. But if you arrest someone who turns
out to be innocent, you'll probably have a lawsuit on your
hands." "Are you threatening me?"
Eileen asked mildly. "No, no," Atkins said,
aghast. "I'm not. I'm just asking you to be—careful, that's all. I'll tell my
people to work with you. I just—it's just..." Atkins ran out of steam. He
scrubbed at his face again. "I suppose I can restrict my
wild tendency to arrest everyone in sight, Mr. Atkins," Eileen
said dryly. "And in return I assume I'm going to get complete
cooperation with everyone?" "Everyone, I swear it,"
Atkins said gratefully. He nodded, and nodded again, and kept
nodding his head for the rest of the interview as though the nod
motor had shorted out somewhere and wouldn't shut off. He told
Eileen he'd gone out for coffee once, to the bathroom once, and
stayed in the main room for the rest of the Game. He hadn't seen
anything or noticed anything. He plucked at the hairs on
his arm while Eileen finished up her notes. "Bring me Lowell Guzman,
please," Eileen said. "Okay." Atkins shot to his
feet and left the room with palpable relief. Eileen sat and drummed her
fingers on the comfortable chair arm, and looked at the queer
drawings on the white board. She made a little whistling mouth,
but didn't whistle out loud. She looked at the list again. There
were seven names: Nelson
Atkins—Game Director Lowell
Guzman—Assistant Game
Director Arthur
Bailey—Truth Team Leader Joe
Tanner—Software Engineer Roberto
Espinoza—Software Engineer Doug
Procell—Software Engineer Sharon
Johnson—Software Engineer "What the hell's a Truth
Team?" Eileen said to herself. The door opened. The man who
walked in was handsome in a way Eileen liked immediately: strong
face, lanky body, big hands. He wore a suit elegantly because he
had good lines, but Eileen immediately noticed the color change
at the seams and the splotch of mustard along the dark sleeve.
His hair was brown and mussed. His eyes were pale green and
red-rimmed, as though he'd been crying. He smelled of Dial soap
and fresh, anxious sweat. "Lowell Guzman?" Eileen
asked, rising. "No, I'm Joe Tanner," the
man said. "Lowell is really out of it. Whatever the paramedics
gave him knocked him right out. Nelson said to come on in, and
when Lowell wakes up he'll send him in." "All right," Eileen said,
not meaning it. She sat down and gestured for Tanner to take a
seat. "I need to ask you some questions, Mr. Tanner. Can you help
me?" "Joe, please. Yes," Tanner
said. He sat down and pressed the back of his hand to his eyes
and then his nose. With a complete lack of self-consciousness, he
wiped his wet hand on the expensive wool of his suit. He took a
deep breath. "Okay." "When did you know that
Terry was dead?" "The same time everyone
did," Tanner said. "When Nelson opened the door and we saw
her." "What did you
see?" "I saw Terry—well, no, I saw Nelson first. He
turned away from the door and bent over like he was going to
throw up. I saw Terry in her room and she was lying over her
keyboard. There was something sticking out of her—her back. Then someone screamed
and I realized she was dead. I turned away." "Did you see Terry after
that?" "Nelson closed the door,"
Tanner said. "I didn't look anyway." "Was she moving when the
door opened?" Tanner blinked hard. "No. I
didn't see her move. Why do you ask?" "I want to know when she
died," Eileen said. "Oh," Tanner said in a dazed
voice. He was very pale. "Did you know
Terry?" "Not really. I worked with
her, but we weren't friends." "Do you know someone who
would want to kill her?" Tanner looked down at his
own large hands, as though he were trying out the idea on
himself. He opened his palms wide and looked at them. "No," he said finally. "I
don't. I really don't." Eileen nodded. She expected
that answer from everyone she questioned. At first, that is.
Later, when the heat turned up on all of them, someone would
start to talk. "Okay, then, let me ask you
some questions about today. Tell me what you did
today." "I work on the Truth Team
during the Game," he replied obediently. "I watch the true
picture of the War. We have to—" "What do you mean, 'Truth
Team'? And what's a 'true picture'?" "Urn. Well, we play both
teams—Enemy and American. Because our
satellite and intelligence operations might screw up, just like
in real life, the Simulation tries to duplicate that by rolling
the dice." Tanner smiled at her
confused expression, the first smile she'd seen. "Let me explain. Say you
think a submarine is three hundred miles north of Bermuda. What
if it's actually one hundred miles south? The American Team sees
a little submarine flag north of Bermuda, and the Truth Team sees
a little submarine flag south. The Enemy side would have proper
coordinates for their own subs and missiles, but they'd have best
guesses for ours. The Truth Team knows what we call 'truth,' so
we can analyze the Game data later and figure out how the system
worked." "So where's the Enemy Team?"
Eileen was confused. Were there Gamers she didn't know
about? "Oh, well, we play the Enemy
Team for the Games, mostly. Today it was a full-scale Game with
Flag Officers involved. So the Germans played the 'Mad Sub'
scenario this time, with real missiles. But they were duds, you
know." "I would hope so," Eileen
murmured, feeling even more confused. "We usually play the Bad
Guys in the Truth Room. Sometimes I play the Chinese, the Arabs,
the Japanese—" "The Japanese? You've got to
be kidding." "No," Tanner said. "We play
everybody. I mean everybody. I've played a War Game where Great
Britain tries to take us back as a colony. I liked that one. I
guess you know this is all classified. Major Blaine said to tell
you everything we could." "Yes, I have a clearance. So
you play Bad Guys and you know the true state of the Game,"
Eileen said. She fought another distressing moment of doubt, and
cursed Harben for getting her into this mess. "You have your own
room in the Center for this?" At his nod, she said, "Did you
leave your room during the Game today?" "No, I didn't," Tanner said.
He was starting to look a little better, but now the color
drained away from his cheeks again. "Art and I were there the
whole time, and we sit in the same room. Doesn't that mean we
both have alibis?" Eileen didn't say
anything. "Yeah, I guess not. We could
be in on it together, right? Or maybe I sneaked out while he
wasn't looking, or the other way around. It would be tough,
though," he added, " 'cause we have to talk a lot to keep the
Game running smoothly. We also monitor all the computer
equipment, and feed the loops in for the President and
SAC—Strategic Air
Command." "I see," Eileen said
neutrally. Tanner nodded in understanding. "Sure, you have to have
proof." "Let's talk about Terry
again. Why wasn't she liked around here?" If Tanner was uncomfortable
with the rapid change of subject, he didn't show it. "Did Nelson tell you we
didn't like her much?" he asked, then held up his hand. "I'm
sorry, I shouldn't ask you that. Don't answer." "Okay," Eileen said,
smiling. "I won't. Tell me why you didn't like her." Tanner thought this over for
a moment. "I—well, Terry wasn't a very good
engineer," he said carefully. "I would have to explain something
to her three or four times, and if I didn't write her a memo and
date it and keep a copy, she'd come back and say I never told her
the information. I don't know how to express this—when you work together as closely
as we have to, you have to develop trust. And the Simulation
world is a wicked place. You'll be halfway through the
development cycle and all of a sudden the whole world will
change. When the lab at Lawrence Livermore got that Brilliant
Pebble to really work, we had Space Command hammering at our
door, wanting to hook up Brilliant Pebbles into our simulation
right away. "A lot of the technology we
just have to extrapolate. That means we make it up, on the fly.
Lots of stuff is still being tested. Some of the stuff is only
theoretical. So we take what we know and make up the rest. What's
the flight characteristics of a Patriot Missile? Well, we use
data from the Gulf War, take into account the improvements, and
simulate nuclear missile impacts instead of Scuds. What happens
to a Patriot when the sensors are blinded by a nuclear flash? How
do you succeed in target acquisition when you've got
sophisticated jamming...?" Tanner stopped. He'd been
making a speech. "Sorry." "It's all right. Go on,"
Eileen said quietly. She loved people who babbled. Babbling was
good. Babbling was great. "I guess I'm not even
talking about Terry. But then again, maybe I am. When you walk
into a software engineer's office and you tell them to drop all
their work on a space-based laser and start working on Brilliant
Pebbles, you need someone who'll shove six months of work onto a
back shelf and smile when they do it. And produce a Brilliant
Pebble simulation that'll work." "And Terry wasn't like
that." "No," Tanner said, and his
gaze dropped to his hands. "I guess she'll never get any better
now." "What did Terry do when you
asked her to simulate Brilliant Pebbles?" "She complained. That's
okay, everybody does. But she would do it in a really mean and
ugly sort of way. One time 'Berto forgot about an
interface—hmm, an interface is a way for two
elements to communicate, okay? 'Berto was working on a
communications satellite model, and he forgot about some jamming
information that Terry needed to be aware of for her work. So he
went to tell her, and I overheard her really giving it to him
rough, if you know what I mean." "What did she
say?" "Oh, something like, 'Thanks
for forgetting this, 'Berto, is there anything else you've
forgotten?' in that biting Terry sort of way. But when she'd
forget something, which was always happening, you know, that's
just the way it works, well, she'd pretend that she'd told you
and you forgot." "And you let her get away
with it?" "Well, Miss—er?" "Reed. Call me Eileen,"
Eileen said, and couldn't help smiling again. "Miss Reed, we had a saying
here on the War Game Team, just between us little guys. The
saying was, 'Whatever Terry wants, Terry gets.' " There was a little silence.
Eileen wrote, knowing Tanner was flushing without looking up,
keeping her eyes to her notebook to give him space to
recover. "Because Lowell Guzman is
Assistant Game Director." "Yes," he said. "Would someone kill her
because of that?" Eileen asked. "And why?" "I don't think so. I don't
know," Tanner said. He looked at her with a clear green, anxious
gaze, asking for her to somehow understand that he didn't do it,
he would never murder Terry Guzman. Eileen had often seen the
look before, sometimes on a murderer's face. "Thanks for your help," she
said neutrally. "I'll probably be contacting you again, but if
you think of anything, could you call me at this number?" She
held out her card. "Okay," he said, and nodded
exactly like Atkins, an eager jerk of the chin. Another suspect
glad to escape the clutches of the police, Eileen said to
herself. He took the card and stood up. "Let me walk you out," she
said, getting up. "Maybe you could direct me to the john? And
maybe the coffee machine?" Tanner showed her to the
bathroom, but he was gone when she came out. Eileen figured she'd
missed her chance for coffee, but when she got back to the
conference room there was a plain blue mug on the table near the
chair where she'd been sitting. A ribbon of steam rose from the
cup into the air, and her next suspect was already seated and
waiting for her.
7 Denver Animal
Shelter When the animal shelter
woman brought Fancy's collar and leash to him, Tabor almost wept.
He could imagine his little darling pacing in confusion, locked
in some wretched little concrete box. She could never understand
why he had to leave her behind. The shelter woman looked at him
with a flat and carefully nonjudgmental face that felt as damning
as spittle. "Here's your collar and
leash, sir," she said. "Thank you," Tabor
whispered. He had allowed himself to forget this side of the spy
business. He'd become settled in, complacent, and now his dog was
going to die and he faced an uncertain future. He did, however, carry his
Bahamas account. His savings were safe. And he had one last piece
of information to sell, the last document his contact had
smuggled out of Schriever. With that, he'd be able to give up the
business and have a real life. Open a restaurant in Georgia. He'd
always wanted to do that. But he'd never, ever have
another dog, he promised himself. He carried Fancy's leash and
collar to the car. He could hardly see through his tears as he
drove out of the parking lot. He turned on the windshield wipers,
but that didn't help. Gaming Center, Schriever Air
Force Base A young man was sitting in
the chair opposite Eileen's, liquid Mexican eyes meeting hers
without flinching. Eileen settled herself in her chair and took a
sip of her coffee. It was excellent, so far removed from police
coffee that Eileen almost choked on the first gulp. "Joe's guest coffee mug,"
the man said. "He must have decided you were okay. Roberto
Espinoza." He reached out and shook Eileen's hand
firmly. "Not Lowell," Eileen said
grimly. "No, he's still passed out,"
Roberto said. Eileen knew the accent in
Roberto's soft voice. The phrasing was definitely Los Angeles
barrio. Roberto carried the bones and skin tones of the nearly
pure Mexican Indian, a high narrow forehead and chin with the
flat, angled cheekbones that made little pouches below the eyes
and kept the face ageless. His nose could be called European, but
Eileen had taken several anthropology courses in college and knew
the Mexican Pyramids carried profiles like Roberto's. The total
effect was one of almost overwhelming male beauty. Eileen
supposed Roberto had earned the tough, uncompromising line of his
shoulders in more than a few schoolyard fights. "You're from Los
Angeles?" "Straight from the barrio,
señorita," Roberto said, and flashed a set of
straight white teeth. "I guess you've been there yourself, if you
can tell where I'm from." "Yes," Eileen said, and
opened her notebook to a fresh page. Roberto's purely Mexican
good looks and the tailored suit made Eileen wonder, for a
moment, what the world would have been like if the Aztecs had
carried smallpox to the Spanish instead of the other way around.
Much was made of the Aztecs' brutal human sacrifices atop the
tall temples, but little about the culture that attained a level
of civilization that allowed such temples to be built. How would
the Aztecs have fared against Nazi Germany? Perhaps the trials at
Nuremberg would have ended in a different sort of spectacle than
hangings. "I saw Stand and
Deliver, can you believe it?" Roberto spoke resignedly and
quickly, as though he'd told the story many times. "My elementary
school math teacher hauled a TV and a VCR in and made us watch
it. I musta beat up a dozen kids that week, 'cause of course I
cried. Damn movie. The actor, what's-his-name, teaching a whole
class of dumb barrio kids to ace a calculus class. So that's what
I did, too. And here I am, and that's my story. Inspired by a
dumb movie." "I saw it, too." Eileen
smiled. "How old are you?" "Twenty-three. This is my
first job out of college. I have a computer science degree from
UCLA." "Why did you come
here?" Roberto shrugged his
shoulders. "I was recruited. Government
contractors need to fill quotas for minorities, and I had good
grades. I had my choice, Miss—Excuse me, I don't know your
name?" "Eileen Reed," Eileen said.
"Call me Eileen." "Eileen, then. Well, I got a
lot of offers, and this one paid the most and looked like
fun." "Has it been
fun?" For some reason this struck
home. The smooth planes of Roberto's cheeks darkened slightly and
the deep black eyes glittered for a moment. "Until today,
yes." "Did you know Terry well?"
Eileen shifted in her chair and took a sip of coffee. The coffee
made her think, distractingly, of Joe Tanner. "I don't know if I knew
her," Roberto was saying. "We all work here very closely, but she
was—well, she was Terry." He frowned,
his brow crinkling in distress. "I can't believe she's dead," he
said slowly, as if to himself. "I—" "Yes?" Eileen asked
gently. "I just can't believe
someone would kill her," Roberto said, and Eileen knew that
wasn't what he was going to say. "We've been told she wasn't
easy to work with." "She wasn't." Eileen waited,
but the black eyes didn't falter and Roberto offered nothing
more. Eileen shifted in her chair and took another gulp of
coffee. "All right," she said
finally. "Let's go through the War Game. Everything you did,
everything you saw." When the door finally closed
behind Roberto, Eileen flipped to a fresh page of her notebook.
She didn't feel particularly bad, though. These Gamers were
bright, educated, and totally rattled by the murder. She was
getting a lot of good information. It would fall into a picture,
eventually, and the murderer would appear from the puzzle
pieces. The person Roberto sent in
was a rather short, freckled man with thinning wheat-blond hair
and a friendly face. "Art Bailey, ma'am," the man
said, and held out a firm, square hand. "The Truth Team Commander,"
Eileen said, shaking the hand and gesturing to a chair. "Still no
Lowell." "Nope, he's still out of
it," Art said, and sat in the chair abruptly. Eileen looked at
the droop of the shoulders and the cast of the eyes and realized
Art was more than distressed— he was completely exhausted. The
man should have ruddy skin tones with all those freckles, but he
was a shade closer to gray. "Tell me about the Game,
Art. I want to find out who killed Terry, and the best way to do
it is to find out what happened." Art nodded. Eileen had
thought that with the blond hair Art would have blue eyes;
instead, they were a deep and opaque brown. The color gave a
somber expression to the otherwise round and cheerful
face. "All right, where shall I
start?" "Tell me everything that
happened today. Just start when you got up and go through
everything," Eileen asked. Art shrugged his shoulders and nodded
his head. He put a hand to his lips and pinched the lower one.
Major Blaine was a lip biter. Art Bailey was a
pincher. "My day started at
four-fifteen, I got up and showered and fixed the coffee for Meg
and me. She gets up at five to get the kids off to day care at
six-thirty, so I always get the coffee made and feed the dogs
before I leave at four-thirty." "You do all that in fifteen
minutes?" Eileen asked. "I'm a time-and-motion kind
of person, Miss—" "Reed. Call me
Eileen." "Eileen. I read this book
when I was a kid, it's called Cheaper by the Dozen, you
ever hear of it?" "I think I saw the movie,"
Eileen said, amused. "Yeah, there was a movie
too. Anyway, the dad and mom were time-and-motion-study experts.
And the dad would experiment with how quickly he could get
dressed in the morning—buttoning up his vest from bottom
to top, for instance, because it was faster. I do the same
thing—that's one of the reasons I'm in
this job." "Okay." "So I have everything ready
to go, I'm out the door in fifteen minutes flat, the only thing I
slow down for is a kiss for Meg. And I'm in here thirty-two
minutes later—that includes the drive, parking,
going through the retinal scanner, badge check, capsule doors
..." "I know, I know," Eileen
said, and Art chuckled rustily. "An amazing amount of work
to get in here, isn't it? I hardly notice it anymore,
actually. "So I have to open up the
Gaining Center, which means I go through a checklist to see that
all doors are closed and locked, all the terminals are shut down,
all the printers are empty—" "You check all the doors?"
Eileen asked sharply. "Yes, there are three. And I
sign a document in each door along with the time, to verify that
I've checked it. The lists are changed when the sheet of paper
gets full—I know where you're going with
this," Art said, holding up a hand as Eileen opened her mouth to
speak. "There should be lists going back to the time the doors
were hung on this Center." Eileen nodded, and wrote in
her notebook. Art waited politely for her to finish. "I also check the safes
where classified information is stored, and sign off those too.
Then I log on to the master terminal, and if it's an ordinary day
I do whatever needs to be done— test new software, get new
machines set up or old ones upgraded. This morning is a Game Day,
so Joe and I—" "When did Joe come
in?" "Oh, I'm sorry, that's
right. He got there at five-thirty, so he helped me check the
rooms in the center." "Check them for
what?" "Pop cans, mostly," Art
said. "We do our testing in here and it becomes pretty frantic
before a game. So before we have a Game, we have to clean up
house. The janitors vacuum and carry out the trash, but they
never touch papers on the desks. One of the rules. We know
exactly what is going to happen in the Game, and the Observers
who come here don't." "Observers?" "The audience members,
sorry. So Joe makes sure there are no telltale notes, like 'Don't
forget to release ground weapons when the German sub launches off
Bermuda.' " Art's smile died as he remembered that the weapons
were not released, and why. His eyes reddened and he blinked
rapidly. "So Joe got here at
five-thirty and checked the rooms with you?" "Yes." Art frowned and
pinched his lip. "Miss Reed, I just don't know how anyone could
be in there this morning. Joe checked the rooms, and later, so
did I. Nelson always checks them too. Then I make a run on the
computer systems. I usually choose some scenario that will really
wring out the system—" "Scenario?" "Yes, um, like a story? I
play the Enemy Commander and I launch from four subs, then I play
the Blue Commander and I launch back, then I try to shoot down
everything in the air, I like doing that one." "You shoot down our
missiles?" Eileen asked in astonishment. She had never heard of
such a thing. "Well, only in my Games,
Miss—Eileen. I play the President so I
get to say that it's all been a big mistake, and Missile Defense
shoots down everything that's flying. It's a lot of work for the
computers, and so I know that everything is up and running
smoothly for the Game." "That's what you did this
morning?" "Well, no, actually Joe and
I played a different one this morning. He was Enemy and I was
Blue and the rules were, the launches had to match size for size.
And they had to target the same places the other launch fired
from—am I making sense to
you?" "No." "Like that old game,
Battleship, we guessed where the other person had their ships.
Except we guess where the other person is going to launch their
missiles." "I think I see. So after
that?" "After that, we sit around
and talk until the donuts and the coffee arrive." "Who brings that
over?" "Oh, one of the cafeteria
people—oh." Art's face showed sudden
dismayed understanding. "Who was it
today?" "Clarice. I don't know her
last name. She rolled the cart in and unloaded the donuts and the
coffee urns, and then she left. I know she left because Joe and I
always get the best donuts and the first cups of
coffee—it's one of our little
perks." Eileen made a
note. "Clarice
wouldn't—" Art began, and stopped. He
looked at Eileen with confused and sorrowful eyes. "Somebody did,
eh?" "Yes." "We got our donuts and
poured our coffee and then Nelson came over. He got one too, and
we three talked over the schedule for the day." "Is there a planned
schedule?" "Sure, always. It's in the
safe; I could get one for you, but it's classified." "I'll talk to Major Blaine,"
Eileen said, and wrote "schedule." "I think Lowell Guzman came
over next, and then, oh, I'm not sure, really, the commanders
started arriving, and the audience, and Joe and I had to get the
simulation started. I couldn't tell you when people came in what
order." "That's quite all right,"
Eileen said. "You've been very helpful. Tell me about Terry. Do
you remember her coming in?" "I don't, really," Art said,
puzzled. "I've gotten the impression
Terry was kind of unpopular," Eileen said mildly, and watched for
Art's reaction. Art shifted in his chair uneasily for a
moment. "I didn't have any problems
with her," he said finally. "I got along with Terry just fine,
but I never did cater to her either. A lot of the other Gamers
did, because of Lowell's position, but I don't report to anyone
but Nelson, and I've been here longer than him. If Nelson tried
to fire me he would be right behind me in the job
line." "I see," Eileen said. Art
was obviously discomfited by this self-promotion, another
endearing trait that made Eileen believe Art was everything he
did not boast about being: the most valuable member of a very
specialized team. "When did you realize she'd
been murdered?" "When everyone else did,
when Nelson opened the door. I couldn't believe it. I still
can't." "I just have one other
question, Art," Eileen said, and leaned forward over the polished
veneer of the table. "Yes?" "How did the murderer get in
that room?" There was silence, and a
tiny squeak as Art's chair shifted on the oiled
castors. "I don't know. I really
don't know," Art said helplessly, and shrugged once more. "As far
as I know, it couldn't have been done." Eileen leaned back in her
own chair and sighed, ignoring the interior voice that kept
saying, Out of your depth, out of your depth. "I may be speaking to you
later." "All right, then. I'll get
Jeff, he will probably want to take you for some
lunch." Eileen glanced at her watch
and noticed with some surprise that it was already
noon. "Cafeteria closes at one,
and there aren't any Taco Johns out this way," Art said wryly,
and heaved his body out of the chair. "I'll get Jeff for
you." Eileen sat in the silent
room, and it was only when Major Blaine opened the door that she
realized who Art was talking about. Eileen couldn't imagine
anyone calling the stiff Major Blaine something so personal as
"Jeff." "Want some lunch? And what
are you laughing at?" Blaine asked, annoyed.
8 Schriever Air Force
Base Eileen and Major Blaine
worked their way out of the first two sets of locking doors,
passed through the submarine airlock entrances, and went down a
long flight of stairs. There were others in the stairwell, and
the smell of food wafted pleasantly from covered Styrofoam dishes
held in the hands of some of the people heading up. "Lots of people eat at their
desks," Blaine explained. "I discourage it in my office. We spend
enough time inside as it is." As if to underline his
point, the door they were approaching opened and two young women
in running clothes walked quickly through and headed down the
stairs. Their clothes were damp with sweat and they were
gasping. "Locker room in the
basement," Blaine explained, his eyes following the trim figures
as they disappeared down the stairs. "Did Terry ever go
running?" "I don't think so. She kept
slim through diet, not exercise. She wasn't athletic." Eileen nodded. Blaine opened
the door and they left the stairwell, entering a glass-walled
corridor and an amazing flood of sunlight. The end of the
corridor connected to another building, this one a more typical
office complex with large expanses of glass. "It's great, isn't it?"
Blaine said, and lifted his head to the bright sky. "That
building is like a damn prison." Eileen was surprised at the
intensity of the relief she felt to see the sun again. "Cafeteria is on the right,"
Blaine said. They walked into a lovely large dining room with
huge windows. The blinds were pulled all the way back, flooding
the room with light. The selection of food was sturdy and
unimaginative, but looked well prepared. Eileen realized she was
quite hungry. "Have some of the soup,"
Blaine murmured. "We've got a frustrated chef out here who makes
some incredible soups." They filled their
trays—the soup was mushroom; Eileen
wasn't too interested but got some out of politeness—and found a seat near the windows.
Most of the seats in the sunshine were filled. Hidden speakers
played soft country music. "I got the word before we
came down. The ME should be here within about a half hour,"
Blaine said, and crunched into a salad. Eileen nodded, and dug
in. The soup turned out to be as
good as advertised, hot and smoky and thick with fresh
mushrooms. "Very good," Eileen said
with a sigh. "I hope I won't be having too many more lunches out
here, but this almost makes me change my mind." "You think you'll close the
case that quickly?" Blaine asked, surprised. "No, I think the Air Force
OSI will be here to take this off my hands in a couple of days."
Eileen grimaced, thinking of the distant and bureaucratic
OSI. "Well, that's good," Blaine
said, with a totally infuriating smile of relief. "I'm sure
they'll handle things after that." "I'm sure they will," Eileen
said, balling her napkin and tossing it on her tray. They stood and brushed their
clothes into place, and went to meet the Medical
Examiner. The Gaining
Center door
was now attended by a single young Army guard. The guard was
white-eyed with excitement but standing rigidly at attention.
Eileen thought the guard could have been no more than nineteen or
twenty. Blaine nodded at the guard
as he clicked the key sequence to open the door. Eileen glanced
back as they walked through the door and saw the young shoulders
visibly droop with relief. The big center room was
empty now, the clutter of coffee cups and crumpled napkins the
only evidence of the former crowd. The room was very
cold. "I've asked Sharon, Lowell,
and Doug not to leave the base until they've spoken to you,"
Blaine continued. "Those are the Gamers you haven't interviewed
yet. The Observers have been allowed to leave the base provided
they don't leave the city. You'll contact them as you need
to." Eileen nodded, feeling again
as though Blaine were giving her orders and finding herself
helpless to respond. The only possible response was to be
insultingly rude, and Eileen found rudeness difficult. Instead
she turned her attention to the video cameras. The video cameras
were mounted high against the ceiling. A person would need a
stepladder to tamper with them. "Don't touch the cameras
until I can get fingerprints from them," Eileen said as Blaine
took out his notepad and pen. "I need the names of the workmen
who installed the cameras, whoever repairs them, anyone who might
have a legitimate reason to have touched them." "You'll be able to look at
the tapes while we're waiting for Dr. Rowland," Blaine said. He
pointed with his pen to a door at the back of the room. "The
video center is right here. No one has been in there since the
game started. It's all controlled by Art Bailey and Joe Tanner,
through the computer." Eileen was surprised when
Blaine opened the door. She had seen television studios before,
but this was a surprising sight on a military base. The room was
crammed with tall electronics panels. The panels were stuffed
with high-resolution television monitors, dubbing equipment, and
a soundboard to rival that of a recording studio. There were a
couple of comfortable chairs in the same style as the ones in the
conference room. Blaine dropped into one and studied the
equipment with a frown. "What do they need this
stuff for?" "To make films about missile
defense," Blaine said absently. "Films?" "Propaganda," Blaine said
shortly, and twisted his mouth. "Beautiful stuff, you should see
it. Very exciting. Makes you glad we are building missile
defense, all of that. We have to get funding, you
know." "I thought it was all
classified." "The people who see these
films all have clearances. These films aren't shown to the Boy
Scouts." "I see," Eileen said,
flushing despite herself. How was she to know such a thing? She
opened a drawer at random and saw a stack of compact discs. "Your
Gamers like their rock and roll too, I guess?" Blaine turned to see Eileen
holding a CD. "I guess they do. At least the thousands they spent
on the sound system is being used more than once a
month." Eileen thumbed through the
CDs. There was everything there, from classical to heavy metal to
Nat King Cole. She opened the Cole CD and saw "Joe Tanner"
written within in a large, neat hand. She smiled. "Er—" Blaine said. Eileen glanced up, not
knowing how much time had passed. Blaine was sitting at the
console, his hands busy at a keyboard. It was fascinating to see
how much she was learning just from people's taste in music.
Arthur Bailey, the earnest Truth Team lead, had a whole
collection of hits from the seventies music that Eileen couldn't
stand when she heard it the first time. She couldn't imagine
someone actually listening to an entire Donna Summer disc.
Roberto Espinoza tended toward alternative music. There were no
discs with Lowell Guzman's name, but quite a few with Terry's.
Terry, whose body was cooling less than fifty feet away, liked
Top Forty music. Doug, one of the Gamers he hadn't met yet, was a
New Age fan. His CDs were all instrumental Windham Hill artists.
Sharon, one of the other unknown Gamers, had only two CDs and the
plastic was cloudy and chipped on the cases. She had one Michael
Jackson and one Whitney Houston, and although the cases were
ancient the CDs inside were clean and shining, with no hair or
dust. Tanner, he of the green eyes
and square hands, had nothing classifiable. There were some New
Age discs and some classical. There was Nat King Cole, a
Replacements disc, one from a local band called the Auto-No, and
Aretha Franklin. Eileen knew about the Auto-No. She liked their
music a lot. She wondered if Tanner ever went to the local bars
where the band liked to play. "Ahem," Blaine said. Eileen
looked up again. "I don't know how to work
this," Blaine said. "We're going to have to get Joe or Art in
here. I thought it would be like a VCR, but—" And he spread his hands in front
of the bewildering array of equipment in front of him. "Only one, please," Eileen
said. "Only one and we'll both watch." "That's fine," Blaine said,
and picked up a phone. Eileen turned back to the CD drawer,
noticing that without even realizing it she had sorted out the
music by Gamer. There was a sheet of paper at the bottom of the
drawer, and she pulled it out. On it was large type: TUNES RULES: 1) No more than three CDs in
the queue. 2) No stopping the CD in
progress. If you hate it, wear earplugs! 3) No volume past the third
hash mark. Unless it is after midnight. Blaine spoke briefly into
the phone and replaced it in the cradle. He swiveled around to
face Eileen, scrubbing tiredly at his face. "Joe's coming
over." The phone rang suddenly,
startling them both. Blaine picked it up and listened for a
moment. "We'll be right there," he
said, getting to his feet. He put down the phone and jerked his
head toward the door. "The ME is here. Dr. Rowland. And the whole
Air Force Crime Scene crew." "I'll wait here," Eileen
said. Blaine nodded and went to get the door. Eileen, in her music
sorting, noticed there were CDs owned by someone called Sully, a
name she hadn't heard in connection with the Gamers. She tapped
one of the CDs against her lip gently, finished up her sorting
job, put them all back, and shut the drawer as Major Blaine led
in a short Air Force captain in a wrinkled, ill-fitting uniform.
Behind him were four other people, all in comfortable civilian
clothing. The photographer looked upset, clutching his big camera
with white fingers. "Dr. Rowland," the captain
in the rumpled uniform said, shaking Eileen's hand. "I don't
believe we've met yet, although I know your Captain Harben. A
good guy." Dr. Rowland had bright, small brown eyes and a shock
of thinning reddish hair. He walked in brisk, abrupt steps and
when he cocked his head to the side while shaking hands Eileen
almost laughed aloud. Rowland reminded her of a small red
fox. "Nice to meet you," Eileen
said. "I'm glad you're here." "Took me long enough,"
Rowland said with a quick glance at Blaine. "I've never been
through more checks, not even at the Pentagon." Blaine shrugged
and spread his hands apart. The photographer blew a strand of
black hair off his forehead with a loud snort, but said
nothing. "Where?" Rowland asked, not
looking at the screens that had captured Eileen's attention
earlier. The globe was still focused on the eastern seaboard,
where streamers of radioactive clouds could be seen flowing north
and west. New York City was already covered by a long plume.
Blaine pointed at the closed door, and Rowland immediately
shifted his grip on his medical bag and strode off in his quick
little steps. "Just got finished on a
murder at Fort Carson," Rowland said briskly. "No mystery there,
straight overdose. Needle marks still clear. Trouble was," and he
gestured for Blaine to open the door, "the soldier was in the
bushes for a week. Hot weather is rough on a corpse." "Pendleton," Eileen said
gloomily, and Rowland laughed. "You'll be working that one
too, I imagine? Camera, please. Closed door first." The camera flashed. The door
swung open. Eileen remained impassive. She'd stood watch enough
times to know how many terrible odors a dead body emits in the
first few hours. After that things get better as rigor mortis
sets in, and the smell only becomes awful again after decay
really starts to take hold. Eileen didn't envy Dr. Rowland the
examination of Pendleton's corpse after weeks in the summer
heat. Dr. Rowland stood for a
moment, and to Blaine's amazement and Eileen's approval, took a
deep, sampling breath. "Ahh," he said, but it was not an
expression of enjoyment. He looked at the shape of the woman,
still slumped over her keyboard, looked at the yellow handle of
the screwdriver. He gestured for the camera, here, there. The
flashes were silent and too bright. Finally he stepped into the
room. He crouched down and looked underneath the loosely hanging
arm, peering up at the dead face. He stood again, took the wrist
of the body, and appeared to be feeling for a pulse. Eileen could
see how deeply the fingers were pressing into the skin, feeling
the silence. The cameraman took a picture from the same angle,
crouching down on limber haunches. One team member took notes in
what looked like a notebook. Eileen saw it out of the corner of
her eye and glanced at it. As fast as the man was writing notes,
the text was turning into typed words on a little computer
screen. Eileen turned her attention back to the body. Dr. Rowland looked at the
screwdriver and bent down to his medical bag. He took out a small
paper bag and taped it carefully over the screwdriver
handle. "Prints at the autopsy from
this," he said in the direction of the fingerprinters, who were
patiently waiting their turn. One of them nodded and snapped his
gum. "I need a hand here,"
Rowland said, looking at Eileen and Blaine. Eileen stepped into the room
before Blaine could move. "I'll help." "Okay, then, take her
shoulder. We're going to lean her back in the chair. The
screwdriver is high enough to miss the back of the chair. She'll
be heavy," he warned. Eileen nodded, and took hold
of the slack shoulder. "On the count of
three." At Dr. Rowland's sharp
"Three," both of them pulled the body of the woman up and back in
the chair. Her head lolled forward, then tilted back toward
Blaine. Trapped gasses gurgled out of her throat. Blaine looked
away, grimacing. Dr. Rowland started
examining the chest, the face, the neck, and Eileen met the
murder victim. She would see pictures later that would give a
better impression of soul and personality than the lifeless clay
in front of her. She would get a better idea of what Terry Guzman
was like from the interviews she would make. In fact, she already
was forming an idea of the personality of the dead woman. Here
was the physical thing, however, limp and dead though it was.
Terry had rich brown hair and the ring of iris from one dulled
eye was blue. Her body was lush and full under the formal green
suit. Her skin showed faint marks of sun and wind, and Eileen
looked for the character lines. She found a set of lines by the
mouth, lines that spoke of self-indulgence and the set of a mouth
in bad temper. Already, though, she wondered if she would have
characterized those lines as bad temper if she hadn't already
known that Terry was not a well-liked person. The room was too small to
hold Eileen, Dr. Rowland, and the photographer comfortably, so
Eileen stepped out into the fresher air of the Center. She
blinked at the sight of Joe Tanner standing at the doorway, his
hands at his sides, his face as pale as chalk. Eileen cursed under her
breath and quickly closed the door. She didn't want Joe to see
the body. If he were the murderer, he could use this glimpse of
the body to cover up any slipups he might make later. Blaine
noticed Joe. "How long have you been
there?" Blaine barked. "I—I—I just got here," he
stammered. "It's all right," Eileen
said, more to Tanner than to Blaine. "We need to see the
videotape," Blaine said to Joe. "I'm sorry to call you over here.
I didn't want you to see that." Tanner shrugged faintly and
nodded at Blaine. "It's okay," he said. "Not
something I really wanted to see." "I need to know how to work
the machine," Eileen said. "I'll be going over it quite a bit,
and I wouldn't want you to have to stay here while I
work." "Okay," Tanner
said. In the studio, more color
came into his face. He obviously felt very much at home. He sat
down at a console and logged on to a computer terminal, his
fingers striking the keyboard quickly. The screen went dark and
then cleared, showing a series of boxes of different colors and
sizes. "Okay," he said to himself,
and took a deep breath. "Okay." He turned to Eileen and gestured
her closer. "This is like your VCR, only
a little more complicated," Tanner explained. "Ignore the console
itself, that won't do anything. It's all hooked into the monitor
here." Behind him, Blaine made an ahhh sound. "The tapes
from monitor A are here," and his finger touched the screen at a
large A. "To view the tape, press this button with your
mouse key," and he moved the mouse so the computer arrow was
directly over the View button. "The rest should be obvious;
there's Pause, Fast Forward, Rewind, and this one you'll probably
like, it's a frame-by-frame option." He pressed the View button,
and the TV monitor set into the studio console went dark and then
lit up with a scene of the room in front of them, full of people.
He pressed the Frame-by-Frame button with his mouse key, and the
people froze. Every time he pressed the button, the people made
some kind of tiny advance in their movements. The picture was
perfectly sharp. "Good equipment," Eileen
murmured. "The best," Tanner said
absently. "Now, there is an audio feature too, you'll want this
too. Look." He moved over to the
television picture and picked up another mouse. A cursor appeared
on the television screen. Tanner swirled the cursor around in a
nervous little gesture, then picked on a tall major with a cup of
coffee and a donut in his hand. He held down the first mouse key
and drew the mouse sharply downward. Where the cursor was, a box
appeared and grew as he moved the mouse. He "drew" a box around
the donut-eating major, then let the mouse go and moved his chair
back to the other keyboard. He picked up the mouse and clicked on
Audio and then pressed a button marked Listen. "Resume is the button for
when you want to listen to all the conversations again," Tanner
said. "Don't forget that, or it's annoying." He pressed the Play
button on the tape. "Another show," the major
was saying to the person at his side, another major who was
wiping his fingers on a napkin. The other major said something,
but there was no sound as the lips moved. "Yeah, they do have some
lookers here, don't they? I'd like to hang out in the Ground
Weapons room just to look at that babe in the green
suit." Eileen nodded. That was a
comment she'd expect about a woman like Terry. "You can listen to anyone's
conversation?" Blaine asked. "What does the whole room sound
like?" Tanner didn't say a word. He
turned back to the terminal and pressed the Audio, and then the
Resume button. At once, the sound of fifty voices filled the
booth, the crowd noise. "Amazing," Eileen said
admiringly. "This may help me quite a bit." "It's easy," Tanner said.
"I'll be at my desk until four o'clock if you have any other
questions, and you could call Art or me if you need
to." "That's fine, then," Blaine
said. "I'll let you get back now so my team can get to
work." Eileen tried to keep her
face expressionless. My team? "There's one other thing,"
Tanner said, looking anxiously at Eileen. "I need to bring the
simulation down. Er, I mean, I need to stop the programs from
running." He gestured at the globe in the front of the room. The
sun was westering and the lights were coming on in many of the
cities. "Hey, there's lights in the
east," Eileen said. "Wouldn't the power be out?" "Well, I'll be dipped,"
Tanner said in wonder. "We never let the thing run this far
before. 'Berto will love this one!" He snapped his fingers and
grinned, and for a moment Eileen saw him as he must have been
before Terry's body was discovered: vibrant, alive, full of humor
and vinegar. Then as he glanced over at her in amusement, as if
to share the knowledge of the computer bug, he remembered the
murder. For a moment, he'd obviously forgotten. The light in his
eyes died out and he looked miserable. "What will happen if we just
let it run?" Blaine asked. "You'll crash a Cray
supercomputer, is what you'll do," Tanner answered dully. "Every
keystroke and mouse movement is stored on the Cray, as well as
all the number-crunching to run the simulation. If we just let it
run the Cray will fill up like a bathtub. We never run
simulations this long, we have to store the data away so it can
be processed." "You can bring it down,"
Blaine said. "Please don't get rid of
anything," Eileen added. "Not until we know if there's anything
on that computer that could help us." "Okay," Tanner said. "I can
bring it down from next door, that okay? Art and I will have to
do the cleanup, but we can do that from our desks too, we're
linked to the Cray." "Bring it down, then, Joe,"
Blaine said, before Eileen could say anything. She blinked hard
and thought about whether or not she should challenge him. But
she really had no idea what was stored on the computer, or
whether or not Joe Tanner or Arthur Bailey would be getting rid
of valuable information. Eileen simply could not control
everything, and she knew it, so she let it go. Tanner gave a brief ghost of
a smile and got to his feet. He picked a piece of paper from a
note board to the side of the console and handed it deliberately
to Eileen. "Our numbers," he
said. "Thanks," Eileen said wryly.
A murder suspect, giving her some support against the big bad
Major Blaine. This was turning out to be some
day. As Blaine escorted him out,
Eileen went back to Dr. Rowland. She waited until Tanner was out
of sight before opening the door to the little room where Terry
was killed. As she did, she realized anew that she had no idea
how the murder was committed. The room had only one door, and
that was on the monitor. Perhaps the videotape would show
something. She froze for a moment, trying to keep her heart from
speeding up in her chest. Now was no time for her doubts to
show. "I'm done, you can call the
wagon," Rowland said. "She died of the stab wound, I would
predict, but I won't know until the autopsy for sure." He was
scrubbing at his hands with a disposable wet tissue. Overwhelming
the other odors was a smell of baby powder. "Diaper wipes," Rowland
said, winking at Eileen. He dropped the wipe back into his bag.
"Greatest stuff ever invented. Take off anything and they smell
awful powerful. I've got a little girl, so I steal from our home
supply." Eileen smiled at the little
doctor. It was a good smell. In the room the fingerprinters were
now going to work. They were done with the door. It was marked
with streaks and smears of light brown dust. "You're the investigating
officer, that right?" Rowland asked. "That's right." "This is a hell of a stab
wound," Rowland said thoughtfully. "I don't know if the
screwdriver was sharpened or not, but even if it was, it still
takes a lot of force to drive a screwdriver into someone's back.
This person you're looking for is strong. Smart to use a
screwdriver. No blood splash like from a knife," Rowland
said. "You can buy one at any
store," Eileen added. "Fingerprints nearly
impossible to take from that plastic." Rowland continued
grinning. "And impossible to trace.
Who would remember selling someone a screwdriver?" "Poison is much more
difficult. Not sure of the results, or how quick." "Strangling could be a
straggle. It had to be quick, and silent, with no
blood." "Could a woman have the
strength to do this?" Eileen asked, abandoning the game. Rowland
shrugged, still smiling a little. "Ordinarily, I'd say no. But
the insane have different ways of using power. I've seen a tiny
woman who needed two orderlies to hold her down, all because she
didn't want her medication. A normal woman, no." "Insane," Eileen
repeated. "Or full of hate. The person
who killed this woman, insane or not, hated her very
much." "I'll remember that," Eileen
said. "See that you do," Rowland
said grimly. "I'd hate to be sawing you in two to see what killed
you." He winked, and Eileen grinned back, liking him a
lot. "Right." "Should I call for the
stretcher?" Blaine asked at the doorway. "A stretcher it is," Rowland
said cheerfully. "I'll do the autopsy tomorrow. You want a
report?" Blaine and Eileen both
nodded. "Do you have
e-mail?" "I've got it," Eileen
said. "Good." "I don't have e-mail. We're
not allowed to have external computer lines," Blaine said.
"Hackers, you know." "Oh," Rowland said. He put a
stubby hand in his medical bag and produced a black address book.
"Too bad. Wonderful stuff, e-mail. What's your
address?" "[email protected]," Eileen
said. She saw the address book was filled with streams of
addresses like her own. "I do all my work on a voice
recognition system," Rowland explained to Blaine, writing
Eileen's address in a small, neat hand. "I dictate, it produces a
pretty packet, all set up just like my old reports. Plus," and he
closed the book with a snap, "I can send it to Detective Reed in
a few seconds. She reads it, prints what she wants, no
problem." "We have e-mail systems, but
they're all internal," Blaine said. "Security." "I'll send you a packet by
regular mail. Can I have your card?" Rowland was brisk and
unsympathetic. "I need to get home. I'm not like those TV MEs you
see working all hours of the night. I have three little
girls." Blaine produced a card and
within a few moments the ME was out the door and gone. His
passing seemed to leave a wake like a speedboat engine. Eileen
sighed. After the crisp Dr. Rowland, Major Blaine was even harder
to face. "Let's have you view those
tapes now," Blaine said. "I'll interview the other
Gamers now," Eileen said firmly. "I'll look at the tapes
afterwards." There was a short silence
from Blaine. Eileen looked at him without challenge, waiting to
see what he would do. "That sounds reasonable," he
said. "I'll handle the crew in here and you go across the hall.
I'll check on you later—" He stopped as there was an
almost audible pop. The screen in front of them, now showing
lights across the dark half of the world, went black. The lights
in the room dimmed slightly, then became brighter. The consoles
that Eileen could see had also gone black and still. It was
eerie, as though the computer had stopped the simulation all on
its own. Eileen knew that Joe and Art must have brought the
programs to a halt from their office, as he said they
would. "Fine," Eileen said.
"Bathroom break first." "Right," Blaine said. "I'll
get the ambulance crew in here. You know the key sequence to get
in next door?" "Eight zero three zero,"
Eileen said. Blaine blinked, impressed. Eileen didn't bother to
explain that she'd developed her memory for numbers working as a
waitress in college, adding up bills for eggs and bacon and chewy
truck stop steaks. Let Blaine think she was brilliant. She hoped
she would be able to keep at least an image of competence. So
far, she felt like she was floundering her way through the
day. "Okay, then, let's get
going."
9 Great Falls,
Virginia Lucy Giometti was home
early. She intended to return to work later that evening, but
dinner with her husband was not to be denied. She loved to cook
and she loved their dinners together. Her mother lost a baby girl
to sudden infant death syndrome before Lucy. She had three
younger brothers, so had her sister survived she would have been
from the essential cliché, the large Italian family. As it
was, her mother gave all her affection to her surviving daughter.
Lucy spent a lot of time with her brothers, escaping as much as
she could from her mother's smothering femininity. Lucy was the
first to try riding her bicycle off the concrete embankment and
into the sand pile. She was the first to climb trees, and until
adolescence hit was the fastest and strongest of the four of
them. Then she fell behind each year, as her brothers became more
powerful and she became mysteriously smaller and weaker. She
picked up track and excelled at running, but she never quite
forgave her body for becoming a woman. Her father, a policeman, had
no interest in his daughter. Even when Lucy graduated in the top
ten at her university he had no words of congratulations for her.
Lucy was unable to understand her mother and her father had no
desire to understand her, and until Ted came into her life she
didn't realize how lonely she was. Ted Giometti changed all that.
He brought joy. Now they were starting a family. Lucy Giometti
fell in love with an English teacher and found she'd learned a
lot from her mother after all, when in courtship she tried to
please him with her cooking skills. Her phone rang just as the
fettuccine timer went off. Lucy scooped up the phone and held the
hot pot one-handed, dumping the noodles into the strainer as she
settled the phone into her shoulder. "Hello," she
said. "We need you in here," Mills
said. "Right away." "I'll be there in forty-five
minutes," she said serenely. "You know I don't give up
dinner." "I need you here now,
Giometti," Mills said. Lucy smiled at the phone.
"Mr. Mills, I am not involved in any operation that could cause
the death of an agent by my presence. Fire me if you wish. Let
the gate guards know and I'll give them my badge. Otherwise, I'll
be there in forty-five minutes." Mills hung up the phone and
Lucy returned to her dinner task. "Who was that?" Ted asked,
coming out of the bathroom. "My boss. I have to go back
in after dinner," she said, and held her mouth up to him for a
kiss. Gaming Center, Schriever Air
Force Base Sharon of the Whitney and
Michael CDs was a solidly built woman in her late thirties, skin
the cafe-au-lait of the Louisiana Creole, eyes a deep and somber
black. "Sharon Johnson?" Eileen
asked, standing and offering her hand. "Eileen Reed, Colorado
Springs Police, Special Investigations." "How do you do?" Sharon
asked politely. She took the hand and shook it briefly. Her hand
was warm and dry. "Please have a seat," Eileen
said. Sharon took a chair quietly, folded her hands on her lap,
and waited. Eileen seated herself as well, and studied the other
woman for a moment. Sharon's body was thick-figured, big
breasted, her legs short and chunky under the soft cream cotton
of a dress that was quite obviously new. The shoes were scuffed
and well worn, although of good quality, and she wore no jewelry.
Her hair, thick and black, curved beautifully to her shoulders
and her skin was a miracle, without tonal variation or flaw, a
perfect buttered toffee brown. "Lowell is still not up for
an interview?' Eileen asked quietly. "He asked me to come in
first. Doug took him something to eat. He was still feeling
pretty bad." "It has been a terrible day
for you folks." "A terrible day," Sharon
repeated. "Did you know Terry Guzman,
Ms. Johnson?" "Sharon, please, Miss Reed.
Yes I did." "Sharon, then. Please call
me Eileen. Were you friends with Terry?" "No, I wasn't," Sharon said
firmly, and stirred in her seat. "But it is, a terrible thing, to
die that way, a very bad thing." "Why weren't you friends
with her?" Eileen asked gently. "She felt that I—" Sharon stopped for a moment, a
look of bafflement coming over her face. Then her expression fell
smooth again. "I don't have a four-year degree, Miss Reed. I am
going to night school and they've given me this position while I
finish. I—" Here she looked down, her mouth
twisting for a moment as though she struggled with some unnamed
emotion. "I have been having difficulties. Terry has not been
kind to me." There was a pause. "Terry was not kind to me." There
was relief in Sharon's voice when she corrected the
tense. "Why wasn't she kind?"
Eileen asked. "I don't know. I wish I
knew. She was not kind to me, and I did not speak to her because
of it." "I see," Eileen said. "Was
it racial?" Sharon looked at her without
surprise. "No, I don't think so. You
get to know pretty quickly when someone hates you because of your
race. She didn't like anyone, I don't think. She never looked at
me like I was a human being, but it wasn't because of my
race." "I'm trying to get an idea
of what Terry was like, that's all. More importantly I need to
know exactly what you did today, everything you can remember.
Even if it doesn't seem important. All right?" "That's fine," Sharon said.
She took a deep breath. "Okay then," Eileen said,
smiling. "Tell me everything from when the alarm went off this
morning." Sharon looked surprised,
then shrugged. "I got up at five-forty-five
this morning. I have three children and I got them off to school
before I came in." "Where do they go to
school?" Eileen asked, hearing "School" instead of "school" in
Sharon's voice. "The Colorado Springs
School," Sharon said. Eileen was surprised. That place was
private, aimed at the Ivy League. Tuition was horribly
expensive. "It's worth it," Sharon
explained. "They pay me a regular engineer's salary, it allows us
to pay tuition and eat. They pay for my schooling, the company
does, and books. Graham suffers, sometimes—he'd like to be dressed in fancy
shoes like the other kids, but I'm bringing him up proud. He
knows what it takes and he doesn't whine." "That is an incredible
accomplishment," Eileen said slowly, and meant it. "When did you
get to work?" "I got to my desk about a
quarter till eight. I fixed myself some tea and walked over to
get a donut, that's our Game Day bonus. When I got into the room
I saw Terry talking to Major Travers. There are two donut and
coffee tables. Terry was standing by the first one. So I went to
the other one." Sharon focused in on Eileen.
"I'm trying to be honest, Miss Reed. I hope this doesn't get
anyone in trouble. But you should know how I felt about
her." "I understand," Eileen said
quietly. "All right. I got to the
table. 'Berto was there too. I always pick out the blueberry cake
donuts if they have them. 'Berto always has those chocolate
cream-filled ones? Joe calls them sugar and grease bombs. He eats
the chocolate raised ones, though. So we started eating our
donuts and we wandered over to Art's console, the Truth Team
area. Art and Joe were watching some kind of network monitor on
the screen. They—I'm sorry, it was Art—kicked out a couple of chairs and
we— 'Berto and I—sat down. There was the usual
crowd of people in there, all the military types and the Civil
Service gray-suits. Everyone was just stuffing their faces with
the donuts and drinking coffee out of Styrofoam cups and just
talking as fast as their gums could flap. My! Working in the
Center, you don't realize how you get used to the quiet. Game Day
is always so noisy." Sharon shifted in her chair.
She unfolded and refolded the sensible legs. "I sat next to Joe
and pretty soon we started talking a little bit, about the
Brilliant Pebbles. He is pretty stressed on Game Day." Sharon paused. "Joe and Art
were trying to fix a problem on the day of the Game. That's like
retooling the motor when you're launching a ship." Sharon shook
her head. "I can't stay late, I have the kids, but I was here
until six last night finishing up some testing. If I had found a
problem, I would have called Marion, my neighbor, and she would
have watched the kids until I got the job done. We always make
the Game." "Was everyone that
dedicated?" Eileen asked levelly. "No," Sharon responded
slowly. "You know who was not. Her stuff always worked, but I
can't see how. Unless—" "Unless what?" "I have thought for quite a
while that someone else was helping her. I mean, writing her code
for her," Sharon said, and bit at her lips. "Software has a
fingerprint. You can't write code without leaving your mark on
it. Terry wrote sloppy, terrible, confused code. Then it started
to get better, right after Sully died and we thought that was it
for her—" "What? Who died?" Eileen
interrupted sharply. "Oh, I'm sorry, you don't
know. Sully was another engineer. She wasn't killed or anything
like that, it wasn't... murder." Her voice died away. "Tell me about Sully,"
Eileen said grimly. "Sully was Harriet Sullivan.
She was a Gamer. She was real abrasive, but she was good. Terry
and her didn't get along at all. She was—Sully, I mean—she was so fine nobody could
touch her, not even Lowell. I know Terry tried to get her fired,
she hated her so much. She was so witty, you know? Just that turn
of phrase that would sting you bad. If you knew Sully, you would
laugh, because she was really a good person. She wrote me a note
once when I gave her some terrible code and asked if having three
children made me stupid, or was it just a defense
mechanism." "That's rough," Eileen
commented. "Yes. Sully was rough. She
made me cry a few times, before I got used to her. Then we were
just fine, I understood her. She had no biases, except for
stupidity. Then she changed, near the end." "How did she
die?" "She skidded off the road
driving to work. She was broad-sided by a truck and killed
instantly," Sharon said, her mouth a thin angry line. "She was
working a lot of overtime, just like the rest of us, to make up
for Terry's mistakes. One person on the team doesn't pull their
own weight and everybody suffers. Terry made everybody suffer.
None of us liked her before then, but afterwards ... I don't know
how we held together. We had a wake. We never eat the sprinkle
donuts during a Game. It's stupid, but they were her favorites.
The military guys eat them, usually." "Why did she
change?" Sharon looked
discomfited. "The girl is long dead,
almost two years now," she said. "And it's old news." "Tell me," Eileen said
patiently. "Sully and Joe were
together," Sharon said quietly. "It was very sudden. I expected a
wedding within the year. She was so in love she forgot she had
rough edges. And then she was killed." "I see." "I hope you don't think
Joe— Well. Killed Terry, I mean,"
Sharon said. "I'm sure he wanted to, we all wanted her gone from
us. But we put it back together and went on." She abruptly folded her arms
tightly around herself. "I feel like I've told you more than I
should, Miss Reed." Eileen looked at Sharon
gravely and sympathetically. Something about Eileen's face, which
always appeared to be a rather plain sort of face in her mirror,
seemed to open people up like magic. Eileen had three murder
confessions to her credit, and none of the murderers could later
describe just why they spilled their guts to Eileen. "I think you listen, Miss
Reed," Sharon suddenly added. "You really listen. I don't
think very many people do that. Anyway, that's what I know. I
hope this helps." "You are helping me a great
deal," Eileen said. "Anything you say to me is going to help me
find the person who killed Terry. That's what I need. Don't be
nervous. The only person this information is going to hurt is the
murderer." "I want that," Sharon said,
her eyebrows puckered in distress. "I just don't want it to be
someone I know." "How about we get some
coffee and take a break and then we finish up talking about the
Game? Sound good?" Eileen found the coffee
machine. She needed time to think, too, to digest the image of
the slack dead girl that was forming in her mind. Terry's shadow
was beginning to take on the outline of a monster. That was
disturbing. She had worked a couple of cases where the victim was
an evil person, but both times the murderer was standing ready
for the handcuffs when the police arrived. Once, a woman who
killed her husband, another a man who killed his sister's
boyfriend. Both abuse cases, both straightforward. Terry was
different. Instead of a murder of passion, Terry's was more of an
execution. Eileen nearly spilled coffee
from Joe's mug. This was confusing, and she was beginning to be
tired. There was still much to do, and again there was the
whisper in the back of her mind that she was out of her depth,
out of her depth. She sipped the hot fragrant coffee and reminded
herself firmly that her abilities had nothing to do with Jim
Erickson, that they were within herself and dependent upon no
one. This was her case. This was her time. No matter how exotic
the surroundings, the blood and the death were just the same as
any other. "Just the same," she
murmured to herself, squared her shoulders, and headed back to
the conference room.
10 Gaming Center, Schriever Air
Force Base Sharon was waiting for
Eileen when she returned with coffee, hands folded in that
Madonna quiet pose. "Where were we?" Eileen said
briskly. "No coffee for you? No? I think we left off where you
and 'Berto were talking to Joe about those rock
things." "Brilliant Pebbles," Sharon
corrected, smiling faintly. "Tell me about Terry. Tell
me when you found out." "I was in my room. I had my
communications gear on, and I played the game. That's all I
remember until the ground interceptors didn't go off, and then I
heard screams." Sharon shuddered suddenly and intensely,
gooseflesh rising on the smooth brown of her arms. "Did you see anything odd
afterwards? Anything different, anything not quite
right?" "I know what you're asking
for," Sharon replied, "but everything was odd. Everyone was out
of their seats and standing around, and all the doors were open
to the rooms. I could see that Terry was dead. I looked over at
Joe and he was standing by Art, they were both just as white as
sheets, and they were frozen, just frozen. Art's hands were still
held over the keyboard like he was going to start typing
again. "And then I saw Lowell, He
was looking completely confused, embarrassed really, he couldn't
see the room, and he must have been upset that Terry had messed
up again. Then he saw the faces, and I think he started to
realize that it was worse than he thought. 'Berto came up next to
him and put his hand on his arm, and when Lowell tried to start
forward he held on to him. I saw 'Berto might need my help and I
went to Lowell too. We actually pulled him into his room and shut
the door, he was trying to break free of 'Berto and go to Terry,
but 'Berto, you know—" Sharon made an arm gesture like
a weight lifter, and Eileen nodded. "I held him too, until the
first shock was over and he started crying. Then the paramedics
came, they gave him some tranquilizers. "It's funny, really, I think
it was 'Berto and I because we've seen death before, we're both
from the ghetto. Well, the barrio, in his case. I lost two
cousins to the gangs. A girlfriend of mine got killed by a stray
bullet. 'Berto, he saw friends go down too. We know death. So we
were there for Lowell while people like Joe and Doug were just
standing still." "I'm glad you were there for
him," Eileen said quietly. "Is there anything else? Anything you
can think of?" "I don't think
so." "You've been very helpful,"
Eileen said. "I appreciate it. I might need to speak with you
again, but I'll be here tomorrow. I probably won't need to
contact you at home. If you think of anything at all, could you
call this number?" She flipped out her badge and dug behind it
for her business cards. She held one out to Sharon, and the other
woman took it in her sturdy fingers. "Thank you," Eileen
said. "You are welcome," Sharon
replied, and got to her feet. "I think you are a good cop, Miss
Reed. I've seen bad and I've seen good," she smiled wryly. "And
you seem pretty good." Eileen stood and shook
Sharon's hand, feeling absolutely confident that this woman was
no murderer. Eileen usually felt this way after an interview.
Perhaps that was part of her success as an interviewer. She
listened, she believed, she was sympathetic. Sharon could be the
murderer. "I'll get Lowell for you, is
that okay? He really needs to go home pretty soon. Nelson called
his family in Denver and Lowell's got a brother coming down to
stay with him tonight." "Lowell would be fine,"
Eileen said. "Thanks." Eileen glanced at her watch.
Four-fifteen in the afternoon. She felt as though it could be
midnight. The lack of windows was stifling. She sipped at her
good strong coffee and looked through her pages of terrible
notes, and wondered if she could talk Bob, the station office
manager, into using the page scanner. Then she would have pages
of good clean type, with only errors to correct when the scanner
couldn't tell what she had written. She'd be at Schriever until
late. Perhaps she'd drop by the station after hours. Bob was a
notorious tightwad and didn't like Eileen. He kept asking her to
type her own stuff, get her own supplies, in general to do all
the work Bob was supposed to do for the detectives. Eileen
ignored his complaints and made him work for her, which didn't
help Bob's temper or his opinion of Eileen Reed. Lowell Guzman entered the
room with another man—it had to be Doug Procell, the
only other Gamer Eileen hadn't interviewed. Lowell was shiny pale
and sweaty, with blurred and dilated eyes. Sedatives. Doug, the
other Gamer, a slender nondescript type in a gray suit, helped
Lowell find a seat and vanished with an embarrassed mumble Eileen
didn't catch. Eileen didn't care about
Doug Procell at that moment. Her interest was focused on Lowell
Guzman, new widower, husband of a murdered woman. Guzman was
rather short and gently rounded all over, from pudgy face to
square feet in loafers with the seams giving out along the sides.
He was not precisely fat, there was no beer belly or rolls around
the neck, he was just big. A teddy bear type, a friend of
Eileen's had called that kind of man. Huggable. "I don't want to keep you
long," Eileen said gently. "I just need to ask a few
questions." "Okay," Guzman said with an
effort, eyes focusing on Eileen for a moment and then sliding
away, blurring again. "I—" he said, for a moment struggling
to speak, and Eileen noted the strong brown hair, curled like
wires on Guzman's head, the healthy tone of the skin under the
grayness of shock and medication. Guzman had bushy eyebrows and a
firm jaw under a soft padding of fat. "I—okay," Guzman tried again, then
sighed. His eyes teared up. "Okay. Sorry." "I understand. Just relax
for a bit. How old are you?" "I—oh. Thirty-seven." The voice was
rusty but there. "How old was
Terry?" "Thirty-five." A hoarse
whisper. "How long were you
married?" "Three years." "Any children?" "No. I mean, yes. I have two
girls from a previous marriage. They visit." "Okay. How long have you
worked here?" "Four years." Eileen took him through the
standard questions slowly, evenly, without the variations she had
thrown the other Gamers. There would be time for that later, when
the sedatives and the shock were gone. Terry had come to Gaming
barely four months after her marriage. With Eileen's mental
sketch of Terry already forming, she found herself wondering if
the marriage hadn't been a response to her imminent layoff from
Digital Equipment Corporation. Then she frowned at herself.
Marriage, to avoid unemployment? Not likely. "Was Terry married before
this?" she asked. "Yes. She was divorced two
years before she met me," Lowell said tiredly. "Name?" "Vance somebody. Something
real plain. Oh, yes. James. Vance James. Why?" "We just need to find out
everything we can," Eileen said gently. "Where was she
born?" "I don't know." "Well then, where was she
from?" "I—I don't know that either," Lowell
said wonderingly. "I asked once, but she didn't want to talk
about it." "Family? Does she have
family?" "No. She said her mother and
father died years ago, when she was in college. No brothers or
sisters either, I think." "You don't know?" "She didn't like to talk
about her past!" Lowell burst out. Fresh tears ran down his
swollen and raw-looking skin. "She didn't talk about it. You can
find that out by looking at her security paperwork. I never
looked at it, she didn't want me to. If there was anything wrong
with her past, they would have found it. Okay?" "Okay," Eileen said evenly.
"These are just questions, Mr. Guzman. I'm not trying to accuse
you or her of anything." "Okay," Lowell said with an
effort, looking confused and angry, and bewildered. Eileen knew
the look. There would be all the stages to go through, the denial
and the rage and the bargaining, and the final acceptance. Eileen
was often long out of the picture when the last peaceful stage
was reached, unless the person appeared at the trial. "Sharon said that someone
would be with you tonight, is that right?" Eileen
asked. "Yes, my brother
Jeff." "Okay, then. Please lock up
tonight. I don't mean to alarm you, but whoever it was might
threaten you too, Mr. Guzman. And please don't touch any of
Terry's things. I'll be by sometime tomorrow to look through
them." "Why would you look through
her things?" Lowell asked. He looked exhausted and upset, like a
bear being teased in a cage. "Just a normal part of
police procedure, Mr. Guzman. I'll ask you some more questions
tomorrow when you're feeling a little better, all right? And if
you think of anything, here's my card." "That's all?" Lowell asked,
confused. His fingers trembled on the tiny slip of
paper. "That's all for now. All
right, then?" "All right," Lowell said in
relief. "How about fetching Doug
Procell for me." "All right." He left, and
Eileen sighed and worked her shoulders back and forth in her
jacket. "What a day," she murmured.
She rose to her feet when Doug Procell entered, the nondescript
type in the gray suit, the last of the Gamers. Eileen glanced
down at her list, seeing the check marks by every name: Nelson,
Joe, 'Berto, and Arthur Bailey before lunch, Sharon and Lowell
after lunch. The last check mark was the gray-suited man now
extending a hand to her. "Doug Procell." "Eileen Reed. Please sit
down." Doug sat down, and as he did Eileen took a good look at
him, reaching past the expensive suit and the regular features
that would make him invisible in any business crowd. Here was
actually quite a handsome man, with direct hazel eyes behind
wire-rimmed glasses, thick black hair, and a strong chin. His
hands and feet were large. There was a good breadth to the
shoulders but no real depth, unlike 'Berto. Doug Procell had more
of a runner's frame than a weight lifter's. He looked
healthy. "When did you learn about
Terry's death?" Eileen asked. "When Nelson found her, same
as everyone else," Doug said. "But I wasn't surprised that she
was murdered." "You weren't?" Eileen asked
sharply. "Why?" "Because I was expecting
another murder." "Another murder?" "I don't believe
Sully—Harriet Sullivan—drove off the road. I think she
was driven off the road," Procell said. "I think it was murder.
Sully—" "I know about Sully," Eileen
said. "Sharon told me. But she didn't think it was
murder." "I know. No one thinks these
deaths are murders. But I do. There have been three deaths here
at Schriever in the past four years. Three of them! Two of them
were late at night, no witnesses, just the car run off the road
and the person inside dead. The third, a person you don't know,
John Richmond, he smashed into a garbage truck going sixty-plus
in the midst of early-morning traffic. No evidence of foul
play." "You think there
was?" "I'm sure of it," Procell
said grimly. "Look, I can get you my file." "Your file?" Eileen felt
completely stunned. "My file. I've been keeping
notes on the murders within the Missile Defense Program since
1987. There were six people killed in Great Britain that year.
Their deaths were all strange. All completely mysterious. Why
would a young man kill himself by driving his car, loaded with
gasoline cans, into an abandoned caf6 in London? That's a death
no one wants to die, being burned alive. I don't think he wanted
to die." "Wait, wait." Eileen held up
her hand. "Let me get this straight. You think Terry Guzman is
one of a number of murder victims? All people who work on the
Missile Defense program?" "Yes, I think so," Doug
Procell said. His earnest hazel eyes held Eileen's. "I guess I
shouldn't be happy about this. But I've been collecting this
information for years, and no one believed me, and now they have
to believe me. Terry Guzman wasn't killed. She was
executed."
11 Central Intelligence Agency,
Langley, Virginia "I'm here," Lucy said at the
doorway to Mills's office. "What's up?" He looked up from his desk
and glared at her. He was a thin man with fading blond hair, and
if Lucy felt obligated to him in the slightest, she would have
hated him as a boss. As it was, she could get a job in the
civilian world as a computer engineer within twenty-four hours,
and therefore Mills had very little power over her. Mills knew it, too. Lucy
knew he was offended by her. She knew he was offended by her dark
Italian beauty, by her intelligence, by her casual attitude
toward himself as a boss and her job in general. The worst
offense of all to Mills was Lucy's work, which was incredibly
good. Mills couldn't stand that. Mills wanted a WASP worker
from the 1950s, Lucy often thought, a shrinking white man in a
white pressed shirt whose future depended on the good graces of
his boss, namely Steven Mills. Mills wore the fifties uniform,
perhaps unconsciously. His pants were polyester and his shirts
white, and he wore a pocket protector with no sense of irony. His
hair was combed back and slightly dusty, and his teeth, though
white, were hid behind lips that were always chapped and
raw-looking. Lucy thought perhaps he had an ulcer, because
sometimes she caught a whiff of his breath and it was chalky and
desperate-smelling. She hated when she could smell his breath.
She walked into his office and dropped into a comfortable chair
without being asked. She smiled at him and rubbed her slightly
rounded stomach. "The baby needed the chow,
Steve. So what's up?" "We had a development in a
related case," Mills said. "The Missile Defense
homicides?" Mills nodded and rubbed his
forehead with his small manicured hands. He looked
tired. "The FBI has had a suspect
under surveillance for almost two years. The FBI contacted us
today. He skipped town. Boarded a plane to Paris at noon and is
just clean gone." Lucy leaned back in her
chair. The CIA didn't engage in surveillance in their own
country; that was the duty of the Federal Bureau of
Investigation. The FBI did the investigation and got the glory in
the United States, although the CIA was often the controlling
organization. American spies were handled in the press with great
fanfare. Foreign spies sometimes made the back-page news as they
were deported. It wasn't fair, but that was the way the business
worked. "What kind of
suspect?" "Espionage. NORAD, Peterson,
Fort Carson, and Schriever. He posed as a corporate headhunter
for engineers. Made quite a living at it, too. His name was
George Tabor, and we had positive ID. We almost had him cold. He
sold to everybody: the new Russian Republic, the Baltic States,
Japan. The only countries he didn't sell to were the Moslem
countries in the Middle East, and China. He didn't seem to have
any contacts in the Middle East, and he hated the
Chinese." "Schriever," Lucy said. "He
was spooked by the murder? Wait a minute. He left at lunch? He
must have been tipped off by someone at Schriever." "Right," Mills said,
irritated. Lucy had come to the same conclusion he had, only it
took her about three seconds and it had taken him
hours. "So if he was tipped off,
that must mean the murdered woman was involved. Maybe she was his
contact. Or she smuggled information to someone who gave it to
Tabor. What did she do?" "She was a computer
engineer. Software. In the Gaming division. Her name was Terry
Guzman, and she'd worked there for almost two years." "Gaming. She could get a lot
of good stuff out the door," Lucy said angrily. Espionage
offended her. She hated it. It was vile and disloyal, like
cheating a member of your own family. "Very good stuff," Mills
said. "The latest algorithms for the battle managers. The whole
Missile Defense program is mostly old technology, you know.
Brilliant Pebbles are just fancy rocks. It's the computer
programs that make the system happen. She's got—or she had, anyway—connection with all the
latest." "Could she have been killed
because she wanted to stop?" "I don't know. Right now her
case is being handled by Detective Eileen Reed, Colorado Springs
Police. She's probably still at Schriever. You can speak with her
if you want, we can set you up as an employee of the
DIA." "That might be helpful,"
Lucy said slowly. The DIA was the Defense Intelligence Agency,
the organization that handled security clearances. "But first I
need to speak to Colonel Olsen. Is he aware of the Missile
Defense homicides?" "He's aware of the need for
secrecy," Mills said carefully. "The only military official we
brief on this project is the Missile Defense commander in chief.
That's Admiral Kane. You'll have to keep this one sealed up.
Don't even mention Tabor to Olsen." Lucy felt a burst of
irritation, but controlled it. Why in the world would the CIA
want to keep a series of murders so quiet? Why wasn't this case a
higher priority within the Agency? There were twelve dead people
on that list. "I'll get on the phone to
Olsen. I can contact the FBI on this one?" "Yes, but don't—" "I know, I know," Lucy
interrupted. She got up from the chair. "They don't know about
the missile defense homicides, do they? I won't let it
slip." But as Lucy walked down the
hallway to her own office, she made a resolution to herself. She
was going to find some answers. Conference Room, Schriever
Air Force Base Eileen pinched the bridge of
her nose, fiercely, the sharp annoying pain bringing her back
into focus. She knew she had to quit soon, and leave this place,
and get some food. "Mr. Procell, I want that
file," she said, and the slump of relief in Procell's shoulders
was almost comical. "I will read it. I will look at it. If Terry
is one of your murder victims, then hopefully I can hand off this
case to whoever is working the other cases. Right now, they are
all supposed to be accidents." She held up her hand as Procell
started to speak. "But I will also look at this case as an
isolated murder, and I will find that murderer. The best way I
can do this is collect your file later. First, I need to find out
about you. Is that clear?" Procell smiled at her
peacefully and relaxed back into his chair. "Yes, ma'am," he
said. "All I want is for you to read the stuff." "You got it," Eileen said
grimly. She felt a kind of sickness in her stomach. She didn't
want to lose this case to the Air Force bureaucracy that had
buried Bernie Ames with such careless insult. She didn't want
this case, but now it was hers and she intended to finish it, no
matter how deep the waters got. If there were multiple murders
going on at Schriever Air Force Base, then she was just going to
have to solve them all. She clenched her pen and
looked at Procell. "Now, tell me about you. How
long have you been working here?" "Almost ten years. I worked
on another project down in New Mexico before this
one." "Did you know Terry
Guzman?" "Yes, I did. I—I don't want you to find this out
later, and think that I'm hiding something, so I'll tell you now.
Terry and I went to the same college. Nobody else here knows
that." Eileen didn't hide her
surprise. "Why doesn't anyone else know?" It seemed like harmless
information. "Because Terry wanted it
that way. She had a bad marriage, I guess, and wanted to leave
her past all the way behind her. So when we met again she
pretended she didn't know me, and when I asked her later she ...
well, she asked me not to tell anyone." "What was the
university?" "University of Utah, Salt
Lake City. We saw each other in a few computer classes, is all,
but you know Terry, she's—" Abruptly, Doug stopped.
Eileen saw the fact of her death strike Doug suddenly, as a
reality and not a confirmation of his pet theory. The color
washed from his face. For a moment Eileen was sure Doug was going
to pass out. Doug reached out and gripped the table edge with one
of his big hands, holding so hard the hand washed white and
bloodless. "Okay?" Eileen asked as Doug
lowered his head. "Mlright," Doug slurred. The
seconds passed. Doug pulled himself upright. There was sweat on
the clear brow, but his eyes were focused. "Okay?" Eileen asked
again. "I'm okay," Doug said, and
sat back in his chair. His face was paper white. "It hits you like that
sometimes," Eileen said gently. Sometimes the fact of murder took
a while to sink into the murderer too. "Just try to relax. You
want some water?" "How about a pop?" Doug
still looked faint. "Takes you fifteen minutes to get one. You
want to walk out there and back? The pop machines are all the way
in the stairwells." "That sounds like a great
idea," Eileen said. "I would like to stretch my legs,
actually." Doug got shakily to his feet
and led the way back through the maze of offices, empty now, and
down the corridor to the submarine door. "Why don't they have pop
machines in here by the bathrooms?" Eileen asked. There were
spaces next to the rest rooms for pop machines, and heavy-duty
electrical outlets. The rest rooms were by the submarine doors.
There were no machines in the alcoves. "That's a breach of
security, you see," Doug said with a wry smile. "I'm the class
crazy, but even I think it's ridiculous that the Russians or the
Chinese or whoever would put listening devices in our pop
machines. If they can do that, why can't they just put listening
devices in our pops, we carry them right back to our desks? I
don't understand." Doug spun the heavy door and
stepped through with an ease born of long practice. He gestured
Eileen to follow, then spun the door shut with a heavy, final
sound. "What a door," Eileen
said. "Your tax dollars at work."
The color was coming back into Doug's face. "I don't mind the
doors so much, there are some pretty sophisticated listening
devices out there. I was at a Hughes Aircraft facility in Los
Angeles once and saw a demonstration. Big Chevy van, not really
an odd-looking antenna, not for L.A., and parked outside the
Hughes building. Way far away, I mean more than a city block. And
they had screens that were printing out what people were typing
into their terminals, inside the building. Scary." "That door stops
that?" "Stops everything. No mice,
no insects. I've never seen a spider even. Like a big vacuum
jar." Doug led them to a door
marked "Stairwell #3" and opened it. There were huge candy and
pop machines humming next to the stairs. "I've got extra change, let
me," Doug said. "You learn to carry change around here. It's a
long walk back to your desk." The pop cans chunked down
into the bins below. Eileen opened hers and took a long, grateful
swallow. "This will help," she said.
Doug took a long drink of his own pop and opened the door back to
the corridor. Eileen did not make it obvious, but Procell ended
up going through the doorway first. The corridors were very quiet
and very empty. The conference room seemed
even more stifling after the brief walk. Eileen sat down with a
sigh. Procell took a chair. "I feel better." "Me too." Procell's fingers
trembled faintly on the can of pop, but his mouth had lost its
gray, pinched look. "Tell me about the War Game.
Start out with your morning, every little detail. From the time
you woke up." "From the time I woke up?"
Procell asked, puzzled. "What does that have to do with your
case?" "I don't know what it has to
do with this case," Eileen answered steadily. Procell thought
that over for a moment and then nodded. "Okay," he said. "I got up
at five-fifteen and showered ..." Gaming Center, Schriever Air
Force Base It was nearly six-thirty
when Eileen picked up the conference-room phone to dial Major
Blaine. Procell had told her every tiny detail of his day, and
she had learned absolutely nothing. Eileen wanted to view the
Game tapes, but she knew she was too tired. Harben needed a
report as well. She'd seen Blaine lock and tape the entrance to
the Gaming Center. Blaine set a security guard at the only
entrance to the Center. The tapes were as safe as they could be,
and Eileen was hungry. "Security, Major Blaine
speaking." "This is Eileen Reed, Major
Blaine. Can you come guide me out of this place?" "I certainly can," Blaine
said warmly. "I've been catching up on paperwork waiting for your
call. I'll come right over and show you the door on our way out,
and you can give me your report." Eileen sat for a moment in
silence, feeling her heart pound so loudly that her hand trembled
on the phone. "I report to Captain
Harben," she said, much more softly than she wished. She was
afraid her voice would crack if she spoke any louder. "But I'll
be happy to discuss what I'll need for tomorrow." There was a small silence.
Eileen bared her teeth in a smile. She knew the way the military
world worked. Major Blaine thought of Eileen as Captain Reed, a
former Air Force pilot and the Major's subordinate. And a
woman subordinate, to boot. Major Blaine wanted to give
Eileen orders. She was not— not!—going to let that
happen. "Oh." The voice on the other
end of the line showed annoyance. "Well—I'll be right there." "Thanks." Eileen set the phone down
gently and took a few deep breaths. Her notes lay in an untidy
pile in front of her. Now more than ever, she was bound to solve
this case. How long did Harben say she had before the Air Force
OSI officer arrived? Three days? Not enough time, usually, to
close a case. She would just have to work harder on this
one. She flipped through her pad
of notes, making an occasional correction or footnote, waiting
for Blaine to arrive. The office outside the conference room was
totally deserted now. The office lights were on, but the desks
were empty. The screen-saver patterns that played on the
computers gave an eerie kind of motion to the big room, as though
right outside of Eileen's peripheral vision the computers were
turning, moving, and whispering to each other. "Creepy," Eileen said to
herself. The silence and the motion were oppressive. Undoubtedly
the murderer was gone from this building, just as the murdered
woman was gone, but the murder itself remained. Eileen shared a
solemn belief among police, that the physical location of
violence, especially murder sites, retained some kind of
malignancy long after the blood and remains were cleared away.
Police liked to live in new houses, although they could seldom
afford them. Eileen felt certain she must
have spoken to the murderer today. Despite Procell's file, which
lay thick and as yet unread by her elbow, she felt certain that
Terry Guzman was murdered by one of the people in the Center.
She'd probably been murdered by one of the people Eileen had
interviewed, though she hadn't the faintest idea who. She turned to look at the
file, bulging with newspaper clippings and paper-clipped reports,
and felt an exhausted kind of impatience. She hated this whole
military world, had hated it since before Bernie had died so
senselessly, and here she was being drawn back into it. Joe
Tanner was— "Well, Detective?" Blaine
said from the doorway. "Let's go" The last of the day's light
was fading behind Pikes Peak as Eileen and Major Blaine stepped
outside the building. The air was fresh and warm, and smelled of
a recent thunder-shower. Eileen took a deep breath. "How can they stand to work
there?" she murmured to herself. Blaine shrugged and led the way
to the sidewalk that would take them to the retinal scanners and
Eileen's car. "The pay is good, the work
is good. How often do you really look outside the
window?" "All day long," Eileen
said. "You'll be back tomorrow?"
Blaine asked, managing to make it sound like an order. He looked
jittery, as though he'd had too much coffee or pop that
afternoon. "I spoke to Air Force Special Investigations, the
closest time they can have their man out here is in three
days." "I'll return tomorrow
morning to review the tapes," Eileen said mildly. There was silence for a
while, as they walked along the flank of the huge building that
housed the other space communications center. "Remember, there isn't
anything out here except a weather station, once you leave the
base," Major Blaine said stiffly, scratching at his arms as
though he had old mosquito bites there. Perhaps she was making
him nervous. Eileen liked the thought of that. "I know. I've had clearances
before. Didn't like 'em then, and I don't like it
now." "Tomorrow morning, then.
Eight o'clock?" Blaine's light-colored hair looked faintly sweaty
where it showed under his cap. The little mustache drooped. He
looked tired. "Sure. All I need is access
to the room and paper and pencil. I'll supply the paper and
pencil." "I'll meet you at the gate,
to get you through one more time. Then your badge and number and
retinal scan will be enough." "And no more problems with
my weapons, I assume?" Eileen asked without a smile. "No problems," Blaine
said. They came up to the tiny
building full of scanners, and Blaine took out his piece of paper
again. "Seven eight nine three," he
reminded Eileen. "You just swipe your badge through the slot,
like a credit card, and key in the number. You don't need to scan
on the way out, only on the way in." Eileen felt the same
claustrophobic feeling as before when the glass door clicked and
locked behind her. She swiped her badge through and keyed in the
numbers. There was a pause, and a click. She pushed the door open
and stepped through. Blaine was already through and waiting for
her. "Everything set? Keep the
badge. If I think of anything, I'll call the station." Blaine
balanced his briefcase on one knee, opened it, and rummaged
around for a moment before pulling out a business card. "I never
use these things," he said. He closed the case and put it under
his arm, dug in his pocket for a pen, and wrote a number on the
card. "My home phone," he said, holding out the card to
Eileen. "Thanks." "Tomorrow morning, eight
o'clock," Blaine said, and turned away. Eileen nodded, and dug
into her pocket for her own car keys. There was a phone in the
little retinal-scan building. She called in to the station and
told Harben she would be in after she'd gotten some supper. She
asked Harben if he wanted anything, and Harben said no. No one
ever saw Harben eat. Peter O'Brien swore that Harben was a
vampire and drank only human blood. Since there were never
blood-drained bodies found in Colorado Springs, O'Brien had come
up with the theory that Harben must have a deal with Memorial
Hospital. O'Brien had even passed around a rendition of a
blood-bank savings account made out in Harben's name. Eileen and
O'Brien laughed until they were leaking tears. Harben got a look
at it and never cracked a smile, which made O'Brien and Eileen
laugh all the harder. A new detective, Stan Jabowski, was too
nervous to laugh. He didn't know Harben yet and was afraid that
Harben was offended. "Vampires don't laugh,"
O'Brien had said, trying and failing to keep a serious
face. Eileen smiled at the memory,
and flicked on her lights as she pulled her Jeep out of the
parking slot. Then she felt sad, remembering Stan Jabowski hadn't
had much of a chance to get dry behind the ears. He'd been killed
on Nevada Avenue less than a month later. Eileen waved to the guard at
the gate and accelerated into the curve.
12 Colorado Springs
Investigations Bureau "... So that's the wrap,"
Eileen finished comfortably. She wiped her fingers on a napkin
and took a big sip of her soda. The scraps from a sub sandwich
lay on waxed paper. A few shreds of lettuce had fallen onto
Harben's immaculate desk. Behind Harben the blinds were drawn
against the dark. "Use the scanner, get those
notes onto your machine," Harben said. He never referred to a
computer as anything but a machine. "Okay," Eileen said. She
picked up the lettuce shreds and ate them slowly. "I didn't get
any feel for who the murderer is. This Procell file worries me
too. I'm going to have to call up the traffic-accident reports
from those other scientists." "The ones who were killed
commuting to work?" Harben asked. "Yeah. Harriet Sullivan. Um
... John Richmond, I think." "Do you know how many people
are killed every year on that stretch of highway, Eileen?" Harben
asked coldly. "We scrape up bodies every month from that road.
I'm sure Procell—is that his name?—has some interesting statistics,
but if the government hasn't taken an interest, I'm not so sure
you should waste your time." "The government doesn't
always know what they're doing," Eileen said quietly. "Bernie crashed in a very
expensive plane. There's a greater desire for a
cover-up." Eileen winced. "A secret murder campaign
against scientists in the military would be great tabloid
material," Harben continued. "Why wasn't this made public? You
said Procell's first notes started years ago." "I haven't read the whole
file." "I suggest you skim the
file. Procell's entire intent may be to divert attention from
himself or from someone he's trying to protect." "Okay," Eileen said, and
stretched. "What a day." "Don't make it too late,"
Harben said to her. "Oh, and you still have to start on the
Pendleton file. I sent Rosen out to do the prelim work, but I
want you to check it." Eileen nodded, and reached
out to crumple up the sandwich wrapper and drop it in the
trash. "All right, all right," she
said, and hoisted herself to her feet. "You are no fun sometimes,
boss." Harben didn't reply. He had
already turned, and was keying in the password to his
computer. "It was a good sandwich,"
Eileen said to Harben's back. "You shoulda had one." Central Intelligence Agency,
Langley, Virginia Lucy was deep. She was
getting to know George Tabor from a hundred different traces left
within the Web. Her office chair squeaked as she stretched,
putting her hands to the small of her back. The building was
darkened but not quiet. It rustled like a haystack full of mice.
Someone had burned a bag of microwave popcorn, and the stench
drifted everywhere. Lucy had an open cup of coffee in front of
her. For some reason, that killed the burnt popcorn smell. She
hated being here at night. She wanted to be home, nestled up to
Ted and watching something mindless on the television. But George Tabor, now. He
was an interesting fellow. Lucy saw his face, plain and friendly,
as her gopher sent the picture. George made it away clean. His
flight landed on schedule in Paris, and from there he could have
gone anywhere. Lucy knew his skills would be valuable. Where
would he go? Tabor wasn't her problem now, although she thought
their paths might cross sometime. She hoped they
would. She picked up the image of
the map the FBI surveillance man had created, along with the
routes he took when he walked his dog. Those walks were how he
made his pickups and dropoffs. Wait a minute. Lucy paused,
trying to focus her thoughts. The drawer of food was empty, and
her baby was clamoring for something hot. Something hot and
preferably greasy, like a hamburger. But there was something
there in the notes, something that snagged at her
mind. That was it. Did he take the
dog on the flight? She pulled up the travel records. No, there
was no dog checked on the flight. What did he do with the dog?
She was an English springer spaniel named Fancy, and he evidently
took good care of her, judging by the veterinarian record and the
FBI reports. Lucy thought, her fingers
poised over the keyboard. Then she searched animal shelter
listings in Colorado. In a few minutes Lucy had a possible
listing. He might have dropped her off at a Denver animal shelter
before flying out. The shelter listings tried to make the animals
as appealing as possible, in hopes of an adoption before the
relentless syringe. "English springer spaniel,"
the note read. "Female, spayed, three years old. Beautiful dog,
very well behaved. Good with children. Please adopt her! Left at
11:25 a.m." Lucy leaned back in her
chair and rubbed at her upset stomach. The baby was too small to
be felt, but she imagined the tiny fetus floating inside her,
eyes still unformed, with webbed fingers and little gill slits,
listening quietly to her and the steady sound of her
heart. "Well, little fish," she
said to her stomach. "I think Mr. George Tabor was a very careful
person. He was well prepared. And he loved his dog. That's what
the FBI report said, anyway. You can tell a happy dog. So if he
knew he was going to be leaving town, would he have left his dog
at an animal shelter? I don't think he would. He would have found
a home for her. I'll call the shelter tomorrow and see if I can
find out if that's her." Lucy paused. Or was she
being too sentimental? She sighed, and stretched, and started
shutting down her computer links. It was time to go to bed and
think this one over. There was a Taco Bell on the way home
too. Colorado
Springs When Eileen slotted her key
into her town-house lock it was nearly eleven o'clock. Her cat
was waiting at the door, angrily meowing. "Oh, Betty, you've got
plenty of food," Eileen said, picking up the big orange tabby and
stroking her fur. The cat settled in her arms and began to purr
loudly, meowing occasionally through her purring as though she
were not quite ready to stop being angry. Eileen kicked the door
shut behind her and leaned against it, exhausted. "Are you fatter
than usual, or am I just tired?" Eileen had never thought
herself a cat kind of person. She was a dog person. Cats were to
keep the mice population down on her parents' ranch. Then Betty
appeared on her doorstep, a scrawny fluff of orange, furiously
hungry. She kept her. She always meant to get a dog, but she was
away from home too much to have a dog. "I'm away too much to have a
cat too," she murmured, rubbing Betty's ears. "Time for a beer
and the news and bed." There was sometimes a man
who shared the bed. Two, maybe three, and they hadn't lasted and
Eileen wasn't sure why. She liked her solitude too much, perhaps,
or she was too used to it. She wanted a man like her cat,
self-reliant and self-entertaining. After a few weeks they wanted
her to pick up their socks and cook their food and rub their feet
after their hard day's work—in short, to turn into a wife.
Eileen wasn't ready for that. Not now, maybe not ever. She set Betty down and the
cat stalked over to her dish, looking back at Eileen pointedly.
One half of the double dish was full of dry cat food. The other
side was licked clean. "And some of that wet stuff for you, too,
Bets." Eileen yawned hugely. Maybe she would just forget the beer
and the news. She had to be back out to Schriever at eight
o'clock. Then she walked over and switched on the TV anyway, just
to give herself some company. Paris, France When George Tabor opened the
door to his modest hotel room, the man standing outside was not
familiar to him. That only made sense. George had never seen the
face of his major contact. The man was not very reassuring in
looks or manner. He had curly black hair and olive skin pitted by
acne. He could have been Italian or Spanish or Arab or Eastern
European. His clothes were Paris rummage sale, wool turtleneck
fraying at the collar and cuffs, sturdy no-color twill pants. He
slumped in the doorway, hands shoved in his pockets, and his
breath was bad. George immediately mistrusted him. George mistrusted everything
about this horrible adventure. He'd forgotten how clean and empty
the American West was. George felt a horrible pang of
homesickness. "You're George?" the man
asked. "Yes, and you are?" George
asked politely. "Mr. Brown," the man said
after a pause. "I'm married to Molly. She's
unsinkable." "Come in," George said
grimly. This was his contact. He knew the password, specific to
Colorado. The unsinkable Molly Brown was a famous Colorado
heroine but virtually unknown in Europe. It was a hasty password
but a good one. "I'm to take you with me,"
the man said. He didn't shift his slumped position from the door
frame. "Muallah would like to meet you." "Muallah?" "Muallah, the boss," the man
said. "I thought I was going to
meet Mr. Wulff," George said in surprise. His major buyer was a
polite German, Mr. Wulff. Who was Muallah? "Wulff is one of his names,"
the man said impatiently. "But his real name is Fouad Muallah.
And he doesn't like to be kept waiting. Let's go." Colorado
Springs Wednesday morning was
breakfast day. Eileen hadn't missed a breakfast with Gary Hillyer
in three years. They changed locations occasionally, to sample
new restaurants, but they always met at 6:30 a.m., somewhere, on Wednesdays.
This month was the Omelet Parlor on Fillmore Street, where Cathy
the waitress already knew their favorite breakfast dishes and
when to refill their cups of coffee. Eileen pulled into the dirt
parking lot, feeling cheerful. The Procell file lay, still
unread, on the passenger seat. The notes she took the day before
were in a neatly typed stack underneath. "Morning, Eileen." The
waitress showed her to the corner booth she and Gary had decided
was the best in the restaurant. The new day's sunlight shone
through the windows but left the seat in enough shadow so reading
the newspaper wasn't a painful experience. Gary Hillyer was
buried behind the morning's Gazette, a steaming cup of
coffee in front of him. "Morning, Gary. Thanks,
Cathy." Eileen slid into the booth and reached for the
sugar. "Why are you so happy this
morning?" Hillyer asked grumpily. He put down the paper,
revealing a basset-hound face and tired eyes. Gary Hillyer was
tall, with brown hair and eyes and a perpetual stoop to his
shoulders. The stoop was more pronounced this morning. "What kept you up all
night?" Eileen asked, stirring sugar into her coffee. "What makes you so happy?"
Hillyer responded. They had met over a case four years earlier.
Eileen wanted the information kept confidential. Reporter Gary
Hillyer wanted the facts known. The classic confrontation. Casual
gossip linked them as lovers, but not to anyone who knew Gary
Hillyer very well. Gary lived in a handsome Victorian on the west
side of Colorado Springs with Frank, his lover of twenty years.
Gary occasionally took Eileen home for dinner, a treat she
appreciated. Frank was a gourmet chef, and his dinner parties
were legendary. "New case," Eileen said. She
reached for the paper. "The latest on Nevada
Avenue? No? The body at Fort Carson, that Pendleton boy? Oh, no,
that wouldn't put such an interested look on your ravishing face.
He's a standard overdose, case already pretty much closed. Must
be the death at Schriever? It was a murder, then?" "Yes," Eileen
said. Hillyer nodded, and Eileen
grinned at him. Hillyer would be able to use that. "What shall it be this
morning? Shall I just choose for you? What do you hate the
most?" Hillyer grinned up at Cathy.
She smiled, expertly refilling their cups. "Today's special," Eileen
said absently. She'd found the column on Terry Guzman's
death. "Make that two," Hillyer
said. "I'm starving." Paris, France When George saw Fouad
Muallah he felt an immediate sense of recognition. This man, like
George, had style. He was dressed much the same as his
deliveryman, in wool turtleneck and sturdy twill trousers. But
Muallah wore them like a king's robes. He would look completely
natural with a cloak waving behind his broad shoulders. His skin
was olive and flushed with health. His eyes were brown and
sparkling with good humor and intelligence. He shook George's
hand with a grip that was reassuring and intimate and
friendly. "Mr. Tabor," he said warmly.
"At last." His hair was black and tightly curled and he smelled
of sandalwood soap. His breath was clean and healthy. George
realized with a sense of amusement that he was feeling a little
jealous. George had always felt he had a great blend of
sophistication and savoir faire. Fouad Muallah made him feel like
an awkward adolescent. "Mr. Wulff?" "That's one of my names."
Muallah laughed. His laugh was terrific, deep and full of
delight. George found himself smiling and noticed the
deliveryman. The deliveryman had a goofy, infatuated look on his
face. Muallah noticed George's glance and turned to the other
man. "Ali," he said gently. "We need to be undisturbed. Let no
one enter." Ali's expression was more
than infatuation, George realized uneasily. It was adoration. Ali
nodded and left. George looked around for the first time. He had
been so dazzled by Muallah, he had noticed nothing. The apartment
was old and very small, but extremely clean and decorated in a
distinctly Arab style. There were small lamps, a length of rich
Persian carpet, and pillows arranged around a low coffee table
inlaid with mosaic in tile. "Shall we have some coffee?"
Muallah asked, gesturing with his arm toward the coffee table.
"We have known each other so long, you and I, and here we are
meeting for the first time. We shall relax, and talk." George settled on the
richness of the pillows. Muallah clapped his hands sharply, and a
young woman appeared. She was robed and veiled in the traditional
Arab way, with kohl-rimmed eyes. She carried a coffee service in
silver on a gorgeous tray. Her eyes never glanced at George. She
looked only at Muallah, with the same intent adoration as
Ali. "I thought we were going to
be alone," George said as the woman poured coffee and settled
back on her heels next to the table. The coffee smelled
delicious, strong and fragrant and fresh. "We are alone," Muallah said
with a slight frown. "I have spent long in
America," George said, smiling uncomfortably. "American
women—" Muallah waved his hand in
dismissal. "Are rubbish," he said
shortly. "As all America is rubbish." Muallah sipped his strong
coffee in the small cup, and George copied him. The coffee was
deliciously hot and strong, and George used the moment to try and
get his mental feet underneath him. Finding that his German buyer
was really an Arab was a shocking discovery. George, like most Russians,
had a deep distrust of all things Islamic. He'd deliberately
avoided selling to the Arabs. George's grandmother claimed that
she was descended from Batu Khan, grandson of Genghis, who
plundered the whole of Russia and Poland in the thirteenth
century. Grandmother took care of George when he was small, and
some of his fondest memories were of sitting cross-legged on the
kitchen table while Grandmother kneaded dark bread dough with her
strong arms. She would tell him story
after story handed down through the generations, embellished over
time until they had the patina of fairy tales. Their ancestress
was a lovely woman, as beautiful as a princess, who willingly
became one of Batu's many concubines. She had a paiza, a
special coin, that allowed her to travel wherever she wished in
the conquered lands. Grandmother let George hold the paiza
once, a strange worn piece of ordinary metal carved with what
looked like snakes and swans. It went to his sister, not to
George, when Grandmother died. The paiza had been handed
down through the females of George's family for generations,
undoubtedly cherished because it was worthless base metal and
could not be sold for food. So George had Mongolian
blood, however diluted, royal blood of the Khans. He'd felt a
sense of pride about that. But the Arabs had fared even more
poorly than the Russians under the Khans. Once the most civilized in
all the world, the Arabs had great technology, medicine, and
literature before Hulagu Khan, another grandson, pillaged and
subjugated the Arab world. Hulagu had the last of the caliphs
rolled up in carpets and trampled to death by horses, a story
that George's grandmother told with relish. George, remembering his
grandmother's stories, had done a little research in the
fabulously free libraries of America. The Arabs had nearly risen
to conquer again before the Ottoman empire took over. The empire
had kept the Arab lands until the British took over the rotting
hulk of the Ottomans. Who was to say there would not be another
reversal now that the Arabs had technology and education? Oil
brought the Islamic world out of the Dark Ages and into the
modern world, but their culture was still—George glanced over at the
submissive girl and looked away again quickly—barbaric. Now he found he'd been
dealing with Arabs all along. But there was nothing to be done
about it. George gave a mental shrug and determined that he would
make the best of this situation. Muallah did not know that George
was a descendant of Hulagu Khan. And George didn't care whom he
dealt with, not really, he told himself. He would make his final
sale and disappear. It was long past time to stop playing the
game. "Americans are such rubbish,
my friend," Muallah said thoughtfully, sipping his coffee. "And
rubbish is meant to be burned, is it not?" He smiled at George,
showing dazzling white teeth, and gestured to the girl to serve
them more coffee.
13 Schriever Air Force
Base Eileen was late. The number
of cars heading out to Schriever at 8:00 a.m. was astonishing. Eileen
sat in bumper-to-bumper traffic and drummed her fingers on the
wheel and looked at the cattle moving through the summer grass.
There was a big hill at the edge of the horizon, and the sun had
risen right through the notch the road made in the hill. The
light was blinding even though the sun was well up into the sky.
Eileen looked at the streams of cars and thought about Harben's
warning. In winter that hill would be treacherous. In winter the
sun would be just at eye level at eight o'clock in the
morning. As she approached the bottom
of the hill she saw a garbage truck pull out from a dirt side
road. The truck accelerated toward her, huge and dirty, and as it
passed her she saw another one pull out of the same road. This
was the landfill for Colorado Springs, Eileen realized. She
hadn't known where it was located. Her own garbage was carried
out here each week, to be churned up and buried. She moved
forward in the traffic another few car lengths and looked at the
truck as it thundered toward her. "John Richmond," she said to
herself. "John Richmond died when he hit a garbage truck." Eileen
tapped her fingers impatiently on the wheel and looked over at
the Procell file. "I can see it now, a spy getting all dressed up
in overalls and a cap, and stealing a Great Western garbage
truck." Eileen laughed aloud. "Right," she said to the file. She
felt much better. Eileen parked in the same
place she had the day before. She remembered how many of the
Gamers had mentioned how long it took to get to their
desks. Major Blaine was
waiting. "Took a while, eh?" he said.
"I was late too. Let's process you through." They entered the security
building, and Eileen smiled at the sound of the gates clicking
and clacking as people passed through. Most people had bored,
impatient expressions on their faces, putting their faces to the
retinal scanners as though it were the most natural thing in the
world for them to do. "You can get used to
anything, I guess," Eileen commented absently. She was looking in
the crowd, looking for someone. She wasn't sure what she was
looking for until she realized she was looking for the
murderer. "It's worth it to be safe,"
Blaine said. He was next in line at the scanner. They processed through the
scanners without comment. Eileen drew a deep breath when she
entered and let it out when the door clicked open. Evidently
Blaine was right and her guns were not going to cause
problems. "You'll be looking at tapes
today," Blaine said. "I'll be tracking the visitors' military
clearances. We'll get together for lunch at eleven-thirty or so.
I'll call you." "I'll be in the Gaming
Center," Eileen sighed. She still didn't have a handle on Major
Blaine. As far as he was concerned, she was a member of his team
and he was running the show. "The Games are canceled, so
there won't be anyone in the Center," Blaine said. "I have it all
arranged." They walked along the side
of the CSOC building. The early-summer sun was brilliant and
already hot, but the shade of the huge building made the sidewalk
chilly. Eileen couldn't wait to get rid of Major
Blaine. Paris, France "It is late, my friend,"
Muallah said. The coffee was gone, and the tiny sandwiches, and
the rich little seed cakes. George was exhausted and humming with
caffeine all at the same time. And he was waging a battle to keep
from falling under the spell of this remarkable man. To say Fouad
Muallah was a gracious host was completely inadequate. He
listened to George. When Muallah turned his dark gaze on
him George felt as if he were being bathed in a soothing light.
Muallah spoke lightly of the documents he'd purchased from
George, in an offhand yet flattering way that made George feel
good all over. He found himself wanting to like this man. He was
vaguely surprised at himself. Whatever mistrust he had toward his
ancient enemies seemed to be dissolving in the remarkable
personality of this person, this Muallah. "The hour is late," George
admitted. "You have something for me,
my friend? Some last delight that you managed to spirit away from
under the noses of the infidels?" "Yes, I have," George said,
smiling foolishly. What was wrong with him? "This one is
very good. Something you've wanted for a long time." "You have the locations,"
Muallah said, leaning forward intently. "I have the locations,"
George said. His warmth started to seep away, leaving him feeling
chilled and confused. "The locations of every missile silo in the
republics of the former Soviet Union. But why would you want
them?" "Does it really matter?"
Muallah asked charmingly. "I will pay you handsomely as always,
Mr. Tabor. I always keep my promises. Fifty thousand American
dollars, in cash. Tonight, if you can deliver the
documents." "I can deliver them," George
said slowly. He was so tired. There was something tugging at his
mind, but he couldn't seem to clear his head enough to figure out
what the tugging meant. He felt the way he did the one time he
tried marijuana. For a moment he studied the remains of the seed
cakes with a frown, then the thought seemed to float away like a
balloon. "I—I'm not used to doing this
face-to-face." "Ah, but I am," Muallah
said. "Do not be uneasy, my friend. It is just the same as your
drops and safety-deposit boxes. Except here we do our deals in
warmth and friendship, with food and drink." "Of course," George said,
feeling ashamed. "I don't mean to be paranoid." Muallah raised an
eyebrow at him. "Er, mistrustful. Do you have the money for
me?" Muallah snapped his fingers
without looking around. The veiled girl rose to her feet and
padded quickly to the door. Ali came in and, at Muallah's nod,
went into another room and returned with a cheap plastic
briefcase. He set the case by George's feet. George flicked open the case
and glanced at the contents. He'd seen so many piles of money
delivered like this, he could make a quick estimate of amounts in
a flashing glance. The money was all there, or close enough not
to matter. "Excellent." George smiled.
He felt better, looking at the cash. "We can take care of our
transaction right now." He unbuckled his belt and pulled it free.
The concealed zipper in the back held the developed film:
locations, maps, satellite photos, the whole package. Terry
Guzman had really delivered. She had no way of knowing it would
be her last delivery, but she'd still made it a good
one. "Very nice," Muallah
murmured, looking at the film through the light. George replaced
his belt and smoothed his shirt. Muallah smiled at George. "Thank
you so much. You have no idea what this means to me." "My pleasure," George said.
"If it would not be rude? I am so tired from my
flight—" "Of course, of course,"
Muallah said, carefully placing the film on the mosaic table. He
rose to his feet and clasped George's arm in his own as he
escorted him to the door. "You must be very tired, Mr. Tabor.
Again, I must thank you. Sleep well." Muallah took one step back
as something impossibly tight snapped around George's throat. It
had to be Ali, a garrote, George thought numbly. I should have
known, I should have known.... The tightness increased around his
throat, and George saw a small porcelain lamp go flying into the
air as he tried desperately to ease the constriction. Black
blossoms started to flower in the air, exploding silently. A
spindly little table skidded in front of him and toppled over,
one tiny leg broken in two. The flowers grew bigger. Then George could breathe
again, and the relief was incredible. He shook his head and
looked around. He was having that old nightmare again, he
realized. His restaurant hummed around him. Waiters in spotless
white and black hurried by with full platters. The candles shone
on the beautiful tables. Georgian ladies, released from their
long Soviet peasantry, showed their creamy white shoulders and
delicious bosoms in modern gowns. Sturdy Russian men smiled and
tilted their wineglasses, good color blooming in their clear
cheeks. There was vodka, and the smell of good Russian beef, but
suddenly overwhelming was the smell of strong coffee. Arab
coffee. George looked down in horror
and saw a slender side table with a shattered leg. He tried to
draw a breath and could not. Then he relaxed. He was back in the
restaurant with the waiters and the beautiful ladies. He was
home, at last. "He fought like a warrior,
Mahdi," Ali said thoughtfully. "He was rubbish," Muallah
said with a shrug. "He served his purpose. Dispose of the
body." Muallah turned without
looking back and walked to the mosaic table. The films were
there, the lovely priceless films. He picked them up and held
them to the light, ignoring the sounds behind him. Gaming Center, Schriever Air
Force Base The Gaming Center was locked
and taped. Blaine had taken care of that chore the night before.
The tapes of the Game were left in the video machines. If anyone
tried to tamper with the door, the seal would have broken. A
tired-looking Air Force soldier stood at the door. The door to the Center had a
spin lock exactly like a safe's. Blaine knew the number but
fumbled with the lock before the tumblers finally fell and the
door opened and broke the seal. Blaine wrote his initials and the
date on a piece of paper that was stuck in a pocket next to the
door. On the paper was a long list of initials and
dates. "Every time the Center is
opened or closed, it goes on this record." Blaine showed the
record to Eileen. Eileen took it and glanced down the list. Most
of the initials were AB. Arthur Bailey. She put the sheet with
her notes. "I'll keep this for a
while," she said to Blaine. "There might be something
here." "You're dismissed, Airman,"
Blaine said to the young guard. The guard saluted and sighed and
headed down the hallway. They opened the door and
walked up the sloping hallway to the Gaming Center. Only a few
lights were on. The screen-saver pattern whispered on all the
computer screens. Blaine left Eileen at the door and went to turn
on the lights. Eileen looked at the room,
feeling as if she was being watched. Probably those damn
screensaver patterns again, with their spiderweb images. Or maybe
she just knew the Center had a secret. After five minutes in the
television studio, Eileen stopped Blaine. "Look," she said. "You don't
even know how to turn on the power to these boards, much less how
to play the tapes back. Just stop messing with it and call one of
those Gamers over here." Blaine looked up from his
seat in front of the console. He looked stubborn for a moment,
then relented. "Okay, I guess I don't know
how. I swear I've watched it a hundred times, when they have
demonstrations in here." Eileen watched as Blaine
picked up the phone, feeling satisfied. Now, why was she
wondering if Blaine would call over Joe Tanner? She smiled and
dug in her pocket for one of the spare toothpicks she'd swiped
from the Omelet Parlor. "Art? This is Major Blaine."
Eileen grinned to herself and peeled the wrapping from the
toothpick. Now, this was interesting. What was it about Joe
Tanner? Not just that he got her a cup of coffee. Perhaps because
the gift was so thoughtful. And his innocence seemed so strong.
It couldn't be his looks. If it were just looks, Eileen would be
thinking about the gorgeous 'Berto. Joe Tanner intrigued her
somehow. He had to be the murderer. He had the best motive: Terry
had basically killed his girlfriend. "What are you smiling at?"
Blaine asked. "You look like you're holding a conversation with
somebody." "With myself," Eileen said.
"Being a civilian, I can do that. I even talk to myself
occasionally." She showed her teeth at the Major and inserted the
toothpick in the corner of her mouth. "Art Bailey is coming over,"
Blaine said after a moment of frowning at her, which she
steadfastly ignored. "Okay." There was silence as Eileen
looked over the darkened room. She stared at Terry's door. She
looked at the cameras. She studied the way the lights were set
into the ceilings, the way the doors were hinged. She ignored
Major Blaine. She thought, and tried to ignore the little voice
that kept asking her how she was going to solve the murder when
she didn't even know how it had been done. Central Intelligence Agency,
Langley, Virginia Lucy Giometti was unloading
a grocery bag full of food into her desk drawer when Mills walked
into her office. "Good morning," she
said. "What's the
latest?" Lucy sighed. He couldn't
even say good morning. She kept on unpacking food. She'd thrown
up twice that morning already and she didn't feel very well. The
double beef burrito on the way home last night was pure ambrosia,
though. She'd slept soundly all night. "Well, I don't think the
Guzman murder was planned by Tabor or his buddies. And that's my
opinion only," she added. She sat down at her desk and started
keying into her computer systems. "I'll get you a whole report as
soon as I'm finished." "I appreciate it," Mills
said, and without another word he turned and left her office.
Lucy sighed and watched her computer software assemble itself on
her screen. She pulled open the desk drawer and contemplated the
bright packages within. She'd make it through this day too, she
thought. When would that baby stop making her sick? When her computer systems
were ready Lucy pulled up the file she'd started on George Tabor.
She picked up the phone and dialed the animal shelter in
Denver. "Humane Society, this is
Debbie," said a cheerful woman's voice. "Hi, I'm wondering if you
could do me a favor," Lucy said. "I'm looking for a dog, a
springer spaniel?" "We have one here," Debbie
said. "But she wasn't lost, she was left for
adoption." "Did the person who left her
tell you her name?" "Well, I think so." She
sounded eager. "We write them up by the kennel doors. Hang on
just a second." Lucy held the phone to her
ear and typed busily, opening connections to the different
computer databases that might give her the information she
needed. Faintly, she could hear the sound of dogs wailing. She
wondered if one of the howls could be Fancy's. "Hello?" "I'm here," Lucy said
promptly. "Her name is Fancy," Debbie
said, and Lucy felt the rush in her blood. She was
right! "Thanks so much," Lucy said
warmly. "Would you like to adopt
her?" Debbie said eagerly. "She's so beautiful, and adult dogs
just aren't adopted very much. She's only got three
days." Lucy felt the flush of
victory turn to embarrassment. "Well, er, no, I
mean— No." "Oh," Debbie said. "Then why
did you call?" "I was looking for the
person who left her," Lucy said, and winced at the lameness of
her explanation. She waited for the questions, but there were
none. "Okay," Debbie said,
disappointed. Lucy hung up the phone after
saying her good-bye. She sat for a moment, then turned to her
computer screen.
14 Gaming Center, Schriever Air
Force Base The Center door opened and
Art Bailey stepped through. He looked better today. His skin was
more ruddy and his shoulders were squared. "Good morning," he said.
"Jeff wanted me to come over and set up the films for you. And
I've forgotten your name." "Eileen Reed. Do you call
everybody by their first names?" "The SecDef was here once.
The Secretary of Defense. I didn't call him by his first
name." Eileen looked closely at
Art, but the bland face was unreadable. "I think I'll be okay here,
er—Jeff," Eileen said, smiling. "I
have your number, so I can call if I have questions?" "That'll be fine," Blaine
said. Eileen expected him to be a little upset, but he looked
relieved. "I have a lot of phone calls to make. Feathers are
flying from here to D.C. over this." Art sat down at the studio
console and gestured for Eileen to take a seat next to
him. "Joe said he showed you the
pick-and-draw capabilities yesterday," Art said. He showed Eileen
the tape machines. "Here's the Eject button, just like your VCR.
Play, Rewind, Fast Forward—you can do it all from the
machines. But you can do it better on the computer console,
here." Art flicked a switch. "Joe showed you these buttons? Yes?
Here's the key to display time and seconds. We hardly ever use
that, but I imagine you might need it. There are four tapes
usually made, and we didn't make it to number four yesterday."
Art grimaced and stopped for a moment. He looked around him as
though lost. Eileen knew the feeling. The fact of a death keeps
sneaking up on you at the oddest times, and all you can do is try
to turn your head with the blow and keep on going. Eileen watched
Art shake his head a little and keep on going. "Uh, okay, so you have three
tapes." "When did the tapes
start?" "Exactly twenty minutes
before Game start. That way we record people as they enter the
Gaming Center, as they take their places, and that way we also
record the Gamers, that's us, take our places in the rooms. We
started taping before Game start when an Air Force colonel
accused us of cheating. He thought we 'canned' the simulation. As
though we always had to launch weapons at a particular time to
make everything work out right. Like a video game instead of a
real simulation. We had him play the game any way he wanted to.
You launch at six p.m., your Bombers take longer
to scramble because more people are eating supper. We really
simulate all of that. It was fun to make him accept that this
wasn't some big canned demonstration. He thought he was being
smart when he played Colonel Olsen's position. He launched a
preemptive strike at the Soviet Union, and they responded with
subs—" "The Soviet
Union?" "Oh, this was a while ago.
Before we got the Brilliant Pebbles up in orbit and really
started wringing this Star Wars stuff out. Anyway, the
Soviets—that was me at the
time— launched back with subs and a
massive follow-on, and we toasted the Earth. Complete lava." Art
laughed cheerfully. "He knew he was beat. We couldn't have read
his mind and known what he would do. It had to be a real
simulation. Now he's in D.C. and he's our biggest salesman out
there." Art sobered abruptly. "Well.
Anyway. You'll see everyone enter their rooms. Terry,
too." "You've had overnight to
think it over," Eileen said. "How do you think it
happened?" "Aren't I a potential
suspect?" Art asked, with a sidelong glance at Eileen. "Should I
conjecture? I was worried last night because if I Figured it out,
you might think I did it." "If you figure it out, I
might think you did it," Eileen said levelly. "I think everyone
did it until proven otherwise. I'm not the judge or the jury. All
I do is collect evidence and try to make a good arrest. I'll make
a good arrest." Art nodded. "That's good
enough for me," he said. "I just don't want to be arrested. I
don't want to lose my clearance. I know I'd be proven innocent,
because I didn't do it, but I don't want to lose this job. I
really love it." "I'll arrest the murderer,
Art, if I can. Not anyone else. Now, how did she die?" "I don't know," Art said
heavily. "I can't figure it out either." Eileen sighed. Was Art
trying to annoy her? Probably not. Art might figure out the way
it happened, so he was clearing the avenues of communication to
her. He didn't know that Eileen had been holding her breath,
willing to promise anything as long as somebody could tell her
how the murder had been done. "Well, if you do, let me
know, okay?" "Sure, Eileen. I'll be
thinking about it all day. That's all I've been thinking about
all night," Art continued grimly. "I'll be at my desk. Oh, hey,
you want music? I can show you how to work the CD
player." "No, thanks, I can't
concentrate with music on. But thanks." When the door closed behind
Art, Eileen breathed a big sigh of relief. She turned to the
console. After a moment or two of study, she thought she might be
able to make it work. She picked up the mouse, swirled the little
arrow on the screen around a couple of times, and picked 1 under
tape. Then she
picked Play, and sat back in the big chair to watch. Central Intelligence Agency,
Langley, Virginia Lucy saw the tiny flashing
lights when she returned from a trip to the bathroom. She'd
brushed her teeth and bathed her face, but she still felt
horribly weak. Tiny beads of perspiration stood in her hairline.
The lights caught her eye, and in an instant her wretched stomach
was forgotten. The flashing lights were atop a tiny cartoon
police car, parked at the bottom of her screen. She knew what that meant.
She'd set a search program, called a search engine, to scan all
news reports from Paris for any reference to George Tabor, or any
dead bodies found, or any muggings. It was a very wide scan. Lucy
had even included a search for any missing dogs or dog-related
stories. The cartoon police car had driven across her screen and
skidded to a stop, leaving cartoon skid marks on her screen, to
alert her that a story containing one of her search elements had
been found. She felt a moment of regret she'd missed the little
car; she thought it was really pretty hilarious when it skidded
across the screen. Lucy dropped into her chair
and clicked on her Paris icon. Associated
Press POLICE CONFIRM DEATH
OF AMERICAN
BUSINESSMAN PARIS (AP)—Police confirmed the death of an
American businessman, George Travers, found at the bottom of a
rubbish Dumpster in a Paris alley. A transient searching for
aluminum cans found the body at approximately 10:30 local time.
Travers' body had been robbed and he was apparently the victim of
strangulation. He was identified through the hotel staff where he
was staying. His room was undisturbed. Lucy had her fingers at her
temples and realized vaguely that the tips of her fingers were
wet with sweat. George Tabor was dead. Travers was his alternate
set of identification. He'd been murdered so quickly, it was
chilling. Lucy knew he'd carried something out of the country and
it had to be something from the Missile Defense program. How
sensitive was it? Why had George been murdered? He was a valuable
agent, a spy with a lot of successes under his belt. Most large
organizations would be happy to welcome George into their ring.
He would be an asset. Unless the organization
George dealt with didn't like him. Or didn't like what George
was. Lucy massaged her temples. Perhaps there was
something in the CIA files on George's contacts. She had to get
access through Mills to see those files, though. Lucy sighed
heavily. She dug a package of crackers out of her desk and forced
herself to eat five of them before she went to see
Mills. Gaming Center, Schriever Air
Force Base The room was crowded and
noisy. Eileen could not see Terry Guzman. Joe Tanner stood in his
rumpled navy suit, talking to a colonel; Eaton, wasn't she?
Arthur Bailey was already in the little room that he shared with
Joe, the Truth Team room. Eileen noticed a poster of national
flags hung on one wall, and smiled, thinking of Joe playing a War
Game where England was the enemy. Art was sitting in front of his
console, looking intently at the screen. Nelson Atkins stood with
Colonel Olsen and Major Blaine. The premurder Blaine was relaxed
and confident. He slowly ate a chocolate donut and licked his
fingers clean afterward. Nelson looked nervous. He picked at the
hairs on his arm and kept looking around with darting, birdlike
movements. Lowell Guzman was in his tiny room. His headphones
were on and he was flicking switches on his communications set, a
square wooden box lined with brightly lit buttons. He kept
tapping at his mike, as though it weren't working. Eileen looked
into the next room. It was empty. Terry Guzman walked into the
Center. From Sharon's story, Eileen expected her to be there
already. Perhaps she'd been to the bathroom. Her lipstick was
fresh and peach-colored. Her suit was pale green. She was
stunning. Eileen fumbled for a moment before she managed the
Pause button on the tape. Terry stood, vibrantly alive, frozen on
the screen. The lines of discontent were there, but the way she
held herself made such tiny details irrelevant. Eileen pressed
the Play button. Terry walked to Major Torrence, the Ground
Weapons commander, and started speaking. Her voice was lost in a
dozen different conversations. Eileen would capture her
conversation later, as Tanner showed her. Right now she wanted to
absorb the whole scene. The murder scene. These were the last
minutes of Terry Guzman's life. Terry smiled and spoke to
Major Torrence. She touched her brown hair, shifted from one
round hip to the other, threw her head back, and laughed. She was
holding a notebook in one hand. She held herself like a young
girl, light on her feet, her chin proudly level on the slender
neck that was only just beginning to show the signs of age. The
lights dimmed, and Terry made a smiling farewell to the Major.
She strode toward the room in measured, even strides, swinging
her pretty fanny just a little. As she entered, she did not look
back. She examined her console, picked up her headset, and sat
down in the chair. Eileen could see every inch of the tiny cube.
The door swung outward, not in. No one could be hiding behind the
door. The console table was a spindly affair, a platform on a
single stalk of a leg. No one could be hiding behind the console
table. Besides, even if they were, how would they then get out?
Terry checked her microphone." A person walked in front of the
cube, blocking Eileen's view for a moment. Terry was now taking
off her headset. She came to the door. Nelson Atkins walked to
her and spoke to her for a moment. She nodded, and Nelson swung
the door shut. Eileen leaned back and
breathed. She hadn't realized she'd been holding her breath until
now. She rubbed a cold hand on her forehead. Terry would not come
out of that room alive. She found the mouse key and
pressed Rewind. The rest of the audience had been a blur. It was
time to see what everyone else was doing. Eileen opened her
notebook and read down the list of names. Besides the Gamers,
there were twelve audience members and the Command Team, Major
Torrence, Colonel Olsen, and Colonel Eaton. Major Blaine told her
the audience was in full sight of the cameras for the full hour
and a half of the Game. She would check on that. Right now,
Eileen added a name to the list. Terry Guzman. She put a check
mark next to the name. She had watched her on the tape. After a
moment, she made two columns on the paper. The first column she
titled "Watched on Tape." The second column she titled "Listened
on Tape." The machine made a whirring
noise and stopped. Eileen pressed Play. Paris, France Muallah stood on his
apartment balcony, breathing the muggy air of Paris as though it
were the finest morning breeze from the desert. He looked at the
teeming city around him as though he already stood on the balcony
of a palace, looking at his subjects. They would be his
subjects. "Prophecy is the Lamp of the
world's light; But ecstasy in the same
Niche has room. The Spirit's is the breath
which sighs through me; And mine the thought which
blows the Trumpet of Doom." Muallah savored the words,
repeating them slowly. Al-Hallaj had said those words in Baghdad
in 922, before he was executed. Some said it was a prophecy
fulfilled when the Ottoman Empire collapsed. Muallah knew
differently. The prophecy was yet to be fulfilled. The prophecy
was speaking about him. "Mahdi," Ali said quietly
behind him. Muallah waited a moment and
then turned to see Ali waiting patiently. Ali would wait until
darkness fell, until Ali shriveled and died from lack of water,
until Muallah was ready for Ali to speak. All Muallah's people
felt this way about him. This was one of the reasons Muallah knew
he was touched by Allah. This was one of the reasons Muallah knew
he was the One of the Prophecies. "Yes, my Ali?" Muallah said
gently. "Achmed has a transport,
Mahdi. A four-wheel-drive Mercedes, but old and battered as you
requested. They await us in Mashhad. I have purchased our plane
tickets. Will you see them?" "I trust they are good,"
Muallah said with a wave. Ali's face flushed with pleasure. "Have
Sufi pack our things. We shall not return here." Muallah turned away and
contemplated the city again. The Trumpet of Doom was a prophecy
not for the fall of the Ottoman Empire, but for the fall of the
Western Empire. It was time for the rebirth of the Arab Empire.
Muallah had worked and waited many patient years, waiting for the
right information to fall into his hands. At last the foolish
American-Russian had given him what he had to have. The dead spy
had delivered to him the location of the Trumpet. Fouad Muallah would blow the
Trumpet of Doom, as the prophecy had said. Out of the ashes of
the Western Empire the Arab Empire would be reborn. Muallah would
be the One of the Prophecy, the Emperor. He drew a deep,
satisfied breath and recited the poem again, savoring the words
as they flowed off his tongue in gorgeous Arabic.
15 Gaming Center, Schriever Air
Force Base The tape was in the pre-Game
stage. Eileen was watching Lowell Guzman, who casually took a
sprinkle donut and ate it. Weren't the sprinkle donuts reserved
for the memory of Sully? Eileen knew they were. An eccentric
memorial like that was unforgettable. Yet there was Lowell,
eating the Holy Donuts. Odd. The door to the Center
opened. The real door, not the one on the tape. Someone was
coming into the Center. Eileen fumbled for a moment before
pressing Pause on the recording. She turned. The person who stepped
through the door was the tall, gray-haired Game Director. Eileen
thought for a moment and then came up with the name. "Nelson Atkins?" "Yes, you remembered,"
Atkins said. He was more composed than he had been the day
before, although the skin around his eyes was pouched and webbed
with stress. He was wearing slacks and shirt and a Western-style
string tie. The tie clip was silver and turquoise and looked
Navajo. It was a handsome piece of jewelry. "That's my job," Eileen
said. She stood up to shake Atkins's hand. "I don't want to bother you,
I just wanted to make sure you have everything you need," Atkins
said. His grasp was firm and dry. "Art helped me set up the
videotapes," Eileen said, and gestured to the control panel
behind her. Atkins nodded. "Good. I figured he would. I
brought the personnel files you wanted." Atkins held out a bulky
accordion folder. "These aren't classified, but they are very
personal, so if you'd be careful with them—" "I will, thank you," Eileen
said. "Can I do anything else?"
Atkins asked. "I know we're all suspects, even me. I want to help
if I can." He held out his hands in an open gesture. Eileen
noticed they were big hands, and they looked familiar. Eileen
recognized after a moment the calluses that could only come from
horseback riding. Atkins's hands looked like her father's
hands. "No, I don't think so." As
Atkins nodded and turned to go, Eileen said, "Wait. There is
something." "Sure," Atkins said. "What?"
There was no hesitation, no furtive guilt or telltale dampness
around the forehead or upper lip. If this plain, sturdy man was a
murderer, he was hiding it very well. "Why is a clearance so hard
to keep? Art just mentioned it to me a few minutes ago, and you
told me yesterday if I arrested someone they'd lose their
clearance." "Jeff Blaine told me you
were in the military," Atkins said. "Didn't you have to worry
about them there?" "Not really," Eileen said
wryly. "You really had to screw up big time to lose your
clearance in the Air Force. Drugs, conviction. Arrest wouldn't do
it, or every Saturday night a dozen airmen would lose their
clearances." "Not in the civilian world,"
Atkins said. He put his hands in his pockets and leaned a big
shoulder against the door frame. "If you get too deep into debt,
you're out. They run a credit-card check yearly." "Who does?" "The DIA. Defense
Intelligence Agency. They do civilian clearances. If you have too
much drinking, any drugs, any arrests, any big financial
problems, you're out. Still, though, we have those spies like the
Walker Ring, or Aldrich Ames. They do a lot of damage, selling
secrets." "I know they do," Eileen
said. The hatred against spies ran deep in any pilot or soldier.
Eileen knew if she'd had to fight in her plane she'd be going up
against technology that was stolen from her own country. There
was nothing worse than a spy. Eileen felt that they were the
worst of thieves, stealing from a whole country instead of just
one person. "We hate them too, here,"
Atkins said. He jingled the change thoughtfully in his pocket.
"After you play a few War Games and lose, you don't mind the
background checks so much. I don't think anyone
minded." "Are those background checks
in these folders?" Eileen asked. Atkins shook his head.
"Those are kept at DIA. I suppose you could get them from DIA.
I've never seen them, myself, not even my own. I wouldn't want to
see them. They get really personal." Atkins looked away, into the
Gaming Center, where the screens whispered with their spiderweb
pattern, repeating and repeating. His eyes looked sad. "I wonder
what happened to her," he said, and Eileen realized Atkins was
looking at Terry's door. "I wish I knew." "Me too," Eileen said. "I
appreciate the files." "Okay," Atkins said. "If you
need anything, let me know. I'd appreciate if you'd keep the
files with you until you can give them back to me personally. I
wouldn't want anyone else seeing them." "No problem," Eileen
said. After the door swung shut,
Eileen sat down with a huge sigh, the folder in her hands.
Nothing about Nelson Atkins betrayed anything but the most
profound innocence. She looked at the folder.
She could go over that later. Right now, the tape had barely
begun. Eileen found the proper button and pressed
Play. Joe Tanner: "Art, pal, we
better not hit that packet problem during the big
follow-on." Art Bailey: "We won't. Don't
worry. You better worry about that racquetball tournament you and
Meg are playing next weekend. I'm not looking after the kids all
day to have you guys lose, you know." Joe Tanner: "Win or lose,
we're still expecting supper. It better be good, too." Art Bailey: "Pizza is always
good. Close the door, it's time." The door closes upon
them. Roberto Espinoza: "So we
have the church retreat in two weeks, and I don't care what
happens here, I'm going to make it this summer. A week of fishing
and praying and hiking—" Doug Procell: "That sounds
great. I don't know about the praying, but the fishing and hiking
parts sound good." Roberto Espinoza: "You'd
like that too, I bet. It's very spiritual. Plus, the North Fork
runs right through the retreat grounds and it's private
fishing." Doug Procell: "Ah, man. You
dog. Wouldn't you know it, private fishing. I'd be taking a
retreat about once a week in the summer, eh?" Roberto Espinoza: "Prayers
and the right fly, works every time. Hey, let's go. It's show
time." They go into their rooms,
and the doors close upon them. Sharon Johnson: "Yes, I'll
be done with my class in another week." Nelson Atkins: "So how is it
going?" Sharon Johnson: "It's a
tough course, but I think I'll do okay on the final. It seems to
take so long, but I'm getting there. I have to go now, I need to
check out my headset." Nelson Atkins: "All
right." The door closes upon
her. Lowell Guzman, on the sound
system: "Art, can you hear me?" Arthur Bailey, on the sound
system: "Loud and clear, Lowell. What's up?" Lowell Guzman: "I was having
trouble with my headset, but it seems to be okay now." Arthur Bailey: "Sounds good
now." Lowell Guzman: "All right,
then. I'm almost ready." The door closes upon
him. Nelson Atkins: "We'll be
starting in a few minutes." Terry Guzman: "I know that.
Thank you." Nelson Atkins: "I just
wanted to make sure you were comfortable." Terry Guzman: "I'm fine and
I won't screw up. Is that what you were trying to say,
Nelson?" Nelson Atkins: "Terry,
now—" Terry Guzman: "Don't worry,
Nelson, you'll give me a complex. You know I'll do great, I
always do, don't I? Now, quit hovering and get on with
it." The door closes upon
her. Fort Rucker Army Base,
Alabama "What do you mean,
canceled?" Stillwell asked. He'd been waiting for so many hours
in the plastic chair, his butt was beyond numb. Nobody told him
anything, just asked him to wait, please, sir. Now it was past lunch and
the flight sergeant finally let him know the Chinook was not
leaving today, in an absent-minded manner that left Stillwell
wanting to choke him senseless. "What about another
transport?" Stillwell asked, gritting his teeth. "No available spaces, sir,"
the sergeant said. "You'll just have to come back at dawn
tomorrow, sir. I'm sure she'll be ready for takeoff
then." Stillwell gave up. He'd been
in the Air Force long enough to know when to surrender to
bureaucracy. Whatever was out in Colorado Springs would just have
to wait another day for Major Alan Stillwell. Gaming Center, Schriever Air
Force Base Eileen stretched and sighed.
Terry's voice was husky and teasing and very cold. She looked at
her list of check marks. All the Gamers were covered. Now it was
time to see who left the room during the game. She leaned forward
to pick up the mouse again and the phone rang, startling her. It
rang again, and she shrugged and picked it up. "Miss Reed?" "I thought you called
everyone by their first names." "You and the SecDef, I
guess." Art laughed. "I was wondering if you wanted some coffee.
Joe mentioned it. So we tried to figure out if offering you
coffee would mean we were sucking up to you. Then we decided,
screw it. Want some coffee?" "I would love some," Eileen
said gratefully. "If you poison it, then I'll know you're the
ones, right?" "Well, your replacement
would," Art replied cheerfully. "I'll be right over with a
cup." Eileen put the phone back in
the cradle and grinned at it. "Send Joe," she said to the dead
line. Art brought the blue mug and
a white carafe. "Only the best for our women
in blue," Arthur said. He put down the carafe and expertly poured
a cup. He handed it to Eileen and perched a hip on the edge of
the table. "I know how it could be
done, if I weren't here and didn't know it didn't happen that
way. Does that make sense?" "Sure," Eileen said, and
sipped the coffee. As excellent as yesterday's. "Someone hides in the room.
Somehow. Okay, the room is too small. But let's say. The door
shuts, murderer kills her as soon as she puts on the
headset." "How does murderer
exit?" "In the confusion
surrounding the body, the murderer steps from his hiding place
and becomes one of the horrified crowd." "Nice. I saw it on
late-night TV last week," Eileen said dryly. "Me too," Art said, and his
shoulders slumped. "Besides, I was there. There wasn't anyone in
the room." "I've been watching the
tapes. I've zoomed in so close, I can see a stray hair fall from
Terry's back and land on the carpet behind her.
Nothing." "I could explain it in a
Star Trek episode," Art said glumly. "A mysterious
creature that could blend into the walls. I don't
know." "I want to know too. There's
got to be a way. There was a way. Thank you for the
coffee." "I wish I weren't a
suspect," Art said quietly. "If I could be here, watching the
tapes, I might see something—" Eileen shook her head no.
Art pinched his lip between two fingers. "Smart. I'd do the same.
Wish I had an alibi, though." "Believe me, so do I,"
Eileen said. "So do I." As the door closed behind Art, Eileen
turned back to the machine. It was time to move beyond the Game
start and see the discovery of the body. She wrote the time of
Game start in her notebook: 7:57 a.m. "They started early," Eileen
murmured to herself. She poured another cup of coffee, and
pressed Play. Nelson Atkins
swung away
from the door, his hand to his mouth. He swung away from the
door, his hand to his mouth. He swung away a hundred times,
obeying Eileen's hand on the mouse key, until Eileen knew beyond
a doubt Terry Guzman was not being murdered as the door opened.
Her body was still and lifeless from the moment the door started
its swing. Nelson could not have stabbed her or shot the
screwdriver from some hidden device at the moment he opened the
door. She would be twitching. She would be hitching, breathing a
last breath, the headset falling from her head. Terry was
absolutely still. "Damn," Eileen said. She
rubbed her eyes. Was there any way to view the tapes that she'd
missed? She hadn't played them backward yet, but other than that
she couldn't think of another way to look at them. The phone
rang. "Lunch? Shrimp bisque is our
soup today. I never miss shrimp bisque." "Sure, Jeff," Eileen said,
feeling a ridiculous sense of guilt over calling a major by his
first name. "Lunchtime already?" "Lunch already. I'll be
right over. I'll bring a guard so we don't have to lock up the
Center." "Okay." Eileen hung up the phone and
turned back to the screen. Lowell was being dragged into his cube
by Sharon Johnson and Roberto Espinoza, his mouth a wide O of
confusion and despair. Art Bailey and Joe Tanner stood side by
side in their Truth Team doorway, looking with blank shock at
Terry's back. Colonel Eaton, the smooth and elegant Air Force
officer, stood with eyes round and wide, hands braced on the
table in front of her. The audience members, seven military and
five government civilians, sat in their chairs and held their
hands over their mouths like little children watching a scary
movie. Doug Procell looked
frightened. He looked behind his own back. He was the only one
who realized or thought there might be danger. He sat down
carefully against the wall of the Center and folded his trembling
arms. "Good acting, whoever you
are," Eileen said to herself. She realized she was tapping a
pencil against her teeth, and stopped. "Damn fine
acting." The door to the Center
opened. "Shrimp bisque," Blaine said cheerfully. "Lunch break.
Have you got anything?" "No," Eileen said
shortly. "Oh. Well. Let's go get some
food. Things always look better after lunch." Eileen gathered her
notes. Paris, France Muallah closed Sufi's
staring eyes with one gentle hand. She was a beautiful creature,
or had been. Her skin was still warm and soft, still fragrant
with the soap she liked to use. He was sorry to have to dispose
of her, but there was no way to bring her with them. He'd honored
her with one last visit from him, a last touch of his body to
hers, before he had Ali strangle her. She had fulfilled her
destiny and deserved that final gift. Muallah turned away. Ali was
just finishing up at the sink. He'd washed the blood from his
hands and his garrote, and was coiling it. His face was blank and
smooth, as always. "It is time," Muallah said.
Ali nodded, and Muallah gave a last glance around the apartment.
All was ready. The only things left were rubbish they did not
want to bring with them. Muallah squared his shoulders, feeling a
dizzying sense of excitement. The waiting was over. It was
time.
16 Schriever Air Force
Base The shrimp bisque was as
incredible as advertised. Eileen went back for another bowl. The
cook, a tall, cheerful-looking young man, smiled over the steam
table at her. His hair was black as a crow's wing and fell over
his forehead. "Nice, eh? One of my
best." "Delicious," Eileen said.
"What are you doing out here? You should be a chef
somewhere." "I'm working regular hours,"
the man said. He wiped enormous hands on his apron and walked
over. "You the detective, eh? Going to tell us who murdered
Terry? Nice to meet you." They shook hands. "I work here because they
pay me as well as a fancy restaurant. I get to cook for all the
uppity-up military types that come out for the games. And I go
home at five o'clock, instead of going to work at five o'clock.
Can't beat it. John Wells, by the way." "Eileen Reed. Thanks for the
soup." "Find that bad guy. I don't
like thinking this place has a bad guy, eh?" "I'll do my best, John,"
Eileen said, and found her way back to her table. She noticed Art
Bailey and Joe Tanner sitting a few tables away. 'Berto joined
them with a full plate of food. Joe's tray contained the remains
of a salad. Eileen smiled. Art glanced over and waved a bit
nervously. 'Berto and Joe also nodded, 'Berto with his shy pretty
smile and Joe grave and unsmiling. "The great detective
contemplates the suspects," Eileen said gloomily, crumbling her
crackers into the soup. "I'm probably ruining their lunch,
looking over at them." "Maybe," Blaine said, wiping
his mouth. "We've never had a murder out here before. No one
knows what to do or how to act. I think—" Eileen never did find out
what Blaine thought. There was a gasp and a half-smothered shriek
from the tables by the windows. Eileen was out of her seat
without thinking, her hand reaching for her gun, and because she
was standing she got the best view out the window of an eagle
sweeping down for a second blow on a prairie dog. The fluttering
shadow of the first, missed strike was what brought gasps from
the tables nearest the windows. The eagle stood on the grass
with wings extended, less than ten yards from the windows. The
cafeteria was set at the edge of the developed portion of the
base. Wild grasses grew to the distant fences beyond the
glass. "Is that a hawk?" someone
said in a wondering voice. Eileen crowded to the windows with
everyone else in the cafeteria. They stood watching the huge bird
as it looked around, mouth open, fierce eyes blinking. "That's a golden eagle,"
Eileen said. "What's it doing out here?" "It can't see us," Joe
Tanner said at Eileen's side. She looked up at him. He was quite
a bit taller than she was. His face was rapt. His eyes were
shining like a child's. He was crowded close to her in the press
of people at the glass, and she got a clear whiff of
aftershave. "An eagle," someone else
said softly. "Wow." "The glass is polarized. It
can't see us through the glass," Art Bailey said. The eagle glanced down at
the tan body half-hidden in the grasses, and shifted its talons
back and forth. Twenty people stood
watching, silent and delighted. "I thought eagles had white
heads?" "That's a golden eagle.
They're larger than bald eagles," Eileen said. "We have them back
home. They love those prairie dogs." "They've been getting mighty
fat without any coyotes in here to eat on them," John Wells said.
The cook was standing at the back of the small crowd, wiping his
hands on his white apron. He looked as excited as everyone else,
like a child who has been given an unexpected present. "I bet
that bird decided those critters were just too fat to pass
by." "I wonder if it will nest
here?" Joe asked no one in particular. A half-dozen murmurs
answered him, and sighs. "When the prairie dog is
dead, she'll carry it off," Eileen said. "Sometimes they have to
wait, because the strike doesn't kill right away." As if the eagle heard
Eileen, she raised her wings sharply and looked around. The
talons shifted, found another grip, and with a powerful spring
the eagle rose into the air with the prairie dog dangling
below. The crowd at the windows
said "Aaah" in unison. The eagle dwindled, became a speck, and
disappeared into the sky. Excited chatter burst out as people
turned away from the window. "Show's over," Blaine
said. "Wasn't that incredible?"
Joe Tanner said to Eileen. "Wasn't she beautiful? Do you think
she was a she?" "Yes, I think she was a
she," Eileen said. "Males are smaller. Maybe she'll hunt here
more, if those prairie dogs are as fat as John says." "I hope so. I was going to
ask the boss what he was going to do about them. Those prairie
dogs'll move right into the storeroom if we don't slow 'em down,"
John said. "We can't poison 'em, they're on federal property.
Protected. Wasn't that pretty?" "Let's go, Joe," Art said
fondly. "You freak. We're going to be late for the
meeting." '"Bye," Joe said to Eileen.
He looked embarrassed, as though he had just remembered who she
was. "Thanks." "Sure," Eileen
said. For a moment she and Joe
Tanner and the others had been simply people watching something
extraordinary together. She wished the moment had lasted longer.
She wished the prairie dog had put up more of a fight. She smiled
at herself in mockery. "You ready?" Blaine
said. "I need to find a phone,"
Eileen replied. "I have to call my boss." Harben's voice on the phone
line was chilly. "You going to spend all day
out there? You haven't started the Pendleton case
yet." "I've got a lot to do
here." "I'm sure you do. Try and
make it back before six o'clock. I want to discuss the case with
you." "Shall I bring
dinner?" "Very funny. No, I brought
my own supper today." Was there the ghost of a smile in Harben's
voice? "Bring whatever greasy concoction you wish, but be here by
six, please." "I expected candles and
music," Eileen said, and hung up before Harben could respond.
That was the only way to win. "Ready to go back up? You
know the numbers now?" Blaine asked as Eileen turned away from
the phones. "Yeah, I'm ready. I'll be
leaving about five-thirty or so. I have a meeting with the
Captain at six." "Leave at five or you'll be
late," Blaine advised. "It's a longer drive than you
think." "Okay," Eileen said
absently. "Thanks." Central Intelligence Agency,
Langley, Virginia Lucy munched thoughtfully on
a Hostess Twinkie. She licked whipped cream from her upper lip.
The files were all on-line, including the pictures and the maps.
George Tabor was terrific. He'd been trained and installed by the
GRU, the military branch of the KGB, and at the fall of the
Soviet Union had somehow managed to position himself as a
freelance spy. One of the FBI agents had
even ended up going to bed with him, and her report was
unblushingly specific. She hadn't been ordered to sleep with him,
she'd just ended up there. George was so darn American. He
was romantic and full of laughter. The FBI agent had been
reassigned immediately after the report. "Yeah, no shit," Lucy said
to herself. She grinned around the Twinkie. The female agent had
not been able to find any proof that George Tabor was the spy
they all knew he had to be. George was so deeply undercover there
was nothing the CIA or FBI could do but watch him and hope he
made a mistake. Lucy moved on to the foreign
files, the CIA-gathered intelligence on the buyers. There were a
surprising number from half a dozen countries. Missile Defense
information was hot. Lucy clicked her tongue. The Germans?
That seemed odd. The Americans were so tightly allied to the
Germans, they would probably give the Germans defensive
systems once they were made public. Lucy looked up Mr. Johann
Wulff. No picture. His profile was sparse. Wait a
minute. Lucy leaned forward. The
last known location of Mr. Wulff was Paris, France.
Paris. "I think we have our last
contact," Lucy murmured. "Who are you, Mr. Wulff? Inquiring minds
want to know." She reached for the
phone. Gaming Center, Schriever Air
Force Base Eileen figured out a way to
follow a person through the course of the Game. She drew a blue
colored box around them with the computer keys and pushed the
Fast Forward key. Eileen could then lean back and watch the box
as it followed the movements of the person. She played the tape
quickly for all twelve audience members. That didn't take much
time. None of them got up during the Game. Eileen checked off
their names as she watched. Every audience member, the seven
military and five civilian, were seated safely in a chair from
the moment Nelson closed Terry's door to the moment he opened
it. The Commanders, Eaton,
Torrence, and Olsen, were clean as well. Olsen paced nervously
back and forth, which made the blue box hop and jerk along with
him as the tape ran on Fast Forward. He never left the
Commander's area. Eaton and Torrence didn't get up from their
chairs. Nelson Atkins left his room,
presumably on a bathroom break. He monitored the communications
equipment and the links to the other military centers from his
room, or so Eileen gathered from listening to his conversation
with Art Bailey. Eileen noted the time when Nelson left and the
time he returned. Six minutes, forty seconds. Time
enough. Major Blaine, who wasn't
assigned a position during the game, was in and out of the Center
a half-dozen times. Either man, Atkins or Blaine, could have
committed the crime when they were absent from the Center. But
how could either one of them have killed Terry Guzman when they
were off camera? The only way in or out of Terry's room was
through the door that was on film. The other Gamers were off
camera too, locked in their small rooms. Eileen felt a lifting of her
heart as she thought of Joe Tanner and Art Bailey. They would
have to be in on the murder together, or both be innocent. Even
though they were both unseen by the cameras, they were together
in their small room until the murder was discovered. Eileen
didn't want either one to be the murderer. But how did the murderer get
into the little room? If the murderer was one of the Gamers, how
did the Gamers get out of their little rooms? Eileen stood up. What was
it? There was something— The phone rang. The hovering
idea vanished. Eileen cursed under her breath and picked up the
phone. "Hi, Eileen, this is Art
Bailey. I was wondering if you would mind me coming over for a
few minutes." "Why?" "Well, Joe and I both,
actually. We have to pull tapes from each of the Silicon Graphics
drives. It's part of the routine. They contain classified
information, and they were left there the day before yesterday.
We really need to get them in the safe." "All right." Eileen hung up
the phone and dropped into her chair. She started the tape
again. Art and Joe Tanner entered a
few moments later. Art lifted a hand, and Joe nodded gravely at
Eileen. She nodded back. In jeans and a sweatshirt, he looked
just right. He was fascinating. He was puzzling. Eileen watched
as Art moved toward the row of doors along one side of the room
and Joe started toward the doors on the other side. Terry's room
was taped shut. They looked over at the door and then looked
away. Joe glanced back at Eileen, perhaps feeling her gaze on
him. I'm the policeman, Eileen
thought as Joe turned away hurriedly. He isn't embarrassed
because a woman is looking at him. He's afraid because the
detective might think he's a murderer. Or he's afraid because he
is the murderer. She turned her eyes back to
the screen and set the button to Listen mode. "Did you and Art fix the BP
flare problem?" "We think so, Terry. There
was a network packet problem—" "I don't care what it was, I
just wanted to know if I had to come up with some sort of
explanation. I think I'll have one just in case, don't you
think?" Joe looked at Terry in a
calm, friendly way, as though he didn't understand the poison in
the woman's words. "Okay, that would be a good
idea. Just in case." Terry walked away, and Joe
betrayed himself with one tiny, telltale swallow, as though he
were trying to clear his mouth of something bitter. His face
didn't change. He turned back to Art, who was speaking to Colonel
Eaton. "Miss Reed?" Eileen jumped
in surprise. Joe stood at the door of the studio, looking
nervous. Eileen had a queer doubling feeling for a moment, seeing
Joe in front of her and on the screen at the same
time. "Yes?" She pushed the Pause
button on the monitor screen. "I brought you a pop. Doug
told me what kind you got yesterday, so..." He held out a pop can
to her. It was beaded with moisture and looked
wonderful. "You and Art sure take care
of me," Eileen said. "Thank you." She took the can from him and
popped the tab. "And thank you for the coffee yesterday. I really
appreciate it." "You're welcome. I sure hope
you find out who did it," Joe said. He leaned against the doorway
more confidently and brought his other hand into Eileen's view.
He had an open pop can in it, and took a sip. The sweatshirt he
wore was thick and green and had a wolf on the front. "Ski
Banff," the shirt suggested. "I hope so too. Did you
think of anything more since we talked yesterday?" Eileen asked.
She wanted to ask Joe if he'd ever skied Banff. She wanted to ask
him if he had had anyone special since Harriet Sullivan. She
didn't ask. What was wrong with her? If Terry had caused Sully's
death, Joe had the best motive she'd seen for the murder. The
only motive she could think of, as yet. "No," Joe said, and looked
down at his pop can. "Sharon said she thought
someone was writing Terry's code for her," Eileen said. She took
a sip. Joe looked up in surprise. "She told you that?" Joe
said. "I'm—well, I'm amazed. We've talked
about it, you know, because it just seemed like all of a sudden
her code got really good, but—" "She wanted to help. She
knows the little things can be important." Joe looked at the floor
again. "She told you about Sully,
didn't she?" he said in a low voice. "Yes," Eileen said. "Do you
want to tell me about her?" "No." "Did you kill Terry Guzman,
Joe?" "I did not," he said hotly.
"I did not. I hated her, but I wouldn't. I could
never." "I just want to know who
did," Eileen said. "That all the tapes, Joe?"
Art asked from behind Joe. "Can you bring them across for me? I
want my turn with the detective, here." "Your turn?" Eileen said.
She finished her pop. Art handed his tapes to Joe.
He took them and left with a brief, anxious glance toward Eileen.
Eileen raised the pop can to him in a small salute, then pitched
it into the corner waste-basket with perfect accuracy. A small
symbolic message for Joe Tanner. "Two points," Art said
admiringly, not understanding. That was all right with Eileen;
she was sure Joe did understand. "So what do you want, Art?
You figured out the murderer yet? I have to go in"—Eileen checked her
watch—"forty-five minutes. Gotta date
with the boss." "No, I haven't figured out
the murderer," Art said. "But I thought I would show you the
Gaming computer system and how it works before you go. Don't know
if it'll help or not." "Worth a try. I'm sick of
these damned tapes." Berlin,
Germany Muallah looked out the small
window of the airplane and watched the refueling trucks. He
schooled himself to patience. A private jet was out of the
question, however much it would have made the journey easier. The
helicopter that awaited them in Mashhad would satisfy his desire
for speed once they reached the northern Iranian city. From there
the helicopter would bring them into Uzbekistan, former subject
state of the USSR. Muallah had targeted
Uzbekistan more than two years before. He knew there were missile
silos somewhere there, and he knew the Uzbekistanis were more
Islamic than Russian in their loyalties. He'd thought that
Uzbekistan would be a fine place if he only had the exact
location of a missile silo. Uzbekistan was close to Iran, one of
the countries where Muallah was held in a certain ... affection.
He'd found plenty of help there for what the Iranians believed
was just another terrorist group. Muallah smiled, his fingers
resting lightly on his copy of the Koran. The Iranians meant to
use him. As did the Libyans and the Iraqis. None of the
governments were aware that Muallah was using them. When
they discovered their mistake, their own people would already be
Muallah's fanatic subjects, loyal to the death to the One of the
Prophecies. The one who blew the Trumpet of Doom would topple
governments before him like straws in the wind. "Allah akhbar,"
Muallah murmured, and
opened his Koran. He ruthlessly suppressed his excitement. The
time was coming, but it was not yet upon him.
17 Gaming Center, Schriever Air
Force Base They stood in the Truth Team
room. Art showed Eileen a screen full of little windows, each one
flashing and clicking. "I'm backing up the data
from the Cray to the Digital storage devices, basically just a
bunch of big machines with tape drives. The Silicon Graphics
computers are hooked into the network, but it would take too much
time to transmit all their data, so we just push it onto tapes
and store it. The whole system, the whole Game, is started off
from my console, right here." Art touched the mouse key
and brought a window to the front of the others. "This window would start a
program, which would call other programs on the Silicon Graphics
machines. These programs all talk to each other via messages,
across the network. So these computer programs are like people on
a party phone line, each talking away at each other. Say you have
a battle manager who wants to fire a Brilliant Pebble? He calls
up the Environment guy and says 'Hey, what's the weather like?'
Or sort of like that." "Okay," Eileen
said. "The Crays are our big
machines, they run most of the processing to figure out
intercepts, the weather, the time of day, everything else you can
think of. I'd like to show you one, if you would
like." Eileen had heard of Crays.
She didn't think the enormous supercomputer would have anything
to do with the murder, but she was curious to see one. "Sure," she said to
Art. "Okay, we have to leave the
Center for a few minutes. You want me to lock the
door?" "Yes, please." Eileen was
immediately suspicious. "Don't worry, Jeff changed
the combination yesterday. You want to leave for good, right now?
I'm not doing this well, am I? I mean, Jeff Blaine has the only
combination to this room. Nobody could come in here while we're
gone. But in order to get back in, we'll have to have the Major
back here." "No, you're not doing this
well." Eileen couldn't help but laugh. Art looked so crestfallen.
"But I'll tell you what. I will leave for good. That'll give me a
chance to pick up some supper." She bent and gathered her notes
into a pile. "That's all I need." "Okay, then," Art said
cheerfully, good humor restored. "Let's go see the
Cray." They walked down the sloped
hallway to the door. "Notice the slight slope to the hallway,"
Art said. "I did notice that. Why is
that?" "The floors throughout the
Gaming Center are raised a little bit, to allow the network
communications cables to run underneath the floor," Art said.
"The Cray has enormous cables, and the power cables to each of
those Silicon Graphics are also huge. In addition, the space
underneath is chilled and vents are put in underneath each SG, to
make sure they don't overheat. They—" He stopped. Eileen
stopped. "The floors are raised,"
Eileen said. "How do you get underneath the floors?" "The floors come up in big
metal squares," Art said. "You can raise the floors everywhere in
the Center. The carpets are designed to raise in big flaps, but
they're interlocked so you can't see how they come apart. But I
don't think there's room—" Eileen turned and ran back
into the Gaming Center. Art followed. Eileen stopped at Terry's
door, looking at the floor. Streaks of dust lay everywhere. The
chalk outline was oddly shaped, drawn around the chair where
she'd died. It didn't look like a human, just an irregular
blob. "The floor," Eileen said.
The carpeting looked solid and plush. "The carpet is cut into
interlocking squares. If you look at the pattern, you can almost
see it. The squares can be lifted up," Art said. "Then the floor
tiles can be raised. But I don't think you could crawl around
down there." "Could you enter this Center
from across the hall? From downstairs?" "No. The Center is sealed.
The vents are only so big," Art said, holding his hands a few
inches apart. "Let me get a suction tool, that's the way to lift
up the floor tiles. You want to go underneath the floor? I really
don't think you'll fit." "Yes, I do. But not from
Terry's room. I'm going to want prints from underneath that
tile." "He left prints on the
underside?" Art said doubtfully. "Maybe so," Eileen said
grimly. "I want to check out those vents. If no one can get in or
out of this Center, then . .." "Then what?" Art said. He
walked back to the television studio and returned with a metal
bar with two suction cups attached at either end. "This will
bring up the tiles. And here's a flashlight." "Then the person who killed
Terry Guzman was one of the Gamers," Eileen said. Art stopped,
and the suction tool drooped in his hand. The color drained from
his face. "No one else could have done
it. Every other person was in sight of the cameras. Unless the
film has been tampered with. I won't rule that out
entirely. "Whoever it was was sitting
in their own cube, one of the little rooms in the Center. They
lifted their own floor tile, crawled underneath the floor to
Terry's room, killed her, and crawled back. Then they pretended
great shock and amazement when her body was found. No one else
could have done it. It has to be one of the Gamers who were in
those rooms." "Oh, no," Art said softly.
"Oh, please, no." "You are still on my suspect
list, Mr. Bailey. Although you and Joe would have to be together
on this." "We could have done it, but
we didn't," Art said steadily. He held out the suction tool and
the flashlight. "But you shouldn't believe me, of
course." "I don't," Eileen said. "I'm
going to give Major Blaine a call, then I'll go under the floor.
I'd like to have you leave the area before I do this." "I understand," Art said.
Eileen took the metal tool and the flashlight from him. "You pull
the lever in the middle and that breaks the suction," Art
explained. "Those tiles are heavy, so be careful." "I'll be careful," Eileen
said grimly. Art turned and left the room
without another word, and Eileen sighed and scrubbed at her
forehead with her free hand. She could see Art in the witness
stand, with the same mournful innocent look on his face. She
could see Art in the electric chair. Art could be a murderer. But
it felt bad to mistrust him, just the same. "Major Blaine
speaking." "This is Eileen Reed, Jeff.
I need you to get the SID people back here. I need you to come up
here, too." "What did you find?" Blaine
said immediately. "I found out how it was
done. I need the print people. Get up here." Eileen hung up the
phone and clicked the locking mechanism on the suction
tool. "Here we go," she said to
herself. The carpet flap came up like
a jigsaw puzzle piece. The sturdy carpet pieces were laid across
a metal checkerboard of tiles. The tool sucked up against a metal
tile firmly, but it took Eileen a couple of tries to get the
heavy tile up and out of its metal frame. When the tile moved
aside, a blast of cold air hit Eileen in the face. The opening
was pitch black, and cold. Eileen made a little
whistling mouth but didn't whistle. She had never liked dark
places very much. The flashlight was powerful and the batteries
were fresh. The floor looked as if it was a good distance beneath
the layer of tiles. Huge gray cables snaked across the floor.
Bright red and blue lines twisted through the cables. The gray
cables looked like enormous snakes. "'Snakes, why'd it have to
be snakes,'" Eileen quoted to herself. She checked her gun and
looked around the room. Blaine would figure out where Eileen had
gone when he came in. Eileen had pulled up the floor tile
directly in front of the Center door. If Blaine didn't look down,
he'd fall right into the hole when he walked in. Eileen dropped into the
darkness. She crouched down, and only then thought perhaps the
murderer was waiting in the dark for her. That perhaps she should
have drawn her gun. She peered around in all directions and felt
her body prickle with sudden sweat. There was nothing but
cables, and thin metal columns that supported the frame that held
the tiles. Eileen swept the flashlight around in a circle. She
could see to the walls in every direction. The walls were
concrete, solid, pierced by cables and vents that were only big
enough to let a good-size rabbit through, if that. Eileen swept
again, more slowly, looking. There was no dust. The chilled air
started to cool the sweat, and Eileen began to feel the cold.
There were cables dangling from the metal framework, attached to
the Silicon Graphics machines above her. Eileen crawled forward a
few paces. The fit was fairly tight, but she could move around.
She'd found her murderer's pathway. "Miss Reed," said a voice,
and Eileen backed up. She looked up out of the hole to see Major
Blaine. "What are you doing?" Eileen stood up. "I found out how the murder
was done," she said. "And I found out it had to be one of your
Gamers. Unless—" Eileen looked around. "What if
the murderer were hiding in the floor? They could have gotten out
sometime yesterday, when no one was looking. You said all doors
weren't guarded? They were dead-bolted?" "Wait, wait, what's going
on? I don't understand. Explain." Eileen sighed and stepped
out of the chilly hole. She clicked off the
flashlight. "This is how the murder was
done. The murderer was either one of your Gamers, or someone
already here, hiding underneath the floor. Unless there was
someone here before the Game began, it has to be one of the
Gamers. They pulled up the floor tile in their cube, dropped
underneath the floor, and crawled to Terry's room. They came up
through a floor tile behind Terry, stabbed her, and then went
back underneath the floor. Get it?" "Got it," Blaine breathed.
"I got it." "Okay. If the killer was a
Gamer, they went back to their room, put on their gear, and
pretended everything was okay. If this murderer was another
person, when did they leave? Could they have left the room last
night, after everyone had gone?" "I understand now. But they
couldn't have. All the doors except one were dead-bolted from the
inside. The other one was locked and guarded. They were still all
dead-bolted this morning when I checked." Eileen stood looking at the
hole in the floor. She shut out Major Blaine and thought about
the possibilities of what she'd just discovered. She'd had this
ability since she was a child. Perhaps it had been born in her.
She could turn off all input and stand in a clean white room in
her head, arranging puzzle pieces. So she stood with a blank
face, looking toward the hole in the floor but seeing a white
room and a white table. Some of the pieces went together. Terry
Guzman's piece lay neatly surrounded by interlocking Gamers. A
pile of white pieces lay off to one side. The Procell file. Now a
new puzzle piece appeared. It had a familiar shape. Bernie Ames, the best friend
of her Air Force days, was killed and classified a "pilot error"
death. Bernie would not fly into a mountain. Bernie would not
make such a mistake. Eileen tried to get the documents about the
A-10 crash. The documents were sealed. Other documents were
mysteriously missing. Was Bernie shut up because she knew
something? Was the plane crash the result of some scandal, some
error, that the Air Force didn't want brought to the light of
day? The puzzle piece that
refused to be solved had existed in Eileen's white room for seven
years. Now it suddenly joined the Gamers that surrounded Terry
Guzman. There was another possibility for Terry's death, the same
sort of piece that fit in with Bernie's unadmitted murder. The
piece was titled "Cover up." It could fit. Eileen blinked and looked at
Major Blaine, who was speaking to her. Eileen hadn't heard a word
he had been saying. "...one of the Gamers? It
must be? Miss Reed?" "Or maybe that's what I'm
supposed to think, Major," Eileen said coldly. "Maybe. I want the
names of the guards who were at this door last night." "Surely you don't think
someone else was here—" "I think I'm going to keep
my mind open," Eileen said. "I need the names of those guards.
And your OSI crime scene team needs to get prints from this
floor." Eileen glanced at her watch. "I've got to go, I'm going
to be late." "Will you be back tomorrow?"
Blaine asked, for the first time looking lost. "I'll be back," Eileen said.
"I've got some other work I need to do. I'll be back at
eight." "I'll expect you," Blaine
said. "You—" But Eileen was already
walking away. She passed Roberto in the
hallway as she headed out. Roberto was coming through the doors
with a can of pop in his hand, and he gave Eileen a cautious
smile. Eileen lifted a hand to him. Her other arm was full of her
notes and the personal files of the Gamers. Along with the notes,
she carried the Procell file.
18 Colorado Springs
Investigations Bureau Associated Press 5
April POLICE CONFIRM DEATH OF
FIFTH SCIENTIST UNDER UNUSUAL
CIRCUMSTANCES LONDON (AP)—Police on Sunday confirmed the
death of a metallurgist involved in secret defense
work—the fifth such case in the past
eight months in which authorities have been unable to establish
the cause of death. A sixth scientist, a
research expert on submarine warfare equipment at the University
of Loughborough, vanished in January. Eileen took a bite of her
third taco and wiped some shreds of lettuce off the file. The
file was extremely neat. The newspaper articles were folded and
slipped into envelopes, stapled to a photocopy of the article.
The name and date of the newspaper had also been included when
Doug Procell clipped his articles. There were pictures, too, one
of them of a spectacular wreck. One glance and Eileen knew it was
a nonsurvivable wreck. There was nothing that the paramedics
called "living space," the bubble formed of twisted metal and
glass that could hold a human being. Sometimes people died when
there was a living space in the vehicle, because their seat belts
weren't on or they didn't have the ancient animal cunning to
hunker down when the accident started to happen. Sometimes,
though, nothing would help because the living space was
destroyed. The car in the newspaper photograph was one of those.
The only recognizable thing were the wheels. Harriet Sullivan, 26, was
pronounced dead on arrival at Memorial Hospital after this
single-car rollover on Highway 94. Eileen looked at the picture
again. Then she turned it over and read the next article. It was
another article from England, but it was a completely different
murder. Associated Press Fri 10
April 00:41 DEAD SCIENTISTS MYSTERY
BAFFLES BRITAIN LONDON (AP)—On March 30 scientist David Sands
climbed into his car, the trunk packed with tanks of gasoline,
and drove into the front of a vacant restaurant. He died in a
fireball that incinerated him almost beyond recognition, the
fifth British scientist involved in security-related research to
die in mysterious circumstances since August. A sixth scientist
has been missing since January. Together the cases add up either
to a series of bizarre coincidences or to a cloak-and-dagger
conspiracy. Eileen stretched. She
finished her taco and took a big swig of her pop. The murders
were fascinating, but there didn't seem to be much connection to
Terry Guzman. She bent to the article. "Eileen, what are you
reading?" Harben asked from behind her shoulder. "Oh. I
see." "Procell's stuff is
interesting, but still." Eileen snorted. "How much is there?" Harben
asked. Eileen measured the
remaining papers with her fingers. "An inch and a half, boss,"
she said gloomily. "I'll be here all night." "Don't be here all night.
You've got some work to do tomorrow. They might come up with some
prints from your discovery, or perhaps not. You need to talk to
those Gamers again. Someone will crack." Harben tapped a finger on
the file. "Good work, by the way. In most mystery novels,
however, once the good detective figures out the locked-room
mystery, he knows immediately who has committed the
murder." Eileen grinned at Harben.
Harben's congratulations always made her feel good. "I'll get there." "See that you
do." Harben turned and went back
to his office. Eileen crumpled up the taco papers and tossed them
into the wastebasket. She turned to the next article and began to
read. Hours later,
Eileen glanced up at
the clock and winced. Eleven. Betty would be hungry. She'd missed
the local news again. She rubbed her forehead and stacked Doug
Procell's papers. John Richmond's article was not accompanied by
a picture, mercifully. He must have died instantly when the
garbage truck slammed into his little commuter car. The other
deaths were all at other military bases, sometimes mysterious but
mostly just common accidents. Eileen lingered over a picture of
an unsmiling, curly-haired woman with dark eyes. Harriet
Sullivan. Sully. The notice was her memorial service, and Joe
Tanner was not mentioned in the survivors list. They probably
weren't officially engaged. Eileen put the picture in the file
and shut the cover. She sighed. "Done?" Harben's voice
startled her. "I'm done. I don't think I
learned a damn thing." "Could she have been
executed?" Harben asked quietly. "Yes, I think so," Eileen
said, and looked up. Harben was sitting at the desk next to her
own, a cup of coffee in one relaxed hand. The man was uncanny, he
was so silent. Eileen should have heard him walk up and sit down,
but she hadn't. "Major Blaine would have to be involved, I think.
I saw him tape the door shut. But who's to say he couldn't have
smuggled the murderer out before he sealed the door?" "More important, who was
brought in to commit the murder?" Harben asked quietly. "Where do
you hire a killer with a security clearance?" "You're right," Eileen said.
"They'd have to bring someone new on base to do that. A mole. A
spy. Maybe there's a trail there." "I find the scenario
unlikely, Eileen," Harben said. "A killer who has a clearance,
who is brought onto the base to kill someone, who is hidden in
the dark and the cold for hours ... with no guarantee he won't be
discovered and shot to cover the whole mess up. Then the killer
is smuggled out of the area with no one spotting him?" "Accidents are much easier
to arrange," Eileen said grimly. "Which is why I don't
believe this is an execution," Harben responded. He leaned back
in his chair and sipped from his coffee. "I think you've met your
murderer already, Eileen. You just have to find out which of your
Gamers it is." Eileen was opening her mouth
to speak when the on-duty phone rang. The Investigations office
was quietly busy with the nighttime shift, but just the same the
phone cut through the air. Harben took a small measured sip of
his coffee as the on-duty officer picked up the phone. The
officer was Rosen. New detectives always pulled the worst shifts.
Eileen hadn't even noticed he was there, she'd been so absorbed
in the case. Rosen spoke for a moment and then glanced over at
Eileen and Harben. He nodded his head at them and waved for them
to come over. "Oh, no," Eileen said, and
got to her feet. She knew, she always knew. She saw the shy smile
of Joe Tanner as he handed her a can of pop, and swallowed past a
lump in her throat. She took the
phone. "Detective Reed
here." "Oh, Miss Reed, thank God,"
Major Blaine said in a hoarse voice. "Thank God. Can you get out
here?" "What happened?" Eileen said
tightly. "It's Art. Oh, God, it's
Art. Art Bailey," Blaine choked. Eileen had spoken to Art
just a few hours before, when she'd told the sad-eyed Truth Team
leader to clear out of the Gaming Center. "What about Art?" Eileen
asked. "It's—I—He's been murdered," said
Blaine. Colorado Springs
Investigations Bureau "I'll be right there,"
Eileen said. She hung up the phone. She stood there for a moment
and then turned to Harben. "It's Art Bailey. He's been
murdered too. I didn't let him help me with the floors," Eileen
said. "I didn't let him look at the tapes with me. He must have
thought of something. He must have figured it out." Harben looked down at his
coffee cup, his mouth tight. "This will not be an
unsolved case," Harben said coldly. "I'll send officers out to
the other Gamers' houses. You have the names and addresses in
your file? What's your file and code name access?" "The file is TGUZMAN,"
Eileen said, reaching for a scrap of paper and writing it down.
"And the code name access is MEDEA." The software system picked
the code names and assigned them to case files. Eileen had felt a
chill when she first saw the code name. Medea was the
mythological queen who murdered her own children. "Dave," Harben said. Rosen
looked up from his desk and got to his feet at Harben's nod.
Eileen had thought over the past few weeks that perhaps Harben
was going to assign Rosen as her partner. She'd worked without a
partner for nearly six months, ever since Jim Erickson moved to
Denver. Eileen liked working without a partner, but that couldn't
go on much longer. There was too much to do, working alone.
Harben had given her a chance to get her hands on the Senior
Detective position, and now it was time to see if she could keep
it with a new partner. Dave Rosen looked like a good choice. He
was smart, and he was green. This was a test, for both Rosen and
herself. "Yes, sir," he
said. "Eileen's file on the Guzman
case. Get the other Gamers listed here on the phone. Find out who
they are. Read the file. You'll be assisting Eileen on this case.
Understood?" "Understood, sir," he said
quietly, and took the scrap of paper. His eyes glittered, and
Eileen remembered that was Rosen's way of smiling. He was a
rookie, but he was going to be good. "I've got to go," Eileen
said. She had to get to Schriever. "I'll contact you by
radio." "All right," Rosen said, as
evenly as before. "Keep in contact," Harben
said. "Watch your back, Eileen." "I will," Eileen said, and
headed for the door. The drive out
was one of the longer
ones in Eileen's life. She wished she'd trusted Art. Why had she
told him to clear out of the Gaming Center? How often had she
wished she'd made Bernie tell her what was going on? Or that
young detective, Stan Jabowski, the one who'd been killed so
quickly on Nevada Avenue, how often had she wished she'd been
nicer, shown the boy the ropes a little better? Eileen made the
last turn onto the long stretch of Highway 94 and thought about
Art's hurt expression when she made him leave the Gaming
Center. "What did you think of,
Art?" Eileen said to herself, and struck the wheel with the palm
of her hand. "What did you do? Who did you call?" Or was Art a suicide? Did he
kill Terry and then kill himself out of remorse? Major Blaine
said Art was dead, didn't he? Or did he say he was
murdered? Eileen chewed on her lip.
She was driving as fast as the Jeep could go. "Nine seven oh four, this is
CXO, please come in." Eileen took the phone from
its hook. "This is Reed." "This is Rosen. I've
contacted Sharon Johnson at her home. She was apparently asleep.
I've instructed her to remain in her home and ask a neighbor to
come over, since she is alone except for her children. I've also
contacted Doug Procell, also apparently asleep, also at his home.
He will stay at home as well." "Thank you." "I'll let you know as I
contact more. Out." Schriever loomed in the
distance, brilliantly lit in the dark plain. Eileen spun the
wheel and took the exit off Highway 94 with a long squeal of her
tires. "Nine seven oh four, this is
CXO." "Reed here." "I've contacted Roberto
Espinoza, also at his home. He claims he was in a class this
evening, until nine or so. He's given me the names. Evidently it
was a church meeting. I'll verify." "Nelson Atkins? Lowell
Guzman? Joe Tanner?" "No response." "Call Sharon Johnson. Ask
her if she knows where they are." Suddenly that heavy feeling was
back in Eileen's throat. "Affirmative.
Out." Eileen pulled up to the
guard gate and showed her badge. The guard waved her through and
she drove toward the lighted building of the retinal scanners.
There was a flashing military police vehicle waiting on the other
side of the scanners. Blaine sat inside, head lowered and
forehead resting in one hand. Eileen scanned her way
through the glass booth and walked up to Blaine. She carried her
police phone with her. "Nine seven oh four, this is
CXO." "This is Reed." Blaine sat
up and looked at Eileen, his eyes bloodshot. Eileen held up a
hand as Blaine opened his mouth to speak. "Sharon Johnson said that
Joe Tanner's class didn't get out until nine-thirty. He is
possibly on the UCCS campus in the computer lab. It stays open
all night. I've sent a patrol car to check." "Copy," Eileen said. The
heavy thing wouldn't let go of the back of her throat. "Nelson Atkins is not
responding to phone. I've sent a car to check his home. I have
contacted Lowell Guzman. He is disoriented and said he didn't
hear the phone because of medication." "He's the husband of the
first murder victim," Eileen said. "Okay. He is at home and
says he has been there all evening. No witnesses. Maybe
neighbors, but he's not sure. We'll verify. Out." "We're checking on the
Gamers," Eileen said to Blaine. "We've contacted almost all of
them." "Art's in the Center,"
Blaine said. "The night guard thought he heard something but
didn't have the key combination to get in the door. Loud voices,
he said. Then a shout, like a scream." Blaine gestured for Eileen
to get in the police car. Eileen held on as Blaine turned the car
on the soft sod of the lawn and headed toward the Space Command
center. "They called me at home. I'm
the only one with the combination besides the Gaming staff."
Blaine's voice was flat. "Why doesn't anyone but you
have the combination? What if there were a fire?" "Anyone in that room
would have the combination," Blaine said dully. "Anyone else
couldn't get in. This is a compartmentalized base. That means
nobody has access to particular rooms unless they have the right
need to know." "Did you touch
anything?" "No. I saw it was Art and I
saw he was dead, and I got out." "Are you sure he was
dead?" "I'm sure," Blaine said, and
swallowed hard. He stopped the car in front of the building, and
they got out. "CXO, this is nine seven oh
four," Eileen said before she entered the building. She
remembered Procell's speech on the building's construction, how
it was made to block out electronic signals. "This is CXO." "I am entering a shielded
building. You can reach me at—" Eileen looked at
Blaine. "Oh, uh, the Center number
is 344-8814." "344-8814, got
that?" "Copy." "Anything on Atkins or
Tanner?" "Negative." "Copy," Eileen said, and
turned off her phone. "Let's go," she said, and
thought of Joe Tanner. She wondered if Art had asked him to help
do whatever he had done to get himself killed. She wondered if
Joe Tanner had killed Art. Or if he was lying in some darkened
corner of the Center, as dead and still as Terry.
19 Great Falls,
Virginia The phone rang in the
darkness. Ted Giometti sat up, instantly awake, instantly afraid.
Who was dead? He picked up the phone. "Hello?" "I need to speak to Lucy
Giometti, please," Steve Mills said crisply. Ted sighed, and his
shoulders slumped. He'd completely forgotten his wife, the warm
hump of covers at his side. His aunt and his cousin had been in a
car wreck when Ted was thirteen, and the doctors hadn't known if
they were going to live or die. His aunt Mary did die, after the
first long week. The phone became the family's enemy. The phone
was still the enemy, even though Wilson recovered completely. He
was happily married now and had a child of his own. Still, Ted
never forgot the feeling when the phone rang, and he never forgot
his mother's face when they told her about her sister. "Sure, Steve," he said.
"Hang on." Ted shook his wife's shoulder gently. Mills was such
an asshole. Couldn't he just ask to speak to Lucy? What, did he
think there were two Lucy Giomettis at this address at three
o'clock in the morning? "Wha—?" Lucy said. She didn't wake
easily. "It's Mills," Ted said. Lucy
brushed a sheaf of her silky dark hair away from her face and
took the phone. "Lucy here," she said.
"What? Okay. Yeah, okay. I'll be in at eight a.m., Mills." There was a
silence, and Ted could hear the tiny buzzing of Mills's
voice. "Steve, I don't know why you
would want me in at"—she paused and glanced at her
clock—"three a.m. I'd be a useless wreck by
two o'clock in the afternoon. I'll be in at eight and I'll get
right on it. Bye." She hung up the phone and lay back in the
bed. "What an asshole," she said
to her husband. He leaned over and kissed her. "Hmm, three a.m. until eight a.m. Just enough time," he
said. "What?" she protested,
laughing. "That's what got me fat and sick in the first place,
you brute." She fought against his hands, giggling, then relaxed
under him. Her face grew serious as she looked into his
eyes. "Kiss me," she said as his
hands caressed her. "It's the middle of the night and I think I
hate my boss. Kiss me and make me forget what he just told
me." Gaming Center, Schriever Air
Force Base The Gaming Center door was
attended by a familiar-looking guard. After a moment, Eileen
realized it was the same guard who'd been there the previous
morning. It seemed like days ago. This must be the night
guard. "At ease, Airman," Blaine
said. "Where's the SID unit?"
Eileen asked. Blaine looked at her blankly for a moment, as
though Eileen were speaking in a different language and he was
translating in his head. "The Special Investigations Division
guys. Crime Scene. Dr. Rowland. Photographer. You
know?" "They're on their way," he
said. "Dr. Rowland didn't want to get out of bed." "Are you all right, Major?"
Eileen asked. "I'm fine," Blaine said.
"Let's go inside." Eileen didn't feel that
Blaine was fine. Blaine looked like a man who'd just been woken
up. Or he was stoned. Or he hadn't slept in days. Anything was
possible. "Okay, let's go," Eileen
said heavily. They walked up the sloping hallway, and she felt
the tightness in her chest she always felt when she knew the
victim personally. Most times it was another cop. Once a
neighbor, an older woman Eileen used to speak to occasionally
when she brought in her mail. Seeing a body like that was the
ultimate indignity. In most cultures the family members would
bathe and prepare a body before visitors were allowed to see.
Eileen knew why, after the first time she'd seen the sad sprawled
form of a person she knew. Her instincts were to cover the poor
person, to arrange their clothing, to give them some dignity that
murder robbed. She wanted to close their eyes, and say good-bye,
and she had to leave their bodies in disarray, in their own blood
and wastes. She hated to see the body of someone she
knew. Art was lying on his side
near the door. It had been a hard death. The wheat-colored hair
was matted and dark with sweat and blood. He'd been trying to
crawl to the doorway after the murderer had stabbed him. The
murder weapon was lying on a table, set carefully there, almost
contemptuously left out in the open. It was wiped clean. A
sharpened screwdriver. Eileen took a handkerchief from her pocket
and flicked the main banks of lights to brightness, using the
handkerchief so she wouldn't disturb prints. A useless exercise.
Blaine, standing in her shadow in the doorway, winced at the
light and looked away from Art. "There's no one else here,"
Eileen said. "Check anyway, behind these desks, look
around." "Okay," Blaine
said. "Don't touch anything. You
see something, you call me." "Okay," Blaine said
again. Eileen looked down at
Art. "I'm sorry, Art," she said
softly. She started to bend down when the phone rang. Eileen
spent an endless minute searching before she found the phone in
the television studio room. "I need to speak to
Detective Reed," a voice said crisply. "This is Eileen, Rosen,"
Eileen said. "We've located Joe Tanner.
He was in the UCCS computer lab with several members of his
class. They had some assignment due that they were all working
on. He didn't leave the lab." Eileen had to swallow twice
before she spoke. "Nelson?" "No contact. We have
verified with Roberto Espinoza's church group that he was
attending a Catholic Youth Organization meeting until
nine-thirty. He teaches eighth-graders. He was there since six
o'clock this evening. He said he went straight home, fixed a
microwave dinner, and went to bed. We have verified with Lowell
Guzman's neighbors that he was in his family room watching
television. They could see him through their living-room
windows." "After you contact Atkins,
when you do, I want you to visit each Gamer's house. You
shouldn't need a search warrant; they are all willing to
cooperate. Or at least, they're supposed to cooperate. I want you
to look for one thing. Look in the trash, on the floors, in the
backyard." "What do you want me to look
for?" "Metal shavings.
He—or she—had to sharpen that screwdriver
somewhere." "I understand." "Watch yourself, Dave,"
Eileen said, and looked over at Art's body. "Whoever this is,
he's getting very desperate. And he's getting very good at
killing people." "Understood.
Out." Eileen hung up the phone and
turned again to Art Bailey's body. There were two stab wounds,
one in the back and one in the neck. The neck was the fatal
injury. Eileen could see how the murderer struck once, pulled the
screwdriver free, and slashed at Art as he struggled to rise from
his chair. The slashing, second strike was the one that tore open
Art's neck and finished him. Art saw the murderer before he died.
The wound was in the front. Eileen felt tired. Had Art
seen a friend? His surprise was his undoing. He didn't expect the
second blow. There were no marks on his hands from warding off
strikes. There were no other signs of a struggle. Art stood in
amazement, and let himself be killed. Eileen remembered Tanner
mentioning Art's gentle nature, and for a moment she had to
struggle with a choking feeling of rage and frustration. Art was
dead. Eileen Reed hadn't been able to stop it from happening. She
felt sick. "There's nothing else
here." "Any clothing? The blood
would have spattered this time." "No clothing." "Anyone see someone leave
this room?" Eileen knew the answer before Blaine shook his head
no. "Damn it!" Eileen said
explosively. "How about the base? You keep a record in those scan
things?" "No record, and no guards.
We could ask the guard at the gate if he saw any particular car
that was driving too fast." "Call him. Not that phone,"
Eileen added as Blaine headed toward the television room. "I'm in
contact with my assisting officer on that line." "Someone else?" Blaine
said. "Detective Rosen. He's
tracking down each of the Gamers to see if they have
alibis." "I was thinking," Blaine
said slowly. "The murder was done at change of shift. Eleven is
when the night shift arrives and the swing shift leaves. That's
why he killed Art at eleven. He drove out of here with a hundred
other cars. He went through those scanners with hundreds of
people." "Clever," Eileen said
grimly. "He or she." "Yes," Blaine said. "I'll
call the guard anyway, just to check. Do you want coffee or a
pop?" "Coffee," Eileen
said. "Yes, I'm going to get some.
I'll get a cup for you too." As Blaine left, the phone rang
again. "Reed speaking." "This is Rosen. I'm mobile.
No contact with Nelson Atkins. I'll be trying his house first to
see if he's home." "You got
assistance?" "I'm with Officer
Hetrick." "Would Shelly turn me in if
I said, 'Be very careful'?" "You mean because I'm a
girl, girl?" Shelly Hetrick came over the line, her voice bright
and sarcastic. "Well, yes." "I'm turning you in,"
Hetrick said. "Look for fresh blood. I
think the perp got splashed. Okay?" "Clear. I'll carry my
parasol, dear." "Thanks. Out." Eileen hung up the phone,
smiling. Shelly Hetrick was deadly. Eileen would worry less about
Shelly than she would about Rookie Rosen. The door beeped, and
Eileen heard the familiar voice of Dr. Rowland. "At least this time I knew
it would take forever to get here," he grumbled as he entered the
room. Rowland was dressed in his uniform, but his hair was
flattened on one side and hastily combed. The SID unit followed.
The fingerprint people were different, but the photographer was
the same. The photographer looked fresh and alert with the bright
energy of a night owl. Eileen envied him. Rowland looked at Art,
looked at Eileen. "Didn't catch him quick
enough, eh?" he said, then grimaced. "Sorry. Not your fault. No
clues. Any motive for this one?" "Maybe he found out who it
was," Eileen said. Rowland nodded, and put down his
bag. "I sent the autopsy report
to you this evening," he said, bending down and examining Art.
"I'll try to be quicker on this one." Eileen walked away from the
camera flash and the bustle of activity. She followed the blood
trail that went back to Art's console. The blood spray on the
carpet was consistent with a blow to the throat after Art rose
from his chair. The chair was tipped on its back. The console was
still logged on to the system. There were windows open and
flashing with lights and color. Eileen looked at the big screens.
They were dark and empty. The windows on the console looked like
the War Game simulation Art had showed Eileen that
afternoon. Eileen stood in front of
Art's console. What was Art doing on the computer? He was
obviously running some kind of simulation, but there were no
graphic displays. The big screens were dark. Art's console was
doing something, though. "Detective," Rowland called.
Eileen looked over at Rowland, who was squatting by the body and
beckoning with one gloved hand. Eileen started to walk over,
and the console beeped shrilly behind her. She turned to see one
of the little screens flashing the word "Found" over and over in
red letters. "Found?" Eileen said. "Found
what?" She crouched over the console, trying to see if there was
a name in any of the windows. Suddenly the whole console flashed
and went white. Eileen jerked her hands back and away, but she
was sure she hadn't touched anything. "Time Limit Exceeded." The
words scrolled across the screen. "No Interaction. Logging out
ABAILEY at 0123 hours." The screen went dark, taking
whatever Art found with it into blackness.
20 Central Intelligence Agency,
Langley, Virginia "The Medical Examiner's
notes are on-line now," Lucy Giometti said tersely. She'd
finished reading Terry Guzman's autopsy earlier that morning, a
report that had been typed in half a continent away by the
concise Dr. Rowland. The autopsy report had briefly pushed aside
her inquiry about Johann Wulff. Lucy intended to get back to
Wulff as soon as she could. Wulff had a taste about him that made
Lucy feel certain he was the key to Tabor's death. The FBI special agent in
Colorado Springs, Fred Nguyen, was on the phone that was socked
against her left ear. Nguyen was a second-generation Vietnamese,
child of a large family that made it out before the fall of
Saigon. He spoke perfect English accented with more than a touch
of California. Lucy had called up his picture from the FBI files,
and the mental image of the blond football player that went along
with the voice disappeared when she saw the thin Asian face. His
eyes in the picture were black and small and
expressionless. "So, hey, I'm not saying
these are related to this George Tabor dude," the cheerful voice
sounded in her ear, "but I don't know why they're happening at
the same time. It's weird, man." "Fred, my friend, I don't
know either. I know we've got nothing on Arthur Bailey. He's salt
of the earth. Clear all the way back to grade school. Never even
been out of the country." "Yeah, that's what my
reports say too. I think maybe Tabor just got spooked and ran, is
all. Damn. It would've been great if we'd been able to grab him
alive. We'd been tracking this guy for a long time." "Well, if anything more
comes up, I'll let you know," Lucy said. "Thanks." "Thanks, Lucy. I'll get in
touch if I find something juicy." Lucy hung up the phone and
pulled open her desk drawer for the fortieth time that
morning. "No, no, no," she said to
herself. The phone rang. It was
Mills. "What's up?" Lucy said, her
eyes still wandering over the stacked cookies and pastries in the
drawer. "We've got an appointment at
the Pentagon," Mills said, and the bafflement and fear were plain
in his voice. "At the Pentagon?"
Lucy said. "I don't know what's going
on. The Deputy Chief called me personally. This is getting pretty
damn hot, Lucy. Be in my office at one o'clock." Lucy didn't realize for a
moment he'd called her by her first name. Then it struck her.
Mills must be really upset. And she still hadn't nailed Johann
Wulff. Lucy pulled a fruit pie out
of the drawer and picked up the phone. She had a few hours. She'd
have to use them well. Colorado
Springs "I have witnesses. I was in
church." 'Berto sat on the couch in
his apartment. His thick black hair was uncombed. He was wearing
gray sweats and a black tank. He didn't look as if he'd slept
much. "I know you were in church,"
Eileen said. She didn't feel much better than 'Berto looked. The
morning sun was just touching through 'Berto's blinds. 'Berto's apartment was
small. Two or three days' worth of dishes were piled in the sink.
The carpet was clean, although it was old. There were gym clothes
on the floor and a few brightly colored ties hung over some
chairs. The overstuffed armchair in front of the television was
piled with newspaper. The table next to the chair was loaded with
old pop cans and magazines. Eileen could see the corner of the
bed at the end of the short hallway. The bed was unmade, but the
room looked clean. "Pretty small
place." "Small is all I need,"
'Berto said. He got to his feet. "Coffee? How about some orange
juice?" "Coffee would be nice,"
Eileen said, and followed 'Berto into the kitchen. 'Berto pulled
out some filters and a grinder and started to make
coffee. "I haven't been shopping,
but I could make you something. You want breakfast? You going to
haul me in?" 'Berto ran the words together and tossed the last
line off lightly, but there was nothing light in his dark and
miserable eyes. "No." The tough line of the
shoulders slumped. For a moment 'Berto looked like a relieved,
frightened little boy. Then he turned his face away and began
rinsing the filter holder. "So why are you
here?" "I want to talk some more.
You can afford better than this, can't you?" "Maybe," 'Berto
said. "You can afford a maid,
though?" Eileen asked. "I don't have a maid,"
'Berto said, and finished assembling the coffee. He turned the
switch to start the brew. "Looks like you have a
maid." "Okay, my cousin," 'Berto
said. "She comes by once a week. She works as a maid,
okay?" "I'm not trying to say
anything," Eileen said mildly. "I just thought you had a maid for
a place like this, that was funny. A girlfriend would treat a
place differently." 'Berto leaned back against
the counter and folded his arms. He smiled faintly. "You notice stuff, I guess.
No girlfriend. Estelle, she comes by for a favor." "A favor?" Eileen said, and
eyed 'Berto. 'Berto shifted nervously. " 'Berto, look. You don't
drive a hot car. You live in a dump. You don't have great
clothes. But I've seen your salary. Why don't you live better?
Are you being blackmailed?" "I'm not being blackmailed!"
'Berto's shoulders rose. He seemed unsure whether to laugh or get
angry. "I'm—look. Well, hey. I'll show
you." 'Berto walked over to his
cluttered coffee table. He rummaged around the newspapers and
magazines stacked on top. He pulled out a photo album. "Ready for the sob story,
eh?" Eileen glanced at the
coffeepot. It was nearly done. She opened the cabinet above the
coffeemaker and the coffee cups were there, in the most logical
place for them to be. She looked inside before she poured, but
they were clean. "So give me the sob story.
You take milk?" "Black is fine for me,"
'Berto said. "I couldn't sleep last night. Nelson called me and
told me about Art. I was thinking about Art. Terry
too." 'Berto put his photo album
on the kitchen counter. He opened it. Eileen took a sip of his
coffee and looked. "This is my brother Luis.
College. Tuition. Books. This, my sister Isabelle. Okay, no
college for her. Two little ones, boy and girl. College for them.
Eh?" Eileen looked at Luis, a
younger, thinner version of 'Berto. The slate-black eyes were
smiling. The UCLA sweatshirt was fresh and white. The sister
Isabelle, chunky and plain, had two happy children in the circle
of her arms. There were more pictures. Eileen flipped through the
album, sipping her coffee, seeing the signs of prosperity appear
as the children grew. The bright spots of new lamps, a new
carpet, new clothing. There were pictures of another woman, a
thin beautiful girl with an angular, Spanish look to her face.
She wasn't smiling in any of the pictures. She wore a lovely red
dress, and looked almost embarrassed, as though she knew she
looked spectacular. "Another sister?" Eileen
asked. 'Berto smiled. "Mi madre," he said proudly. "My mom. My
dad was a cop, got killed a long time ago. She's
beautiful?" "Wow," Eileen said. "She
sure is." The sun, rising, laid a
strip of brightness across the kitchen and picked up the glare of
the picture film. Eileen closed the album and refilled her
cup. "You support them all," she
said. 'Berto shrugged. "They know it, they knew it
before I got all my clearances through. The government didn't
mind that I send my money to my family. I don't think my
investigating officer liked it, though." "Your investigating
officer?" "Yeah, they send one out to
interview the family, your friends, your professors. People from
your last jobs. Sometimes they interview you, too. This one did.
When you get this kind of clearance, they do a background check
on you. This guy was a young white guy. Didn't like visiting the
barrio. Didn't think I should be wasting money. A man with no
family." 'Berto grimaced in disgust. "He doesn't
understand." "I know you have an alibi
for last night," Eileen said quietly. "I teach classes, sure. My
cousin is a priest. My father's sister, she's a nun. The Church
is important to us. I'll have my cousin say a prayer for
Art." There was a little silence.
Eileen looked at the slight steam that rose from her cup, then
looked up at 'Berto. She knew there was more to 'Berto's story
than he was telling her. Something about 'Berto's good looks, the
misery in his eyes, urged her on. "But no prayers for
Terry." 'Berto was standing with an
elbow on the kitchen counter, his other hand on the cover of the
photo album. He stood frozen. "Oops," Eileen
said. 'Berto opened his mouth.
Closed it again. " 'Berto," Eileen said
softly. "Come on." Incredibly, 'Berto's eyes
filled with tears. He hung his head, his hand pressed to the
album as though it were holding him up. Eileen didn't move. She
hardly breathed. "Please," Eileen whispered
to herself. She needed just one-little break, that's all. Just
one break. 'Berto lifted his head and wiped his eyes. He looked
very young. "I'll tell you," he said.
"Can we sit down?" Central Intelligence Agency,
Langley, Virginia "An efficient job," Lucy
mused, looking at the autopsy photographs of George Tabor. She
was on the phone to Charles D'Arnot, a Paris police detective who
supplemented his income by helping out the American CIA. D'Arnot
spoke perfect English with a slight Scottish accent, which Lucy
found hilarious. They were looking at pictures together, half a
world apart, on the Internet. Lucy patted her computer monitor
affectionately. "Go to the next one,"
D'Arnot said. A red arrow appeared on Lucy's screen, showing the
ligature marks on the neck. "He was a professional. Only one
mark. He never had to shift positions, and the bruising is
slight. There is bruising, though." The arrow disappeared and
reappeared at another place on the screen. "Your Mr. Tabor fought
well, Lucy." "He was surprised," Lucy
murmured. "You can tell." "We have another set of
pictures for you, cherie" D'Arnot said
cheerfully. "Another set?" Lucy asked,
sneaking a glance at her watch. "Not of Tabor," D'Arnot
said. "I'm uploading now." Lucy watched with amazement
as a new set of autopsy pictures appeared. The victim was a
female, Arab, and young. She had the same markings on her neck as
George Tabor. Even to Lucy's untrained eye, she thought the marks
looked similar. "Eh?" D'Arnot said with
satisfaction. "Who is she?" Lucy
breathed. "Sufi Ad-Din," D'Arnot said.
"Found in her apartment less than five blocks from Tabor's
rubbish heap." "She's Arabic?" "Jordanian, formerly
Palestinian," D'Arnot said. "She had a lover. She told her
neighbor what his name was, and the name he used when he
traveled. Her neighbor was a—how do you say it in
English—?" "A girlfriend? A chum?" Lucy
said. "A chum," D'Arnot said.
"Evidently the lover didn't know about the chum, or doubtless
Sara would be as dead as Sufi." "What was his name?" Lucy
asked. Her fingers tingled and her heart pounded. She knew what
D'Arnot was going to say before he said it. "Johann Wulff. But his name
was really Fouad Muallah. He is Jordanian as well, according to
the chum, but we don't have any further information. We put a
warrant out, but he has probably flown the coop, as you
say." "Fouad Muallah," Lucy said.
She bit her lips to keep from laughing out loud. "I'll see what
we can find out, Charles." "You do have some good
resources," D'Arnot said wryly. "If you track this man down, I'd
appreciate a call, cherie." "You shall have it," Lucy
said. "Thank you very much. You've given me a lot to work
with." "Of course," D'Arnot said
with a Frenchman's modesty. "And now I must go. My companions,
they grow suspicious if I spend too long on the
phone." "I understand," Lucy said.
"Thanks so much." "I told them you were my
lover," D'Arnot said with a laugh. "So if you ever come to Paris,
I hope you are as beautiful as your voice. I do have a reputation
to keep." Lucy chuckled for a long
time even after she hung up the phone, even as she set up her
search engine to seek out Fouad Muallah. After three months of
feeling like a bloated horror, it was wonderful to hear flattery.
French flattery, no less. Parisian flattery. Ted would
pretend to be jealous and cover her in kisses tonight. But before tonight, she had
to meet with someone at the Pentagon, an Admiral Kane. There were
monsters to defeat before she could return to her castle and her
prince. "And a monster to find,"
Lucy murmured, leaning over her keyboard. "A monster named Fouad
Muallah." Fort Rucker Army Base,
Alabama "You know what they call a
Chinook?" Roseburg asked him as Stillwell signed for his flight
helmet. "What?" Stillwell asked
apprehensively. "A loose collection of nuts
and bolts flying in formation," Roseburg laughed. "Why, thank you," Stillwell
said. "I really needed to hear that." "Have fun," Roseburg said.
"You've got two damn good pilots, I'll tell you that much.
Anything goes wrong with that bucket of bolts and they'll bring
you through it." "I'm comforted," Stillwell
murmured, and headed in the direction Roseburg pointed. He ducked
out of the hangar into the wet and the heat of an Alabama
morning. The hills and forest—well, jungle really; Alabama
woods were more like a jungle to Stillwell and always would
be—were faded by the humidity into a
soft palette of green and blue. The jungle started at the end of
the runway, and on the runway was his ride. The Chinook was an ungainly
looking aircraft with two rotors, one at the head and one at the
tail. She stank of jet fuel, even at a distance. The air
shimmered above her engines. Her rotors were turning lazily.
Chinooks looked like a joke, Still-well had always thought. But
he had presided at only two fatal crashes of the
ridiculous-looking birds. The statistics were with him. Or so he
hoped. He hopped onboard, clutching
his flight bag. At last, it looked like he was heading for
Colorado. Colorado
Springs "I started at Schriever out
of college," 'Berto said to Eileen. "I wanted money, to help my
family, and I wanted to do graphics simulation. That's what I
love. When I interviewed, they showed me a globe of the earth on
a Silicon Graphics Indy. It was so beautiful. I could see the
sunrise line. I could see the city lights in Europe. That's what
I wanted to do. "So I start, and there's Art
to help me. Ahh, I miss him. I'm going to miss him forever. I
didn't know how to set up my workstation, and Nelson isn't
around. I'm too nervous to talk to Joe or Sharon or Doug, and
Lowell is busy. So I see this guy who looks friendly, and it
turns out he's Art, the genius. I ask him to help me, he gets up
from his desk like he's been waiting all day just for me. Turns
out he stays late that night to make up for the time he spends
with me. But that's Art. "He comes over and sets me
up. Soon we're talking graphics and morphing and the latest
Hollywood pictures. I'm kind of arrogant, you know, stupid,
because I've just graduated and I know everything, I think. Art,
he never slaps me around like he should. Sully, oh boy. First
time I pull that shit with her, she takes me down." 'Berto stopped for a moment.
He looked blankly into the distance. "Sully first. Now Art. I
knew when she got together with Joe. He was on fire. He blew out
like a candle when she died. Art got him through it, I think. Art
and Meg, that's his wife. Now Art, he's gone too. Joe, he's going
to be hurting so bad. I want to call him, but I don't. Too scared
of what's going to happen. I think everyone thinks I'm the
murderer. I think you knock on the door this morning, this is the
end." "Why?" Eileen
asked. "Because of me and Terry,"
'Berto said. He swallowed hard and rubbed his palms against his
sweats. "I'm getting there. It's hard. "So my second year there,
I'm graphics king with Art's help, and I'm getting along with my
new friends, and my family is happy. They find me Elena and her
family, they're cousins away, but so I have family." "But nobody special," Eileen
said. "Nobody special," 'Berto
repeated. He didn't meet Eileen's eyes. "Terry and I never talked
much. She was muy guapa, yes? She and Sully were different
sides of the same coin. Sully, she was strong, but she was a
woman. Full of heart. Terry, she's strong but full of hate. Hard
to see that at first. You look at her, you think, I know what
would make her happy. Get her in bed, get past all that armor,
fuck her, she'll be happy. She just looks like that's what she
needs. "Lowell didn't know how to
handle her, that's for sure. Always looking a little bit puzzled.
And her holding out that body like a piece of fruit. Lowell
doesn't know what to do with it, that's for sure." "She decided she wanted
you?" "She wanted me, sure. Not
that I knew it for a while. She made me want her. I never knew
until a lot later how I'd been set up." "Set up?" "Set up like old style,
woman style. She knows—knew— tricks they wrote in the book
years ago. Centuries. I don't know. A woman like that, you burn
for her. You want to conquer, to break her down, make her soft.
You don't know you go to bed with her, you give her what she
wants. Then she eats you afterwards, like a spider. No use for
you after it's done." 'Berto sighed and shifted on
the couch. "Why is it so easy for me to
tell you this? They sent four of us to a conference, we had to
attend some seminars on graphics. It was fun, the seminar part.
Terry, me, Joe, and Sully. They didn't much like each other then.
Or maybe they already liked each other but didn't know it. We all
went to dinner, and they both disappeared to their hotel rooms
every night. Not with each other. Sully probably set up her
laptop and played. You can't log into the system long
distance— it's secure. But she liked those
computer games. Joe, he read, I think, or went and swam in the
pool. He's always working out. He didn't like Terry and maybe he
had a crush on Sully, and I think he would have liked to spend
time with me, but the only way to do that would be to say, I'm a
guy, I want to hit the bars with 'Berto, okay?" 'Berto laughed.
"Joe was too nice for that. So he disappeared, and Sully, so
there was Terry and me." "We went to the bar that
first night, and somehow it was me asking her, I don't know how
she did it. I thought I was in control." "Did it happen the first
night?" "Oh yeah, and the second
too. That first night, I was so drunk. Don't know how that
happened either. But there she was in my room, and all I wanted
to do was get her out of her clothes, get her under
me." 'Berto put his head in his
hands, and his shoulders rose. "I am so ashamed the next day.
Married! I break a solemn vow, me, Roberto. I wanted to be a
priest when I was a little boy, an altar boy. And this is what I
did." "She used that, didn't she?"
Eileen asked. Now she felt she understood all the references to
Terry's sharp tongue. Joe hadn't understood when Terry asked
'Berto if he'd "forgotten anything else." 'Berto knew what Terry
meant. "She used it. I was ashamed
and hungover, and the next night I was back in her bed like I had
a ring through my nose. Then we flew home, and I took a shower
forever. I didn't want to go to work the next day. But everything
was fine. At first. Then she would make references, in front of
Lowell even, with that little kitten smile on her mouth and her
eyes, so wide. Ahh, I blamed myself at first. But after a few
months, I knew what she wanted. She had me on a string like a
puppet, and she knew it. I didn't want to hurt anyone. I didn't
want to see disgust in Joe's eyes. Or Art's. She knew
that." "Did she ever ask you for
any favors?" Eileen asked. She was thinking of Sharon's suspicion
that someone was writing Terry's code. "I helped integrate her
code," 'Berto said. "That means I helped make her part fit into
the simulation. I never complained about her stuff. After a
while, it got a lot better. She didn't ask for anything, she just
had it. She had it there and we both knew it." "Did you hate
her?" "I hated her enough to kill
her," 'Berto said. "I could have killed her. But I didn't. I
don't know how to make anyone believe that. I didn't kill her.
She could have pushed me over the edge, I could have killed her.
But I know I would have been sobbing for the priest the moment it
was over. I got dispensation from my priest for adultery. I would
have volunteered for the classes anyway, but they're part of my
penance. He absolved me, and I'm washed clean. Terry knew that, I
think. She knew she had me through embarrassment, and shame, but
not through shame of my immortal soul. She hated that, I think.
She ate people. She liked to have their souls." Eileen shivered
involuntarily. "Someone hated her. I think
anyone who knew Terry would hate her. But it wasn't me. It
wasn't me." Mashhad, Iran "Mahdi," the man said in
reverent tones. The Mercedes was as dented as advertised, but
gave a reassuring rumble of power. Muallah was aware of the
deadening weight of exhaustion beneath his excitement. He needed
sleep. "Allah be with you, Haadin,"
Muallah said, smiling at the look of joy on the man's face. Ali
silently loaded the baggage into the back of the Mercedes, his
face reflecting nothing, not even weariness. "I need to rest," Muallah
added shortly. Haadin seated him immediately in the Mercedes and
drove with a reckless dash through the dusty streets of Mashhad.
Haadin had rooms, of course, the best of which remained empty for
Muallah. The rest of the rooms were occupied by Muallah's Chosen
Ones, ready at last to serve him as they knew they were born to
do. Muallah rested his head against the back of the seat, trying
to ignore the bumps and swerves. He needed to conserve his
strength. He would allow himself only a few hours of rest before
they began.
21 Central Intelligence Agency,
Langley, Virginia "Charles!" Lucy said with
delight. She had a substantial CIA file she'd found on Fouad
Muallah. Paper pages were spread on her lap and electronic ones
covered her computer screen. "Lucy, ma cherie,"
D'Arnot said. "I have an interesting tidbit for you." "I'm ready," Lucy said. She
clicked on her notes screen and made an entry for D'Arnot's
information. "I spoke again to Sara, the
chum," D'Arnot said. "And something she said matches with what we
found with Sufi." "Okay, I'm ready," Lucy
said, typing. "Sufi had intercourse
minutes before she died. Not rape; there was no trauma. But she
was killed immediately afterward." Lucy paused, her fingers
poised over the keyboard. "He's an egotistical
bastard, isn't he?" she said. "Yes! You're beautiful
and intelligent," D'Arnot said admiringly. "Yes, Sara
spoke of Muallah as a man who treated Sufi as a toy. Sufi loved
him. She worshiped him." "Muallah worships himself,"
Lucy said slowly. She typed quickly. "He had sex with her as a
gift to her before killing her, didn't he?" "Looks like it to me,"
D'Arnot said. "This is a very dangerous man, I think." "I think so too," Lucy said.
She looked with new eyes at the file on Fouad Muallah. "I think
so too." Colorado
Springs "Detective," Doug Procell
said in tones of relief. His face was thin and white and
miserable. He looked like a handsome vampire two kills short of a
full meal. He stood in his doorway and regarded Eileen. He was
wearing sweats, the Gamer off-duty uniform, it seemed. His were
gray, and looked old. "Can I come in and talk?"
Eileen said. "I'm too damn tired to haul you in." "Yes, of course, I'm sorry,"
Procell said, still looking at Eileen with a relieved expression.
He swung open the door and nudged a golden retriever back with
his bare foot. "Back, Cherry," he said. "Go
lie down." The dog pressed against his foot and wagged its tail,
looking at Eileen with shining happy-dog eyes. "I like dogs," Eileen said
mildly. "It's all right." Cherry didn't jump on Eileen
as she entered. The dog sat in her path and put up a paw, wagging
its tail. Then it switched paws. Eileen gravely put out a hand
and shook the paw. "Nelson called me last
night, after the police called. He said to stay home today. I
don't think I could have gone to work anyway," Procell said. "Do
you want some coffee?" "No coffee," Eileen said,
and patted Cherry on the head. She followed Procell down a
hallway and into a sunny living room. The newspaper spread over
the floor in untidy piles. Cherry immediately headed for a bright
band of sunlight, her tail wagging. She flopped down in the
sunlit section and gazed back at Eileen. "She's happy I'm home,"
Procell said. "How about your wife? Kids?
Are they home?" Eileen knew they weren't, just by the empty-house
feel of the place. "Janet, she's at work. She's
an attorney. And Martha is in day care. I had Jan take her to
school anyway; I wouldn't be able to think about taking care of
her today. You sure you don't want coffee? How about some
breakfast?" "Well, breakfast you could
interest me in," Eileen said, and shrugged off her jacket. Her
shoulder holster was clearly visible, but Procell seemed more
relieved at the sight than discomfited. "Okay," Procell said.
Unexpectedly, he grinned. "I'll fix you a good breakfast and then
you won't arrest me. Isn't that how it works?" "Depends on the breakfast,"
Eileen said. Procell went into the kitchen and Eileen took a seat
at the bar. Cherry abandoned her place in the sunlight and walked
over to Eileen. She nudged Eileen's hip with her nose until she
reached down and started to pet her. "Cherry's a big baby,"
Procell said, opening the refrigerator. "She loves being petted.
I think I could eat something now." He set out eggs, cheese, and
a package of what were obviously homemade tortillas. "Huevos be
okay? I make them spicy." "Good huevos rancheros might
keep you out of jail," Eileen said, and turned so she could rest
her back against the wall. She closed her eyes, her hand
smoothing the dog's silky head, enjoying the sunshine. "You don't think I did it,
do you?" Procell asked, cracking eggs into a bowl. His voice was
sounding less pinched. Eileen suddenly realized why Procell was
happy that she was here; Procell felt safe. Procell wasn't afraid
of being arrested. He was afraid of being murdered. "No, I don't," Eileen said.
"But I don't think it was your conspiracy, either." "You don't?" Procell asked
in surprise. "I would think that would be certain
now." "Why?" "Well, because Art was
murdered. Why Terry and Art both?" "Why don't you tell
me?" "I don't know." Procell was
honestly bewildered. He started beating the eggs again. He added
some spices and milk, and poured the mixture into a skillet. He
got a bowl of refried beans from the refrigerator and set them in
the microwave to warm, then opened a can of green chili sauce. He
handed a block of cheese and a grater to Eileen, who took them
and started working on the cheese. The kitchen began to smell
delicious. "All right, then, answer me
this. How did a hired killer get clearance to come onto the
base?" Procell, stirring the eggs,
stared over at her blankly. "He'd have to have
help." "Exactly. How did the killer
get under the floors?" "Someone had to put him
there," Procell said slowly. "I never really thought about it. If
that's the case, then—Major Blaine!" He looked at Eileen
with amazement. "It's Major Blaine! It has to be! He—he—" "Hold your horses," Eileen
said. "Major Blaine would be suspect number one in a conspiracy.
But even Major Blaine couldn't get a new person on base without
leaving a trail a mile wide. There is no trail. No one new came
onto the base in the last two weeks, not anyone with a permanent
badge. We checked on all the temporary types too, and they're all
accounted for during the time of the murder. And what about
getting Mr. Hired Killer out of the floor?" Procell stirred the eggs and
shook some chili powder into the skillet. His attention remained
focused on the food. Eileen couldn't see his
expression. "I think I just figured
whoever it was could do anything. But killing Terry like that...
you know, it's not their style." Eileen, still grating
cheese, felt a chill. There was a pattern in the Procell file,
and she'd completely missed it until now. The deaths were all
automobile related. Not a single scientist whose obituary filled
Procell's file had died of any other cause. Some were more
bizarre, like the young Briton who had driven his car into a
stack of gasoline canisters. Some were completely normal, like
Harriet Sullivan's single-car accident on the highway. Procell,
the author of the file, saw the pattern. Eileen
hadn't. Terry's murder, and now
Art's, were completely out of pattern. What troubled Eileen was
the feeling she was seeing the shadowy edge of something much
larger than Terry or Art. If there was a relationship, it was too
subtle to be seen. She still couldn't believe in Procell's
conspiracy. But there seemed to be something going
on. "If they are separate, if
they were murdered by another person, what will that do to my
conspiracy members? That's what I'm thinking now," Procell said.
He spread the refried beans over the tortillas and folded the
eggs inside. He took the cheese from Eileen and filled the
tortillas with the shredded cheese. Then he poured the green
chili sauce on top and put the huevos into the oven to
warm. "This is going to be good,"
Procell said. "I mean, let's say we have Person X, who murdered
Terry and Art. Then we have Organization Y, which has murdered a
bunch of scientists on missile defense. What is Organization Y
doing right now? If Person X is some clumsy amateur, Organization
Y may be revealed simply because X is out there. I hope this
happens. You know that somebody is killing us." "Maybe two somebodies. Maybe
two groups of somebodies." "So maybe Organization Y
panics? Maybe they make a mistake. Like killing Art." "So you're saying Terry was
killed by Person X, for reasons unknown, so Y responds by taking
out their next victim early." "Right. Art Bailey. Smartest
man in defense simulations. Breakfast is done. Want some juice?
Milk?" "Milk would be fine," Eileen
said. She smiled wryly at Procell. "You get this detachment from
your job, don't you?" Procell looked at her in
surprise. He was carrying the hot plates with two oven mittens.
They were shaped like cartoon sharks. "Detachment?" "Yes. We're talking about
murder, you know." Procell put the plates down
and went back for the milk. He flushed a little. "Well, we're all used to
talking about death. In the large sense. Casualties, millions of
them. We put together this one briefing for a senator from a
state I won't name. The bastard wanted to cut out our black
funding. We showed him a War Game where a submarine
from—" Procell paused. "Well, from a
place. This sub launched a missile and took out one city. Los
Angeles. We calculated the casualties. Deaths from the blast wave
at ground zero. The overpressure drops exponentially as you move
outward from ground zero. So some people survive, the ones quite
a way from the blast and behind big buildings. You have hundreds
of thousands who won't survive, blinded and burned. We showed him
the graphs. Came up with a dollar figure. Every burn unit in the
country would be filled by the ones who just might make it. Damn,
we even calculated burial costs for the dead. Added up to our
funding for five years. If we stopped one bomb, that would equal
our funding for five fiscal years. Talk about cheap insurance.
Bastard still voted to cut funding." "You're used to death, in
other words." "Yeah, I am. Not so much my
own, though. I'm not very brave. I've been sitting here all
morning waiting for some Bond assassin to come through my door
and tell me we're taking a ride." He gestured to the table.
"Let's eat." The meal was as good as it
looked. Eileen dug in, relishing the taste of homemade food. She
was an indifferent cook and didn't spend much time at home as it
was. Procell was neat and quick. "This is very good," Eileen
said after half her tortilla was gone. She felt more tired but
better able to handle it. A quick nap in the early afternoon and
she could go all night. She would have to. "Thanks. I'm glad you came
over. Not just because I feel safe. But because I want to
help." Eileen straightened in her
chair at that. "Art wanted to help, too," she said grimly. "I
think he figured out something. And I think that may be what got
him killed." She told Procell about seeing the lines "Found"
before the screen went dark. She did not tell Procell any other
details. "Found," Procell said
slowly. "Art must have thought about something. I don't know what
he did. It was the computer, you said, not the
videotapes?" "The computer terminal.
That's what said 'Found.' " "Well, maybe he did,"
Procell said. "If so, then perhaps my Organization Y is sitting
tight, maybe even going underground." Eileen kept from sighing by
taking a mouthful of tortilla. Procell was on a single track
about his pet theory. "That means we have Murderer
X who has killed twice. Why? I can come up with all sorts of
reasons why Organization Y would kill scientists. Money from
powerful governments, political goals, even environmental
extremists who want to keep mankind out of space. But why one
murder? Why Terry?" "Terry was a girl that made
people hate her," Eileen said. She glanced at Procell, who was
finishing his milk. Procell looked mild and innocent. "Why did
you want to murder her?" The shot went home so
easily, Eileen felt ashamed. Procell paled instantly. "Me? I didn't. You know I
didn't!" "I didn't say you murdered
Terry. I just want to know why you wrote her code for
her." Eileen trusted her
instincts. They weren't wrong this time. Procell looked as though
he'd been punched in the stomach. "Why—how did you know?" he said
finally, after swallowing a few times. There was a green tint to
his face. Eileen hoped Procell wasn't going to lose the excellent
breakfast he'd just eaten. "I found out. Terry couldn't
have written good code. Not the stuff she magically started
turning out. Why did you do it?" Procell slumped in his
chair. He put a hand over his eyes. Eileen leaned forward
intently. What did Terry do to this man? She could still see the
image of the young, defeated 'Berto in her mind. She could still
hear the baffled hurt in his voice. "She was blackmailing me,"
Procell said quietly behind the hand. "We went to the same
college together. She knew she couldn't keep up on the project,
but she wanted to stay on. I don't know why. Maybe because Game
Days are so fun. Maybe she liked to walk around with all the
military officers looking at her. I don't know why." "What did she have on
you?" "I had a love affair with
the wrong person," Procell said. He didn't meet Eileen's eyes.
"She knew about it." "A love affair? How could
she blackmail you with that?" "Security clearances are
touchy things," Procell said wearily. "You have financial
problems, you're out. You have relatives in some foreign country
the government doesn't like this year, you're out. Anything in
your past that could be a blackmail risk, and you're
out." Cherry wandered over to her
master and nudged at his hip with her nose, hoping for a treat.
Procell caressed her head absently. "So what was her
blackmail?" "An affair with the wrong
person." "Stop stonewalling," Eileen
said. Procell looked at Eileen's face and paled even
more. "You going to write this
down? Could you not write this down?" There was naked appeal in
Procell's voice. "This is my life you can ruin. Terry was the
last one who knew. I thought I was okay once she was
dead—" He stopped. Eileen looked at
him. "I didn't, though! I would
never. I'm—" "So what was the
blackmail?" "I did her code for her,"
Procell said, looking at the carpet, "so she wouldn't let slip
that I had an affair with a professor at college." "A prof—" "A male professor," Procell
said, and looked at Eileen. There was a
silence. "Oh," Eileen said. There
didn't seem to be much else to say. "I'm not even bisexual now,"
Procell said. "I think I got fooled into it for a while. I'm not
one of those closet gays who marry and raise a family. I wasn't
sure of my identity and so I experimented, and then I met Janet
right after I graduated. That was it for me. I love her more than
my life, Miss Reed. She's everything." Procell looked down at his
hands as his voice broke. "She's everything. And we have Martha.
If I were an attorney too, then it wouldn't be a big deal, maybe.
But I'm in Defense. I'd lose my job in a snap. I will lose my
job. They don't give gays security clearances, even if they
aren't gay." "That's a damn good motive
for murder," Eileen said. She felt fresh outrage at the military,
at the whole clearance system. Eileen supposed you could murder
to keep your clearance, if it was that hard to keep. Although she
wasn't quite sure. Murdering someone over a piece of paper? But
Procell was the proof, sitting in a devastated silence at his own
dining-room table. Nelson Atkins, with his pale freckled face.
Major Blaine, with his endless report writing. The security
clearance was the means of earning a living. Without the paper,
the good life would be lost. Would someone do murder to keep from
losing their livelihood, their job, their self-respect? Eileen
didn't have to think about that one for long. And Terry knew the
weaknesses of the people she worked with. What was Joe Tanner's
Achilles' heel? How about Sharon Johnson? Nelson
Atkins? "If I was going to murder
her I would have done it a year and a half ago," Procell said
bitterly. "I haven't spent an entire weekend at home for almost
two years because I've been doing two jobs. Terry never leaves
late, she takes weekends and holidays, and she would smirk at me
and flip her narrow little hand at me as she got into her coat
and left, while my two-year-old daughter is being fed at home and
I'm working on Terry's code. Writing her name instead of my own
into the computer code! I wish you knew how that felt. Like
painting a picture and having someone else sign their name to it.
I would have done it long ago, if I was going to do
it." "She wasn't a good person,
was she?" Eileen said gently. "She was a monster. She's
owned my life for the past two years, and now she's going to ruin
me forever after she's dead." "No, she won't," Eileen said
impatiently. "What do you think I am?" Procell looked up, and
Eileen had to look away from the expression in his
eyes. "There's no reason to take
any of this down unless you turn up as the murderer," Eileen
said. "Sure you've got a motive, and you're still a suspect, but
I don't compare notes with Major Blaine." Procell put his head in his
hands for a moment, his long fingers squeezing his skull through
the thick handsome hair. Then he took a deep breath and sat up
straight. "Thank you," he said
quietly. "I don't know how else to say it. Thank you." "Don't thank me," Eileen
said. "This was another lead that I've followed down to the
proverbial blank wall. Should something break on this case,
however, that points your direction, all the huevos in the world
won't keep you out of jail." "Yes, ma'am," Procell said,
his voice light and dizzy with relief. "You won't. I mean, it
won't. I promise. I swear it." "I'm going to have to be
going," Eileen said. She balled up her napkin and tossed it on
the table. "I really appreciate the breakfast. If you think of
anything—" "I'll call," Procell said
eagerly. "Don't try anything, all
right?" Eileen said sternly. "If your conspiracy group Y isn't
out there, you know we have Mr. X. Or Miss X. Whoever it was,
they killed Art." "Yes, ma'am," Procell said,
trying to look sober but failing. He was euphoric. Eileen felt
chilled again as she walked to the door. Procell looked like a
victim. The Gamers looked as if they were all marked for
death.
22 The Pentagon "What's going on?" Lucy
asked Mills. They were in one of the briefing rooms at the
Pentagon, the one that was set up like a small movie theater.
They'd been escorted there by a Navy lieutenant and asked to
wait. That was an hour before. Lucy itched to be back at her
computer, finding out more about Muallah. "I don't know. The Chief
told me I had to come over here, and bring you. He said he'd be
with us but he's got something too hot to leave. I hope I'm not
in trouble." Lucy smiled wryly. What a
total asshole Mills was. "You want some cookies? I
have to eat or I'm going to be sick again." "No," Mills said nervously.
Then he glanced over at her as she opened a package of
chocolate-chip cookies. "Well, maybe one," he said. The cookies made them both
feel better, but the sugar increased Mills's nervousness. Lucy
stretched out in the comfortable chair and closed her eyes so she
wouldn't have to look at him. "This has to do with the
Missile Defense homicides, I'm sure of it," he said. "You've been pushing me
pretty hard on it," Lucy said, her eyes still closed. "Did you
know Fouad Muallah has a master's degree?" "The guy you think killed
Tabor in Paris?" "Yes," Lucy said, pressing
her lips together to keep back a sigh. "He did his thesis on an
eighth-century Islamic poet, who was supposed to be some sort of
Arab Nostradamus or something." "I wonder why they wanted to
see us here at the Pentagon," Mills said worriedly. "So this terrorist was
interested in the Missile Defense system," Lucy continued,
wishing she were talking to anyone but Mills. "Why? Why would
anyone at less than a governmental level want access to that
information? Missile defense isn't a terrorist kind of thing. You
can't use it to bomb someone, or threaten someone. So why was he
so interested?" "I haven't done anything
wrong," Mills said. "I'm sure you haven't," Lucy
said soothingly, suppressing another sigh. "I decided to give you the
homicide project," Mills said thoughtfully, his knees bouncing to
the nervous tapping of his feet. "The DDCIA wanted me to give it
to Felix, but I thought you'd be a better man—er, analyst for the
job." "Thanks," Lucy said, and
looked over at him in surprise. Felix was only slightly younger
than her retired fellow analyst, Bob. "So did you tell the DDCIA
you gave the file to me instead of Felix?" "I did yesterday. He didn't
like it, and I don't know why." "Maybe that's what we're
about to find out," Lucy said. Mills stilled his feet with an
obvious effort when the door opened. "Admiral Kane," Mills said,
leaping to his feet. "Steven Mills. This is Lucy
Giometti." "Hello," the Admiral said.
There were lines in his face that were sagging with weariness,
but the uniform was sharply creased. "This is my aide, Lieutenant
Jefferson." Lucy and Mills nodded at Jefferson, whose face was
impassive above the white of his uniform. "So you're the girl who has
the BMD homicide file," the Admiral said with a charming,
grandfatherly smile. Lucy, who was looking at his
eyes, was not fooled by the smile. "Yes, sir," she said
politely. "Any new developments on the
case?" "Not so far," Steven Mills
said as Lucy opened her mouth. She looked over at Mills in
amazement. Mills gave her a warning glance, as though to tell her
to keep quiet and let him do the talking. Did he think she would
suddenly turn into his little fifties mouse
now? "Except for the Fouad
Muallah connection," she said smoothly, watching Mills's face
flush out of the corner of her eye. "We believe he is the contact
for Tabor's information, and probably his murderer." "But we don't have proof for
that, yet," Mills broke in quickly. "And we're not sure why,"
Lucy said. "I'm working on some information right now, but that's
as far as I've gotten." "What about the local
murders, then?" the Admiral asked. "The local detective hasn't
made any breaks in the case," Lucy admitted. "I don't have any
information other than the police and autopsy
reports." "I hear you're quite an
arrogant analyst," the Admiral said pleasantly, and for a moment
Lucy thought she must have heard him incorrectly. Then she saw
the glitter of his eyes. "You hear right, I suppose,"
she said, and kept her face pleasant and inquiring. It took an
effort. Behind Admiral Kane's shoulder she could see Jefferson,
standing quietly. Her heart felt as if someone had just dumped a
gallon of adrenaline into her system. She felt the beginnings of
a completely unexpected attack. "You're arrogant,
opinionated, and I question your commitment to your job. You
leave early, you always take lunch, and you never come in on the
weekends." "And I always get my work
done," Lucy said, still calmly. "I find that astonishing,
considering the amount of hours you put in on the
job." "I find it astonishing that
some people stretch an eight-hour day into a twelve-hour day
without getting anything done," Lucy said. But she could feel her
face flushing with emotion. She was itching to track down Muallah
and figure out what he was doing, and her time was being wasted
with this? "Did you bring me all the
way over here to chew me out? Don't tell me about commitment to a
job, Mr. Admiral, sir." She tried to keep from spitting
out the words, noticing Mills's white and desperate face and
ignoring it. "Commitment doesn't mean spending time at work or
brownnosing the boss. Commitment means applying your mind to your
work, which I do. I can get my job done in forty hours, and I do.
I love my job. But you can't destroy my life just because I love
my job. You can't ransom my brain and my skills. You don't like
my work, tell Steve to fire me. It won't even disturb my sleep."
There was a silence in the tiny room. Lucy could see Jefferson's
broad and delighted grin behind the shoulder of his boss. She
tried to calm her racing heart. She sat down without permission
and crossed her legs deliberately. She'd learned in a thousand
family arguments that the most infuriating position to take was
one of calm superiority. It worked on her brothers,
anyway. "You question my
commitment?" she said, and closed her eyes as though she were
bored with the conversation. She clenched her hands against the
armrests of her chair to keep them from trembling. "You're the
Missile Defense commander in chief and you've got fourteen dead
scientists. Now you've got a dead spy. What are you doing about
that? The same nothing you've been doing for years?" The Admiral laughed
aloud. "Just checking, Mrs.
Giometti," he said. "You're about to become one of a few dozen
people in the world to know this particular part of history, and
I wanted to make sure you were up to the task." Lucy opened her eyes and saw
the changed face of the Admiral smiling tiredly at her. He looked
grandfatherly and kindly. Mills, at her other side, was still
pale and shocked. "What the hell?" she
started, and Admiral Kane held up a hand. "Let me explain. Steve Mills
here is CIA to the core. He'll never leave. You might. You might
walk out the door tomorrow, as you put it so succinctly. That's
why we wanted Felix to have this file. You ended up with it." The
Admiral threw a steely glance at Mills, who paled even further,
although it didn't seem possible. "But what's done is
done. "I wanted to see what you
were made of, Lucy," Kane said. "You aren't going to like what
I'm going to say. You could damage national security by knowing
this information, but you could damage national security by not
knowing this information. So I had to decide." He grinned at her, and she
felt a reluctant and helpless liking for him. "That's why they put me in
this getup, to make these decisions. I'm going to show you
something, and let you make your own decision." "About what?" Lucy asked
evenly. "I've sent word to an Air
Force captain named Stillwell. Alan Stillwell. He's the OSI
officer that should have taken on this Schriever investigation.
He'll be at Schriever tomorrow night, and he's going to take over
the investigation from the civilian detective." The Admiral looked calmly at
Lucy. "He will be told to cover up the entire incident. No more
waves. No news. He'll bury it as deep as every other homicide on
this case. As of tomorrow night, the Schriever incident will be
closed." Colorado
Springs "Mrs. Bailey?" Eileen
asked. "No, I'm Susan. I'm her
neighbor. Who are you?" "Detective Eileen Reed,
ma'am, Colorado Springs Police. I'm investigating the murder of
Terry Guzman and Arthur Bailey." She held up her
badge. The one eye she could see
through the chain on the door regarded her doubtfully. The eye
looked at her badge, back at her face, then crinkled in what
could be a smile or a grimace of worry. "Come on in, then,
Detective. Meg is here, and I think she's up. I fixed her some
soup an hour or so ago, and she ate some of it." The woman fumbled with the
chain for a moment. The door swung open and a slender, lovely
girl looked at her. Eileen blinked in surprise, then looked at
the eyes again. The woman was in her forties around her eyes, and
in her twenties everywhere else, from the boyish curve of hips to
the curly black hair. "I'm Susan Lazecki. I've
been taking care of Meg since we found out. Come on
in." Eileen followed the
girl—woman, she corrected
herself—down a dark hallway and into
another sunny family area. This one was scattered with toys and
papers and magazines in an untidy mess. A huge gray cat was
sleeping on a pile of laundry in a basket. Eileen looked at the
clean clothes in the basket and got an uncomfortable image of Meg
Bailey, worried, getting ready to fold laundry, setting down the
basket to answer the phone call that would destroy her
life. Susan Lazecki turned around
in the family room and regarded Eileen nervously. "Please don't treat her
badly." "I just want to ask her some
questions. I knew Art Bailey, Mrs. Lazecki. I was working on the
murder of Terry Guzman when this happened." That was the wrong thing to
say. The young face with the old eyes sparkled with
tears. "Why couldn't you stop
it?" "I've been asking myself
that question since last night at eleven-thirty, Mrs. Lazecki. I
haven't had any sleep since the news came in. I still haven't
caught the murderer." Eileen didn't like the taste of the words
in her own mouth. She was tired and upset. She wanted to be
Harben, seemingly capable of dismissing emotion when it
interfered with her thought process. She sighed, and held out her
hand. Mrs. Lazecki regarded it,
and her, and then shook Eileen's hand. Her hand was small, but
her handshake was very firm. "I'm sorry," she said. "I
just—please don't hurt her. She didn't
want to cry, and didn't want to cry, and then she let it go all
at once. I haven't slept either, Miss—er—" "Eileen Reed. Call me
Eileen." "Eileen. She got up an hour
or so ago, and I fixed her lunch. And I—" "Susan tries to protect me,
I think," said a soft voice from the stairs. Eileen and Susan
Lazecki turned to look. Meg Bailey stood at the foot of the
stairs, dressed in dark sweatpants and a sweatshirt. Meg had
brown hair and soft brown eyes and fair skin that was gray and
lined with grief. She would be pretty, perhaps, with love and
happiness in her face. "I'll be okay to talk for a
little while," she said, and let go of the banister to walk to
the dining-room table. It looked like an effort. She sat down and
gazed at Eileen. "I'll just sit here, is that all
right?" "Will you be okay?" Susan
said. "I'll be okay. Art talked
about you, Miss Reed. He said you were working very hard on
solving Terry's murder." "Did he tell you why he went
out to Schriever last night?" Eileen asked, taking a seat at the
table. Meg's hands clenched on the tabletop. "No, he didn't. He's the
kind of man who gets up in the middle of the night when he
thinks—thought—of something, and then off he'd go
to work. He'd catch up on his sleep later. He—" Here Meg's voice scaled down to
a harsh whisper. "We were reading, we'd put the kids to bed, and
he stopped reading and looked at the wall. Then he got up and got
dressed and kissed me good-bye, and then he went. That was it.
Your other officer, Detective Rosen, he asked me this
too." "I'm sorry I'm covering the
same ground," Eileen said. "I don't want to waste your time, but
I wanted to speak to you personally. Also, I wanted to look at
Art's office, if he has one." Meg was already shaking her
head. "We don't have one. What
could he bring home? We have the kitchen organizer, that's where
we sit and do bills. Would you like to look through
that?" "I'd like to, please,"
Eileen said. "Detective Rosen already looked, though, didn't
he?" Both women nodded their
heads at the same time. Eileen sighed. Well, she had expected
that. "Detective Rosen was just
assigned to the case," Eileen explained. "He's good, and he'll
give me a thorough report, but he might have missed something. At
least, that's what I'm hoping." "What are you looking for,
Detective?" Meg asked. "Something to tell me why he
went out there. Can you remember anything different about what he
did last night? Did he make a phone call, or did anyone call
here? Someone had to know he went out there." "He did make a call," Meg
said, and scrubbed her hands across her face. She started crying
but didn't seem to realize it. "I told the policeman that too. He
made it from the kitchen. Sometimes he calls Nelson to tell him
he'll be going in. Sometimes he calls Joe, if he needs Joe to
meet him there." "Joe wasn't home," Susan
said quickly. "You know him?" "He's a friend of the
family," Meg answered for Susan. "Don't get defensive, Joe's been
cleared. That's what the other detective said. Isn't that
right?" Eileen nodded. "I know he
was in class. I'll be calling on him later to ask him about the
case. Art made a phone call? Do you remember what he
said?" "I don't. I heard his voice
in the kitchen, then he hung up the phone. Then he
left." "Was there something about
the conversation that was different?" Eileen asked. "Think about
every second. I know it's hard. But think. Did he talk for a long
time? Were the tones of his voice angry, upset? Did he laugh at
all?" "Please," Susan began, but
Megan Bailey held up her hand. "Yes. I remember." She
looked up at Eileen, and her expression was dazed, almost
hypnotized. "He didn't laugh, and he wasn't upset. He spoke for a
moment, then he hung up the phone. Even, measured tones. No life
to them at all. Like—" "Like he was leaving a
message," Eileen said. "That was it?" "Yes. Yes! He left a
message. It must have been Nelson he left the message for. Or
Joe." "A message," Susan Lazecki
breathed. "The message might still be
there," Eileen said. The tiredness was gone as though she'd
received an electric jolt. "Wherever he left it. Did he dial more
than one number?" "No, just one," Meg said.
"Just one." Her voice broke unexpectedly, and she bent her head
down so Eileen couldn't see her expression. She felt a terrible
pity for her, and a terrible anger. It was a hateful feeling, but
she didn't think about it. There was no time.
23 Black Forest,
Colorado Nelson Atkins lived in the
Black Forest, a sprawling stretch of dense forest east of
Colorado Springs. Sheltered from the prairie winds and set to
catch the moisture sweeping from the Front Range, the Black
Forest is a place of towering, thick pines. Eileen had been out
to the Forest occasionally, and found Atkins's house without much
trouble. The house was large but not pretentious, built to sit in
the sun along a stretch of meadow. There were some pretty horses
in the shade at the edge of the meadow, grazing
contentedly. Atkins opened the door when
Eileen pulled up. He was in jeans and a T-shirt, the first of the
off-duty Gamers to break the pattern of sweat clothing. Eileen
caught an immediate strong odor of horses as Atkins shook her
hand. "Just got in from grooming.
I asked Caleb to stay out and finish up." "Your son?" "Yes. He runs the horse
business with me," Nelson said, and gestured for Eileen to enter
the house. "We sell Appaloosas. My wife died three years ago.
Cancer." "I'm sorry," Eileen said
automatically. "It was quick. Caleb took
over the business. I was planning to sell after Cassie died, but
he convinced me to stay with it." Atkins showed Eileen into a
sitting room. There was dust on the cabinets and dead flies on
the sills of the quiet room. Caleb loved the horses, but he
didn't much bother with dusting or cleaning. Atkins was
oblivious. He looked stronger in his own home, more in control of
his environment. Eileen, watching the Game Day tapes over and
over, developed an impression of the Game Director as a man
uncomfortable with authority. A man who didn't want to lead. His
handling of Terry Guzman's poisonous personality was inept. He
was probably as oblivious to Terry's effect on his team as he was
to the tiny dry carcasses of the flies on the sills of his
home. "Do you want something to
drink?" "Thanks, but no. I would
like to look at your answering machine, if I could." There was no reaction from
Atkins except puzzlement. Eileen, who was braced for the guilty
reaction she craved, relaxed in disappointment. She didn't see
the other indication she was looking for either. She wanted to
see Atkins going through the mental check—"Did I do everything right? Did I
wipe the prints? Did I get rid of the tape?"—that Eileen had seen in a few
people who'd later been found guilty of murder. There was nothing
but puzzlement in the freckled face. "My answering machine? I
have voice mail, if that's what you mean. I don't have an
answering machine." "Did Art Bailey leave you a
message, Mr. Atkins?" Eileen asked, leaning forward. Would every
lead turn into this frustrating blank? "I have reason to believe
he left a message for you, or for someone on the Gaming
Team." "I didn't get a message from
Art," Atkins said. He grimaced and shook his head. "I checked
this morning, I use the same voice mail for the horses as I do
for work. There was nothing from Art. Why would he leave me a
message?" "Didn't he usually leave a
message when he went into work for a late night?" "Oh. Well, yes," Atkins
said, his expression so lost and wandering that he looked stupid.
Eileen remembered the veiled contempt that Art held for Atkins,
and the way the Gamers looked to Art or Lowell instead of Atkins
when they needed help. "Why are you the Game
Director?" Eileen asked neutrally. "I was the Assistant Game
Director when Paul Wiessman won the lotto," Atkins said promptly,
and looked so unhappy Eileen nearly burst into
laughter. "He won the
lotto?" "Yes, can you believe it? I
was supposed to be the assistant just for the last three years
before I retired. I didn't want to lead the Gamers. That wasn't
what I was supposed to do." "Why didn't you turn down
the job?" "I was only supposed to have
it for a few months. But the productivity was so high they wanted
to keep me. I didn't do anything, or at least that's what I
thought." And that's why the Gamers
wanted you, Eileen thought. You didn't do a thing and you didn't
get in the way. A perfect manager. "So the person before you
retired when he won?" "He was only thirty-three. I
guess you could say he retired," Atkins said grimly. "He fishes a
lot now, and rides dirt bikes for fun. The funny thing is, he got
the job by default too. The Game Director before Paul was Karen.
Karen somebody, I don't know. She was up and coming in the
Defense Simulations world, built the team, hired Joe and Art and
Doug." "Then?" Eileen prompted. She
was having a hard time keeping a grin from her face. "Then she took a diving trip
to the Bahamas," Atkins said. "She met a guy and fell in love and
never came back. She sent her badges by mail. Can you believe it?
Like a really dumb romance novel. Cassie used to read them all
the time." "Was he rich and handsome
and French?" Eileen asked, seriously close to collapsing with
laughter. She knew she was exhausted and that was affecting her
judgment, but this was hilarious. Her mother liked to read those
novels too. "Well, rich and handsome.
American. They run a dive shop. Joe's been down there for a
vacation. Karen was supposed to be the first woman on the board
of directors, she was that hot. And she threw it all away."
Atkins shook his head, but there was no censure in his voice. He
sounded glum and admiring at the same time. "So you ended up with the
job." "I did," Atkins said,
looking with a lost expression at Eileen. "I never wanted this. I
thought we were doing all right, and then Terry was killed. Now
Art. I'm going to resign. I'll lose some of my retirement
benefits, but not all of them. It doesn't matter
anymore." Eileen thought Atkins looked
like an old janitor who'd somehow ended up in the president's
chair. He really wasn't management material. "Can I check your voice
mail, just to make sure?" Eileen asked. "I'll call Joe from here.
I need to talk to him." "He'll be at the health
club," Atkins said immediately. "If he's not home. He works out
when he feels bad. I've got the number. I've called him there
before." "Okay," Eileen said.
"Thanks. You know, I think I'll change my mind about that offer
of a drink. Do you have a pop?" Atkins went to the kitchen
to get Eileen a cold drink, and she shook her head. She'd check
Atkins's voice mail and call Rosen to check on his progress, then
she'd meet Joe. She scratched at her cheekbone and refused to
think about how glad she was that Joe had an alibi for Art. She
also thought about how Joe didn't have an alibi for Terry. Joe
Tanner had one of the best motives for killing Terry Guzman, and
that lead hadn't ended yet. The Pentagon "I think you'll agree with
me after I've finished," the Admiral said. "Agree with you?" Lucy said
in a hoarse whisper. "Agree with me. I'm going to
have Jefferson here get us some supper. Lucy," Kane said, and his
face became a grandfather's again. "Trust me. Eat something and
calm yourself. It's bad for the baby." Jefferson spoke up then,
surprising both Lucy and Mills. "You better eat something. This
is going to be hard enough as it is." Lucy saw Mills look at
Jefferson with a frown, as though a servant had spoken up, and
her rage came under her control as she felt the familiar wash of
contempt for her boss. "That would be just fine,
Mr. Jefferson," she said. "I would like some supper. I didn't
realize we'd be here so late." Jefferson smiled at her with
an echo of his boss's kindly twinkle. "I've got an order already
in. Chicken and mashed potatoes. That's what I fed my wife when
she was pregnant and feeling peckish. It will only take me a
minute to get it." The Lieutenant left the
room, and Lucy turned to look at Admiral Kane. Her opinion of the
old man inched higher. "Young Jefferson will be
taking my place someday, I hope," the Admiral said thoughtfully.
"He's quite a brilliant young man." Lucy knew the position of
aide to a high-ranking officer in the Pentagon was highly sought.
Even though the job was basically that of a servant, the mantle
of command was almost inevitable. She wondered if Mills knew
that, or if he thought Jefferson was merely a servant. "What are you going to tell
us?" she said. "Can't you just summarize it in twenty-five words
or less so I can get home at a reasonable hour? After I've eaten
your food, of course." Kane smiled with his eyes.
He understood she was offering a little olive branch, and he took
it. Lucy felt a little better. Kane might be the kind of person
she could deal with. But why would he bury the
investigation? "I'm going to show you a
film," Admiral Kane said. "Ahh, Samuel. Supper." The chicken dinner was in
small bags, packed like lunch. But the paper bags were hot and
smelled delicious. "Let's get the film
started," the Lieutenant said, passing out the bags to Lucy, the
Admiral, and Mills. "I suggest you eat quickly. The first part
isn't so bad. You won't be eating much later on." "Are you feeling okay, Miss
Giometti?" the Admiral asked, and this time the solicitude was
real. Lucy felt sick with the swings of emotion in the room, but
she wouldn't admit that. And the food did smell
delicious. "I'm feeling all right," she
said. "I'll be all right." "Good girl," he said
warmly. Lucy opened her divinely
smelling bag of food. Lieutenant Jefferson started the film. He
didn't dim the lights all the way, so she could see her chicken.
She dug in. Garden of the Gods, Colorado
Springs Eileen found Joe Tanner's
car where he'd agreed to meet her. Garden of the Gods was quiet
and still in the late-afternoon heat. The deep red of the rocks
was paled by the sun. Eileen saw him as she parked her car next
to his. He was sitting halfway up the slope of a rock, in the
shade, in a white T-shirt and black sweatpants. Eileen chunked the door shut
and climbed the rock, the soles of her shoes gripping firmly.
They looked like women's dress loafers, but they had the
structure of running shoes, a recent invention that police were
finding very useful. She found a flat place next to Joe and sat
down. The shade was cool and good after the heat of the car and
the sun. The rock gave a good view of the spires of the Garden,
and the sprawl of the city beyond. "This is a pretty spot,"
Eileen said mildly. Tanner turned his attention away from the
view and looked at her. His eyes were red-rimmed. Lack of sleep?
Tears? Eileen didn't know. "Thanks for meeting me
here," Joe said finally. "I don't think I could be inside right
now. I didn't even go running. I've just been sitting
here." "I'm sorry about Art,"
Eileen said, and waited for the accusation. She should have found
the murderer before now. She should have stopped this from
happening. She turned her view to the drowsing city beyond the
red-gold spires of the Garden and waited. "He should have called you,"
Joe said surprisingly. "Art was all heart and brain and no common
sense. He figured out who the murderer was, and the murderer
found out." "How do you figure that?"
Eileen asked casually. "Because he was killed at
the Center," Joe said. "He was there at midnight and he was doing
something. He told me about the tiles, by the way. I never
thought of them either. Then Art must have remembered something
else. I've been awake all night trying to think of what it could
be. Whatever it was, he was on the right trail." "I wonder," Eileen
murmured. "Oh, come on," Joe said
harshly. "Don't try that Detective Columbo bullshit on me. Who do
you think you're dealing with, a bunch of idiots?" "I don't think I'm dealing
with idiots," Eileen said steadily. "I haven't found the murderer
yet, now have I?" Joe surprised her with a
deep and husky laugh, then turned his head away and coughed. He
kept his head averted for a few moments. "God, I miss Art," he said
finally, turning back to her. "Do you think I did it? Killed
them?" "I know you didn't kill
Art," Eileen said. "Unless you're not acting alone." "Sure, one of Doug's
conspiracy gang," Joe said. He blinked firmly a couple of times
to clear his eyes. "Tell me. Why is it easier now?" "For some, there's no
feeling at all after a while," Eileen said. "But not for
you." "No, not for me." There was silence between
them. Joe was looking at her curiously, and for the first time
Eileen felt uncomfortable. He was really looking at
her. "Do you think there's a
conspiracy?" "I don't know," Eileen said,
and shrugged her shoulders. This was getting nowhere, and she was
finding herself increasingly aware of losing her grip on the
conversation. "Hey, I'm really hungry,"
Joe said. "Do you want to get something to eat?" Eileen's stomach responded
before she did; her last meal was the huevos rancheros at Doug
Procell's house that morning. The growl was audible to both of
them. Joe grinned, then laughed, and Eileen laughed with him.
Nobody who laughed like that could be a vicious murderer, her
heart insisted. What the hell was wrong with
her? "Come on," Joe said, getting
to his feet and holding out his hand to her. "Let's get some
food." "I know a place near here
called Joni's," Eileen said, getting to her feet and brushing off
the seat of her slacks. "Oh, yeah. Old Victorian
House. I've never been there. I'll treat." "That would be a bribe,
Joe," Eileen said severely, feeling like bursting into very
undetective-like laughter. "It will have to be my
treat." "Okay," Joe said
immediately. She had not taken his hand, so he dropped it
reluctantly to his side. "You first," Eileen said,
and Joe immediately understood. He grinned
sarcastically. "Of course, Detective," he
said, and turned to go down the rock. Then he turned back, and
his face was so serious Eileen nearly took a step
back. "Don't trust anyone," he
said. "I'm glad you don't trust me either. You shouldn't trust
anyone until you find out who this is." "That's what they pay me
for," Eileen said with a confidence she did not feel. "Okay," Joe said, and turned
to make his way down the rock. "Let's take my car, so you can
hold your gun on me while I drive." Eileen didn't have to see
his face to know that he was smiling again. Mashhad, Iran Muallah felt reborn as he
bathed in the warm Arab water. The few hours of sleep had been
deep and restful, and he woke humming with energy. He dressed
quickly and rolled out his prayer rug for morning prayers. His
prayer rug was an oddity, an ancient Persian weave that showed
the mosques and towers of a city on one half of the design. Most
Arab designs were abstract; the idea of representational art was
considered sinful and an attempt to emulate Allah. This rug,
which Muallah had found in Baghdad over twenty years before, was
very rare. He knew at once that it was meant for the One of the
Prophecies. The city over which he knelt every morning was the
rebirth of the Arab Empire. Allah had promised this to him in
return for his service and devotion. Muallah prostrated himself
on the rug, facing Mecca, and prayed. When he left his room the
smell of good coffee filled the air. His team was awaiting him in
the large central room. The coffee was untouched, of course, for
he would have the first cup. They knelt, twelve men with faces
all alike in their devotion, waiting. "Allah be with you!" Muallah
said with a broad smile. The men smiled back at him, except of
course for Ali, who never smiled. "Come, let us share coffee and
break our fast, and we shall begin." "Do we leave today?" the
helicopter pilot, Assad, asked. "This afternoon," Muallah
promised. The pilot nodded and chewed his lip. His craft was an
old Soviet Hind, lovingly maintained. Assad was a worrier,
however. He wanted his Hind to be perfect, and there was always
something leaking or separating or wearing out. "The helicopter is ready,"
Assad said stoutly at a raised eyebrow from Muallah. As soon as
the coffee was over, however, Muallah knew that he would rush to
his machine for last-minute preparations. "The weapons are ready,"
Haadin said. "We just need to know
where," Rashad said eagerly, sipping his coffee. "There is a silo outside a
town named Turtkul, in Uzbekistan," Muallah said. He nodded at
Ali, who unrolled the maps they'd carried from Paris. Ali held
one half of the map and Rashad held the other. The small town of
Turtkul was marked with red pen. "We should be able to fly there
within a few hours." The men leaned over the map, their coffee
forgotten in their hands. Muallah sipped his with appreciation,
leaning back against the comfort of the richly embroidered
pillows. "Is it well guarded?" Haadin
asked. "These silos are nearly
forgotten," Muallah said scornfully. "The rotting hulk of the
Soviet Empire fills the air with its stench. There may be four,
five soldiers at most. They won't be prepared for us." "Mahdi," Assad said softly.
Assad, the worrier. Muallah knew he was a weak team
member—perhaps because he loved his
helicopter so much. The worship in Assad's eyes was dimmer than
that in the others. He loved his Hind, perhaps more than he loved
Muallah. That was annoying to Muallah. But Assad and his Hind
were vital. "Yes, my son?" Muallah said
gently, though Assad was at least a decade older than
he. "What do we do here, Mahdi?
How does this fulfill the Prophecy?" Muallah couldn't help
himself. He was so filled with excitement and delight, so ready
for action after years of planning and waiting, that he threw
back his head and laughed. His coffee cup rattled on the tiny
saucer. His Chosen Ones smiled at his laughter, not knowing why
he laughed but glad that he was laughing. Assad, too, smiled. But
his eyes were dark and worried above the smile. "My son, it is time,"
Muallah said. "All of you, it is time to know the whole
plan." Ali, who knew the plan,
watched the other team members instead of Muallah. As Muallah
explained his plan, Ali gazed from one man to another. His eyes
were as expressionless as his face. If any faltered, they would
not leave the room alive. Ali reached inside his pocket and
caressed the coil of wire that always lay within. There would be no turning
back now, for any of them.
24 Colorado
Springs Joni's was uncrowded, quiet,
and cool. The house was left largely intact, with separate
parlor, dining room, and living rooms. The walls were decorated
in the fussy, crowded Victorian way. The tables were generous and
the chairs comfortable. There were no more than two or three
tables in each room. The air smelled of fresh bread and
herbs. As they stood in the front
hall a tiny woman appeared from the back and smiled broadly at
Eileen. "Eileen!" she said, and held
out her arms. Eileen grinned and hugged her. "Joni, this is Joe Tanner,"
she said, and the woman looked sharply at Joe. Joe smiled
politely. Joni was an old woman, with a network of wrinkles
across a miniature face. Her eyes were bright and sharp. Her
lined cheeks were rosy from cooking. She had small white teeth
and a halo of white hair, held back by a girl's flowered
headband. She was wearing a flowered dress and a calico apron, a
childish costume that suited her. "Joe," Joni said. "Eileen
finally brings a man to my place! I celebrate. Sit in your usual
spot, my dear, I'll bring your coffee. Would you care for coffee,
Joe?" "A big glass of water
first?" "Of course." Joni whisked back down the
hall. "She's a good friend,"
Eileen said with a half-embarrassed smile. "She got robbed two
years ago, and I handled the case. We ended up friends." She
indicated the passageway with her hand, and Joe followed her into
the dining room. There were four small tables, one in a bay
window nearly covered with vines. Eileen sat down at the bay
window table. "This is really nice," Joe
said. "It's like being underwater." The westering sun poured
through the leaves, lighting the alcove with shafts of gold and
green. The afternoon breeze made the shafts dance and flicker,
moving through the open windows and stirring the napkins on the
table. "My spot," Eileen said.
"Joni doesn't save it for me, particularly, but if I call ahead
she will, and if it's empty it's mine. I come here for breakfast
almost every Sunday." Joni appeared and set down
water and coffee, giving Joe another of the quick, birdlike
glances. "I'm fixing roughy with
Jamaican sauce today, sound good? You like fish?" She addressed
her question to Joe, ignoring Eileen. "Fish would be fine," Joe
said. "Good," Joni said abruptly,
and vanished. Eileen poured cream from a
tiny porcelain pitcher, stirred her coffee, sipped it, and sighed
in pleasure. The Pentagon The film Lucy Giometti was
watching was produced in the same television studio where Eileen
Reed was spending so much of her time. The film was professional
and crisp, with the flavor of a documentary. The narrator had a
deep bass voice, soothing and beautiful. "The so-called Star Wars
program was canceled in the mid-eighties," the narrator said.
"But the new Ballistic Missile Defense program was born out of
the ashes, born in secret and built under the blackest program
since the Manhattan Project." Somehow the dramatic words
sounded just right in that buttery-rich voice. "The President had made his
decision," the narrator said. "The Missile Defense program would
not be canceled. The following film is from a test made a little
over a year after the public cancellation." The view switched to an
object in space, shiny as a tin can and shaped vaguely like one.
Lucy wondered how large the object was, since there was nothing
to compare it against. Then an arm came into view, the arm of the
astronaut who was operating the camera. The object was tiny, Lucy
realized. It was smaller than the astronaut. "This is a Brilliant
Pebble," the narrator said proudly, sounding like a father
introducing his son, the doctor. Lucy grinned around her
chicken. The Pebble floated above the
huge blue curve of the planet. "Man, look at that little
sucker," the astronaut-cameraman said in a Dallas accent. "She's
so tiny. You gonna do this test, or am I gonna float on my ass
out here all day?" The Pebble responded by
unfolding her delicate eyes. The goggles turned toward the
astronaut, and he burst into delighted laughter as the Pebble
appeared to wink at him. "Wiggle that fanny, honey,"
the astronaut said, then laughed again as peroxide jets squirted
out and made the little Pebble appear to dance back and
forth. "Could you can that, Major?"
an irritated voice said over the communications link. The
astronaut's body floated upward a few inches; he had shrugged
inside his suit. The Pebble turned slowly until it faced the blue
earth beneath it. The goggle eyes continued to scan back and
forth, steadied by tiny bursts of peroxide jets. "Beautiful," the astronaut
murmured. "We have Brilliant Pebbles,"
the narrator said. "The BPs are loaded with command software.
They can destroy ballistic missiles in flight much like the
Patriot missiles destroyed incoming Scuds during the Persian Gulf
War." "I heard the Patriots
actually weren't very effective," Mills said. "Disinformation," Lucy and
Jefferson said at the same time. Lucy smiled at the aide, and he
grinned back. She knew there was something fishy about those
pooh-pooh reports after the war was over. She watched CNN every
night and saw the missiles getting hit by Patriots. Somehow she
couldn't make herself believe all the reports about how they
"didn't really work very well." "The Patriots had to be
discredited or foreign governments might become suspicious about
our 'canceled' Missile Defense program," Jefferson explained to
Mills. "We also have ground-based
missiles much like the Patriots, even more powerful than the
original missiles, capable of destroying a delicate reentry
vehicle in flight and rendering the incoming missile harmless,"
the narrator continued. There was another shot, this
time one familiar to Lucy from her memories of the Persian Gulf
War; a hissing, screeching missile launching itself skyward from
a rack mounted on some sort of truck, and then the spectacular
fireworks as the missile hit something in the sky. Lucy began to
nod as the narrator continued, discussing the plans for the
future installation of Patriot-type missiles around American
cities. The end of the documentary
showed another shot from the Shuttle. The earth floated before
them, blue and white and pure. For a moment the image held, and
then it faded. Lucy couldn't take her eyes from the earth. It was
heartbreakingly pure and beautiful. The image faded and the
President's image appeared. "I may not be the President
now," he said. He was correct; he'd left office at the last
election. "But what we Americans have is a great thing. We can
stop a nuclear missile from destroying a million innocent people.
No country knows that we can do this. Most Americans don't know
that we can do this. But now you know." The President leaned
forward, and seemed to be looking directly at them. "Your heart should be full
of pride at your people, your countrymen and -women who made this
possible. We have to keep funding for the shield. For all our
sakes. For all our children's sakes." The screen held on him for a
moment, then went dark. Lieutenant Jefferson went to the back of
the room and the lights came up. "This is shown to senators
and representatives, isn't it?" Lucy asked Admiral Kane. He was
looking at her with sad eyes. "Yes, it is. Any congressman
who wants to get feisty about 'black project' defense spending
gets a little trip to this theater. The members of the Armed
Services Committee have seen this film. We get our
funding." "Why isn't it made public?"
Mills asked in bewilderment. "I don't understand. We could be
heroes to the whole world." "The world is much less
peaceful now that the Cold War is over. Nuclear weapons are in a
lot of hands that I don't even care to think about." "The shield works partly
because few hostile countries know we have it," Jefferson
explained. "Once they knew, they'd start figuring out ways to
defeat it. Since they don't know ..." He shrugged. "I see," Lucy said. She was
beginning to see, and she didn't like the direction her thoughts
were heading. "What about hand-carried
nuclear devices—you know, like truck bombs?" Mills
asked. "What good is the system against those?" "Carry a nuclear device in a
truck for a week and see how much hair you have left," Jefferson
commented with a small, cynical smile. "If a truck bomb could be
nuclear, there probably would have been one by now," Kane agreed.
"We're still worried that someone will figure a way to shield a
bomb and transport it and set it off, but the logistical problems
are intense. Governments are more likely to use a nuclear device
and they are most likely to use airborne methods of
delivery." "Airborne," Lucy
murmured. "Can't other countries see
the Brilliant Pebbles?" Mills asked. "Oh, you mean with
telescopes?" Jefferson smiled. "A Brilliant Pebble is tiny. Each
one is about as big as a medium-size dog. Space is big. We can't
even track them on our radar systems; we see them through radio
signals that they send to us." "Dogs," Lucy
murmured. "Doberman pinschers, more
likely." Admiral Kane smiled at her. "Watchdogs." "If the Missile Defense
homicides case goes public," Lucy said slowly, feeling a taste
like something terrible in her mouth, "then the whole project
could be hauled into the light of day." "Exactly, my dear. Which is
why you are here today. Which is why we have to haul this project
back into the black. We are dangerously close to breaking on this
Schriever incident. If this police detective isn't taken off the
case, she might discover our other problems." "Our other problems," Lucy
said. "Our twelve other problems. Our twelve dead problems. And
the spy." "They are twelve. We've got
the life of the whole human race at stake here," Admiral Kane
said, but he didn't sound pleased. "I don't like it either, but
we have to continue down this course. We're not just Americans
here, we're human beings. We could save New Delhi from a conflict
with Pakistan. Or Seoul, South Korea, from an attack by North
Korea. Our path was set by others, but we still have to follow
it. We invented nuclear weapons, and now we are going to stop
them from being used. We have to keep the secret." There was silence in the
little room. Lucy nodded finally, her shoulders bowed. "I understand," she said in
a low voice. "I agree, Admiral Kane. I'll let the Schriever case
be buried as completely as all the other cases." She looked up at
him. "But Fouad Muallah may be a bigger threat than we know. I
would like permission to continue working on that
case." Admiral Kane considered, and
Lucy's fingers clenched the armrests of her chair. Then he nodded, and she
heaved a sigh of relief. "I trust your discretion,
Lucy," he said. "Thank you," she said. Even
with that small victory, the taste was terrible. Those poor
people out at Schriever. She was going to have to find a bathroom
after all, it seemed. "May I go now,
please?" "Of course," the Admiral
said. Jefferson leaned toward her and spoke quietly in her ear.
He was telling her the directions to the ladies' room, she
realized. "Thank you," she murmured to
him, and gathered her bag. She made it to the ladies'
room with seconds to spare, but at least she hadn't lost her
dignity by running. Colorado
Springs For a space of time, in the
green underwater light, nothing of blood or murder existed.
Eileen asked Joe about his childhood, where he had grown up, what
he had done as a little boy. Eileen loved to listen to people
talk about themselves. Joe Tanner, not surprisingly, talked a
great deal. Eileen had learned years before that her delight in
listening to people's stories was extraordinarily useful.
Everyone liked to talk about themselves. Joe talked about his summer
car trips, the swimming lessons, bright sunny days. His family
was very poor, but all the children worked their way through
college. His sisters and brother were all very close. He loved
computers, loved the relentless logic of them and the
satisfaction of making them work. He was a computer nerd with an
athletic bent. He refused to turn pale and doughy like his other
computer friends: Somehow Eileen found
herself, during the main course, explaining about growing up on
her parents' ranch, near Devil's Tower in Wyoming. Her school
years were spent farmed out in the Smithsons' family home in
Belle Fourche, South Dakota. She told Joe how it was to wait
through that last week of school, both dreading and longing for
the day when she could be home with her mom and dad. "No brothers or sisters?" he
asked. "No," she said. "A brother I
never knew. He was only a few months old when he died. A heart
problem, my parents said. That was before I was born." "I'm sorry," Joe said. "Your
parents must have been very happy to have you." "They were, really," she
said. "They never clutched, as you might've supposed after that.
Just let me be. I was lonely for a brother or sister, I think,
but it didn't really matter." "Where are they
now?" "My parents? On the ranch,
of course. They're only in their sixties; they still run over a
thousand head of cattle on the land." "Wow," Joe said, sitting
back in his chair. "I didn't really think— Hearing your stories, I guess I
had an image of Little House on the Prairie, you know,
your mom in a bonnet or something..." "Not exactly," Eileen said
wryly. "They come to Denver once a year at least, for the Western
Stock Show, and every few years they take a trip—Canada, Bahamas,
England—for a whole summer. They like to
travel." "You didn't stay and be a
rancher?" "I joined the Air Force. I
wanted to fly, I thought, when I would see those contrails and
hear the jets in the sky." "Why didn't you stay in?"
Joe asked. "I quit," Eileen said. "I
flew A-l0s—warthogs, they're called, ugly and
fast. A friend of mine—" "Well, hello," Joni said
behind them, and poured more coffee. A silent busboy whisked away
their plates. "Dessert, you must have dessert. Let me show this
charming young man my very best." "Dessert, of course," Eileen
said, smiling at Joni and mentally shaking herself. The idea was
to get Joe Tanner to talk about himself, not to listen to herself
babble. "What about your friend?"
Joe asked. "Oh, nothing," Eileen said,
too brightly. "That's way in the past now. So how did you get
this job at Schriever?" Joe looked at her and
grinned insultingly. "A poor segue," he said. "You're not
supposed to be that obvious, Columbo." Eileen had to smile back.
"Caught red-handed," she said. Joni came by after they'd
eaten their flaky pastries. She brushed a kiss against Eileen's
cheek. "On the house, my girl, today," she said. "Come back
anytime, and bring this handsome devil too," and she smiled at
Joe. "You get your meals free
there?" Joe asked as he held the door for Eileen. The summer
night was upon them, rich and warm. A few bugs beat their wings
against the porch lights. "Not always. Not so often
that I expect it, just enough so it's a treat." "What favor did you do? You
said she was robbed?" "She was robbed and beaten
and raped, Joe," Eileen said. "And I caught them, and talked her
into testifying, and they are in prison for a long, long time
because I did everything right. I got the paperwork all filed and
I got Joni to have pictures taken of her in the hospital and I
didn't violate any procedures. I won one, that time." Joe put his arm through hers
and hugged it against him. He didn't look at her. "I'm glad," he
said. "I'm glad you won that one." When his headlights lit the
small dark shape of her car, she felt regret that the drive
hadn't been longer. The Garden of the Gods was very dark, and the
monoliths loomed over the narrow asphalt of the road. Joe got her
door and took her hand to help her out, and for a moment they
stood, listening to the crickets. "Look at the stars," Eileen
murmured. They were brilliant, made more visible by the stone
spires blocking the light of the city around them. "Let me follow you home," he
said at last, dropping her hand with a regretful little
squeeze. "You don't have to do that,"
she said sharply. The fizz abruptly went out
of the night. Joe blinked and dropped his head to look at the
ground. He rubbed his hand across his forehead. "Well, that was a dumb thing
to say," he said sadly. "I forgot everything. I just wanted to
make sure you got home safely, that's all. I'm sorry." "That's all right," Eileen
said. She felt as sad as Joe looked. Under other circumstances
... She held out her hand. Joe shook it warmly and tried on a
version of the sunny grin he'd had earlier. "Maybe when this is all over
we could try another dinner," he said. "That's a promise," Eileen
said. She knew Joe Tanner wasn't the murderer. She knew it with
all her heart. But she still waited until he had driven out of
sight before starting up her own car.
25 Great Falls,
Virginia Ted Giometti held his wife
and thought passionately about murdering that skinny WASP
pipsqueak, that washed-out pale-eyed rat-faced creature, that
Steven Mills whose headstone he would deface after he was buried,
whose entire family he would... "I can't tell you why," Lucy
sobbed, grinding her flushed face against Ted's shoulder. His
shirt was already damp from the flood of her angry tears. "I
can't tell you why. I—" Here she broke down again,
crying out her rage and striking at her husband's solid chest
with her fists. Ted was not a huge man, but he was strong enough.
He scooped up his pregnant wife and carried her to bed, managing
not to stagger. He knew he wouldn't be able to do that soon.
She'd weigh more than he did if she kept up her weight gain. He
laid her on the bed and gathered her up in his arms. She cried for a long time,
long enough that he became worried. They were Italian Americans,
he and Lucy, and their culture knew about grieving. Italian men
didn't hold back their emotions, didn't absorb the poisons of
grief into their system. Leave that to the pale WASPs like Steven
Mills. Ted comforted himself with imagining Mills stumbling
around his house, clutching his chest or his head as the heart
attack struck or the aneurysm burst in his brain, blood flooding
from his mouth and ears. Lucy's crying tapered off and finally
stopped. Her breathing slowed and her body relaxed. She'd wept it
out. She slept. Ted held her, glad that she
was all cried out. He kissed her damp forehead and slowly
extricated himself from her sleeping grasp. He'd wake her in an
hour, after he'd fixed some good pasta for her. After her cry,
she'd be famished. He paused at the door and
looked at the rounded sleeping curves of his wife. Then he turned
away to make his way to the kitchen and start supper. Mashhad, Iran A decade ago, Ala-ad's
report would have been painstakingly typed, photographed, and
mailed through various tortuous channels until it reached
Langley, Virginia, weeks after it was written. Even after it
reached the CIA, an analyst might never look at it; there was
always too much data and too few analysts. That was before the
Internet. Ala-ad's boxy IBM computer had a pitifully small
processor and a painfully slow modem, but for Mashhad he was far
ahead of the times. Ala-ad used his computer to run his business
accounts, print out his employee paychecks, and keep track of his
aircraft fuel. He sold all types of aircraft fuel at the Mashhad
airport. Ala-ad typed his reports
with two fingers. He had only two fingers on one hand, three on
the other. His fingers were the least of his losses during the
Iran-Iraq war. His wife and son were dead, used by the Ayatollah
as human shields during the most desperate years of the fighting.
Ala-ad should have been grateful to dedicate his wife and son to
the glorious Ayatollah. He was not. Ala-ad had some funny ideas
for an Iranian, ideas that his wife, an Oxford graduate, had
filled his head with during the short, sunlight-filled years of
their marriage. The idea that all men are created equal, that
Ala-ad should be able to have life, liberty, and the pursuit of
happiness. These goals were reconcilable with the religion of
Islam, Ala-ad knew. In fact, the Prophet Mohammed himself was the
originator of the concept that each man is his own religious
leader, not a sheep in some leader's flock. Somehow through the
centuries Mohammed's ideas had been corrupted. Ala-ad had lost
his wife and his child because of that corruption. He sent reports that might
be interesting to the CIA not because he had any real hope that
Iran might someday be an Islamic democracy, but because it was
something to do to pass the time until he could join his Liah and
his beautiful little boy, Adda. There wasn't much in Ala-ad's
idea of the future. That had ended with Liah. Today he wrote about Assad
and his precious Hind. Assad was worried that they would get shot
down over Uzbekistan as they tried to take over some old Soviet
silo. They were going to stage some sort of terrorist event,
Ala-ad figured, but Assad didn't come right out with the plan.
Assad loved his Hind and was worried he would have to leave it
behind if there were no fuel reserves at the missile
silo. Before Ala-ad finished his
report, he wrote down all the names Assad had mentioned, as he'd
been trained to do by his dead wife's Oxford professor who had,
in turn, been trained by the CIA. Ala-ad wrote down the names he
remembered: Rashad, Ali, and the leader, Fouad
Muallah. Ala-ad sent his report via
modem to a number in Tehran that was actually a rerouted number
to Berlin. The Berlin office forwarded the electronic report
automatically to Langley, Virginia, where it joined hundreds of
thousands of documents from around the world in the huge
databases of the CIA computers. Within the computer Lucy's
search engine was still running, looking for information about
George Tabor, missing dogs in Paris, and the name Fouad
Muallah. Colorado Springs
Investigations Bureau For an entire morning, like
a child stuck with homework during a beautiful day, Eileen sat at
her computer. She was in Harben's office at seven-thirty, and
from eight o'clock until noon she was embroiled in paperwork.
Rosen briefed her on his investigations the night Arthur Bailey
was murdered. Could it have been only a day ago? Eileen felt the
sense of time slipping away. She was nearly frantic by the lunch
hour. "Everything we need is
here," Rosen said sensibly. "You wouldn't learn anything more by
driving out there." "I haven't spoken to Sharon
Johnson again," Eileen said, rubbing at her temples and glaring
at Rosen. He was easier to glare at than Harben, although he
seemed to be as unaffected by her impatience. "Why would you need to speak
to her?" "Well, look at my notes.
Every single damn one of them hated Terry Guzman. Every one of
them had a good reason to wish her dead." "How about
Lowell?" "Lowell particularly. Maybe
he knew about 'Berto. Jealousy?" "Could be," Rosen admitted.
He was sitting across from Eileen and his long legs were propped
up next to the keyboard. He wore sensible dress shoes that, like
Eileen's, were actually running shoes. "But we have no indication
he found out. You want to go talk to him? He's not out at
Schriever today." "No shards of metal found
anywhere," Eileen muttered, changing the subject. "No shards. No blood on any
clothing in any of the Gamers' houses or apartments." "Did you read the autopsy
report from Rowland? I skimmed it, but I didn't see anything in
particular." "I didn't see anything
either," Rosen admitted. "Nothing that would point a finger
toward the suspects. I skimmed your Procell file,
too." "And?" Eileen prompted.
Rosen had fallen silent. His face was turned to the windows. The
massive flank of Pikes Peak showed the shadows of the first of
the afternoon thunder-showers. "In my opinion they are
murders," Rosen said flatly. Eileen was surprised. "Really?" "Yes, really," he said, and
shrugged. "Nothing we can do about them. I don't think they're
related to Guzman or Bailey. This case doesn't fit Procell's
pattern." "But you think they're
related to each other." "Yes," Rosen said. He
glanced over at Eileen. "Nothing we can do. Scientists are being
murdered in the Defense Department, and if the Defense Department
chooses to do nothing, that's their business." Eileen felt chilled. She'd
removed all references to the Ballistic Missile Defense program
before she'd placed the file on disk. The file was unclassified
now, but what would Rosen have said had he seen the complete set
of information? "What we need to do is solve
these murders, is what you're saying," Eileen said. "Do you know
the OSI is going to be here in two days? I'd bet you my pension
there will no longer be an investigation in two days." She ran
her fingers through her hair. "We can't let that happen. We just
can't." "Well, that may be," Rosen
said. "And may not be. Right now I think we need to blow off some
steam and think things over. How about blowing away some targets
at the range?" Eileen glared at him for a
moment more, then sighed and grinned. "Lead the way, Ros," she
said. "That sounds like heaven to me." Central Intelligence Agency,
Langley, Virginia To Lucy, Fouad Muallah was
like an itch between her shoulder blades, an itch she couldn't
reach. The thrust of Muallah's master's thesis was an attempt to
prove that the prophecy of al-Hallaj had not been fulfilled by
the collapse of the Ottoman Empire. His thesis wanted to leave
the reader believing that the prophecy was yet to be
fulfilled. Lucy picked up a sheet of
paper. She'd printed out the poem just so she could look at the
words on paper. Prophecy is the Lamp of the
world's light; But ecstasy in the same
Niche has room. The Spirit's is the breath
which sighs through me; And mine the thought which
blows the Trumpet of Doom. Why was this poem important?
What connection did it have to the Ballistic Missile program? If
only she knew what George Tabor had carried to Muallah. The
information was somehow vitally important; Muallah had not only
killed Tabor, but also his Parisian girl Sufi. He no longer had a
base in Paris, and that obviously didn't matter anymore. Charles
D'Arnot had no further information for her. Wherever Muallah had
gone, it was beyond the bounds of the Paris police. Lucy opened her food drawer
and rummaged. Today her baby demanded beef jerky. She had six
different kinds, every flavor the local 7-Eleven had
provided. "Teriyaki, is it?" she
murmured to her baby, ripping a package open with her teeth.
She'd never had beef jerky before today, until the person ahead
of her in line at the gas station bit off a mouthful from a hunk
of jerky he was holding. The pungent smell should have sent her
to the bathroom. Instead, she'd bought every flavor she could
find. "Mine the thought which
blows the Trumpet of Doom," Lucy said around a mouthful of jerky.
There was something there, something that felt like cold fingers
pressing along the bottom of her spine. A cartoon police cruiser
suddenly howled across her screen, tiny lights flashing, and
skidded to a stop at the bottom of her screen. Denver Animal
Shelter Fancy lay in her kennel with
the sound of dogs howling all around her. She whined every once
in a while, but she wasn't a howler. The kennel keeper, Debbie,
was a stout young woman with short black hair. She fed Fancy and
patted her on the head. "I'm sorry your owner had to
move away, Fancy," Debbie said as she hosed the kennel. "He was
cute, wasn't he? What a pretty set of eyes, all that blue with
those thick brown lashes." She sighed, rubbed Fancy's ears, then
moved to the next kennel. Later that day a puppy was
adopted by a young boy. His parents stood and talked to
Debbie. "Good choice. Those pups are
a good mix," she said approvingly. "How big will he be as an
adult?" the mother asked. "He's a blue heeler mix. No
more than forty pounds or so." At closing time, Debbie
walked down the kennel corridor and took away a German shepherd.
Her face was set and sad as she walked the dog toward the back of
the kennel. When she returned, alone, she hosed out the empty
kennel and hung the leash on a hook by the door. She moved two
dogs from an overcrowded kennel into the empty space. She turned
out the lights. Fancy stopped pacing. She
lay down on the bare concrete and put her head on her paws. The
silk of her fur was already getting matted and dull. Fancy, like
Eileen, like Lucy, had only two more days to go. Oklahoma The Chinook developed engine
trouble over Oklahoma. The pilots weren't happy about the
performance of the new helicopter before they'd gone a hundred
miles, but they weren't paid to be finicky. They had to have a
reason to ground a helicopter that cost over a million dollars.
To say "It just doesn't feel right" wouldn't do. But the engines didn't feel
right. They responded sluggishly in the thick Alabama air, and
the pilots knew how helicopters did in the thin air of Colorado.
In a word, terrible. Stillwell, in the back, had a sickening
headache from the ill-fitting flight helmet. It felt as if a
blunt drill were being ground slowly into his head. But taking
off the helmet would be suicide to his eardrums. The noise of the
twin-rotor helicopter was unbearable. Stillwell hung miserably
on, unaware of the pilot's increasing nervousness. Right around noon the oil
pressure in the main engine sank. The pilot was paying very close
attention to each gauge and dial in his complex aircraft. Things
weren't right, and he was expecting trouble. "Oil pressure!" he shouted
over the comm link. "Autorotate!" He started the autorotation
process. The autorotation of a helicopter consists of disengaging
the rotor system from the rotor blades. The rotor blades can then
spin free like the propellers of an aircraft. The free-spinning
blades should provide enough lift to set the helicopter down,
although roughly, in one piece. Stillwell, hearing the shout over
his flight helmet's headset, clutched his flight bag to his chest
and closed his eyes. Brightly printed on his mind's eye was the
sight of two dead pilots whose autorotation system had failed. In
that incident the controls of the aircraft were seized out of the
pilot's hands as the rotor system locked up, ripped out of the
bottom of the aircraft as the system disintegrated. There were
blank looks of astonishment on the pilot's dead faces. This time the autorotation
didn't fail. The system disengaged and the ungainly Chinook
dropped out of the sky and came to an abrupt, jarring landing in
an Oklahoma field. Corn stocks rustled and crunched under the
helicopter's landing skids. There was silence, and a series of
rapid clicks as the pilots shut down their system. "She'll be good to go in a
week, I'd say," the pilot said cheerfully. "No systems are
damaged." The copilot nodded and clapped the pilot on the
shoulder. "Damn nice landing,
Richard," she said. "You okay back there, Major?" Stillwell nodded, unable to
speak. He still couldn't believe he was down safely. "You wouldn't happen to have
any shorts in that bag, would you?" the pilot said, unhooking his
helmet and placing it on the floor of the aircraft. He turned
toward Stillwell and climbed into the seat next to
his. "Let me take this off for
you," he said, and as he removed the helmet Stillwell could hear
him again. "You have any shorts in that
bag?" the pilot asked again, patiently. "Yes," Stillwell whispered.
His lips felt icy and numb. "Why?" "Because I pissed myself,"
the pilot said. "I'll borrow some if you've
got three pair," the copilot said, removing her helmet and
revealing a puglike, cheerful face. "I knew I should have worn my
diaper today." Stillwell looked out the
windshield of the helicopter, and all he could see was corn. He
looked to the sides, and when the three of them got out of the
helicopter he looked to the rear of their landing, and in all
directions the only thing he could see was unending rows of fresh
growing corn.
26 Turtkul,
Uzbekistan Muallah felt a lift of his
heart as well as his stomach as the Hind swooped over a low,
scrub-covered hill. Beyond was a stretch of barbed wire dotted
with weeds. Within the fencing the huge concrete covers to the
missiles looked like unfinished building foundations. There was
one small building at the center of the six concrete pads, a
building with clean white curtains and flower boxes outside the
windows. The windows were clean and the building was freshly
whitewashed. It looked like a farmer's cottage instead of a
missile base command center. But, of course, the command
center would be underground. Muallah resisted an impulse to rub
his aching forehead under the heavy Russian helmet. Flying in the
Hind was exhausting. The noise was overwhelming, the seats were
wretchedly uncomfortable, and the helmet was insufficient
protection from the noise. He did not rub his forehead because he
was Fouad Muallah, the Chosen One. His people needed to see his
absolute confidence. And he was confident. Muallah leaned forward and
gave a thumbs-up to Assad. Ali, who was at the door of the Hind
with his Uzi at the ready, nodded tensely as Muallah turned to
him. He was ready. Rashad, at his left, was beaded with sweat and
miserably pale. He'd been sick twice on the trip. Muallah nodded
at him, and he squared his shoulders. Below, Muallah could see two
men leaving the house and running to the helicopter pad. They
were pointing and shouting. Unbelievably, they appeared to be
unarmed. Their uniforms were patched and well-worn, and one of
the men had no hat. The situation was better
than Muallah had thought. These soldiers had made a home out of
their missile silo. They were stranded by the decay of the Soviet
machine, left behind as the old country was going through its
difficult transformation. They probably had wives and children in
the whitewashed cottage, vegetables planted around the missile
silo caps. Muallah started to grin. This was going to be
easy. Colorado Springs
Investigations Bureau "I need to talk to Sharon
Johnson again," Eileen insisted to Rosen. The shooting range had
been a fine distraction, but the day was getting along. The usual
afternoon thundershowers were moving down Pikes Peak. "Maybe
she'll give me some ideas. Then I need to talk to Lowell. After
that, I'm out of ideas." "I've got a request in to
Major Blaine for the contents of Terry's desk," Rosen said. "I'd
like to look through what she had there." "That's something," Eileen
said. "I'm going to make some phone calls." She called Sharon Johnson
and caught her just as she was leaving her house. Sharon was
going to her Network class at the university. She agreed to meet
Eileen after her class let out, at the Student Union. Eileen hung
up the phone, glanced at her watch, and called Joe
Tanner. "Think of anything?" Eileen
asked. "Nothing so far," Tanner
said. "How about dinner again? Nelson won't let any of us go back
to work, and I'm driving myself crazy at home." Eileen was astonished at the
feeling of pleasure this gave her. It worried her. "Come on," Tanner said
soberly. "You can keep an eye on your suspect this way, can't
you?" "Six o'clock. I'll pick you
up," Eileen said. "Done," he said cheerfully,
and hung up the phone with a crash. Eileen sat for a moment
staring at her phone, then turned to see Rosen looking at her
with his blank, impassive face. His Navajo face, she was
beginning to think of it. "A personal call," she said
defensively. Rosen nodded without saying anything and turned back
to his computer screen. Oklahoma "My goodness, look at you,"
the woman cried, and started laughing. "You're all sunburn and
mosquito bites. You from that crash? What was that thing,
anyway?" "A Chinook helicopter,
ma'am," Richard, the pilot, said politely. "May we use your
phone?" "Well, we don't have a phone
this week since that tornado took out the lines. My husband
should be back tonight around six o'clock. I would have come out
to get you, but as you can see ..." She gestured at her leg,
encased in a bright blue cast. She was plain and brown-haired and
young, with a handsome smile. "But come in, come in," she
said, and gestured them into the house. "I'm forgetting my
manners. I saw you out there coming, so I've been cooking. I've
got iced tea for you, and there's some fresh chicken I've done up
myself. Tornado broke my leg and killed some of those blasted
chickens. Proves some good comes out of every bad." "How about some Calamine
lotion?" Stillwell said ruefully, scratching, and she laughed her
pretty laugh again. "Plenty of that, too," she
said. "Come on in." Turtkul,
Uzbekistan Anna Kalinsk figured she
might be a genius, although she could not be sure. She had
finished only secondary school. College was a luxury beyond her
family's reach or influence. She regretted that. Anna felt she
would have done very well in college. Concepts and ideas that
others seemed to have trouble grasping came leaping to her,
complete and whole. Math was a joy to her in school. Literature
wasn't much fun, since books were heavily censored. Now that the
Soviet Union was Russia again, Anna had hopes that she might get
her hands on some real books. Eventually. She read her husband's
Missile Command Center handbook more or less out of boredom. Soon
he was coming to her for advice, though he never saw it that way.
She made sure he never saw it that way. A merely smart woman
would have made Dmitri feel uncomfortable at her intelligence.
Anna was not merely smart. Therefore, it was Dmitri's
idea that the four wives move onto the base with their children.
Dmitri divided up the underground into sleeping and living
quarters, and put his wife in charge of turning the cottage into
their communal living room and kitchen. Dmitri had a brilliant
idea that they should grow a vegetable garden. Next year, Dmitri
was going to have another great idea and build a barn. Then they
were going to get some dairy cattle. As long as the Russian
Republic remembered them with monthly paychecks, Anna was happy
to baby-sit the old missile silo. She knew there was no radiation
danger to the children—not only had she read the Missile
Command Center book, but she had a Russian's adeptness at reading
between the lines. Only the open silos were dangerous. The little
missile base was a fine place to raise her boys and grow her
vegetables while the old Soviet Union slowly decayed. And, like
her compost heap by her vegetable garden, she was sure the new
Russian plant was going to be strong and fruitful. Right now, though, the
Russian Army was in horrible disarray. Many soldiers found
themselves with no skills and no jobs, in a country that had only
the most rudimentary idea of capitalism. Anna did not want that
fate for her Dmitri or her boys. The new Republic realized the
importance of keeping control of the old missile silos until they
could be safely dismantled. Thus, Dmitri and his fellow officers
received paychecks where thousands of soldiers did not. Anna was
happy to live here in the middle of Uzbekistan, far from her
Ukrainian home, as long as the money kept coming and they were
left alone. Eventually the silo would be dismantled, but by then
Anna was sure Mother Russia would be on her feet. Mother Russia,
like Anna, was a survivor. Everything changed for her
in a single instant. She'd been doing dishes when the helicopter
arrived. She was standing at the door of the cottage, wiping suds
from her arms with her apron, when the chatter of the Uzi blew
Dmitri backward. He had an expression of surprise and dismay on
his dying face as he stumbled back from the open door of the
helicopter. Anna felt her mouth open in
a soundless cry of denial and grief. Dmitri was dead. Her
husband, full of sternness and unexpected laughter, putting on
weight as he aged and developing a touch of gray in his hair, was
dead. Dmitri was dead. Anna looked at the Hind and saw the
patches, the faded Red Star on the side. All this while Dmitri
was still stumbling backward and the Uzi was aimed at Serenko.
Anna saw the black hair and the dark complexions, and all
computations came together in a flashing instant. "Downstairs!" she cried.
Boris Berezovo ran to the doorway instead. Luckily the other
women and the children were downstairs with their after-lunch
stories. The little ones would be put down for naps and the older
ones settled with books or quiet chores. Anna ran for the stairs
and ignored the chatter of weapons fire that meant Boris had not
listened to her and was now dead. She threw the bolt on the
inside of the door and ran eight flights of stairs as though she
were still a fleet-footed girl. The door would hold them for a
little while. It was steel, and the bolt was good. But it
wouldn't hold against a grenade. She heard the first bullet
thumps booming down the stairs after her as she reached the
bottom. The door at the bottom of
the stairs was also merely steel. Anna threw this door too, and
bolted it. Dmitri, Serenko, and Boris, all dead. She had to tell
their wives. She had to make the younger Boris, whom they all
called Boriska, understand. Somehow she had to get everyone to a
place the terrorists could not come. She knew where that place
was. "Anna!" The frightened face
of Ilina peered around the corner of the Children's School, a
long tube in the ground that had once held ordnance. Boriska came running from
the command center. Today had been Boriska's watch in the center.
Anna felt a brief burst of hate for Boriska. Why couldn't today
have been Dmitri's turn? "What is going on?" he
shouted. "Listen to me," Anna panted.
"We don't have much time. There are terrorists outside. They
killed Dmitri and Boris and Serenko." Ilina made a grotesque
face, her mouth pulling down and her eyes squinting shut. Her
hands went to her hair and tugged as though she were going to
pull her hair out by the roots. But she made no sound. Anna
looked away. She had no time for grief, either. Boriska went
pale. "They want the missiles?" he
choked. "I don't care what they
want," Anna said. "We can get into silo number six, the empty
one. We can bar it from the inside with a metal bar and they'll
never be able to spin the door lock. All the grenades in the
world won't break that door, either." "I'll get the children,"
Ilina whispered. "We have maybe ten minutes,"
Anna said, closing her eyes for an instant and visualizing
bullets, grenade, careful negotiation of the eight flights of
stairs, and another grenade or two. "Ten minutes." "I will send out the
warning," Boriska said stiffly. "It is my duty." "Come to your wife,
Boriska," Anna said. "Don't be a hero." "I will come if I can,
Anna," Boriska said. His face was ashen white, but he was not
trembling. "Take care of my babies." "I will, Boris," Anna said,
and turned away. She did not look back.
27 Central Intelligence Agency,
Langley, Virginia "I'd like to speak to
Lieutenant Jefferson, please," Lucy said. Her fingers clenched
the phone. Sweat beaded her hairline yet again. "He's not at his desk right
now. Would you like to leave a voice mail?" the voice said
cheerfully. "No, this is very important.
Can you page the Lieutenant and tell him Lucy Giometti from the
CIA would like to speak to him?" "Well, all right," the voice
said, not as cheerfully. "But you'll have to wait." "I'll wait," Lucy said. She
massaged her temple with her finger, switched the phone, and
massaged the other one. She'd never felt so angry in all her
life. She was sure Mills was feeling just grand. Mills had refused to take
her report to higher levels. It was too much of a leap, he said.
The potential attack on a missile silo was not confirmed by any
other source except an Iranian fuel clerk's gossip, he said. The
idea that Muallah was going to attack an American city using
nuclear weapons because of a poem written in 922 was ridiculous,
he said. Lucy had watched the smile
bloom into a grin on Mills's face as her frustration became
apparent. Her logic was infallible. The report from Mashhad fit
in perfectly with everything she'd learned. But Mills was not
going to take her analysis and use it. Finally she realized why
Steven Mills was grinning. He had her, finally, and he knew it.
She could quit, she certainly could, at any time. Steven Mills
had never been able to have power over her, the way he longed for
power over his subordinates. Now Lucy had handed him a collar and
leash. She desperately wanted to complete her case, and only
Mills could do that for her. He finally had power over her, and
he loved it. "The report is interesting,"
he said, and pushed her report to one side of his desk. "We'll
see if it's confirmed by additional sources." "But—" Lucy bit off the words she was
about to say. She stood for a moment, looking at Mills, and
nodded slightly. "I see. Well, then, you have my report, Mr.
Mills. I'll be getting back to my other work, then." Mills looked at her
suspiciously for a moment, then nodded. His grin was still there,
though. Mills was having a great day. Lucy left to find the
bathroom and throw up. "Lieutenant Jefferson here,"
a voice spoke suddenly in her ear. Lucy started, lost for a
moment in her musings over the horrible scene in Mills's
office. "This is Lucy Giometti,
Lieutenant Jefferson," she said. "Ah yes, Lucy," Jefferson
said warmly. "What can I do for you?' "I'd like to send you a
small analysis I've done," Lucy said calmly. This might be the
end of her career at the CIA. Lucy understood the risk of going
around the chain of command. "Do you have a computer at your desk
with on-line capability?" "Of course," Jefferson said
warily. "This will be encrypted, of course?" "Of course. The key
is—" Here Lucy thought for a moment.
"The key is the word you said your wife was when she was
pregnant. Remember?" "I remember," Jefferson
said. "Are you at your
desk?" "I'm at my desk, Miss Lucy.
This sounds important." "It is important," Lucy
said. "Desperately important." "Then why isn't this going
through channels?" Jefferson said sharply. "Because channels are closed
to me right now," Lucy said grimly. "My companion at our little
dinner party is not interested in furthering my reputation, shall
we say?" "In the military world, this
is a very dangerous thing to do, my dear," Jefferson
said. "This is my world," Lucy
said, then winced at the arrogance of her remark. "Well, I
mean—" Jefferson laughed in her ear,
but it was a kindly laugh. "You are very young," he
said. "But I do like your style. So does my friend." "Give me your e-mail
address," Lucy said, typing in "Peckish" as the encryption code
to her report. She typed in Jefferson's address rapidly and
punched the Send button before she could change her
mind. "What am I supposed to do
with this?" Jefferson said in her ear. "Whatever you think you
should, Lieutenant," Lucy said grimly. "Whatever you think you
can." University of Colorado,
Colorado Springs Sharon was waiting when
Eileen found her way into the Student Union. The University of
Colorado at Colorado Springs sat along the slope of a bluff. The
buildings were the usual college mixture of old and new. The
union was new, all glass and concrete, and was empty except for a
few solitary students studying at the tables. Sharon was studying
as well, but she put her papers neatly together and put her books
and papers in her knapsack as she saw Eileen
approaching. "Would you like some
coffee?" Eileen asked. "I was going to get a cup." "Nothing, thank you," Sharon
said. She was dressed in old black jeans and a long sweater, and
she wore old squashy loafers on her plump feet. Sharon Johnson
looked puffy and tired. A woman who was mourning. Eileen got a
cup of deep black student coffee and poured half a cup of milk
into the Styrofoam cup before the liquid turned a muddy brown.
She sat down across from Sharon and took a cautious
sip. "I'm sorry about Art,"
Eileen said finally. Sharon blinked and nodded and looked down at
her folded hands. "Art's in God's hands now,"
she said. "I'm sorry you didn't find the murderer before, but I
hope you still will. Arthur was a good man." "I talked to Joe Tanner
about Sully," Eileen said. "I found out about your mysterious
coder, as well." Sharon looked up in surprise
and with the faint beginnings of a question on her lips. Eileen
shook her head, and Sharon nodded immediately. "I understand," she said. "I
don't want to know. I hoped that would help you find—whoever it was. But it didn't,
did it?" "No, I'm afraid not," Eileen
said. "I'm fresh out of ideas." "You're not supposed to tell
me that, Detective," Sharon said wryly. '-'I'm one of your
suspects still, I suppose." "Yeah, you are," Eileen
said, and sipped her coffee. "I want to know something from you,
and it's probably not going to be easy for you. So I'll start off
by saying I don't think you killed Art." Sharon nodded gravely and
moved the loafered feet in a slight whispery sound on the tile of
the floor. That was the only sound she made, although Eileen
thought she saw a slight relaxation around the tired brown
eyes. "So you're off the hook,
maybe." "Thank you, Miss Reed," she
whispered. "Now I want to know what
Terry had on you." "Pardon?" "I think I knew Terry.
Perhaps better than any of you did. Better than Lowell did, even.
She had to have something on everybody. I'll be talking to Lowell
tomorrow; perhaps the only thing she had over him was his love
for her. I'll find that out tomorrow. But every other Gamer had a
reason to hate her. Tell me what she tried to do to
you." There was a period of
silence. Eileen tried to keep her expression open and friendly
and slightly pleading. She wouldn't threaten this
woman. Sharon Johnson
sighed. "Well, I'll tell you," she
said. "I don't know what Terry did to the other Gamers. But she
hated me. She hated me and she knew just where I was the most
vulnerable, the little bitch." Sharon spoke the word with a total
lack of passion that came off as somehow deadly. "Where was that?" "My children, of course,"
Sharon said. She looked at Eileen with black eyes that suddenly
seemed even blacker. "She was trying to get me fired. Because of
my work. I told you that the first day." "I remember," Eileen said.
"What did she do?" "She knew I couldn't afford
the Colorado Springs school. Not without this job. She knew I
couldn't afford this school unless the government was paying for
my classes. I have three children. I have to pay for my neighbor
to look after them while I'm in class, so there's that money
too." "Why did she think she could
get you fired?" "Because I'm not that good,
or I wasn't. I struggled a lot that first year. Sully, I thought
she hated me. I didn't know how to think my way through the whole
problem. I kept missing things." Sharon looked down at her
fingers, twined together, then spread her hand out and looked at
it. "I didn't know what a
parameter was. It was a complete mystery. I didn't dare ask. I
worked so hard, but I didn't know how to write a good program.
Even Terry was better than me at first. They hired me because I
talked Paul Wiessman into it. And my race helped, too," she said,
and her mouth twisted bitterly. "I wanted to prove to everyone
that I could pull my own weight." "What is a parameter?"
Eileen asked, smiling. "A list of things you pass
to a program," Sharon said promptly, and her grave look lifted
for a moment. She smiled back at Eileen. "Like your program is
going to sort fruit, so you run the program and you pass along an
apple, an orange, and a banana. Those are the parameters to the
program." "I see," Eileen said. "You
make it sound simple." "Those are Art's words,"
Sharon said, and she blinked rapidly. "I finally asked, late at
night. He came by and I was in tears. I don't cry easily. I knew
I was beat. He sat down and flat out told me he was going to help
me, and for me not to get my damn southern back up about
it." Eileen could see the vision
Sharon presented to her. She could see the half-darkness of the
empty office space and the weeping woman in the front of the
blank face of the computer terminal. She could see Art's friendly
expression and the simple explanation of apple, banana,
orange. "He tutored me for months,"
she said, and reached down to her purse. She blew her nose
briskly on a tissue. "I started to get it. Before then, Terry
didn't hate me. I wasn't worthy. People have to be beneath her,
that's her kink. When I was the worst programmer on Gaming, she
didn't notice me. Then I started understanding. Then the computer
started to become a machine to me, not this living creature that
hated me. "Then Terry started making
remarks about my work. My code. We'd run a test and she'd find
some flaw with my work—that was easy at
first—and she'd throw up her hands and
declare she couldn't do her tests unless the product was stable,
unless she had good code to work with. She'd be just loud enough.
Lowell had a talk with me." "Lowell talked to
you?" "He'd do anything she
wanted, poor man. He loved her so. I can't imagine sleeping next
to that woman. It would be like sleeping next to a nest of
cottonmouth snakes. She'd talked to him about me, I imagine at
home, and so he wanted to ask me about my work." "What about Nelson?" Eileen
asked, although she already had a pretty good idea about
that. "I didn't talk to Nelson,"
Sharon said after a moment. "He didn't concern himself much with
this sort of thing." Eileen nodded solemnly.
Sharon had a tender heart. Nelson Atkins was a worthless manager,
but he was a sweet and caring man. She wouldn't reveal Nelson's
inadequacies to Detective Reed. "What did Lowell
say?" "He wanted to know how I
felt I was doing. Perhaps Terry thought I would be an easy
pushover, that I would cry and beg to be kept on. It was so odd
to see his face and hear his voice saying words that I knew had
been spoken by her. " 'Do you think this job is
going to be too much for you?' he asked, and I took my courage
and I fixed him with my eye and I said, 'I don't think it is. I'm
doing well and I'm getting better every day. I've done code
counts and problem counts, and I could print you out a chart if
you'd like. Sully helped me with a program that shows my
improvement over time.' "Terry didn't know I was
making friends, you see. She thought of everyone as a separate
island, vulnerable. Sully put a sword in my hand. Sully knew I
was supposed to go talk to Lowell. I don't know how she knew. But
there she was, with her hair all sticking up every which way, and
she showed me this program that she'd put together. She showed me
how my code and the quality of my code was shooting up every
week. She showed me her code, all flat line and basically
perfect, and she winked at me and showed me Terry's code, flat
line and at the bottom. Then she put my code up against Terry's
and she turned and just walked away." "She helped you," Eileen
said. She was choked with admiration and jealousy over a woman
two years dead. "She knew what I was going
up against. If I had shown any weakness, maybe Lowell would have
tried to get Nelson to set my rating back to technician instead
of engineer. That would have been a big cut in pay. She wanted to
punish me through my children. I would have had to pull them out
of the private school. She wanted me beaten." She almost did
it, Eileen
thought, and remembered the dead-ness of Joe's eyes when he spoke
of Sully, the tortured penance of 'Berto, and the exhaustion and
guilt of Doug Procell. "She didn't know I'd have my
friends. She took Sully away, but there was Joe, and 'Berto, and
Doug. She didn't beat me. But she never gave up, either." Sharon
looked at Eileen, and her eyes were implacable. "Whoever killed that woman
did us all a favor," Sharon said. "I'm ashamed of myself for
thinking that. Then God took Art away from us. He was the best of
us, Art was. Now he's gone. Perhaps that's our
punishment." Turtkul,
Uzbekistan Muallah toed the body of the
Russian soldier. He was a young one, perhaps no more than twenty
or so. He'd gotten some sort of message out over the
communications set before Rashad shot him carefully in the back.
There was no sign of anyone else, although Muallah was sure that
there were more people here. Women, probably, and perhaps
children. The curtains at the window. The vegetable
garden. "Ali," he said softly.
"There are more here. Find them." Ali touched his lips with
his right hand and ghosted out of the room alone. Ali needed no
help. "Ruadh," Muallah said, and
gestured at the console. Ruadh, a tall beefy man with a shadow of
black beard across his sweating face, looked more like a camel
driver than a Scud missile controller. Ruadh had fought well in
the Iraqi acquisition of Kuwait. It was not his fault the damned
American Patriot missiles kept shooting down his Scuds. Rashad
had found Ruadh morosely smoking hashish in a filthy hovel in
Baghdad, victim of Hussein's rabid attempt to lay blame down the
line of command. Ruadh barely escaped a prison sentence, simply
because his equipment was outgunned by the Americans and he was
of a small and unprotected rank. The purge left Ruadh without a
livelihood and with a deep hatred toward America, which he
considered the source of his troubles. "I will need time," Ruadh
said shortly, and started pulling books from the shelves of the
command center. Muallah gestured toward Rashad to remove the dead
soldier. There were comfortable furnishings in the helicopter,
even a silver coffee service. Muallah required his small
luxuries. Unfortunately, there was no woman to serve the coffee.
Unless... "Rashad," he said softly.
"Tell Ali to let one woman live. To serve us." Rashad grinned and nodded.
He dropped the dead feet of the soldier and darted from the room.
Ali was very efficient in his work. If there was to be anyone
left alive, Rashad had to hurry. Moscow, Russian
Republic The call from the
Uzbekistani missile silo, what would be called a Mayday call in
America, was picked up immediately in Moscow by the GRU, the
intelligence branch of the military. This was not a matter of
luck. There were huge amounts of money pouring into the former
Soviet Union, much of it American and all of it welcome. One of
the more interesting strings attached to the U.S. government
money was the establishment of a firm control structure over
former Soviet missile silos. U.S. West, unrolling phone wire in
Russia as fast as they could pitchfork the bales out of trucks,
donated a staggering amount of communications equipment to the
Moscow GRU. IBM delivered some gorgeously appointed computers.
All of it free. The Center was almost American, it was so
modern. Colonel Sergei Kalashnikov,
a second cousin three times removed from the man who invented the
rifle, was grouchy for many months about the massive and
typically heavy-handed American influence in what should be a
Russian problem. His superior, Major General Cherepovitch, was
equally grouchy but had received The Word from on high, from the
President himself. Let them help. Don't lose control. For four years Kalashnikov
had complied with this strategy, finally admitting that the
system was indeed very helpful. The American advisers were almost
tolerable. They were even learning how to drink vodka. His own home village of
Salekhard in the western Siberian lowland was now under the
enormous wing of Exxon. Exxon was building roads, schools,
housing, a landing field, and installing a model waste-treatment
plant. Exxon seemed to be intent on turning every Russian oil
field site into a show-place. Of course, it was making money in
bundles from the new and previously untapped oil fields. This was
not causing the Russian people, who discovered that Exxon
considered them to be "private property owners" of the land and
the oil fields, any pain. Kalashnikov's uncle just sent a letter
asking Sergei to resign his commission and come home to help run
the family business, a grocery store. Business was booming. The
lease rights from the oil fields were stunning. And every house
in Salekhard had running water! Kalashnikov didn't seriously
consider resigning his commission. Moscow was also benefiting
from the Western invasion. Kalashnikov's wife liked the ballet,
the new restaurants, the beginnings of a shopping district.
Moscow suited them very well. When the cold and
emotionless voice of Boris Pavlovsk broke through static on the
emergency line, Kalashnikov's musings over Salekhard and the
grocery store ended abruptly. The systems were set up to record
all incoming radio traffic, so all Kalashnikov had to do was
listen. Hearing what he heard was like seeing a gun unexpectedly
aimed at his head. "Oh my God," Major Thomas
Paxton said when the transmission ended with a very brief, very
final gunshot. The American major was standing shoulder to
shoulder with Kalashnikov, staring at the blinking light on the
Russian map that pinpointed Turtkul, Uzbekistan. The Center was
in a large room in the basement of the building that used to
house the KGB. Four other soldiers sat at their consoles, looking
with wide eyes at the two ranking officers. They knew
too. "Boris Pavlovsk will get the
highest medal for this," Kalashnikov said through numb lips. "He
warned us instead of hiding with the other families." "We have to believe they're
safe in the empty silo," the Major said, clearly not believing
it. "The terrorists must want the missiles." "Before we contact them, we
have to get a higher authority involved," Kalashnikov said
coldly. "I must contact my chain of
command too," Major Paxton said formally. He said it like the
Americans said everything they knew you didn't want to
hear—like a man who takes a forbidden
bone from a dog's mouth. Gently, reluctantly, but with a clear
sense of mastery. Kalashnikov hated that. "Of course," he said, and
his tone was pure frost. "We have no idea who they intend to
threaten, or what they intend to do. You must use your best
judgment." The Major nodded quickly and
went to his phone. Kalashnikov found himself looking over at the
Major after he dialed the number marked in red on the sheet taped
to the phone. The Major was looking back at him, and his face was
as grim as Kalashnikov felt. "God help those poor women
and children," he said softly to the Major, for Kalashnikov was
Russian Orthodox and believed very deeply in God. "God help us
all." 28 Turtkul,
Uzbekistan "They are in a missile silo
marked number six," Ali said. His face showed the slightest hint
of dissatisfaction, which meant Ali was in a thundering rage. "We
cannot enter, Mahdi." "You cannot enter?" Muallah
asked, incredulous. Ali, fail? This was impossible. "The doors are very thick.
We checked number five after three grenades failed to open number
six. I cannot enter." Muallah looked silently at
Ali, who paled and lost his look of dissatisfaction. Ali smelled
sharply of gun smoke and sweat. The breast of his jacket was
splattered with a few drops of the Russian soldier's blood. His
hair was disheveled and flopped over his forehead. Muallah
frowned. "Can you lock them in so
they cannot escape?" "I have already done so,
Mahdi," Ali said. "Then they are rubbish.
Assad, you must make the coffee." Muallah smiled at Assad to take
the sting from the demeaning task, one fit only for a woman.
Assad nodded and left immediately. Ali waited in silence as
Muallah glanced at Ruadh. Ruadh was buried deep in the missile
manuals. "How long, Ali?" Muallah
said softly. "Until they get a team together that can attempt an
assault?" "Perhaps a few days. No less
than twenty-four hours." "Ah, good. And
bombers?" "They could attempt a
bombing, but we are well protected from anything but a nuclear
strike, which of course they will not risk." Muallah knew all this, but
he was jittery from nerves and excitement. He needed Ali to
confirm his flawless plan. "Excellent," Muallah said.
He stretched back on the pillows and Persian carpeting they had
brought on the Hind. "Now all we need is coffee." Colorado
Springs Joe Tanner opened the
door. "Well, hello," he said, and
smiled at Eileen. "Hello back," she said,
absolutely convinced she was looking at a murderer and absolutely
convinced he was innocent, all at the same time. Joe was wearing
a plain white shirt and jeans. His hair was just washed, thick
and brown and bristly, like a mink. His eyebrows were thick and
arched over his green eyes. He'd cut himself underneath the chin
while shaving. "Shall we take my car
again?" Joe asked, turning away to lock his door. "Sure," Eileen said. "Where
are we going? You said it was your choice?" "The Broadmoor," Joe said
with a wicked grin. "My choice." "Oh, no, we can't go there,"
Eileen protested. "It's too—" "Expensive? Of course," Joe
said. "I'm loaded, Detective." "Not expensive," Eileen
replied, trying not to laugh. The income from her portion of the
cattle on her parents' ranch was more than her yearly salary as a
detective, and that wasn't half bad. Money was not the reason
she'd never been to the Broadmoor. "Snooty, Joe. That place is a
five-star resort hotel. They're snooty. Look at me." "You look ravishing," Joe
said. "Don't you know that?" "I'm wearing pants," Eileen
explained, feeling her face start to flush. "I noticed," Joe said dryly.
"Why would you wear anything but pants? You look like a young
Katharine Hepburn, only in color. You should always wear
khakis." "Thank you," Eileen
murmured, inwardly amused at her own reaction to Joe's flattery.
She wasn't that young or foolish, to feel warm over a
compliment. "I like the Broadmoor," Joe
continued, taking her elbow in a warm grip and leading her down
to his car. "It's the Gamers' place to go after a successful war
game. A four-star place is snooty. A five-star
place is just like home, only better. They've got this huge patio
overlooking the lake, with the mountains just above it. It's the
best place in Colorado Springs. I can't believe you've never been
there." "Well, I've been there,
professionally," Eileen said, settling into the car and pulling
the seat belt across her lap. She got a sudden, vivid image of
the gorgeously appointed room 104, with the view of Cheyenne
Mountain through the windows and the sprawled sad legs of Suzanne
DeBeau, lady golfer and cocaine addict, making a sloppy X on the
plush green carpet. "Yikes," Joe said, getting
into the driver's seat. "A murder?" "Accidental death," Eileen
said, "but let's not talk about work." "Let's not," Joe said, and
smiled over at her again. "There's lots to talk about besides war
games and murders. I want to know what herding cattle is
like." Eileen laughed. "It's hot
and stinky," she said. "But if you really want to know, I'll tell
you all." When Joe turned onto Lake
Drive a few minutes later, Eileen looked doubtfully at the
enormous hotel at the end of the street. "There used to be a railroad
that went right up Lake Drive, did you know that?" Joe said.
"This whole city was founded as a resort community. The Broadmoor
was the first hotel, and it's the grandest. I always feel like
I'm going back in time when I come here." He looked up with a kind of
familiar pride at the facade as they pulled into the parking lot.
The stone was painted a dull putty color and the roofs were red
slate. The flower beds were impeccable and their scent filled the
air. A little fountain played by the entrance. It should have
looked European and out of place, but it didn't. The building had
been designed by someone who knew how it should look against the
setting of Pikes Peak and Cheyenne Mountain. "It is beautiful," Eileen
said grudgingly. "This'll really be a treat,"
Joe said greedily, and rubbed his hands together. Just as at Joni's, a kind of
bubble surrounded Eileen. Nothing existed beyond the present
moment. The sun was setting slowly behind the Front Range as they
were seated in the enormous dining room. Eileen ordered seafood
fettuccine. Joe ate a filet that was smothered in asparagus and
crab, and he insisted that Eileen have a bite. She took the beef
from his fork, and the meat was so tender it was like butter in
her mouth. Nothing was said of the
murders during the dinner. They spoke of college days, of Joe's
family, the latest movies. They rambled easily from one subject
to another. "You can't brand cattle when
they're wet," Eileen explained at one point, waving a chunk of
crab at the end of her fork. "If you do, then the whole area just
kind of scabs up and falls off, so you get this big round scar
instead of a nice clean brand." She stopped, and Joe started
laughing. "That's disgusting," he
said. "Sorry," she said, and ate
the piece of crab. She grinned over at him. "But who was telling
me about the road rash from that bike crash, huh? A whole leg of
scabs for a month?" "I've got an iron stomach,"
Joe explained. "Nothing bothers me. My aunt was a nurse, and she
lived with us for a summer when she first got divorced. Her and
her kids. What a great summer. She'd come home and shower up and
talk to my mom about her day in the emergency room. We'd be
eating supper and she'd be telling Mom about the gunshot wounds
and the car wrecks. We'd listen with our mouths hanging open as
they'd laugh and talk." "How many cousins do you
have?" "She had three kids, all
boys, all right around our ages, me and my brother and sisters.
We had such fun! There were a couple of ponds, and we would go
fishing for sunfish and crappie. The moms signed us all up for
swimming lessons, too, so we'd all troop off in the morning for
those." Joe shook his head. "I miss the guys to this day, I do.
Aunt Rachel moved out, but she was still close by. We still
visited together all the time. We used to take our summer
vacations together." "We didn't take many
vacations," Eileen said. "One to Disneyland. Of
course." "Of course," Joe laughed.
"Everybody goes to Disneyland, don't they?" "I almost got kicked out. I
sneaked away and went over the fence at Jungle Safari, because I
swore those were real crocodiles in the river. So I get three
steps and I've got one of the Disney Secret Police holding me by
the scruff of the neck." "You went over the fence at
Jungle Safari? In Disneyland!" "I was interested," she
said, trying to put on her best wide-eyed innocent look. She was
rewarded by a burst of laughter. "You talked your way out of
it? I don't believe it." "My mom did," Eileen said.
"She could sweet-talk the birds out of the trees. They let us
stay. As long as she was holding me by the hand." "We went, too," Joe said.
"When I was seven. Pretty exciting, even for a big-city
kid." "Rapid City was the big city
to me," Eileen said dryly. "And Laramie, Wyoming. Wow, that was
such an adjustment." "Belle Fourche," Joe said in
a marveling voice. "I can't imagine what it would be like to go
to boarding school." "It wasn't a boarding
school, just a regular high school. But the ranch kids boarded
with local families. You know, parents whose kids were gone or
families with an extra room. I had a good time in high school,"
Eileen said. "It's lonely at first because you still want to be
with Mom and Dad. But in high school we had a whole crowd of
boarders that hung out together. The family I lived with, the
Smithsons, they couldn't have any children. They're probably
still boarding ranch kids. They had another boarder when I went
to school, Owen Sutter. My buddy Owen. He couldn't figure out why
I wanted to go into the Air Force. He wanted to work the ranch
and be a cowboy forever." "Does he do that
now?" "He sure does, and he's got
three kids. He married Molly, we were friends with her in high
school. Molly Williams, there's a girl for you. She could ride a
horse. Still does, I imagine." Eileen winked at Joe. "I'm glad
Owen married her, actually, don't be thinking there's some tragic
romantic story here. Owen was the brother I never
had." "What was it like when
school ended for the summer?" Eileen looked at him
doubtfully. "I really am interested. You
are so different than I expected, so—" "Not coplike?" she
said. "Exactly. Though I don't
know any cops, personally. Until now." Joe regarded her across
the remains of their supper, now being whisked away by the
silent, impeccable Broad-moor waiters. "I like listening to
people's stories," Eileen said. "I like brainteasers and puzzles,
but best of all I like figuring out what makes people the way
they are. Being a cop suits me." "How about the gun? Doesn't
it feel strange, carrying a gun?" "Oh, yes, the gun too,"
Eileen said, and patted her side affectionately. "I've carried a
gun since I was ten. Mountain lions like to snack on calves, and
they'd be happy to snack on me too. Mom and Dad taught me to
shoot. I don't feel right without a gun." "I don't think I'd feel
right with a gun," Joe said. Eileen's bubble fled as, for just a
moment, she contemplated Joe Tanner sharpening a deadly
screwdriver stiletto, humming as he shaved metal particles from
the blade. Then she blinked, hard, and the image disappeared. Joe
was not the murderer. He was not. Not tonight,
anyhow. "Sometime I'll take you
shooting," she said lightly. "You'll be hooked, I bet. When I
first took Joni shooting she'd pucker her face up and barely get
a shot off, her hands would shake so bad. Now she can hit the X
ring half the time." "Joni has a gun?" Joe asked
in surprise. "She was carrying a gun when
you met her, Joe," Eileen said. "Concealed carry permit. Nobody
is going to mess with Joni again." "I like that," Joe said
slowly. "I don't want anybody messing with Joni
either." "Time for coffee and
dessert," the waiter said with a grin, rolling a cart to the
table that was packed with confections. "Don't try to get away
without dessert." "We have to have coffee,"
Eileen said, eyeing the cart. "But of course," Joe said
gloomily. "I'll just run about twelve miles tomorrow to work this
off, that's all." The night fizzed around her
like champagne as she laughed, and Eileen understood in the cold
and rational part of her that the danger was a part of the fizz.
The danger that she might be falling in love with a madman and a
murderer. Eileen knew with all her heart that Joe Tanner was
innocent, that he was intelligent and good. But the tiny rational
voice in her head stayed awake and aware, looking with cold
lizard eyes out of her head and assessing every movement and
nuance of Joe Tanner. The rational part of her, her lizard part,
would not trust Joe Tanner until she had the real murderer in
custody. No matter what her heart was telling her. The night breeze
blew through the car
windows and stirred Eileen's hair as they drove to Joe's
home. "That was the best dinner I
ever had," Joe said after he pulled to a stop. "Do you want to
come in for coffee or something?" "I don't—" "Please? Just for a bit. I
don't want the night to end." He leaned forward and kissed
her, and his mouth was as soft as she imagined it to be. His kiss
was maddeningly gentle. "All right," she
said. His apartment was small and
indifferently decorated, as she knew it would be. There was no
particular style, just nice furniture and lamps and a couple of
prints. "Let me fix decaf," he said,
"or I'll be up all night. I'll probably be up all night
anyway." Eileen didn't answer. She
was looking at a framed picture of Harriet Sullivan. Eileen felt
a withering rage and jealousy of this dead woman, for the second
time. She couldn't help it, even though she knew it was
useless. "It was two years ago," she
said. "It feels like yesterday,"
he said, his face abruptly as expressionless as stone. "I've heard a lot of stories
about Sully," Eileen said. "Sharon told me what she did when she
thought she was going to lose her job. I think—" "You think I killed Terry
because of Sully," Joe said sharply. He was clenching the coffee
grinder in his hands. He looked furious. "I don't know," Eileen said,
from the lizard part of her. Then she folded her arms and bowed
her head. "No," she whispered from her heart. "Not
you." The coffee grinder thumped
to the counter with a clatter. "Not me, Eileen," Joe said.
He walked to her and took her in his arms, as naturally as though
he'd done it a thousand times. "It wasn't me." Eileen could feel
his heart beating under her ear, and she put her arms around him
and held him tightly. Lost, she was lost, and she didn't
care. "I know it wasn't
you." Great Falls,
Virginia "Lucy, Lucy," Ted called to
her. Lucy could hear her
husband's voice, but the smoke swirled around her and she
couldn't see. There was a frantic crackling sound that had to be
fire. There were sharp rubble and rocks under her feet. She
looked down, in the queer fishbowl vision of a dream, and saw
that her feet were encased in stout boots. Underneath her feet
were brick shards and shell casings and tiny white sticks that
she understood were children's bones. "Ted!" she screamed, but the
scream came out of her throat as the tiniest of whispers. She
tried to look around, but the smoke was choking and thick and
studded with particles that glistened like crystals. The smoke
was shimmering, but the taste was foul, like death. The smoke haze lifted and
she saw the Tower of London, broken, one part of the spire
sticking up like a brutally sharpened pencil, and then the
shimmering clouds swirled it away again. She'd visited London as
a college student on spring break and never forgotten her first
breathtaking glimpse of the Tower. Now it was
destroyed. Lucy felt the scream
sticking in her throat, and knew she was walking through
radioactive clouds. Then she realized she was carrying a child,
and knew that the worst part wasn't that she was dead, but that
her child was too. That broke the scream free
and sent her up and out of the nightmare, and she opened her eyes
in the darkness and Ted was there, holding her. There was no
smoke. "Lucy," Ted said. He was
near tears. "Don't scream, Lucy, don't." Lucy put her arms around his
neck and sobbed, feeling her sweat running down her body and
soaking her nightshirt. "Oh, Ted," she said. "I had
the most horrible nightmare." "It's okay now, baby, it's
okay, it was just a dream," he soothed, and held her. But it was a long time
before Lucy fell asleep again.
29 Oklahoma "Have you finished Chapter
Twelve yet?" Major Stillwell asked Richard, the pilot. They were
sitting in a Greyhound bus stop in Oklahoma. The bus stop also
served as a gas station and liquor store. The bugs swarmed around
the light at the front of the station. "Almost done," Richard said
absently. Richard was bringing home a romance novel for his wife,
a gift. She loved romance novels. This was the only reading
material anybody had. They'd split Richard's book into chapters
and were sharing the chapters around as they read. They'd tried
reading it together, but Gwen was too fast and Stillwell was too
slow. The gas station's one video game had an Out of Order sign
on it that was so sun-faded as to be illegible. The friendly broken-legged
farmer's wife had fed them some terrific fried chicken for lunch
and some cherry pie for dessert that Stillwell thought he might
remember forever, it was so good. After the lunch—the farmer's wife called it
dinner—there was a long, boring wait for
the farmer to return from the fields, and a long, boring drive to
the nearest town, and then a long, boring wait for the
bus. The bus tickets weren't that
expensive, but all three groaned when they found out the next bus
wouldn't pull into town until two that morning. "I was supposed to be in
Colorado Springs tonight," Stillwell said. "We all were," Richard said
gloomily. Richard finished
his chapter and handed
it over to Stillwell. Stillwell set his chapter carefully on the
growing stack by his chair. Gwen, the quickest reader, was the
first in line. "Chapter Twelve," Stillwell
said to himself, " 'The Wolf and the Dove.' " This was his first
experience with historical romance. Gwen told them she liked this
one because the beautiful heroine was full-bodied and chunky,
like Gwen. "Those were the days," Gwen
said. Stillwell sighed and tried
to find a comfortable position in the hard plastic
chair. Colorado
Springs Joe's mouth was soft and
salty and hot, just the way Eileen imagined it to be. "I want you," he said
against her mouth. "Everything is right when you're around
me." How long had it been?
Forever. The rational part of her brain was calling to her,
crying out in a sharp commanding voice, but it was far away and
she didn't want to listen to it. She wasn't going to listen to
it. "I want you too," she said
through the thudding of her heart. He pulled her against him
and kissed her. She could taste the salt and the softness of his
mouth. His shirt was untucked at the back and she slid her hands
underneath, hungry to feel his bare skin. "Yes," he said, and pulled
her to the couch so they could sprawl down upon it. The landing
was awkward, which made them both laugh. She opened her eyes as he
stopped kissing her, because she wanted to look at him. Eileen
wanted to look at his face. Joe showed everything. If he was
doing this as a way to finish his mourning over Sully, or to
forget his friend Art, Eileen wanted to know. She wanted to see
more than desire in his face, because what she felt was more than
just desire. He let his head fall back
against the couch cushion, as though he understood what she
wanted. He smiled at her, his wicked and unabashed
grin. "I want you," he said. "Not
somebody to take her place. Is that what you want me to
say?" "Yes," she said,
laughing. "I want you, Eileen," he
said strongly. Eileen kissed him again,
fiercely, her hands moving to his shirt buttons. She had to feel
his skin against hers. She had to feel all of him. Eileen fumbled with his
buttons as he fumbled with hers, which set them to laughing again
while they were kissing. "Oh, wait, dam it," she said
as he tried to strip her shirt off. She unbuckled her shoulder
holster and casually set it on the floor. She tossed his shirt on
top of it. He finished stripping her shirt off, her thin cotton
bra showing the hard points of her nipples. He murmured in
admiration as he took the bra from her, his hands meeting across
her back as he brought her breasts to his mouth. Eileen pushed
against his shoulders as his mouth pulled and licked at her
nipples. His teeth closed softly around the hard point and she
groaned, trying to pull away. He growled against her and smiled
up at her, his lips against her breast. She laughed, cradling his
head against her, twining her fingers through the thickness of
his hair. "Oh, it's so good," she
whispered. "Yes," Joe murmured, and
unbuttoned her pants, unzipping the zipper and letting the fabric
fall down her hips, pulling them free and kissing her ankles as
he stripped the khakis from her. She reached for his pants, the
waistband. She was now clad only in the silkiest of panties. His
hand smoothed downward and cupped her bottom. "I'm very excited," she
whispered, and he pulled her against him and kissed her hard, his
breath nearly a pant. "Oh, God, yes you are," he
said. She struggled with his waistband, her hands clumsy, and
finally the tongue of the zipper went down and she reached in to
touch him. His head fell back as she struggled to release him. He
stood up, impatient, and stripped his pants off. Eileen sat on
her heels, knees apart, and as he tossed the pants aside she
reached out with her own hands and caught his hips. Then she was
nuzzling and kissing the smooth length of him, tasting him with
her tongue and her lips. He stood, head forward, looking at her
mouth against him, his hands reaching out to her shoulders to
steady himself. Then he pulled away, shaking his head, needing to
slow down, and it was her turn to smile. He pushed her back
against the sofa and she lay back for him as he peeled her
panties from her and covered her body with his. "I can't wait," he gasped
against her ear, kissing the curve of her neck. "Here," she said. "Ahh,
here." She tilted her hips to him. "More," she said. "Oh
please." Soon she cried out and
caught at him as he, too, groaned and sighed and then his weight
came down on her, sweat slicked, and their hearts thudded
together. "Oh, yes, yes," she
whispered. "Oh yes. Oh Joe." "I think I love you," he
said in a sleepy, blurred voice. "I think I love you too,"
she said, and sleep took her under like a black wave. Central Intelligence Agency,
Langley, Virginia "I couldn't sleep," Lucy
said shortly to Mills. She had her desk light on because the sun
wasn't up yet. It was very early for Lucy. "That's unusual," Mills said
to her in a smugly friendly way. Lucy looked at him for a moment,
puzzled, then realized Mills thought she was in there to impress
him. He had her under his control now, or so he
thought. "Just couldn't sleep, that's
all," she said shortly, and turned her head back to her computer
screen, clearly dismissing him. He closed the door softly with a
small chuckle, which she ignored. After he left, Lucy took
another donut out of her desk drawer. They were incredibly fresh
at four-thirty in the morning, she had just discovered. The
bakers were still putting them out on the racks when she stepped
into the bakery. The smell of fresh-baked donuts was
mouthwatering. "I hate that man," she said,
her mouth muffled by donut. There didn't seem to be anything more
on Muallah, any piece of information that could get her report
off Mills's desk and into the DDCIA's office. The phone rang. Lucy
swallowed hard. "Yeth," she said, because
her voice was still mostly choked with donut. "Is this Lucy
Giometti?" "Yes, Lieutenant, this is
Lucy," Lucy said. She sat straight up in her chair. "Did you read
it? What did you—" "We've got all the
confirmation we need now," Jefferson said grimly. "Kane wants you
over at the Pentagon right away. You are now our Muallah
expert." "I have to talk to
Mills—" Lucy started, grimacing. Mills
was not going to be happy about this. "I've already called him,"
Jefferson said. "We're going to let him have the opportunity to
take the credit for your brilliant analysis. If he chooses to try
and nail you for going around the chain of command, he's going to
bounce so far on his ass you'll see skid marks on the pavement.
Now, get over here, Miss Lucy. We've got a Situation." "I'm on my way," she said,
and hung up the phone just as Mills stormed into the
office. "What's the meaning of all
this?" he squealed, his face mottled with red and
white. "The meaning is that you
were wrong and I was right," Lucy said. "But you can still get
the credit if you want." Mills stood there like a
fish on a dock, his mouth opening and closing, as Lucy gathered
her purse and closed down her computer and contemplated the
donuts. Finally she shrugged, closed the donut box, and tucked it
under her arm. "We need to go," she said to
Mills. "Plan your revenge later. We need to get to the
Pentagon." Lucy found she regretted
that remark very much, later on. Oklahoma "The bus is here," said
Gwen. Major Stillwell came awake with a start. His left foot was
asleep and started tingling when he moved in the hard plastic
chair. He groaned. "Oh, thank God," said
Richard. He was sitting rigidly in the bus station's hard,
brightly colored chair, his eyes locked on the big blue and white
form of the bus. Three other sleepy passengers stirred in the
tiny waiting room of the gas station that served as a bus
stop. "What time is it?" Stillwell
asked. "Two o'clock," Richard
said. "I was almost willing to fly
that Chinook out of that cornfield," Gwen said grimly. "I thought about it,"
Richard said to her. "You're a fruitcake," she
said, which puzzled Stillwell. The bus was mostly empty.
Everyone on board seemed to be asleep. Stillwell felt sweaty and
rank in the close confines of the bus, but he realized everyone
else smelled that way too. He took a seat, and Gwen and Richard
sat together on the seat across from him. "See, we're safe now, you
big baby," Gwen said as they pulled away from the station. "We'll
be in Oklahoma City in a couple of hours and home by tomorrow
night, I bet." "I want a shower," Stillwell
said. "And some sleep in a real bed." "I'm just glad we made it
out," Richard said. He did look better. The color was beginning
to return to his face. "What's the deal?" Stillwell
said. "Too many scary stories when
he was a kid," Gwen said. Richard looked out the window as though
he were annoyed, but Stillwell could see the beginnings of a
grin. "There was a movie called
Children of the Corn, from a Stephen King story," Gwen
said. "Oh, yeah, I caught that on
the late night a long time ago. It was pretty good," Stillwell
said. "I hate cornfields. Always
have. I've always thought there was something in there, when I
was growing up in Kansas. Then I saw this movie. So here we go,
crashing in a cornfield. Then we have to sit in a little redneck
town all day," Richard said. "Richard was waiting for the
natives to come swarming out and sacrifice us to the corn," Gwen
said. "Well, I would have made
it," Richard said. "I would have given them you to sacrifice, and
saved my own ass." They laughed together, and
Stillwell found himself laughing too. He was finally moving
again. It was too bad that he was going to be late to investigate
the case at Schriever, but at least he was alive. Tomorrow would
be soon enough. Stillwell laid his head back in the bus seat and
tried to find a comfortable position so he could get some
sleep. Colorado
Springs Halfway through the night
Eileen woke Joe by tugging at his arm, trying to get him to stand
up. "We're going to the
bedroom," she said, getting her shoulder under his
arm. "What?" Tanner said
sleepily. "Bedroom," she said. His
body, naked, shone in the darkness. "We're going to sleep in a
bed. You're crushing me on this couch. Come on now, it's just
down the hall." Joe didn't resist. He was
still mostly asleep. He let her lead him to the bedroom. The
sheets were wonderfully cool and smooth, and the comforter she
pulled over him was soft and warm. Eileen hurried quickly to
the living room. She fetched her gun and their clothing and set
her holster by the bed, dumping their clothes by the door. She
crawled in and curled her body up against him. He sleepily put
his arm around her. She felt a vast sense of peace. She
slept. Turtkul,
Uzbekistan "They will rescue us," Anna
whispered confidently. She held her youngest, who was seven and
usually unwilling to submit to baby treatment, firmly against her
bosom. He was sleeping, mouth open, eyelashes fanned against his
perfect rounded cheek. Salt tears had dried in tiny streaks from
his eyes. He snored. "We can survive only three
or four days," Ilina whispered. "That will be more than
enough," Anna soothed. "You brought plenty of food. We are safe,
Ilina. Do not worry." Anna, though, was worried,
and deeply. What she knew, and hoped the murderous terrorists
would not figure out, was that missile silo number six was capped
by a concrete cover that could be blown off, just like every
other silo with a nuclear warhead within. Blow the cover off and
the women and children would be like mice at the bottom of a
barrel. If the terrorists figured this out... Anna shook her head
and stroked her sleeping son, and made a small offering to the
God she'd been taught all her life did not exist. "Please, God," she said to
herself. "Please, God. Don't let them be as smart as me." She
looked upward into the darkness at the top of the silo, and she
prayed.
30 Colorado
Springs "I shall fix you French
toast," Joe whispered to Eileen. She woke abruptly and for a
moment didn't know where she was. Joe was on his side next to
her, his chin in his hand, looking into her eyes exactly like her
cat Betty liked to do. "Good morning?" he said, and
there was an awkward silence for a moment. "Good morning? Good
morning!" Eileen said, recovering herself. She put her arms
around Joe and hugged him hard. He rolled over in the bed until
she was underneath him. "When I woke I thought it
was another of those dreams I've been having since I met you," he
said solemnly as she started to laugh. "I thought Betty had figured
out how to open the cat-food cans and had gotten
huge." "I guess I am huge," Joe
said with a smirk. "You're gigantic ... for a
cat," Eileen said. He started kissing her. "My mouth tastes terrible.
But I can't stop." "I'm going to fix you
breakfast," he said again, laughing, but his arms were around her
neck and he was kissing her. "Later," she
said. Denver Animal
Shelter The dark-haired girl,
Debbie, hung up a tag on Fancy's door when she fed the little
spaniel that morning. She hosed out Fancy's kennel and patted the
dog, and moved down the line to the next kennel. Fancy's time was
going to ran out the next day. Colorado
Springs "I might have something,"
Dave Rosen said to Eileen. She wasn't late, but he was there
before she walked into the office. Was he always early? She'd
never noticed before. "On the Schriever case? What
is it?" Eileen was heading for her desk but changed direction.
There was a purse on Rosen's desk. "This is Terry Guzman's
purse," Rosen said. "I realized when I was going over the autopsy
report that she didn't have a purse." "I missed that," Eileen
said, and touched the edge of the leather bag with her finger.
She wanted to snatch it off the surface of the desk, but this was
Rosen's find. "Have you opened it?" "It just got here," Rosen
said. "She left it at her desk. Nobody touched her desk and
nobody asked about a purse, so it wasn't turned in until the Game
Director found it yesterday. He found it in her desk; they were
boxing up her stuff. He sent it in." "At your request, you mean.
Stop teasing me, dammit, open it," Eileen said. Rosen smiled. He
opened up the top and carefully shook out the contents onto the
desk. On the desk was lipstick, a
checkbook, a comb, a small bottle of hairspray, a nail file, a
bankbook, a coin purse, a pink oval case ("birth control pills,"
Eileen said to Rosen), a folding toothbrush in a clear case, a
traveler's tube of toothpaste, a vial of perfume, an ancient
granola bar, and a set of car keys. Eileen felt a deep sadness
when she saw the pitiful contents of Terry's bag. These were the
private items of a woman's life, spread out for
inspection. There was so much happiness
in her life this morning, she couldn't feel bad toward anyone.
Everyone should have a fresh chance at life. Everyone should have
the chance to feel like she did today. She thought guiltily that
her mood must show. After the glorious morning lovemaking, Joe
fixed Eileen French toast that was crisp and tasty. And coffee.
Joe was a coffee drinker. His coffee was strong and good, just
like him, she thought in amusement. Her brain was temporarily on
vacation, obviously. She looked down at the desk. "Let me see the checkbook,"
she said. Rosen handed her the book and then took up the bag and
hefted it, trying to see if the weight was wrong. If there was an
unexplained heaviness, there might be a hidden pocket or two.
Purses often had little compartments that were easy to
miss. Eileen started looking
through the check register. There were the usual utilities, car
payment, ATM withdrawals. There was the monthly deposit of her
paycheck, an amount that made Eileen draw in a deep breath. Did
they really pay engineers that much? She remembered the huge and
costly machines in the Gaming Center. Evidently the engineers
were worth that kind of money. Eileen flipped through the checks
and felt an unexpected hardness at the back of the
checkbook. "What's this?" Rosen peered over Eileen's
arm as she looked through the checkbook. She finally found the
hidden compartment and pulled out a slim blue
bankbook. "She had two savings
accounts?" Rosen asked. "Hey, now." Eileen opened the savings
account book and saw the name. "Teresa James." "That was the last name of
her first husband, right?" Rosen said. Eileen nodded. She pointed
silently to the listing of deposits. "My God," Rosen said.
"Fourteen thousand dollars. Twelve thousand dollars. Fifteen
thousand dollars. Where was she getting the money?" "What did she have worth
selling?" Eileen asked wearily. The sunshine had abruptly gone
out of her day. The moment she'd seen the first amount she
realized what Terry Guzman was doing to earn it. "Secret documents," Rosen
said. His face was shuttered, but his hands were clenched on the
tabletop in excitement. "Surely," Eileen said. Her
fingers felt numb. This was it. This had to be it. All the trails
led here. "She screwed everyone she could. Figuratively as well
as literally. She tried to find everyone's proudest point and
make it dirty. Look," she said, ticking the names with her
fingers. "There's 'Berto. He was proud of his beliefs, his
religion. There's Doug. He loved his wife, his new little
girl." "Procell had to work nights
and couldn't see them," Rosen said. "And 'Berto, she made him
guilty by sleeping with him. What about Joe? And
Sharon?" "Joe lost Sully. Terry
destroyed him without even setting him up," Eileen said grimly.
"And she got rid of Sully permanently, even if it was an
accident. Sharon loves her kids. Terry was trying to get Sharon
switched to a lower-paying position so Sharon would have to take
her kids out of private school." "Nelson?" "I don't know. And Lowell?
Did he know about this?" "What about Art? Did she try
anything on Art?" "I don't know. We'll
probably never know now," Eileen said, and started turning the
pages of the bankbook. There was something written on the back
page. "Phone numbers," Rosen said
in a strangled yelp. "Look." Eileen looked at the first
phone number. She knew the number. She felt a burst of savage
excitement, and Rosen saw the look in her face. His face flushed
a dusky red color. "Whose is it? You
know?" "I know," Eileen said in
satisfaction, and punched Dave Rosen on the thick part of the
arm. "Feels good, doesn't it? We've got the bastard
now." "Who?" "It's Major
Blaine." Central Intelligence Agency,
Langley, Virginia Lucy's screen was full of
windows, but her mind refused to process any of the information.
She was exhausted. Lieutenant Jefferson and four other officers
had grilled her all morning in the stuffy room at the Pentagon.
Mills, wisely, said little. He sat next to her on the hard
folding chair and nodded sagely at all the right places. Lucy
talked until she was hoarse, then talked some more. She shared
her donuts, which had suddenly lost their taste. She longed for
some more beef jerky, the greasy teriyaki kind. Jefferson gave a little
information away. Yes, there had been a takeover of a Russian
missile silo. And yes, since Lucy seemed to know about it before
it happened, it was in Uzbekistan. Even though Uzbekistan was now
technically a separate country, the silos were still considered
Russian territory, with the cooperation of the Uzbekistani
government. Jefferson refused to discuss anything
else. Lucy did her best. She
believed Jefferson was a listener. He was a smart man. The other
officers might be of the same mettle, but it was Jefferson she
spoke to. And, through Jefferson, Admiral Kane. "Look, I know how this
sounds," she had said. "You don't want to wade through Muallah's
master's thesis. But if you did, you'd understand this guy really
believes he is the One of the Prophecies. He believes he will
blow this "Trumpet of Doom' and unite the Arab countries into a
new empire. What else could his trumpet of doom be but a nuclear
bomb?" "Saddam Hussein will eat him
for breakfast if he tries a stunt like that," one of the unnamed
officers said. He was a Marine, with cold eyes. Lucy didn't have
to stretch to figure this guy was a veteran of the Gulf War.
Mills made a little wiggling gesture in his chair, as though to
apologize for her. She could have killed him then. "I didn't say it was a
good plan," Lucy said patiently. "The man is a freak. He
killed a girl in Paris right after he killed Tabor.
He—" Here Lucy stopped. She realized
she was about to make a horrible blunder. Charles D'Arnot
understood about Sufi. But he was French. These men, American
military men, were not going to understand the monstrous ego
behind the murder of Sufi. She was not going to score points by
trying to explain. "He's a murderer, a casual
one," she finished lamely. "He kills for fun. He's going to
launch that missile." "There is no way a terrorist
is going to launch a nuclear missile to unite the Arab
countries," the Marine said dismissively. "The Arab countries
wouldn't unite even if he single-handedly destroyed Israel on
live television. No, he probably wants money. Or the release of a
few of his buddies from Israeli prison." "I didn't say it was a
good plan," Lucy said again, feeling hopeless. Jefferson
nodded sympathetically at her. There were a few more questions,
but the session was over. She felt she had failed. The phone rang. Lucy
started, and realized she had a half-chewed piece of teriyaki
jerky in one hand. Pregnancy really sucked. This whole day
sucked, and it was only noon. "Hello, Giometti here," she
said. "Lucy! What's up? Got
something for me on the Tabor case?" The voice was cheerful
Californian surfer boy. Fred Nguyen. "Fred!" she said happily.
She couldn't be depressed with Fred on the line. He positively
crackled with energy. "I do, actually. But I'm muzzled right now
until things settle out." "Bummer," Fred said. "You're
gonna let me know when everything's over, right?" "I will," Lucy said firmly.
She was of the younger generation at the CIA, and didn't buy into
the old rivalry between the services. Nguyen was of her
generation as well, and he laughed. "Good," he said. "That Tabor
case was a real wreck for my boss. I guess they'd been closing in
on this dude for a while. Me, I just keep thinking about that
poor damn dog he left behind. I wish he'd given her the cyanide
pills, for sure." "Why?" Lucy
asked. "Oh, come on. You think
anyone's going to adopt her? She's a full-grown dog. She'll live
for another day or so and then they'll put her to sleep. Damn spy
couldn't even kill his own dog. I guess I can understand, but it
pisses me off." "Poor thing," Lucy
said. "Yeah. I'd adopt her myself,
but my youngest has asthma. Can't have a dog. So, hey, keep in
touch." "You betcha," Lucy said, and
rang off. She felt better after talking to Fred, even if no one
else believed her. She bit off another hunk of jerky. Steven Mills walked in. His
thinning blond hair was askew and his pale eyes were bloodshot.
He had the beginnings of sweat dampening his forehead, but a
small smile sat on his lips, an odd, satisfied kind of smile.
Lucy didn't like his smile at all. "Giometti, we have a
problem," he said without preamble. "Stillwell is stuck in some
backwoods Oklahoma airport and won't make it in before midnight
at the earliest. You need to get out there today and do some
damage control." Lucy nearly choked on her
jerky. She chewed hard, and swallowed. "Are you kidding? With
Muallah in the missile silo? You're sending me to
Colorado?" Mills looked at her without
expression. "Why, yes," he said. "We need you out there to help
with the cover-up." Lucy felt a sinking
sensation in the pit of her stomach. She was being put Outside.
Put out of the way. "What about Jefferson?" she
choked. "He probably wants to talk to me—" "Nope, the Pentagon is done
with your analysis," Mills said smugly. "You aren't needed on
that effort any longer. I called Lieutenant Jefferson on that
issue and he agreed that you could be sent to
Colorado." Lucy sat for a moment, then
swallowed hard. "Well, sure, Steve," she
said mildly. This took enough effort that she could feel tiny
sweat beads in her hairline. "You get Travel to set up the
airline tickets, and I'll call Ted." "I really appreciate it," he
said. "What shall you go as? Air Force?" "How about DIA?" "Great idea," he said, and
left the office. Lucy leaned over her desk,
eyes closed, feeling betrayed. How could Jefferson do that to
her? Then she raised her head and blinked hard. "Oh my God," she said
suddenly, alone in her office. What would be the most likely
target of a missile aimed at the United States? Why, Washington,
D.C., of course. Washington, D.C., was always the first ground
zero, the first target. Jefferson believed her. He was
trying to get her out of harm's way. Lucy grinned. Damn
chauvinist. What a wonderful man. Lucy picked up the phone and
dialed quickly. "Ted," she said. "I'm being
sent out of town. Colorado. Do you think you could take a plane
to your sister's place in Florida for a few days?"
31 Colorado
Springs "So you want to bring him
in?" Harben sat behind his perfect desk, his fingers folded
neatly in front of him. His tie was narrow and black and his dark
brown hair was combed. He looked back and forth from Eileen to
Dave Rosen. "Look, he's got to be the
one," Eileen said. "He's her contact to get information out. He's
the one who delivers the money to her. We found three numbers in
that bankbook. Two of them are disconnected." "They've been disconnected
for two days," Rosen said. "I checked with the phone company. The
services were canceled the day Guzman was murdered." "The foreign spies," Harben
said. "Yes," Eileen said. "There
isn't a single thing she could do that would be worth fourteen
thousand a pop except for drugs or espionage." "How about drugs,
then?" "The only indication we have
as far as drugs go is Blame's apparent marijuana use the night
Art Bailey was killed," Rosen said crisply. "I missed that," Harben
said. "Eileen?" "Maybe he was a little
stoned the night Art was killed," Eileen said reluctantly. "I put
it in my report. Maybe it was dope. Maybe it was because he'd
just murdered Art and it wasn't as well planned out as
Terry." "Maybe he has a drug habit,"
Harben said. "But that doesn't matter, because espionage takes
this case right out of our hands. You know that, don't you?" He
addressed his remarks to both of the detectives. Rosen's lanky
frame was slumped in the chair in front of him. Eileen sat
forward in hers, forearms on her knees, her head propped in her
hands. "I know," Eileen said
glumly. "We could haul him in and
have a few hours to interrogate him," Rosen said. "Just by
arresting him we could make him talk, maybe." "Maybe so," Harben said.
"But we won't. The Air Force OSI officer called me this morning.
He'll be arriving this evening and he'll take the whole case out
of our hands. We turn our documents over to him and it's his ball
game." Eileen stared at the
floor. "It all fits," Rosen
pleaded. "Blaine was there. He's got a motive. He's our
man." "He'll be the FBI's man, if
he's anybody's," Harben said. "This is a federal case." Eileen
looked up at Harben. Her captain was staring at her, and as
always there was no emotion in his face. "Eileen, you've done a fine
job here," Harben said. "And so have you, Dave. I'm sorry you
can't close this case. I want you to wrap up the documents and
get them printed for the OSI officer." "I'd like to talk to Lowell
Guzman one more time," Eileen said in desperation. "Maybe he
knows something about Terry's dealings with Major Blaine. I won't
blow the case, I swear. I just have to wrap up the last loose
ends." Harben opened his mouth,
then hesitated. "Lowell might be in danger
from Blaine, actually," Rosen said, and Eileen and Harben turned
to look at him. "Wouldn't Blaine want to make sure Terry didn't
have anything that pointed a finger at him? I wonder why he
didn't search Lowell's house already." "Maybe he hasn't gotten
around to it," Eileen said. Harben leaned back in his
chair. It didn't squeak. Nothing was ever out of place around
Harben. "Please," Eileen said.
"Don't let it just end like this. We can wrap it all the way up
and they can just—tie the bow on the thing. I don't
want to let them stuff this case in a drawer somewhere, or screw
it up. Please let me—I mean, us—finish this." There was
silence. "Go check on Lowell,
Eileen," Harben said. "You could suggest he spend the night at a
hotel until the OSI has Blaine in custody." "I can't believe we can't
arrest him right now—" Rosen started, and Harben waved
him down. "I won't allow that. They
might want to let him run, to see if he reveals anyone else. We
don't deal with espionage. But I have," Harben added dryly, "read
up on it. Check on Lowell Guzman." "I'm on my way," Eileen
said. Turtkul,
Uzbekistan "I am Fouad Muallah,"
Muallah said proudly. Behind him, Ruadh had finished his research
and was now examining the launch control panels. The microphone
in front of Muallah smelled faintly of garlic. "What are your intentions,
Mr. Muallah?" the voice asked respectfully. The speaker was
Russian but spoke a passable Arabic. They knew who he was,
then. "Let my intentions be known
to the world," Muallah said grandly. "Let the name of Fouad
Muallah be repeated around the world, as the One of the
Prophecies. Allah has sent us here today to complete a holy
mission—a jitan. This you shall
know. Let all know my name." With that, Muallah gestured
to Ruadh, who obediently left off his examination of the launch
panel. Ruadh turned off the radio and returned without a word to
the panel. "When?" Muallah asked
tensely. This was taking longer than he expected. "Very soon, Mahdi," Ruadh
said serenely. "Very soon." Moscow, Russian
Republic "What the hell does that
mean?" Major Paxton said in bewilderment. Lucy Giometti could
have told him, but Lucy was boarding a United Airlines flight for
Colorado Springs. Major Sergei Kalashnikov didn't like the sound
of Muallah. He didn't like his tone, and he didn't like what the
man said, once it was translated from Arabic by the sergeant who
spoke the language. "I don't like the sound of
this," Major General Cherepovitch said. "I have been instructed to
offer you American Stealth bombers," Major Paxton said
unexpectedly. Cherepovitch and Kalashnikov turned to the Major,
who was not looking much like the master of anything at the
moment. His hair looked sweaty and rumpled. "We can blow the covers off
the silos and drop bombs down the tubes in two bomber waves,
guaranteed," the Major said reluctantly. His face was definitely
flushed. He was not a happy-looking man. "That will kill the Russian
women and children in silo number six, won't it?" Kalashnikov
said softly. The Major's flush deepened. He knew that. "Yes," he said shortly.
There was a long moment of silence. "Let's see," Cherepovitch
said slowly. "You want to send American bombers over Russian soil
and bomb Russian women and children in order to kill a terrorist.
Is this correct?" "We have some background on
Muallah that suggests he might launch," the Major said
stubbornly. He refused to look Kalashnikov in the eye. "Wherever
that bomb might hit would kill far more women and children than
are in silo number six." "Thank you, no,"
Cherepovitch said coldly. Kalashnikov wanted to cheer. "My
country declines. We have a ground assault team that can be there
in twelve hours. We will take our missile base back and rescue
our comrades, Major Paxton. Please express our regrets to your
government, and our thanks at your offer." Cherepovitch turned to
Kalashnikov and gave him a solemn wink. Kalashnikov barely
suppressed a grin. God, that felt good. Now their assault team had
to succeed, that was all. Kalashnikov said another silent prayer
as Major Paxton, shoulders slumped, went to his secure
phone. The Pentagon "They said no?" "They said no," General Knox
said to the Secretary of Defense. "What is your
assessment?" "Mr. Secretary, the Russians
are the Three Stooges of the military world," Knox said rudely.
"They'll probably kill each other and launch the missile
themselves." The Secretary licked his
lips nervously. Was this man serious? "And?" "I suggest we get the
President in the air and as many members of Congress out of town
as quickly as possible." Knox knew he'd convinced the Secretary
when the man paled to a nice tone of paper white. "Oh my God," he
said. "We have one card up our
sleeve," Knox said. "If this madman does happen to
launch." "The Missile Defense
program?" the Secretary whispered. "That's correct, sir," Knox
said. He'd argued for years against spending on those damn
foolish space toys. Now here he was offering the program like a
life preserver to a drowning man. He hated the words coming out
of his mouth. "After we get the President out of danger, I
suggest we get Admiral Kane to fire up this system and see if all
the billions we spent pays off." "First things first," the
Secretary said, still pale. Knox kept a contemptuous smile from
curling his lip. The Secretary would be on Air Force One with the
President. The coward. The Secretary picked up the
phone. "Operation Scramble," he
said. Colorado
Springs Lucy Giometti, who left
Washington, D.C., a day after Major Alan Stillwell finally left
Alabama, beat him into Colorado Springs by a margin of better
than four hours. Her commercial flight landed at the Colorado
Springs airport and taxied to the entrance in the late
afternoon. Colorado Springs still
managed to retain the flavor of a small-town airport. The
business out of the huge Denver International Airport, sixty
miles north, consumed most of the air traffic in the area. So
Lucy found herself in a small, nearly empty terminal building
framing a breathtaking view of a single towering
mountain. "What's that mountain
called?" she asked the rental-car attendant. "Pikes Peak," the girl said
with a bored expression. Lucy nodded and set down her bag. Her
legs ached from the flight and her stomach felt awful. She hadn't
thrown up, but it had been a near thing as they'd bumped their
way down the Front Range. She turned again to regard the amazing
bulk of Pikes Peak. There were thunderstorms rising lazily in the
afternoon heat, building up along the shoulders of the Peak. Lucy
thought she could look at the view forever and never grow tired
of it. The FBI office was fairly
close to the airport. The directions Fred Nguyen had given Lucy
were simple, and she found his office without any trouble. The
air was hot but fresh and dry, and she stretched luxuriously
outside her car before entering the office building. "Fred?" she asked. There
couldn't be a doubt. The Asian man who was sitting at the front
desk in the empty office could only be Fred Nguyen. He had a
phone to his ear and his feet were up on the desk. He was wearing
the FBI suit, but the thick black hair was cut so that it stood
up wildly all over his head. A grin split his face when he saw
Lucy in the doorway. "Gotta go, hon," he said,
and hung up the phone. "You must be Lucy." "I'm Lucy, and I'm hungry,"
she said, and grinned back at him. "Hey, you're pregnant," he
said, standing up from the desk and walking around to shake her
hand. "Not really," she said
soberly. "It's all part of the disguise." He looked at her
closely for a second, then threw his head back and
laughed. "You kill me," he said.
"Hey, how about genuine Vietnamese food? I asked Kim if she'd do
us up a real meal and she said sure. That okay with
you?" "That sounds great," Lucy
said. "Let's head right to my
house, okay?" Nguyen said. He escorted her out and locked the
office behind him. "Everyone's
gone?" "Hot line's in Denver,"
Nguyen said with a grin. "This here is the backwater. Gone
fishin', gone skiin', we take any excuse to take off. That's why
I like this place." His smile was warm and without cynicism, but
Lucy knew the real story. Nguyen just didn't have the look of an
FBI agent. He wasn't white and he wasn't tall, and so he was
assigned to Colorado Springs, not Washington, D.C. Nguyen caught
her look and offered a small, cynical shrug. "Heck, it could have been
the Navajo Reservation," he said. "Or up in Rapid City. Colorado
Springs has a knock-your-socks-off symphony." "A symphony," Lucy murmured.
Here she was, safely out of Washington. At least Ted was safe in
Florida. If anything happened, that is. Lucy looked toward the
west again and realized uneasily that NORAD was in those
mountains. Wouldn't that be a good joke, if Jefferson sent her to
ground zero? "Almost heaven," Nguyen
said. "You'll be in heaven when you taste my wife's cooking. Now,
that's paradise." As they went to their cars,
an afternoon thundershower started booming off Pikes Peak,
sending gray sheets of rain drifting through the dry afternoon
air. Garden of the Gods, Colorado
Springs Joe Tanner had an idea. An
Idea. Perhaps the thunderstorms inspired him. He'd read once that
thunderstorms created an electromagnetic field that caused people
to do better on tests. The thundershower hadn't caught him on his
run through the Garden of the Gods, but only because he'd
sprinted the last half mile to his car. He was a native and knew
the weather patterns, so he'd timed his run to end before five
o'clock, when the first of the showers should be striking down
from the Peak. They hit just as planned, and now he sat in his
car, panting, as the first big drops splattered against his
windshield. Thunder boomed, and he smelled the glorious wet sage
smell of Colorado rain. "Ahh, beautiful," he said to
himself, and leaned back in the seat. He was happy. To wake up
with Eileen Reed was something he was going to like getting used
to, he decided. Fixing coffee was a whole new experience. And
that shower they'd had together! He shivered with sudden goose
bumps. The rain fell harder and a few hailstones bounced off the
windshield. Joe kept the window open so he could smell the rain
and the sage, even though a hailstone or two bounced into the
car. He remembered Sully, and the memory didn't hurt. Remembering
Sully made him think that Art would be so happy for him that he'd
found someone—and his thoughts dissolved in
confusion and grief. Art was dead and he'd never know now. He
watched the hard rain bouncing off the hood of the car. Art had
been trying to prove to Eileen that he hadn't killed Terry. Art
hated the thought that he was a suspect. He'd told Joe on that
last afternoon that he was going to try and figure out a way to
prove who'd done it. Or at least, prove that he hadn't.
There really wasn't any way for him to do that,
unless... That was when he realized
what Arthur Bailey had been doing. Joe sat straight up in the
car seat. His eyes stared at nothing. The sweat that beaded his
face from his run dripped, unnoticed, from his nose and
chin. "That's what he was doing!"
he said aloud to himself. "Why didn't I think of that? I'm so
stupid. I'm so stupid!" He pulled his seat upright,
fumbled for the keys, and started his car. He pulled into the
roadway with a scattering of wet gravel, and headed down the
road. Washington,
D.C. "Ouch, goddammit, you're
hurting me!" Richard yelped as the Secret Service agent carried
him over his shoulder like so much baggage. Richard was not
small, but the agent ran down the hallway at a near sprint. When
Richard was dumped into the helicopter he rubbed his arms and
glared at the agent, who was panting and red-faced. "Sorry, sir," the agent
said, obviously not meaning it. Richard was preparing to go
into what he fondly considered a high fury, but then he saw the
wildly waving legs of his younger brother being carried upside
down by a very determined-looking Secret Service agent. Richard
was instantly diverted. "That's funny." He laughed.
"I can't wait to see Dad..." His voice trailed off as the
enormous bulk of his father came shooting out the White House
door right after his brother. The President was upright, but his
feet weren't touching the ground. His agents were carrying him,
actually carrying him. Richard wondered if he was
imagining this. No, his father's feet really were off the ground.
The President of the United States had been enormous before he
was elected. Now he was of legendary proportions. The two agents
who were carrying him looked very distressed and were trying to
hide it. Their grip made the President, at a distance, keep his
dignity. But his tiny feet paddled inches above the ground as he
traveled faster than a normal man could run. Richard covered his
mouth to stifle a giggle. "Ha, Steve," he said as his
brother was shoved in next to him. "You sure looked stupid,
upside down like that." "Shut up," Steve panted.
"What about Mom?" he asked his agent. "She's already in the air,"
the agent said. The First Lady was on a fund-raising trip and
wasn't due back from Florida until the end of the
week. The President was hustled in
the door, and Richard made as though to sneak over and sit with
him. The agent who'd carried him out briskly reached over and
fastened his seat belt. "This is going to be a very
rough ride," he said softly and not unkindly. "You'll be able to
sit with him on the plane." The helicopter leaped into
the sky with a very nasty jerk, and the engines revved up into a
scream. This was not the usual helicopter ride from the White
House. Suddenly the whole picture
fell into place for Richard. "Oh my God," he said,
horrified. "Is it aliens?" His father was panting too
much to talk. Steve, who was a worm, sneered at him. Steve was
brilliant. Richard had lived his whole life with a little brother
who could think rings around him. And Steve wasn't a
wormy-looking geek, either. He was tall and straight and had wavy
brown hair and snapping blue eyes. He looked like a little
superhero. Richard, who shared Steve's height and hair and eyes
but who was built like Dad, held out hope he would keep from
getting quite as fat as his father. In the meantime, algebra and
his brother were the banes of his life. "Look in the sky,
bat-brain," Steve said nastily. "Do you see alien
spaceships?" "No, I don't, Wormy," he
snapped back. "But if I were President, I'd get out before they
hovered over the White House." His agent, Carlton, grinned
at him affectionately. "So let me in on the joke,"
Dad said, having finally regained his breath. "Yes, Mr. President," the
head of Secret Service said. He was very tall and very grave and,
to Richard, looked like he was about a million years old. "There
is a potential nuclear threat against the United
States..." Richard stopped listening.
He reached out blindly, and Steve took his hand. They sat huddled
together as the Secret Service agent spoke of monstrous terrors
in his low and soothing voice. The helicopter screamed through
the skies over Washington, D.C., headed for the airport and Air
Force One.
32 Colorado Springs
Investigations Bureau Eileen cursed and hung up
the phone. "What's up?" Rosen said. He
was tilted back in his chair and had a wet washcloth pressed to
his forehead. Rosen didn't believe in drugs of any kind and so
used the washcloth method to get rid of a headache. He informed
Eileen it worked much better than the aspirin she was going to
swallow. "Uh-huh," Eileen said, and
swallowed the aspirin. Now she let her head rest
against her arm and cursed again. "Let me guess," Rosen said
from behind the washcloth. "Guzman still isn't home." "No, he's not. It's six
o'clock," Eileen said in frustration. "Where is he?" "Could be anywhere," Rosen
said. "I've got a date tonight,"
Eileen said reluctantly. "I've got possibilities of developing a
life here." "With Joe Tanner?" Rosen
said. His face was hidden behind the cloth, but his voice was
reassuringly bland. "Yeah," Eileen said,
unsurprised. Dave Rosen was no dummy. She rested a hip against
the desk. "We're going to be working together from now on, it
looks like. I don't think I should start out by lying to you."
She felt the heat rise in her face. This was difficult for her.
She didn't have any brothers, although she had had Owen Sutter,
her fellow high-school boarder, when she was a child. A new
partner always presented some challenges. "That's a good idea," Rosen
said. "Not lying, I mean." He took the washcloth from his
forehead and looked over at her. "I don't think dating Joe Tanner
is a real swell idea right now. I know all the signs point to
Major Blaine, but he's still contaminated by all of this. I hope
you don't lose your perspective on that." Eileen took a deep, angry
breath, then blew it out again. She shrugged at Rosen, then
grinned at him. "I guess that's what you're
around for," she said. "Right?" Rosen looked at her for a
moment, then leaned back in his chair and put the washcloth back
over his face. "Right," he said. "I
wouldn't want to work with anyone else. You know Guzman might be
at his house. He might have turned the phone off." "Hey, good idea," Eileen
said. She was a little disconcerted by the compliment. "Good
idea. I think I'll drive out there. Let me call Joe first,
though." She dialed, but there was no
answer there either. Eileen frowned and left a message on the
machine. "Now, where could Joe be?"
she wondered aloud, then realized he was probably working out at
the health club near the Garden of the Gods. Nelson had said he
swam or ran there nearly every day. She got her keys from her
desk. "You got the rest of this?"
she asked Rosen. He was still relaxing, feet up on the
desk. "I got the paperwork going,"
he said, and flapped a hand at her. "Go on." As Eileen took her jacket
from the hook by her desk, Rosen spoke behind the wet
rag. "Eileen?" "Yes?" she said, shrugging
into her jacket and checking her holster. "You sure you don't want me
to go? I got a funny feeling about this one." Eileen felt a run of goose
bumps. "No," she said, after
thinking for a moment. "We have to get that paperwork out the
door. I'll only be an hour at the most." "Okay," Rosen said. "Just
watch your back." "I will." She smiled at the
washrag. "Don't worry." Colorado
Springs Lucy leaned back in her
chair, sighing. She'd had to pass on the plum wine because of her
pregnancy, but she'd eaten the other dishes until she was
stuffed. "This plum wine isn't
authentic anyway," Fred Nguyen said. Fred's wife Kim was another
California Vietnamese with the same mixture of Asian features and
beach girl mannerisms. They had two children, a boy and a
girl. "I'm afraid of labor," Lucy
admitted. "But it's worth it to have a baby." "You're going to love being
a mom," Kim said, stacking dishes. "Labor isn't all that
bad." Behind her, Fred rolled his
eyes. "I need to get to my hotel
room," Lucy said, smiling. "I've got to get ahold of Colonel
Ellison. And maybe Detective Reed, if she's around." "Sure you can't stay?"
Nguyen asked. He'd already given Lucy his sheaf of documents,
which she'd locked in her little travel suitcase. The suitcase
was the only CIA-made object in her wardrobe. No poison pens or
little laser-beam penlights, she'd thought with a sigh. The
suitcase was aluminum reinforced and had a tiny acid container in
the locking mechanism. If the case was forced the acid would dump
and destroy the contents of the case. "Cool," Lucy muttered when
Mills gave her the suitcase on her first business
trip. "Don't forget the combo,"
Mills had said. "Or the acid will eat my
shorts." Lucy grinned. Mills didn't laugh. "I do have to work," Lucy
said. "Thank you so much for the meal and the
company." Looking at the two of them
made Lucy miss Ted terribly. She wished she'd talked him into
coming with her instead of going to Florida. For whole blocks of
time she could make herself forget Fouad Muallah and the Turtkul
missile silo, then she would remember. Remembering felt awful.
There was nothing she could do, she reminded herself as she shook
hands with Fred. Her analysis was complete and that's all she
was, an analyst. She wasn't some kind of movie hero, to go with
guns blazing into Uzbekistan and somehow ruin Muallah's plans.
She just had to wait it out. "Good luck with your little
one," Kim said, woman to woman, and they smiled at each
other. "Take care, now," Fred
called as she walked to her car, and a shiver ran up her spine
like the cold touch of a hand. Muallah. Nuclear threat. Lucy held
one hand over the rounded swell of her belly as she got into the
car. Air Force One Richard, attached like a
round little barnacle to the side of his father, heard the whole
conversation. Air Force One was in the air and there were no
aliens, just a crazy Arab terrorist who might launch a nuclear
missile. Some CIA analyst had decided he was going to launch at
the United States instead of the obvious target, Israel, and the
Russians refused to let the Americans take the missile silo out.
Evidently there were some Russian hostages. Richard had great problems
with algebra, but he had a keen grasp for detail. What was most
important was that the chances of America getting nuked seemed
pretty small. The atmosphere inside Air Force One was definitely
more relaxed. "Admiral Kane," Dad said in
his Mr. President voice. "Sir," said the voice over
the radio. Kane sounded old, Richard thought. Or perhaps he'd
been up for many hours. "You're requesting
authorization to enable the Missile Defense System?" "That is correct, sir. The
sooner the better. If there is a launch and the system is already
set up for tracking, we should have a better chance of shooting
it down." "More than a chance, I hope,
Admiral," the President said harshly. "For the money we've
spent." "Mr. President, the system
is still in the start-up stages. It's not fully operational. But
we feel confident the system will work." "Any chances of the system
being compromised?" "None as far as we can tell,
sir." "Approved," the President
said, and waved his hand to cut the communications link. "Now
let's get to work on the Russian situation." One of the Generals in the
cabin looked quickly at Richard and Steve, then looked at the
President. The President glared at him. "They stay," he said, and
Richard gave a smug grimace at the General. "As long as they
don't say a word." Richard pressed his lips together firmly and
looked over at Steve, who nodded back. They weren't going to get
kicked out. This was much too interesting. Colorado
Springs Eileen finally found the
Guzman residence. Rosen had been here, but she hadn't. It was
merely another handsome tract home on a quiet cul-de-sac, a
location innocent of any atmosphere. She turned off her lights
and coasted to a stop against the curb. Her tires made a mild
crunching sound over the few pieces of gravel on the road, and a
dog barked a long way away. The thundershowers had stopped and it
was almost dark. Water ran in the curbs, drying quickly in the
warm evening air. The porch light was on.
There were lights on in the house, and there was the faint sound
and flickering of a television. Eileen rang the
doorbell. Silence. The dog barked
again, down the street. The slight breeze brought a heavy scent
of summer roses. The Guzmans must have a rose bed somewhere.
Eileen rang the doorbell again. She couldn't figure out why she
was so nervous. Perhaps because she knew about Terry Guzman. She
knew the spider this house was home to. Eileen wondered about
Lowell Guzman. Could he not know what he was married to? Was
there some deep feeling of relief under all that grief over her
death? Still no reply. Eileen drew
a deep breath. Perhaps Guzman couldn't hear her because he was
already dead. Maybe Lowell was the next victim. Eileen walked
quietly around the side of the house. Her breath was light and
quick. She came to the living-room windows and saw the television
and the back of Lowell Guzman's head. The head was slack, resting
in a big armchair. One limp hand hung around a glass of what
looked like Scotch. The arm seemed too still. It looked more than
passed out. It looked dead. Eileen felt her whole body prickle
with goose bumps. She drew her gun carefully from her
holster. The back-porch door was
locked, but the window next to it was open. It took only a moment
for Eileen to unlatch the screen and- reach through to the door.
She stepped into the house. Gaming Center, Schriever Air
Force Base Joe Tanner took a deep
breath and sat down in Art's chair. His terminal keys were dirty,
he saw; the F and the J were particularly grubby. For a moment
unexpected tears stung his eyes, and then he blinked them away.
Art was shorter than he was. Joe had to adjust the chair. The
workstation screen was dark. Joe posed his hands over the
keyboard, fingers lightly touching Art's keys, and pressed the
return key with one finger. "Login." The words printed
in cold white on the dark screen. Joe had three chances to log in
to the computer network that controlled the simulations. If he
failed three times and tried again, the computer system would
appear to let him in, while screaming for help at the main
operator console. There was a computer security program that
would spill false data to an unsuspecting pirate. By the time the
invader figured out that the system wasn't responding quite as it
should, the FBI would be knocking at the door. Or, in Joe's case,
he would call the operator and receive a tongue-lashing for his
thick-fingered clumsiness, while the operator shut down the
emergency alarms. It had happened to some Gamers, but not
Joe. Joe looked around, even
though he knew no one could possibly be there this late at night.
Besides, the door to the computer Center was a huge, noisy thing
that beeped loudly when opened. Still, he was about to commit a
computer crime. He took another breath and
typed Art's name and password on the screen. Art and Joe always
shared their passwords, a secret they told no one else. Sharing a
password was a crime, but it made their work easier during the
long preparation hours for a War Game. Neither the name nor the
password appeared, another security feature that Joe found
irritating. The workstation seemed to muse for a moment, chewing
over his request for access. The screen flashed white, then
cleared. He was in. Colorado
Springs Eileen walked down the dim
hallway toward the family room, where the TV chattered
meaninglessly. A burst of canned laughter tensed her briefly. The
sound of the TV, the darkness of the hallway, the absurdity she
was involved with, made her feel unreal, as though she were part
of some television drama. It was a soothing and dangerous
thought, as though if Major Blaine were to leap from some unknown
corner and stab her, Eileen could just wipe the blood away and
shoot the next scene. She caught sight of the back of the
armchair, the shock of brown hair, and the checkered bathrobe arm
as limp as a store dummy draped over a fragile side
table. The armed moved stiffly, and
the glass was brought to the front of the chair. Eileen felt her
whole body relax in relief. She wet her lips and entered the
room. "Mr. Guzman," she said
softly. "It's Detective Reed. Can we talk?" There was no reply. Eileen
moved in front of the chair and froze in surprise. She faced a
nubbled yellow face without eyes or mouth or nose, topped by a
snarl of brown hair. It took her a moment to identify the face as
a foam football, turned on end and impaled on a thin pine board.
Beneath the head, settled into the armchair like some malevolent
broken toy, a nest of wires and circuit boards moved a
bathrobe-clad robot arm toward the football. The glass turned,
the Scotch rose smoothly up the side of the glass, the arm moved
back toward the table. There was a gentle humming. Behind Eileen the television
flickered and launched into a loud musical commercial. The
seamless face of the robot seemed to mock her. She caught a
movement from the corner of her eye and turned to look, tensed in
an instant, the sweat turning icy on her face. The motion was from a house
next door. A woman was in her kitchen. The woman's blinds were
up, and the French doors in Lowell's house had the curtains
pulled back. The woman was too far away to see an expression, but
she could obviously see Eileen in Lowell's living room, and her
posture spelled confusion. Eileen moved carefully to
one of the other chairs and sat down calmly, as though invited to
do so by the faceless thing in the armchair. She saw the woman
lose her suspicious posture and go on with some sort of homey
evening cooking, probably cookies or some kind of treat. Eileen
could almost smell the chocolate. It was then that she
realized, all in a rush, what the robot and the woman meant. The
neighbor would swear Lowell had been there; she'd seen him in his
armchair all evening. And that could mean only one thing: Lowell
needed an alibi because he was going to commit a murder. Another
murder. Lowell Guzman was the
murderer, not Major Blaine. Eileen couldn't move in the armchair.
Everything came rushing together. It all fit. Lowell must have
found out that Terry was selling secret documents. If she were
discovered and convicted, he would go to jail, or at the least
lose his clearance. Lowell was in the Gaming Center the day Terry
was murdered. Lowell was the damn fine actor that Eileen watched
on the videos of the Game, crumpled and weeping in the arms of
'Berto and Sharon Johnson. It wasn't Major Blaine at all. It was
Lowell.
33 Gaming Center, Schriever Air
Force Base Joe walked from room to
room, flipping on lights and punching the buttons that turned on
the graphics terminals. He had done this a thousand times, but
always with Art chattering on the keyboard in the main room, or
racing him to see who could turn on more terminals. His death
surrounded Joe like a rough sea: sometimes it surged around him
quietly and sometimes it took him and dragged him under and
scraped him raw. It hurt. Then he thought of Eileen, and he knew
how much better it was to feel, even if it hurt. For the two
years since Sully died he hadn't felt much of anything. Now he
was living again. Then the seas quieted down
around him and he forgot everything but the minutiae of the
simulation, the terminal stations up and going, the computer
network functioning without error, the ports between computers
connected and transmitting perfectly. If anything was slightly
less than perfect, his attempt would not work. Joe returned to the main
console, his fingers moving rapidly over Art's grubby keyboard.
His eyes, lit by the screen, showed a dazed, slightly puzzled
look of concentration. Eventually he paused,
sitting back in his chair and putting one foot up on the table
where the terminal sat. The computer screen was full of square
windows, each one filled with words. Joe flicked his gaze over
each window, then nodded in satisfaction and punched the return
key. The screens in the Gaming
Center went dark, one by one, then lit up again with the blue
globe of the Earth. Joe went to 'Berto's console and stood
plucking at his lower lip. He wasn't aware he was copying Art's
favorite expression. On the console, the arrow that represented
the mouse control suddenly jerked and moved across the screen,
although there was no hand at the mouse. Joe nodded to himself,
unsmiling. The arrow moved again, and
the globe shifted to a view of the United States. Joe watched,
fascinated, as the slightest move of Roberto Espinoza was played
back in front of his eyes. Every move that he had made on the
keyboard, every tremor of muscle or finger key-click, had been
recorded faithfully by the computer system. Joe, as he suspected
Art had done before him, had set the system up so that the
recording was being played back, exactly as the Game had happened
on the day of the murder. Somewhere, on one of the
eight terminals in the Gaming room, one arrow would grow still.
During a War Game the participants were required to have their
hand on the mouse at all times, to monitor the battle and send
the right commands. On one screen, the mouse
would stop moving. The screen would stay unchanged. The person
whose fingers should have been on the mouse, making it move and
shift around the screen, would be gone. The mouse would stay
absolutely still while the murderer crawled under the Gaming
Center floor and rose up behind Terry Guzman like a cobra from a
basket. The mouse wouldn't move again until the murderer was back
in his seat, pretending all was well. The missiles burst from the
ocean and 'Berto's terminal flickered toward the launch. Joe
stood and watched as the missiles lifted and flared and
eventually detonated in Washington, D.C. He sighed, and walked back
to Art's console. He pressed a series of keys and the screens
went black, then lit up again with the blue globe of the
Earth. Joe knew that the screens
hadn't been live when they'd found Art. Art must have created a
program to check on each of the terminals and make a decision
when one was silent for too long. That was the "Found" phrase on
Art's computer that Nelson told her about when Major Blaine
discovered Art's body. Joe knew he could duplicate Art's code,
but it would take him days where it had taken Art hours. He
figured it would be easier to just replay the Gamers' screens and
watch them one by one, in each person's room. Art was so good. He
felt a surge of panic as he realized if there were more games to
be played, it would be Joe Tanner at the helm now. He wouldn't
ever be able to fill Art's shoes, but he'd have to try. He rubbed
his hands together furiously and blinked hard. Finding out Art's
murderer would be a good start. Joe walked to Doug Procell's
terminal, and the light from the screen lit his face as he stood
motionless, watching. NORAD, Cheyenne Mountain,
Colorado General Kelton was on duty
that night. There were three American generals and one Canadian
general who shared the on-call duty at NORAD. Now that the Missile Defense
program was more or less on-line, crucial decisions had to be
made. Most important, the whole system wasn't operational yet.
Control of the system alternated between NORAD and Space Command,
out at Schriever. Eventually control would rest at NORAD, as it
must, and Schriever would continue as a research-and-development
station. For now there was always a bit of a battle whenever
there were War Games going on. Kelton, who considered
himself a tough son of a bitch and a damned fine soldier,
contemplated the Real Thing. He'd been at NORAD for almost three
years and he dreamed about incoming missile tracks. Sometimes he
wondered if they weren't printed on the inner side of his
eyelids. He'd played enough War Games to understand decisions had
to be made at lightning speed. Missiles were rockets, godddammit,
rockets, and they came fast. So Kelton drank Coke all
night long and slept in a darkened room with special window
shades during the day. His children were grown and gone, so his
wife good-naturedly moved her schedule around to match
his. The alert phone rang. Kelton
picked up the red phone and heard a dial tone. The phone rang
again. He looked down and realized the gold phone was ringing.
The gold phone. "Alert!" he roared, and
picked up the phone. "General Kelton, this is
Admiral Kane," the Admiral's voice crackled. "Admiral Kane," Kelton said.
Around him, the Command Center at NORAD was exploding with
running feet and flashing lights. But silently, silently. Kelton
established silent alerts when he took command, and now his
people were as quiet as ghosts. His punishment for noise was a
suspension of cafeteria privileges. No one messed up twice after
having to eat sandwiches from a cooler when the rest of the crew
were devouring the gourmet meals dished up at NORAD. "We have a Russian missile
silo taken over by an Arab terrorist group," Kane said briefly.
"There is a potential for a launch at an American
city." "Yes, sir," Kelton said, and
pumped his forearm at the Colonel standing four feet away. Kelton
poked his index finger out of his fist, and the Colonel went
white. Kelton glared at him so fiercely, the Colonel should have
burst into flames like a newspaper in the path of a
flamethrower. "Button up!" the General
whispered, covering the phone with one hand. "Button
up!" "You need to enable the
Missile Defense system," Kane said. "If this missile flies
anywhere, we want to shoot it down. Europe, Israel, South
America, anywhere." "If it flies, it dies, sir,"
Kelton said grimly. "Keep me
informed." "Yes, sir." Kelton heard, through the
earth that surrounded him on all sides, the shuddering sound of
the blast door slamming shut. NORAD was sealed. Colorado
Springs Eileen sat in Lowell's
chair, frozen with indecision. Who was going to be murdered? For
precious minutes her mind raced without purpose or coherence. The
sweat beaded and dropped down her back. The bland empty face of
the robot stared straight ahead, the glass rising and falling in
the metal hand, rising and falling. The robot would have been in
this position the night before, when Art was being murdered.
Eileen felt the rage rise and blossom in her body. She nearly
reached out and swept the mechanical man from the chair. The urge
was so overwhelming, she found herself on her feet, fists
clenched, wanting to kick and hammer and destroy. But Eileen
wanted Guzman, wanted him behind bars or perhaps dead and rotting
in a coffin. And if Eileen didn't do some
fast thinking, there would be three Guzman victims instead of
two. Eileen straightened with a
jerk. She leaped to the phone and pawed at it for a moment with
clumsy and sweat-slicked hands. She dialed Joe's number from
memory, waiting an agony of seconds before the connection was
made and the phone began to ring. She knew he was
gone—or dead, a tiny cheerful voice in
her head informed her—before the answering machine
picked up and Joe's precise, velvety voice asked her to leave her
name and number. Eileen almost put the phone down, then
stopped. "Joe, this is Eileen. Please
get out of your house, right now. Go to a phone and call the
police. Don't talk to anyone or get close to anyone, do you
understand? If you are hearing this, please get out and get to a
phone now!" Eileen bit back a strangled sound as she slammed the
phone on the cradle and headed for the door. NORAD, Cheyenne Mountain,
Colorado "What do you mean, you can't
enable the system?" Kelton said in a voice as cold as frozen
iron. "I can't enable," the
Captain said miserably. Her hair was in disarray and her uniform
skirt was rumpled. "We suspended the system when that girl got
murdered at Schriever. The system hasn't been reset,
sir." "That means we have to
enable at Schriever," Kelton said. His lips were numb. "Get the
emergency helicopter ready to fly. Shelly, we'll send you to
Schriever to—" "Sir," Shelly squeaked.
"Sir—" "Yes?" "The Gaming Center has to be
kicked on—started up, sir. I don't know how
to do that." Kelton stood contemplating
Captain Shelly for a moment. He was in a cold rage, but he was
thinking fast. Rockets were so goddamned fast. "Who knows?" "The Truth Team leader got
killed too, sir," Captain Shelly said. "But the Game Leader,
Nelson Atkins, he should know how to do it." "Find out where he lives,"
Kelton snapped at Colonel Maclean. "Get the helicopter ready for
Maclean and Shelly," he snapped to Major Dunn. "And open that
goddamned blast door!" Turtkul,
Uzbekistan Anna Kalinsk was allowing
herself to feel a little kernel of hope. The terrorists hadn't
figured out how to blast the silo top off, or they had decided
the little group of women and children weren't worth the effort.
She didn't care about the reason, only the result. Her sons might
live, after all. "Will our comrades send
troops, Anna?" Ilina whispered fiercely. "Will they
come?" Anna closed her eyes and
thought for a moment. Yes, troops could be brought in using
Hinds. Would the little missile silo be worth it? Of course. Anna
counted the hours in the silo, the last radio transmission by
Boriska, the probable response time.... She opened her eyes and
smiled at Ilina. "Why, they should be here
anytime!" she said brightly, and as though her words were a cue,
they heard the booming sounds of heavy guns. Ilina looked at Anna with
her mouth hanging open. Anna offered a small shrug, and
blushed. "Just luck," she
said. Gaming Center, Schriever Air
Force Base Joe watched Sharon's console
next, although he felt sure Sharon Johnson couldn't kill anyone.
Sharon's was the next in line, and Joe was a logical person. He
wondered where Eileen could be. He'd called her at the office and
they'd said she was out. He was nervous about telling some
dispatcher that this was an emergency—what if he were wrong? So he said
it was a personal call, and he left a message for Eileen at her
home machine. The globe of the Earth
showed blue and white and spectacular. Sharon, manning some of
the communications satellite views, was positioned casually
north, near England. That way the launch could be seen at Bermuda
but she wouldn't commit the mistake of hovering directly over a
launch that she shouldn't know was going to happen. The view
shifted constantly. Joe gazed at the terminal and wondered if
Nelson was going to call him at the Center. He'd left a message
for Nelson on voice mail since he hadn't been able to contact
Eileen. Maybe Lowell would call. Sometimes he picked up Nelson's
voice mail when Nelson was out. Joe sighed, watching Sharon's
mouse key move through the course of the game. Not Sharon, then,
but he could have guessed that. Colorado
Springs Eileen made the call as her
Jeep squealed out of the subdivision. Rosen was still in the
office. "Thank God," she said to
him. "Listen. I've been to Lowell's house. He's got a robot
there, something that looks like him from the
windows." "It's Lowell," Rosen said
immediately. "Oh, shit, it's Lowell." "Could be Lowell and Blaine
both, for all I know. I think he's after someone. He used that
alibi the night Art was killed." "I'll send out cars to all
the Gamers' houses," Rosen said. "I'll take Lowell's house
myself. We'll get the crew there to photograph for evidence.
You're on your way to Joe Tanner's house?" Eileen felt warmth in the
cold yawning pit of her insides. Rosen was going to be a great
partner. "On my way there," she said.
"Yes." "I'll get a warrant for
Guzman and Blaine both," Rosen said. "We haven't had word one
from Stillwell." "Clear. I'll contact you
when I'm there. Out." Eileen's stomach felt like a
slick stone in her middle, and her mouth was so dry she made a
little clicking sound when she swallowed. Joe, Joe, she
mouthed. She saw Constitution Avenue.
The road upon which she would turn to go to Schriever Air Force
Base. Eileen stared at the crossing, and the answer came to her.
It was so simple. She swerved across two lanes and made the turn
to Schriever, and the sudden hope in her chest was more terrible
than the fear. She picked up the phone to call Rosen. Peterson Air Force Base,
Colorado "Captain
Stillwell?" Stillwell, in the hangar at
Peterson Air Field, was just hanging up the pay phone. He felt
dirty and tired and confused. That seemed to be his fate lately.
He looked up and saw the on-duty officer holding a phone and
gesturing to him. Behind the on-duty officer Stillwell could see
Gwen and Richard and the flight commander of the base. The flight
commander looked crisp and fresh. Gwen and Richard looked dirty
and exhausted, but their faces were animated. They were standing
at a map and discussing the salvage operation. "For me?" he said. The
on-duty officer nodded and held out the phone. Stillwell felt sick to his
stomach. He hadn't lost his lunch when the Chinook dropped out of
the sky into a cornfield, but now his stomach was rolling like a
ship at sea. Colonel Ellison had just told him to shut the
investigation down, and the order wasn't even disguised as a
polite request. Stillwell intended to follow orders, but he
didn't have to like them. "Hello?" "Captain
Stillwell?" "Yes," he said. "Who is
this?" "My name is Lucy Giometti.
I'm from DIA. I just spoke to your Colonel Ellison, and he told
me you'd just gotten into town. Did he talk to you?" "I'm in town," he said. "And
I just finished talking to him. Why—what are you to do with all
this?" "I'm here to help out," the
voice said. "Let's just say, I'll hold up the edge of the carpet
while you sweep." Stillwell closed his eyes.
"I see." "Not too pleasant, I know,"
Lucy Giometti said. "Alan," Stillwell said.
"Call me Alan. I was planning to shower and change. I've
been—" There was a tap on his
shoulder. The harassed-looking on-duty officer was holding out
another line. "Hang on," he said, and took
the phone to his other ear. "I called the Colorado
Springs Police to tell them you were in town and to arrange a
transfer from Captain Harben," Colonel Ellison said in his deep,
clipped voice. "And they tell me the detective is at Schriever
right now. She called in an assault." "I'm on my way," Stillwell
said immediately. "Good," his commander said.
"This is turning into a royal mess, Alan. I want you to get this
under control." "Yes, sir," Stillwell said,
through the click of the disconnecting line. "What was that?" Lucy
Giometti said in his other ear. "That means I don't get a
shower," he said. "Where are you?" "Day's Inn, next to the
Colorado Springs airport," she responded instantly. "Be out front. I'll be there
in ten minutes. We have to get to Schriever," he said. "I'll be there," she
said. Stillwell handed both phones
back to the on-duty officer. "I need a car," he said.
"Mine is at the Denver airport." "My car is here," Gwen said
from across the room. "You can borrow mine." 34 Gaming Center, Schriever Air
Force Base Joe configured for Lowell
Guzman's terminal. Colorado
Springs Lucy Giometti pulled thick
white socks over her feet. Her pregnancy pants were really
horrible looking, but they were comfortable and they fit. She
pulled on a white button-up shirt—also a pregnancy
shirt—and laced her running shoes
tightly. Her heart was pounding and there was a slick feeling at
the back of her throat. Part of her brain was telling her to stay
in her safe little rabbit hutch of a room. That part of her brain
was telling her that she was pregnant. Going into danger while
pregnant was not right. She should be protecting herself. She
should stay put. The other part of her
remembered the Tower of London, shattered and smoking. That part
of her checked her gun. The shoulder holster fit under the baggy
white shirt. Lucy slipped an extra clip into her hideous
pregnancy pants, where it rested coldly against the swelling of
her stomach. "Here I go," she said to her
reflection in the mirror, and blew out a trembling deep
breath. Lucy remembered her room key
and headed for the door. Highway 94,
Colorado The highway was dark and
empty. The cattle stood sleepily by the fences, washed
momentarily by Eileen's headlights as she held the Jeep on the
bare edge of control. One large stone, one clod of debris, could
tear the steering wheel from her hands and send her hurtling into
the ditch. The Jeep was not meant to be treated like a sports
car. Eileen took the chance that there would be no stone, and
kept her foot on the accelerator. Turtkul,
Uzbekistan Muallah was extremely
unhappy with Ruadh. He was supposed to have targeted the missile
and blasted it off within twelve hours, and look at him. He was
still humming, still running his fingers on the console, still
consulting manuals. "Ruadh," Muallah said
finally. "You must start the countdown to launch. We cannot wait
any longer. Or you must admit that you cannot do it." Ruadh looked over, and
Muallah made sure he saw the look in his eyes. Admitting failure
meant a very quick death at the hands of Ali. "I—" Ruadh looked stubborn for a
moment, then sighed. "I can begin for you. I would like more
time, but—" "Then begin!" Muallah
shouted. At that moment, there was a
booming sound from far above. A shot. "Attackers!" Rashad shouted,
and left the Command Center at a dead run. "Stay with me, Ali," Muallah
commanded. "Ruadh, be quick. For your life, be quick." Gaming Center, Schriever Air
Force Base Joe watched Lowell's
terminal, bored now and impatient. He wanted to go home and take
a shower and think about Eileen, not stand here in the gloom and
watch another Game. He was hungry. He wondered where they would
go tonight. Joni's, perhaps? Would Joni see that they were
lovers? Perhaps she would. This replay idea seemed so good a few
hours before. Now it was boring. Maybe Joe would fix dinner for
Eileen himself. Maybe they'd order out for pizza, because he
wanted to take her clothes off as soon as she got there and crawl
into bed with her and find out if every touch was as incredible
as he remembered. The screen stopped. The
mouse arrow stopped. The globe froze in place. Joe froze, one
hand to his mouth, eyes widening. He looked at the Game clock, a
display in the corner of each screen. It stood at 9:12 a.m. The mouse was still
and un-moving and the globe turned, unattended, as Lowell Guzman
crawled under the floors and rose up behind his wife with a
screwdriver and drove it into her back. It was Lowell. "Oh dear God, it was
Lowell," Joe whispered. The strength ran from his bones and he
sat back in the chair. Then he leaped out of it as though stung.
This was Lowell's chair. His heart started pounding.
He'd called Eileen, but she wasn't home. He'd called Nelson, but
he wasn't home either. Probably out feeding the
horses. Then the enormity of what
he'd done hit him. He'd called Nelson. Just like Art. Just like
Art. Lowell had Nelson's voice-mail password. He'd done exactly
what Art had done. Far away, down the long
sloping corridor to the front of the Gaming Center, Joe heard the
key clicks as someone on the other side keyed in the combination
to open the door. Black Forest,
Colorado Caleb Atkins loved his
Appaloosa horse business. He was a genuine horse nut. His father
insisted he attend college classes at the University of Colorado,
and Caleb grudgingly admitted his business degree was going to
help the business quite a bit. But he still felt like a
six-year-old when the last class ended and he could come home to
the barns and the stalls and the creatures that he
adored. When the thudding sound of
the helicopter rose out of the forest, Caleb was looking at the
slightly swollen foreleg of Annamarie in the Big Barn, where the
pregnant mares were kept. Annamarie whickered softly. The barn
smelled of warm horses and hay and disinfectant. Caleb stood up
from Annamarie's leg, eyes wide. The stories of the Black
Helicopter of the Black Forest were many and varied. Some claimed
the helicopter was merely some Army training mission from down at
Fort Carson. Some claimed whoever saw the Black Helicopter always
had missing time afterward, and bloody noses at night. Always.
Caleb didn't believe in UFOs. He had no time for them. But
everyone who lived in the Black Forest heard about the Black
Helicopter. Caleb looked out the open
barn door, stunned, as a huge black helicopter with absolutely no
markings swooped over the trees and settled in for a landing in
front of the main house. Annamarie whinnied sharply at the sound
and shifted, pressing her warm shoulder into Caleb. Caleb
clenched his jaw. They were coming for his dad, who worked out at
Schriever on something that was so top secret he never spoke
about it. That helicopter was going to abduct his dad. "No, it's not," Caleb said.
Cassie Atkins's shotgun was behind the barn door, fully loaded.
It was a Defender combat shotgun intended to kill rabid dogs,
crazy mountain lions, and any Bad Men who had intentions about
Cassie. Caleb's mother had taught him how to shoot her Defender
years earlier and insisted Caleb keep up regular practice. Caleb
kept the shotgun and kept in practice, just as she would have
wanted him to do. The length of her final illness had left them
plenty of time to say all their good-byes, but it didn't mean
that he still didn't miss her. Caleb hefted his mother's
shotgun and ran into the darkness as the helicopter settled on
the grass and two figures ran for the door. He moved behind the
helicopter, keeping to the trees, and scuttled toward his front
door. The smell of jet fuel was choking. The two figures were,
knocking—knocking? he thought
blankly—and when his father opened the
door in bathrobe and reading glasses, one of them grabbed his arm
as though to hustle him to the helicopter. "Oh no you don't!" Caleb
roared, and stood up. He leveled his shotgun at the closest
figure. "You take your hands off my father!" Highway 94,
Colorado Eileen slowed to take the
turn onto Enoch Road, her eyes leaping ahead to the lights of the
base. She was looking for flashing colors, the police lights that
would mean she was too late. She kept mouthing Joe's name. He had
figured out what Art had done. Eileen had realized why her mind
had supplied Joe's image, and where he must be, when she saw the
turn to Schriever. Who else but Joe, Art's partner, would be able
to figure out what Art had done? Lowell must have found out what
Art had discovered. What had Art known? Eileen would have pounded
the steering wheel in frustration if she dared to take her hands
from the wheel. She hoped that Lowell was
even now in Joe's house, waiting for him to return home, ready to
kill him on the off chance that Joe might find out what Art had
discovered. Lowell would be caught if he were, and Joe would be
safe. But she knew she was foolish to think that. Lowell left the
robot alibi in his house because Joe was out at the Gaming
Center. Joe knew what Art had done, and Lowell had found
out. Eileen bit her lip hard
enough to draw blood, her hands cold and slick on the trembling
wheel of the Jeep. Her portable siren was flashing on the top of
her car, and she flipped the audible on as she blew by the guard
station at the entrance to Schriever. She saw the guard in the
rearview mirror as he ran out into the road and stood staring.
Then he ran back into his shack, and Eileen knew he'd be calling
the other guards. Good, she thought. She pulled the Jeep up to
the vehicle gate at the retinalscanner building. The Entrance
Portals, Major Blaine had called them. Eileen left the siren
blaring, and in a few seconds there were soldiers at her car,
looking dazed and frightened. Eileen flipped the siren
off. "Colorado Springs Police,"
she shouted. "We have an emergency at the War Game Center. I need
to get on this base now!" "Ma'am, we can't let you
drive on this base," one of the guards said. He carried an M-16
on his back, but Eileen doubted it was loaded. He looked
obstinate and afraid, the way Eileen remembered all enlisted
people looking when she was in the Air Force. "Look, we've got a possible
assault in the Gaming Center," she said. "You want to drive me?
You can drive my car. You can get me there any way you want. But
I need to get to that Center now!" "Do you have authorization
to be on this base, ma'am?" the soldier asked. Eileen pulled out her police
badge. Her Schriever badges were tucked in behind. "Will this do?" she said,
trying to keep her voice even. The best way to deal with the
military was to follow all the right forms. Otherwise you ended
up splattered on a mountain, the words "pilot error" engraved on
your headstone. Eileen never wanted to pull her gun and try to
force her way as much as she did at that moment. But there were
six of the guards now, and they all looked concerned. The gates
were solid. In the movies she would be able to drive through
eight-foot-tall chain link, but not in reality. Her Jeep would
give a great bounce and a lurch and never run right
again. "Yes, sir," the guard said.
"Let me call my commander and see if we can give you a ride over
there." Eileen got out of her Jeep
and ran into the retinal-scan building, and for one horrified
moment as she felt the glass doors lock behind her she thought
she'd forgotten the number. Then it sprang into her brain and she
keyed the access code. The green light flashed in her eye, the
door clicked open, and Eileen burst through the other side,
officially on base. The guards stared after her. The head guard
shrugged his shoulders to the other guards, as if to say, "What
can we do?" Then he went in to call his commanding officer. They
wouldn't get in trouble, at least. They'd followed all the right
procedures. The woman had entered the base the proper
way. Eileen ran into the
darkness, her clever running shoes making no sound. Black Forest,
Colorado "Oh my God," Nelson Atkins
said. "You need me to start up the system?" Captain Shelly, her hands
locked firmly behind her neck, glared at the tall boy with the
shotgun. "Can you tell your son to
let us go now?" Colonel Maclean said gently. His hands were
behind his neck too, and he didn't like it any more than Captain
Shelly did. Why hadn't they brought side arms? The boy held the
shotgun firmly, and Maclean felt the sweat start to drip down his
sides. The opening of the shotgun seemed about as large as the
Eisenhower tunnel. "We need to get you to Schriever to enable
the—uh— system. There is a potential that
the system might be used. Do you get my meaning,
sir?" Nelson paled
further. "Stop scaring my dad," Caleb
snapped. "And what are you talking about? What
system?" "Son, this is about my job,"
Nelson said gently. "They're from where I work. I didn't know
they were coming or I would have said something. Can you put the
shotgun up? They need me to do something very important.
Okay?" Caleb put up the shotgun at
once. Maclean could see the blush climbing up the boy's cheeks.
Caleb thumbed the safety switch and shrugged again. "No hard feelings," Captain
Shelly said with a wobbly grin, taking her hands down from her
neck. "None at all," Maclean said,
working his shoulders and sighing. "You did a fine job of
protecting your dad, son." "Thank you," Caleb murmured,
flushing an even brighter red. "We need to go, sir,"
Captain Shelly said. "I'll be back," Nelson said
to Caleb. He didn't go into the house to change out of his
bathrobe, or put his reading glasses away. He hurried with the
two Air Force people toward the helicopter, a section of the
newspaper still clutched in his hand. Turtkul,
Uzbekistan "Our men can hold the
stairway for hours, Mahdi," Ali said confidently. "The foolish
Russian could have held us off until his ammunition gave out. We
have plenty of ammunition." "Grenades?" Muallah asked
tersely, not taking his eyes off Ruadh. Ruadh was sweating
heavily, but at long last he appeared to be doing something. He'd
fetched keys from all the dead Russian soldiers hours before and
had three of the keys in slots on the control panels. "The stairs are reinforced
and block the bottom doorway. The only way they can blow the door
again is by reaching the bottom of the stairs as we did. Rashad,
Haadin, and Assad will not allow that." "Our escape?" Muallah
murmured. Ali said nothing. "Many of the Russians will
be dead shortly," Ruadh spoke up, startling Muallah. "The silo
tops blow sideways with explosive charges. I'll blow them all,
Mahdi." "Excellent." Muallah
grinned. "Soon?" "Now, if you are ready,"
Ruadh said, his sweaty face glowing with pride. "We need to turn
the two keys at once." Muallah knew this drill from a dozen
Western movies. He went to the panel and watched as Ruadh took
hold of the little silver key. "Two turns. On my count of
three make the first turn," Ruadh said. "One. Two.
Three!" As Muallah turned his key,
he heard a glorious roaring sound from eight stories above his
head. Then the ground shuddered as the giant concrete covers,
blasted sideways by explosive charges, thudded to the ground and
shattered. The covers were the size of basketball courts. Any
living thing in their way was now so much ground meat. "Now we launch," Ruadh said.
"I've set silo number two for the launch sequence." Muallah nodded at Ali and
watched as Ali slipped silently from the command center. Ali
would see how many of the Russians were left. Muallah's plans did
not include a Russian prison. "On my count of three,
again," Ruadh said, and took hold of the second of the two sets
of keys. Gaming Center, Schriever Air
Force Base For a moment Joe couldn't
move. The fear poured into his body, and he saw white specks in
front of his eyes. There was a roaring sound in his ears, and he
wondered if he was going to pass out. Then he heard the door open
down the long hallway, and the trance broke. He looked around Lowell's
room. Everything seemed very bright and very clear. He noticed
with one part of his brain that the clock on the computer had
slowed down. Each second ticked by an eternity after the last.
The gadget to pick up the metal floor tiles was in the television
studio, a few feet from Lowell's room. Joe leaped to the television
studio and, device in hand, was levering up a metal square while
one part of his mind was still contemplating the curious slowness
of the simulation. He left the carpet square folded up, hoping it
would drop back down as soon as he put the tile down. If Lowell
found him, he wouldn't have much of a chance. A tile opener
against a sharpened knife wasn't much. But unlike Art Bailey, Joe
Tanner knew who the murderer was. Joe wasn't going to stand there
and let Lowell rip out his throat. He was going to
fight. He had no flashlight, but
that didn't matter. He kept the suction device, the weight
reassuring to his hand, and squeezed into the blackness beneath
the floor. As he lowered the tile back down, he heard Lowell
calling his name. Highway 94,
Colorado "Colonel Ellison didn't tell
me why!" Stillwell shouted over the screaming of the little
Datsun's engine. Gwen's car was a pickle-green B-210 with
rusted-out side panels and an engine that probably shouldn't be
driven over forty. Stillwell held the engine at
sixty, and the sound of the wind shrieking in through every faded
seal was matched by the howl of the tiny engine. Lucy held on to
the frayed dashboard. "Have they found another
body? Did he say that?" "No!" Stillwell shouted. He
banged the steering with his fist, and Lucy jumped and
shouted. "What?" he yelled. "What is
it?" "Don't hit this car!" she
shouted back. "Are you crazy?" Stillwell started roaring
with laughter and Lucy, after a moment, joined him.
35 Schriever Air Force
Base The weight of her gun kept
bumping against Eileen's ribs, but she was used to that. The
night air was soft and warm against her hot face. The long dark
bulk of the CSOC loomed over her. A brief flicker caught her by
surprise and she lost her pace for a moment, seeing something
moving in the grass. Then she saw the white flip of a tail and
realized she was seeing a jackrabbit. They must live on the base
and come out at night to feed on the alien Kentucky bluegrass.
What a treat for the rabbits. She crossed the road and
headed up the slope toward the Gaining Center, and she felt as if
she could run straight up the side of the building. The fear was
over now. This was the time for action. She no longer had to sit
and wait. She would finish this. She would save Joe or she would
avenge him. There were no other options open to her. She
ran. Peterson Air Force Base,
Colorado "I'm the commander of
Schriever Air Force Base," Colonel Willmeth said into the phone.
"And you are going to listen to me very closely. We have an
inbound helicopter on the way to the Space Command building. This
helicopter is authorized to fly over Schriever and land
undisturbed. Do I make myself clear?" "We're not supposed
to—" "Tonight, you will,"
Willmeth said. He was struggling into his clothing and was
hopping on one foot as he spoke. What the hell was going on out
there? Not for the first time, he cursed an assignment where he
could not live on the base he commanded. He knew General Kelton
from NORAD only slightly. Kelton's usual clipped voice had been
flat with stress when he'd woken Willmeth out of a sound sleep
minutes before. "I'll be there in twenty
minutes," Willmeth said to the on-duty officer at Schreiver. "If
that helicopter has any troubles with my base guards, I'll gut
you like a fish. Now follow your goddamn orders,
Captain!" He set the phone down and
struggled with the zipper of his uniform pants. His hair could
wait, he decided. His teeth could not. He grabbed his toothbrush
and squeezed an enormous minty-smelling gob of paste on the
bristles. The toothbrush went into his mouth. Car keys in hand,
Colonel Willmeth ran for his car. Schriever Air Force
Base "Captain Alan Stillwell,"
Stillwell repeated. He could feel his temper threatening to float
away like a balloon. His head felt like a balloon, full of the
pound of his furious heart. "We can't let you in here,"
the Air Force soldier said stubbornly. "We had a call from Colonel
Ellison that Detective Reed from the Colorado Springs Police
Department had called in an assault," Lucy said. Her face was
pale, and two red spots burned on her cheeks. Lucy looked
furious. "Yes, ma'am, she came out
here and tried to drive in on base, but we can't allow vehicle
traffic on base." "How did she get
in?" "She had her badges,
ma'am." Lucy drew a deep breath and
stepped up to the airman. "You listen to me, soldier,"
she said. Her eyes were narrowed to slits. "You have two options.
You can escort us onto this base, or you can keep us here. If you
escort us on base, you might get in trouble. You might even lose
a stripe." She looked at his two stripes. "If you keep us here,
and you are wrong, which you are, I will guarantee that you will
be charged with criminal negligence, conspiracy to commit a
crime, and obstruction of an officer in the commission of his
duty. That means Leavenworth. Is that clear?" The airman was no longer
looking stubborn and scared. He was now just looking scared.
Stillwell looked at Lucy in admiration. Lucy was just getting
started. "Your commission, your oath,
is to your duty. You are not a robot. You are supposed to think.
You do not shoot babies. You do not let innocent people die. If
you do, you hang for it. You go to Leavenworth for it. Is that
clear?" "Ma'am," the airman said
weakly, "I—" Lights suddenly washed
across the group as a Chevy Blazer roared up the road. The truck
came to a skidding stop. "Major Blaine here," said a
trim-looking man from behind the wheel. "I'm chief of security. I
need to get through—" He stopped and looked with an
unsettling blankness at Lucy and Stillwell. "Who are
you?" "Captain Stillwell, OSI,"
Stillwell shouted. "And Lucy— ahh—Lucy from DIA. We need to get on
this base!" "OSI?" Blaine said. For a
moment Stillwell saw a look of fright on his face, but it was
gone so quickly he couldn't be sure. "Why are you
here?" "Detective Reed called in an
assault," Stillwell said with the last rags of his composure. "We
need to get on this base to contain this situation, Major
Blaine." Major Blaine was silent for
an endless second, his face smooth and blank. Stillwell glared at Blaine.
Didn't the stupid Security Chief understand the phrase? In all
military services, containing the situation means one thing and
one thing only. Cover-up, burial, containment,
dammit. Blaine at last seemed to
understand, or to come to some kind of conclusion. "Open the gate, Airman,"
Blaine said, and held up his badge. "Get in the car," he said to
Stillwell and Lucy. "I'll take you in." Gaming Center, Schriever Air
Force Base Joe lay prone in pitch
blackness among the hum and pulse of the computers, trying to
make his breathing slow down. This was the nightmare of
childhood, hiding in the darkness while the monster stalked. He
crawled away from the spot where he hoped the carpet lay
undisturbed. There was a thumping sound
off to his right. Joe concentrated fiercely, but he couldn't hear
anything over the hum of the machinery. A tile lifted suddenly, off
to his right. A bright shaft of light speared down and a hissing,
squealing sound broke from his throat as he scrambled away from
the light. He could see the support shafts now, too small to hide
him. The whole area seemed to be lit up to his night
eyes. Another floor tile lifted
suddenly, this one down by the doorway. Joe knew what Lowell was
doing. When there were enough tiles lifted, he would be able to
drop down and see him. Lowell knew where he was. He scrambled
away from the lights, trying to think. A red mist tried to swamp
his brain, a mist that told him he could kill Lowell, yes he
could, he could kill Lowell with his bare hands, just stand up
and fight, kill, kill him. "No," he mouthed to himself,
although he made no sound. Lowell outweighed him by fifty pounds.
Joe didn't know how to fight. He'd never taken boxing or even
wrestling. He did track in high school, for godsake.
Lowell would take him apart. The only thing he had were his
brains and his speed. Joe started to work his way
toward the far end of the Center. If he could just lead Lowell
away from the door, he might have a chance to make a break for
it. He clutched the tile-lifting
tool to his chest, and as he crawled under the floors he started
to pry the rubber suction cups off, leaving the sharp metal edges
exposed. Just in case, he told himself, dropping the suction cups
to the floor. Just in case. Schriever Air Force
Base "I got the information from
the base commander," Blaine said as the Blazer roared across the
grass. Lucy held on as they bounced over a gully. Surprised
jackrabbits scattered everywhere across the damp
grass. "We heard from the Peterson
base commander," Stillwell shouted. He was still half deaf from
the cruise in the screaming Pickle. "Colonel Willmeth said Reed
had called in a possible assault, not a murder," Blaine said
forcefully. "I hope to God we're not too late!" Lucy, from the backseat,
looked at Major Blaine. Blaine was a horrible actor. There were
big beads of sweat in the crisp hairline. There was a tic at the
corner of his mouth. Blaine's voice wasn't steady. His face
showed concern, but his eyes were ringed in white and wild with
anxiety. Lucy knew someone had tipped
off George Tabor. It couldn't be anyone in the Gaming Center;
they were all locked in the Center until the Colorado Springs
detective arrived. Colonel Willmeth was a brand-new base
commander and so could hardly have been George's contact. Lucy
had tentatively marked Major Blaine as a possible risk, and now
she decided that he was a very probable risk. She was certain of
it. Major Blaine was not playing for the Home Team. Lucy braced herself against
the bouncing of the Blazer and decided to ride this one out. She
would see what Major Blaine was up to. She could be wrong about
him. But she had no intention of letting Major Blaine out of her
sight. Gaming Center, Schriever Air
Force Base Eileen held up her Schriever
badge and her police badge and ran by the guards in the Missile
Defense Center. She was too out of breath to explain anything to
them, and she assumed the base guards would be along
shortly. The long stairs were the
cruelest part of her run, and she was nearly done when she
reached the third floor. The air was thin with little oxygen, and
Eileen could feel the sweat soaking through the back of her
shirt. She gasped and wheezed and then picked up a run again,
nearly staggering. The submarine-style door
bashed against the wall as she flung it open. She didn't bother
to close it behind her. Later on, they would show her the long
groove the door handle had punched into the wall and the spray of
blood from the knuckle she'd skinned when she spun the wheel.
Eileen ran down the hallway to the last door, unaware of her
bleeding hand, and as she came to the Gaming Center she reached
under her arm and brought out her gun. The number didn't work. She
keyed the clicker twice, fingers trembling, before she realized
she was keying in the proper number in reverse order. Eileen
cursed, keyed in the number in the proper order, pulled the door
open, and raced up the hallway. As she entered the Gaming
Center she saw the patchwork of tiles. Carpet squares lay
everywhere. The metal tiles were flipped on their backs, metal
gleaming sharply from their undersides. Every console in the
Gaming Center showed the vision of Washington, D.C., in the last
seconds before impact. Eileen recognized the simulation. It was
from the War Game that had played just a few days
before. Lowell Guzman, hair soaked
with sweat, was flipping open another tile. His soft burly body
was crouched over the opening, and the glitter of his screwdriver
was murderously sharp in the gloom. As Eileen appeared in the
doorway Joe leaped up from an opening a few feet from Lowell. His
eyes were grim and narrow and his cheeks were patchy with red and
pale white. He clutched a bare levering device in one hand and he
was heading for the doorway, directly toward Eileen. For a moment he didn't see
her. His eyes were at his feet as he sprinted from opening to
opening, fleet-footed as a deer in the snow. Behind him, Lowell
roared and sprang after him, dropping his own tile-opening tool
and raising the sharpened screwdriver high. Joe was quicker than Lowell.
But he raised his eyes, saw Eileen, and stumbled, arms flung
wide. Lowell, behind him, still shouting, raised the screwdriver
above his shoulder to drive it forward into Joe's
back. "Drop!" Eileen shouted, and
Joe tucked into a ball and fell into the next opening like a
magician through a trapdoor. He was gone, and Lowell saw
Eileen. Eileen raised her gun in
slow motion, seeing every bead of sweat and the surprise and the
frustration on Lowell's face. Behind Lowell, the giant screens
blossomed with nuclear detonation. A climbing mushroom cloud
stood over Washington like an angry fist. Then Lowell was gone,
too, tucking up exactly as Joe had done and dropping into the
floor. Eileen shouted in
frustration and ran forward. She didn't have a chance to make a
shot at Lowell, and now she couldn't. She might hit Joe. She
stood on a tile where the two had been, and as she looked for Joe
the tile underneath her erupted up and she stumbled, staggering.
Lowell burst up through the floor, and in the patchwork of the
room Eileen could not find a footing. She curled up and rolled
over a tile. The gun spun from her hands as she instinctively
tried to keep from dropping into one of the holes in the floor.
Lowell scratched a long silvery streak in the metal floor as his
homemade stiletto missed Eileen by a bare half-inch. Eileen dropped into the hole
in the floor. Lowell came after her. Lowell was mad, eyes
completely senseless in his beefy face, sweat running in streams.
He drew back for another strike as Eileen scrambled to her feet.
Eileen reached under Lowell's arm and hit him smoothly in the
throat. Most people hit in the jaw, thinking about the movies.
Jaws are hard objects that in real life have a tendency to break
what hits them, like hands. Throats, on the other hand, aren't
very hard. People protect their throats with their jaws in a
fight, but Lowell wasn't expecting Eileen to strike him there.
The blow struck Lowell directly in the windpipe, immediately
cutting off his breath. Eileen danced backward, and
that was her mistake. The edge of a floor tile caught her in the
upper thighs, sending exquisite pain through her legs. She
doubled over and barely avoided Lowell as he tried to strike at
her again. His eyes were bulging and he was trying unsuccessfully
to breathe. Lowell stood up for a third
strike, and that was when Joe rose up behind him with the tile
opener held in both hands. He swung the bulky thing like a
baseball bat and connected solidly with the back of Lowell's
head. There was an amazing spray of blood from Lowell's scalp as
the metal edges tore through his hair, and the sense and madness
fled from Lowell's eyes. He stood for a moment, a childlike,
puzzled look on his face, then fell forward. He landed half on,
half off a tile that was still in place. His feet dangled to the
floor below. Joe stood staring, then
dropped the bloody tool from his hands. Eileen secured her gun
before she handcuffed Lowell Guzman, and she did both of those
before she turned to Joe Tanner. "I told you I didn't do it,"
Joe said shakily. "I knew you didn't," she
said. She looked at Guzman and realized he was breathing, which
relieved her. She wanted to have a long talk with Lowell Guzman.
Several of them. It was going to be a pleasure. "Gotcha, you
bastard," she murmured. "I got him," Joe
said, smiling ferociously. Eileen put her hands on the
crossbars of the tiles and swung herself out of the floor. She
dusted her hands and grinned. "You got him, yes you did,"
she said. "Have I said thanks yet?" "Not yet," Joe said, and
scrambled out of his hole in the floor. There was an empty floor
tile between them. "Thank you." Eileen laughed,
and leaped at him.
36 Schriever Air Force
Base The Blazer scattered gravel
into the grass as it slid to a stop in front of the building.
Blaine got out of the Blazer and ran toward the doorway, not
waiting for Lucy or Stillwell. Lucy cursed, struggling with the
backseat release. She passed Still-well as they ran for the
entrance. "What's going on?" Stillwell
asked. Lucy ran without answering.
She sprinted by the desk without seeing the guards, following
Blaine. Her stomach felt heavy and unfamiliar, but her legs were
toughened by years of running. Stillwell was a distant third as
Blaine headed up the stairwell. She was silent in her
running shoes. She hoped her intuition was wrong. She knew it was
not. The building seemed enormous, and she could not quite catch
up to Blaine. There didn't seem to be any oxygen in this Colorado
air. As she rounded a curve, she
saw Blaine in an open doorway. He was looking at something, and
as time slowed down for her she saw him pull a pistol from his
shoulder holster. Her pistol matched his, flying into her grip
with absurd and dreamlike ease. He raised the pistol. Lucy
didn't raise hers. She knew she couldn't hit him while she was
running, and she hoped she could reach him before he
fired. He fired. Turtkul,
Uzbekistan The sound was enormous. It
was unbearable. Anna Kalinsk shrieked and huddled over her two
youngest boys, trying to hold her body over theirs and protect
her ears at the same time. She knew everyone must be screaming,
but she could hear nothing. Suddenly daylight poured
over her. Anna hunched over her boys, trying to gather them under
her like a duck hiding her ducklings, knowing that it would do no
good. Her body would not stop the bullets. They would go through
her and into her sons, and it would be over. Not for the first time, Anna
wished she had a rifle. At least she could try and take some of
the husband-killing, father-killing murderers with her. She
looked up, teeth bared, to meet her death face-on. There was no one at the
opening of the underground silo. Nothing but clouds of billowing
dust. Gaming Center, Schriever Air
Force Base There was a movement at the
entrance to the Gaming Center. Eileen turned from Joe's arms,
expecting to see a whole platoon of base guards, and instead saw
Major Blaine standing at the end of the hallway. He had a pistol,
and as he raised it to his shoulder Eileen twisted around and
pulled Joe into an open space between the floor tiles. They hit the subfloor
together, with an impact that drove the air from her lungs. Joe
had landed on top of her. Blaine's gun went off with an enormous
coughing sound. It was not the thud of a bullet hitting meat.
Eileen whooped, and Joe shouted. He scrambled off her and tried
to stand up. Eileen put her hands on his shoulders and pushed him
roughly down. She couldn't seem to take a breath. She leaped out
of the floor. The office chair in front of
the unconscious form of Lowell Guzman was shredded and smoking.
It had been a near miss. The stink of gunfire was choking. Eileen
ran toward the entrance, gun in hand. Blaine was down. He was flat
on his face, one arm twisted high between his shoulder blades. He
was breathing heavily. A woman sat on him, holding his arm
neatly. She was panting. Both of them had obviously arrived at a
run, which explained Blaine's poor shot. He didn't have time to
take a good stand and steady his aim. If he had, Lowell Guzman
would probably be dead. Eileen stopped in the
doorway, bent over, put her hands on her thighs, and drew a deep
harsh breath. "Ahh," she said. "Anyone shot?" the woman
said. "Just a chair," Eileen
wheezed. Another man came running up,
wheezing as badly as Eileen. "Was he trying to shoot a
bad guy or a good guy?" the woman asked. She was dark-haired and
very pretty, and dressed in civilian clothes. Eileen had never
seen her before. "Tell me I did the right thing." "You did the right thing,"
Eileen whispered hoarsely. She took a couple of breaths and
choked out a laugh. "I'm out of handcuffs." "He's not," the other man
said, pointing at Blaine. Eileen looked at the new man. He was a
short Air Force major in a rumpled uniform. The uniform was not
merely rumpled. There were wrinkles on the wrinkles. Dust was
creased into the wrinkles at his ankles. There was a big stain on
the shirt. He was sunburned and mosquito-bitten. He looked as if
he'd been hopping freight trains for a week. "Lucy Giometti, DIA," the
woman said. She was very pale. She unhooked Blaine's own
handcuffs from his belt and used them on him. As she stood up
Eileen realized the woman was pregnant. "Eileen Reed, Springs
Police," Eileen said. Her breath was coming back. "Are you
okay?" "I'm okay," Lucy Giometti
said. She was feeling her stomach, patting it all over, as though
she were checking to make sure it was all there. She grinned at
Eileen and held out her hand. "I don't want to do that, say, for
regular exercise, but I'm okay." "Thank God," Stillwell said
as Eileen and Lucy shook hands. "I couldn't get here as fast as
she did. What a hit! Where did you learn to do that?" "Girl Scouts," Lucy said
primly. "I'm Captain Stillwell,
OSI," the raccoon-eyed major said, turning to Eileen. "Nice to meet you," Eileen
said. "You're supposed to take over the investigation,
right?" "That's right," Stillwell
said, and started to grin. "Looks like the only thing you left me
was some paperwork." He held out his hand, and Eileen shook it
firmly. "I'm glad," Lucy
said. "Me too," Joe said from
behind Eileen's shoulder. He was looking at Major Blaine with a
wondering expression on his face. "Me three," Stillwell
said. "Let me up," Blaine said
from the floor. "Shut up," all four of them
said at once. Turtkul,
Uzbekistan Ali appeared at Muallah's
right. Muallah was watching the countdown clock with
satisfaction. Only four minutes and Fouad Muallah would fulfill
his destiny. The Trumpet of Doom would sound, and the world would
never be the same. "Mahdi," Ali murmured. "I
predict survivors. We can climb from silo one." "We need Assad," Muallah
murmured, understanding instantly what Ali meant. Rashad, Haadin,
and Ruadh would hold off the soldiers while Muallah and Ali
escaped. They needed Assad to fly the helicopter, but the others
were disposable. "We need Assad to set the
explosives in this room," Muallah said aloud to Ruadh. "Take his
place and send him here." "I can—" "I require Assad," Muallah
ordered. Ruadh bent his head and left, with a last glance at the
control panel. "Only three minutes left,"
Ali said, gazing at the red numbers. "I want to be outside when
the Trumpet sounds," Muallah said. He felt rapturous,
transported. His moment was at hand. "We need to hurry," Ali
said. Gaming Center, Schriever Air
Force Base "Who's in the Center?" Lucy
asked, holstering her gun. "Lowell Guzman," Eileen and
Joe said together, and grinned at each other. "Lowell," Lucy said
wonderingly. "He's the murderer? And Major Blaine was trying to
shoot him?" "He sure wasn't aiming at
us," Eileen said. "I think—" She was interrupted by the
earsplitting shriek of a siren. The hall to the Gaming Center lit
up with swirling red lights. Lucy and Stillwell jumped.
Joe Tanner gasped. "Oh my God," he
shouted. "What is it?" Eileen said,
shouting over the whooping of the siren. "It's a launch," Joe shouted
back. "It's impossible. It's—" Then he turned and was gone,
bounding up the hallway into the Center. Stillwell and Eileen looked
at each other, then at Lucy. The color was draining out of Lucy's
face. "What is it?" Eileen
asked. "Muallah," Lucy whispered
from ashen lips. "Muallah is going to launch." Turtkul,
Uzbekistan Anna saw the distant
silhouette of a figure at the top of the silo, the figure she'd
been dreading, and she felt her whole body go rigid. As if that
would help stop the bullets. "Hello?" a voice echoed down
the silo. Anna blinked in disbelief. The voice and the language
were Russian. Russian. "Hello!" she screamed.
"Hello, help us, please!" Ilina stood, dislodging
children left and right, her face wild with hope. "Help us, we are Russians,
we are women and children, help us, please!" she shouted, then
burst into hysterical laughter. "They are Russian, Ilina,
Russian!" Anna shouted, and then everyone was on their feet,
shouting and laughing and crying, as the first ropes came down
the silo. A very tough-looking Russian
soldier slid down the rope like a circus acrobat, facefirst, a
wicked-looking rifle at the ready. He landed on his feet and
bounced like a tiger. His eyes darted everywhere. "You okay?" he asked
Anna. "We are okay," Anna said,
wiping at her face with her apron. "The terrorists? You have
killed them?" "Some of them," the soldier
admitted. "We need to get you out of here as quickly as possible.
Do any of you need a doctor?" "No," Anna said, and bit
her lips to keep from laughing aloud. Was it wrong to feel this
joyful when Dmitri lay dead so close by? But she could not help
it. She had survived, and so had her children. "Tell us what to
do." Moscow, Russian
Republic "They have the women and
children," Colonel Kalashnikov shouted. This turned the gloom of
the Command Center into sudden excitement. Losing twenty men and
three assault helicopters was a terrible blow. The silo covers
had blown without warning. Now that twenty trained soldiers were
dead, it was easy to see how stupid they had been not to plan for
such an event. Now that the covers had blown, that is. Cherepovitch was still a
mottled shade of purple. Major Paxton was white with anxiety.
He'd received more information from his superiors in Washington,
and none of it was good. Muallah hated America, it seemed. The
Russian Republic was not a likely target if Muallah got a missile
off after all. "We will succeed, Major,"
Kalashnikov said softly. "We have half our force left, after all.
We will kill them." "I hope so, sir," Paxton
said woodenly. Gaming Center, Schriever Air
Force Base Joe slapped the commander's
console and the siren stopped in midwhoop. He bent over the
console, fingers waving in the air uncertainly, then punched the
access keys to NORAD. "Get in here!" he roared in
the direction of the doorway. Then he keyed the microphone to
NORAD. "This is Joe Tanner?' he
said. "War Game Center? What—" "Oh my God," a voice burst
from the console. "General, we've got someone! We've got
someone!" "This is Major General
Kelton," another voice said calmly. Joe barely noticed Eileen and
Lucy and Stillwell joining him at the console. "We are unable to
release the Missile Defense system from NORAD. We have a possible
launch event. Is this clear?" "That is clear," Joe said
with lips as pale as Lucy's. "Uh, sir." "The system has to be
enabled from the War Game Center. We predict—" There was a brief pause.
"Perhaps twenty minutes to launch. Can you get the system enabled
and released?" "Yes, I can," Joe said
slowly. He looked around the Center uncertainly, looking
bewildered, then focused on Lucy and Stillwell and Eileen. He
nodded. "I have enough people to run the consoles." "Who is this?" the General's
voice asked. But Joe was already gone, leaping from floor tile to
floor tile on his way to the Truth Team room. "I've got to start it from
here!" he shouted. "Follow me!" Eileen immediately followed.
Stillwell glanced at the console, and Lucy waved him
on. "Go," she said. She pressed the same key Joe
Tanner had used. "This is Lucy Giometti, CIA," she said crisply.
"Joe Tanner is going to start up the system, but he needs our
help. We'll contact you when we're ready. Over and
out." Cheyenne Mountain,
Colorado "CIA? What do you mean,
CIA?" General Kelton was shouting, but the connection was dead.
"How long until the helicopter gets to Schriever?" he
snapped. "ETA twenty-eight minutes,"
Major Parker said in a dead voice. "It's going to be way too
late." "I know Joe Tanner," a
captain piped up. She was at another communications console. All
faces turned to her. "He's a Truth Team guy. I talked to him last
time we were out there for a demo. He knows how to start up the
system. He does it all the time." "Sweet Holy Mary," murmured
Major Parker. "What is Joe Tanner doing at
the Center at ten o'clock at night?" the General asked. "And what
is a CIA agent doing there? Get me Admiral Kane," he said to the
Captain. General Kelton scrubbed his
hands over his balding head. He was furious because he was
helpless. He stalked up and down the room, watching the screens,
waiting for the telltale plume that he could do absolutely
nothing about. Gaming Center, Schriever Air
Force Base Eileen watched as Joe
Tanner's fingers flew over the keyboard. Joe bit his lips into a
bloodless line as his eyes flickered back and forth across the
screen. "Thank God I was already set
up for play," he said. "All I have to do is—" "All you have to do is
what?" asked Stillwell after a long moment. Eileen glared at him
and made a shushing sound. Joe ran his hands through his hair and
looked at the screen. He kept on typing. Eileen and Stillwell and
Lucy stood like statues behind him, looking at a screen full of
windows that were full of words that meant nothing to
them. Joe stopped typing. He put
his hands on his forehead and squeezed his fingers around his
temples. He sat and stared at the screen for long endless
seconds. Then he nodded. "Eileen, go to the
commander's console," he said crisply. "That's the one I was just
standing at. Uh—you, pregnant lady, go sit at her
left. That's Missile Launch Control. Major, go to the Space
Command console." "Where's that?" Stillwell
asked humbly. "Third door on the right,"
Joe snapped. "Go!" As they hurried out of the
room, Joe shouted after them. "Push the button on the bottom left
of your communications box, that's the green button. That gives
us hot-mike communication." Eileen sat down at the
commander's console. It showed the swirling cloud of nuclear
detonation over Washington, D.C., the same one she'd seen days
before. Joe had been replaying the game, she realized. Lucy was
staring at her screen with horrified eyes. "An old simulation," Eileen
hissed. She punched the green button on her communications
console. Suddenly the screen in front of her went dark. The whole
room darkened as the large screens went dark as well. Then, one
by one, the screens lit up with a perfect blue and white globe.
The earth. "This is a simulated earth,"
Joe Tanner said. His voice seemed to come from everywhere. "But
everything on it is real. We can't do real clouds and we don't
need to, not really." "Why not?" Eileen whispered.
Her voice came out of every speaker in the Center, and she
winced. "We can see through clouds,"
Lucy said matter-of-factly. Her voice echoed from every corner of
the room. "Welcome to the world of Top Secret,
Detective." "Okay, I want to engage the
whole Brilliant Pebble system," Joe said. "I don't know where the
launch is and I don't care—" "Uzbekistan," Lucy
said. "Okay, we'll focus our best
satellite sensors there, after we get the system enabled," Joe
said. Eileen looked over at Lucy, and Lucy offered a tiny
shrug. "CIA?" Eileen mouthed
silently, and Lucy made a mouth. Eileen grinned like a
child. "We have to engage in
sequence," Joe said. "Eileen, you're Command. I've hooked us to
the hardware-in-the-loop. When we're fully integrated and
on-line, your console will show the Enable key. When it does, you
press it with your mouse key. Understood?" "Understood," Eileen
squeaked, then coughed in embarrassment. "Next, pregnant lady. You're
secondary command. Your key will light after Eileen presses her
key. That's the second key. You have to press it within ten
seconds of Eileen or we'll have to start over. Okay?" "Okay," Lucy
said. "Major, you're Space
Command. You have Brilliant Pebbles. You have a bunch of choices
on your screen. Ignore them all. Punch the All Enable key, it
will light up after the pregnant lady—Dammit, what's your
name?" "Lucy," Lucy
said. "After Lucy presses her key.
Don't screw up. Okay?" "All right," Stillwell said.
Eileen could see him through the open door of his room. He was
sitting at a console just like the one where Terry Guzman was
found, his computer on a spindly table with a single stalk for a
leg. He looked out at her and Lucy, and gave a little wave.
Eileen looked over at Lucy and saw that she was
smiling. "We can do this," she said
confidently. Her voice came out of all the speakers. "Of course we can," Joe said
absently. "Waiting to go online." Suddenly one of the big screens
of the globe disappeared and was replaced with an odd-looking
chart of satellites and lines. The lines connected the satellites
together. All but three of them were green. "Come on, come on, come on,"
Joe said tonelessly. "Come on, you bastards. Hook up." Turtkul,
Uzbekistan Muallah was twenty feet from
the lip of the silo when the world suddenly filled with sound.
Ali was ahead of him and Assad behind him. He could see a
crescent of sky beyond the nose cone of the missile in their
silo. "Allah akhbar!"
he screamed, but he
could not hear himself. He looked up, into the blue day, to see
the Trumpet flaming upward into the sky. Muallah screamed in
triumph as the roaring filled the world with sound.
37 Cheyenne Mountain,
Colorado "We have a launch event,"
Major Parker said tonelessly. General Kelton stopped his pacing
and sat down in the commander's seat. "Well, people," he said
calmly. "Here we go. Get me Air Force One." Gaming Center, Schriever Air
Force Base "We've got a launch," Lucy
said. She was staring at the big screen, her eyes huge and
bruised looking in her pale face. Eileen looked away from the
communications console, where one line remained red, and gulped.
There was a big black dot in the map of Uzbekistan. "Ignition plume," Stillwell
said in a gulping voice. "Be ready," Joe warned, his
voice tight and angry. "Goddammit, you all just be
ready." Eileen held her finger over
the mouse key, her mouse pointer hovering over the Enable key,
which was dark and useless. Her finger trembled over the mouse.
She looked away from the screen. "Where is it headed?" Lucy
whispered. "Don't look," Joe snapped.
"We're almost there, almost there, almost there ..." Eileen focused her whole
body on the dark Enable button. "Light, light, light," she
whispered. The button flashed green as
Joe shouted "Now!" from the Truth Team room. Eileen stabbed her
mouse key, and her button started flashing. She looked over at
Lucy. Lucy was clicking on another green button. They got up
together and ran toward Major Stillwell's room, leaping awkwardly
over the empty floor tiles. Joe appeared from the Truth Team room
and beat them both to Major Stillwell. "Here, here?" Stillwell
panted. His console was a confusing mass of flashing buttons and
weird-looking symbols. His unwashed hair flopped on the back of
his neck. Beads of sweat stood out on his face. "Right there," Joe said, and
his voice was reassuringly calm. "Punch it." Stillwell punched the
button, and the console flashed yellow, then green around the
edges. "Done!" Joe shouted. Eileen
and Lucy crowded in the doorway. "We did it!" "How long 'til they shoot it
down?" Lucy asked. "Minutes," Joe said
confidently. "We got it released in time, I'm sure of it. Now
let's go see where it's headed." "Should I stay here?"
Stillwell asked. "No, we can all go to the
commander's console," Joe said. "We need to tell NORAD we got the
Pebbles enabled." Like children playing
follow-the-leader, Eileen and Stillwell and Lucy leaped back to
the commander's console, following Joe. On the way, Eileen spared
a thought for Lowell Guzman, unconscious and bleeding less than
ten feet away, and Major Blaine, facedown in the hallway. Then
she put them out of her mind. Joe punched the NORAD
sequence again. "Pebbles are released," he said. "Uh, General.
Sir." They heard faint shouts and
cheers from Cheyenne Mountain. "What about a follow-on?"
Joe asked. "Is there going to be more?" "No follow-on," General
Kelton said. "The Russian troops secured the base just as the
missile took off. The terrorists are all dead." "Good," Lucy said
fiercely. "Where's the impact
location? The President needs to know." "We all need to know,"
Eileen said dryly. "General impact location is
the northern United States," Joe said, looking at the globe of
the Earth on the console. Eileen saw a large gray splotch over
the northern part of America. It looked horrible, like a
monstrous amoeba. "Northern United States? Not
Washington, D.C.?" Lucy asked in surprise. Joe typed on the commander's
console. The screen in front suddenly shifted to a view over the
United States. The blotch was shrinking rapidly. It now covered
the Great Lakes regions and was decreasing by the second. Eileen
realized the computers must be predicting the impact from the
missile's trajectory. "It's the gut shot," Joe
said numbly. The microphone to NORAD was still live. "The gut shot?"
General Kelton said. "The gut shot," Joe
repeated. "The body blow. The kidney punch. You know. Chicago,
Illinois. We play that one all the time. You take out the
industrial heartland. You take Chicago, you poison Detroit, Gary,
Indiana, all the industrial centers. Then the fallout drifts over
Ohio, Pennsylvania, New York. America loses her industrial
capacity all in one strike. Not too good for crops in the
Midwest, either." "Oh my God," Eileen said
faintly. "Much more effective than
the decapitation strike," Lucy murmured. "Decapitation?"
Eileen
whispered. "Of course," Joe said.
"Decapitation is Washington, D.C., Eileen. Take out the federal
government and supposedly you destroy our country. Cut off the
head, you kill the body. But anyone who does their homework knows
we don't really depend on Washington, D.C." "Bomb Washington, D.C, and
you just piss the hell out of America," Stillwell said, nodding.
"And you don't have much of a chance of getting the President.
They can get him out of Washington fast. You can't
decapitate us, not really." "Well, it would hurt pretty
bad," Lucy murmured, and Eileen remembered the other woman was
from Washington. "We'll let the President
know. God grant those Pebbles will work," the General said over
the loudspeaker, startling them all. "God grant we were in
time." Turtkul,
Uzbekistan "You think this was the
guy?" the soldier asked, rolling the body over with his toe. The
arms flopped limply and the eyes gazed at the brilliant sky. The
eyes blinked; the man was still alive, but he wouldn't be for
long. The blood was pouring out of three bullet wounds in his
chest. "He doesn't look like a
leader," the other soldier said doubtfully. "He's too
young." "Maybe this guy," one of
them said to the other, going to the other body lying limply in
the dirt. Behind them, Muallah gazed
at the sky. It was a brilliant and beautiful blue. The faint
contrail of the missile crossed one side of his vision. He would
have liked to move his eyes to see if he could see the missile
still climbing into the heavens, but his eyes no longer obeyed
him. He would go to Allah, and
that would be good. He would bring with him all the souls of the
American infidels to be his slaves. Allah had decided that
Muallah was not to be the leader of the new Arab empire, and that
was the will of Allah. Muallah had fulfilled his jitan,
his holy mission, and that, too, was the will of
Allah. Allah akhbar,
he tried to whisper,
but the sky was growing dark around him, swirling in black flakes
like the fires that would consume the Western world. Allah
akhbar. Air Force One "Hold on," the Secret
Service agent said. The plane didn't just bank; for a moment
Richard thought he was going to pass out as he was pressed deeply
into his seat. "Secondary sanctuary is
Florida," the Secret Service agent said through compressed lips.
Air Force One was doing a complete reversal in midair, turning on
her tail and fleeing back in the direction from which she had
come. "Maine wasn't such a good
idea after all, I guess," Steve said, his eyes sparkling with
excitement. He loved roller-coaster rides. Not that he'd had a
chance to ride on any in the past three years. The Secret Service
would simply not hear of it. "Oh my God, Chicago," the
President said. Richard tried to pat Dad's arm, but his own arm
wouldn't leave the seat. Dad was a terrible ashy color. Nobody
else looked very good either, and it wasn't because of the
g-forces. "We have the Brilliant
Pebbles, sir," the Secretary of Defense said with a grotesque
attempt at confidence. "I hope they work," the
President said, and blinked rapidly. He bowed his head, and for a
moment Richard couldn't figure out what he was doing. Then he
realized his father was praying. Moscow, Russian
Republic Kalashnikov could not bear
to look at the American. But he could not live with himself if he
did not. The Command Center was sick with tension. The radio
communications link was open, but was silent except for a slight
hiss of static. The roar of the missile launch had been clearly
audible over the link. The projected impact had come in a scant
two minutes later. The United States. After that, everyone had
fallen into a helpless silence. "General Cherepovitch,"
Major Paxton said abruptly. His words were slurred and drawn out,
as though he were speaking an entirely different language than
English. Oddly enough, Kalashnikov had recently seen Gone With
The Wind in the theater and recognized the accent
immediately. Kalashnikov looked at Paxton and saw that the
Major's face was pale and his lips were bitten to a bloodless
line. His precise and unaccented English was gone, but his eyes
were still sane. "Major Paxton," Cherepovitch
responded formally. "We must prevent war between
our countries," Major Paxton said. For a moment Kalashnikov
didn't understand what he meant; in Paxton's accent, thick with
stress, "war" had come out as "wah." Cherepovitch bowed his head.
Kalashnikov realized his palms were damp and stinging. His
fingernails had bitten through the skin. Was this to be the end?
Not just the end of Salekhard, democracy, clean water and food
and opportunity, but the end of everything? Like the films his wife so
loved to see, Kalashnikov could see the course of disaster. A
Russian missile destroying an American city. A million dead,
thousands more screaming in blind, burned agony. Thick
radioactive ash falling over American soil, killing animals and
plants, sickening children. All of it on television, all of it
traceable to a Russian missile silo, a Russian bomb. Would the
terrorist who launched the missile matter in the end? Or would
the American people, mad for revenge, demand a response?
Kalashnikov squeezed his fingers in his palms and felt the warm
stinging of blood. He looked at Major Paxton and saw the man
looking back at him with haunted, sickened eyes. They both knew
there would have to be a response, and the result would lead to
war. "We will help you however we
can," Cherepovitch said simply. "I would have done the same
as you," Paxton said heavily, reluctantly. "I would not choose to
save my country over the bodies of your women and children. You
did your best." "We did our best,"
Cherepovitch said. "I'm sorry that it was not enough." Gaming Center, Schriever Air
Force Base "Come on," Joe said. They
looked at the main console, watching the missile track grow and
grow. He typed rapidly on the commander's console, a frown
pinching his forehead. Eileen looked on helplessly. Lucy and
Stillwell stood with their hands at their sides. "Everything is enabled. They
have to get an intercept solution. They have to!" Joe
said. "It's almost to the Pole,"
said a voice from NORAD. For an eternity they stood,
staring at the growing black track. Eileen thought of the babies
being born in Chicago hospitals, the cops patrolling
neighborhoods and chasing drug dealers and prostitutes and doing
their best to keep the streets just a little bit safe, just a
little bit sane, and this insanity was flaming toward them and it
wasn't stopping. There were late-night restaurants and
millions of people sleeping sweetly in their homes and they were
going to die, all of them, if that curve didn't stop growing.
There had to be something else they could do. "Is there something else we
can do?" Stillwell asked, his face in agony. Joe put his hands to
the sides of his face and shook his head back and forth, eyes
stricken. Lucy choked back a sob. "Come on, baby, come on!"
Eileen suddenly shouted. She couldn't stand it anymore. "Come on,
baby, find that bastard. Come on!" Lucy glanced at Eileen and
then shook her fists at the screen, grinning wildly. "Comeon! Comeon! Comeon!"
she shouted. "Find the ball, baby," Joe
shouted, jumping up and down and laughing. "Find the fucking
ball, baby, you can do it!" There was nothing from the
speaker at NORAD; perhaps they thought this weird set of Gamers
had gone completely off the deep end. Stillwell joined in, his
face flushing red. "Go for it, man," he shouted
in a hoarse voice. "Go for it!" Eileen started laughing.
They were all shouting at the computer screens, screaming at
them, and it wasn't doing a damn thing, but it felt good,
it felt as if they were doing something. She was looking at the
center screen when there was a flash of brilliant light. The
light was nearly blinding. The whole room lit up fiercely, and
then the light was gone. "Did you see that?" she
gasped. They all stared at the screen, silent and still in an
instant. "Yes," Joe said. "Yes," Stillwell
said. "Yes!" Lucy
shouted. The gray splotch over
Chicago, the projected impact point, disappeared without any
fanfare. One moment it was there, the next it was
gone. "The missile has been shot
down," Joe said quietly, voice trembling. He looked at his
console and typed rapidly for a few moments. "This is NORAD," General
Kelton said from the speaker. His voice sounded shaky and young,
like a boy's voice. "Can you confirm what we're
showing?" "I can confirm it, sir," Joe
said. "No threats are in the air." "The skies are clear?" Lucy
asked, her face unbelieving. "Clear?" "All clear," Joe
said. The speaker from NORAD
erupted with shouts and cheers, but Eileen paid no attention. She
was kissing Joe, and Lucy, and even Alan Stillwell, who was rank
and sweaty and dirty— but she didn't care, they had
done it. The earth floated on the big screen, pure and
blue.
38 Memorial Hospital, Colorado
Springs When Lucy parked her rental
car the sky was beginning to lighten, although it wasn't yet five
o'clock. The bulk of Pikes Peak blocked out the stars to the
west, clearly visible in the light of the false dawn. Lucy
lingered for a moment, breathing the clear morning air, then
headed for the entrance doors to Memorial Hospital. "Yes?" The nurse behind the
emergency-room admitting desk looked tired. "I'm looking for Detective
Reed," Lucy said politely. "She should have come in here a little
bit ago." An orderly coming down the
hall heard the conversation and stopped at the desk. "Sure, Eileen," he said.
"She's with a suspect. They've got police guards. Guzman," he
said to the nurse. The nurse nodded back. "They're up on the third
floor, where we have the prisoners' rooms." "Thanks," Lucy said
politely. "Waiting rooms are to the
left," the orderly said helpfully as Lucy walked toward the
elevators. Moscow, Russian
Republic The room smelled of
desperate and unexpected victory, stinking with sweat and bad
breath and the sharp tang of vodka. In respect for the rules,
Cherepovitch had allowed only one shot for each soldier. Alcohol
was strictly forbidden in GRU headquarters. "It's the size of the damn
glasses that gets me," Major Paxton said to Kalashnikov, one of
Cherepovitch's cigars clenched in his still trembling fingers.
"You think they're such tiny little things, and the next thing
you know you're singing and being dragged along the street by
your friends because you can't walk anymore." Kalashnikov laughed, but not
loudly. He was still shaky from reaction. They were sitting in
the upper control room, a booth where cable news played around
the clock. Hours, it had been, and nothing had leaked. The
biggest story was the American tour of the Polish rock band
Night, now singing to sellout crowds and being likened to the
Beatles, during the British invasion. "Every new band gets
compared to the Beatles," Paxton said. "When I was a kid the Bay
City Rollers were compared to the Beatles, for
godsake." "Who?" asked
Kalashnikov. "So tell me, Major,"
Cherepovitch said casually. "Why do you think the weapon
malfunctioned?" "Could be the guidance
systems were corroded somehow," Paxton mused. "Or faulty to begin
with. I'm sure our entire fleet of nuclear missiles—what's left of them—are going to be overhauled
starting immediately. I'm sure you'll do the same." "You wouldn't, perhaps, have
shot it down, would you?" Cherepovitch asked, taking a puff on
his cigar and squinting his eyes as though he were telling a
joke. Paxton threw his head back
and laughed. "You don't get off that
easy," he said. "Our missile defenses were never installed,
remember? We made up Star Wars to end the arms race, not to
actually build the damn thing." Paxton put his cigar in his teeth
and put an arm around Cherepovitch and his other arm around
Kalashnikov. He gave them both an unexpected and very Russian
bear hug. "We were damn lucky, that's
all," he said. Memorial Hospital, Colorado
Springs Eileen was slouched in a
chair in the waiting room, trying to read a magazine. Stillwell,
who was grimacing and sipping at some very old coffee, looked
up. "Did you get the Pickle home
safe?" Lucy asked. Stillwell had dropped her at the hotel before
returning Gwen's car to the airport. "Safe and sound," Stillwell
said, grinning. Eileen snorted. "I can't believe you got
that thing to go over twenty." "Gwen was amazed too,"
Stillwell said. "Where's Joe?" Lucy
asked. "At home," Eileen said. "I
took him home. He needed the sleep. And he didn't want to talk to
Lowell." "I can understand why," Lucy
said. "And Blaine?" "Safe in custody at
Peterson," Stillwell said with satisfaction. "Now all we have to
do is figure out why Blaine was trying to shoot
Lowell." "That's all we have to do
now," Lucy said. She saw her smile answered in her new friends'
faces. Even though none of them had gotten any sleep that night,
they were still all on a high. Saving the world was better than
sleep. "Blaine won't talk,
right?" "Oh, he talked," Stillwell
said. "He sounded like a lawyer trying to beat a speeding ticket.
He kept telling me he thought Lowell was armed, he thought Lowell
was threatening Eileen, blah blah blah. I don't buy
it." "I don't either," Eileen
said. "Hey, is that a package of Oreo cookies?" Lucy looked down
into the open mouth of her handbag. "Hey, so they are. You want
some?" "The vending machine is out
of order," Stillwell explained. Lucy doled out the cookies
and sat down with a sigh. "Somebody give me
background," she said. "Eileen, how about you?" "Lowell should be coming
around pretty soon. They said it was only a concussion,"
Stillwell said. "I want the story too, if you don't
mind." "I don't mind," Eileen said,
crunching into an Oreo. "You told us all 'bout that Muallah
creep, anyway." "Let's just call him the
Creep." Lucy winced, looking around the very unsecured waiting
room. She'd told the story of Fouad Muallah and his Trumpet of
Doom during the wait for Colonel Willmeth and the rest of the
Schriever cavalry. Eileen Reed would have made
a great CIA analyst, Lucy decided, even if she was beautiful the
way Lucy usually detested: long-limbed, straight dark reddish
hair, gorgeous cheekbones. Still, she had an incredible brain
behind all of those good looks. "Well, I'm glad the Creep is
dead," Eileen said with satisfaction, sipping at her coffee. "You
know, it's too bad he never knew all his great plans were foiled
by a woman." "A woman?" Lucy asked in
confusion. Joe Tanner wasn't a woman. "You, Lucy Giometti, you
know?" Eileen said, as though it were obvious. "We and the
Russians both were alerted to the whole situation in time to stop
him from getting away, if not stop him. And if you hadn't been at
Schriever we couldn't have started up the system to
stop"—here Eileen looked around
cautiously—"it." Lucy smiled. "I never
thought of it that way," she admitted. "It's almost too bad they
didn't catch him alive. I would have liked to see him realize he
was beaten." "For Sufi's sake, if no one
else's," Eileen said, and Lucy nodded, feeling an enormous rush
of affection for her new friend. Eileen
understood. "So what about Lowell and
your investigation?" Stillwell asked. He hadn't showered and was
still remarkably filthy, but his raccoon eyes were intent. Lucy
realized that his man, Blaine, was still not quite in the
bag. "I'll fill you in up to
tonight," Eileen said. "My partner should be here before I'm
done. I want him to hear what happened tonight. At least, the
part about Lowell and Blaine." They all exchanged grins,
and Lucy felt the laughter bubbling up inside of her
again. "Okay, I'll start with Terry
Guzman. She was murdered during the War Game this week, found
with a sharpened screwdriver in her back...." Rosen showed up before
Eileen was finished, carrying a bag of subs and a thermos full of
coffee. He delivered the subs and shook hands with Lucy and
Stillwell. Economical as always, he said nothing, but sat down in
a chair and unwrapped his own sub. "I'm almost finished
catching them up tonight," Eileen explained. Rosen nodded, and
for a few minutes there was no talking at all. "Ahh, better." Lucy sighed
after swallowing her last bite and crumpling up her sandwich
paper. "Thank you for bringing those, Detective." Rosen nodded
gravely. "Okay, go on," Lucy said.
"This is incredible. You know Terry's contact was Major
Blaine?" "That's why we have to wait
for Guzman to wake up," Stillwell said. "I don't think we can get
an espionage conviction from a single phone number. And unless we
can prove the espionage, Major Blaine can beat the attempted
murder rap in court." "Sure, just doing his job,"
Rosen said gloomily from the depths of his chair. "We thought the murderer was
Blaine," Stillwell said, sipping at his coffee. "Now we know it
was Lowell." "Lowell was trying to kill
Joe Tanner, at least," Lucy said thoughtfully. There was a
silence among them. Eileen looked out into the
deserted hallway. The waiting room was softly lighted and
tastefully decorated, but the chair arms were soiled and the
magazines tattered. The signs of waiting. "I'm hoping Lowell has
something to say about Blaine," Eileen said. The on-duty doctor appeared
in the doorway and contemplated the small group of people. He was
thin and elderly. He wore glasses, and his blue scrub suit was
wrinkled. "No problem with the
stitches, no fractures, and your patient is waking up," the
doctor said, taking off his glasses and polishing them with a
handkerchief. "Four visitors?" "Four, please," Eileen
said. "Room 309," the doctor said.
"Don't stay long." Lowell was awake.
The face was as
innocent-looking as Eileen remembered it, although it was bruised
and swollen along the right side. A white bandage covered half
his head. There was an IV taped to his wrist. Lowell saw Eileen
first and looked away. His eyes were blurred and
vague. "First, the business,"
Eileen said. "You have the right to remain silent..." When Eileen finished reading
Lowell his Miranda rights, she asked him if he was willing to
speak. "Sure, why not?" Lowell
said, not looking at Eileen. He glanced at Lucy Giometti, and
turned away from her bright look of loathing. Rosen leaned
against the door frame. Still-well stuffed his hands into his
grimy pockets. "Why did you kill Terry?"
Rosen spoke first, quietly. "I don't know why she
married me," Lowell said, and moved his hands on the covers. "I
don't know why. She wanted—I don't know what she
wanted." "Why?" Eileen repeated
patiently. "Because she was going to
lose her job. She was so obvious about her little games. I found
out about her and Major Blaine—" Lowell caught the abrupt
movement from Stillwell. He looked at Stillwell, and
understanding cleared the sad brown eyes for a moment. "Ahh, you want him? He's got
a habit, that's what Terry said. When I confronted her. They
didn't sleep together, they just did business. You can't screw on
heroin. I guess he got the habit overseas." Lucy gave a little shudder
of disgust. "Terry, everything was easy
for her, you know?" Lowell added in a blurred voice. "From the
time she was a little cheerleader in high school, everything was
just handed to her. Her mom and dad gave her money, a car, a
college education. When things got hard in college she just went
out with guys who would help her get through her classes, help
her cheat. She didn't even really have a computer science degree,
she had a business degree with a CS emphasis." Lowell chuckled rustily, his
eyes focused far beyond the people in the room. "Emphasis," he said
bitterly. "She couldn't code her way out of a paper bag. But ah,
God, she looked so good, she smelled so good, she wanted me, and
I would have done anything for her, anything...." His voice
trailed off and his eyes sharpened. He looked over at Eileen.
"She had anything she wanted, but she always wanted more. Why is
that, do you know?" "Who did Blaine pass the
information to?" Eileen asked neutrally, struggling with a desire
to feel pity for the drugged man. He was pitiful, but he was a
monster. "I don't know." Lowell
sighed. "Once I found out it was too late, you know. All I could
do was beg her to stop, and she just laughed. I'd lose my
clearance. They'd probably send me to jail, too." "That's why Blaine tried to
shoot him," Lucy said. "With Lowell dead, no one could prove that
he was her contact." Lowell turned his blurry
gaze to Eileen. "She was so wicked. Didn't
you find that out? Didn't everyone tell you how evil she
was?" "She didn't deserve to die,"
Rosen said coldly. "And Art?" Eileen said,
tasting the brightness of revulsion in her mouth. "Was Art evil
and wicked? Is Joe Tanner?" Lowell looked puzzled. The
big hands on the coverlet stirred a little, then relaxed
again. "I—don't know," he said. "I couldn't
let Art find out it was me. Who would have thought you could play
back those terminals? I thought I had the perfect murder planned.
I worked on it for months. I even tested it one Game earlier,
without raising the floor tile behind her. But Art figured it
out." Lowell shook his head. "Then Joe figured it out
too, and left a message for Nelson. I—" He looked around the room,
seeking understanding. "I couldn't let them figure it out. It was
easy, after killing Terry. It was easy after the first
time." Lowell laid his head back on
the pillows, his bruised face gray and wan. "It was pretty easy,
really," he muttered, and fell asleep. Eileen, Lucy, Rosen, and
Stillwell stood around the bed and watched Lowell Guzman sleep.
They looked at each other, and as they turned to leave the room
the first light of dawn began to touch the windows with pink and
gold.
39 Denver Animal
Shelter Fancy surged to her feet
along with the other dogs in the kennels that lined the room. It
was morning. Someone was coming in from the street entrance. The
dogs barked. Debbie walked an elderly couple down the corridor.
Fancy wagged her tail, trying to shove her tender nose through
the chain link of the kennel gate. A volley of barking burst
from one of the kennels and the couple rushed to the door. The
girl opened the door and a little white poodle came bounding out,
leaping in joy around the old couple's feet. The barking died down as the
kennel keeper escorted out the old couple and their
dog. Debbie petted Fancy as she
hosed out her kennel later. "Tonight for you, Fancy.
Game over. Sometimes I hate this job," the girl said to herself.
She latched the door and moved to the next cage. Peterson Air Force Base,
Colorado Major Stillwell looked at
the film on the closed-circuit camera. "What's the matter with
him?" the guard asked. "He's driving me crazy in there. He keeps
pacing and pacing." "I know what the matter is,"
Stillwell said. "He's a junkie. And in about six hours he'll be
so frantic he'll tell us everything we want." "A junkie," the guard said,
and looked with disgust at the tiny figure walking back and
forth, back and forth, in the little cell. "Be careful around him,"
Stillwell warned. "He might get pretty violent." "I'll be careful," the guard
said. He'd let Blaine stew for a
while longer, Stillwell thought. Time enough to go home and
shower and catch a few hours of sleep. He smiled in grim
satisfaction, looking into the camera. "Hey, you're the one who
crashed in that cornfield?" the guard asked suddenly. "I heard
about that. What a pain in the ass that must have been,
sir." "You're telling me,"
Stillwell said with feeling. "Was this guy the
reason?" "One of them," Stillwell
said with an unbelieving laugh. "One of them." For the first time,
Stillwell realized that his little adventure was going to
accelerate his career. Accelerate? Hell, he was the ranking
military officer at the first-ever shoot-down of a nuclear
missile in flight. He was going up for colonel in another year,
and he had no doubt about what would happen. He might even be a
general someday. For the first time in the whole endless journey
from the Oklahoma cornfield to Colorado, Alan Stillwell
contemplated his suddenly brilliant career. "Well, you got your man,"
the guard said. "Sir. Congratulations." "Thanks," Stillwell said. He
felt great. Tired and still dirty, but no longer confused. He
felt just great. "Thanks." Village Inn Restaurant,
Colorado Springs The sunlight glittered on
the clean table, the glasses of ice water, and the surface of the
hot coffee in the thick china mugs. Steam curled up from the
coffee. Eileen sighed, feeling the
exhaustion but not willing to surrender to it, not yet. Now was
the time for a few minutes of contemplation and quiet
celebration. There were people eating eggs and drinking coffee at
Village Inns in Detroit, Michigan; Scranton, Pennsylvania; and
Buffalo, New York. There were babies being born, old people
sitting in rocking chairs, punks stealing cars and addicts
getting their morning fix, and all of it was wonderful,
wonderful, because the alternative was too horrible to
contemplate and it had nearly happened. "I wish he would have lived.
He should have known he was beaten," Lucy said quietly, sipping
her coffee and looking out the window. Pikes Peak looked as
stunning as it always did. Eileen saw with affection that Lucy
couldn't seem to stop looking at the mountains. Eileen understood about
Muallah. She'd met several Muallahs in her police career, men who
believed women were like disposable tissues. The way Lucy tracked
Muallah down and figured out what was going on was stunning. If
only the CIA had listened, they might have had a team in place
and the missile might never have been launched. "I can tell you're not a
cop," Eileen said. "I'm glad they shot him. If he'd lived, who
knows what would have happened? He might escape, or be acquitted.
Nope, I like the idea of Muallah cold and dead just
fine." "You're right," Lucy said.
"I really meant to say, I wish I was the one who shot
him." She grinned at Eileen, and Eileen grinned back. They were
the same kind of woman, Eileen thought, even if Lucy was a
stunning beauty and Eileen was just Eileen-looking. "Here's breakfast, ladies,"
the waitress said cheerfully, and started setting down an amazing
array of plates. Later, Eileen watched as
Lucy continued to tuck her enormous breakfast away. Bacon, eggs,
hash browns with gravy, pancakes. Eileen had finished her
pancakes long before, and was sipping her coffee
contentedly. "I'll be out of here this
afternoon," Lucy said with real regret. "I have about a zillion
debriefs to go through when I get home." "I hope this helps your
career," Eileen said. "Oh, I think this will help
a bit." Lucy grinned. "You're going up to NORAD today? Or
tomorrow?" "Tomorrow," Eileen said. "I
need to sleep today. I have about a jillion reports to fill out
too. I've been to NORAD, anyway." "This will be a classified
visit. You're going to see things you never saw before," Lucy
predicted confidently. "Besides, you're a hero. They'll roll out
the red carpet." Eileen shrugged, feeling
uncomfortable. "Not me, that would be Joe,"
she said. "And you." "Hmm," Lucy said, waving a
chunk of sausage on her fork. "Let's see, if you hadn't gotten
out there Lowell would have gotten Joe, and Joe wouldn't have
been alive to start the system, so—" "And if you hadn't been
there Blaine would have gotten both of us," Eileen shot back,
smiling. "And if Stillwell hadn't
crash-landed in his cornfield and showed up at just the right
time—" "And if my mom had never met
my dad," Eileen finished, laughing. "It was all a miracle, that's
all. I'm glad I was there. I'm glad you were there. You know, if
you ever get tired of Washington, I could get you a job out
here." "Funny, I was about to say
the same." Lucy grinned. "It was nice to work
together," Eileen said wistfully. How often had she met someone
like Lucy? Once, twice in her life? One of those had been Bernie,
and she felt a surprisingly sharp stab of grief for her lost
friend. "Yes," Lucy said. "Thanks
for the file." She gestured to her briefcase, where a copy of
Doug Procell's conspiracy file lay, as yet unread. "The least I could do."
Eileen shrugged. She had a sudden idea and cleared her throat
nervously. "Uh, I have a favor, maybe..." "If I can do it, it's
yours," Lucy said simply. "I was wondering if you
might be able to get a government file on a plane crash," Eileen
said. Her voice grew harsh. "I was a friend of hers, and they'd
never let me see the file. I was wondering—" "I'll see what I can do,"
Lucy said. "I'll get it for you if it's out there. You've got a
clearance. You'll be cleared to see it." "Okay," Eileen said, and she
felt a smile of relief spread across her face. "Her name was
Bernice Ames. And the crash was an A-10. Seven years
ago." "You have an e-mail
address?" "On my card," Eileen said,
and dug one out of her wallet. She wrote the information about
Bernie on the back of the card, in sloppy large script. "You
know, I don't know that it means so much anymore. I don't want
revenge. I just want to know. If I can, I want to clear her
name." "I understand. To put the
memory to rest. Ghosts die hard sometimes," Lucy said
slowly. "I suspect we'll all have
bad dreams for a while," Eileen said. "I can deal with bad
dreams." "Me too," Lucy said bravely,
but her eyes were sad. Her hand hovered over the swelling of her
stomach. "I wish we'd never thought up the damn things. The bomb,
I mean." "If we hadn't, I wouldn't be
here," Eileen said with a wry smile. "My grandfather was on a
transport ship headed for the invasion of Japan when we dropped
the bomb. His survival chance was less than zero, and he was only
eighteen. He hadn't met my grandmother yet" "So no Eileen Reed without
the bomb," Lucy said. "So Muall—I mean the Creep—succeeds. But he doesn't have a
bomb without the bomb. So maybe it would have been plague, or
mustard gas. I think I'm getting a headache." But she looked more
cheerful, which made Eileen feel better. "What really matters is the
end of the story," Eileen said. "The good guys won. We
won." "This time," Lucy
said. "This time," Eileen
agreed. They walked
together to
Lucy's rental car. The morning was hot and cloudless, but there
were hints of the eternal afternoon thunderstorms to come moving
up around Pikes Peak. "Hey, if you want to
vacation out here sometime," Eileen said, "I make a great
baby-sitter." "I might take you up on
that." Lucy smiled. She took Eileen's hand. "Thank you again,"
she said. "We Italians take loyalty seriously. If you need
anything, ask me." "Thank you," Eileen said,
surprised. "I—er—well, I'm a mutt, so I guess I
have to say we mutts take our loyalty seriously too." She smiled,
but her eyes were unexpectedly stinging. They squeezed hands and let
go. "I guess we did it together,
didn't we?" Lucy said. "Well, I have to get up to Denver for my
flight, so I better get going." "Why Denver? Don't you want
to fly out of Colorado Springs?" "There's something I want to
do in Denver first," Lucy said. "I'll call you!" She put her briefcase in the
car and started up and drove expertly away, one narrow hand
lifted in a wave. She did not look back. "Good-bye," Eileen said, and
lifted her hand to wave back. She wondered if Lucy would send her
a package in the mail. She wondered what it would
contain. One way or another, she
would set her memories to rest. Eileen stretched and yawned
happily in the morning sunlight. There was another duty she had
to perform, and that one wouldn't be a chore at all. She turned
to find her car. Joe Tanner
stirred and
woke. He was being kissed. "Mmm?" he said
sleepily. "It's Eileen," a voice
whispered to him. Joe opened his eyes with a start, and
remembered everything. "Eileen," he said, and put
his arms around her neck. "You're here." "I'm here," she said,
laughing. "Move over." He moved over, leaving a
delicious warm space for her. Eileen crawled in, and Joe wrapped
his arm around her. He was almost asleep again, his arm heavy and
limp, his breathing slow and even. Slowly his arm hugged her
close, as though he was dreaming of holding her. "Love you," he mumbled. His
breath evened out and he was gone. "I love you back," Eileen
whispered. The exhaustion she'd held at bay for the last few days
washed over her like surf, carrying her away bit by bit. Her
heart had known about Joe, and it had been true. She had never
been happier. She lay in the curve of Joe's sleeping arm and let
the waves carry her away. Epilogue Denver Animal
Shelter Fancy was dozing fitfully
when the door opened. The dogs all rose, howling, to their feet.
Not Fancy. She knew it was her time. She lay with her head on her
paws, her eyes dull. Then the little dog pricked
up her ears at the sound of two sets of footsteps instead of
one. "This is Fancy," Debbie
said. "What was your name again?" "Lucy," Lucy Giometti said,
and smiled. "Fancy, this is Lucy,"
Debbie said, and reached to unlatch the door. "Oh, I'm so glad!
She's such a good dog, and today was going to be her last
day." "I know," Lucy said. The
kennel keeper opened the door and Fancy hesitantly put her nose
out to nuzzle Lucy's hands. Her tail, bedraggled after days in a
concrete kennel, wagged a little bit. Then Lucy smoothed her fur
and rumpled her ears, and Fancy sniffed and licked Lucy's hands
and thumped her tail again and again. "How are you with babies?"
Lucy asked the dog. Debbie smiled indulgently. "I bet she'll be
great." "Well, we better go. I've
got to make arrangements with the airline to get her back
home." "Where do you live?" Debbie
asked. She attached a leash to Fancy's collar, and they started
toward the entrance. "Virginia," Lucy said. She
took the leash from the other woman, and Fancy fell in instantly
at her side, panting happily. "You came all the way out
here to adopt a dog?" Debbie looked incredulous. "Well, not really." Lucy
smiled. "I was out here on business and I knew she was here, so I
thought..." Debbie nodded happily. She
needed no more explanation. "I'm so glad," she said
again. She filled out the adoption form, and Lucy gave the woman
her credit card. She bought the collar and leash, too. Fancy sat
obediently at her side. "Well, Fancy," Lucy said to
the dog, and took up the leash. "Let's go home." "You saved her just in
time," Debbie said to Lucy. "I just want you to know
that." "I know," Lucy said. "Thank
you. I was just in time for my assignment out here too. So it all
fits together just right." Fancy trotted obediently at
Lucy's side as they walked out the entrance and into the blaze of
the afternoon sun. The last that Debbie saw of them was Lucy's
silhouette in the doorway and, next to her, the curling plume of
the dog's tail, wagging as though it would never stop. |
|
|