"Robert Reed - Due" - читать интересную книгу автора (Reed Robert)ROBERT REEDDUEWE REACH HIM TOO LATE, pulling him out of the curing pond,
nothing left but amelted body and a pain-twisted face. For a moment or two, we talk about the deadexpeditor, how he was good and why he wasn't perfect, and why he killedhimself-- because he was imperfect, but noble is why. Then we wash his face andkiss him, as is customary, and I deliver the body to Scrap.Our plant manager needs a report, but she doesn't want stories of anothersuicide. She tells me that she doesn't. So I describe it as an accident, anothermisstep from the high corundum mesh, and maybe we should repair those railingsduring the next down cycle. But she doesn't want to hear that, either. "Nocycles but up." She is delivering a threat. "We're too far behind as it is,Jusk."I nod. I smile. Then I ask, "When can I have a new expeditor?""Three shifts," she warns. Which means ten shifts, or more. Then she gives me ahard stare, eyes and silence informing me that it would be so lovely if thislittle problem vanished on its own.I step outside.Traffic is scarce in the main corridor. I walk exactly as far as I can withoutleaving home, waving at the passing birth wagons until one pulls off. The drivershows me his cargo, but only one of the newborn is large enough to do the job. Iask what it will take for that big one to be lost during delivery, and thedriver says, "I can't." He says, "That's a special rush order, that one."A lie, most likely."Wait," I tell him. I go inside, then return with a piece of raw Memory. Memoryhas no color and very little mass, and of course it is incomplete. It's salvage.That's the only kind of Memory that's ever traded. Laying it flush against hisforehead, the driver sighs and grows an erection, then says, "Deal." It's theMemory of one of His long-ago lovers -- a popular commodity. The driver is evenwilling to help carry the newborn through the Memory."I found it," he says. "I don't remember where.""Good," I say.My crew is at work. Standing in the main aisle, I can see our entire line -- bugovens and the furnace; the curing pond and finishers-- and I see the tiny facesthat look over at me, curious and eager."Keep working," I tell them. Then, "Thank you."With laser shears, I cut the newborn out of its sack. It's a big worker, allright: shiny and slick and stinking of lubricants and newness. I unfold thelong, long limbs, then engage its systems. There's no way to be certain what jobit is meant to do, but anyone can be anything, if needed. All that matters isthat we serve Him.I kick the newborn in its smooth crotch.With a flutter, its eyes open, absorbing light for the first time."My name is Jusk," I tell it. "I'm your superior. This is my right hand. Shakeit with your right hand, please."It obeys, without hesitation."Stand," I say. Then after it succeeds, on its first attempt, I tell it, "Walkwith me. This is your introductory tour. Pay close attention.""I shall.""What is my name?""Jusk.""On your left is a stack of crates. Look at them. And now look at me. How manycrates did you see?""Fifteen.""What are the dimensions of the third-largest crate?""Point one by point one by point four standard.""Now, without looking, tell me the serial number on the top crate."The newborn recites twenty-three digits before I lift my hand, stopping it."Good," I say. "You're integrating nicely."The mouth can't yet smile, but I sense pleasure. Pride. "What do you make here?"my new expeditor inquires."Bone."Its eyes are simple black discs, yet by some trick of the light, they seemastonished. Or disappointed, perhaps."It's not a glamorous product," I concede, "but bone is vital." What would He bewithout a skeleton? Without His handsome, most perfect |
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