"Remarque,_Erich_Maria_-_All_Quiet_On_The_Western_Front" - читать интересную книгу автора (Remarque Erich Maria)

William II (1859-1941), or Kaiser Wilhelm, who briefly appears to inspect troops, is a figure from world history. Emperor of Germany and King of Prussia from 1888 to 1918, he was the son of Frederick III and a grandson of both William I of Germany and Queen Victoria of England. When he was a young man, his parents rejected his belief in the divine right of kingship and disliked his impulsiveness and love of military display. These traits have often been explained as his attempts to compensate for a withered left arm. His visit to the troops in this novel shows both his love of military display and his lack of an imposing physical appearance.

His goal was to make Germany a major world power, and he was the dominant force in his own government. He loved foreign travel but often spoke impulsively and insulted other heads of state. His actions helped drive Great Britain into an alliance with France. He engaged in the famous "Willy-Nicky" correspondence with Czar Nicholas of Russia, but undermined the friendship by supporting Austria in policies offensive to Russia. He strained relationships with France by interfering in colonial affairs in Morocco. Alarmed at the growing isolation of Germany, he allied his country with Austria, Italy, and Turkey.

His power declined after the outbreak of the First World War. His abdication was one of the peace requirements demanded by the Allies in 1918.


^^^^^^^^^^ALL QUIET ON THE WESTERN FRONT: SETTING

The story told in All Quiet on the Western Front occurs during the two years just before the Armistice ended World War I in November 1918. In Chapters 1 and 2 we learn that Paul Baumer, the narrator, and his friend Kat had been together three years--one year longer than the time period covered by the novel.

By 1916 when the story begins, World War I had already been underway for two years. It broke out in August 1914 between the Allies (Britain, France, Russia, Belgium, Serbia, and later the United States) and the Central Powers (Austria-Hungary and Germany). In June 1914 Austrian Archduke Frances Ferdinand and his wife had been assassinated at Sarajevo by a Serbian nationalist, leading to Austria-Hungary's declaration of war on Serbia. German leaders, alarmed at Russian mobilization and eager to establish the Reich as a power on a par with Britain, declared war on both of Germany's neighbors, Russia and France. They also refused to guarantee the neutrality of Belgium. Great Britain, in turn, declared war on Germany in response to the threat to British allies. At the time, Paul and his classmates would have been 16-year-old schoolboys.

German desire to become a major power was nothing new. Prussian beliefs included the idea that Germany had to be a military state because it lacked natural protective boundaries. The Prussian goal was to make Germany a glittering, well-organized, self-confident machine. The idea that Paul rejects--18-year-olds as Iron Youth--fits perfectly into this Prussian mentality.

From the beginning, World War I was fought in two areas, named for their geographical relationship to Germany. The Eastern Front extended into Russia, and the Western Front extended through Belgium into northern France. Germany hoped to knock out France in six weeks and then turn its full strength against Russia. The Allies, however, soon halted the German army at the Marne River, and the war in the West settled down to four years of trench warfare--the static or at a standstill kind of war described in the discussion of Chapter 6 in this guidebook.

In All Quiet, Paul describes a battle with the French in Chapter 6 and then, a short time later, is assigned to a camp (Chapter 8) where he guards Russian prisoners of war. Although he does not name the exact locations for the military offensives he describes--after all, the place names had little to do with life and death--the offensive in Chapter 6 could have been the French attack in 1917 at Aisne and Champagne. That offensive failed, with heavy French losses.

Meanwhile, behind the Fronts, all resources were being directed toward winning the war. At first, military methods used were mostly those from earlier wars--infantry, cavalry, and artillery--but this war boosted production of tanks, planes, machine guns, high-explosive shells, flamethrowers, and poison gas. The strong industrial push left little for civil life, and economies and governments were shattered all over Europe. Forced drafts of men, food shortages, attacks on civilian populations, and hysteria reached heights never before seen.

It is during this final period that the last few chapters of All Quiet occur.

By late 1917 Germany had won the war in the East. In March 1918, Russia signed the harsh treaty of Brest-Litovsk, giving Germany huge chunks of its territory. Russia's withdrawal enabled Germany to transfer forces from the East and to mount a supreme effort to capture Paris. But by this time the United States was entering the war, and timing was essential to the German plan: the offensive had to succeed before American troops could reach the Western Front in sizable numbers. Ludendorff, the German leader who directed the operation, was prepared to lose one minion men to win. He poured his efforts onto the British sector. The situation became so desperate that the Allies stopped arguing among themselves and established a unified command under Marshal Ferdinand Foch. Nevertheless, at its height the German offensive came within 40 miles of Paris. Then in May 1918 American divisions poured in, and the Allies fought back furiously. In July they broke through the new German lines and swept the Central Powers back toward the pre-1914 frontiers.

In the fall of 1918, German allies began to surrender--in September the Bulgarians, in October the Turks. One by one, ethnic minorities within Austria-Hungary began to proclaim independence, and on November 3 the Austrians capitulated. Germans were demoralized, and mutinies broke out in German fleets. There were revolts among civilians in Kiel and Hamburg. In early November the German king or emperor, Kaiser Wilhelm, fled to Holland. Finally, on November 11, 1918, a German delegation appeared at Allied headquarters to request an armistice.

Overall, the war was fought at tremendous cost. Most tragic was the loss in lives. Known dead included 1.8 million German soldiers and more than one million men each from Russia, France, Austria-Hungary, the United Kingdom, and Italy. Even the U.S., latecomer to the war, lost more than 100,000 men. Actual fatalities have been estimated as high as 13 million. In addition, nearly 22 million men were wounded, 7 million of them permanently disabled or mutilated. More than 9 million civilians were also killed.

The world of 1919 was stunned and uncertain. Ten years later the mood still lingered. People wanted to understand what had happened but could not. It is in that atmosphere that Remarque's All Quiet on the Western Front appeared.

^^^^^^^^^^ALL QUIET ON THE WESTERN FRONT: THEMES

In the short note that comes just before Chapter 1, Remarque lets us know exactly what theme he intends. He says that All Quiet on the Western Front is the story of a generation of young men who were destroyed by World War I--even if they survived the shelling. To arrive at a fifth statement of this main theme, Remarque weaves several related themes into the story. The outline that follows points out chapters you can read to see how he presents each idea.

1. THE HORROR OF WAR

Remarque includes discussions among Paul's group, and Paul's own thoughts while he observes Russian prisoners of war (Chapters 3, 8, 9) to show that no ordinary people benefit from a war. No matter what side a man is on, he is killing other men just like himself, people with whom he might even be friends at another time.

But Remarque doesn't just tell us war is horrible. He also shows us that war is terrible beyond anything we could imagine. All our senses are assaulted: we see newly dead soldiers and long-dead corpses tossed up together in a cemetery (Chapter 4); we hear the unearthly screaming of the wounded horses (Chapter 4); we see and smell three layers of bodies, swelling up and belching gases, dumped into a huge shell hole (Chapter 6); and we can almost touch the naked bodies hanging in trees and the limbs lying around the battlefield (Chapter 9).

The crying of the horses is especially terrible. Horses have nothing to do with making war. Their bodies gleam beautifully as they parade along--until the shells strike them. To Paul, their dying cries represent all of nature accusing Man, the great destroyer.

In later chapters Paul no longer mentions nature as an accuser but seems to suggest that nature is simply there--rolling steadily on through the seasons, paying no attention to the desperate cruelties of men to each other. This, too, shows the horror of war, that it is completely unnatural and has no place in the larger scheme of things.

2. A REJECTION OF TRADITIONAL VALUES

In his introductory note Remarque said that his novel was not an accusation. But we have seen that it is, in many places, exactly that. This accusation--or rejection of traditional militaristic values of Western civilization--is impressed on the reader through the young soldiers, represented by Paul and his friends, who see military attitudes as stupid and who accuse their elders of betraying them.

In an early chapter Paul admits that endless drilling and sheer harassment did help toughen his group and turn them into soldiers. But he points out, often, how stupid it is to stick to regulations at the front--how insane this basic military attitude becomes in life-and-death situations. One such scene occurs in Chapter 1 when Ginger, the cook, doesn't want to let 80 men eat the food prepared for 150, no matter how hungry they are. Another occurs in Chapter 7 when Paul is walking around in his hometown and a major forces him to march double time and salute properly--a ridiculous display, considering what he has just been through at the front. The emptiness of all this spit and polish shows up again in Chapter 9 when the men have to return the new clothes they were issued for the Kaiser's inspection: rags are what's real at the front.