"Mike Resnick - Roots and a Few Vines" - читать интересную книгу автора (Resnick Mike) So I wend my way back through the audience, and I find my
seat, and I hand Kris Rusch's Hugo to Carol, because I am also up for Best Short Story, and I think I've got a better chance at this, and when I run up to accept the award it will look tacky to already be carrying a Hugo. Besides, Charles Sheffield is sitting right next to us, and he is up for Best Novelette, and he is getting very nervous, and wants to stroke the Hugo for luck, or maybe is considering just walking out with it and changing the name plates at a future date. (In fact, I am convinced that if he does not win his own, neither Kris nor I will ever see _her_ Hugo again. Charles will probably deny this, but never forget that Charles gets paid an inordinate amount of money to tell lies to the public at large.) So Guy Gavriel Kay begins reading off the nominees, and suddenly I realize that I am not nervous at all, that this is becoming very old hat to me. I have been nominated for nine Hugos in the past six years. I have actually won a pair. Worldcons are very orderly things: you show up, you sign a million autographs, you eat each meal with a different editor and line up your next year's worth of work, and then you climb into your tux and see if you won another Hugo. It's gotten to be such a regular annual routine, you sometimes find yourself idly wondering: was it _always_ like this? Then you think back to your first worldcon, and you realize that no, it was not always like this... Right off the bat, we were the victims of false doctrine. Everyone we knew in fandom -- all six or seven of them -- told us the worldcon was held over Labor Day weekend. So we took them at their word. The problem, of course, was the definition of "weekend". We took a train that pulled out of Chicago on Friday morning, and dumped us in the basement of our Washington D.C. hotel at 9:00 Saturday morning. At which time we found out that the convention was already half over. (Things were different then. There were no times in the convention listings. In fact, there were no convention listings. Not in _Analog_, not anywhere. If you knew that worldcons even existed, you were already halfway to being a trufan.) Caz (right: he wasn't a Miss at all) met us and showed us around. Like myself, he was dressed in a suit and tie; it was a few more worldcons before men wore shirts without jackets or ties, even during the afternoons, and every woman -- they formed, at most, 10% of the attendees, and over half were writers' wives -- wore a skirt. If you saw someone with a beard -- a relatively rare occurrence -- you knew he was either a pro writer or Bruce Pelz. When we got to the huckster room -- 20-plus dealers (and selling only books, magazines, and fanzines; none of the junk that dominates the tables today), I thought I had died and gone to heaven. The art show had work by Finlay and Freas and Emsh and |
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