"Alastair Reynolds - Spirey And The Queen" - читать интересную книгу автора (Reynolds Alastair) "Something like that. And you understand why they kept it to themselves,
don't you?" I nodded, more to keep her talking. "They needed us, of course. They still lacked something. Creativity, I guess you'd call it. They could evolve themselves incrementally, but they couldn't make the kind of sweeping evolutionary jumps we'd been feeding them." "So we had to keep thinking there was a war on." Wendigo looked pleased. "Right. We'd keep supplying them with innovations, and they'd keep pretending to do each other in." She halted, scratching at the unwrinkled skin around one eye with the alloy finger of one hand. "Clever little bastards." We'd arrived somewhere. It was a chamber, large as any enclosed space I'd ever seen. I felt gravity; too much of the stuff. The whole chamber must have been gimbaled and spun within the splinter, like one of the gee-load simulators back in Tiger's Eye. The vaulted ceiling, hundreds of meters 'above', now seemed vertiginously higher. Apart from its apex, it was covered in intricate frescos - dozens of pictorial facets, each a cycling hologram. They told the history of the Swirl, beginning with its condensation from interstellar gas, the ignition of its star, the onset of planetary formation. Then the action cut to the arrival of the first Standardist wasp, programmed to dive into the Swirl and breed like a rabbit, so that one day there'd be a sufficiently huge population to begin mining the back home. 'Course, it never happened like that. The Royalists wanted in on the action, so they sent their own wasps, programmed to attack ours. The rest is history. The frescos showed the war's beginning, and then a little while later the arrival of the first human observers, beamed across space as pure genetic data, destined to be born in artificial wombs in hollowed out comet-cores, raised and educated by wasps, imprinted with the best tactical and strategic knowledge available. Thereafter they taught the wasps. From then on things hotted up, because the observers weren't limited by years of timelag. They were able to intervene in wasp evolution in realtime. That ought to have been it, because by then we were pretty up to date, give or take four hundred years of the same. But the frescos carried on. There was one representing some future state of the Swirl, neatly ordered into a ticking orrery of variously sized and patterned worlds, some with beautiful rings or moon systems. And finally - like Mediaeval conceptions of Eden - there was a triptych of lush planetary landscapes, with wierd animals in the foreground, mountains and soaring cloudbanks behind. "Seen enough to convince you?" Wendigo asked. "No," I said, not entirely sure whether I believed myself. Craning my neck, I looked up toward the apex. Something hung from it. What it was was a pair of wasps, fused together. One was complete, the other was only fully-formed, seemingly in the process of splitting from |
|
|