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Tender Buttons by Gertrude Stein

Stein's innovative writing emphasizes the sounds and rhythms rather than
the sense of words. By departing from conventional meaning, grammar
and syntax, she attempted to capture "moments of consciousness,"
independent of time and memory.

AUTHOR: Stein, Gertrude, 1874-1946.
TITLE: Tender buttons: objects, food, rooms, by Gertrude Stein.
PUBLISHED: New York: Claire Marie, May 1914.
PHYSICAL DETAILS: 78 p.; 23 cm.
ISBN: 1-58734-059-3.



OBJECTS



A CARAFE, THAT IS A BLIND GLASS.

A kind in glass and a cousin, a spectacle and nothing strange a single hurt color and an
arrangement in a system to pointing. All this and not ordinary, not unordered in not
resembling. The difference is spreading.

GLAZED GLITTER.

Nickel, what is nickel, it is originally rid of a cover.

The change in that is that red weakens an hour. The change has come. There is no
search. But there is, there is that hope and that interpretation and sometime, surely any
is unwelcome, sometime there is breath and there will be a sinecure and charming very
charming is that clean and cleansing. Certainly glittering is handsome and convincing.

There is no gratitude in mercy and in medicine. There can be breakages in Japanese.
That is no programme. That is no color chosen. It was chosen yesterday, that showed
spitting and perhaps washing and polishing. It certainly showed no obligation and
perhaps if borrowing is not natural there is some use in giving.

A SUBSTANCE IN A CUSHION.

The change of color is likely and a difference a very little difference is prepared. Sugar
is not a vegetable.

Callous is something that hardening leaves behind what will be soft if there is a genuine
interest in there being present as many girls as men. Does this change. It shows that dirt
is clean when there is a volume.

A cushion has that cover. Supposing you do not like to change, supposing it is very
clean that there is no change in appearance, supposing that there is regularity and a