" A Workshop Lexicon" - читать интересную книгу автора (Sterling Bruce)

No doubt a very interesting book could be written about science fiction in which the writing itself played no part. This phantom history could detail the social demimonde of workshops and their associated cliques: Milford, the Futurians, Milwaukee Fictioneers, Turkey City, New Wave, Hydra Club, Jules Verne's Eleven Without Women, and year after year after year of Clarion -- a thousand SF groups around the world, known and unknown. Anyone can play. I've noticed that workshops have a particularly crucial role in non-Anglophone societies, where fans, writers, and publishers are often closely united in the same handful of zealots. This kind of fellow-feeling may be the true hearts-blood of the genre. We now come to the core of this piece, the SF Workshop Lexicon. This lexicon was compiled by Mr Lewis Shiner and myself from the work of many writers and critics over many years of genre history, and it contains buzzwords, notions and critical terms of direct use to SF workshops. The first version, known as the "Turkey City Lexicon" after the Austin, Texas writers' workshop that was a cradle of cyberpunk, appeared in 1988. In proper ideologically-correct cyberpunk fashion, the Turkey City Lexicon was distributed uncopyrighted and free-of-charge: a decommodified, photocopied
chunk of free literary software. Lewis Shiner still thinks that this was the best deployment of an effort of this sort, and thinks I should stop fooling around with this fait accompli. After all, the original Lexicon remains uncopyrighted, and it has been floating around in fanzines, prozines and computer networks for seven years now. I respect Lew's opinion, and in fact I kind of agree with him. But I'm an ideologue, congenitally unable to leave well-enough alone. In September 1990 I re-wrote the Lexicon as an installment in my critical column for the British magazine INTERZONE. When Robin Wilson asked me to refurbish the Lexicon yet again for PARAGONS, I couldn't resist the temptation. I'm always open to improvements and amendments for the Lexicon. It seems to me that if a document of this sort fails to grow it will surely become a literary monument, and, well, heaven forbid. For what it's worth, I plan to re-release this latest edition to the Internet at the first opportunity. You can email me about it: I'm [email protected]. Some Lexicon terms are attributed to their originators, when I could find them; others are not, and I apologize for my ignorance. Science fiction boasts many specialized critical terms. You