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	The Atrocity Archives Excerpted from the novel by Charles Stross
	Cover illustration by Steve Montiglio 1 Active Service Green sky at night; hacker's delight. I'm lurking in the shrubbery behind an industrial unit, armed with a clipboard, a pager, and a pair of bulbous night-vision goggles that drench the scenery in ghastly emerald tones. The bloody things make me look like a train-spotter with a gas-mask fetish, and wearing them is giving me a headache. It's humid and drizzling slightly, the kind of penetrating dampness that cuts right through waterproofs and gloves. I've been waiting out here in the bushes for three hours so far, waiting for the last workaholic to turn the lights out and go home so that I can climb in through a rear window. Why the hell did I ever say "yes" to Andy? State-sanctioned burglary is a lot less romantic than it sounds -- especially on standard time-and-a-half pay. (You bastard, Andy. "About that application for active service you filed last year. As it happens, we've got a little job on tonight and we're short-staffed; could you lend a hand?") I stamp my feet and blow on my hands. There's no sign of life in the squat concrete-and-glass block in front of me. It's eleven at night and there are still lights burning in the cubicle hive: Don't these people have a bed to go home to? I push my goggles up and everything goes dark, except the glow from those bloody windows, like fireflies nesting in the empty eye sockets of a skull. There's a sudden sensation like a swarm of bees throbbing around my bladder. I swear quietly and hike up my waterproof to get at the pager. It's not backlit, so I have to risk a precious flash of torchlight to read it. The text message says, MGR LVNG 5 MINS. I don't ask how they know that, I'm just grateful that there's only five more minutes of standing here among the waterlogged trees, trying not to stamp my feet too loudly, wondering what I'm going to say if the local snouts come calling. Five more minutes of hiding round the back of the QA department of Memetix (UK) Ltd. -- subsidiary of a multinational based in Menlo Park, California -- then I can do the job and go home. Five more minutes spent hiding in the bushes down on an industrial estate where the white heat of technology keeps the lights burning far into the night, in a place where the nameless horrors don't suck your brains out and throw you to the Human Resources department -- unless you show a deficit in the third quarter, or forget to make blood sacrifice before the altar of Total Quality Management. Somewhere in that building the last late-working executive is yawning and reaching for the door remote of his BMW. The cleaners have all gone home; the big servers hum blandly in their air-conditioned womb, nestled close to the service core of the office block. All I have to do is avoid the security guard and I'm home free. A distant motor coughs into life, revs, and pulls out of the landscaped car park in a squeal of wet tires. As it fades into the night my pager vibrates again: GO GO GO. I edge forward. No motion-triggered security lights flash on. There are no Rotweiller attack dogs, no guards in coal-scuttle helmets: this ain't that kind of movie, and I'm no Arnold Schwartzenegger. (Andy told me: "If anyone challenges you, smile, stand up straight, and show them your warrant card -- then phone me. I'll handle it. Getting the old man out of bed to answer a clean-up call will earn you a black mark, but a black mark's better than a cracked skull. Just try to remember that Croxley Industrial Estate isn't Novaya Zemlya, and getting your head kicked in isn't going to save the world from the forces of evil.") I squish through the damp grass and find the designated window. Like the briefing said, it's shut but not locked. A good tug and the window hinges out toward me. It's inconveniently high up, a good four feet above the concrete gutter. I pull myself up and over the sill, sending a tiny avalanche of disks scuttering across the floor. The room is ghostly green except for the bright hot spots of powered-down monitors and fans blowing air from hot CPU cases. I stumble forward over a desk covered in piles of kipple, wondering how in hell the owner is going to fail to notice my great muddy boot-print between the obviously confidential documents scattered next to a keyboard and a stone-cold coffee mug. Then I'm on the floor in the QA department, and the clock is ticking. The pager vibrates again. SITREP. I pull my mobile out of my breast pocket and dial a three-digit number, then put it back again. Just letting them know I've arrived and everything's running smoothly. Typical Laundry job -- they'll actually include the phone bill in the event log to prove I called in on schedule before they file it somewhere secret. Gone are the days of the impromptu black-bag job . . . The offices of Memetix (UK) Ltd. are a typical cubicle hell: anonymous beige fabric partitions dividing up little slices of corporate life. The photocopier hulks like an altar beneath a wall covered with devotional scriptures -- the company's code of conduct, lists of compulsory employee self-actualization training courses, that sort of thing. I glance around, hunting cubicle D14. There's a mass of Dilbert cartoons pinned to the side of his partition, spoor of a mildly rebellious mind-set; doubtless middle managers prowl round the warren before any visit from the upper echelons, tearing down such images that signal dissent. I feel a minor shiver of sympathy coming on: Poor bastard, what must it be like to be stuck here in the warren of cells at the heart of the new industrial revolution, never knowing where the lightning's going to strike next? There's a desk with three monitors on it: two large but otherwise ordinary ones, and a weird-ass piece of machinery that looks at least a decade old, dredged out of the depths of the computer revolution. It's probably an old Symbolics Lisp machine or something. It tweaks my antique gland, but I don't have time to rubberneck; the security guard's due to make another round in just sixteen minutes. There are books leaning in crazy piles and drifts on either side: Knuth, Dijkstra, Al-Hazred, other less familiar names. I pull his chair back and sit down, wrinkling my nose. In one of the desk drawers something's died and gone to meet its maker. Keyboard: check. Root account: I pull out the filched S/Key smartcard the Laundry sourced from one of Memetix's suppliers and type the response code to the system's challenge. (One time passwords are a bitch to crack; once again, give thanks to the Laundry's little helpers.) Then I'm logged in and trusted and it's time to figure out just what the hell I'm logged in to. Malcolm -- whose desk I sit at, and whose keyboard I pollute -- is running an ant farm: there are dead computers under the desk, scavenged for parts, and a dubious Frankenstein server -- guts open to the elements -- humming like a generator beside it. For a moment I hunt around in panic, searching for silver pentacles and glowing runes under the desktop -- but it's clean. Logged in, I find myself in a maze of twisty little automounted filesystems, all of them alike. Fuck shit curse dammit, I recite under my breath; it was never like this in Cast a Deadly Spell. I pull out the phone and dial. "Capital Laundry Services, how may we help you?" "Give me a hostname and target directory, I'm in but I'm lost." "One sec . . . try 'auto-share-fs-scooby-netapp-user-home-malcolm-R-catbert-world underscore domination-manifesto.' " I type so fast my fingers trip over each other. There's a faint clicking as the server by the desk mounts scooby's gigantic drive array and scratches its read/write heads, looking for what has got to be one of the most stupidly named files anywhere on the company's intranet. "Hold on . . . yup, got it." I view the sucker and it's there in plaintext: Some Notes Toward a Proof of Polynomial Completeness in Hamiltonian Networks. I page through the text rapidly, just skimming; there's no time to give it my full in-depth attention, but it looks genuine. "Bingo." I can feel an unpleasant slimy layer of sweat in the small of my back. "I've got it. Bye for now." "Bye yourself." I shut the phone and stare at the paper. Just for a moment, I hesitate . . . What I'm here to do isn't fair, is it? The imp of perversity takes over: I bang out a quick command, mailing the incriminating file to a not-so-dead personal account. (Figure I'll read it later.) Then it's time to nuke the server. I unmount the netapp drive and set fire to it with a bitstorm of low-level reformatting. If Malcolm wants his paper back he'll have to enlist GCHQ and a scanning tunneling microscope to find it under all the 0xDEADBEEF spammed across the hard disk platters. My pager buzzes again. SITREP. I hit three more digits on the phone. Then I edge out of the cubicle and scramble back across the messy desk and out into the cool spring night, where I peel off those damned latex gloves and waggle my fingers at the moon. I'm so elated that I don't even remember the stack of disks I sent flying until I'm getting off the night bus at home. And by then, the imp of perversity is chuckling up his sleeve. I'm fast asleep in bed when the cellphone rings. It's in my jacket pocket, where I left it last night, and I thrash around on the floor for a bit while it chirps merrily. "Hello?" "Bob?" It's Andy. I try not to groan. "What time is it?" "It's nine-thirty. Where are you?" "In bed. What's -- " "Thought you were going to be in at the debrief? When can you come in?" "I'm not feeling too wonderful. Got home at about two-thirty. Let me think . . . eleven good enough?" "It'll have to be." He sounds burned. Well, Andy wasn't the one freezing his butt off in the woods last night, was he? "See you there." The implicit or else doesn't need enunciating. Her Majesty's Extra-Secret Service has never really been clear on the concept of flexitime and sensible working hours. I shamble into the bathroom and stare at the thin rind of black mold growing around the window as I piss. I'm alone in the house; everyone else is either out -- working -- or out -- gone for good. (That's out, as in working, for Pinky and the Brain; out, as in fucked off, for Mhari.) I pick up my senescent toothbrush and perform the usual morning ritual. At least the heating's on. Downstairs in the kitchen I fill a percolator with nuclear-caffeinated grounds and nudge it onto the gas ring. I figure I can make it into the Laundry by eleven and still have time to wake up first. I'll need to be alert for that meeting. Did last night go off properly, or not? Now that I can't do anything about them I remember the disks. Nameless dread is all very well when you're slumped in front of the TV watching a slasher movie, but it plays havoc with your stomach when you drop half a pint of incredibly strong black coffee on it in the space of fifteen minutes. Brief nightmarish scenarios flit through my head, in order of severity: written reprimands, unemployment, criminal prosecution for participating in a black-bag job for which authorisation is unaccountably retroactively withdrawn; worst of all, coming home to find Mhari curled up on the living room sofa again. Scratch that latter vision; the short-lived sadness gives way to a deeper sense of relief, tempered by a little loneliness. The loneliness of the long-distance spook? Damn, I need to get my head in order. I'm no James Bond, with a sexy KGB minx trying to seduce me in every hotel room. That's about the first thing they drum into you at Capital Laundry Services ("Washes cleaner than clean!"): life is not a spy movie, work is not romantic, and there's nothing particularly exciting about the job. Especially when it involves freezing your balls off in a corporate shrubbery at eleven o'clock on a rainy night. Sometimes I regret not having taken the opportunity to study accountancy. Life could be so much more fun if I'd listened to the right recruiting spiel at the university milk round . . . but I need the money, and maybe one of these days they'll let me do something interesting. Meanwhile I'm here in this job because all the alternatives are worse. So I go to work.   Want to comment of this story? Come on over to the new DustClub! Home | Cover Models | Tales | Art| Fashion | Music Games | People| MarsMall | DustClub | Bad Attitude "The Atrocity Archives" is © 2001 Charles Stross All other content is © 2003 MYSTERIAN MEDIA LLC Contact | Advertise | Info | Privacy Policy

	The Atrocity Archives Excerpted from the novel by Charles Stross
	Cover illustration by Steve Montiglio 1 Active Service Green sky at night; hacker's delight. I'm lurking in the shrubbery behind an industrial unit, armed with a clipboard, a pager, and a pair of bulbous night-vision goggles that drench the scenery in ghastly emerald tones. The bloody things make me look like a train-spotter with a gas-mask fetish, and wearing them is giving me a headache. It's humid and drizzling slightly, the kind of penetrating dampness that cuts right through waterproofs and gloves. I've been waiting out here in the bushes for three hours so far, waiting for the last workaholic to turn the lights out and go home so that I can climb in through a rear window. Why the hell did I ever say "yes" to Andy? State-sanctioned burglary is a lot less romantic than it sounds -- especially on standard time-and-a-half pay. (You bastard, Andy. "About that application for active service you filed last year. As it happens, we've got a little job on tonight and we're short-staffed; could you lend a hand?") I stamp my feet and blow on my hands. There's no sign of life in the squat concrete-and-glass block in front of me. It's eleven at night and there are still lights burning in the cubicle hive: Don't these people have a bed to go home to? I push my goggles up and everything goes dark, except the glow from those bloody windows, like fireflies nesting in the empty eye sockets of a skull. There's a sudden sensation like a swarm of bees throbbing around my bladder. I swear quietly and hike up my waterproof to get at the pager. It's not backlit, so I have to risk a precious flash of torchlight to read it. The text message says, MGR LVNG 5 MINS. I don't ask how they know that, I'm just grateful that there's only five more minutes of standing here among the waterlogged trees, trying not to stamp my feet too loudly, wondering what I'm going to say if the local snouts come calling. Five more minutes of hiding round the back of the QA department of Memetix (UK) Ltd. -- subsidiary of a multinational based in Menlo Park, California -- then I can do the job and go home. Five more minutes spent hiding in the bushes down on an industrial estate where the white heat of technology keeps the lights burning far into the night, in a place where the nameless horrors don't suck your brains out and throw you to the Human Resources department -- unless you show a deficit in the third quarter, or forget to make blood sacrifice before the altar of Total Quality Management. Somewhere in that building the last late-working executive is yawning and reaching for the door remote of his BMW. The cleaners have all gone home; the big servers hum blandly in their air-conditioned womb, nestled close to the service core of the office block. All I have to do is avoid the security guard and I'm home free. A distant motor coughs into life, revs, and pulls out of the landscaped car park in a squeal of wet tires. As it fades into the night my pager vibrates again: GO GO GO. I edge forward. No motion-triggered security lights flash on. There are no Rotweiller attack dogs, no guards in coal-scuttle helmets: this ain't that kind of movie, and I'm no Arnold Schwartzenegger. (Andy told me: "If anyone challenges you, smile, stand up straight, and show them your warrant card -- then phone me. I'll handle it. Getting the old man out of bed to answer a clean-up call will earn you a black mark, but a black mark's better than a cracked skull. Just try to remember that Croxley Industrial Estate isn't Novaya Zemlya, and getting your head kicked in isn't going to save the world from the forces of evil.") I squish through the damp grass and find the designated window. Like the briefing said, it's shut but not locked. A good tug and the window hinges out toward me. It's inconveniently high up, a good four feet above the concrete gutter. I pull myself up and over the sill, sending a tiny avalanche of disks scuttering across the floor. The room is ghostly green except for the bright hot spots of powered-down monitors and fans blowing air from hot CPU cases. I stumble forward over a desk covered in piles of kipple, wondering how in hell the owner is going to fail to notice my great muddy boot-print between the obviously confidential documents scattered next to a keyboard and a stone-cold coffee mug. Then I'm on the floor in the QA department, and the clock is ticking. The pager vibrates again. SITREP. I pull my mobile out of my breast pocket and dial a three-digit number, then put it back again. Just letting them know I've arrived and everything's running smoothly. Typical Laundry job -- they'll actually include the phone bill in the event log to prove I called in on schedule before they file it somewhere secret. Gone are the days of the impromptu black-bag job . . . The offices of Memetix (UK) Ltd. are a typical cubicle hell: anonymous beige fabric partitions dividing up little slices of corporate life. The photocopier hulks like an altar beneath a wall covered with devotional scriptures -- the company's code of conduct, lists of compulsory employee self-actualization training courses, that sort of thing. I glance around, hunting cubicle D14. There's a mass of Dilbert cartoons pinned to the side of his partition, spoor of a mildly rebellious mind-set; doubtless middle managers prowl round the warren before any visit from the upper echelons, tearing down such images that signal dissent. I feel a minor shiver of sympathy coming on: Poor bastard, what must it be like to be stuck here in the warren of cells at the heart of the new industrial revolution, never knowing where the lightning's going to strike next? There's a desk with three monitors on it: two large but otherwise ordinary ones, and a weird-ass piece of machinery that looks at least a decade old, dredged out of the depths of the computer revolution. It's probably an old Symbolics Lisp machine or something. It tweaks my antique gland, but I don't have time to rubberneck; the security guard's due to make another round in just sixteen minutes. There are books leaning in crazy piles and drifts on either side: Knuth, Dijkstra, Al-Hazred, other less familiar names. I pull his chair back and sit down, wrinkling my nose. In one of the desk drawers something's died and gone to meet its maker. Keyboard: check. Root account: I pull out the filched S/Key smartcard the Laundry sourced from one of Memetix's suppliers and type the response code to the system's challenge. (One time passwords are a bitch to crack; once again, give thanks to the Laundry's little helpers.) Then I'm logged in and trusted and it's time to figure out just what the hell I'm logged in to. Malcolm -- whose desk I sit at, and whose keyboard I pollute -- is running an ant farm: there are dead computers under the desk, scavenged for parts, and a dubious Frankenstein server -- guts open to the elements -- humming like a generator beside it. For a moment I hunt around in panic, searching for silver pentacles and glowing runes under the desktop -- but it's clean. Logged in, I find myself in a maze of twisty little automounted filesystems, all of them alike. Fuck shit curse dammit, I recite under my breath; it was never like this in Cast a Deadly Spell. I pull out the phone and dial. "Capital Laundry Services, how may we help you?" "Give me a hostname and target directory, I'm in but I'm lost." "One sec . . . try 'auto-share-fs-scooby-netapp-user-home-malcolm-R-catbert-world underscore domination-manifesto.' " I type so fast my fingers trip over each other. There's a faint clicking as the server by the desk mounts scooby's gigantic drive array and scratches its read/write heads, looking for what has got to be one of the most stupidly named files anywhere on the company's intranet. "Hold on . . . yup, got it." I view the sucker and it's there in plaintext: Some Notes Toward a Proof of Polynomial Completeness in Hamiltonian Networks. I page through the text rapidly, just skimming; there's no time to give it my full in-depth attention, but it looks genuine. "Bingo." I can feel an unpleasant slimy layer of sweat in the small of my back. "I've got it. Bye for now." "Bye yourself." I shut the phone and stare at the paper. Just for a moment, I hesitate . . . What I'm here to do isn't fair, is it? The imp of perversity takes over: I bang out a quick command, mailing the incriminating file to a not-so-dead personal account. (Figure I'll read it later.) Then it's time to nuke the server. I unmount the netapp drive and set fire to it with a bitstorm of low-level reformatting. If Malcolm wants his paper back he'll have to enlist GCHQ and a scanning tunneling microscope to find it under all the 0xDEADBEEF spammed across the hard disk platters. My pager buzzes again. SITREP. I hit three more digits on the phone. Then I edge out of the cubicle and scramble back across the messy desk and out into the cool spring night, where I peel off those damned latex gloves and waggle my fingers at the moon. I'm so elated that I don't even remember the stack of disks I sent flying until I'm getting off the night bus at home. And by then, the imp of perversity is chuckling up his sleeve. I'm fast asleep in bed when the cellphone rings. It's in my jacket pocket, where I left it last night, and I thrash around on the floor for a bit while it chirps merrily. "Hello?" "Bob?" It's Andy. I try not to groan. "What time is it?" "It's nine-thirty. Where are you?" "In bed. What's -- " "Thought you were going to be in at the debrief? When can you come in?" "I'm not feeling too wonderful. Got home at about two-thirty. Let me think . . . eleven good enough?" "It'll have to be." He sounds burned. Well, Andy wasn't the one freezing his butt off in the woods last night, was he? "See you there." The implicit or else doesn't need enunciating. Her Majesty's Extra-Secret Service has never really been clear on the concept of flexitime and sensible working hours. I shamble into the bathroom and stare at the thin rind of black mold growing around the window as I piss. I'm alone in the house; everyone else is either out -- working -- or out -- gone for good. (That's out, as in working, for Pinky and the Brain; out, as in fucked off, for Mhari.) I pick up my senescent toothbrush and perform the usual morning ritual. At least the heating's on. Downstairs in the kitchen I fill a percolator with nuclear-caffeinated grounds and nudge it onto the gas ring. I figure I can make it into the Laundry by eleven and still have time to wake up first. I'll need to be alert for that meeting. Did last night go off properly, or not? Now that I can't do anything about them I remember the disks. Nameless dread is all very well when you're slumped in front of the TV watching a slasher movie, but it plays havoc with your stomach when you drop half a pint of incredibly strong black coffee on it in the space of fifteen minutes. Brief nightmarish scenarios flit through my head, in order of severity: written reprimands, unemployment, criminal prosecution for participating in a black-bag job for which authorisation is unaccountably retroactively withdrawn; worst of all, coming home to find Mhari curled up on the living room sofa again. Scratch that latter vision; the short-lived sadness gives way to a deeper sense of relief, tempered by a little loneliness. The loneliness of the long-distance spook? Damn, I need to get my head in order. I'm no James Bond, with a sexy KGB minx trying to seduce me in every hotel room. That's about the first thing they drum into you at Capital Laundry Services ("Washes cleaner than clean!"): life is not a spy movie, work is not romantic, and there's nothing particularly exciting about the job. Especially when it involves freezing your balls off in a corporate shrubbery at eleven o'clock on a rainy night. Sometimes I regret not having taken the opportunity to study accountancy. Life could be so much more fun if I'd listened to the right recruiting spiel at the university milk round . . . but I need the money, and maybe one of these days they'll let me do something interesting. Meanwhile I'm here in this job because all the alternatives are worse. So I go to work.   Want to comment of this story? Come on over to the new DustClub! Home | Cover Models | Tales | Art| Fashion | Music Games | People| MarsMall | DustClub | Bad Attitude "The Atrocity Archives" is © 2001 Charles Stross All other content is © 2003 MYSTERIAN MEDIA LLC Contact | Advertise | Info | Privacy Policy