"Michael Swanwick - Teller" - читать интересную книгу автора (Swanwick Michael)
"Teller" by Michael Swanwick
Michael Swanwick: Teller |
Teller had it within him to be the premier mime of his generation.
He and his loud partner, Penn Gillette, learned a few carnie routines,
put an act together, and took the world by storm. They got all the way
to Broadway. But then World War II intervened. Penn was drafted (he died
at Anzio), and Teller was sent to work on the Manhattan Project.
Nuclear physics isn't all that different from vaudeville. You gotta
show 'em what you got. You gotta give 'em that old razzmatazz. Teller
went right to the top. He and Oppenheimer pretty much ran the show. They
built the world's first atomic bombs. They exploded the first one in
Alamogordo, New Mexico. The military exploded the next two in Japan.
It was a transforming experience for Teller. This was flashier even
than swallowing a hundred needles and drawing them out of his mouth on
a thread! Oppenheimer had doubts, so he had the man's security clearance
taken away.
Teller devoted his life to building a hydrogen bomb, and to mastering
the Strait Jacket Underwater Escape. And he succeeded! He built the one
and mastered the other. Much good it did him. He lobbied Congress tirelessly
for a first strike against the Soviet Union. They wouldn't listen. He
tried to get his old act going again. The agency said he was too old.
Late in life, he was being interviewed by a sincere young fool. "But
how could you bring the world to the brink of annihilation?" he was
asked. "Didn't you understand?" As if he'd played his role in world
history out of ignorance. As if he hadn't known the issues.
Finally, he snapped. He pulled open a drawer and handed his interrogator
a bullet and a small knife. "Make a mark in the tip," he said. Then,
when the young man obeyed, he got out a Magnum .357 and loaded it with
a single bullet.
He put the gun in the young man's hand.
"Stand at the far end of the room."
Such was the force of his personality that the young man did so.
"Now point the gun at my face."
Again it was done.
"Now fire."
The interviewer turned pale. "I c-couldn't p-possibly–" he stammered.
"I know what I'm doing," Teller snapped. "There's not a chance in
hell you can hurt me. Just do it!"
The young man fired.
For a long, still moment nothing moved. It was as if time had ceased.
Then Teller spat something into his palm and handed it to the astonished
youth. "Is this your bullet?"
The interviewer's eyes were like boiled eggs. He swallowed hard,
and nodded.
"I could do it," Teller snarled. "Why couldn't the world?"
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"Teller" by Michael Swanwick
Michael Swanwick: Teller |
Teller had it within him to be the premier mime of his generation.
He and his loud partner, Penn Gillette, learned a few carnie routines,
put an act together, and took the world by storm. They got all the way
to Broadway. But then World War II intervened. Penn was drafted (he died
at Anzio), and Teller was sent to work on the Manhattan Project.
Nuclear physics isn't all that different from vaudeville. You gotta
show 'em what you got. You gotta give 'em that old razzmatazz. Teller
went right to the top. He and Oppenheimer pretty much ran the show. They
built the world's first atomic bombs. They exploded the first one in
Alamogordo, New Mexico. The military exploded the next two in Japan.
It was a transforming experience for Teller. This was flashier even
than swallowing a hundred needles and drawing them out of his mouth on
a thread! Oppenheimer had doubts, so he had the man's security clearance
taken away.
Teller devoted his life to building a hydrogen bomb, and to mastering
the Strait Jacket Underwater Escape. And he succeeded! He built the one
and mastered the other. Much good it did him. He lobbied Congress tirelessly
for a first strike against the Soviet Union. They wouldn't listen. He
tried to get his old act going again. The agency said he was too old.
Late in life, he was being interviewed by a sincere young fool. "But
how could you bring the world to the brink of annihilation?" he was
asked. "Didn't you understand?" As if he'd played his role in world
history out of ignorance. As if he hadn't known the issues.
Finally, he snapped. He pulled open a drawer and handed his interrogator
a bullet and a small knife. "Make a mark in the tip," he said. Then,
when the young man obeyed, he got out a Magnum .357 and loaded it with
a single bullet.
He put the gun in the young man's hand.
"Stand at the far end of the room."
Such was the force of his personality that the young man did so.
"Now point the gun at my face."
Again it was done.
"Now fire."
The interviewer turned pale. "I c-couldn't p-possibly–" he stammered.
"I know what I'm doing," Teller snapped. "There's not a chance in
hell you can hurt me. Just do it!"
The young man fired.
For a long, still moment nothing moved. It was as if time had ceased.
Then Teller spat something into his palm and handed it to the astonished
youth. "Is this your bullet?"
The interviewer's eyes were like boiled eggs. He swallowed hard,
and nodded.
"I could do it," Teller snarled. "Why couldn't the world?"
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