"Taylor, L A - Counterexample" - читать интересную книгу автора (Taylor L A)"Don't do that. You'll wreck the chair," was what came out of my mouth. Tarnmie let it thump back down with a grin, and started to eat. Over the next few weeks I tried everything I could think of to shake her conviction. I brought books home from my office-"Mother, that's human biology," Tammie protested. "We are human." "How could we be?" "How could we not?" She smiled, so sweet, so patient I could have smacked her. I marshaled my evidence. My child-who is at least as intelligent as any of the rest of us-refused to be swayed. I discoursed upon the nature of inquiry. Upon inductive reasoning in general. I even took her into the lab and showed her my frogs, squatting droopily in their tanks, waiting for someone to toss a crumb of hamburger into the air for them. Tammie enjoyed feeding the frogs. Spring came. My daughter rounded out, first a thickening of her waist, then a gentle mounding below her navel, pressing ever higher. She studied dutifully, daydreamed about her "son," watched Star Trek with her sisters. Back around Valentine's Day she began signing her name T'Ami, Vulcan-style. Some of my fears were allayed: Julie remained her usual active self. She couldn't possibly have had time for the requisite meditation. Women have had children alone since recorded time began. How many others, with other builds and other features, are like me? Do they know? They must! Sisters, please, show me your faces! Soon! *************************************** About L. A. Taylor and "Counterexample" After a quarter of a century I thought I had seen every possible variation on the Star Trek story. Star Trek was responsible for the entry of many women into science fiction because the first television series of Star Trek presented many women. Not only in starring but in supporting roles; perhaps it was the wholesale entry of such women as "Christine Chapel"-actress Majel Barrett (in private life Mrs. Gene Roddenberry) or the singularly beautiful black actress Nichelle Nichols, as Uhura, both of them there on the bridge of the Enterprise, every week, and whatever people said, they were doing more than "opening hailing frequencies." And both women were definitely people in their own right and not just love objects for the men involved-women found for the first time serious science fiction role models of their own, not just the array of wives, daughters, and little sisters of the men involved. Well, after that, women came into science fiction in droves. Many readers, many fans, many artists, and more to the point here, from the ranks of Star Trek enthusiasts many excellent writers both amateur and professional. Star Trek and my own Darkover share one thing; it seems to be easier, especially among women writers, to write of already familiar characters-be they from Darkover or Star Trek-than to create one's own. After a very bad experience I have most reluctantly had to close the Darkover universe to other writers, and now I belatedly understand Roddenberry's intransigence-like that of Conan Doyle-with his literary property. However, this story infringes no literary copyright in Star Trek, nor, as far as I know, anywhere else. This story is just good fun about a young girl who went a bit far in her enthusiasm for the Star Trek characters. Be all that as it may, I am presenting probably the most interesting spin-off of the Star Trek universe ever to come to my attention. Laurie Aylma Taylor likes to explore that no-man's-land between genres; she writes mainstream fiction, mysteries, science fiction, and fantasy. In addition to her short fiction, she has published nine novels, and her next novel, Cat's Paw, will be out from Berkley Books in March 1995. |
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