"Jeff VanderMeer - A Heart For Lucretia" - читать интересную книгу автора (Vandermeer Jeff) of the present-day. I have long been fascinated by meerkats -- their
quick, agile movements, their complex social and family life, and ability to survive human encroachment. So the idea of making the species created by humankind be based on meerkat genetic stock appealed to me greatly. As other stories in this cycle indicate, these are not just giant meerkats, but enriched with genes from other groups, including human beings. The Flesh Dog character is stolen, in a way, from the 1977 remake of Invasion of the Body Snatchers. When I saw the movie, there was one scene that stood out for me -- a brief glimpse of a dog with a human head. It scared me to death -- the juxtaposition really seemed alien. So the idea of Flesh Dog being remade to have a human face came from that movie. The other general idea behind Flesh Dog is to have a character, alien in the exterior, who is actually almost more human than the "hero" -- there is something heroic and sympathetic about Flesh Dog. This also creates a nice juxtaposition with the meerkats, whose intentions are sinister... What I do is find elements I would like to deal with in a story, and then when the opportunity arises, because I've been thinking about them a great deal, they tend to organically embed themselves in the story. As for the ending, it is implied in the beginning. One thing I like to do in stories is present the reader with a situation that seems clear and self-evident, but by the end of the story invert the meaning of the scene or situation that began the story. This process of transformation, if done well -- not as a twist, but as part of the natural evolution of the story -- doesn't just dislocate the reader. It, hopefully, makes the reader question the assumptions he or she makes in processing what we call "reality". It's like a reminder that the world is more complex than the elements we break it down into. ┬й Jeff VanderMeer 1993, 1999 "A Heart for Lucretia" first appeared in The Silver Web, Winter/Spring 1993. |
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