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FOUR

There had been no beer in Tara most of the time Chris was there. It was available in the commissaries, to those who could prove they had finished their work shifts. Chris had not imbibed. It was not very good stuff.
Now there was excellent beer in the iceboxes of Tara. The weather was hot. Adam didn’t seem to mind it, and it didn’t bother Chris a lot, but a cool beer or two was just what he needed after a long day spent trying to keep Adam’s attention away from the television sets without being too obvious about it.
Two or three beers were just what he needed.
The hard thing was to never admit that the games he structured were mostly to keep Adam from looking at the television programs. Without the TV he certainly would have spent a lot of time with Adam, but would have been content to let him play alone more often. As it was, he feared he was spending too much time with the child. It got more difficult to interest him. Adam often tired of the games, and playing with the toys. Sometimes, when he was at his lowest, Chris thought Adam was humoring him.
Very paranoid thought, Chris. Three or four beers might soothe it.
But the worst thing, the most awful thing  . . . 
He sometimes caught himself about to strike the child.
He spent every waking hour near Adam, and as many as he could manage actively engaged with him. An adult human being can take only so much of childish things, of baby-talk and games and silly laughter. Chris could take a lot, but there was a limit. He ached for intelligent company . . . no, no, no— that wasn’t the right word at all, that was completely wrong. He ached for adult company.
So when Adam was asleep and he felt so horribly alone, four or five beers was just the ticket to calm his shattered nerves.
He needed adults around. What he had was a sharp, intelligent, delightful two-year-old  . . .  and Amparo, and Sushi. Other household help came and went, and never talked to Chris. He assumed they were under orders from Gaea to treat him as the man-who-isn’t-there. Only Amparo and Sushi were constant.
Both had been wet-nurses when Chris arrived. Amparo seemed to be an intelligent woman, but she had no English, and no urge to learn any. Chris had picked up enough rag-tag Spanish to communicate with her, but it would never be very satisfactory.
As for Sushi  . . . 
He didn’t know if that was really her name. She was an idiot. She might have been a super-genius before coming to Gaea, but Gaea had done something to her. The mark was on her forehead. It was a swelling below the skin in the shape of an inverted cross. When Chris had finally realized that Sushi’s mind was really as blank as her eyes, he had touched the swelling one day, and been astonished to see her fall on the floor and writhe as if in the throes of a seizure. Upon more careful examinationm—and queasy experimentation—he had learned it was not a seizure. It was the old pleasure principle. Gaea had put something like Snitch in Sushi’s head, and wired it into her pleasure center. Now she would do anything for a jolt. Touching it herself did no good. Someone else had to. She seemed to need it about three times a day. If she didn’t get it from Chris, she would nuzzle up to Adam, who thought it was very funny when Sushi writhed on the floor and moaned and masturbated.
So Chris had to keep Sushi content several times a day.
Luckily, he could drink five or six beers to settle down afterward.
They called her Sushi for a very simple reason. She subsisted on a diet of raw fish. The fish didn‘t have to be fresh. They didn’t even have to be scaled, and the heads didn’t bother her.
Her breath was horrible.
It took Chris some time to put it together. Eating the fish was a conditioned reflex. Eat a fish, get a jolt. Before long, she wouldn’t eat anything else.
The television was fifty percent interactive these days. And now he was appearing in it, though he had never gone before Gaea’s cameras. At first, like many things in Tara, it had seemed harmless. He had first appeared in an Abbott and Costello feature. He had been substituted for Costello. Subtle changes had been made in him. He was short and dumpy, but it was definitely him. His voice was a blend of his real voice and the voice of Costello. Adam had loved it. Even Chris found himself grinning from time to time. Costello was a dunce, no question, but he was an amiable one. It could have been worse.
It got worse.
Next it was Laurel and Hardy. Gaea was Ollie, and Chris was Stan. Chris studied the movies carefully, weighing the pro’s and con’s. The two comedians had an affection for each other. That worried him. At first glance Stan seemed an idiot, but it was actually more complex than that. And Ollie was a blowhard, took a great many of the pratfalls  . . .  but in the end was the dominant personality. Again, Gaea was working up to something.
Lately he had begun to appear in some questionable roles. Not the villain per se, but someone rather unsavory. In one role, from a movie whose title he couldn’t remember, he saw himself beating Gaea. And he saw that it disturbed Adam, though he wouldn’t talk about it. Adam drew a line between fantasy and reality . . . but it was a fuzzy line. Gaea was that amazing, funny, huge, and harmless lady who came to the third floor window of Tara and handed him pretty toys. Why would Chris be beating her up? The plot wasn’t important, nor was the fact that Chris, at just over seven feet tall, was hardly a worthy opponent for the fifty-foot Monroe.
He was now sure he would lose, in the long run. It was all very well to be set up as Adam’s conscience, but television had always had a louder voice than a child’s conscience—which didn‘t even exist until someone nurtured it. Chris wasn’t being given a chance.
A year had gone by. Cirocco had said it might be as long as two years before she came again.
He was pretty sure it would be too late by then.
It would have cheered him considerably to know Cirocco and her army were already on the march to Hyperion. But Gaea had not seen fit to tell him, and he had no other way of knowing. He might have gotten a clue from Gaean television. Adam was asleep, and Chris was sitting slumped in front of a set. The movie was the 1995 version of Napoleon, un-altered, and on the screen vast armies marched toward Waterloo.
But by then Chris was too drunk to notice.

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FOUR

There had been no beer in Tara most of the time Chris was there. It was available in the commissaries, to those who could prove they had finished their work shifts. Chris had not imbibed. It was not very good stuff.
Now there was excellent beer in the iceboxes of Tara. The weather was hot. Adam didn’t seem to mind it, and it didn’t bother Chris a lot, but a cool beer or two was just what he needed after a long day spent trying to keep Adam’s attention away from the television sets without being too obvious about it.
Two or three beers were just what he needed.
The hard thing was to never admit that the games he structured were mostly to keep Adam from looking at the television programs. Without the TV he certainly would have spent a lot of time with Adam, but would have been content to let him play alone more often. As it was, he feared he was spending too much time with the child. It got more difficult to interest him. Adam often tired of the games, and playing with the toys. Sometimes, when he was at his lowest, Chris thought Adam was humoring him.
Very paranoid thought, Chris. Three or four beers might soothe it.
But the worst thing, the most awful thing  . . . 
He sometimes caught himself about to strike the child.
He spent every waking hour near Adam, and as many as he could manage actively engaged with him. An adult human being can take only so much of childish things, of baby-talk and games and silly laughter. Chris could take a lot, but there was a limit. He ached for intelligent company . . . no, no, no— that wasn’t the right word at all, that was completely wrong. He ached for adult company.
So when Adam was asleep and he felt so horribly alone, four or five beers was just the ticket to calm his shattered nerves.
He needed adults around. What he had was a sharp, intelligent, delightful two-year-old  . . .  and Amparo, and Sushi. Other household help came and went, and never talked to Chris. He assumed they were under orders from Gaea to treat him as the man-who-isn’t-there. Only Amparo and Sushi were constant.
Both had been wet-nurses when Chris arrived. Amparo seemed to be an intelligent woman, but she had no English, and no urge to learn any. Chris had picked up enough rag-tag Spanish to communicate with her, but it would never be very satisfactory.
As for Sushi  . . . 
He didn’t know if that was really her name. She was an idiot. She might have been a super-genius before coming to Gaea, but Gaea had done something to her. The mark was on her forehead. It was a swelling below the skin in the shape of an inverted cross. When Chris had finally realized that Sushi’s mind was really as blank as her eyes, he had touched the swelling one day, and been astonished to see her fall on the floor and writhe as if in the throes of a seizure. Upon more careful examinationm—and queasy experimentation—he had learned it was not a seizure. It was the old pleasure principle. Gaea had put something like Snitch in Sushi’s head, and wired it into her pleasure center. Now she would do anything for a jolt. Touching it herself did no good. Someone else had to. She seemed to need it about three times a day. If she didn’t get it from Chris, she would nuzzle up to Adam, who thought it was very funny when Sushi writhed on the floor and moaned and masturbated.
So Chris had to keep Sushi content several times a day.
Luckily, he could drink five or six beers to settle down afterward.
They called her Sushi for a very simple reason. She subsisted on a diet of raw fish. The fish didn‘t have to be fresh. They didn’t even have to be scaled, and the heads didn’t bother her.
Her breath was horrible.
It took Chris some time to put it together. Eating the fish was a conditioned reflex. Eat a fish, get a jolt. Before long, she wouldn’t eat anything else.
The television was fifty percent interactive these days. And now he was appearing in it, though he had never gone before Gaea’s cameras. At first, like many things in Tara, it had seemed harmless. He had first appeared in an Abbott and Costello feature. He had been substituted for Costello. Subtle changes had been made in him. He was short and dumpy, but it was definitely him. His voice was a blend of his real voice and the voice of Costello. Adam had loved it. Even Chris found himself grinning from time to time. Costello was a dunce, no question, but he was an amiable one. It could have been worse.
It got worse.
Next it was Laurel and Hardy. Gaea was Ollie, and Chris was Stan. Chris studied the movies carefully, weighing the pro’s and con’s. The two comedians had an affection for each other. That worried him. At first glance Stan seemed an idiot, but it was actually more complex than that. And Ollie was a blowhard, took a great many of the pratfalls  . . .  but in the end was the dominant personality. Again, Gaea was working up to something.
Lately he had begun to appear in some questionable roles. Not the villain per se, but someone rather unsavory. In one role, from a movie whose title he couldn’t remember, he saw himself beating Gaea. And he saw that it disturbed Adam, though he wouldn’t talk about it. Adam drew a line between fantasy and reality . . . but it was a fuzzy line. Gaea was that amazing, funny, huge, and harmless lady who came to the third floor window of Tara and handed him pretty toys. Why would Chris be beating her up? The plot wasn’t important, nor was the fact that Chris, at just over seven feet tall, was hardly a worthy opponent for the fifty-foot Monroe.
He was now sure he would lose, in the long run. It was all very well to be set up as Adam’s conscience, but television had always had a louder voice than a child’s conscience—which didn‘t even exist until someone nurtured it. Chris wasn’t being given a chance.
A year had gone by. Cirocco had said it might be as long as two years before she came again.
He was pretty sure it would be too late by then.
It would have cheered him considerably to know Cirocco and her army were already on the march to Hyperion. But Gaea had not seen fit to tell him, and he had no other way of knowing. He might have gotten a clue from Gaean television. Adam was asleep, and Chris was sitting slumped in front of a set. The movie was the 1995 version of Napoleon, un-altered, and on the screen vast armies marched toward Waterloo.
But by then Chris was too drunk to notice.

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