"Howard Waldrop - The Ugly Chickens" - читать интересную книгу автора (Waldrop Howard)from R├йunion, comes from its place under the table and joins the circle
with the others. It is most graceful of all, making complete turns where the others only sway and dip on the edge of the circle they have formed. The music rises in volume; the first violinist sees the dodos and nods to the King. But he and the others at the table have already seen. They are silent, transfixed-even the servants stand still, bowls, pots and, kettles in their hands forgotten. Around the dodos dance with bobs and weaves of their ugly heads. The white dodo dips, takes half a step, pirouettes on one foot, circles again. Without a word the King of Holland takes the hand of the Queen, and they come around the table, children before the spectacle. They join in the dance, waltzing (anachronism) among the dodos while the family, the guests, the soldiers watch and nod in time with the music. file:///K|/eMule/Incoming/Waldrop,%20Howard%20-%20The%20Ugly%20Chickens.txt (13 of 29)9-12-2006 0:15:21 file:///K|/eMule/Incoming/Waldrop,%20Howard%20-%20The%20Ugly%20Chickens.txt Then the vision fades, and the afterimage of a flickering fireplace and a ------- The dodo and its kindred came by ships to the ports of civilized men. The first we have record of is that of Captain van Neck who brought back two in 1599-one for the King of Holland, and one which found its way through Cologne to the menagerie of Emperor Rudolf II. This royal aviary was at Schloss Neugebau, near Vienna. It was here the first paintings of the dumb old birds were done by Georg and his son Jacob Hoefnagel, between 1602 and 1610. They painted it among more than ninety species of birds which kept the Emperor amused. Another Dutch artist named Roelandt Savery, as someone said, "made a career out of the dodo." He drew and painted them many times, and was no doubt personally fascinated by them. Obsessed, even. Early on, the paintings are consistent; the later ones have inaccuracies. This implies he worked from life first, then from memory as his model went to that place soon to be reserved for all its species. One of his drawings has two of the Raphidae scrambling for some goodie on the ground. His |
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