"Howard Waldrop - The Ugly Chickens" - читать интересную книгу автора (Waldrop Howard)works are not without charm.
Another Dutch artist (they seemed to sprout up like mushrooms after a spring rain) named Peter Withoos also stuck dodos in his paintings, sometimes in odd and exciting places-wandering around during their owner's music lessons, or with Adam and Eve in some Edenic idyll. The most accurate representation, we are assured, comes from half a world away from the religious and political turmoil of the seafaring Europeans. There is an Indian miniature painting of the dodo which now rests in a museum in Russia. The dodo could have been brought by the Dutch or Portuguese in their travels to Goa and the coasts of the Indian subcontinent. Or they could have been brought centuries before by the Arabs who plied the Indian Ocean in their triangular-sailed craft, and who may have discovered the Mascarenes before the Europeans cranked themselves up for the First Crusade. file:///K|/eMule/Incoming/Waldrop,%20Howard%20-%20The%20Ugly%20Chickens.txt (14 of 29)9-12-2006 0:15:21 file:///K|/eMule/Incoming/Waldrop,%20Howard%20-%20The%20Ugly%20Chickens.txt At one time early in my bird-fascination days (after I stopped killing them with BB guns but before I began to work for a scholarship), I once sat down and figured out where all the dodos had been. Two with van Neck in 1599, one to Holland, one to Austria. Another was in Count Solm's park in 1600. An account speaks of "one in Italy, one in Germany, several to England, eight or nine to Holland." William Boentekoe van Hoorn knew of "one shipped to Europe in 1640, another in 1685" which he said was "also painted by Dutch artists." Two were mentioned as "being kept in Surrat House in India as pets," perhaps one of which is the one in the painting. Being charitable, and considering "several" to mean at least three, that means twenty dodos in all. There had to be more, when boatloads had been gathered at the time. What do we know of the Didine birds? A few ships' logs, some accounts left by travelers and colonists. The English were fascinated by them. Sir Hamon L'Estrange, a contemporary of Pepys, saw exhibited "a Dodar from the Island of Mauritius ... it is not able to flie, being so bigge." One was stuffed when it died, and was put in the Museum Tradescantum in South Lambeth. It eventually found its way into the Ashmolean Museum. It grew ratty and was burned, all but a leg and the |
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