"Destroyer 022 - Brain Drain.pdb" - читать интересную книгу автора (Williams Remo)

"It's not your eggs. I'm thinking."
"There's another woman," said Ethel Waldman.
"Woman, shwoman, what other woman?" asked Waldman.
"I knew it. There's someone else," said Ethel Waldman. "Someone who doesn't ruin her nails cooking for you or get wrinkles worrying about how to make you happy. Some little street chippie with cheap perfume and a young set of boobs who doesn't care beans about you like I care. I know."
"What are you talking about?"
"I hope you and that cheap tart you're running around with are very happy. Get out of here. Get out of here."
"C'mon, Ethel, I got problems."
"Get out of here, animal. Go to your whore. Go to your whore."
"I've got work. I'll see you tonight, Ethel."
"Get out. Out, animal."
And in the hallway of the fifth floor of their apartment building, Jake Waldman heard his wife yell out to the world:
"Lock up your daughters, everyone. The whore-master's on the loose."
At the division headquarters, there was a phone call waiting for Inspector Waldman. It was Ethel. She would do anything to patch up their marriage.
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They should try again. Like adults. She would forget the incident with the actress.
"What actress? What incident?"
"Jake. If we're trying again, let's at least be honest."
"All right, all right," said Waldman, who had been through this before.
"Was she a famous actress ?"
"Ethel!"
And that held the family problems for the day. The mayor's office wanted a special report and the commissioner's office wanted a special report and some agency in Washington wanted some kind of report for a special study and a psychologist from Wayne State University wanted to talk to Waldman, so Inspector Waldman hauled the lowest grade detective he saw first and gave him an assignment.
"Keep those dingbats off my back," he said.
The police photographers had come up with something interesting. Perhaps Waldman had missed it during the rush to finish up the on-the-scene work. But could he make out a certain poster on the wall through the lines of blood? Right under that arm there?
"Hmmmm," said Waldman.
"What do you think?" asked the photographer.
"I think I'm going back to that basement. Thank you."
"Crazy, huh?" said the photographer.
"No. Reasonable," said Waldman.
There were knots of people around the basement apartment, both attracted but kept at a distance by the police barricades. The rookie had apparently
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recovered well because he looked professional and bored standing in front of the iron steps leading to the basement.
"I told you it was nothing, kid," commented Waldman going down the steps.
"Yeah, nothing," said the rookie cockily.
"You'll be picking up eyeballs in plyofilm bags in no time and thinking nothing of it, kid," said Waldman, noticing the rookie double over and run toward the curb. Funny kid.
The basement room now smelled like a sharp commercial disinfectant. The rug was gone and the floor was scrubbed, but much of the brown stain could not be scrubbed away. It had soaked into the wooden floor. That was strange. Basement apartments usually had cement floors. Waldman hadn't noticed the construction before because of the blood. Funny how much new blood was like oil, a slippery coating when first spilled.
Waldman took the photograph out of the manila envelope, tearing off the little silver snap that went through the hole in the flap. The disinfectant rose beyond smell. It was a taste now. Like swallowing a mothball.
The glossy photograph reflected the harsh light from the bulb overhead. The room felt surprisingly cool, even for a basement. He looked at the photograph, then looked at the wall. The wall posters had been scraped during the cleaning process and now were only barely discernible strips.
But he had the photograph. And between the photograph and the small strips left on the wall, he saw it. On the wall there had been a surrealistic poster of a room. And from the walls of that room hung
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arms. And in the ceilings were trunks of bodies. And looking at the photograph of what the poster had been and at the remnants of the poster now, Inspector Waldman saw that the room had been made into a replica of this mad poster. Almost exactly in proportion to the picture. It was an imitation of the picture. He stepped back on the creaking floor. An exact, proportional, almost slavish imitation. He felt something about this, and his instinct told Mm it was important. What was it?
Waldman looked down at the photograph again. Sure. That was it. There was no deviation from the poster at all. The room had reproduced the horror of the poster exactly, almost as if the killer had been programmed to do it, almost as if he had no feelings of his own. It was as if a mindless ape had imitated art and created nothing but death.
Of course, none of this could go in a report. He'd be laughed out of the department. But he wondered what sort of killers could remain calm enough to exactly copy a poster during the hysteria of mass murder. Probably a devil cult of some sort. In that case, there would be more of these, and the perpetrators were doomed. Almost anyone had a fair chance of getting away with something once. Sometimes twice. But something like this they would have to do again, and when they got to the third time, or maybe even the second, some circumstance, some accident of performance, some loose word somewhere, some left wallet, some random thing, like even a door locking behind them or being seen in the act, would get them. Time, not brilliance, was the law's edge.
Waldman stepped back. One of the boards on the
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floor was loose. The place shouldn't have had a wooden floor anyhow. He stamped down hard on one end of the board. The other rose, like a brown-stained square tongue. He leaned down and ripped it up. It covered small plastic bags with oblong brown wads slightly smaller than Hershey bars. So that was the reason for the flooring. Waldman smelled the contents of a bag. Hashish. He kicked off the board next to the first. More bags. The basement was a stash. In rough estimates, he saw about thirty-five hundred dollars worth already. He kicked over another board. Where he had expected to find bags, Waldman saw an oblong tape deck, with a small dim yellow light in the control panel. The spool spun around and around, whipping a liver-colored end of tape against the gray plastic edge of a panel. He stared at it going around, the tape softly whipping the panel edge. He saw a black cord lead through a drilled hole in the wooden floor support. The machine was on record.
He pressed stop, rethreaded the spool and put the machine on rewind. The tape spun back rapidly. The machine had belonged to the dealer. Many pushers had them. A tape could help give them protection. It could raise a little blackmail money. It had many uses.
Before the tape rewound completely, he pressed stop again. Then play.
"Hello, hello, hello. I'm so glad you're all here." The voice was silky high, like a drag queen's. "I suppose you're all wondering, wondering, wondering what lovelies I have for you."
"Money, man." This voice was heavier and deeper. "Bread, baby. The mean green."
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