"Протоиерей Иоанн Мейендорф. Byzantine Theology " - читать интересную книгу автора In spite of its very great terminological accuracy in describing the
veneration of icons, Nicaea II did not elaborate on the technical points of Christology raised by the iconoclastic Council of Hieria. The task of refuting this council and of developing the rather general Christological affirmations of Germanus and John of Damascus belongs to the two major theological figures of the second iconoclastic period - the reigns of Leo V (813-820), Michael р (820-829), and Theophilus (829-842) - Theodore the Studite and Patriarch Nicephorus. Orthodox Theology of Images: Theodore the Studite and Nicephorus. Theodore the Studite (759-826) was one of the major reformers of the Eastern Christian monastic movement. In 798, he found himself at the head of the Constantinopolian monastery of Studios (the name of the founder), which by then had fallen into decay. Under Theodore's leadership the community there rapidly grew to several hundred monks and became the main monastic centre of the capital. The Studite Rule (Hypotypхsis) in its final form is the work of Theodore's disciples, but it applied his principles of monastic life and became the pattern for large cenobitic communities in the Byzantine and Slavic worlds. Theodore himself is the author of two collections of instructions addressed to his monks (the "small" and the "large" Catecheses) in which he develops his concept of monasticism based upon obedience to the abbot, liturgical life, constant work, and personal poverty. These principles were quite different from the eremitical, "hesychast," tradition and derived from the rules of Pachomius and Basil. The influence of Theodore contribution to hymnography. Many of the ascetical parts of the Triodion (proper for Great Lent) and of the Parakletike, or Oktoechos (the book of the "eight tones"), are his work or the work of his immediate disciples. His role in conflicts between Church and state will be mentioned in the next chapter. In numerous letters to contemporaries, in his three Antirrhetics against the iconoclasts, and in several minor treatises on the subject, Theodore actively participated in the defence of images. As we have seen, the principal argument of the Orthodox against the iconoclasts was the reality of Christ's manhood; the debate thus gave Byzantine theologians an opportunity to reaffirm the Antiochian contribution to Chalcedonian Christology, and signalled a welcome return to the historical facts of the New Testament. From the age of Justinian, the humanity of Christ had often been expressed in terms of "human nature" assumed as one whole by the New Adam. Obviously, this platonizing view of humanity in general was insufficient to justify an image of Jesus Christ as a concrete, historical, human individual. The fear of Nestorianism prevented many Byzantine theologians from seeing a man in Christ, for "a man" implying individual human consciousness seemed for them to mean a separate human hypostasis. In Theodore's anti-iconoclastic writings, this difficulty is overcome by a partial return to Aristotelian categories. Christ was certainly not a mere man; neither it is orthodox to say that He assumed an individual among men [ton tina anthrхpхn] but the whole, the |
|
|