"Jules Verne. Around the World in 80 Days" - читать интересную книгу автора

"Yes, monsieur."

"Good! What time is it?"

"Twenty-two minutes after eleven," returned Passepartout,
drawing an enormous silver watch from the depths of his pocket.

"You are too slow," said Mr. Fogg.

"Pardon me, monsieur, it is impossible--"

"You are four minutes too slow. No matter; it's enough to mention
the error. Now from this moment, twenty-nine minutes after eleven, a.m.,
this Wednesday, 2nd October, you are in my service."

Phileas Fogg got up, took his hat in his left hand, put it on
his head with an automatic motion, and went off without a word.

Passepartout heard the street door shut once; it was his new
master going out. He heard it shut again; it was his predecessor,
James Forster, departing in his turn. Passepartout remained
alone in the house in Saville Row.




Chapter II

IN WHICH PASSEPARTOUT IS CONVINCED THAT HE HAS AT LAST FOUND HIS IDEAL


"Faith," muttered Passepartout, somewhat flurried, "I've seen people
at Madame Tussaud's as lively as my new master!"

Madame Tussaud's "people," let it be said, are of wax, and are much
visited in London; speech is all that is wanting to make them human.

During his brief interview with Mr. Fogg, Passepartout had been
carefully observing him. He appeared to be a man about forty years of age,
with fine, handsome features, and a tall, well-shaped figure;
his hair and whiskers were light, his forehead compact and unwrinkled,
his face rather pale, his teeth magnificent. His countenance possessed
in the highest degree what physiognomists call "repose in action,"
a quality of those who act rather than talk. Calm and phlegmatic,
with a clear eye, Mr. Fogg seemed a perfect type of that English
composure which Angelica Kauffmann has so skilfully represented on canvas.
Seen in the various phases of his daily life, he gave the idea of being
perfectly well-balanced, as exactly regulated as a Leroy chronometer.
Phileas Fogg was, indeed, exactitude personified, and this was betrayed
even in the expression of his very hands and feet; for in men, as well as