"The Book of the Dead" - читать интересную книгу автора (Preston Douglas, Child Lincoln)

Chapter 5

Dr. Frederick Watson Collopy stood behind the great nineteenth-century leather-topped desk of his corner office in the museum’s southeast tower. The huge desk was bare, save for a copy of the morning’s New York Times. The newspaper had not been opened. It did not need to be: already, Collopy could see everything he needed to see, on the front page, above the fold, in the largest type the staid Times dared use.

The cat was out of the bag, and it could not be put back in.

Collopy believed that he occupied the greatest position in American science: director of the New York Museum of Natural History. His mind drifted from the subject of the article to the names of his distinguished forebears: Ogilvy, Scott, Throckmorton. His goal, his one ambition, was to add his name to that august registry-and not fall into ignominy like his two immediate predecessors: the late and not-much-lamented Winston Wright or the inept Olivia Merriam.

And yet there, on the front page of the Times, was a headline that might just be his tombstone. He had weathered several bad patches recently, irruptions of scandal that would have felled a lesser man. But he had handled them coolly and decisively-and he would do the same here.

A soft knock came at the door.

“Come in.”

The bearded figure of Hugo Menzies, chairman of the Anthropology Department, dressed elegantly and with less than the usual degree of academic rumpledness, entered the room. He silently took a chair as Josephine Rocco, the head of public relations, entered behind him, along with the museum’s lawyer, the ironically named Beryl Darling of Wilfred, Spragg and Darling.

Collopy remained standing, watching the three as he stroked his chin thoughtfully. Finally he spoke.

“I’ve called you here in emergency session, for obvious reasons.” He glanced down at the paper. “I assume you’ve seen the Times?”

His audience nodded in silent assent.

“We made a mistake in trying to cover this up, even briefly. When I took this position as director of the museum, I told myself I would run this place differently, that I wouldn’t operate in the secretive and sometimes paranoid manner of the last few administrations. I believed the museum to be a great institution, one strong enough to survive the vicissitudes of scandal and controversy.”

He paused.

“In trying to play down the destruction of our diamond collection, in seeking to cover it up, I made a mistake. I violated my own principles.”

“An apology to us is all well and good,” said Darling in her usual crisp voice, “but why didn’t you consult me before you made that hasty and ill-considered decision? You must have realized you couldn’t get away with it. This has done serious damage to the museum and made my job that much more difficult.”

Collopy reminded himself this was precisely the reason the museum paid Darling four hundred dollars an hour: she always spoke the unvarnished truth.

He raised a hand. “Point taken. But this is a development I never in my worst nightmares anticipated-finding that our diamonds have been reduced to…” His voice cracked: he couldn’t finish.

There was an uneasy shifting in the room.

Collopy swallowed, began again. “We must take action. We’ve got to respond, and respond now. That is why I’ve asked you to this meeting.”

As he paused, Collopy could hear, coming faintly from Museum Drive below, the shouts and calls of a growing crowd of protesters, along with police sirens and bullhorns.

Rocco spoke up. “The phones in my office are ringing off the hook. It’s nine now, and I think we’ve probably got until ten, maybe eleven at the latest, to make some kind of official statement. In all my years in public relations, I’ve never encountered anything quite like this.”

Menzies shifted in his chair, smoothed his silver hair. “May I?”

Collopy nodded. “Hugo.”

Menzies cleared his throat, his intense blue eyes darting to the window and back to Collopy. “The first thing we have to realize, Frederick, is that this catastrophe is beyond ‘spinning.’ Listen to the crowd out there-the fact that we even considered covering up such a loss has the people up in arms. No: we’ve got to take the hit, honestly and squarely. Admit our wrong. No more dissembling.” He glanced at Rocco. “That’s my first point and I hope we’re all in agreement on it.”

Collopy nodded again. “And your second?”

He leaned forward slightly. “It’s not enough to respond. We need to go on the offensive.”

“What do you mean?”

“We need to do something glorious. We need to make a fabulous announcement, something that will remind New York City and the world that, despite all this, we’re still a great museum. Mount a scientific expedition, perhaps, or embark on some extraordinary research project.”

“Won’t that look like a rather transparent diversion?” asked Rocco.

“Perhaps to some. But the criticism will last only a day or two, and then we’ll be free to build interest and good publicity.”

“What kind of project?” Collopy asked.

“I haven’t gotten that far.”

Rocco nodded slowly. “Perhaps it would work. This event could be combined with a gala party, strictly A-list, the social ‘must’ of the season. That will mute museum-bashing among the press and politicians, who will naturally want to be invited.”

“This sounds promising,” Collopy said.

After a moment, Darling spoke. “It’s a fine theory. All we lack is the expedition, event, or whatever.”

At that moment, Collopy’s intercom buzzed. He stabbed at it with irritation. “Mrs. Surd, we’re not to be disturbed.”

“I know, Dr. Collopy, but… well, this is highly unusual.”

“Not now.”

“It requires an immediate response.”

Collopy sighed. “Can’t it wait ten minutes, for heaven’s sake?”

“It’s a bank wire transfer donation of ten million euros for-”

“A gift of ten million euros? Bring it in.”

Mrs. Surd entered, efficient and plump, carrying a paper.

“Excuse me for a moment.” Collopy snatched the paper. “Who’s it from and where do I sign?”

“It’s from a Comte Thierry de Cahors. He’s giving the museum ten million euros to renovate and reopen the Tomb of Senef.”

“The Tomb of Senef? What the devil is that?” Collopy tossed the paper on the desk. “I’ll deal with this later.”

“But it says here, sir, that the funds are waiting in transatlantic escrow and must be either refused or accepted within the hour.”

Collopy resisted an impulse to wring his hands. “We’re awash in bloody restricted funds like this! What we need are general funds to pay the bills. Fax this count whoever and see if you can’t persuade him to make this an unrestricted donation. Use my name with the usual courtesies. We don’t need the money for whatever windmill he’s tilting at.”

“Yes, Dr. Collopy.”

She turned away and Collopy glanced at the group. “Now, I believe Beryl had the floor.”

The lawyer opened her mouth to speak, but Menzies held out a suppressing hand. “Mrs. Surd? Please wait a few minutes before contacting the Count of Cahors.”

Mrs. Surd hesitated, glancing at Collopy for confirmation. The director nodded his confirmation and she left, closing the door behind her.

“All right, Hugo, what’s this about?” Collopy asked.

“I’m trying to remember the details. The Tomb of Senef-it rings a bell. And, now that I recall, so does the Count of Cahors.”

“Can we move on here?” Collopy asked.

Menzies sat forward suddenly. “Frederick, this is moving on! Think back over your museum history. The Tomb of Senef was an Egyptian tomb on display in the museum from its original opening until, I believe, the Depression, when it was closed.”

“And?”

“If memory serves, it was a tomb stolen and disassembled by the French during the Napoleonic invasion of Egypt and later seized by the British. It was purchased by one of the museum’s benefactors and reassembled in the basement as one of the museum’s original exhibits. It must still be there.”

“And who is this Cahors?” Darling asked.

“Napoleon brought an army of naturalists and archaeologists with his army when he invaded Egypt. A Cahors led the archaeological contingent. I imagine this fellow is a descendant.”

Collopy frowned. “What does this have to do with anything?”

“Don’t you see? This is precisely what we’re looking for!”

“A dusty old tomb?”

“Exactly! We make a big announcement of the count’s gift, set an opening date with a gala party and all the trappings, and make a media event out of it.” Menzies looked inquiringly at Rocco.

“Yes,” Rocco said. “Yes, that could work. Egypt is always popular with the general public.”

“Could work? It will work. The beauty of it is that the tomb’s already installed. The Sacred Images exhibition has run its course, it’s time for something new. We could do this in two months-or less.”

“A lot depends on the condition of the tomb.”

“Nevertheless, it’s still in place and ready to go. It might only need to be swept out. Our storage rooms are full of Egyptian odds and ends that we could put in the tomb to round out the exhibition. The count is offering plenty of money for whatever restoration is necessary.”

“I don’t understand,” Darling said. “How could an entire exhibition be forgotten for seventy years?”

“For one thing, it would have been bricked up-that’s often what they did to old exhibits to preserve them. “ Menzies smiled a little sadly. “This museum simply has too many artifacts, and not enough money or curators to tend them. That’s why I’ve lobbied for years now to create a position for a museum historian. Who knows what other secrets sleep in the long-forgotten corners?”

A brief silence settled over the room, broken abruptly as Collopy brought his hand down on his desk. “Let’s do it.” He reached for the phone. “Mrs. Surd? Tell the count to release the money. We’re accepting his terms.”