"The Best American Erotica 2002" - читать интересную книгу автора (Bright Susie)Introduction and Useful ResourcesErotic lit has been a lot of things during the past couple of decades: a renaissance, a political football, the best conversation piece you ever left out on your coffee table. It's transformed itself from publishing shame to book business savior, from militant manifesto to supermarket special. But for those of us who've been enjoying (or criticizing) the modern heyday of erotica, it's also been something else: one of the most compelling soap operas around. There's always a new character threatening to take over the room-the Gothic babe, the safe sex mensch, or the cyber-amazon-which one will be the star this year? In addition to the new kids on the series, we've got such stalwarts as the sensitive macho, the rebellious virgin, and the notorious diva who never dies-the Whore with the Heart of Gold. In the 1980s, erotic lit revived itself in rebellion, as the horny battle cry of the outcasts and the invisible. On one side, there were the pro-sex feminists who thought the best way to kick a double standard in the ass was to create their own juicy alternative. It was the erotic version of "I am Woman, Hear Me Roar," and this time the girl was in ecstasy, unapologetic and orgasmic. The queer side to the new erotic wave was the spectacular growth of gay and lesbian publishing, which was much more outspoken. Again, it was all in the vein of "I Am (Name Your Label Here), Hear Me Roar, Sweat, Come, and Whisper Dirty Somethings in Your Ear." Much of this early writing was first-person, confessional, and triumphant. This style did not make it as the darling of the literary fiction world, which considered the whole trend to be adolescent raving. You weren't about to see "Lesbian Coming-Out Stories" heralded as best genre of the year by I look back at my first collection of erotica Nevertheless, as more and more talented writers explored erotic fiction, a bit of backlash began. It was a reaction to the sunniness of the coming-out formula, and I called it "porn noir." This was the attitude of the writer who said, "I don't want to be a role model, I don't want to be wholesome-I 'came out' ten years ago, and it was hardly the highlight of my sexual career." Porn noir peaked in the mid-nineties, and we started seeing a lot of dark stories, parables with erotic antiheroes, ambivalent endings-and yes, bad sex. Yet they were still arousing-the storytelling was irresistible. Authenticity was their watchword, and "keeping it real" meant not putting a cherry on top of every cum shot. In this edition of The hallmark of the coming-out story was that it was told in the first person; it was autobiographical. When the porn noir craze hit, even though the author was not as optimistic as we had become accustomed to, s/he was still telling "his or her own truth," as it were. The "I" was still the most popular viewpoint for telling a sex story; the implication was still largely confessional. Writers being the great liars that they are, no one wanted to "be themselves" for very long… how dreary. That confessional "Look Ma! Look Pa! I'm Fucking Myself!" thing was exhilarating at first, but it was a dead end after the early generations. Some writers are very private about their personal lives, and their own sexuality is often quite a departure from their protagonists'. There are seven stories in this edition that portray a male point of view, in which the "I" is a man, or the third person is employed to show a decidedly masculine perspective. Six of these stories are written by women. It's the same on the other side; I have men who are writing lesbian and female-centric work as well. One of the "gay male" stories is written by a woman. Of course, since I'm sworn to secrecy, I can't even tell you how many of the author names you see on the stories are actually the gender they appear to be. Just keep guessing. Now I realize that this wouldn't be big news in literary fiction. No one says to Joyce Carol Oates, "My god, it's incredible the way you write men's dialogue, how can you bring yourself to do it?" But in contemporary erotic lit, this is pretty racy. When Pat Califia first wrote Not only is it a leap of writing sophistication, it's also been a departure from political correctness. Many women erotic authors have always been perfectly capable of writing male viewpoints and vice versa. But because modern erotic fiction has been so feminist in its roots, there was always an unspoken peer pressure to write as a woman, to show the woman's point of view, to interrupt the male monologue that seems to dominate every other part of the media. Men who wrote erotica were discouraged writing female viewpoints because there was resentment there, in the spirit of "What the hell do you know, you patriarchal windbag!" After all, so many patriarchal windbags had already gotten published that the guilt trip worked as an effective shushing. What's interesting now is to see women taking on male characterizations to make their stories come to light-or gay authors using heterosexual sex to make a homosexual point, and so on. It brings to mind the words of filmmaker Gregg Araki, who once said, "I was so sick of directors who made gay-themed movies for a straight audience-so I decided to make a 'straight movie' for gay people." This flexibility in viewpoint has made erotic lit a lot more complex and unpredictable, which is the flavor of any good yarn. It's been satisfying to see women's stories where the argument for why women are entitled to have sexual feelings is not rehashed for pedagogical benefit. Instead, the characters One character that's been particularly shaken up by this new candor and creativity is that old whore with the golden heart I mentioned at the beginning of the introduction. The fastest-growing erotica this past year has been the explosion of writing by artists who work in the sex business. The obvious reason for the burgeoning number of sex-work stories is that so many people now count some sex work as part of their resumes. If you're living in Southern California, I would lay odds you've either worked a sex-related job, or you have a relative who does. We're not just talking porn stars here, but rather everyone from the warehouseman who trucks your dildos, to the sales manager for the printing press that delivers hardcore box covers. There are the doctors who work in clinics that cater to prostitutes and adult actors, and the lingerie manufacturers who wouldn't exist without strippers as their biggest customers. And that's all aside from the "talent": the models, the phone-sex operators, escorts, dominatrixes, and so on. The peculiar American prejudice against sex work is that, first, it's for dumb people, and second, it's for the chronically horny and hard-up. Yet if you take a look at any of the books, plays, and films created by sex workers, you'll see that they're as articulate, educated, and outspoken as any group of nonconformists. They have the same highs and lows of libido as any civilian. One of the best anthologies I read last year was Yet as the editor says in his introduction, "These stories are written as if we are talking among ourselves." He goes on further to explain the risk he took in showing a warts-and-all view of this world: "The media's most common portrayals of sex workers are of sex-crazed perverts or trapped victims… In a world that still views sex workers as primarily vectors of disease (literally and figuratively), counternarrative is crucial. Sometimes, however, sex-worker spokespersons end up oversimplifying sex work by showing only the positive sides. To me, this is as inaccurate as the talk-show host and the social worker who call us depraved or deprived." Oversimplifying-the great sin of the do-gooder, the sex-positive cheerleader, the optimistic assimilationist. Truth be told, it's the cry of someone who would just like to be understood and appreciated for a minute before the next tidal wave of sex-shame barrels up. And yet look where it gets you-there's the initial applause for trying to play to the crowd, but it's only a matter of minutes before your facade is unmasked, and the calls of hypocrisy are thrown into the ring. Fiction has always been the most transformative place to tell the truth. Storytellers aren't running for office; they're simply here to suspend disbelief. Writers don't have to take one side, because if they're any good, they'll make you step into multiple pairs of character shoes. Authors don't have to "do the right thing," because their most appealing hero can be the one who never does anything right. It's this empathy that arouses our convictions and sways more minds than a thousand stump speeches. Erotic lit is getting messier every day, much to my approval. I'm relieved that the new erotica writers don't expect me to love them, or to become them, just because their story turns me on. Give me the soap, the lather, and all the dirt, because I'll stick around for the next episode, and the one after that. Coming-out stories have finally come clean and grown up, like all good genres should. I don't know what's going to happen next, and that's the biggest thrill of all. - Susie Bright February 2002 ________________________ Arsenal Pulp Press Arsenal Pulp Press is a leading independent press publishing a wide range of titles, which include Black Books Black Books publishes books on underground urban subcultures- erotic short fiction anthologies and nonfiction resource guides that enable fringe groups to network with one another. It also publishes The Blacklisted Journalist Bloomsbury Publishing Pic Bloomsbury Publishing is the publisher of the bestselling books Circlet Press Circlet Press has been blending the erotic with the fantastic since 1992. Vampires, cybersex, magic-Circlet's specialty is high-quality erotica with a twist. The contact address is 1770 Massachusetts Avenue, Suite 278, Cambridge, MA 02140, or Clean Sheets Cleis Press Cleis Press has published provocative books on sex and gender by both women and men for more than twenty years. Notable authors include Gore Vidal, Patrick Califia-Rice, Susie Bright, Annie Sprinkle, Tristan Taormino, and Carol Queen. Titles such as Haworth Press Haworth Press has been publishing books on human sexuality, especially of interest to the L/G/B/T community, for several decades. Harrington Park Press is an imprint of Haworth Press. Visit its online catalogue at In Touch For Men Alfred A. Knopf Alfred A. Knopf is one of America 's foremost book publishers, dedicated to publishing distinguished fiction and nonfiction. Knopf is the flagship imprint of the Knopf Publishing Group, a division of Random House, Inc. Melcher Media Melcher Media is an award-winning creator of innovative illustrated books, based in New York City. The hit anthology of erotic short fiction, The Missouri Review Nerve New Mouth from the Dirty South New Mouth from the Dirty South publishes kick-ass fiction and true stories, Noirotica The Studio Loplop The novel Venus or Vixen Press Venus or Vixen is an independent press publishing fiction and anthologies. It is the publisher of books such as Warner Aspect "Ganger (Ball Lightning)" by Nalo Hopkinson originally appeared in |
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